Roger Coon - Public Speaking of William Fagal
Roger Coon - Public Speaking of William Fagal
Roger Coon - Public Speaking of William Fagal
COON, Roger W oold rid g e, 1 9 2 7 THE PUBLIC SPEAKING OF DR. WILLIAM A. FAGAL
OF "FAITH FOR TODAY": AMERICAS FIRST NA
TIONAL TELEVISION PASTOR. CVOLUMES I AND I I I .
M ich igan S t a t e U n iv e r s it y , P h .D ., 1969
Speech
1970
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By
A THESIS
Su b m itted t o
M ichigan S t a t e U n iv e r s it y
in p a r t i a l f u l f i l l m e n t o f th e req u irem en ts
f o r th e d eg ree
DOCTOR OF PHILOSOPHY
Department o f Speech
1969
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PLEASE NOTE:
N ot o r i g i n a l c o p y . Some
p a g e s have i n d i s t i n c t p r in t .
Film ed a s r e c e iv e d .
UNIVERSITY MICROFILMS
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ABSTRACT
THE PUBLIC SPEAKING OF DR. WILLIAM A. FAGAL OF "FAITH FOR TODAY":
AMERICA'S FIRST NATIONAL TELEVISION PASTOR
By
Roger W ooldridge Coon
W ithin th e frame o f
(1 ) t o d eterm in e th e b io g r a p h ic a l and p e r so n a l
(3)
t o d e s c r ib e , a n a ly z e , and e v a lu a te th e r h e t o r ic a l th eo r y and p r a c t ic e o f
Dr. F agal; and (4 ) t o e s t im a te th e e f f e c t o f h i s p r e a ch in g upon h is
t e l e v i s i o n a u d ien ce and upon a " liv e " a u d ito riu m a u d ien ce .
C hapters I and II a re b io g r a p h ic a l in n a tu r e , th e f i r s t chron
i c l i n g th e e v e n ts o f D r. F a g a l's l i f e
T o g e th e r , th e y r e v e a l th e background,
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An h i s t o r i c a l backdrop
church b o d ie s and th e t e l e c a s t ' s board o f d i r e c t o r s , and T e l e - n o t e s - m onthly news m agazine f o r " F a ith f o r T oday's" v ie w e r s .
C hapter IV o u t l i n e s th e r h e t o r i c a l th e o r y advanced by W illia m A.
F agal as r e q u i s i t e t o e f f e c t i v e p r e a c h in g , and exam ines r e f l e c t e d p a r
a l l e l i s m s in th e F agal th e o r y in term s o f contem porary h o m il e t i c a l
th o u g h t, w ith d a ta b e in g o b ta in e d p r i n c i p a l l y th rou gh p e r so n a l in t e r v ie w s
w ith Dr. F a g a l.
C hapter V i s a su r v e y a n a ly s is o f te n s e l e c t e d serm ons ( f i v e from
t e l e v i s i o n , f i v e from p u l p i t ) as t r a n s c r ib e d from o r i g i n a l sound ta p e
r e c o r d in g s and f ilm sound t r a c k s .
(1)
I t co n cern s i t s e l f , s u c c e s s i v e l y , w ith
(1 )
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quence :
(1) With v i r t u a l l y no form al t r a i n i n g in p u b lic s p e a k in g , W illia m
A. F agal has n e v e r t h e le s s m arkedly d em o n stra ted a h ig h d e g r ee o f p r o
f i c i e n c y as a sp e a k e r b oth on th e p u b lic p la tfo r m and on t e l e v i s i o n , th u s
perhaps in d ic a t in g th a t sp e a k e r s may be "bom " as w e ll as "made."
(2) Judged on th e b a s i s o f r e s u l t s , h i s m in is t r y has b een h ig h ly
e f f e c t i v e in r e a c h in g m il l i o n s o f p e o p le and in h e lp in g them in s p i r i t u a l
m a tter s.
term s o f t o t a l a c c e s s io n s o f members as a r e s u l t o f h i s p e r so n a l m in is t r y .
(3) W illia m Fagal e x e m p lif ie s i n a h ig h d eg ree C a to 's id e a l o f "a
good man sp e a k in g w e ll." He i s p e r c e iv e d by h i s in tim a te a s s o c i a t e s , as
w e ll as by te n s o f th ou san d s o f church members and n o n -A d v e n tist t e l e
v ie w e r s , as a man o f God, o f exem plary c h a r a c te r and h ig h d eg ree o f d e d i
c a tio n t o th e m in is t r y o f th e g o s p e l o f J e su s C h r is t.
(4) H is r h e t o r i c a l th e o r y and p r a c t i c e , in a s t a t e o f e v o lu t i o n ,
as a r e s u l t o f o b s e r v in g " feed -b a ck " from l i s t e n e r s , dem on strate a co n
t in u a l c o n s c io u s e f f o r t a t s e lf-im p r o v e m e n t in p u b lic sp e a k in g ; and in
term s o f a r t i s t i c c r i t e r i a , h i s perform ance shows marked and c o n tin u in g
im provem ent.
(5) The m ajor s i g n i f i c a n t w eakness p e r c e iv e d i s t o be found in
th e manner o f d e liv e r y o f th e t e l e v i s i o n serm on, where Dr. F a g a l h as
d ev elo p ed a r o le s t e r e o t y p e in h i s p r e a c h in g o f t h a t o f a " c o u n s e lo r a d v ise r " r a th e r th an t h a t o f an " o r a to r -p r e a c h e r ," t o h i s p e r s o n a l d i s
advantage .
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iii
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DEDICATION
To my form er s tu d e n ts a t th e A d v e n tis t C ol
le g e o f West A f r ic a , whose i n s a t i a b l e i n t e l l e c t u a l
c u r i o s i t y , unquenchable t h i r s t f o r t r u t h , and seem
in g l y l i m i t l e s s c a p a c ity f o r warm C h r is tia n f e llo w
s h ip tr a n sc e n d in g b a r r ie r s o f r a c e and n a t i o n a l i t y
were more than ad eq u ate recom pense f o r 12 u n fo r g e t
t a b le y e a r s in N ig e r ia .
C h rist"
where th e r e i s n e i t h e r Greek n o r Jew, c i r
cu m cisio n n or u n c ir c u m c is io n , B arb arian,
S c y th ia n , bond o r f r e e : b u t C h r is t i s a l l
and in a l l (C o lo s s ia n s 3 :1 1 )
w i l l e v e r rem ain an en d u rin g i n s p i r a t i o n and an
a b id in g jo y .
R.W.C.
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PREFACE
York:
In t h i s s tu d y th e r e w i l l be ''b io g r a p h y ," n o t o n ly b e c a u se sp e ec h
i s one o f th e d i s t i n c t l y unique a t t r i b u t e s w hich d is t i n g u is h e s th e human
from th e r e s t o f G od's c r e a t io n , b u t a l s o b e c a u se man i s ,
a fter a ll, a
B oston:
vi
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i t i s n o t sim p ly t h a t
i s b r o a d c a st by
I t i s , r a t h e r , t h a t t h e s e s c u s to m a r ily must
as p o s s i b l e to s h o o t a t
Two Q u e stio n s
I n t r i n s i c M erit") i s my
Why
And, s in c e
P erhaps th e p r e s e n t q u e s tio n
At th e r i s k o f th e od io u s s p e c t a c le o f
*11 C o r in th ia n s 1 1 :1 6 .
v iii
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If,
in la r c e n y , i t ta k e s one t o c a tc h o n e , perhaps i t i s n o t
s t r e t c h i n g th e a n a lo g y to o fa r t o s u g g e s t th a t in p r e a c h in g , a l s o , i t
ta k e s one to know o n e !
I have n o t alw ays been a m in is t e r , b u t I can n e v e r remember a
tim e when I was n o t d e c id e d ly i n t e r e s t e d in p r e a c h in g .
My p a te r n a l
As e a r ly as h ig h s c h o o l d a y s, I formed th e h a b it (n e v e r s in c e s u c c e s s
f u l l y " k ick ed " ) o f g o in g to h ea r famous w ell-k n o w n clergym en w henever
th ey spoke i n nearby c h u r c h e s .
With v i v i d r e c o l l e c t i o n I y e t remember my e n c o u n ter w ith th e
f i r s t "name" p r e a ch er I e v e r heard:
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b e f o r e g o in g to A f r ic a , I was p r i v i l e g e d t o h e a r , s u c c e s s iv e ly :
j]
1
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;
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th en c h a p la in
At th e c lo s i n g c h a p e l e x e r c is e o f th e
3I b i d . , 131.
S
i
xi
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He a p p lie d t h e s e words to th e
Ing-
I n t e r e s t i n g l y , M arsh all
It
(G le n d a le , C a li f o r
I f , a t th e c o n c lu s io n o f th e
N e v e r t h e le s s , a l l th e s e men m entioned
Cer
P r e ju d ic e , B ia s , and O b j e c t iv it y
f o r W illia m A.
Were I , f o r
(and th e r e a d e r s ) u lt im a te l o s s .
x iv
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"The v e r y
He,
A ccep t
I t i s n e i t h e r p o s s i b l e n o r d e s ir a b le .
In th e p r o s p e c
R e p o r te r s, he h e ld ,
in th e y e a r
The p r o t e s t a g a in s t
(1) i t i s u t t e r l y im p o s s ib le f o r an h i s t o r i a n to p r e s e n t
As r eg a r d s th e f i r s t , Hans M ey erh o ff p o in t s ou t th a t no h i s t o r
ia n can d e s c r ib e th e p a s t as i t a c t u a l l y w as; he cannot p r e s e n t in i t s
e n t i r e t y any e v e n t as i t a c t u a l l y t r a n s p ir e d , e v en th e s im p le s t .
The
h i s t o r i a n ' s w o r k -- t h a t i s , h i s s e l e c t i o n o f f a c t s , h is em p h a sis, h i s
o m is s io n s ,
h is o r g a n iz a t io n , h i s m ethods o f p r e s e n t in g - - b e a r s a r e l a
. . . "
o r fo r c e th e m se lv e s a u t o m a t ic a lly i n t o
any f ix e d scheme o f
x v ii
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The p r o c e s s o f th e h i s t o r i a n i s n o t a t a l l u n lik e th a t o f th e
p h otograp h er; and t h a t w hich L ife m a g a z in e 's v e t e r a n , aw ard-w inning
1
1
s p e c ia l e d i t i o n on p h o to g ra p h y , c o n c e r n in g h i s own c r a f t , c o u ld w ith
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X V IX I
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i t i s th e h i s t o r i a n , n o t
T hus, f o r P ir e n n e , " a l l h i s t o r i c a l . . .
a l l h i s t o r i c a l n a r r a t iv e i s
h y p o t h e s is .
The c o n tin u in g c o n tr o v e r s y o f o b j e c t i v i t y v e r s u s s u b j e c t i v i t y i s
n o t a lo n e th e co n cern o f th e h i s t o r i a n (o r th e p h o to g r a p h e r ); i t p e r
vades a l l f a c e t s o f human e x i s t e n c e .
And, in s t e a d o f b e in g m u tu a lly
t o l d an in t e r v ie w e r s e v e r a l y e a r s ago:
. . . I th in k a c t in g and jo u r n a lism are c l o s e l y a l l i e d .
T e le v is io n h as made news r e p o r t in g more d ra m a tic.
R ep orters
today are c r e a t i v e .
A lth ough th e y must m a in ta in t h e i r
o b j e c t i v i t y , t h e i r s u b j e c t i v i t y alw ays s e e p s th ro u g h , making
the news th a t much more i n t e r e s t i n g . An a c t o r , t o o , must a t
f i r s t b e o b j e c t i v e . Then, when he molds th e p a r t h e ^ p la y
in g , h is s u b j e c t i v i t y comes i n t o playT7* [Emphasis s u p p lie d . ]
3 I b i d . , 9 4 -9 5 .
4
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S in c e a b s o lu t e o b j e c t i v i t y , th e n , i s im p o s s ib le , sh o u ld th e h i s
to r ia n o p e n ly ta k e s i d e s , e sp o u s in g one ca u se o r th e o th er ?
S h ould he
There i s ,
I b e l i e v e , r i g h t and
. . . C o n v ic tio n r u le s ou t a b s o lu te i m p a r t i a l i t y , bu t n e v e r
t h e l e s s aims a t t r u t h ." 4
N. Y .:
4I b id .
xx
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o th er i s to be c o m p le te ly i n d i f f e r e n t .
The
to be k ep t in hand, n o t a t t i t u d e s t o be a v o id e d ."
1I b i d . , 5 8 -5 9 .
2
xx i
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C o n c lu sio n
t h a t i s to s a y , to a v o id as f a r as
th o u g h t i s e c h o e d in th e credo o f Gaetano S a lv e m in i
"Here I s ta n d ."
Roger W. Coon
Angwin, C a lif o r n ia
June 30, 1969
x x ii
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ACKNOWLEDGMENTS
Render t h e r e f o r e to a l l t h e i r d u es:
t r i b u t e to whom t r ib u t e
i s due; . . . honor to whom hon or.--R om ans 1 3 :7
as tr u e o f th e t h e s i s as P h i l l i p s Brooks was o f t e n
. . .
But in th e
a tw o -f o ld problem :
F i r s t , th e r e o b v io u s ly i s n ' t
room to p u t e v e r y o n e ' s
of
sh o u ld be w r it t e n e v e r y on e, I su p p o se t h a t even th e w o rld i t s e l f co u ld
It
To A rthur F. Weld, J r . , a s s o c i a t e p r o f e s s o r o f t e l e
v i s i o n and member o f my gu id a n ce co m m ittee, a " R en a issa n ce
man" in th e f u l l e s t meaning o f th e w ord, whose v a s t
i n t e r e s t s in and know ledge o f n e a r ly e v e r y th in g , from
B eethoven t o b o o k b in d in g , was n e v e r c o m p le te ly o r s u c c e s s
f u l l y h id d en b en ea th th e m an tle o f h i s humble and g e n t le
s p i r i t , who in tr o d u c e d me to th e e x c ite m e n t and i n t r i c a c i e s
o f t e l e v i s i o n d ir e c t io n and p r o d u c tio n .
To D octor W ilb er A lexan d er o f th e S e v e n th -d a y A d v e n tis t
T h e o lo g ic a l Sem inary, Andrews U n iv e r s it y , whose p io n e e r in g
d i s s e r t a t i o n on A d v e n tis t Radio B ro a d ca ste r H. M. S .
R ichards n o t o n ly p r o v id e d th o se o f us who fo llo w e d in h is
f o o t s t e p s w ith a v a lu a b le s t r u c t u r a l m odel, b u t a ls o gave
us a sta n d a rd o f e x c e lle n c e a t w hich t o aim.
To th e o f f i c e s t a f f o f F a ith fo r Today, I n c o r p o r a te d ,
who c o n t in u a lly went th e seco n d (and t h ir d ) m ile in p r o
v id in g me w ith th e n e c e s s a r y d a ta ( o f t e n d u rin g unpaid
o v e r t im e ), as w e ll as a s s is t a n c e and s u g g e s t io n s o f a l l
s o r t s - - e s p e c i a l l y W illia m R. Lawson, manager and t r e a s u r e r ;
R ichard E. G reen, form er a s s i s t a n t tr e a s u r e r ; F r a n k lin W.
H udgins, s t a t i o n r e l a t i o n s d i r e c t o r , and h is s e c r e t a r y - w i f e ,
L orrain e (a s w e ll as h i s p r e d e c e s s o r , E rn est N. W endth);
and Gordon F. D alrym ple, p u b lic r e l a t i o n s d i r e c t o r , and h i s
s e c r e t a r y , Edwina ("Red") M o n te llo .
To th e o f f i c e r s o f th e G eneral C onferen ce o f S ev en th -d a y
A d v e n t is t s , and th e Board o f T r u ste e s o f P a c i f i c Union
C o lle g e , my e m p lo y e r s, s u c c e s s i v e l y , d u rin g th e th r e e y e a r s
o f th e r e s e a r c h f o r and w r it in g o f t h i s t h e s i s , f o r tim e
a llo w e d o f f r e g u la r d u t i e s , and th e f i n a n c i a l su p p o rt w hich
made t h i s f i n a l document p o s s i b l e .
To F r a n c is X. S c a n n e ll, form er head r e fe r e n c e lib r a r ia n
o f M ichigan S t a t e U n iv e r s it y L ib r a r y , f o r h is i n f i n i t e
c a p a c ity f o r r e s o u r c e f u ln e s s in s u g g e s t in g new p la c e s to
sea r c h f o r e l u s i v e f a c t s and f i g u r e s , and f o r h i s dogged
d e te r m in a tio n in s le u t h in g o u t th e h id in g p la c e o f an
e r r a n t q u o ta tio n ; and to C la ren ce (D ick ) S le t w ic k , head
lib r a r ia n a t P a c i f i c Union C o lle g e , f o r g e n e r o u s ly ta k in g
o f h is own meager o f f i c e sp a c e to p r o v id e me w ith a p r iv a t e
room in w hich more than h a l f o f th e s e p a g es were w r it t e n
w ith o u t o u t s id e i n t e r f e r e n c e .
To J e r e E. C risp en s o f th e S c i e n t i f i c Computation
F a c i l i t y o f Loma Linda U n iv e r s it y , f o r p r o v id in g two graphs
to i l l u s t r a t e as many c h a p te r s o f t h i s t h e s i s .
To R obert L. Hammond and th e M ichigan Temperance Founda
t i o n , f o r p r o v id in g th e p l a t e s , n e a r ly two s c o r e in number,
u sed in t h i s t h e s i s , and th en in r ep ro d u cin g them on p a p er ,
thus d e m o n str a tin g a g a in t h a t p r in t in g may be one o f th e
f i n e s t o f th e g r a p h ic a r t s .
xxv
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R. W. C.
xxvi
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TABLE OF CONTENTS
Page
FRONTISPIECE
.................................................................................................................
iii
DEDICATION......................................................................................................................
iv
PREFACE ................................................................................................................................
ACKNOWLEDGMENTS .............................................................................................................
x x iii
LIST OF T A B L E S ...........................................................................................................
x x x iii
LIST OF FIGURES............................................................................................................
xxxv
LIST OF G R A PH S.................................................................................................................x x x v i i i
INTRODUCTION
.................................................................................................................
x x x ix
Chapter
I.
II.
WILLIAM A. FAGAL:
H i s t o r i c a l Backgrounds: On th e D o o rstep o f th e
"Roaring T w en ties" .......................................................................
Fam ily Background and E a rly Y ears:
1 9 1 9 -1 9 3 0 . . .
J u n io r High S ch o o l and High S ch o o l Y ea rs:
1930-1935
C o lle g e Y ears:
1935-1939
Permanent I n flu e n c e
.......................................................................
36
43
61
63
x x v ii
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3
30
63
85
III.
IV.
143
A B r ie f H is to r y o f B r o a d c a s t i n g ...............................................
S ev en th -d a y A d v e n tis ts V enture in t o T e l e v is io n . . . .
" F a ith f o r Today T e l e v i s i o n P rem iere: May 2 1 , 1950 .
The Shadow L en gthens: R ise and Growth o f th e
T e l e c a s t , 1950-1 9 6 8 . . .
.........................................................
O b je c tiv e s o f th e t e l e c a s t ......................................
S t a t io n co v era g e ..............................................................
S t a t io n d e c lin e :
ca u se and c u r e ........................
E v o lu tio n o f f o r m a t ....................................................
Problem s in p r o d u c tio n ................................................
Growing P a in s
............................................................................
I n t e r n a l o r g a n iz a tio n
...............................................
"A House i s Not a H o m e " ...........................................
F in a n c ia l su p p o rt and f i n a n c i a l c r i s e s . . .
A d v e r tis in g and p r o m o t i o n ......................................
The c r im in a l c o u r t s u i t ...........................................
" F a ith fo r Today," tomorrow .................................
I n f e r e n c e s ....................................................................................................
143
151
161
V.
OF WILLIAM A.
173
173
176
184
192
210
226
226
240
245
259
266
274
278
284
285
288
289
289
290
293
295
296
298
299
301
304
311
313
315
316
.319
F A G A L ......................
334
335
335
335
336
336
338
339
340
341
343
344
x x v iii
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VI.
R ese a rc h in g th e t o p ic
................................................
O r g a n iz in g th e m a t e r ia l
...........................................
W ritin g th e s e r m o n .........................................................
F i l i n g th e s e r m o n .........................................................
Method o f Sermon C om p osition ..............................................................
I n v e n t i o n ....................................................................................................
B a s ic B e l i e f s .................................................................................
Sermon Themes .................................................................................
...........................................
A udience and O cca sio n F a c to r s
N o n - A r t is t ic E lem ents o f I n v e n tio n .................................
A r t i s t i c E lem en ts o f I n v e n tio n ...........................................
E th ic a l P r o o f E t h o s ..............................................................
L o g ic a l P r o o f - - Logos ..............................................................
P s y c h o lo g ic a l P r o o f--P a th o s
...........................................
A r r a n g e m e n t ...............................................................................................
Method o f O u t l i n i n g ..............................................................
R h e to r ic a l Order W ithin Sermon S tr u c tu r e . . . .
Specimen A n a ly se s o f O u tlin e Method ........................
S t y l e .............................................................................................................
Word C h o i c e .................................................................................
S t r u c t u r a l A d a p ta tio n
.........................................................
F ig u r es o f S p e e c h ..................................................................
Oral V ersus W ritten S t y le
...............................................
Method o f Sermon D e liv e r y
..............................................................
S e t t in g f o r F a g a l's Sermon D e liv e r y
........................
F agal*s Method o f D e liv e r y ................................................
R eading v s . extem poraneous ......................................
A d a p ta tio n o f m essage t o sp e a k in g
s i t u a t i o n .......................................................................
The Speaker We S ee--" T h e V i s i b l e Code" . . . . . .
The Sp eak er We H ear "The A u d ib le Code" . . . .
E v a lu a tio n o f R h e to r ic a l E lem ents
...........................................
I n v e n t i o n ............................................................................
A r r a n g e m e n t .......................................................................
S t y l e .....................................................................................
D e l i v e r y ................................................................................
493
496
500
503
503
505
505
506
508
345
347
348
349
350
350
350
357
363
366
384
385
401
409
424
424
432
446
452
453
466
475
482
488
489
491
491
508
510
513
513
513
517
517
524
527
527
527
530
539
539
541
552
559
566
573
576
577
578
578
579
580
580
582
583
587
587
589
591
594
596
598
601
602
602
604
605
611
614
616
616
619
624
628
631
634
638
644
651
653
664
xxx
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V III.
F a g a l's image as a p r e a ch er : p o s i t i v e
f a c t o r s ...........................................................................
F a g a l's image as a p r e a c h e r : n e g a tiv e
f a c t o r s ...........................................................................
D e c is io n s made to n ig h t a t t r ib u t a b le to
F a g a l ...................................................
D e c is io n s b e fo r e t o n ig h t a t t r ib u t a b le t o
F a g a l ................................................................................
R e la tio n s h ip o f w ife on t e l e c a s t ............................
S u m m a r y ................................................................................
693
696
697
701
701
706
712
BIBLIOGRAPHY
672
679
691
......................................................................................................................
718
APPENDIXES..........................................................................................................................
741
A.
741
B.
P a r t i a l T r a n sc r ip t o f P r o c e e d in g s, S p rin g Commencement,
Andrews U n iv e r s it y , May 2 8 , 1967
743
745
746
749
751
765
779
781
S ta te m en ts o f T y p ic a l A udience R esponse to th e
P rea ch in g o f W illiam A. F a g a l, 1950-1968
783
T e le v is io n S t a t io n Management P e r so n n e l Survey
Q u e s tio n n a ir e ..................................................................................................
801
C.
D.
E.
F.
G.
i
H.
I.
J.
K.
;
xxxi
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L.
