Tree-Structure Canopy A Case Study in de
Tree-Structure Canopy A Case Study in de
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1. INTRODUCTION
1.1. Project description
WestendGate, also known as the Marriott Hotel, is one of the most iconic
towers in Frankfurt. At a height of 159 meters and 47 storeys, the original
structure ranked as the highest tower Germany during the 70s and early
80s. Built in 1976 by the architects Siegfried Hoyer and Richard Heil in the
Westend of Frankfurt am Main, the building became the trend setter and
exemplar for high-rise construction in both this district and the broader city
of Frankfurt.The Marriott Hotel Group moved there in 1989, and the
building remains the highest hotel in Europe.The Hotel occupies the top 18
of the 46 storeys of the building; a three winged structure in plan. It has its
own lobby on the ground floor and uses the second floor as a ball room. All
the remaining levels, which are accessible via a second lobby, are occupied as
office space and building services.
The project described in this paper is a canopy, referred to generally in
this paper as the Tree-Structure.This Tree-Structure canopy was designed
in order to protect the newly designed outdoor entrance and departure
area. Besides providing performance needs such as weather protection the
brief for the canopy included the key criterion to generate a prestigious
new entre to the hotel experience. A requirement was that the new
addition should contribute significantly to the buildings visual impact at the
human scale: it already had significant impact at the urban scale. It was also
to provide visual signals to reinforce primary pedestrian movement flows.
The Tree-Structure covers an area of 1200 m2 with its height varying
between 8 and 14 meters.The defining perimeter is between 85 and 14
meters in length depending on section location.The lead author worked
with Just/Burgeff Architekten in collaboration with structural engineer Viktor
Wilhelm.
2. DESIGN PROCESS
2.1. Definition of Structure
The Westendgate proposed canopy was not designed in a conventional topdown design process, where the architect determines design and passes it
on to engineers and fabricators for further processing. It was developed in a
bottom up iterative and interactive process as described by Kloft [1], where
all different team members agreed on a negotiated co-decision process
through which they could enrich the procedure with their expertise. Several
sets of different, planar mesh structures and structural principles were
examined in relation to their performance, construction cost and design
quality (see Figure 2) for the team to consider and evaluate as a team. In
contrast to the Ornamental Discretisation of Free-form Surfaces approach
described Manhal et.al. [2], where an algorithmic tool has been developed in
order to tessellate double curved surfaces, the design team questioned and
thus avoided the necessity of such complexity as part of their approach.
The dimensions of the different planar meshes were determined in
relation to the practical constraints imposed by the possible roof cladding
materials; glass, ETFE foil and polycarbonate panels.Through evaluation of
the merits and demerits of each case, the team decided to continue with a
semi-regular voronoi mesh, including eight different standardized polygonal
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frame units, which would repeat themselves through the entire structure.
The solution bears interesting comparison to the one adopted for the
Campus Restaurant and Event Space Roof in Ditzingen, Stuttgart, by Barkow
& Leibinger architects [3].
Finally, branched columns were generated from selected voronoi
intersection points.The location of the trunk of the tree that the branches
would spring from was determined by where they would meet with the
position of the existing underground column grid at the ground slab level
(Figure 3).The schematic structure was subsequently digitized in a bottomup and interactive 3-D model.This model would allow the team to optimize
and update the canopys geometry through the entire design process.
Figure 3. Design process:
Generation of columns from voronoi
grid.
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STUTZE "1"
STUTZE "2"
STUTZE "3"
STUTZE "4"
STUTZE "5"
STUTZE "5"
3. FABRICATION PROCESS
3.1. Definition of Joints and Units
Determination of assembly joints and frame units was a key issue in order
to resolve the construction details and manufacturing method of the TreeStructure canopy. Due to the complexity of the joints, where each one
becomes a crossing point for up to five different axes, the only geometrically
feasible steel section profile proved to be the tube (or CHS, circular hollow
Tree-Structure Canopy: A Case Study in Design and Fabrication of Complex Steel 93
Structures using Digital Tools
Montagesto
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was divided into 72 non standard steel branch units (Figure 8).The
dimensioning of these branches was defined by the size of galvanizing pools
in which they were to be coated, and transportation requirements. A
similar technique was applied to the canopys columns each of which were
divided into four individual units.
Figure 8. Construction units,
Divisions of different Branches.
