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Flight Controls

Flight Controls
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0% found this document useful (0 votes)
115 views

Flight Controls

Flight Controls
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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FLIGHT CONTROLS

Turning the yoke moves cables, guided by a series of pulleys, that deflect one aileron up and the opposite
down.

When you turn the yoke left or right, you activate a spocket connected by a chain and a cable to a
complementary chain and sproket on the copilot side -- that's why the yokes turn together.

Pushing or pulling the yoke moves other cables that either lower or raise the elevator, causing the airplane
to descend or climb.

How your airplane turns, climbs, and descends


By Marc E. Cook

We take it for granted that a twist on the airplane's control yoke or a nudge on
its stick raises the nose or drops a wing tip. We take it for granted that a light
push on the rudder pedals compensates for a crosswind or centers the ball in
the turn coordinator. In much the same way we anticipate how simple it is to
steer a car by the wheel or a bicycle by the handlebar, pilots seldom give a
second thought to the airplane's flight-control system. And yet in the 100-plus
years since the Wrights experimented with kites and gliders, basic aircraft

flight-control systems have evolved tremendously and have been developed to


be simple, lightweight, and-perhaps most important-utterly reliable.
The aim is simple: Enable the pilot, sitting comfortably in the cockpit with
intuitive controls, to make the airplane go precisely where he or she desires. A
tremendous amount of design work and testing goes into a control system,
partly because it is a critical system-and therefore cannot be allowed to failbut also because of the inherent contradictions in the mission. The control
system must be operable by a pilot of average size yet must apply sufficient
leverage to move the control surfaces to maximum deflection within a
prescribed range of operating speeds. At the same time, the system must also
provide intuitive feedback to the pilot and present control forces that are
neither too light (causing overcontrolling of the airplane) nor too heavy
(preventing the pilot from obtaining full movement of the control surfaces).
Although certification standards prevent aircraft with extreme forces from
getting into production, there's still a wide range in which the engineers are
allowed to work, and as a result, some airplanes feel better than others.

Three axes, three sets of controls (mostly)


With a few exceptions, light aircraft flight control systems are very much alike,
using hinged flaps along the trailing edge of each wing (you already know
them as ailerons) to control the airplane around its roll axis. That is, the
ailerons are responsible for one wing descending and one wing rising as you
initiate a turn. To control the airplane in pitch, there is either a combination of
a fixed horizontal stabilizer with a hinged, moveable elevator, or something
known as a stabilator-basically a single-piece movable elevator whose leading
edge drops as the trailing edge rises. And for yaw, the common form is a
hinged rudder following obediently behind a fixed vertical stabilizer.
(Incidentally, extensive aerodynamic studies and years of flight testing have
shown the shape of the vertical stabilizer to be of comparatively minor
importance to how the airplane flies, hence the longstanding tradition of
making the vertical element sexy rather than purely functional.)

How Cessna does it


These controls need your input. Because Cessna's Skyhawk is arguably the
Model T of contemporary light aircraft, and its longevity (and sheer sales
volume) naturally causes every other aircraft designer to take notice of how
Cessna did things, we'll use it as the central example.

The Skyhawk uses steel or stainless-steel cables almost exclusively to transmit


movement at the yoke and rudder pedals to the flight controls. Cables are
comparatively light and durable, made up of multiple lengths of wire wound
into strands and then bundled together. For example, a common control cable
is a 7319 flexible cable, made up of 19 wires in a strand, with six strands
wound around a single central strand. The benefits of multiple strands and
wires are strength and redundancy; for most applications, the system will
tolerate multiple broken wires without the whole cable breaking. Moreover,
cables can go just about anywhere in the airframe where there's a bit of free
room between the cabin and the control surface.
Let's follow the 172's control path from the yoke through the airplane and see
how the system works. Naturally, the yoke is free to move back and forth as
well as turn left and right. To permit this, the end of the control column
behind the panel contains a simple universal joint-a kind of double pivot that
allows the column to rotate (for roll control) while also tilting slightly-attached
to a large, stylized Y. One upper stem of the Y connects to the pilot's yoke
while the other upper stem lies behind the copilot's yoke. The vertical element
of this Y extends down to the cabin floor.
When you command the ailerons to move, you are actually rotating a small
sprocket at the top of this Y, which is connected through a chain and a section
of cable to a complementary chain and sprocket on the copilot side; this is why
the yokes turn together. (It's important to understand that any looseness
between the two yokes is because this interconnect cable is not tight enough,
or the chains and sprockets are worn-not because of some control-system
malady elsewhere.) The interconnected yokes are in turn hooked to the main
control cables through special cable terminators and a series of pulleys-metal
discs with grooved edges in which the cables ride. These pulleys rotate around
a simple shaft bolted (in this case) to the control Y.
The aileron cables follow the control Y down to the floor and turn toward the
tail over two more pulleys (each cable, left and right), back to a point even
with the rearmost sill of the cabin doors. (In high-wing Cessnas, the structure
around the door posts, in front of and behind the doors, carries not just the
bulk of the structural loads of the airplane but houses several systems,
including fuel lines, wiring to the wings-for lights, the flap motor, etc.-and the
control cables). Then the cables are routed up the door sills to the ceiling,
where they cross over-the cable running up the left door post crosses to head
out to the right wing, and vice versa-and continue out to approximately the
midpoint of the ailerons.