T a b u la tio n o f S t a t i s t i c a l D ata, T e le v is io n S t a t io n
Management P e r so n n e l Q u e s tio n n a ir e ...............................................
806
..................................
811
815
x x x ii
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L IS T OF TABLES
Tab le
Page
1.
2.
227
258
456
457
467
469
502
520
522
533
536
542
543
3.
4.
5.
7.
9.
10.
11.
12.
13.
14.
1925-1935
x x x iii
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115
Page
Table
15.
16.
17.
18.
554
555
556
562
X X X IV
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LIST OF FIGURES
Figure
1.
2.
3.
Page
A m erica's F i r s t N a tio n a l T e l e v is io n P a sto r
( F r o n t is p ie c e ) ..............................................................................................
iii
4.
5.
24
75
7.
. . .
................................
23
93
93
9.
97
10.
11.
131
12.
168
13.
168
189
190
208
14.
15.
16.
. . . .
XXXV
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131
Figure
17.
Page
A udience W atching L ive T e le c a s t a t ABC's Manhattan
S tu d io One (1952)
213
18.
213
19.
230
236
239
239
23.
243
24.
243
25.
F o r e st H i l l s O f f ic e B u ild in g (1 9 5 3 -1 9 6 3 )
26.
C arle P la c e O f f ic e B u ild in g (1 9 6 4 -
27.
28.
279
29.
283
30.
333
20.
21.
22.
.....................................
243
243
. . . .
254
31.
498
32.
514
33.
531
34.
531
547
570
35.
36.
xxxvi
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Figure
37.
571
703
703
40.
715
41.
717
38.
I
I
I
1
Page
39.
&
xxxV Ii
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
LIST OF GRAPHS
Graph
1.
Page
Comparison o f Orders With S h ip m en ts, G eneral E l e c t r i c
Company, 1925-1935
................................................................................
116
117
120
4.
179
5.
233
247
534
2.
3.
7.
xxxvm
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INTRODUCTION
In th e b e g in n in g was th e w o r d . John 1 :1 a
Purpose o f th e Study
( 1 ) to d eterm in e
t e l e c a s t , in c lu d in g th e o r g a n iz a tio n c r e a te d by th e S e v e n th -d a y A dvent
i s t church to su p p o rt i t , w ith w hich Dr. F agal i s a s s o c i a t e d in h i s
t e l e v i s i o n p r e a c h in g --e x a m in in g , in p a s s in g , th e form at and o b j e c t iv e s
o f t h i s in t e r n a t io n a l r e l i g i o u s b r o a d c a s t;
(3 ) to d e s c r ib e , a n a ly z e , and
to
e s t im a t e th e e f f e c t o f t h e p r e a c h in g o f Dr. F a g a l upon h i s t e l e v i s i o n
a u d ie n c e and upon a " l iv e " a u d ito r iu m a u d ie n c e .
B ecause o f a p le th o r a o f m a t e r ia ls r e a d i ly a v a i l a b l e , th e f i r s t
p o r tio n o f t h i s stu d y i s
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The
20
lim it e d to
o r ig in a l t e le v is i o n
s e le c tio n .
A lthough th e " F a ith f o r Today" program has been b r o a d c a s t on
s e v e r a l hundred t e l e v i s i o n s t a t i o n s around th e w orld f o r n e a r ly two
d ecad es, a n a ly s is o f r e sp o n se o f th e v ie w in g aud ien ce i s p r im a r ily
lim ite d t o N orth A m erica, w ith o n ly in c i d e n t a l r e fe r e n c e to r e c e p t io n in
o th er n a tio n s abroad.
A uditorium r esp o n se i s
xl
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th e purpose o f
sp e a k in g .
a s c e r t a in in g
S ig n if ic a n c e o f th e Study
I n t r in s ic M erit o f th e Study
The f i r s t t e l e v i s i o n s t a t i o n s
in th e U n ited S t a te s t o be
b u t i t was
(A P o r tu g u e se -la n g u a g e c o u n te r
x li
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s a li
to move to c o lo r p r o d u c tio n .
By Septem ber, 1966, th e program was b e in g g iv e n $ 1 ,1 2 3 ,1 6 7 w orth
o f fr e e a ir tim e a n n u a lly in N orth Am erica a lo n e by com m ercial s t a t i o n s
carryin g " F a ith f o r Today" as a p u b lic s e r v i c e .
P a s to r F agal and h i s program have r e c e iv e d awards o f m e r it
from
from
the American B ib le S o c ie t y .
The t e l e v i s i o n p a s to r r e c e iv e s m a il (a s m a ll b u t s i g n i f i c a n t
p o r tio n from government o f f i c i a l s a t th e f e d e r a l and s t a t e l e v e l s ,
c a p ta in s o f in d u s tr y , and e d u c a tio n a l le a d e r s ) a t th e c u r r e n t r a t e o f
10,000 l e t t e r s p er week.
commencement e x e r c is e s a t e d u c a tio n a l i n s t i t u t i o n s , p r e a ch in g m is s io n s
a t camp m e e tin g s , and a d d r e sse s to g a th e r in g s o f church w orkers around
th e w orld .
fo r c e d t o r e f u s e fa r
more i n v i t a t i o n s than he i s a b le to a c c e p t .
x lii
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100
D is t in c t iv e n e s s o f th e Study
As a co n seq u en ce,
t h is d i s s e r t a t i o n i s d i s t i n c t i v e in b e in g th e f i r s t in -d e p th stu d y o f
x liii
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M a te r ia ls o r S o u rces f o r th e Study
(1 )
B io g r a p h ic a l m a t e r ia ls p e r t a in in g t o th e l i f e and work o f
(3)
x lv
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(4)
His w r i t in g s , i n c i d e n t a l l y , p ro v id e
a d d itio n a l i n s i g h t s i n t o h i s h o m i le t i c a l th in k in g .
Secondary so u r ce s
(5)
c h ie f ly from:
Dr. F a g a l's p e r s o n a l lib r a r y and f i l e s .
T r a n sc r ip ts o f ta p e -r e c o r d in g s o f f i v e s e l e c t e d t e l e v i s i o n
se r m o n e tte s (r e co r d e d on ta p e d ir e c t from th e r e s p e c t iv e
f ilm s o u n d -tr a c k s ) and f i v e s e l e c t e d f u l l - l e n g t h sermons
(r e co r d e d " liv e " i n th e a u d ito r iu m ).
S ev en th -d a y A d v e n tis t Church Manual, fo r a sta te m e n t o f th e
is s u e s upon w hich Dr. Fagal s p e a k s.
I n te r v ie w s w ith members o f Dr. F a g a l's s t a f f co n cern in g h i s
d e liv e r y .
P e r so n a l o b s e r v a tio n s o f Dr. F agal sp e a k in g d u rin g t e l e v i s i o n
f ilm in g o f h i s s e r m o n e tte s , and o f h i s p la tfo r m p u b lic
a d d ress.
And such r h e t o r i c a l works a s:
x lv i
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(6 )
M a te r ia ls in d ic a t in g th e e x t e n t and n a tu re o f th e r e sp o n se
x lv ii
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i
i
1
if
||
P
H
if
if
||
lim ita
th e s i g n i f i c a n c e o f th e s tu d y , in c lu d in g i t s
i n t r i n s i c m e r it and i t s d i s t i n c t i v e n e s s ; th e m a t e r ia ls or s o u r c e s f o r
the stu d y ; and th e
C hapters I
o r g a n iz a tio n o f th e s tu d y .
and II are b io g r a p h ic a l in n a t u r e , th e f i r s t chron
T o g eth e r, th e y r e v e a l th e b a ck
x lv iii
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x lix
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CHAPTER I
WILLIAM A. FAGAL:
Come, s e e a m an .--Joh n 4 :2 9 a
But His word was in mine h e a r t as a b u rn in g f i r e
sh u t up in my b o n e s . --J er em ia h 20:9b
The f u l l , o v e r c a s t
I b i d . , 12.
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They had
atten d ed e v a n g e l i s t i c m eetin gs h e ld in a la r g e t e n t in B r id g e p o r t,
C o n n e c tic u t, by E ld er S id n ey N orton; and a t th e c o n c lu s io n o f th e cam
paign th ey w ere b a p tiz e d in th e S ev en th -d a y A d v e n tis t Church a t New
Haven (th e B rid g e p o r t church d id n o t have an im m ersion b a p t is t r y ) on
December 2 , 1916.
b e in g th e f if te e n -m o n t h a n n iv e r sa r y o f t h e i r w edding.
The N orton m eetin g s came in th e wake o f th e f i r s t g r e a t f lo o d t id e o f A d v e n tis t p u b lic e v a n g e lism a t th e end o f th e y e a r whose
b eg in n in g in a u g u r a te d "the modem e r a o f l a r g e - s c a l e A d v e n tist ev a n g e
lism " w ith th e "major breakthrough" campaign o f G eneral C onference
P r e sid e n t A rthur G. D a n ie lls a t P o r tla n d , M aine, on January 2 3 , 1916.
with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
H is t o r ic a l Backgrounds:
o f Albany.
"The R e v o lt o f th e American
For what th e f i r s t
1.
i d . , 8 5 -8 6 .
I b i d . , 8 6 -8 7 .
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1 I b id .
a su d d en , e v e r y o n e , ev ery w h ere,
wasta k in g up th e
th e l i t t l e man.
, 8 7 -8 8 .
with perm ission of the copyright owner. Further reproduction prohibited without permission.
In th e p r e v io u s m on th 's i s s u e , L in c o ln S t e f f e n s ' f i r s t a r t i c l e
And th e S o c i a l i s t P a r ty ,
c a n d id a te in
R e c a lls
son W illiam :
My f o lk s used to t a l k about how p o w e r fu l were h i s t a lk s in
the area and how l o g i c a l h i s S o c i a l i s t s o lu t io n s sounded.
They a p p a r e n tly v o te d f o r him w henever th ey had o p p o r tu n ity
to do s o . . . .4
Thus b egan , s a y s A lle n ,
th a t r e v o l t o f th e American c o n s c ie n c e w hich was to be th e
dominant phenomenon in American a f f a i r s u n t i l ab ou t 1915,
when i t was subm erged in th e oncoming t i d e s o f World War I ,
^ lle n ,
88
I b i d . , 91.
5Ib
id .
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6
and which f i n a l l y p e te r e d o u t about 1920 le a v in g b eh in d i t ,
how ever, i n f lu e n c e s and p a t te r n s o f th in k in g t h a t w ere to
con tin u e t o t h i s d a y . 1
A g en u in e f a i t h on th e p a r t o f m ost Americans t h a t t h i s war
could be th e l a s t one e v e r , and th a t v i c t o r y c o u ld b r in g w ith i t a new
day o f u n iv e r s a l freed om , stam peded th e n a tio n in t o a p r o s e c u t io n o f th e
new war e f f o r t w ith an alm o st e v a n g e lic a l d e d ic a tio n .
" Y e t, A lle n a v e r s , " th e c r u sa d in g s p i r i t was l i k e a bank whose
funds were b e in g overd raw n ."
V ile n ,
89.
I b i d . , 9 3 -9 4 .
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story o f the year
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PICTORIAL REVIEW
For Februaryon sale mm
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9
her m a ter n ity room a t Memorial H o s p it a l in A lbany, as sh e a w a ite d th e
b ir th o f h e r f ir s t b o r n l a t e r th a t d a y , sh e c o u ld n o t have h e lp e d s e e in g
the h a n d w ritin g on th e w a ll.
H is c a b le d d is p a tc h
I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
10
" n a tio n a l a s p ir a tio n s " are s e e t h in g b e n e a th th e s e r e n i t y o f
th e Quai d'O rsay.
I f th e Peace C onferen ce i s a llo w e d to rem ain a c o n fe r
ence betw een governm ents in s t e a d o f b etw een p e o p le s , i t i s
apt to d e g e n e ra te i n t o a s a t u r n a li a o f s ta te sm a n s h ip which
w i l l crown a war to end war w ith a p ea ce t o end p e a c e .*
P u litz e r
peace":
( 1 ) th e bourbonism o f p o l i t i c i a n s , i n s t i n c t i v e or opportun
i s t , p la y in g f o r advancement on th e ch au vin ism o f th e p e o p le ;
( 2 ) th e m a te r ia lis m o f i n d u s t r i a l and com m ercial c i r c l e s
a p p ea lin g t o th e b u s in e s s c l a s s e s ; (3) th e m ilit a r is m o f
p r o f e s s io n a l s o l d i e r s a p p e a lin g t o p r id e or f e a r o f im p e r i
a lism and j in g o e s .^
Whether P u l i t z e r ' s words r e v e a l any l a t e n t is o l a t i o n i s m or
xenophobia, th e y c e r t a i n l y b e tr a y deep f e e l i n g s o f d is illu s io n m e n t
t y p ic a l o f th e average i d e a l i s t i c American upon v ie w in g th e heavy hand
o f European power p o l i t i c s b e in g p la y e d o u t a g a in s t th e v an q u ish ed by
the v i c t o r s .
And American d i s
1 I b id . ,
2
I b id .
with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
|
&
|
h er husband s
(P r u s s ia would be d iv id e d i n t o
I t would h e lp b r in g s t a b i l i t y by p r o v id in g a te n -
E b e r t's lo y a l
Seven
^ Ib id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
12
I n s id e , a n o th er s t o r y t o l d o f th e new in d ep en d en t communist
r e p u b lic j u s t s e t up by th e S p a r ta c id e s i n Bremen.*
Twelve days e a r l i e r
were a l l o v e r th e p l a c e , in A m erica, to o !
A d jo in in g th e s t o r y o f th e
a b ly in f lu e n c e d th e ju r o r s ' un seem ly h a s t e in b r in g in g in a v e r d ic t o f
g u i l t y d e s p it e th e f a c t t h a t 43 o f th e 46 d e fe n d a n ts spoke no word in
t h e i r d e fe n s e th rou gh ou t th e t r i a l , n or were th e y r e p r e s e n te d by l e g a l
co u n se 1 th r o u g h o u t.
Most Americans sh a red th e s e n tim e n ts o f th e F e d e r a l p r o s e c u tin g
a tto r n e y about th e I.W.W.
them th a t
The I.W.W. r e c o g n iz e no c o u n tr y , no f l a g , no c o lo r l i n e .
They r e s p e c t no f l a g b u t th e r ed f l a g .
They w ould drag us
a l l down t o th e l e v e l o f th e lo w e s t man. They do n o t
1Ib
i d . , 3.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
T
13
r e c o g n iz e d if f e r e n c e s o f a b i l i t y in man, b u t w ould g iv e th e
unworthy th e same p r i v i l e g e s f o r w hich th e w orthy have to
s t r i v e so h a r d .l
Heady s t u f f in 1919!
E ig h t y e a rs
l a t e r , Henry F. P r in g le w ould r e c a l l th a t
As th e y e a r 1919 began th e U n ited S t a t e s was shaken by
ap p reh en sio n s th a t an a p p r e c ia b le p a r t o f i t s fo r e ig n popu
la t i o n was in d ir e c t com m unication w ith Moscow and th a t
overthrow o f th e governm ent by B o lsh e v ik s w earing beards
and c a r r y in g bombs was under s e r io u s c o n s id e r a t io n . B ig
B u sin e ss le d th e o n sla u g h t a g a in s t r a d i c a l , even l i b e r a l ,
th o u g h t. Through chambers o f commerce and o th er s e r v ic e
o r g a n iz a tio n s i t began a d r iv e a g a in s t th e Red Menace.
Funds poured in t o th e N a tio n a l S e c u r ity League and th e
N a tio n a l D efen se S o c ie t y . The f e d e r a l government became
in f e c t e d and s e n t s e c r e t a g e n ts o u t by th e hundred to
reg a rd w ith s u s p ic io n , and a r r e s t , i f p o s s i b l e , e v e r y one
who spoke w ith a f o r e ig n a c c e n t . ^
A d m itted ly , th e r e was some p a r t i a l j u s t i f i c a t i o n fo r g e n e r a l
p a n ic :
d is c o v e r y by th e Department o f J u s t ic e in v a r io u s r a id s o f to n s o f
inflam m atory l i t e r a t u r e , e t c .
A communist ta k e o v e r o f
1 I b id .
I b i d . , 238.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
14
F r e d e r ic k Lewis A llen, s u g g e s ts one p o s s ib le e x p la n a t io n f o r a
c e r t a in ten d en cy he n o te d among many Americans to b e " a r r o g a n t or
" condescend ing" tow ard Europeans:
[ I t ] may b e p a r t ly due t o th e f a c t t h a t fo r g e n e r a tio n s
alm ost th e o n ly Europeans t h a t th e a v era g e n a t iv e - b o r n
American saw were p o o r , ig n o r a n t , i l l - d r e s s e d , and o f t e n
d ir t y members o f t h i s im p o rted p r o l e t a r i a t , ja b b e r in g in
in c o m p re h e n sib le to n g u es w h ile th e y d id m enial j o b s . They
were s c o r n f u lly known as D a g o es, P o la c k s , H u n k ies, K ik es.
As th e y b e t t e r e d th e m s e lv e s , th e y became in most c a s e s l e s s
I t a l i a n or P o lis h or S e r b ia n o r Czech or R u ssia n , more
American; and s o th e u n fa v o r a b le image o f Europeans i n th e
American mind p e r s i s t e d . . . .1
Then, th e r e was P r o h i b it io n , " th a t p r iz e c u r i o s i t y o f r e f o r m is t
ard or.
On th e day o f W illia m F a g a ls b i r t h , th e seco n d m ost im p o rta n t
s t o r y on page one o f th e T im es, a f t e r th e announcement t h a t th e P a r is
P eace C onferen ce would open tom orrow, was th e f a c t t h a t y e s t e r d a y
N ebraska became th e 36th s t a t e to r a t i f y th e n a t io n a l p r o h ib it io n ammendm ent, and thus "the American n a t io n was v o te d d ry ."
B u t,
now, th ey h a r d ly th ou gh t about i t . ^
The e d it o r s o f th e New York T im es, how ever, were f a r from i n d i f
f e r e n t , s o much so t h a t th e y f e l t c a l l e d upon to remark in p r in t th a t:
^ A lle n , 47.
^I b i d . , 9 4 .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
15
I t was p o e t i c a l l y and p o l i t i c a l l y j u s t th a t th e s t a t e o f
Mr. [W illiam J e n n in g s] Bryan [one o f th e fo r e m o st a d v o c a te s
o f P r o h ib it io n ] sh o u ld have b een th e d e c is i v e t h i r t y - s i x t h
t o r a t i f y y e s t e r d a y th e p r o h ib it io n ammendment.l
Then th e e d it o r s p ro c ee d e d more s o b e r ly , in d e e d , som berly:
With what d iz z y in g s w i f t n e s s have th e l e g i s l a t u r e s com
p e te d w ith one a n o th e r t o add t h i s A r t i c l e t o t h e
C o n s t it u t io n I Has t h i s c o n ta g io n o r c o n sen su s o f em otion
and p o l i t i c s b een accom panied w ith an eq u a l c o n v ic t io n
among th e p e o p le , a c o rr e sp o n d in g u n an im ity o f p u b lic
o p in io n ? Have th e p e o p le had much t o sa y about i t ?
P r o h ib it io n i s n o t y e t a f a c t . The im p e r fe c tio n o f
human n a tu r e may to some e x t e n t i n t e r f e r e w ith i t s becom ing
a g e n e r a l and a b s o lu te f a c t in th e U n ited S t a t e s . 2
W hile P r o h ib it io n may have been in some r e s p e c t s an o v e r t mani
f e s t a t i o n o f l a t e n t P u r ita n ism i n th e U n ited S t a t e s - - o r , to q u ote
R ichard H o f s t a d t e r 's p arap h ra se o f th e Andrew S i n c l a i r p o s i t i o n , "a
f i n a l a s s e r t io n o f th e r u r a l P r o te s ta n t mind a g a in s t th e urban and
p o ly g lo t c u ltu r e th a t had em erged a t th e end o f th e n in e t e e n t h cen tu ry
and th e b e g in n in g o f th e t w e n t ie t h ,"
(1) i t c e n t r a l iz e d a u t h o r ity in
(B oston:
I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
1I?'
16
o u tla w ed a l l th in g s German.'*'
As S i n c l a i r has so s u c c i n c t l y put i t ,
*(New York:
^ S i n c l a i r , 20.
3 M erz,
2 5 -2 7 , 2 9 , 34, 40.
^ S in c la i r , 1 8 -2 0 , 34, 4 9 ,
6 8
, 7 0 -7 1 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
17
W hatever e l s e i t d id , th e r e i s one t h in g P r o h ib it io n d id n o t do:
i t d id n o t , w et propaganda to th e c o n tr a r y n o tw ith s ta n d in g , " tea ch
p e o p le to d r in k ."
^I b i d .
18
Even tod ay Anna F agal has "warm" and " e n th u s ia s t ic " r e c o l l e c t i o n s
about th e openin g o f th e Barge C anal "a g r e a t e v e n t and a much appre
c ia t e d one by th e com m unities w hich i t s e r v e d ."
p a r t i c u l a r l y en jo y e d g o in g f o r b o a t r id e s on th e c a n a l betw een S ch en ec
tad y and Amsterdam, e s p e c i a l l y n e g o t ia t in g th e lo c k s a lo n g th e w aterw ay.
As son W illiam o b se rv e d l a t e r , "This was a p p a r e n tly c o n sid e r e d to be
q u it e th e th in g to do a t th e tim e ." *
But, w ith th e c l o s i n g o f th e E rie Canal l a s t month, on
December 12 (and o f th e Hudson R iv er a week l a t e r on th e 19th) f o r th e
w in t e r ,
th e a t t e n t io n o f th e c i t i z e n s o f Albany tu rn ed to o th e r e x c i t
fa c to r y .
By 1929, about n in e te n th s
I b i d . , Feb.
, 1919, 2 7 .
C ite d
I b i d . , 38.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
19
1 9 2 0 s, E sse x in tr o d u c e d th e c lo s e d model a t a p r ic e f o r w hich o n ly open
c a rs had p r e v io u s ly been a v a i l a b l e .
" 11
a Packard "Twin-Six,"**
) . 12
^ Ib id .
C o l l i e r 1 s , J a n . 4 , 1919, 2 1 .
3 I b id .
, 45.
I b i d . , 57.
I b i d . , Feb. 1 5 , 1919, 2 2 -2 3 .
I b i d . , March 2 2 , 1919, 2 1 .
Ib id _., 2 3 .
19Ib
I b i d . , J a n . 11, 1919, 1 6 -1 7 .
i d . , March 2 9 , 1919, 2 3 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
20
in i t was e x tr e m e ly p o o r , and r id in g in th e w in te r tim e was
h a z a r d o u s, to put i t m i l d l y . *
M o to rcy cles were then th e r a g e , as th e y w ould become a g a in in
la t e r tim e s; and one o f W illia m 's u n c le s owned o n e, and b ro u g h t i t o v er
to th e house t o show i t o f f to F a th er F a g a l.
My f a t h e r w anted to tr y i t o u t and d id s o . However, he had
f o r g o tte n t o in q u ir e j u s t how one sto p p e d t h i s m o n ster, and
as th e r e s u l t had to d r iv e around f o r a c o n s id e r a b le p e r io d
u n t i l he ran out o f f u e l , and i t sto p p ed i t s e l f ! ^
When World War I began in 1914, th e a u to m o b ile began to r e v o lu
t i o n i z e th e war; and th e in d u s t r y , in
tu r n , was r e v o lu t io n iz e d by
war.
among U. S . in d u s t r i e s ; by 1919,
th e
e y e , and were th e m se lv e s lo c k e d in a th re e -w a y s a l e s
race.
( " s t a n d a r d
m odels up to $300; p e r io d
10 0").4
3 K oeth er,
788.