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060
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K18
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K76
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K64
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K9
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K11
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K56
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K61
K65
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K41
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K30
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K26
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5. DISCUSSION
5.1 A century of Standardized Constructions
Each time the architectural production technology changes, then
architecture changes as well argued Conrad Wachsmann in the late 50s
[9]. And it is indeed true, that significant technological developments have
always had an impact in architectural design and production.
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Paxtons Crystal Palace, built in the late 19th century, played a key role in
inaugurating a new era, when the development of techniques to produce
innovative iron and glass components began to revolutionize the
construction, structure, and consequently, design of buildings. It heralded the
dawn of a new architectural aesthetic. Following the introduction of the
recently invented assembly line [9], industrial production set of on a new
march towards faster construction time, at low cost and greater efficiency.
The urge to fulfill those three requirements motivated the Russian
engineer Vladimir Grigorjewitsch Suchov to develop his hyper-parabolic
mesh structures [11] in the same century.They consisted of mass produced
iron sticks, welded together in a minimal structure which combines fast
construction requirements with an optimally efficient geometry. Like Otto
[5] he had the goal of achieving essential coherence between form,
structure and production process. His intelligent structural system was used
for the construction of at least 200 telecommunication towers throughout
the Soviet Union.The use of the industrial manufacturing processes of his
time played a fundamental role in conceiving and delivery of the hyperbolic
towers.
With further industrialization of architectural technology taking place in
the beginning of the 20th century, serial mass production became more
refined.The notion of industrialization became a synonym for the notion of
mass production.The fully automatized factory could only operate efficiently
if it could produce huge numbers of self-similar copies.The initial formgiving tool is the major new component in such a process, thus also,
indirectly the final product.Wachsmanns modular coordination [9]
describes an order, based on a system, in which all components have a
clearly defined relation to each other. It tries to define one universal unit
categorized by geometries, tolerances, valuation and construction.This
order is, for him, the only way to guarantee reliable construction quality. It
also dictates a new relation between design and structure: he argued that
Industrial production cannot be abused as an excuse for realizing freely
designed conceptions. It can only be used as a direct cause for the
development provision of a product, which in a combination with the rest
provides the finalized form.
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7. CONCLUSIONS
Looking back in the overall design and realization process of the TreeStructure canopy, it is apparent that the conventional design procedure
became naturally transformed into a collaborative virtual system, where
architects, engineers and manufacturers were linked together in a constantly
updated common flow of information.Typical architectural drawings, such as
sections, elevations and floor plans are losing their importance, because they
are unable to entirely describe complex geometrical structures. Meanwhile,
the role of interactive digital models is gaining in importance.Various CAD
file types and application formats such as DWG, IGES or STL are becoming
the common data currencies, that both define the building, and carry the
responsibility for efficient transmission of design information between the
actors.Thus, our understanding of advanced design, precision and structural
tolerance is being transformed.We can relate ideas and decisions directly to
the relevant requirements of each manufacturing machine.
These changes have a strong impact on a contemporary design and
construction process. For instance, because of the fabricators expertise in
determining planning and production tolerances, that fabricator gains more
responsibility for implementation planning and finalized product. However, the
question of the legal responsibility of the architect can become more complex
in such cases: can an architectural practice be legally responsible for
production drawings, which are increasingly dependent upon advice and
intervention from external agents?
On a technical level related to the Tree-Structure project described
here, the introduction of the screw-joint, used for assembling the different
branch unit, proved to be an efficient innovation, which could be used for a
wider spectrum of contemporary projects. It is a construction solution,
which, unlike the Mero knot separates the geometrical knot junction from
the actual assembly junction, allowing a flexible subdivision of units. Other
parameters such us the units weight or the size of the galvanization pools
could thus be made more optimal.
It is also essential to mention that the implementation of finite element
analysis simulation played a key role in the switch from a partly standardized
to a non standard structural system and geometry.The initial assumption,
that by reducing the number of individual frame and cushion units would
reduce the cost of construction proved to be irrelevant. On the contrary,
the structurally optimized, non-standard frames proved to be lighter, and
less expensive.The increased complexity related to the frames
manufacturing process was counteracted through the integrated, interactive,
parametric design environment linked to finite element analysis and
computer aided manufacture (CAM) systems.
It is becoming clear that Conrad Wachsmanns theses about the relation of
technology and architecture are more relevant than ever.We live in a time
when digital manufacturing technologies are revolutionizing the architectural
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Acknowledgements
The author wants to express sincere thanks the co designers Malte Just,Till
Burgeff, the lead structural engineer Viktor Wilhelm and the fabrication
company Rolfing.
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