The cables terminate at something called a bellcrank-though it looks nothing


like a bell-that transfers the motion of the cables to a small rod that pops out
of the trailing edge of the wing and then attaches to the aileron itself. This is
the small rod you gently twist during preflight to make sure the system is not
bound. There is a third cable, strung between the ailerons, which ensures that
there is sufficient tension in the system and that when one aileron is moving
up the other absolutely, positively is moving down. (Incidentally, the geometry
of the bellcrank in the wing is often designed to create differential control; that
is, one aileron moves upward more than the opposing aileron moves
downward. This differential action helps to counteract the aerodynamic effects
of the aileron's being hinged at the top and to reduce adverse yaw.)
That's the roll system; let's look a bit closer at pitch. The bottom of the control
Y pivots at the floor of the 172 and is attached there to a small metal tube
(called a pushrod) that then connects to another bellcrank under the floor.
This bellcrank accepts a pair of cables that make a 90-degree twist and travel
into the tail cone toward the elevator. (This is one advantage of a cable system;
it can be made to twist and turn at will.) The left and right elevator halves are
bolted to a crossmember and then to another bellcrank that receives the aft
end of the elevator cable. Pull back on the yoke, the control Y tilts back at the
top and actually pulls the small linking pushrod forward, rotating the
bellcrank and pulling on the up-elevator cable. Almost magically, the trailing
edge of the elevator goes up, and the houses get smaller. (Ask your CFI for an
explanation.) Similarly, the rudder system uses a pair of long cables that run
back to the bottom of the rudder; the mechanism under your heels also ties to
the nose gear. Finally, there's the elevator trim system, again operated by twin
cables to an actuator in the tail that gradually draws the trim tab up or down.
All told, there are six cables running down the tail cone of a 172.

How the other half lives


Cables are a fine, efficient way to move flight controls, but not every airplane
uses them. The main reasons are that cables could fray and break, and they
must be kept under proper tension for the system to work properly. Also,
every time a given cable winds over a pulley, there's a bit of friction added to
the system, which impairs feedback from the control surfaces. Improperly
designed or maintained, a cable system can make the controls feel stiff and
dull.
One alternative to cables is the so-called pushrod control system, which uses a
series of metal tubes to carry all back-and-forth motion from the yoke to the
control surface; they're much more solid than steel cables and anchored in

such a way as to reduce lost movement. If you've ever had a chance to fly a
Mooney and like the way it feels-a tight, direct response to your inputs-you
can thank the pushrod control system. Unfortunately, the pushrod system
demands careful alignment of all the bits and pieces, and becomes quite
complicated in anything but a low-wing airplane. Finally, the geometry of this
type of system inherently limits available leverage, so the careful dance
between feel and control becomes an even more demanding ballet.

Built to be safe
Perhaps no scenario is more frightening than loss of basic airplane control,
something all airframe engineers (and the FAA certification people) keep in
mind. That's why most systems are either redundant by nature or extremely
durable. For example, it's possible to control the airplane even if you lose
rudder or aileron control. Because these are totally separate systems, the odds
of losing both aileron and rudder control simultaneously are extremely low.
Thankfully, it's fairly easy to keep the wings level with either the ailerons or
rudder (see "Losing Control," June 2002 AOPA Flight Training).
What about pitch? For the most part the pitch system stands alone, but there
are important safeguards built in. For example, if one pitch cable breaks, it's
still possible to trim the airplane to maintain tension on the good system and
complete the flight safely. Should both cables come adrift, it's still possible to
fly the airplane with the trim system. Finally, should the pitch system jam, it's
possible (although by no means easy) to fly using the trim system alone.
Do your part to minimize the risks with a thorough preflight inspection. Every
control system should move freely but should not be loose. Each control
should respond to the yoke smoothly, without jumps or tight spots. You
should not hear cables slapping around or nasty crunching noises inside the
wing or empennage as you move the surfaces from the outside. Verify that the
controls are operating correctly by actually looking at them during the runupso many pilots, both new and thoroughly experienced, literally just go through
the motions. Now that you know a bit more about how the system works, don't
be one of them: be curious and be smart.
Marc E. Cook, a pilot since 1987, has logged 3,000 hours flying a variety of
light aircraft. A former senior editor for AOPA Pilot magazine, he now writes
about aircraft, automobiles, and motorcycles. He is based in Long Beach,
California.
Illustrations by David Diamond

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