I b i d . , J a n ., 1919, 36.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
21
snob a p p ea l:
it.
The p e o p le in A lbany, as e l s e
*I b i d . , March, 1919, 5.
^The L ite r a r y D i g e s t , J a n . 18, 1919, 81.
^ W illiam F agal L e t t e r , J u ly 18, 1967, 2 .
^ A lle n , 123.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
22
For j u s t f i v e d o ll a r s "Dr . ' 1 F r e d e ric k Houk Law's "Course o f
B u sin e ss T a lk in g and P u b lic S p ea k in g ,
c o u ld be y o u r s ! 1
L essons"
(S ee F ig . 4 .)
(S ee F ig . 5 .)
"^Quoted in B a r t l e t t , 9 9 9 .
^ P h ilip D avid son , "Albany C o n g ress," World Book E n cy clo p ed ia ,
I (1 9 6 0 ), 260.
^Paul Frank W heeler, "A lbany, N. Y .," E n c y clo p e d ia B r ita n n ic a ,
I (1 9 6 5 ), 5 1 5 .
with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
^
;;]
r u u tE ic r ho u k l a w
lARN HOW TO
g j f e f b iu i n tt i propoel*
JgoJntenatin*. P r e n t
S
S?
will get Ot.
WnUotL
iac-'talka.
ive tflc
r f e . pGlv
TalkWhea eroaUi
advertl*
SJr^^OflrritaUon.
JSSv.Cultivate ease in
dlctlons.
io*nmnce.
gSlto.acUlng
invest-
SSSWiV*.
*****
Talk, wfien
W i r i * k a a . Talk
- I was stunned. I
hadn't c o n sid e re d
feven the possibility of\
such a thing.!.! h a d
no idea w hat .to-;say,
A . thousand "f :things
raced -' throughi-in y '
' mind,''none qf- .thera '
appropriate. .:';1'tried .
to think.of a gtjqiy; a '
reminiscehcein anec- ,
dote,' a n y th in g - tb
carry the thing .off
and get back;in my
chair. I fose slowly,
hands in my pockets,
andopenedmy mouth
to speak, hoping th at
a land P ro v id e n c e
..would send me words
'to use an d thoughts
^to express.
{Independent Corporation
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
24
only a m atter of a few weeks., before I WaI know this to be true for I used to be
able
at one quick but careful survey to .tel
about the poorest judge of character th at I
just what a man was like by wKat hi
know. I was always' making friends only to
looked like.
"
find that they were the wyong kind, or saying
And what a revelation it'w as!. F or ,thi
the wrong thing to my customers because I
first time I really knew people whom I though
had failed to size them up" correctly, or
I had known for years. It was all so simpli
lending money to people who never intended
now
th at it hardly seemed possible t h a t .-.
to pay me back. I even mac^e a costly mis
-could , have made such mistakes as I-. die
take by giving.up a good job to go into
before I heard of Dr. Blackford;,. .
partnership with a man who turned p u t to be
People to o k ' on a n e w 'in te re st. In stea d o f Jus
little short of a thief.
b lanks"cach one becam ea definite personality w ithoual
itles, tastes an d tra its which I w as alw ays able to "spot.*
- I Was pretty much discouraged by this
W hy, th e v ery a c t o f m eeting people becam e th e mbs
m *
time and I determined th at the thing for me
fascinating pastim e in th e w o rld .. A nd bow m uch mon
to do was to learn to read character, if such
clearly m y own character loomed u p to me. I knew.a
f
.r}
'H
i'
never before m y lim itations and m y capabilities.*: *
a thing as that was possible, for I felt t h a t . I '- ''I
B u t it has been in m y co n tact w ith people in buelnes
unless I did know whom I could trust
th a t m y new faculty has.helped m e m b s tr-to sa y .th a t i
and whom I couldn't, I . never would get
has been w o rth thousands o f dollars to m e-is to p u t i
mildly. . I t h as enabled me to select a new p a rtn e r wbi
. very far.
has proved th e b est help a m an ev er h ad it h as mad.
It was about this time th at I read an
it possible for ub to build u p prob ab ly th e m ost cfficien
article about Dr. Katherine M. H. Black
"frictionless organization in-our line o f business wit)
every m an in th e rig h t job it h as been th e m eans o
ford, who is recognized as the foremost char
m y securing th ousands of dollars' w o rth Of business f roh
acter analyst in this country, and who was .
1 men I h ad never been ab le to sell before because
employed by a big company a t .a record fee
" W hat I ve learned'enables me to know os h a d n 't judged th em correctly, fo r aftcr.ali salesmanshil
much about a m an the first time I meet >
is m ore in knowing th e man y o u 're dealing w ith th a n it
to select their employees. I thought: then .:
him a s his best friend sometimes more."
an y o th e r one thingand w h a t I'v e lcam cd-from Dr
that if hardheaded business-men paid such a
Blackford's lessons enables fhc to k n o w .as m uch abou'
salary as this in order to insure tneir getting
a m an th e first tim e I m eet h im a s h is best friend
j :
the right kind of workers that, there sure ' of actionhe could make practical use of . sometimes more,
I b i t a n y w onder th a t such concerns a s th e Scot'
must be something in character ' reading many different kinds of knowledge but did . P ap
er C om pany, - th e B aker-V aw tcr, C om pany, tin
forme.
'b
not have the patience or the power, of con- , W estinghouse Electric a n d M an ufacturing C om pany
; One day while in Pittsburg my eye was centration to.search out and classify the. an d others h ave sought D r; Blackford a s counselor; o:
th a t thousands of heads of large.corporations, salrameni
attracted to an announcement of ^ lecture knowledge so th at it could ,be used. While , .-.engineers,
.p h y sician s/ bankers a n d . educators hav>
on Character Analysis j by- Dri? Blackford he was a brilliant speaker, a resourceful and ,. studied h e r Course and say th a t th e benefit derived h'
. ,' 1
and I decided to go a n a see if I could learn .,- effective debater, he lacked the power to dig/I', w orth thousands of dollars to th em ? anything,..:.
out and assemble, the material for orations.'.
ui,,;
.. That
m at -lectc
-lecture was- an' eye opener! N ot ; .and debates. The second man, she continued,., .S e n d .N o . M o n ey s
Only did Dr; Blackford shoW how easy it Is/ being shy and self-conscious, could not'speak .,
Th&blggest snrprto About Dr. Blackfords Course yoi
to read at>a glance th e little signs th a t reveal., in public; b u t was a;master of study and re- -- :haven't
read yeten d that la the price* I f after examal persons character, bift .after:the. lecture,: search and strong in his -ability to classify-;' . Inlng the aeven le sio n s In your ow n hdme yoa decide U
keep the Coarse yon need only sen d $5 In foil payment
she gave a*-remarkable demonstration of-i and correlate all kinds of. knowledge, -' "
ere not entirely satisfied wJth the Course; s en d I
character reading, th at atnazed the audience, ,
Indeed,- said Dr. Blackford, this gentle-/ : If.yott
back and yon will owe nothing.
, . ' She asked the audience, to' select two people - man would be a remarkable success,as A-.
M erely sen d the coupon for It now without money
in the half,:tocom e up and be- analyzed. lawyer, especially .in court practice. The Other . or write a letter and U will b e sen t to y o a th a ig ti
. Several m ental! of them entirely unknown to . gentlemah-would be a remarkable success as prepaid*
Yon take no risk and yoa have everything to coin* *
Dr. Blackford,- were suggested: and finally,; a lawyer, b u t his particular field would be the.'/.'' mall the coupon* before th is remarkable offer i s withtwo were chosen. As they came upon the'; preparation of cases and the giving of counsel drawn* . . . .
platform. D r , -Blackford looked them over' to clients. Therefore," she went on,they ; 1 . FREE EXAMINATION COUPON
keenly'and, after a moment's thought, began ' would be particularlyfitted toworktogetheras
to analyze Jboth of them a t once. As she : .partners not only because, they complement:
mentioned the characteristics of one she'; each other professionally but because their '
described the corresponding characteristics in. - dispositions are such that they would naturally.
(Publishers of The Independent Weekly)
the other.
. ; admire and.respect each other.
Dept. B -231,119 Weat 40th S t., New York
'Beginning with generalities, she told the- ~Ab 'fihe said this the audience broke into a - Please send m e Dr. Blackfords Course o f sever
' audience, ,every one of whom'seemed to. storm of dpplause and upon inquiry I learned ' lessons called "Beading Character a t Sight." I wil
know both'men, th at one was a good muter, th at [the two' men were indeed lawyers and either remaQ the Coarse to yoa within five aays after It*
j'aftresslve, bold and determined, while the partners, th a t/th e y had been partners for/ receipt or send you $5.
. .other was more or less of a. recluse, very twenty years and were well known, in Pitts
burg for their intense affection for each other Name
elf-contained, quirt and gentle. .
*v.
. The first, she said, was brilliant,"deverp aod for the--fact th a t during their twenty.. Address .v..*'.. ..
.
y "
quick-witted and resourceful; the. second .a yean' partnership they have never had a disa
silent man, slow a i ^ deliberate when- -he j greement/ One was the brilliant trial,lawyer; ;
Independent Corporation
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
25
On th e day o f W illia m F a g a l's b i r t h , A lb a n y 's p o p u la tio n was
a p p ro x im a tely 1 1 1 ,0 0 0 .^
l a r g e s t c i t i e s in th e U n ited S t a t e s .
in to w n - - p o s s ib ly b eca u se th e y m a in ta in e d a s t y l e o f l i v i n g q u it e s im ila r
to t h a t w hich th e y had m a in ta in e d in th e o ld c o u n tr y .
To t h i now
th e B oston
^ Ib id .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
26
and th e Delaware & Hudson.
c i t y around to s e e th e S t a t e
C a p ito l
17, 1919,
was s t i l l
Henry Fow les P r in g le and O scar H an d lin , " A lfred Emmanuel S m ith ,"
E n gyclop ed ia B r ita n n ic a , XX (1 9 6 5 ) , 828. For a r e c e n t s p le n d id stu d y o f
the r e l i g i o u s i s s u e in th e E le c t io n o f 1928, c f . E lto n Harvey W a lla ce,
"A lfred E. S m ith , th e R e lig io u s I s s u e : Oklahoma C ity , Septem ber 2 0 ,
1928" (u n p u b lish ed Ph.D . d i s s e r t a t i o n , D ept, o f Sp eech , M ichigan S t a t e
U n iv e r s it y , 1 9 6 5 ).
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
27
r e tu r n e d in b o th h o u ses
o f C ongress in W ashington .
a ls o remembered as th e f i r s t one in
w hich th e
H is e l e c t i o n i s
th e v o te to th e women
o f th e
o th e r 47 s t a t e s .
about A1 S m ith ,
The
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
28
i
th e e l e c t i o n , h u t i n s t i t u t e d c o u r t p r o c e e d in g s c h a r g in g e l e c t i o n fr a u d .
As a r e s u l t , th e g o v e r n o r - e le c t d id n o t r e c e iv e o f f i c i a l c e r t i f i c a t i o n
from th e S e c r e ta r y o f S t a t e u n t i l th e end o f December.
I t was A l's 4 5 th b ir th d a y .
A c h a r it y
of
One o f h i s f i r s t
I t was c h a r a c t e r i s t i c o f h is w i l l i n g n e s s to do th e u n o r th
1 Sm ith,
4
I b id . ,
167.
1 7 8 -7 9 .
I b id . ,
169.
I b id . , 1 7 -7 1 .
I b i d . , 1 7 6 -7 7 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
29
The m ost im p ortan t m a tter b e fo r e th e l e g i s l a t u r e in Albany on
January 1 , 1919, was th e r a t i f i c a t i o n or r e j e c t i o n o f th e 18th Amendment.
Governor Sm ith r e c o ile d - - a n d made no e f f o r t t o h id e h i s p e r so n a l r e v u l
s io n a t th e " ta sk o f making America so b e r by s t a t u t e " ; and he p roposed
a s ta te w id e referendum on th e i s s u e t o d eterm in e th e e x p r e s s io n o f th e
w i l l o f th e m a jo r ity .
"I b e l i e v e ," he s a id in h i s f i r s t annual m essage to th e law
m akers, " i t i s our duty to a s c e r t a in t h e i r w i l l d i r e c t l y upon t h i s
s u b je c t." ^
But th e G.O.P. m a j o r it ie s in b o th h o u s e s , a id e d and a b e tte d by
the A n ti-S a lo o n L eague, c a r r ie d th e day;
January 29,
t io n 13 days e a r l i e r .
But o f th e t r u ly g ig a n t ic problem s f a c in g New York, as o th e r
s t a t e s , a t th e b e g in n in g o f 1919, Sm ith h im s e l f , a decade l a t e r , w ould
w r ite o f t h a t c r u c ia l January:
Due in la r g e p a r t to th e e f f e c t s o f th e war upon th e
government th e a f f a i r s o f th e s t a t e were in a c h a o t ic con
d itio n .
I was in a u g u r a te d o n ly sev e n w eeks a f t e r th e s ig n in g
o f th e A r m ista ce . As m ight have b een e x p e c t e d , th e r e g u la r
and o r d e r ly p ro ced u re o f th e s t a t e s b u s in e s s had been
in t e r r u p t e d by th e n e c e s s a r y war work and much r o u t in e work
had been n e g le c t e d . The s t a t e ' s p la n t was run down. P u b lic
c o n s tr u c tio n o f a l l k in d s had c e a s e d . War c o n d it io n s and
th e h ig h p r ic e o f la b o r had bankrupted th e c o n tr a c to r s who
had un d ertak en s t a t e work. The r e tu r n o f th e s t a t e tr o o p s
and t h e i r rea d ju stm en t to a p e a c etim e b a s i s was c a u s in g much
co n cern . War had shown n e g l e c t and c a r e le s s n e s s in d e a lin g
w ith p u b lic h e a lt h . The c o m p lic a te d problem s o f t a x a t io n
needed s p e c i a l a t t e n t io n . There was an a c u te h o u sin g
s h o r ta g e due t o a le t-d o w n in b u ild in g d u rin g th e war p e r io d .
Employment had to be found a t home, in a d e c r e a s in g m arket,
f o r th e fou r-h u n d red -od d th ousand men and women who had gone
L
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
1919-1930
C h r is t ia n 's
son
th a t
p e r su a sio n . 2
Young C h r is tia n grew to manhood in S c h e n e c ta d y and was appren
t ic e d as a to o l-m a k e r a t th e G en eral E l e c t r i c f a c t o r y .
He su b se q u e n tly
the
S m ith, 186.
Like
3F agal I n te r v ie w , May 2 4 , 1 9 6 6 , 1.
^"Biography on P a s to r W illia m A. F a g a l, Founder and Speaker o f
F aith f o r Today," [mimeographed f a c t s h e e t , F a ith f o r Today P u b lic
R e la tio n s D e p t., c . 1 9 6 5 ), 1. C ite d h e r e a f t e r as F agal B iography Fact
S h e e t.
i^
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31
C h r is tia n , a f i r s t - g e n e r a t i o n A m erican, Anna had much in common w ith h e r
b eau .
A year
as
a lr e a d y m entioned above.
lb s .
C h r is tia n a g reed , b u t
Anna demurred, b u t q u ie t l y ;
Years l a t e r he
t o ld how
th e "A" was s e l f - i n s e r t e d . . . b e c a u se o f my ad m iration
f o r a s c h o o l chum named A rthur M acin tosh [o r M a c in to sh ]. . . .
We p a r te d company when I was about 11 and I n e v e r heard o f
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
32
him a g a in . However, th e "A" rem ained. On le g a l m a tter s I
must s ig n "W illiam A. ( i n i t i a l o n ly ) F a g a l." I have no
l e g a l m id d le name b u t b e c a u se o f my c o n s ta n t u se o f "A"
through th e y e a r s [I ] have b een a d v ise d th a t I
sh o u ld con
tin u e t o u se i t w ith th e a fo r e m en tio n ed e x p la n a t io n .*
T hus, W illiam "A." F agal jo in e d a s e l e c t group (which in c lu d e s ,
among o t h e r s , form er P r e s id e n t Harry "S." Truman) w hich gave i t s e l f th e
appearance ( i f n o t th e s u b s ta n c e ) o f a m iddle name in ord er n o t to be
out o f s te p w ith th e custom s and e x p e c t a t io n s o f contem porary s o c i e t y .
l a t e r o b ta in e d a B a ch elo r o f D iv in it y
tod ay i s an a s s i s t a n t p r o f e s s o r o f r e l i g i o n on
o f Loma Linda U n iv e r s it y ,
a fo u r -y e a r l i b e r a l a r ts
th e La S ie r r a campus
d i v i s i o n o f th e
Anna F agal L e t t e r , 2 .
li
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
33
Young W illiam a tten d e d k in d e r g a r te n and th e f i r s t grade o f
elem en tary s c h o o l in I l i o n . *
Fagal so n s ou t o f m i s c h i e f - - g e n e r a l l y .
Today, W illia m r e c a l l s :
i
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34
The f a c t t h a t th e A d v e n tis ts p r a c t ic e d b a p tism by t o t a l im m ersion
undoub tedly had a d i s q u i e t i n g e f f e c t in th e F agal n eig h b o rh o o d , a t l e a s t
among th e c a t-o w n e r s .
In 1926, th e F agal h o u se h o ld moved on t o S c h e n e c ta d y , e n a b lin g
C h r is tia n F agal t o r e tu r n t o h i s to o l-m a k e r 's tr a d e a t th e G eneral
E l e c t r i c p l a n t , and h i s son W illia m t o b e g in th e seco n d grade in elem en
ta ry s c h o o l.
(G eneral
It! ii*.
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35
In 1 9 2 6 --th e y e a r o f th e
( 2 ,2 3 4 ) , C o n g r e g a tio n a lis ts ( 3 7 6 ) ,
( 1 5 7 ) , and a s c a t t e r i n g o f sm a ll groups ( in c lu d in g
2
S even th -d ay A d v e n t is t s , w h ic h , w ith th e F agal fa m ily , numbered 76 )
D uring s i x o f t h e s e , he was a ls o a r e g u la r sp ea k er a t
Thus,
I b id .
?
H arold F a g a l I n te r v ie w , 1.
JL
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
And., fo r good
It is lit t le
to be
1930-1935
-z
On
S u d d en ly , one o f
Branson, 3.
Southern P u b lis h in g A s s o c ia t io n ,
i
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37
A ll th re e
Because o f th e danger o f d i s
D e s p ite th e
churned up i n s i d e ," he s a i d .*
B i l l , s ta n d in g a lo n e , r e fu s e d t o j o in
them.
In my home, moral p r i n c i p l e s had b een ta u g h t me from my
c h ild h o o d . I knew r ig h t from w rong. And I knew s t e a l i n g
was w rong. Even under th e g u is e o f a H allow een prank, I
co u ld n o t f e e l f r e e to s t e a l . B e s id e s t h i s , b eca u se my
c h ild h o o d had in c lu d e d a c t i v e p a r t ic ip a t io n in church
a c t i v i t i e s , I a l s o knew th e B ib le 's te a c h in g s a g a in s t th e
u se o f a l c o h o l i c b e v e r a g e s . . . .
In r e t r o s p e c t I cannot p ro u d ly s t a t e th a t I was brave
th a t n ig h t in th e fa c e o f my f r ie n d s ' ta u n ts and r i d i c u l e .
No w e ll-w o r d e d s p e e c h e s c o n ta in in g f a c t u a l in fo r m a tio n on
th e e v i l s o f a lc o h o l came from me. As a m a tter o f f a c t ,
what I r e a l l y remember i s b e in g p r e t t y u n co m fo rta b le and
more than a b i t h u m ilia te d a t b e in g th e o b j e c t o f t h e i r
u n r e le n tin g s c o r n .
But I d id tu rn down t h e i r i n v i t a t i o n to
j o in them in d r in k in g t h a t n i g h t , as I have done a l l th e
y e a rs o f my l i f e s i n c e .
What i s more, I have n ev er
r e g r e t t e d i t , n o t fo r a s i n g l e i n s t a n t . 2
At
th e b e g in n in g o f th e s c h o o l y e a r th e p r i n c i p a l , a Mr. P o r te r , announced
th a t anyone w is h in g t o j o in th e d eb a te team (w hich he p e r s o n a lly coached)
might w r ite an e s s a y on th e s u b j e c t o f th e f i r s t debate and subm it i t .
1 I b id . ,
173.
I b id . ,
1 7 3 -7 4 .
I b i d . , 87.
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38
W illia m , in an attem p t to Mg iv e d il ig e n c e t o make your c a l l i n g
and e l e c t i o n sure" ( I I P e te r 1 : 1 0 ) , p r e v a ile d upon an o ld e r c o u s in to
typ e ou t th e m an uscript in order t o make a fa v o r a b le im p r e ssio n upon th e
ju d ge.
He su cceed ed o n ly a l l to o w e l l .
A few days l a t e r W illiam was summoned in t o th e o f f i c e o f " th is
S u d d en ly , i t dawned upon
As a r e s u l t , I s a id and d id n o th in g in
He thus g a in ed v a lu a b le
e x p e rie n c e in p u b lic sp ea k in g ; b u t, i r o n i c a l l y , c o n c er n in g t h i s s e q u e l,
he w rote some 33 y e a rs afterw ard :
T h is s h o u ld , in a m easure, have com pensated fo r th e
u n p le a sa n tn e ss and h u r t o f th e y e a r b e f o r e , but to t h i s day
I cannot remember a n yth in g about th e d eb a tes we gave o r th e
t r i p s we took to o th e r s c h o o ls t o meet opp osin g team s.
N e ith e r can I r e c a l l th e v i c t o r i e s or d e f e a t s , n or even th e
^ b id .,
88.
2I b id .
3I b id .
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39
s u b j e c t s upon w hich we d e b a te d . A ll t h a t rem ains i s th e
memory o f th e b i t t e r s u f f e r i n g o v e r b e in g d i s q u a l i f i e d
b eca u se o f a crim e I had n o t com m itted. Human b e in g s who
have to form judgm ents on outw ard app earances [o n ly ] can be
e n t i r e l y wrong in t h e i r ju d g m e n ts.*
W illiam F agal would c a r r y t h i s keen s e n se o f j u s t i c e and i n j u s
t i c e w ith him to ad u lth o o d and i n t o h i s m in is t r y fo r o t h e r s .
I t w ould
1I b i d . , 89.
w * ....
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Con
40
H is
with perm ission of the copyright owner. Further reproduction prohibited without permission.
Some 33 y e a rs a fte r w a r d , h i s
(O liv e ) Weeks:
. . . As I r e c a l l he was a good b u t n o t o u tsta n d in g s tu d e n t.
At th a t tim e he showed a s t r o n g ly r e l i g i o u s n a tu r e . I
b e l i e v e th a t he was an A d v e n t is t - - p o p u la r ly known as a
S even th Day A d v e n t i s t .2
A t r a n s c r ip t o f W illia m F a g a l's h ig h s c h o o l c r e d it s
( in c lu d in g
*By F a ith I L iv e , 7 3 -7 4 .
^ L e tte r from Mrs. R ichard (O liv e ) W eeks, W illiam F a g a l's form er
h ig h s c h o o l te a c h e r , S p r i n g f i e l d , M aine, J u ly 1 3 , 1966.
with perm ission of the copyright owner. Further reproduction prohibited without permission.
42
Course
E n g lis h
L a tin
German
U. S . H is to r y
S o c ia l S tu d ie s
C iv ic s
A lgeb ra
Geometry
U n its
4
2
2
1
1/2
1/2
1
1
Course
U n its
G eneral S c ie n c e
P h y sic s
B io lo g y
Economics
B ib le (by co rr e sp o n d
en ce from Home
Study I n s t i t u t e )
TOTAL:
1
1
1
1/2
1 - 1 /2
17 u n its
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
43
C o lle g e Y ears:
1935-1939
A b ir d u n ca g ed . In h ig h s c h o o l, W illiam F agal d e s c r ib e d h im s e lf
as a f i s h out o f w ater; f i n a l l y , how ever, in an A d v e n tist c o l l e g e , he
with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
44
e x p e r ie n c e d a com p lete m etam orph osis:
He l a t e r o b serv ed :
During c o l l e g e I had a d r iv in g p a s s io n to e n t e r th e
L ord 's work.
I was e a g e r t o have a p a r t in f i n i s h i n g i t
b e fo r e J esu s came.
(I was n o t w o r r ie d about th e "rew ard,"
h o w ev er.) But I was con cern ed t h a t I w ould have a p la c e in
th e o r g a n iz e d [d e n o m in a tio n a l] work o n ce I com p leted
c o l l e g e . One a n x ie t y , a t l e a s t , was r e l i e v e d in my so p h o
more y e a r when th e p r e s id e n t o f th e New York C onferen ce o f
th e church t o ld me I w ould have a " c a ll" t o h i s f i e l d when
I was th rou gh .
But grad es? Grades w ere m erely a means to an e n d - - t o
g et out o f c o lle g e .
I was n e v e r co n cern ed w ith them , as
su c h . S ch ool was alw ays so m eth in g t o g e t done in o rd er to
g e t out in t o th e w o r k . 3
J u s t what k in d o f p e r so n and s tu d e n t was t h i s 1 6 - y e a r - o ld c o l le g e
freshman?
A f a i r l y c l e a r , g r a p h ic p ic t u r e b e g in s t o emerge from a s y n t h e s is
o f r e s p o n se s r e c e iv e d by t h i s i n v e s t i g a t o r t o q u e s tio n s su b m itte d to
n in e in d iv id u a ls who knew W illia m F a g a l in t im a t e l y d u rin g h i s fo u r y e a r s
a t A. U. C .:
f i v e form er c la s s m a t e s , fo u r o f whom l i v e d in c lo s e p ro x
C o lle g e T r a n s c r ip t.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
45
He was f r i e n d l y , b u t n o t an e x t r o v e r t .
S a id one c o l l e g e s t a f f
member:
W hile . . . [W illiam ] seem ed alw ays w i l l i n g to h o ld o u t a
h e lp in g hand, I f e e l th a t h i s c l o s e s t f r ie n d s were th o se
who h e ld sta n d a rd s and i d e a l s s i m i l a r t o h i s own.^
I n t e r e s t i n g l y , v i r t u a l l y a l l o f h i s s tu d e n t a s s o c i a t e s n o t e d a
ra th e r marked ten d en cy on h i s p a r t to be somewhat r e s e r v e d .
C lassm ate Robert L. R eynolds rem arked:
He was alw ays f r ie n d l y and i n t e r e s t e d i n p e o p le and in th e
l i f e o f th e Church, b u t alw ays appeared to be in a d eta ch ed
s o r t o f w ay.^
L. E. Sm art, who l i v e d a c r o s s th e h a l l i n th e dorm itory
commented:
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
46
I remember him as a v e r y e a g e r , p le a s a n t young f e llo w f u l l
o f v ib r a n t en erg y and y e t b o r d e r in g somewhat on th e s i d e o f
th e i n t e l l e c t u a l .
Winton H. B eaven, who l i v e d in an im m ed ia tely a d jo in in g room,
p o in ts o u t t h a t "w h ile n o t a l o o f , he was somewhat d i f f e r e n t from th e
r e s t o f th e b o y s." ^
Roommate Wendth a m p lifie d th e comments o f th e o th e r s co n cern in g
t h is t r a i t :
B i l l was n o t a lo n e r , b u t he d id have an aura about him
t h a t d id n t make him "buddy-buddy" w ith th e r e s t o f th e
s t u d e n t s - - a s o r t o f r e s e r v e , you m ight s a y . N ot th a t he
was a n t i - s o c i a l or a n y th in g l i k e t h a t - - h e w a s n 't. J u s t a
r e s e r v e . He was n e v e r r e a l l y "one o f th e b o y s ," i f you
know what I mean.^
T his im p r e ssio n o f detachm ent o r r e s e r v e was d o u b tle s s ca u sed ,
a t l e a s t in p a r t , by th e f a c t t h a t W illia m F agal was n o t th e a t h l e t i c
" ty p e ."
V arious a c q u a in ta n c e s commented:
He was n o n - a t h l e t i c , d id n o t engage in th e a t h l e t i c a f f a i r s
o f th e a v era g e male s t u d e n t . 4
He s p e n t m ost o f h is
r e lig io u s a c t iv it i e s
tim e to th e a t h l e t i c
o f a lig h te r na t ur e .
" in -g r o u p ."5
tim e in s c h o l a r l y p u r s u it s and in th e
o f th e s c h o o l , d e v o tin g v e r y l i t t l e
program and e x t r a - c u r r ic u l a r a c t i v i t i e s
. . . He was n e v e r one o f th e
B i l l was n e v e r one o f th e b o y s as f a r as b e in g a t h l e t i c in
any way, and he was n o t in v o lv e d in any o f th e g iv e and
^Beaven L e t t e r .
^Smart L e t t e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
47
ta k e th a t g o e s w ith th e h o r s e - p la y o f c o l l e g e l i f e
knew ab ou t. ^
th a t I
i s n o t th us su p p o rted from th e a v a i l
L. H. H a r tin ,
. . .
R e c a lls h i s form er
by h is com rades.
A c la ss m a te remembers, "He was alw ays h ig h ly r e s p e c te d and had a
r e p u ta tio n o f b e in g th o ro u g h ly d ep en d a b le."
1
R eynolds L e t t e r .
Schm idt L e t t e r .
^ H artin L e t t e r , 3.
^Smart L e t t e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
48
There
Wendth I n te r v ie w .
% endth I n te r v ie w .
i& J
^ F u rn iv a l L e t t e r , 1 -2 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
49
remembered, and commented, h a l f a p o l o g e t i c a l l y :
B i l l ' s c h a r a c te r was n e v e r in q u e s t io n . H is sta n d a rd s were
h ig h ( d e s p it e th e f a c t th a t h e was once caught in th e mob
s p i r i t o f a s tu d e n t s t r i k e a g a in s t th e c a f e t e r i a management!3 .*
Which, a f t e r a l l , o n ly g o e s to show th a t W illia m F agal was a
normal human b e in g --a n d c o l l e g e s tu d e n t!
G e n e r a lly sp e a k in g , h ow ever,
He to o k s e r i o u s l y th e a d v ic e o f
. . . "^
^Reynolds L e t t e r .
i
d
I b id .
^Beaven L e t t e r .
I
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
50
A th e o lo g y p r o f e s s o r who ta u g h t B i l l ' s P a s to r a l T r a in in g c l a s s
w rote:
His e x t r a - c u r r ic u la r a c t i v i t i e s were c h i e f l y a lo n g th o s e l i n e s .
L e a d e r s h ip . J u s t what were th o s e e x t r a - c u r r ic u l a r a c t i v i t i e s ?
W illiam F agal "was alw ays a c t iv e in any s c h o o l f u n c t io n , e s p e c i a l l y
th o se o f s p i r i t u a l v a lu e s ," Mrs. F u r n iv a l r e c a l l s .
"He was a c t i v e in
Roommate E rn ie
d evelop ed m u sic a l a b i l i t i e s , r e p o r ts t h a t
few men a t th a t tim e w ere as v e r s a t i l e as h e , or as w i l l i n g
to u se t h e i r t a l e n t s . T h is , o f c o u r s e , added t o h i s popu
l a r i t y . . . . He . . . c o u ld be cou n ted on t o j o i n in
e x t r a - c u r r ic u la r a c t i v i t i e s when n e e d e d , and to i n i t i a t e
in te r e s tin g p r o g r a m s .4
V ariou s o f h i s form er a s s o c i a t e s r e c a l l th a t young F agal "showed
ev id en ce o f le a d e r s h ip among h i s f e llo w s tu d e n ts " :^
among h is c la s s m a t e s ,"
he "was a le a d e r
7
In
. . .
than e l e c t e d ."
my r e c o l l e c t i o n was t h a t th e y were a p p o in te d r a th e r
T h is may be t r u e ; b u t , i f s o , th en th e r e were two
n o ta b le e x c e p t io n s - - b o t h o c c u r r in g in h i s f i n a l y e a r a t A .U .C .- - f o r
'"Hartin L e t t e r , 3.
^ F u m iv a l L e t t e r , 2 .
^Wendth I n te r v ie w .
^ H artin L e t t e r , 2 .
^ K ello g g L e t t e r .
^ K ilg o re L e t t e r , 1.
R eynolds L e t t e r .
Schm idt L e t t e r .
R eynolds L e t t e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
and a ls o as p r e s id e n t o f h i s g r a d u a tin g s e n io r c l a s s .
Fagal
P r in c ip le s o f E d u cation
Freshman C om position
E d u c a tio n a l P sy ch o lo g y
P r in t in g V o c a tio n a l
^ I b id .
^ C ollege T r a n s c r ip t.
^I b i d .
1
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
52
1936-1937
Survey o f E n g lish L ite r a t u r e
New Testam ent E p i s t l e s
C om parative R e lig io n s
G eneral B io lo g y
U. S . H is to r y to 1865
U. S . H is to r y from 1865
Advanced C om position
F i r s t Aid
1937-1938
D an iel
R e v e la tio n
New Testam ent Greek I
Advanced S p i r i t o f Prophecy
J o u rn a lism
A n c e str y o f th e B ib le
B ib le Sem inar
E v id en ces o f C h r is t ia n it y
Advanced P sy c h o lo g y
P a s t o r a l T r a in in g
1938-1939
P a s to r a l T ra in in g I I
Advanced [B ib le ] D o c tr in e s
Church H is to r y
I n te r n a tio n a l R e la tio n s
o
^ H artin
L e t t e r , 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
53
As a s tu d e n t s p e a k e r . W illiam F agal i s remembered by h i s p e e rs
as an " o u tsta n d in g sp eak er as a s tu d e n t," * in d e e d , "a v e r y g i f t e d
sp e a k e r."
w r itte n c o n c e r n in g h is e a r ly e f f o r t s in p u b lic sp ea k in g :
1
R eynolds L e t t e r .
^Schmidt L e t t e r .
Smart L e tte r .
^Smart L e t te r .
1
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
T
54
At a l l tim e s he had th e r e s p e c t o f h i s p e e r s , and by h i s
sophomore y e a r was a lr e a d y ta k in g m en's w o rsh ip [a m orning
and e v en in g d a il y d orm itory d e v o tio n a l e x e r c i s e a t w hich
a tten d a n c e was r e q u ir e d ] on o c c a s io n . The f e e l i n g o f th e
b oys a t t h a t tim e was t h a t he was as good a sp e a k e r as any
we had in w orsh ip and o f t t im e s b e t t e r than m o st. He
e x h ib it e d th e same e a sy grasp o f id e a s and flo w o f la n
guage w hich c h a r a c t e r iz e s h is p r e s e n t d e l i v e r y . 1
B i l l h im s e lf r e c a l l s th e f i r s t e v a n g e l i s t i c serm on h e e v e r
p reach ed , th e r e s u l t s o f w hich were n o t e x a c t ly a h a r b in g e r o f h i s
fu tu r e ach ievem en t in th e p u lp it or on t e l e v i s i o n :
I was a c o l l e g e freshm an, and a f t e r o n ly th r e e weeks o f
s c h o o l I was i n v i t e d to a s s i s t a s e n io r m i n i s t e r i a l s tu d e n t
in an e v a n g e l i s t i c cam paign. We w ere to a lt e r n a t e in th e
p r e a ch in g :
I w ould p rea ch th e f i r s t n ig h t , th e o th e r
f e llo w th e se c o n d , and so on. We r e n te d th e Town H a ll o f
S t e r l i n g , M a ss., and we a d v e r t iz e d . The o p en in g n ig h t we
brought a s tu d e n t group w ith us t o g u a ra n tee an a u d ien ce
(my a s s o c ia t e n e v e r even showed u p ) . In a d d it io n , two
o th e r s came. We s t a r t e d w ith a so n g s e r v i c e in w hich th e
l i g h t s were tu rn ed o f f and th e words were f la s h e d on th e
s c r e e n . W hile th e l i g h t s were o u t one o f th e two non A d v e n tis ts w alked o u t! Then we had th e c o l l e g e n u rse g iv e
a h e a lt h d e m o n str a tio n ("How t o Cure a Cold") on th e u s e o f
h o t fo m en ta tio n p a c k s. Then a n o th e r son g from th e s c r e e n - d u rin g w hich th e o th e r n o n -A d v e n tist w alked o u t!
I gave my
sermon on th e proph ecy in th e sec o n d c h a p te r o f D a n ie l,
h e a r tb r o k e n . There was no seco n d m e e tin g .^
During h i s sophomore y e a r young F agal gave h is f i r s t " f u ll- le n g t h "
Sabbath morning d e v o tio n a l serm on, w ith d is a p p o in t in g
d is a s tr o u s ) r e s u l t s .
(but somewhat l e s s
He remembers:
^Beaven L e t t e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
^ Ib id .
55
He p rea ch ed e v e r y Sabbath t o a
t h is summer e x p e r ie n c e p r o v id e d a s in g u la r o p p o r tu n ity to d e v e lo p h i s
g i f t f o r p r e a c h in g .*
As a j u n io r and s e n io r in c o l l e g e , B i l l and h i s f e llo w th e o lo g y
c la ssm a te s w ere s e n t ou t r e g u la r l y to ch u rch es w ith in a r a d iu s o f p e r
haps 50 m ile s from th e campus ea ch w eekend.
Some o f th e s tu d e n t
A c r i s i s in f a i t h and f in a n c e . - - B i l l F agal e n te r e d h i s s e n io r
y ear in c o l l e g e
^ I b id . , 5 .
2
. l
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56
meet c u r re n t e x p e n se s and pay o f f th e d eb t by g r a d u a tio n and n o t owe th e
c o lle g e a d o l l a r .
I f F agal were to
* F a g a l, By F a ith I L iv e , 9 7 .
2I b id . , 98.
^I b id .
....
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57
p r e s id e n t o f th e g r a d u a tin g c l a s s !
Summoning c o n s id e r a b le f a i t h , B i l l
And th e debt
As th e y w a ite d to e n te r th e
au d itoriu m , th e s e n io r s d is p la y e d g i f t s o f p e n s , w a tc h e s, and o th e r
p r e s e n ts w hich th e y had r e c e iv e d ; b u t B i l l had n o th in g t o show, f o r he
had r e c e iv e d none o f t h e s e t h in g s .
''Ibid., 9 9 -1 0 0 .
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58
B i l l was s i t t i n g
D is
Born
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C ite d
She
A fte r a p r o lo n g e d s t r u g g l e ,
^ R itten h o u se I n te r v ie w , 1.
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60
P ro v id en ce, sh e f e e l s , was p r e p a r in g h e r in s t e a d f o r a p io n e e r in g r o le
w ith h e r husband in r e l i g i o u s t e l e v i s i o n .
As B i l l and V ir g i n i a ' s f r ie n d s h ip r ip e n e d , th o u g h ts o f m arriage
began to s u g g e s t th e m s e lv e s .
B ut, d e s p it e h i s t h e o l o g i c a l t r a i n i n g i n
Somehow, th e m essage g o t th ro u g h ,
2
" I t w a s n 't a lo n g engagem ent."
to b e lo n g e r than
e i t h e r d e s ir e d , f o r a lth o u g h
61
A sy m p a th e tic and u n d e r sta n d in g te a c h e r , Mrs. K ilg o r e s t u d ie d
V ir g in ia 's t r a n s c r ip t ; and sh e d e c id e d th a t i f V ir g in ia rem ained in
summer s c h o o l and took a maximum lo a d d u rin g th e f i r s t s e m e s te r o f th e
fo llo w in g academ ic y e a r , sh e w ould th e n have accum ulated by January
s u f f i c i e n t c r e d it s to m eet g r a d u a tio n r e q u ir e m e n ts.
The c o u p le c o u ld
By c o in c id e n c e , i t was a ls o
S t. P a t r ic k 's Day.^
Thus, W illia m F agal ended s u c c e s s f u l l y one c a r e e r - - t h a t o f a
c o lle g e s t u d e n t and s im u lt a n e o u s ly began two o th e r s :
head o f h o u se h o ld ,
Permanent I n flu e n c e
j,
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62
^Schmidt L e t t e r .
^Smart L e t t e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
CHAPTER I I
WILLIAM A. FAGAL:
B eh o ld , an I s r a e l i t e in d e e d , in whom i s no g u i l e . . . .
My meat i s to do th e w i l l o f Him th a t s e n t Me,
and t o f i n i s h H is w o r k .--J o h n 1:47b;
4 :3 4 b .
There i s no power on e a r th th a t can n e u t r a liz e th e in f lu e n c e
o f a h ig h , p u r e , s im p le , and u s e f u l l i f e .
Booker T. W ashington!
Thus h e e n te r e d upon a m i n i s t e r i a l in t e r n s h ip in th e g o s p e l
m in is tr y o f th e S e v e n th -d a y A d v e n tis t Church.
s i d e r , s u c c e s s i v e l y , h i s p a s t o r a l and e v a n g e l i s t i c m in is tr y (1 9 3 9 -1 9 5 0 )
and h is t e l e v i s i o n and c o r r e la t e m in is t r y (1 9 5 0 -1 9 6 8 ).
P a s to r a l and E v a n g e li s t ic M in istr y :
1939-1950
63
.ft//.
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64
sou th o f th e F in g e r Lakes in th e w e s t - c e n t r a l p a r t o f th e S t a t e :
E lm ira ,
he h e ld an e v a n g e l i s t i c campaign in C o m in g in an a ttem p t to in c r e a s e
the s i z e o f th e l o c a l A d v e n tis t church th e r e w hich numbered o n ly 20
b a p tiz ed a d u lt s .
The p a s to r o f a German Lutheran Church, who was n o t h im s e lf
h o ld in g e v e n in g s e r v ic e s a t th e tim e , a g reed to r e n t h i s church b u ild in g
fo r th e cam paign a most u n u su al g e s tu r e two d ecad es b e fo r e th e dawn o f
the s o - c a l l e d "Ecum enical A ge."
^Fagal I n te r v ie w , J u ly 6 , 1966, 1.
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65
r e c o u n tin g th e s t o r y .
H e, o f c o u r s e , d id n 't have t o e n t e r th e w a te r ,
And
1I b id .
"The S e v e n th -d a y A d v e n t is t s ," The S to r y o f A m eric's R e lig io n s
(New York: H o lt , R in eh a rt and W inston , 1 9 6 0 ), 1 6 6 -6 7 .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
66
An A d v e n tis t i s a ls o e x p e c te d t o g iv e te n p e r c e n t o f h i s income
as t i t h e to h i s church f o r th e su p p o rt o f i t s m in is t r y , i n a d d it io n t o
r e g u la r o f f e r in g s f o r th e su p p o rt and m ain ten an ce o f th e c h u r c h 's v a r ie d
e v a n g e lic a l, e d u c a t io n a l, m e d ic a l, w e lf a r e , and p u b lis h in g a c t i v i t i e s a t
home and o v e r s e a s .
goin g back t o s c h o o l?
Perhaps as a g e s tu r e t o sw eeten th e d e n i a l , th e com m ittee v o te d
th a t he co u ld a tte n d th e d e n o m in a tio n 's q u a d r e n n ia l G eneral C on feren ce
S e s sio n to be h e ld in San F r a n c is c o in J u n e, 1941.
En r o u t e , w h ile
1I b i d . , 177.
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67
A fte r ta k in g one look a t t h e i r s u c c e s s f u l young e v a n g e lis t hob
b lin g in t o th e s e s s i o n on c r u tc h e s , w ith a la r g e p l a s t e r c a s t ad orn in g
one l e g , th e c o n fe r e n c e com m ittee met p r i v a t e l y in San F r a n c isc o and
v o ted to g iv e him th e summer o f f t o a tte n d one term a t th e sem in a ry ,
b e g in n in g June 2 2 .
" I t was my l u c k i e s t b r e a k ," he punned, y e a r s later.'*'
During th e summer o f 1941 v e te r a n A d v e n tis t e v a n g e li s t J . L.
S h u ler came as v i s i t i n g in s t r u c t o r to th e sem in ary; and Fagal f e l t th a t
t h is unique o p p o r tu n ity h e lp e d in g r e a t m easure to improve h is own
methods in e v a n g e lis m .
A lt o g e t h e r , he e n r o lle d f o r f i v e c o u r se s ( f o r a
t o t a l o f f i v e s e m e s te r h ou rs o f academ ic c r e d i t ) th a t summer:
H i s t o r i c a l Developm ent o f
P r o p h e tic I n t e r p r e t a t io n
Methods o f E van gelism
V oice and D ic tio n
D o c tr in a l T each in gs o f
J e su s II (a u d it)
P r i e s t l y Code in I s r a e l
o r ie n tin g h is p a s t o r a l c a r e e r in th e d ir e c t i o n o f p s y c h o lo g ic a l c o u n s e l
in g ; b u t when he found th e departm ent h o s t i l e toward fundam ental r e l i g i o n ,
7
he dropped p la n s t o tak e fu r t h e r s tu d y in t h i s a r e a . )
1I b id .
2
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E ig h te e n y e a rs l a t e r
F agal su b s e q u e n tly
f o r tne
F agal I n te r v ie w , J u ly 6 , 1966, 1.
I
i ^
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69
Thus on J u ly 4 , 1942, he c e le b r a te d th e n a t io n a l Independence
Day by a c h ie v in g t h a t measure o f e c c l e s i a s t i c a l in d ep en d en ce w hich comes
w ith o n e 's o r d in a tio n to th e f u l l g o s p e l m in is t r y o f h i s church.
The
a n c ie n t a p o s t o l i c ceremony o f th e la y in g on o f hands to o k p la c e b e fo r e
an aud ien ce o f s e v e r a l thousand a t th e annual camp m eetin g o f th e New
York C onference a t Union S p r in g s .
W. H. Howard, p r e s id e n t , New
I b i d . , J u ly 4 , 1942.
^I b i d .
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S u c c e s s iv e ly fo u r m in is t e r s
He
was now o n ly 23 y e a r s o ld .^
F rien d s im portuned B i l l n o t to a c c e p t B u f f a lo - - s a i d i t was
r id ic u lo u s fo r a "young u p s ta r t" l i k e him to attem p t a major campaign in
such a la r g e c i t y as t h i s w ith o u t more e x p e r ie n c e .
But to t h e i r s u r
The F a g a ls moved to
B u ffa lo a t th e end o f J u ly .
The campaign g o t underway in Septem ber, 1942.
going p a r t i c u l a r l y w e ll in e i t h e r th e European o r A s i a t i c t h e a t r e s .
Young men in t h e i r te e n s w ere b e in g c o n s c r ip te d i n t o m il it a r y s e r v i c e in
in c r e a s in g ly la r g e num bers.
'"Fagal I n t e r v ie w , J u ly 6 , 1966, 2 .
^I b i d .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
"Could
E v a n g e lis t S h u le r , upon le a r n in g o f d e v e lo p
( w h i c h
down to th e s m a lle s t d e t a i l .
sequence f o r an op en in g n ig h t topic!'*'
N e v e r t h e le s s , an a u d ien ce o f some 2 ,8 0 0 came t o hear th e young
e v a n g e lis t from E lm ira on h is o p en in g Sunday n ig h t .
And a lth o u g h th e r e
( f o r w hich e v e n in g s s e r v i c e s were h e ld e ls e w h e r e , in
He c o n tin u e d t h i s
s e r ie s fo r th r e e m onths, and h is r a th e r s p e c t a c u la r fu tu r e c a r e e r in
^Fagal I n te r v ie w , J u ly 6 , 1966, 2 .
2 I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
He a r r iv e d
^I b i d .
^H artin L e t t e r , 3 - 4 .
. ...
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
73
ap p roxim ately 220 when W illia m F agal came t o town; i t was n e a r ly 400
when he le ft.'* '
B rooklyn p a s t o r a t e . The F a g a ls n e x t a c c e p te d a c a l l t o th e
Washington Avenue S . D. A. Church in B rooklyn; and on January 17, 1944,
B i l l ' s 2 5 th b ir th d a y , th e cou p le drove in t o New York C ity and began
h o u seh u n tin g .
T h is was n o t t h e i r f i r s t v i s i t to th e b ig c i t y .
A fte r t h e i r
At t h a t
But
work i s c h a lle n g in g .
b a ck ,
"Where th e r e
*-Fagal I n te r v ie w , J u ly 6 , 1966, 2 .
2
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
74
Today, Kathy i s Mrs. Leland T e tz .
Her
[See F ig . 6]
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Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
76
For he had j u s t exchanged a t h r i v i n g , grow ing c o n g r e g a tio n o f many new
and e n t h u s ia s t ic members in B u ffa lo f o r a church w hich b o a s te d 350 mem
bers on th e church l i s t , b u t o n ly 168 Cby a c t u a l co u n t) in th e pews th a t
f i r s t Sabbath morning when th e new p a rso n d e liv e r e d h i s f i r s t sermon.
And th e m a jo r ity o f th e s e were elderly."*"
The tr u th w as, th e W ashington Ave. Church was d y in g .
In i t s
The m a jo rity
And now th e a r r i v a l o f a y o u th fu l p a s to r
dent o f
th e lo c a l c o n fe r e n c e ] done t o
"What h a s E ld e r Bunker [ p r e s i
th e W ashington
A ve. Church?"
1Fagal I n te r v ie w , J u ly 6 ,
2I b i d ., J u ly 7,
1966, 1.
3I b i d . , J u ly 6 ,
1966, 2 .
1966, 2.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
In
At th e c o n c lu s io n o f F a g a l's in a u g u r a l sermon th a t
f i r s t Sabbath,
madam."
never r e c e iv e d a r e p ly to a l e t t e r a l l e g e d l y w r it t e n F agal s e v e r a l y e a rs
e a r l i e r - - a l e t t e r h e had n e v e r r e c e iv e d .'5'
W ell!
To
3 ,0 0 0 , th e o th e r 1 ,0 0 0 .
Sunday n ig h t m e e tin g s .
p a s to r a te , b e fo r e g o in g i n t o h is p io n e e r in g t e l e v i s i o n m in is tr y
f u ll- tim e .2
W ithin s i x m onths, t h i s
1I b i d . , J u ly 7, 1966, 1.
2 I b i d . , J u ly 6 , 1966, 2 .
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He commenced th e
p ic tu r e s on th e s c r e e n , th e r e was an e x t r a $50 f e e fo r th e u n io n - s c a le
p r o je c tio n o p e r a to r and "prop man who h a n d led th e s c r e e n .
But w o r st o f a l l ,
1I b i d . , J u ly 7, 1966, 1.
'I b id ., 2
I b i d . , 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
p a sto r s i s th e annual "H arvest In g a th erin g " (or sim p ly " In g a th er in g " )
campaign, in w hich each c o n g r e g a tio n con d u cts a s o l i c i t a t i o n campaign
fo r funds among th e g e n e r a l p u b lic in i t s a r e a .
For th e
I exp ect
and met t h e i r g o a l in th e b a r g a in .
In had an e l e c t r i f y i n g
The t h ir d y e a r he cu t i t t o two
g o a l o f $ 1 0 ,0 0 0 cash in j u s t 14 d ays.
xI b id .
2 I b i d . , 2.
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80
D uring th e announce
"Give to U p l i f t . "
W hile th ey
b r o a d c a s t on
^I b i d . , 1.
2
i,.
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81
th e B ib le co rresp o n d en ce s c h o o l o p e r a te d i n c o n ju n c tio n w ith i t . *
The
"Get
choose th e l a t t e r . "
He had t r i e d a l l o th e r
p o s t e r s in th e subway s t a t i o n s , p la c a r d s ad orn in g
^ I b id ., 3.
I b i d . , J u ly 7, 1 9 6 6 , 2 .
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82
The r a d io b r o a d c a s t, r e c e iv in g g i f t s from l i s t e n e r s through th e
m a il, n o t o n ly p a id i t s own way b u t a ls o h e lp e d s u b s id i z e th e ex p en se o f
h o ld in g th e p u b lic m e e tin g s .
The combined b u d g et f o r th e e n t ir e p r o j e c t
out on a lim b .
S ev en th -d a y A d v e n t is t s , f o r exam ple, ta k e th e p o s i t i o n t h a t th e
p h y sic a l r e tu r n o f th e Jew s, as a p e o p le , to l i t e r a l P a l e s t in e i s n o t
(as many e v a n g e lic a l P r o t e s t a n t s b e l i e v e ) n e c e s s a r i l y a p r e r e q u is i t e f o r
the p e r so n a l r etu r n o f C h r is t to t h i s e a r t h .
From t h i s b a s ic p o s i t i o n th a t th e Jews d id n 't have to r e tu r n to
P a le s t in e , i t was n ot d i f f i c u l t fo r some p r e a c h e r s , in c lu d in g F a g a l, to
1I b i d . , 1.
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83
jump to a fu r th e r p o s i t i o n t h a t t h a t w hich was n ot n e c e s s a r y was a ls o
n ot p o s s i b l e . ^
One n ig h t F agal a d v e r t is e d h i s s u b j e c t :
to P a le s tin e ? "
He took th e p o s i t i o n - - s i n c e proven u n te n a b le by th e f a i t
I pay th e r e n t h e r e .
pay th e r e n t some o th e r n i g h t .
the man prom ptly d id s o .
was saved!
He tu rn ed t o th e man and d e c la r e d ,
I f you want t o t a l k , you can
Now s i t down."
And, somewhat f l u s t e r e d ,
Her
I b i d ., 2 .
'I b id .
Branson, 3.
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84
He
He had
1Fagal I n te r v ie w , J u ly 6 , 1966, 3.
^ V ir g in ia F agal L e t t e r , June 2 0 , 1967, 4.
3Fagal I n te r v ie w , J u ly 6 , 1966, 3.
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T e l e v is io n and C o r r e la te M in is tr y :
1950-1968
T e le v is io n M in istr y
d en om ination al o f f i c i a l s co n c er n in g h i s w i l l i n g n e s s t o commence a
r e li g io u s t e l e c a s t on a netw ork o f s t a t i o n s w hich w ould in c lu d e New York
and C hicago; and he wanted F agal t o j o i n him as announcer.
F agal r e p lie d th a t i f th e G eneral C onferen ce Committee would
v o te app roval o f su ch a p la n , he w ould g iv e i t e v er y c o n s id e r a t io n .
He
1I b i d . , J u ly 7, 1966, 1.
2 I b i d . , J u ly 6 , 1966, 3.
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r e je c te d .
They drew up a b u d g e t.
Then th e y te le p h o n e d F agal in
He
Over h i s p r o t e s
R e lu c t a n t ly , he a g reed .
They w ere, in d e e d .
XI b id .
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87
In a d d itio n to
c o u n tle s s in t e r v ie w s on l o c a l s t a t i o n s a c r o s s th e n a t io n in c o n n e c tio n
w ith p e r s o n a l app earance t o u r s , he h as appeared a t l e a s t th r e e tim es on
n on -d en om in ation al netw ork program s.
On J u ly 5 , 1953, P a s to r F agal was i n v i t e d by th e N a tio n a l Broad
c a s tin g Company to s e r v e as g u e s t m in is t e r on i t s w eek ly " F r o n tie r s o f
F aith" program , sp e a k in g l i v e from th e Manhattan S ev en th -d a y A d v e n tis t
Church in New York.'*'
He a ls o perform ed m arriage cerem o n ies tw ic e on th e "B ride and
Groom" show, a p o p u la r program in th e 1 9 5 0 s.
On A p r il 3 0 , 1953, when
Rose Y ee, a
^T e l e - n o t e s , J u ly , 1953, 2 .
^I b i d . , J u n e, 1953, 2 .
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88
San F r a n c is c o .
C o r re la te M in is tr y
P r e a c h in g .- - W illia m A. F agal d id n o t l i m i t h i s m in is tr y to th e
te le v is io n
-^T e l e - n o t e s , O c t ., 19 5 7 , 1 -2 .
2
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89
f a m ilie s have a t l e a s t one TV s e t in t h e i r hom es, a lth o u g h w e ll aware o f
in h er e n t p o t e n t i a l dangers f o r th e su b v e r sio n o f t h e i r s o u l s . *
F a g a l, how ever, welcomed th e o p p o r tu n ity t o " h it th e road" as
o fte n as h i s bu sy s c h e d u le would p e r m it.
In d eed , i t was sh e e r f in a n c i a l
During th a t y e a r th e group v i s i t e d 40 s t a t e s , co v er in g
He r e c e n t ly d e c la r e d w ith e a r n e s tn e s s:
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90
When t h i s
The more b u sy he i s ,
*Z
th e h a p p ie r he i s . " J
1966, 1.
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91
Fagal i s in c o n s ta n t demand as a s p e a k e r f o r s p e c i a l o c c a s io n a l s e r v i c e s
such as academy and c o l l e g e g r a d u a tio n e x e r c i s e s , w ed d in g s, f u m e r a l s ,
r e t r e a t s f o r d en o m in a tio n a l w o rk ers, and th e r e g u la r Sabbath m orning
w orship s e r v ic e s w henever he may be in th e a r e a .
In A p r il, 1966, he
Many
On th e sp u r o f
?
T e l e - n o t e s , O c t ., 1965, 4.
Gordon F. D alrym ple, " P a sto r F agal W itn esses a t W orld's F a ir ,"
Lake Union H era ld , O ct. 1 2, 1965, 2 .
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92
number o f camp m e e tin g s th e p a s t summer; and he d e liv e r e d i t w ith o u t a
h it c h , w ith o u t a B ib le , and w ith o u t h is sermon n o t e s . *
And in A p r il, 1968, P a s to r F agal co n d u cted a th re e -w ee k s e r i e s
o f n i g h t l y e v a n g e l i s t i c m e e tin g s in th e W hite M emorial S. D. A. Church
in Los A n g e le s.
He r e p o r ts t h a t on
[See F ig u res 7 - 8 .]
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C ited
la
Further reproduction
prohibited
without p e r m issio n .
Fig. 8. P astor Fagal on A m azon River m edical launch with A nthony Rocco, M.D.
(left), C ap t. Robert Ley a n d d a u g h te r Brenda (1963).
94
And in 1964, h is C en tra l American i t i n e r a r y in c lu d e d H a i t i ,
Guatamala, and M exico.^Jam aica m
(F a g a l, w ith h i s q u a r t e t , had p r e v io u s ly v i s i t e d
2
1956. )
f e e l s th a t t h i s d i s c i p l i n e o f w r it in g was o f some c o n s id e r a b le b e n e f i t
to him in h i s fu tu r e c a r e e r as a m in is t e r - - " w r it in g b u ild s one trem end o u sly ," he a f f ir m s .
However, in th e e a r l i e r days o f h i s m in is t r y he found i t " sh eer
to r tu r e " to w r i t e .
B le ss e d w ith a s e c r e t a r y , he d ic t a t e d l i t e r a l l y
e v e r y t h i n g - - l e t t e r s , serm on s, p e r io d ic a l a r t i c l e s , e t c .
G ra d u a lly ,
L a te r,
~*~I b i d .
^T e l e - n o t e s , O c t ., 1956, 1.
^ I b i d . , J u ly 6 , 1966, 6.
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95
Hope f o r Our Youth
I Have C a lle d You F rien d s
K eeping in B alance
L ig h t f o r L i f e ' s Journey
L ove, M arriage in th e Home
S e c r e ts o f P e r so n a l Power
TV Chats
Teach Us to Pray
T e le v is io n T alks
T h is I B e lie v e
To Make Man Whole
Why Man S u f f e r s 1
T i t l e s o f books d e a lin g w ith F a g a l's t r a v e l s around th e w o rld
in clu d e:
O r ie n t Journey
Through Lands o f th e B ib le
Where J e su s Walked^
One o f W illiam F a g a l s m ost d eep ly -m o v in g b o o k s, By Godfs G race,
Sam, r e l a t e s th e s t o r y o f F a g a l!s m in is t r y to Sam T a n n y h ill, a condemned
murderer on d eath row in th e Ohio S t a t e P e n i t e n t ia r y ,
co n cern in g w hich
more w i l l be s a id b elow .
W illiam and V ir g in ia F agal team ed up to a u th o r B u ild in g a Happy
Home, in 1 9 5 5 .4
Brought
3I b id .
4 I b id .
5 I b id .
6 I b id .
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96
on January 2 8 , 1966; and th e 3 0 0 ,0 0 0 th copy came from th e p r e s s l e s s
than s i x months l a t e r , on J u ly 1 4 , 1 9 6 6 .*
[S ee F ig . 9 . ]
1969, 1011.
^I b i d .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
97
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
E s t a b lis h e d in
"During
196 9 , 113.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
99
I t would b e a m ista k e to g iv e anyone th e im p re ssio n th a t
E ld er F agal i s an o u ts ta n d in g a u th o r . He i s n ' t . You sh o u ld
j u s t s e e what I have to do w ith h is m a te r ia l b e fo r e i t
appears in th e S ig n s .
Now, w h eth er W illia m F agal i s , or i s n o t , a good au th or d oes n o t
in and o f i t s e l f n e c e s s a r i l y have a b e a r in g upon h is com petence (o r la c k
o f com petence) as a p u b lic sp e a k e r , f o r th e r e i s a d e c id e d d if f e r e n c e
betw een o r a l s t y l e and w r it t e n s t y l e , as has been n o ted by such w r it e r s
upon th e s u b j e c t as James M. O 'N e ill and Andrew T. Weaver, W illiam
Norwood B r ig a n c e , Glen E. M i l l s , and Gordon L. Thomas.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
The
Maxwell sta te m e n t was q u o ted , in c o n t e x t , v erb a tim ; and each was asked
to comment upon i t in l i g h t o f h i s own p e r s o n a l e x p e r ie n c e in e d i t i n g
F a g a l's m a n u scr ip ts.
Would th ey c o rr o b o r a te th e e a r l i e r sta te m e n t?
did n o t.
E d ito r H ollan d responded by s a y in g th a t
my view s o f E ld er F a g a l's com petence as a w r it e r are d i f
fe r e n t from E ld er M a x w ell's. E ld er F agal w r it e s v e r y c le a n
copy. He has an e x c e l l e n t grasp o f grammar, p u n c tu a tio n ,
s t y l e . He checks h is f a c t s v e ry c a r e f u l l y .
In f a c t , we do
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They
101
v ery l i t t l e w ith h i s a r t i c l e s .
The f a c t th a t I have u sed
him s o much in th e p a s t i n d i c a t e s my o p in io n o f h i s
e x c e lle n c e as a w r ite r .-*
H o lla n d 's p o s i t i o n was c l e a r l y su p p o rted by C e c il C o ffe y , F a g a l's
most r e c e n t book e d i t o r , who w r o te:
I sim p ly do n o t a g ree w ith A rthur S . M axw ell, a lth o u g h
I have n o t se e n any o f F a g a l's column when i t was in manu
s c r i p t form.
I t i s tr u e t h a t E ld e r F a g a l has n o t w r it t e n a la r g e
number o f b o o k s, b u t n e it h e r h ave George Vandeman and a
number o f o th e r s who have had w ide r e c o g n it io n f o r t h e i r
l i t e r a r y c o n t r ib u t io n s .
I w o u ld n 't go s o fa r as to sa y
th a t Fagal i s an o u ts ta n d in g a u th o r , sim p ly b e c a u se I d o n 't
know e x a c t ly how to m easure " o u ts ta n d in g ." I w i l l sa y t h i s :
he has w r it t e n a g r e a t d e a l . . . [and] o f a l l th e p r e a c h e r wri t e r s I have d e a l t w it h , th r e e have worked w ith us on a
p r o f e s s io n a l app roach. T hese are F a g a l, [G eneral C onfer
en ce S e c r e ta r y W a lter R .] B each, and [G eneral C onference
P r e s id e n t R obert H .] P ie r s o n . . . .
F a g a l's b ook , By F a ith I L iv e , came to us in good sh a p e.
We had o n ly a f r a c t i o n o f th e copy e d i t i n g q u e r ie s t h a t were
[u s u a lly ] n e c e s s a r y . . . . The ty p in g was c le a r and l e g i b l e ,
th e grammar was good, th e p u n c tu a tio n was good, and a l l in
a l l i t was a p le a s u r e t o rea d th e m a n u scr ip t. E ld er Fagal
a ls o e x e r c is e d a f i n e p r o f e s s i o n a l q u a l i t y in su p p ly in g us
w ith a d d it io n a l carbons so t h a t our r e a d in g co u ld be sp eed ed
up.
. . . P a s to r W illia m A. F a g a l i s in tu ne w ith th e
s p i r i t u a l n eed s o f th e m a s se s , and t h i s i s dem onstrated
q u ite c l e a r l y in h i s s u c c e s s f u l p r o j e c t io n v ia th e TV s c r e e n
and through th e p r in t e d p a g e . What he w r it e s i s a v id ly rea d
by a la r g e f o ll o w i n g , and many make t h i s known by communi
c a tin g w ith him and a l s o w ith th e p u b lis h e r s .
I have e d it e d o n ly one book o f h i s , By F a ith I L iv e , and
th e w hole e x p e r ie n c e was a p le a s u r e .
Among a l l th e c le r g y
men who w r it e [ f o r u s ] . . . none more a d e q u a te ly r ea ch es
th e rea d er and c o n v in c e s him th an does W illiam A. F a g a l.
By F a ith I L ive was an im m ediate s u c c e s s , w ith more than
3 0 ,0 0 0 v ie w e r s w r it in g th e F a ith f o r Today o f f i c e s e e k in g
c o p ie s when i t was f i r s t announced and many o th e r s b u yin g
them through t h e i r r e g u la r book s e l l e r s .
W ithin f i v e months
o f th e p u b lic a t io n d a t e , th e fo u r th p r in t in g o f 100,000
c o p ie s was o r d e r e d .
I t i s a n t ic i p a t e d t h a t th e s a l e s d u rin g
th e f i r s t y e a r w i l l e x c e e d h a l f a m i l l i o n .
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102
We are p le a s e d by t h e s e s t a t i s t i c s , b u t more im p o r ta n tly ,
we are p le a s e d w ith th e good r e s u l t s th e book i s h a v in g in
h e lp in g men and women tow ard a b e t t e r l i f e . l
And E d ito r Wood makes th e f o llo w in g i n t e r e s t i n g o b s e r v a t io n s :
As I rev iew ed your l e t t e r and E ld e r M a x w ell's s ta te m e n t con
c e r n in g E ld er F a g a l, I have d e c id e d t h a t p a r t o f th e problem
comes in th e m a tter o f d e f i n i t i o n o f th e term , " o u tsta n d in g ,"
as a p p lie d t o E ld e r F agal as an a u th o r . From th e v ie w p o in t
o f e d i t o r s , who s e e m a n u scrip ts i n rough form , few a u th ors
are " o u tsta n d in g ." The g e n e r a l p u b lic , on th e o th e r hand,
m ight c o n s id e r them o u ts ta n d in g in d e e d .
For exam ple, I h ave no way o f knowing what o r ig in a l
m an u scrip ts by C. S. Lewis lo o k l i k e , b u t as a r e a d e r I con
s id e r him an o u tsta n d in g a u th o r , inasm uch as th e f i n a l form
i n which h i s m a n u scrip ts appear i s o f to p q u a l i t y . As a
fu r th e r i l l u s t r a t i o n , I m ight s a y th a t some o f S i s t e r
[E lle n G.] W h ite's [a h ig h ly r e s p e c t e d p io n e e r in th e
A d v e n tist d en om in ation ] m a n u scr ip ts a re h a r d ly m a s te r p ie c e s
when measured by some s ta n d a r d s , b u t to sa y th a t sh e was n o t
an o u tsta n d in g author would be f a l s e .
As f o r E ld e r F a g a l's m a t e r ia l, I w ould sa y th a t i t i s
d e f i n i t e l y s u p e r io r t o th e a v e ra g e th a t we r e c e iv e h ere a t
th e Review.
I t alw ays i s n e a t in appearance and r e q u ir e s a
minimum o f e d i t i n g . The c h i e f c r i t i c i s m we have o f manu
s c r i p t s th a t come in h e r e from a l l s o u r c e s i s t h a t th e y are
so p e d e s tr ia n in q u a lit y when i t comes to b o th id e a s and
s t y le .2
C le a r ly th e Maxwell s ta te m e n t i s n o t c o r r o b o r a te d in any way from
th e e x p e r ie n c e o f th e s e th r e e o th e r d en o m in a tio n a l e d i t o r s ; b u t i s ,
r a th e r , r e p u d ia te d .
Y e t, th e r e i t i s .
p o s s ib le c o n tr ib u tin g c a u se s:
F i r s t , E d ito r M axwell i s a tr a n s p la n te d Englishm an who, d e s p it e
h is lo n g y e a rs o f r e s id e n c e i n th e U n ited S t a t e s , v ie w s many t h in g s
& 'i:
..
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
103
American w ith v a r y in g d e g r e e s o f d i s t a s t e .
d e f i n i t e l y , i s American e d u c a tio n on th e g ra d u a te l e v e l .
An i l l u s t r a t i o n o f t h i s i s found i n h i s l e t t e r t o t h i s w r it e r
which c o n ta in e d th e n e g a tiv e comment j u s t c i t e d .
He began h is l e t t e r
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I
104
su ch a d e g r ee f o r w r it in g about W. A. F agal or H. M. S .
R ichards b o rd ers on a b s u r d ity and smacks o f th e d is c r e d it e d
"diplom a m ill" program o f bygone y e a r s . 1
A sec o n d p o s s ib le c o n t r ib u t in g cau se may be found b u r ie d in th e
m inutes o f th e F a ith fo r Today O p era tin g Board.
On December 2 0 , 1956, th e Board v o te d t o a c c e p t an o f f e r from
E d ito r M axwell f o r a t w o -c o lo r , f u l l - p a g e a d v e r tise m e n t o f th e t e l e c a s t
w hich w ould appear i n e i t h e r th e November or December e d i t i o n o f th e
S ig n s o f th e Times th e fo llo w in g y e a r , a t th e r a t e o f $420 p e r p a g e .
columns f o r a d v e r t is in g
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105
Whether or n o t E d ito r Maxwell was p e r s o n a lly stu n g by t h i s
c le a r ly im p lie d rebuke by th e F a ith f o r Today Board o n ly h e , o f c o u r se ,
cou ld sa y .
A f i n a l developm ent i s w orth n o t in g .
On J u ly 1 3 , 1 9 6 6 , F agal
w rote Maxwell a sk in g to be r e li e v e d o f th e r e s p o n s i b i l i t y o f p r e p a r in g
h i s monthly column s o t h a t he m ight be fr e e d f o r more c r e a t iv e w r it in g .
A fte r ten and o n e - h a lf y e a r s , he wondered w hether he m ight perhaps j u s t
be g e t t in g i n t o som eth in g o f a r u t w ith i t .
In a r e p ly , th a t i s as in c r e d ib le as i t i s i r o n i c - - i n view o f
th e e a r l i e r r e c k le s s a l l e g a t i o n co n cern in g com petence as a w r i t e r - Maxwell w rote F agal:
I would reg a rd i t as a c a la m ity o f th e f i r s t ord er i f we
were to drop t h i s ite m o u t o f th e SIGNS. The v e r y th o u g h t
a p p a lls [s i c ] me. I f e e l l i k e p r a y in g , " P le a s e , Lord,
dont l e t i t happen!"
What I lik e about your m a te r ia l i s th e b ro a d n ess o f th e
f i e l d th a t you c o v e r - - s o many p e r so n a l item s as w e ll as
th o se d e a lin g w ith th e o lo g y . And th e n , to o , th e v a r ie t y i s
w id e, ta k in g in so many s u b j e c t s and, c o n s e q u e n tly , i n t e r
e s t in g so many d iv e r s e p e o p le .
I am c o n fid e n t t h a t th e "Signs C ounsel Corner" i s one
o f th e m ost w id e ly rea d s e c t io n s o f th e SIGNS. C on seq u en tly
I would b eg you to c o n tin u e a t l e a s t one more y e a r .
. . . Very soon now I s h a l l have com pleted t h i r t y volum es o f
th e SIGNS. . . . O b v io u sly , in th e n a tu r a l o rd er o f e v e n t s ,
i t would seem as though th e days o f my e d i t o r i a l p ilg r im a g e
must be drawing to a c l o s e . J u s t when, I dont know. . . .
But i t w ould mean a l o t to me i f I c o u ld ca rry my t r i e d and
f a i t h f u l c o n tr ib u te r s a lo n g w ith me j u s t a b i t lo n g e r .
So, humbly and e a r n e s t ly , I p le a d fo r one more y e a r .
And to supplem ent my p e t i t i o n I w i l l g la d ly in c r e a s e th e
honorarium to $50 m o n th ly .1
Not h a v in g r e c e iv e d a c o n c lu s iv e a f f ir m a t iv e answer from F a g a l,
Maxwell w rote him f u r t h e r on Septem ber 9 , 1966:
I
1
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
106
As t o 1967, I do hope t h a t you w i l l b e a b le t o c o n tin u e
your colum n. I f you f e e l to o bu rdened t o w r it e i t e v er y
month, p erh ap s we c o u ld a rra n g e to have i t e v e r y o th e r
m on th .1
W ithout b e in g f a c e t i o u s , one i n s t i n c t i v e l y th in k s o f a punch
l in e in su ch p o p u la r p a rio r-g a m e t e l e v i s i o n programs as "What's My L ine?"
and "To T e l l th e T ruth"; and one i s tem p ted t o a s k , s i n c e r e l y and p l a i n
t i v e l y , " W ill the r e a l A rthur M axwell p le a s e s ta n d up?"
For t h is
In some 11 y e a r s , h i s "Signs
H is fr e q u e n t (and much s o u g h t - a f t e r ) p e r i o d i c a l a r t i c l e s f o r
^I b i d . , S e p t. 9 , 1966.
2T e l e - n o t e s , D e c ., 1966, 3.
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107
Memorial H o s p ita l in B runsw ick, M a in e ,1 and th e Hebrew S c r ip tu r e
A s s o c ia tio n .^
On Septem ber 6 , 1962, h e was nom inated as an e l e c t i v e member o f
the e x e c u t iv e com m ittee o f th e G eneral C onferen ce o f S ev en th -d a y A dvent3
is ts ,
a p o s i t i o n he has h e ld c o n tin u o u s ly s i n c e ; and, a d d it io n a l ly , he
i s a member o f th e c h u r c h 's A t l a n t i c Union C o n feren ce e x e c u t iv e
com m ittee.
A lthough n o t a form al member, F agal i s in v a r ia b ly i n v i t e d as a
m atter o f c o u r te sy to th e m e e tin g s o f th e e x e c u t iv e com m ittee o f th e
d en o m in a tio n 's G reater New York C o n fe r en ce , i n w hose t e r r i t o r y h is own
in s titu tio n is
lo c a te d .
A 2 8 - l i n e e n tr y s u b s e q u e n tly appeared in
1Fagal I n te r v ie w , J u ly 7 , 1 9 6 6 , 3.
2
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108
a t th e s p r in g commencement e x e r c i s e s o f Andrews U n iv e r s it y a t B e r r ie n
S p r in g s, Michigan.^"
In an in tr o d u c to r y s ta te m e n t, Dr. R ichard Ham m ill, th e i n s t i t u
t i o n ' s p r e s id e n t , s a id t h a t i n v o t in g a p p ro v a l f o r th e g r a n tin g o f t h i s
degree th e f a c u l t y had r e c o g n iz e d t h a t
advanced le a r n in g comes n o t o n ly to th o s e who a r e e n r o lle d
in u n i v e r s i t i e s . . . . A p e r so n may a c h ie v e h ig h e r educa
t io n - -a d v a n ced e d u c a tio n on h i s own; and . . . he may
c o n tr ib u te in a v e r y o u tsta n d in g way to th e developm ent o f
s c h o la r s h ip , and to th e p r o g r e s s o f th e c h u r c h .2
Dean W. G. C. Murdoch o f th e S e v e n th -d a y A d v e n tis t T h e o lo g ic a l
Sem inary, one o f th e grad u ate d i v i s i o n s o f th e u n i v e r s i t y , th en rea d a
c i t a t i o n w hich m entioned in d e t a i l th e c a n d id a te 's " s i g n i f i c a n t accom
p lish m e n ts" in a 1 7 -y e a r c a r e e r o f " d is t in g u is h e d s e r v i c e in th e f i e l d
o f r e l i g i o u s t e l e v i s i o n , " h i s h ig h ly s u c c e s s f u l and e f f e c t i v e c o r r e la t e
p rea ch in g m in is t r y , h i s a u th o r sh ip o f 21 volum es in 17 y e a r s , and h i s
h ig h d e g r ee o f p e r s o n a l d e d ic a t io n .
He co n clu d ed by sa y in g :
F agal by Andrews," P a c i f i c
3I b i d .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
T h is a c t on th e p a r t o f
lim it e d .
y e a rs o f age; and
a la r g e sh a r e o f th e su p p o rt o f th e fa m ily o f e ig h t
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a h ig h s c h o o l " d r o p -o u t.11
n ig h t s c h o o l.)
Even s o , th e New York C onference a t one tim e in v i t e d him to j o i n
the ranks o f th e m in is t r y , b u t he d e c lin e d f o r f in a n c i a l r e a s o n s .
He
some
fu tu r e day tak e th e p la c e
o f f e r e d him in th e ranks o f th e c le r g y .
T his
goal was alw ays h e ld out b e fo r e them, b u t w ith o u t any p r e ssu r e to con
form b e in g a p p lie d .
C oncerning h i s r a th e r h eavy round o f a tten d a n c e a t r e l i g i o u s
e x e r c is e s each Saturday and Sunday, F agal has r em in isce d :
F ath er was th e e ld e r in our l i t t l e home-town A d v e n tist
Church w hich had o n ly 13 members when I was v e ry s m a ll, bu t
n ev er more than 45 in l a t e r y e a r s . The d i s t r i c t p a s to r
seldom v is it e d - - p e r h a p s once a month; and F a th er preach ed
v i r t u a l l y ev ery Sabbath m orning. He was much b e lo v e d by
th e c o n g r e g a tio n , and in v a r ia b ly he w ould be c a l l e d upon to
preach th e fu n e r a l s e r v ic e f o r a d e c ea se d member in s t e a d o f
th e d i s t r i c t p a s t o r . He w ould m iss tim e o f f from h is work
a t th e f a c t o r y to ta k e t h e s e f u n e r a ls , o f c o u r se --a n d he
l o s t th e pay f o r th e tim e he was gone, b u t he d id n t c a r e .
My fa t h e r was a toolm aker o n ly in o rd er t o make a l iv in g ;
h is main i n t e r e s t in l i f e was to advance th e cause o f God.
He a ls o took a keen i n t e r e s t in th e Advent C h r is tia n
Church in our n eigh b orh ood . He a tte n d e d i t e v e r y Sunday
m orning. During th e D e p r essio n th ey l o s t t h e i r m in is t e r
and c a lle d upon F ather to ta k e o v er th e p r e a c h in g s e r v ic e s
te m p o r a r ily f o r two or th r e e w eek s. T his "temporary"
p o s it io n s t r e t c h e d to c o v er f i v e or s i x y e a r s - - a so u rce o f
some d i s t r e s s a t t h e i r d en o m in a tio n a l h e a d q u a r te r s !1
1I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Ill
F ath er F agal was n o t an o r d a in e d m in is t e r o f th e g o s p e l, s o he
could n o t l e g a l l y perform th e m arriage cerem ony.
in p r a c t i c e i t
He was b o ld , v ig o r o u s ,
Says B i l l today:
: I b id .
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112
(which had b een in v a r io u s s t a g e s o f p r e p a r a tio n th ro u g h o u t
th e p r e c e d in g w e e k ). He had no s e p a r a te room f o r a s t u d y - our fa m ily was p o o r . But he d id manage to s a v e ou t a
l i t t l e money from h i s w e ek ly wages fo r b o o k s; and he had
q u ite an e x t e n s iv e li b r a r y e s p e c i a l l y f o r a man o f h i s
lim it e d form al t r a in i n g - - b y th e tim e o f h is d e a th . And
th o se books were a l l w e ll marked. But D ad's serm ons had in
them more than mere human kn ow led ge. P ra y er was a r e a l
th in g w ith my f a t h e r .
I s t i l l w e ll remember h i s p r a y e rs
fo r D iv in e gu id an ce as he p rep a red h i s w eek ly serm on.^
I t seem s c l e a r l y e v id e n t tod ay th a t W illia m F agal "caught" from
h is fa th e r n o t o n ly h i s lo v e f o r books and f o r r e a d in g , b u t a ls o th e
im portance and v a lu e o f p ra y er as an incom parably v i t a l in g r e d ie n t
n e c e ssa r y f o r s u c c e s s f u l p r e a c h in g and r e a c h in g - - t h e s o u ls o f mankind.
The D e p r essio n :
W illia m F a g a l's f i r s t y e a r in j u n io r h ig h
1I b i d .
2G a lb r a ith , 1 3 3 f f .
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113
A rthur M. S c h le s in g e r , J r . , w r it in g about th e e a r ly days o f th e
D e p r e s sio n , has g iv e n a p a r t i c u l a r l y moving a ccou n t o f th e ''towns o f
ta r p a p er and t i n , o ld p a c k in g b o x es and o ld c a r b o d ie s " a lo n g r a ilr o a d
embankments and b e s id e garbage in c in e r a t o r s in c i t y dumps d o t t in g th e
lan d scap e o f America w hich w ere g iv e n th e s a r d o n ic s o b r iq u e t o f
" H o o v e r v ille s" ; or " flo p h o u se s s m e llin g o f sw eat and L y so l" ; and o f
b r e a d lin e s and s o u p k itc h e n s in w hich "the vapors from th e huge steam
cookers m in g lin g w ith th e s te n c h o f w et c lo t h e s and sw e a tin g b o d ie s made
th e a i r f o u l . " *
a s s o c i a t i n g w ith c la s s m a te s in s c h o o l
(B oston:
(New York:
1.
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114
( i f a t a l l ) about t h e i r f a t h e r ' s j o b - - o r , more l i k e l y , t h e i r la c k o f
work; w id esp rea d f e e l i n g s o f d e s p a ir and d e f e a t , a s p i r i t u a l w ith e r in g
o f th e s o u l w hich a f f e c t e d c h ild r e n as w e ll as t h e i r o u t-o f-w o r k p a r e n ts
the
upon le s s o n s a t hand to be le a r n e d .
He
sod i f f i c u l t
r e c a lls :
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TABLE 1
THE DEPRESSION AND GENERAL ELECTRICa
1925-1935
Year
Orders
R eceived
N et S a le s
B ille d b
N et S a le s
Income*3
T o ta l N et
Income*3
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
$ 3 0 2 .5
3 2 7 .4
3 0 9 .8
3 4 8 .8
4 4 5 .8
3 4 1 .8
2 5 2 .0
1 2 1 .7
1 4 2 .8
1 8 3 .7
2 1 7 .4
$ 2 9 0 .3
3 2 7 .0
3 1 2 .6
3 3 7 .2
4 1 5 .3
3 7 6 .2
2 6 3 .3
1 4 7 .2
1 3 6 .6
1 6 4 .8
2 0 8 .7
$ 3 2 .8
3 7 .1
3 6 .1
3 9 .7
4 9 .4
4 0 .4
2 8 .4
3 .6
6 .9
1 1 .7
1 8 .4
$ 3 8 .6
4 6 .7
4 8 .8
5 4 .2
6 7 .3
5 7 .5
4 1 .0
1 4 .4
1 3 .4
1 9 .7
2 7 .8
aS o u r c e :
Average No.
o f E m ployees0
7 0 ,9 6 9
7 5 ,7 1 1
7 2 ,9 8 1
7 3 ,5 2 6
8 7 ,9 3 3
7 8 ,3 8 0
6 5 ,5 1 6
4 6 ,9 4 3
4 1 ,5 6 0 d
4 9 ,6 4 2
5 5 ,7 0 6
1935.
^ F ig u res e x p r e s s e d in m il lio n s o f d o l l a r s , rounded to
n e a r e s t d ecim al p o in t .
cE xclu d es a f f i l i a t e d com pan ies. 'GE Company does n o t d i s tin g u is h in i t s p u b lis h e d s t a t i s t i c s betw een f u l l - t i m e and p a r t- tim e
em p loyees.
dLow p o in t reach ed in March, 1933, w ith 3 3 ,1 9 7 em ployees on
p a y r o ll, and few o f th e s e on f u l l - t i m e work.
I f GE p r o s p e r e d , S ch e
Mother F agal
^Harold Fagal I n te r v ie w , 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
116
GRAPH I
COMPARISON OF ORDERS WITH SHIPMENTS
GENERAL ELECTRIC COMPANY
1 9 2 5-1935
In M illio n s
o f D o lla rs
$ 500
400
300
Order
200
100
LO
CnO
r*~H
SOURCE:
SO
csa
CO
Annual R e p o rts
CN3
T-H
co
CN3
Oi
r*H
cva
CO
tO
co
t-H
CO
t-H
c\a
tO
Oi
r-t
to
to
to
to
t-H
o f G en era l E l e c t r i c Company, 1 9 2 5 -1 9 3 5
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
117
GRAPH 2
COMPARISON OF NET SALES INCOME WITH TOTAL INCOME
GENERAL ELECTRIC COMPANY
1 9 2 5 -1 9 3 5
In M iH tons
o f d o lla r s
70
60
50
- T o ta l Net Income
40
Net S i t e s Inoone
30
20
10
SOURCE:
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
118
adds o n ly th a t S ch en ecta d y was v e r y a d v e r s e ly a f f e c t e d by th e D e p r e s sio n ,
and th e F a g a l fa m ily p r o b a b ly w ere as s e r i o u s l y a f f e c t e d by i t as anyone
in th e c i t y . *
G eneral E l e c t r i c a t t h i s tim e , a s l a t e r , " th e l a r g e s t m anufactu r e r o f e l e c t r i c a l equipm ent in th e U n ited S t a t e s ,"
than d ou b le th o s e o f i t s n e a r e s t c o m p e tito r .
w ith s a l e s more
It is ,
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
than [d id ] consumer g o o d s . T h e
o n ly d o m estic h o u se h o ld a p p lia n c e s
It
N e il B. R eynolds L e t t e r , 2 .
H arold F agal I n te r v ie w , 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
120
$ 2 ,5 0 0
2 000
:
..... I
'
NYC7SDA-X
gel\
1 ,5 0 0
\ /
NYS/ SDA-\
1,00 0
500
40
C\3
(X.
CNO
oa
t-H
oa
Year
1925
1926
19 2 7
1928
1929
193 0
1931
1932
1933
1934
1935
CO
oa
fH
1
00
CO
t-H
Oa
CO
oa
T*H
2352
23^7
2055
1516
1072
1222
1198
$ 1329
1279
1352
1362
1413
1278
1
Ca
CO
oa
t-H
t-H
CO
oa
t-H
1628
1308
1330
1515
1593
850
Co
CO
oa
r-H
1
Sh
CO
oa
t-H
40
CO
oa
t-H
... *i,
1 . --C ost o f L iv in g Index'c
(1923= 100)
$ . * . .
1770
1792
1823
1855
1798
858
782
CO
oa
t-H
Av. Earnings*3
o f GE Worker
1160
820
1
00
1 0 3 .7
1 0 4 .3
1 0 2 .0
1 0 0 .6
1 0 0 .1
9 6 .7
8 7 -2
7 7 -9
7 4 .9
7 9 -4
8 2 .6
Company, 1 9 2 5 -1 9 3 5 -
on
GRAr:
121
C areer c r i s i s in c o l l e g e . A lth ough W illia m F a g a l n e v e r c o u ld
remember a tim e when h e d id n 't want t o become a m i n is t e r , a s e r io u s
c r i s i s d e v e lo p e d d u rin g h i s c o l l e g i a t e freshm an y e a r w hich h e h im s e lf
would l a t e r c h a r a c t e r iz e in a p e r i o d i c a l a r t i c l e as "A S i g n i f i c a n t
Moment in My L if e ." *
W ell-m eaning b u t m isg u id ed f r ie n d s had c o n v in c e d th e young
stu d e n t t h a t
t o be a m in is t e r one must s u c c e s s f u l l y assume a d o u r, e v e r solem n a t t i t u d e and t h a t a fu n e r e a l b e a r in g m ust n e c e s s a r i l y
c h a r a c t e r iz e e v e r y waking moment. But s in c e su ch an a t t i
tu d e was c o m p le te ly f o r e ig n t o my makeup, th e w hole th in g
sounded im p o s s ib le and even u n d e s ir a b le .
I f I w ere t o go on
and become a m in is t e r , a p p a r e n tly I was n e v e r t o be happy
a g a in , o r a t l e a s t n e v e r adm it to i t i f I w e r e .2
C o m p lica tin g th e problem s t i l l f u r t h e r was th e i n s i s t e n c e o f one
p a r t ic u la r member o f th e th e o lo g y f a c u l t y th a t e v e r y m in is t e r s h o u ld be
ab le t o g iv e p r a c t i c a l a s s i s t a n c e to th e f a m i l i e s o f h i s p a r is h .
In
And in s t e n t o r ia n to n e s h e w ould c a l l ,
alm ost t a u n t in g ly ,
W ill, c o u ld you go i n t o a home where members o f th e fa m ily
were a l l i l l and g iv e them some sim p le m ed ica l tr e a tm e n ts?
Perhaps h o t fo m e n ta tio n s? Could you th en go o u t in t o th e
k itc h e n and bake them some lo a v e s o f good b read ? . . .
Then, y o u ' l l n e v e r make th e m i n i s t r y . 3
The f o llo w in g summer and th e n e x t a f t e r t h a t B i l l was r e q u ir e d
to spend as a s tu d e n t c o lp o r t e u r , s e l l i n g th e r e l i g i o u s books o f h i s
allow ed b e e r to be s o l d .
F agal saw a man s t a g g e r in g a lo n g th e sid e w a lk
and th ou gh t him i l l .
A b y s ta n d e r e x p la in e d th e man was in e b r ia t e d . The
young h ig h s c h o o l s tu d e n t w atched him a lo n g tim e , amazed a t th e m an's
c o n d itio n , and a t w hat a lc o h o l had done t o him .
(F a g a l I n te r v ie w ,
Feb. 9 , 1967, 1 .)
^These T im es, March, 1 9 6 4 , 2 2 -2 3 .
^ Ib id .
^ C ited in i b i d .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
n o se , and r e d , b a ld in g h a i r .
doubts and fe a r s r e tu r n e d .
He lo o k v e r y u n p r e p o s s e s s in g ." ^
The o ld
R e lu c t a n t ly , B i l l r e g i s t e r e d f o r th e man's
F or,
th e p ic t u r e t h i s man p a in te d o f th e m in is t r y and o f
C h r is tia n s e r v i c e in g e n e r a l was d i f f e r e n t from th e warped
co n cep t w hich had been g iv e n me. He [th e new p r o f e s s o r ]
wore no i l l - f i t t i n g c lo a k o f p i e t y . A lthough h e was a
thorough and r a d ia n t C h r is t ia n , h e was as n a t u r a l and
lik a b le as anyone I had e v e r m et. H is deep u n d e rsta n d in g
o f and a p p r e c ia tio n fo r th e th in g s o f God d id n o t in any
way l i m i t h i s b e in g a r e a l and g en u in e p e r so n w ith a ready
w it and a h e a r ty lau gh .
In a m a tte r o f days my o p in io n o f
th e m in is tr y began t o undergo s u b t le b u t n o n e t h e le s s dram atic
c h a n g e s.2
The clim a x came a few weekends l a t e r when, d u rin g a S atu rd ay
n ig h t program p u t on by th e f a c u l t y , th e m in is t e r - t e a c h e r , L. H. H a r tin ,
c a st a l l " m in is t e r ia l d ig n ity " to th e w ind and p a r t ic ip a t e d w ith a n o th er
p r o fe s s o r in a h i l a r i o u s l i t t l e
*-Fagal I n te r v ie w , May 2 4 , 1 9 6 6 , 3.
^ F agal, "A S i g n i f i c a n t Moment in My L i f e ," 2 3 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
r
123
V iew ing t h a t n i g h t , and h i s own r e a c t io n to what h e had s e e n , in
r e t r o s p e c t some th r e e d ecad es l a t e r , W illia m F agal w ould w r it e o f t h i s
e v e n in g :
Probab ly I was th e m ost d e lig h t e d o f a l l , f o r I cau gh t a
glim p se th a t n ig h t o f th e k in d o f m in is t e r I c o u ld a s p ir e
to b e , one who c o u ld be h i m s e l f , e n jo y in g l i f e i n a way
n a tu r a l to him , w h ile y e t d e d ic a te d t o and c o n t r o lle d by th e
God o f heaven whom h e [H a r tin ] lo v e d suprem ely and e x e m p li
fie d f u l l y . 1
Commenting on F a g a l's s e n s e o f humor, y e a r s l a t e r , and h i s own
r e a c tio n to i t , P r o f e s s o r H a r tin has w r it t e n :
I f you know him [ F a g a l] , you c o u ld g u ess he had i t [a s e n s e
o f humor] as a s t u d e n t . T h is was p a r t i c u l a r l y a p p r e c ia te d
by me as I have some I r i s h b lo o d in my v e in s and can s t i l l
g e t g r e a t enjoym ent from wholesome hum or.2
T hus, W illiam F a g a l was sa v ed f o r th e g o s p e l m in is t r y by one o f
i t s own who w a sn 't a f r a id to l e t down h i s h a i r , in p u b l i c , and show th a t
C h r is t ia n it y does n o t p r e c lu d e h a v in g a good tim e in l i f e ,
or e n jo y in g
i t to th e h i l t .
'Ibid.
^ H artin L e t t e r .
^Fagal I n te r v ie w , J u ly 7, 19 6 6 , 3.
^ I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
In some la n d s , he s a i d ,
little
become b e g g a r s."
(Hebrews 4 : 1 5 ) .
A v i s i t to th e s i t e s o f a n c ie n t B abylon, T y re, and Sidon
ten d ed
to r e in f o r c e F a g a l's f a i t h th a t th e o ld p r o p h e c ie s o f th e B ib le were
ind eed in s p ir e d o f God.
^Fagal I n te r v ie w , J u ly 7 , 1966, 3.
^By F a ith I L iv e , 9 -1 4 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
ji
Bn r o u te
He view ed th e r u s te d , sunken h u l l s
The f a t h e r was an
1I b i d . , 14.
^Fagal I n te r v ie w , J u ly 7, 1966, 2.
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126
S h o r t ly th e church fa c e d more p e r s e c u t io n than e v e r , f o r th e
o f f i c e r eq u a ted th e A d v e n t is t s s t r e s s on th e New T estam ent d o c t r in e o f
the secon d coming o f C h r is t w ith n a t io n a l tr e a c h e r y .
I r o n i c a l l y , how ever, th e son was im p ressed by th e th in g s he had
heard; a f t e r th e war he a c c e p te d C h r i s t i a n i t y and was b a p tiz e d a S e v e n th day A d v e n tis t.
He was in s tr u m e n ta l in b r in g in g h i s f a t h e r to C h r is t;
He lo o k ed a c r o s s th e in t e r n a t io n a l boundary and
saw s e v e r a l v i l l a g e s on a d i s t a n t m o u n ta in sid e .
" I t gave me a t e r r i b l e
And he r e d e d ic a t e d h im s e lf to d o in g a l l he_
~*I b i d .
^I b i d .
^ T e le - n o t e s , O c t ., 1 9 6 3 , 2 -3 ; N o v ., 1963, 4 .
4I b i d . , O c t ., 1964, 4 .
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th e s e l f - s a c r i f i c i n g C h r is tia n m is s io n a r ie s o f h i s
tio n s .
As a r e s u l t , he h as d e v o te d a number o f t e l e c a s t s to d e p ic t in g
S o c ia l a g e n c ie s .- - A f i n a l a r e a in w hich th e l i f e
and m in is t r y o f
An A d v e n tis t layman
1I b id . , May, 1 9 5 9 , 1.
^By F a ith I L iv e , 3 9 -4 5 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
F a gal l a t e r s t a t e d :
E x p e rien ce s such as t h e s e h e lp e d me c r y s t a l l i z e my th in k in g
on th e s u b j e c t o f c a p i t a l p u n ish m en t. I n e v e r d id l i k e i t - n o t from t h e o l o g i c a l r e a s o n s , b u t more from s o c i a l c o n v ic
t i o n . A f t e r w orking w ith t h e s e men on d eath row, th e
in n o ce n c e o f some o f whom even th e guards w ere c o n v in c e d , I
was h au n ted by s tr o n g f e e l i n g s th a t c a p i t a l punishm ent was
wrong. A sid e from th e p o s s i b i l i t y o f t r a g i c j u d i c i a l e r r o r
in s e n d in g an in n o c e n t man to h i s d e a th --w h ic h h a s happened
more than o n c e I f e e l t h a t our p r e s e n t sy ste m d oes n o t
a llo w f o r changes l e g i t i m a t e l y w rought in th e l i v e s and
h e a r ts o f t h e s e men and women th rou gh g en u in e r e l i g i o u s con
v e r s io n by th e S p i r i t o f G o d ,--p e o p le whose l i v e s are
r e a l l y , i f d r a m a t ic a lly , changed, tra n sfo rm ed . Working w ith
th e s e i n d i v i d u a l s , a l s o , h as renew ed my c o n fid e n c e in th e
power o f th e H oly S p i r i t to "save t o th e u t t e r m o s t ."2
Judge Anna M. K r o ss, whose 2 0 -y e a r term on th e C rim inal Court
Bench was fo llo w e d by a dozen y e a r s as C om m issioner o f C o r r e c tio n o f th e
C ity o f New Y ork,
j u v e n ile c o u r t h e a r in g .
He l a t e r d e s c r ib e d h i s e x p e r ie n c e :
B ecause o f th e youth o f th e s e o f f e n d e r s , no r e p o r t e r s o r
o r d in a r y w it n e s s e s [o b s e r v e r s ] a re a llo w e d when th e s e
c o u r ts are in s e s s i o n .
The room was d e l i b e r a t e l y arran ged
so th a t i t d id n o t lo o k l i k e a courtroom , and th e m a g is tr a te
was a k in d and u n d e r sta n d in g m other who had a r e a l f e e l i n g
fo r th e te e n -a g e boys and g i r l s brou gh t b e fo r e h e r .
I can n ot f o r g e t one boy in p a r t i c u l a r who s to o d b e fo r e
th e bench th a t day. H is r e c e n t h i s t o r y o f p e t t y la r c e n y
made i t mandatory f o r him to b e p la c e d in a s t a t e i n s t i t u
tio n o f c o r r e c t io n . He seem ed so v e r y young and u n lik e th e
hardened c r im in a l ty p e . He t r i e d n o t to show h i s f e e l i n g s
when t o l d th e v e r d i c t .
But a f t e r one a g o n iz in g moment he
cou ld n o t c o n ta in h im s e lf . H is c o n to r te d f a c e as he was le d
w eeping from th e courtroom haurfted me lo n g a f t e r w a r d .4
2F agal I n te r v ie w , J u ly 7 , 1 9 6 6 , 3.
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129
F agal l a t e r in t e r v ie w e d Judge Kross on h is t e l e c a s t ; and s h e , in
tu rn , s u b s e q u e n tly i n v i t e d th e p a s to r t o j o i n h e r on an o f f i c i a l v i s i t
to New York C it y 's la r g e p r is o n on R ik e r 's I s la n d in th e E a st R iv e r .
Here he w itn e s s e d a tte m p ts made to r e h a b i l i t a t e te e n -a g e r s as p s y c h ia
t r i s t s q u e s tio n e d them in th e p r e se n c e o f s o c i a l w o rk ers.
And he came
h im s e lf lo o k s back a c r o s s th e y e a r s , in sh a p in g h i s th in k in g and,
u lt im a t e ly , h is p u b lic s p e a k in g .
W illiam A. F a g a l, T e l e v is io n P a s to r :
A Look a t th e Man
^Fagal I n te r v ie w , J u ly 7, 1966, 3.
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130
com prises a p p ro x im a te ly 80 p e r c e n t o f th e p o p u la tio n o f N orth
Am erica. *
The k in d ly m id d le -a g e d p a s t o r whose s t i l l - y o u t h f u l fa c e lo o k s
out from m i l l i o n s o f h o u seh o ld t e l e v i s i o n s e t s i s a m o d era tely t a l l
(5 f e e t 1 1 -1 /2 in c h e s ) clergym an whose h e ig h t i s d e c e p t iv e ly h id d en as
he s i t s b e h in d a sim p le drawing-room desk under th e n e a r - t r o p ic a l h e a t
o f h ig h -te m p e r a tu r e , c o lo r - a d j u s t e d f l o o d l i g h t s on th e s e t o f C harter
Oak T e l e - P i c t u r e s , I n c . , a t t h e i r cavernou s s t u d io a t 433 E a st 90th
S t r e e t in uptown M anhattan.
Hands f o ld e d sim p ly a to p a w e ll-w o r n Morocco le a t h e r B ib le ,
W illiam A. F a g a l lo o k s d i r e c t l y in t o th e le n s o f th e s o f t ly - w h ir r in g
m otion p ic t u r e camera; and in a v o ic e t h a t b esp ea k s c o n fid e n c e , c o n v ic
t io n , and c o m p a ssio n , se e k s to b r in g s p i r i t u a l a id and com fort t o th e
m illio n s who a d d ress him sim p ly as " P a sto r ."
The t h e a t r i c a l c o sm e tic s w hich "make up" h i s o v a l , handsome fa c e
(crowned by d ark , wavey h a ir now l i g h t l y s tr e a k e d w ith gray) f o r th e
c o lo r camera e f f e c t i v e l y h id e th e w r in k le s l i g h t l y e tc h e d by h i s 30
y ea rs o f m in is t r y , some 20 o f them s p e n t in t e l e v i s i o n and f ilm s t u d io s
such as t h i s o n e .
And as he speaks in th e d e a th ly q u ie t o f th e sound s t a g e , each
word o f h i s b r i e f , fiv e -m in u t e ser m o n ette i s s u b t ly p u n ctu a ted and
u n d erscored by th e warm, e a r n e s t i n t e n s i t y w ith w hich he sp e a k s .
A v i s i t o r t o th e s t u d io w i l l s e e what th e t e le v ie w e r does n o t - fo r a lth o u g h th e p a s t o r 's e n t i r e body i s in a lm o st c o n s ta n t m otion as he
sp e a k s , v e r y l i t t l e
o f th e a c t io n i s t r a n s la t e d t o th e t e l e v i s i o n
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R eproduced
with perm ission
of the copyright ow ner.
Further reproduction
prohibited
without p e r m issio n .
132
aud ien ce b e c a u se m ost o f th e cameraman's " sh o ts" a re t i g h t c lo s e - u p s , in
order t o meet th e demands o f th e medium's s m a ll s c r e e n .
"C ut," c r i e s p r o d u c e r -d ir e c t o r O tis C a v r e ll; and h o t overh ead
s h o o tin g l i g h t s are q u ic k ly dimmed; an a id e w ith K leen ex dabs l i g h t l y a t
th e s m a ll beads o f p e r s p ir a t io n a t th e h a i r l i n e on th e p a s t o r 's fo reh ea d
in ord er n o t t o remove th e l i b e r a l a p p lic a t io n o f a le a d in g underarm
deoderant w hich i n h i b i t s o th e r w is e p r o fu se sw e a tin g ; and W illia m A.
Fagal r e la x e s betw een " ta k e s ."
What k in d o f man i s h e , r e a l l y ?
How do h i s a s s o c i a t e s in th e
F r i e n d l i n e s s . - - F i r s t , he i s a warm, te n d e r -h e a r te d , f r i e n d l y ,
and im m ed ia tely ap p roach ab le man who i s i n t e n s e l y i n t e r e s t e d in p e o p le - in th e in d i v i d u a l , and h i s p ro b lem s.
And as a r e s u l t , p e o p le t r u s t W illia m
Fagal; and th e y w r ite him (som etim es w ith em b a rra ssin g candor) co n c er n in g
th e most in tim a te f a c e t s o f t h e i r p e r so n a l l i v e s - - " t h i n g s th e y 'd n e v e r
in t h is w orld t a l k to anyone a b o u t." 1
His v e ry b e a r in g seem s to in s p i r e
th e d e e p e s t c o n fid e n c e .
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M ental a c u i t y . - - S e c o n d ly , W illia m F a g a l, in th e e y e s o f a t l e a s t
some o f h is in t im a t e s , h as p r o v id e d a l i v i n g d em o n stra tio n t h a t a v a l i d
d i s t i n c t i o n may b e drawn b etw een " b ein g an i n t e l l e c t u a l " and " b ein g an
egghead."
H is a m p ly -sto r e d mind i s as p e r p e t u a ll y c u r io u s as i t i s
c a t h o lic in t a s t e .
He i s an in d iv id u a l
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A boyhood fr ie n d commented
He
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
"He g iv e s l i b e r a l l y t o a l l
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136
B ecause o f t h i s concern f o r th e in d iv id u a l in n eed o f h e lp , i t
was o n ly w ith th e g r e a t e s t r e lu c t a n c e t h a t , s e v e r a l y e a r s a g o , th e
Fagals had t h e i r h o u seh o ld te le p h o n e l i s t i n g changed t o an u n l i s t e d
number.
V ir g in ia F agal r e c a l l s :
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a v e ry im p o rta n t word.
p o s s ib ly have a n e g a t iv e e f f e c t upon h e a r e r or r e a d e r .
But c o n tin u a l
^ I b id . ,
24.
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138
That w hich has b een a c co m p lish e d th rou gh F a ith f o r Today
has b een th e r e s u l t o f n o th in g b u t H ea v en 's b l e s s i n g s . As
fa r as I can s e e , God has u se d th e p o o r e s t o f in s tr u m e n ts ,
making th e maximum in m is ta k e s , to a c co m p lish so m eth in g f o r
H is nam e's honor and g l o r y . *
He r e a l l y b e l i e v e s t h a t God i s th e t o t a l and co m p lete so u r c e o f
a l l h i s t a l e n t , a b i l i t y , and s u c c e s s ; and he has no em barrassm ent in
c a n d id ly a d m ittin g t h i s c o n v ic t io n in p u b li c .
W hile s t i l l a c o l l e g e s t u d e n t , W illia m F agal was d e e p ly
im pressed by a q u o ta tio n from th e pen o f E lle n G. W hite w hich one o f h i s
p r o fe s s o r s read one day i n c l a s s :
The g r e a t e s t want o f th e w o rld i s th e want o f men--men
who w i l l n o t be b ou gh t or s o l d , men who in t h e i r in m ost
s o u ls are tr u e and h o n e s t , men who do n o t f e a r t o c a l l s i n
by i t s r ig h t name, men whose c o n s c ie n c e i s as tr u e to d u ty
as th e n e e d le to th e p o l e , men who w i l l s ta n d f o r th e r ig h t
though th e h eaven s f a l l . 2
"I have n e v e r f o r g o t t e n t h a t s ta te m e n t," s a y s W illia m F a g a l;^
and he
has c o n s c io u s ly en d eavored t o p a t te r n h i s l i f e
a f t e r th e
id e a l
a p o lo g ie s f o r my b e l i e f in h e a v e n ."
n o n -A d v e n tist o f b e in g a stu b b o rn n o n -c o n fo r m is t b e c a u se o f h i s s t e a d
f a s t adh erence to th e S a tu rd a y Sabbath o f th e S ev en th -d a y A d v e n tis ts
w h ile a l l th e r e s t o f th e C h r is tia n w o rld g e n e r a lly o b s e r v e s Sunday.
P a c ific
^ T e le -n o te s , F e b ., 1964, 8.
^By F a ith I L iv e , 5 1 .
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139
To ch a rg es th a t he was o u t o f s t e p w ith s o c i e t y , he d e c la r e d , in
a c h a r a c t e r i s t i c "Here I Stand" s ta te m e n t:
But i n a l l f a ir n e s s I do n o t b e l i e v e m y s e lf o r d in a r ily t o
be stu b b o r n . . . . Nor do I ta k e any n e u r o t ic p le a s u r e o u t
o f b e in g d i f f e r e n t from th e r e s t o f th e w o rld o r in seem ing
a b i t " p e c u lia r ." In t h i s one r e s p e c t , a t l e a s t , I fa n cy
m y s e lf as b e in g n orm al. I want to be c o n s id e r e d a p a r t o f
th e gro u p , a c c e p te d by o th e r s w ith o u t r e s e r v a t i o n .
But I a ls o l i k e t o e n v is io n m y s e lf as b e in g w i l l i n g t o
take a s ta n d f o r what I f e e l i s r i g h t , e v en i f th a t m ight
carry w ith i t some l i a b i l i t i e s .
In f a c t , I do n o t r e a l l y
o b j e c t t o b e in g d i f f e r e n t i f I can f e e l a b s o lu t e ly c e r t a in
in my own mind t h a t th e crowd i s headed in th e wrong d ir e c
t io n .
I w ould l i k e to f e e l th a t I have p r i n c i p l e enough t o
walk a lo n e i f n eed b e , r a th e r than to compromise w ith r i g h t
so t h a t I can be in c lu d e d w ith th e m a j o r it y .
I cannot f e e l
i t in my h e a r t even to be d e fe n s iv e about t h i s o u tlo o k ;
a c t u a l l y , perhaps I m ight even be f o r g iv e n f o r a b i t o f
j u s t p r id e in i t . l
But i f th e r e i s p e r s o n a l p r id e , th e r e i s no accom panying a r r o
gance.
h is s h o u ld e r .
He la u g h s e a s i l y and
o fte n .
In r e p o r t in g on a c o n v e r s a tio n w ith a s u s p ic io u s I r a q i im m igra
tio n o f f i c e r a t Baghdad, who doubted th a t F a g a l's p r e se n c e in h i s
country was r e a l l y m o tiv a te d by a d e s ir e to v i s i t th e n o w -d e s e r te d s i t e
o f a n c ie n t B ab ylon , F agal r e la t e d th e f o llo w in g c o n v e r s a tio n :
"B abylon!" [th e o f f i c i a l ] e x p lo d e d . "You e x p e c t me to
b e l i e v e th a t y o u , an i n t e l l i g e n t man (I nodded acknow ledg
ment o f th e co m p lim en t), have t r a v e l l e d h a lfw a y around th e
world j u s t to s e e Babylon? . . .2
1I b i d . , 1 4 0 -4 1 .
2I b i d . , 9 .
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140
F agal i s , i f n o t h in g , a s p le n d id r a c o n te u r (and th e im p ortance
w hich he p la c e s upon th e n a r r a t iv e e lem en t i n h o m ile t ic a l th e o r y w i l l be
e x p lo r e d in d e t a i l s u b s e q u e n t ly ) .
And h i s r e c o u n tin g o f a p e r s o n a l n ea r
tim e , p e r s o n a lly :
And a t th e r i s k o f b e in g d i f f e r e n t , I w i l l adm it t h a t as y e t
I have d e v e lo p e d no r e a l burden to le a r n t o p la y a h a rp .
Someday I m ight have a d i f f e r e n t f e e l i n g about th a t; b u t now
i t does n o t m eet any p e r s i s t e n t lo n g in g o f my l i f e .
I
l i s t e n e d t o e ig h t harps p la y in g an e n t i r e c o n c e r t o n c e , and
th e memory o f th o s e two lo n g h ou rs w i l l l a s t me a lo n g tim e .^
1I b i d . , 1 6 -1 7 .
2I b i d . , 4 8 .
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He i s a ls o a h ig h ly com p eten t,
He i s c o m p le te ly d e d ic a te d t o h is work, h i s ch u rch ,
And y e t , w it h a l, he e n jo y s l i f e
to
A r i s t o t l e s a id th a t th e
id e a l o r a to r must p o s s e s s th r e e p e r so n a l q u a l i t i e s in p a r t ic u l a r i f he
would s u c c e s s f u l l y persu ad e h i s fe llo w men:
(o r , as
some w ould t r a n s la t e th e Greek w ord, " com p eten ce" ), (2 ) good " c h a r a c te r ,"
and (3) "good w i l l ." *
In t h i s w r it e r 's e s t im a t io n , W illia m A. F agal p o s s e s s e s a l l
th r e e , in w e ll-b a la n c e d p r o p o r tio n .
H is form er c o ll e g e h o m ile t ic s
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142
p r o fe s s o r has a lr e a d y t e s t i f i e d t h a t as a s tu d e n t "he was a man among
men, and w e ll lik e d by h i s com rad es.
T his i n v e s t i g a t o r , a f t e r e x h a u s tiv e r e s e a r c h , h a s found no
reason to r e v i s e t h i s e s t im a t e .
^H artin L e t t e r , 3.
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CHAPTER III
I
I
I
I
I
I
o f one man."'*'
program f e a t u r -
I
I
o f t h i s o r g a n iz a -
t io n , and i t s t e l e v i s i o n program , i s th e s t o r y o f t h i s c h a p te r .
A B r i e f H is to r y o f B ro a d ca stin g
A. F agal was b o m
I
I
1C ite d in B a r t l e t t , 501.
143
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144
by means o f r a d io te le p h o n y from th e ground was g iv e n from th e r o o f o f
the E q u ita b le B u ild in g in New York C ity .
P r e s id e n t James S . A lex a n d er o f th e N a tio n a l Bank o f Commerce
ordered E n sign John B enridge commanding Navy D i r i g i b l e A -242, e s c o r t e d
I
E a r ly b e g in n in g s in r a d i o . --R a d io was s t i l l
la r g e l y an e x p e r i
but H arold H.
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145
sh ou ld be p u sh ed back fo u r y e a r s e a r l i e r :
In th e y e a r 1891 a B r i t i s h s c i e n t i s t named G. Joh n ston e
S ton ey gave th e name e le c tr o n " to a m inute p a r t i c l e o f
e l e c t r i c a l en erg y w hich he b e l i e v e d t o be one o f th e b a s ic
components o f a l l m a tte r . In th e same y e a r an im p o v erish ed
W hite R u ssia n h o u se p a in t e r named Abraham S a m o f f gave th e
name D avid to a s m a ll bu ndle o f k i n e t i c en erg y who was h is
f ir s t b o r n s o n .
Thus th e e le c t r o n and D avid S a m o f f have
grown up t o g e t h e r , and betw een th e two o f them th e y have
changed th e l i v e s o f n e a r ly everyb od y a l i v e .
Out o f th e happy c o lla b o r a t io n b etw een th e e l e c t r o n ,
which b e a r s a n e g a t iv e charge and moves w ith th e sp eed o f
l i g h t , and Mr. S a m o f f , who c a r r ie s a p o s i t i v e charge and
moves a lm o st as f a s t , have come su ch b l e s s i n g s as th e r a d io
and th e b r o a d c a s tin g n etw o rk , t e l e v i s i o n in b o th b la c k -a n d w h ite and c o lo r , and t in y d e v ic e s w hich e n a b le men on th e
ground to g iv e o rd ers t o , and r e c e iv e in fo r m a tio n from,
s a t e l l i t e s c r u is i n g m il li o n s o f m ile s away in o u t e r s p a c e .^
I t d i d n ' t , h ow ever, happen q u it e as q u ic k ly (o r as g l i b l y ) as
Mr. M a r tin 's pen h as s u g g e s te d !
slo w .
P r o g r e s s , a t f i r s t , was p a in s t a k in g ly
(w hich
f a t h e r o f th e f i r s t
4
s u c c e s s f u l e l e c t r i c te le g r a p h in 1844 ) .
M eanw hile, th e f i r s t r a d io - v o ic e tr a n s m is s io n was made in 1900
by R eg in a ld A. F essen d en , an American p h y s i c i s t ; and r a d io as we know i t
was b o m .
O
M a c la u n n , 156.
^Raymond F. Y a te s , " T eleg ra p h ," i b i d . , XVII (1 9 6 0 ), 76.
4 je a n Lee Latham, "Samuel F in la y B re e se M orse," i b i d . , XII
(1 9 6 0 ), 6 7 2 -7 3 .
,1
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
th a t he was a b le t o b r o a d c a st phonograph m u s ic .*
R e c e iv in g s e t s a t
Lee De F o r e s t , some
Edwin H.
"H it an
S in k in g f a s t ."
The o n ly lin k betw een th e w orld and th e r e sc u e s h ip , C a rp a th ia ,
S a m o ff su d d en ly became th e o b j e c t o f c o n s id e r a b le n a t io n a l a t t e n t io n .
For 72 hours he s tu c k w ith h i s k e y , g u id in g r e s c u e v e s s e l s and r e la y in g
the names o f s u r v iv o r s , w h ile P r e s id e n t T a ft o rd ered a l l o th e r w ir e le s s
t r a f f i c o f f th e a i r . 3
A fte r t h i s b r i e f t a s t e o f fam e, S a m o f f ' s r i s e in th e company
was m e te o r ic :
3M artin, 58.
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147
C orporation o f Am erica (w hich absorbed th e Marconi Company in
1919) . 1
R egular r a d io b r o a d c a s tin g began in th e U n ite d S t a t e s in 1920,
when s t a t i o n s KDKA i n P it t s b u r g h , and WWJ in D e t r o i t , went on th e a i r .
The KDKA b r o a d c a s tin g o f th e H arding-C ox e l e c t i o n r e tu r n s l a t e r th a t
year marked th e f i r s t u se o f r a d io in r e p o r t in g an im p ortan t p u b lic
ev en t. 2
By 1923, th e f i r s t perm anent netw ork was e s t a b l is h e d (by D avid
7
E a rly b e g in n in g s in t e l e v i s i o n . - - S c i e n t i s t s q u ic k ly a p p lie d th e
work o f F essen d en , F lem in g, De F o r e s t , Thomas A. E d iso n , and H e in r ic h
Hertz toward th e developm ent o f t e l e v i s i o n .
I f Marconi i s c r e d it e d w ith b e in g th e f a t h e r o f r a d io , th en
c e r t a in ly th e fa t h e r o f t e l e v i s i o n must be V la d im ir Kosma Zworykin, whose
" in v e n t io n s - - t h e f i r s t TV camera tu b e (th e ic o n o s c o p e ) and th e p ic t u r e
tube (th e k in e s c o p e ) made e l e c t r o n i c t e l e v i s i o n p o s s ib le ." ^
Z w orykin's f i r s t i n t e r e s t in th e p o s s i b i l i t i e s o f t e l e v i s i o n
d ates back to 1910 when he was an u n d ergrad u ate w orking under P r o fe s s o r
B oris R osing a t th e I n s t i t u t e o f T ech n ology i n S t . P e te r sb u r g (now
Leningrad) .
^M artin, 5 9 .
4H ayes, 87.
^David Lachenbruch, ' " I t H a sn 't Turned Out a s I E x p ected '" [an
in te r v ie w w ith V lad im ir K. Z w oryk in], TV G uide, A p r il 2 2 , 1967, 8.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
148
A fte r a tem porary s o jo u r n i n F ra n ce, Zworykin came to th e U nited
S ta te s in 1918, and resumed h i s own e x p e r im e n ta tio n .
By 19 2 3 , he had
And e i g h t months l a t e r , on
A y e a r l a t e r , on J u ly 2 1 , 1931, th e Columbia
In an a d d ress
b efo re th e Radio M a n u fa ctu rer's A s s o c ia t io n in O cto b er, 1938, D avid S a rn o f f d e c la r e d th a t " t e l e v i s i o n in th e home i s now t e c h n i c a l l y f e a s i b l e . " 3
1I b i d . , 9.
^Jack Gould, " T e le v is io n ," World Book E n c y c lo p e d ia , XVII (1 9 6 0 ),
101.
3I b id .
4I b id .
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149
The n e x t y e a r , c lim a x in g a decade o f e x p e r im e n ta tio n , on
A p ril 3 0 , 1939, NBC in a u g u r a te d th e f i r s t r e g u la r ly sc h e d u le d s e r v ic e o f
t e l e v i s i o n b roadcasting'*' th r e e w eeks t o th e day b e fo r e W illia m F agal
graduated from c o l l e g e !
d evelop m en ts in t e l e v i s i o n fo llo w e d r a p id l y .
c o a x ia l c a b le
In 1940, th e
and P h ila
In 1945, th e image o r th ic o n tu be
The f i r s t t e l e c a s t sh ow in g C ongress in
in t e l e v i s i o n ' s e a r ly c h ild h o o d , i f n o t in f a n c y ,
a t m id
1Gould, 101.
4 Gould, 101.
5I b id .
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150
\
(
'i
I
\
\
f
|
j
I
j
j
;
I
CBS p r o v id e d many o f
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151
o f America (owner o f th e r i v a l NBC netw ork) advanced an a l l - e l e c t r o n i c
system f o r rep ro d u cin g c o l o r . *
On O ctober 31, 1953, th e f i r s t h o u r -lo n g program in f u l l c o lo r
was b r o a d c a st; and some sev e n weeks l a t e r , on December 1 7 , th e F ed era l
Communications Commission adopted a s e t o f t e c h n ic a l sta n d a rd s f o r c o lo r
TV which were a p p lie d to th e in d u s tr y as a w h o le.
f i r s t program in c o lo r
S ev en th -d a y A d v e n tis ts Venture In to T e l e v is io n
''I b id .
So
1966, which
^I b i d . ^I b i d .
^ L e tte r from
E rn est N. Wendth, s t a t i o n r e l a t i o n s d ir e c t o r , F a ith
fo r Today, I n c ., New York, Feb. 18, 1965, 2 . C ite d h e r e a f t e r as Wendth
L e tte r , Feb. 18, 1965.
5 Don F. N e u fe ld ( e d . ) , " F a ith fo r T oday," S ev en th -d a y A d v e n tist
E n c y clo p e d ia , 394.
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152
th e s e acknow ledged men o f v i s i o n , who to d a y are g iv e n a l l th e c r e d i t ,
and o th e r e q u a lly p r e s t ig io u s " le a d e r s" who v eh em en tly opposed th e v en
tu re in t o t e l e v i s i o n .
A ll f e l t th e m a ssiv e and in c r e a s i n g l y d e v a s t a t in g im p act o f TV
on American manners and m ores; and a l l w ere e q u a lly a p p a lle d a t th e
damage th ey f e l t th e y saw i t d o in g t o th e s p i r i t u a l i t y o f t h e i r own
church members.
( I I C o r in th ia n s 4 : 7 ) , th ey b e li e v e d th a t
And, f o r them , t e l e v i s i o n
It
They a p p ea led f o r a
They i n s i s t e d th a t
:i. .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
And, f o r t u n a t e ly , t h e i r c o u n s e l c a r r ie d th e day:
l o c a l e x p e r i
The
The fo rm a t, a g a in ,
was la r g e ly tr a n s p la n te d
v is u a l a id s .
s p i r i t o f a d a p tin g t o th e e y e as w e l l as th e
And in th e
e a r , th e group c r e a te d a
becoming th e p io n e e r s o f
"R eal p e o p le p la y e d r e a l
* T b id ., 3.
^ I b i d ., 4 .
^ I b id ., 5 -8 .
^ C ited in i b i d . , 8.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
1I b i d . , 9 .
2GC M in u tes, Jan. 2 0 , 1950, 1764.
3I b id .
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155
On A p r il 3, th e GC Committee v o te d to ask i t s o f f i c e r s to
ap p oin t a su b -co m m ittee o f s e v e n to g iv e c o n s id e r a t io n to th e r e q u e s t o f
th e se c o n fe r e n c e s " fo r a s s i s t a n c e in fin a n c in g a t e l e v i s i o n b r o a d c a st
fo r one y e a r o v er one s t a t i o n i n New York C ity ." *
ap p oin ted th r e e days l a t e r ;
In q u ick s u c c e s s io n
1I b i d . , A p r il 3 , 1950, 1838.
2 I b id . , A p r il 6 , 1950, 1841.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
On A p r il 2 4 ,
as C lass AAA.
"The Q u iet Hour" and "A F a ith to L ive By," w hich p reced ed "F aith
fo r Today" in p o in t o f tim e by s e v e r a l months (as w e ll as "H eralds o f
Hope," w hich fo llo w e d in O cto b er, 1950, on WMAL-TV, W ashington, D. C .^ ),
did n o t s u r v iv e e a r ly in fa n c y b eca u se o f a h i g h - l e v e l p o l i c y d e c is io n
made in l a t e O ctober a t th e annual Autumn C ou n cil o f th e GC Committee.
B ecause o f t e c h n ic a l and f in a n c ia l problem s co n n ected w ith t h is
ven tu re in t o a new, c o m p a r a tiv e ly u n tr ie d , and e x c e e d in g ly e x p e n siv e
medium, h ea d q u a rters d e c id e d th a t fo r a tw o -y e a r p e r io d (1 9 5 1 -1 9 5 2 ) a l l
t e l e c a s t s th rou gh ou t th e denom ination w ould be sp o n so red by th e General
C onference o n ly , th u s e n a b lin g th e church to c o n c e n tr a te i t s e n e r g ie s
and fin a n c e s in t o d e v e lo p in g one major and t e c h n i c a l l y s u p e r io r
p ro d u ctio n .^
^Fenn, 10.
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157
P la n s were fu r t h e r l a i d f o r th e c r e a t io n o f a w e ste r n e d it i o n o f
"F aith f o r Today" to be produced in th e Los A n g eles a r e a by v e te r a n
ra d io b r o a d c a s te r H. M. S . R ichards o f "The V o ice o f P ro p h ecy ," and f o r
expanding th e New York and W estern t e l e c a s t s by c o a x ia l and
V ita p ix c a b le in a p la n t o rea ch th e la r g e c i t i e s o f b o th
th e E a st and W est, one s t a t i o n to b e chosen in ea ch u n ion
[c o n fe r e n c e ] as th e i n i t i a l p la n , in a d d itio n t o th e m in i
mum netw ork o f th e E a st.^
I t was s u g g e s te d t h a t t h i s expanded p la n be made o p e r a tio n a l by
December 1, w ith f i n a n c i a l su p p o rt to come from ea ch u n ion c o n fe r e n c e
throughout N orth A m erica.
For th e r e were
1I b i d . , 19 3.
2 I b id .
*Z
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158
p u b lic e v a n g e lism th o s e who a l s o w anted to g e t i n t o th e a c t , to e x p e r i
ment fu r th e r on t h e i r own in t h i s e x c i t i n g new medium.^
Nor were th e e v a n g e l i s t s p le a s e d when t h e i r r e q u e s t f o r p e r
m issio n to " c u t-in " a t th e c l o s e o f th e netw ork program w ith
a d v e r tisem en ts o f t h e i r own l o c a l r a d io program , e v a n g e l i s t i c m e e tin g s ,
or lo c a l B ib le corresp on d en ce s c h o o l, was tw ic e d e n ie d .
And a c o n s e s s io n
Thus, on
^Fenn, 1 9 -2 2 .
^M inutes, G eneral C on feren ce T e l e v is io n C om m ission, Ja n . 2 5 ,
1951, 1 ( c i t e d h e r e a f t e r as TV Commission M in u tes); M in u tes, F a ith f o r
Today O p eratin g Board, J a n . 2 5 , 1951, a c t io n 5 1 -1 0 ( c i t e d h e r e a f t e r as
O perating Board M in u te s ).
^TV Commission M in u tes, A p r il 16, 1951, a c t io n 5 1 -3 ; and Aug. 7 ,
1951, a c tio n 5 1 -2 9 .
^ I b id ., A p r il 16, 1951, a c t io n 5 1 - 5 .
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159
Dr. E la in e G iddings was named as th e g r o u p 's f i r s t " s c r ip t w r it e r and
program p ro d u cer." *
Formal a u t h o r iz a t io n f o r th e o p en in g o f an i n s t i t u t i o n a l bank
account w ith th e Kew Gardens Branch o f th e M a n u fa ctu rers' T ru st Company
2
was gran ted December 4 , 1950; and an a p p r o p r ia tio n o f $ 2 0 ,1 0 0 from the
I n te r n a tio n a l Radio Fund f o r D ecem ber's o p e r a tin g e x p e n se s was approved
December 2 8 .3
In th e s p r in g o f 1951, th e f i r s t f u l l - t i m e " F a ith fo r Today"
q u a rtet was form ed, composed o f H arold L ic k e y , f i r s t te n o r ; W alter
I s e n s e e , second te n o r ; H erb ert H oh en see, b a r it o n e ; and L y le J e w e l,
b a s s .4
1966, 1.
A major
2 I b i d . , D ec. 4 , 1 9 5 0 , 244.
4N e u f ie ld , 394.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
a l l b ap tism s o f
A ls o , in c e r t a in i n s t a n c e s ,
m in is te r s in th e f i e l d r e fu s e d to f o llo w up i n t e r e s t s th u s c r e a t e d ,
b e c a u se, th ey s a i d , th e s e names w ere "no g ood ."
We th u s began our own B ib le co rresp o n d en ce s c h o o l more out
o f s e l f - d e f e n s e than from any o th e r m o tiv a tio n [ s a id F a g a l].
We knew our c o n ta c ts were as good as any g lea n ed from
e v a n g e l i s t i c m eetin g s in th e f i e l d ; and we a ls o knew,
i n d i r e c t l y , o f s c o r e s o f b a p tism s o f t e l e c a s t v ie w e r s a l l
over th e c o u n tr y .^
F a g a l's problem in t h i s c o n n e c tio n was one fa c e d by a l l denomi
n a tio n a l o r g a n iz a tio n s and a g e n c ie s engaged in d ir e c t e v a n g e l i s t i c
a c t i v i t y , a t home and abroad.
(" s u r v iv a l"
^Fagal I n te r v ie w , J u ly 6 , 1 966, 6 .
^TV Commission M in u tes, O ct. 2 9 , 1951, a c tio n 5 1 -4 4 .
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161
w ith in and w ith o u t th e d e n o m in a tio n .1
o u t r ig h t in c o r p o r a tio n .
N ine months l a t e r th e y a u th o r iz e d
and F a ith fo r
I t s d e c la r e d p u rp ose was:
i t s way.
May 2 1 , 1950
th e r e was o f r e l i g i o u s t e l e v i s i o n was
s t i l l in i t s in f a n c y , and e v e r y th in g th en b e in g
done was
s tr ic tly
1I b i d . , A p r il 16, 1951, a c t io n 5 1 -1 3 .
^I b i d . , Jan. 2 9 , 1952, a c tio n 5 2 -3 .
^Operating Board M in u tes, May 13, 1952,
a c tio n 5 2 -2 2 .
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162
e x p e r im e n ta l.
But th ey
^Fagal I n te r v ie w , J u ly 6 , 1966, 4.
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163
a s h o r t , d i r e c t , in to -th e -c a m e r a sermon th a t w ould summarize
th e p o in t s w hich had b een d is c u s s e d .
Our f i r s t b u d g et was s o meager t h a t we had no w r i t e r s ,
no p r o f e s s io n a l a c to r s ; as a m a tter o f f a c t , we had n o th in g
b u t a dream and th e r e a l i z a t i o n th a t a way must b e found to
use t e l e v i s i o n e f f e c t i v e l y f o r th e sp r ea d o f th e g o s p e l . *
I t was th u s
The p l o t c a l l e d f o r him
F agal I n te r v ie w , J u ly 6 , 1966, 4.
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164
f e e t o f ir o n and c la y - - w h ic h , a c c o r d in g to th e p r o p h ec y , would c o n tin u e
in a n o n -u n ifie d way u n t i l th e sec o n d a d v e n t ).
R a l l s , f o r h is p a r t,
would b r in g o u t v a r io u s p o in t s o f h i s t o r i c a l i n t e r e s t , c o r r o b o r a tin g th e
b a s ic d e t a i l s o f th e prophecy.'*'
The ABC t e l e v i s i o n d ir e c t o r a s s ig n e d t o th e show had i n s i s t e d
n o t o n ly th a t th e program be u n s c r ip t e d , b u t a l s o t h a t i t be u n reh ea rsed .
In h is o p in io n th e charm o f t h i s p a r t i c u l a r t e l e c a s t w ould be in i t s
s p o n ta n e ity .
U n t il th e week im m ed ia te ly p r e c e d in g th e f i r s t b r o a d c a s t,
c le a r e r id e a o f
A gain on Sunday th e y g o t
sch ed u led f o r th a t e v e n in g .
N o th in g , how ever, was as y e t w r it t e n down; and F agal began to
worry in e a r n e s t .
I b id .
Fagal I n te r v ie w , J u ly 6 , 1966, 4 .
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165
"On th e a i r ." --O th e r f e a r s , how ever, were t o ta k e p r e c e d e n c e .
Upon a r r iv in g e a r ly a t th e s t u d io , F agal and R a lls d is c o v e r e d th a t t h e i r
l a r g e r - t h a n - l i f e image o f th e m e ta l man o f D a n iel 2 was e n t i r e l y to o
t a l l f o r t h i s p a r t ic u l a r s t u d io , w hich had a v e r y low c e i l i n g !
The s t u d io , " u n b e lie v a b ly t i n y ,^ p i t i f u l l y in a d e q u a te , and
d e s p e r a te ly crow ded,"
h a tta n .
Church o f f i c i a l s , in an attem p t to
(L a te r , ABC i n s t a l l e d them, a t no e x tr a c h a r g e, in S tu d io
3
One, t h e i r l a r g e s t . )
S o, th e y propped up th e image as b e s t th e y c o u ld , le a n in g i t
d ia g o n a lly a g a in s t a s t u d io w a l l .
At a i r tim e th e y went on l i v e ,
However, when he
^T e l e - n o t e s , May, 1963, 8.
n
W illiam A. F a g a l, " F ifte e n Years o f S u c c e s s f u l Soul W inning,"
Review and H e ra ld , Aug. 1 9 , 1965, 1.
3T e l e - n o t e s , May, 1963, 8.
^Fagal I n te r v ie w , J u ly 6 , 1966, 5 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
166
F a g a l's im m ediate r e a c t io n to h i s n e r v e - j a r r in g p r e m ie r e , how
e v e r , was l e s s sa n g u in e :
We were c o n v in c e d th a t th e f i r s t program had been l i t t l e
b e t t e r than a f i a s c o .
I t seemed t h a t e v e r y th in g had tu rn ed
out th e o p p o s it e o f what we had p la n n e d . But th e r e can be
no q u e s tio n th a t th e Lord b l e s s e d , f o r as a r e s u l t o f th e
f i r s t t e l e v i s i o n program s i x t y - s i x r e q u e s ts f o r our B ib le
co u rse came i n . l
On th e f i f t h a n n iv e r sa r y o f t h i s
o r d e a l, he w rote:
I c a n 't th in k back upon our f i r s t t e l e c a s t w ith a n y th in g
but fr ig h t .
I ' v e had some tough a ssig n m en ts fo r w hich I
f e l t in a d e q u a te and u n p rep ared , b u t n e v e r in my l i f e have I
fa c e d a moment l i k e t h i s on e. N ever have I b een so down
r ig h t s c a r e d as when th o s e camera l i g h t s came on t h a t f i r s t
n ig h t and I s to o d lo o k in g in t o th e camera w ith o u t b e n e f i t o f
a s c r i p t or e x p e r ie n c e , and s a i d , " H ello" to an a u d ien ce I
hoped was out t h e r e . ^
A n t ic ip a t in g f i r s t - n i g h t j i t t e r s , F agal had asked h is w if e ,
V ir g in ia , t o accompany him to th e s t u d io in s t e a d o f w a tch in g a t a
f r ie n d 's h ou se (th e F agals d id n o t own a TV s e t ; in th o se d a y s, no s e l f r e s p e c tin g A d v e n tis t w ould be caught dead w ith one i n h i s h o m e!).
more he th o u g h t about i t ,
The
th e more he lik e d th e id e a o f h a v in g V ir g in ia
In a
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
s c r e e n , th e v ie w er s f e l t th ey knew them as p e r s o n a l f r ie n d s .
And i t
^Fagal I n te r v ie w , J u ly 6 , 1966, 5 .
2 I b id .
7
V ir g in ia F agal I n te r v ie w , J u ly 9 , 1966, 1.
I
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168
D
'R e m e m b e rd o n 't s p e a k q u ite so fa s t, k e e p y o u r
c h in u p a n d try to lo o k a little m o re b e n ig n .'
Fig. 12. C a rto o n a p p e a rin g in TV G uide, M arch 12, 1966.
C o p y rig h t 19 6 6 b y T rian g le P ublications Inc. R ep rin ted by perm ission.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
(and s u b s e
^Fagal I n te r v ie w , J u ly 6 , 1966, 5 .
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170
I n i t i a l show Sunday (2 1 ) had th e m in is t e r l i s t e n i n g to th e
problem s o f a m e d ic a l s tu d e n t who had l o s t f a i t h i n th e
te a c h in g s o f th e B ib le .
Ju d gin g by th e preem show, a i r e r ' s main o b j e c t iv e i s to
im press upon v ie w e r s th e v a lu e and t i m e li n e s s o f th e Holy
Book. In th e c a se o f th e tr o u b le d s t u d e n t , th e Reverend
r e s to r e d h i s f a i t h b y q u o tin g a p a ssa g e from th e B ib le and
g iv in g a thorough in t e r p r e t a t i o n . S tu d en t th en r e a l i z e d i t
was through la c k o f u n d e rsta n d in g th a t h e had l o s t f a i t h .
In l i n e w ith th a t th o u g h t, numerous p it c h e s were made o f f e r
in g v ie w e r s a f r e e B ib le co rresp o n d en ce c o u r s e , w hich
in c lu d e s e x p la n a to r y n o t e s r e l a t i v e t o th e B i b l i c a l t e x t .
E xcept f o r s h o ts show ing th e G ospel S in g e r s , male
q u a r t e t , h arm on izin g on a few hymns, th e e n t i r e a c t io n o f
th e show ta k e s p la c e in th e p a s t o r 's s tu d y . T h is makes fo r
a homey atm osph ere, b u t h a v in g th e R ev eren d 's w if e come in t o
th e stu d y and s e r v e c o f f e e w ith o u t in tr o d u c in g h e r to th e
a u d ien ce w a sn 't in k e e p in g w ith th e in fo r m a l a i r o f th e
p r o c e e d in g s .
Rev. F agal does an e f f i c i e n t job as th e sh ow 's
m o d e r a to r .1
As a r e s u l t o f t h i s p rem iere t e l e c a s t , on May 2 1 , 19 5 0 , some 66
l e t t e r s were r e c e iv e d in th e m a il th ro u g h o u t th e week th a t fo llo w e d ,
b r in g in g 66 a p p lic a t io n s f o r th e f r e e B ib le co rresp o n d en ce co u rse which
had been o f f e r e d o v e r th e a i r .
I n t e r e s t i n g l y , one o f th o s e r e q u e s ts came from a n o n -A d v e n tist
fa m ily named F a rra r, w hich had v iew ed th a t f i r s t program in t h e i r home
a cro ss th e r iv e r from M anhattan, i n New J e r s e y .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Up u n t i l now,
and c e r t a in ly no f i t medium f o r th e p r e a c h in g o f th e
g o sp e l.
My s p i r i t u a l growth s h a l l
A
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172
When th e y w ould p r a y f o r th e program i n p u b lic , t h e i r p r a y e r s
were n o t ic a b ly r e s t r a in e d in d e e d , u n e n t h u s ia s t ic .
A TV s e t had been
But
th e
b ir t h pangs were n o t
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
173
The Shadow L en gthens:
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
174
th en we f e e l t h a t th e y w i l l s e e and a c c e p t th e m essage o f
S e v e n th -d a y A d v e n tism .1
As a c o n seq u e n c e, a d ra m a tic form at was i n i t i a l l y a d o p ted ,
as F agal p u t i t ,
fo r ,
in g o f b r o a d c a s tin g r e l i g i o n , n o t drama.
1I b id .
^C oncerning m a tte r s --a n d p r o b le m s -- o f fo r m a t, and s p e c i f i c
o b j e c t iv e s f o r each ty p e , c f . " E v o lu tio n o f Form at," b elo w .
^Fagal I n te r v ie w , J u ly 5 , 1 9 6 6 , 1.
^ D alrym ple, "TV Program Worth W atchin g," 3 1 .
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175
CODE OF STANDARDS FOR PROTESTANT RELIGIOUS BROADCASTERS
I - PURPOSE
The purpose o f t h i s Code o f S tan d ard s i s t o p r o v id e P r o t e s
ta n t r e l i g i o u s b r o a d c a s te r s and a ls o netw orks and s t a t i o n s
w ith a sta n d a rd f o r th e e d u c a tio n o f th e programs o f such
b r o a d c a s te r s .
I I - SPONSORSHIP
R e lig io u s programs sh o u ld be under th e a u s p ic e s and c o n tr o l
o f a r e p u ta b le ch u rch , d en o m in a tio n , o r n o n - p r o f it a s s o
c ia t io n in c o r p o r a te d fo r r e l i g i o u s p u r p o se s .
V - PROGRAM PROMOTION
In th e e x e r c is e o f C h r is tia n s te w a r d s h ip , P r o te s ta n t
r e l i g i o u s b r o a d c a s te r s sh o u ld do a l l in t h e i r power through
s y s te m a tic prom otion to in c r e a s e a u d ien ce fo r t h e i r
program s.
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176
VI - CONDUCT
R e lig io u s b r o a d c a s te r s and t h e i r a u th o r iz e d r e p r e s e n t a t iv e s
sh o u ld s c r u p u lo u s ly conform t o th e l e t t e r and s p i r i t o f
r e g u la tio n s s e t up by th e s t a t i o n or n etw o rk , and sh o u ld
alw ays e x e m p lify th e h ig h e s t sta n d a rd s o f c o u r te s y and con
d u ct. P e r so n a l p r o f i t and s e l f - g l o r i f i c a t i o n in th e name
o f r e l i g i o n have no p la c e in r e l i g i o u s b r o a d c a s t in g . ^
and a k in e s c o p ic r e c o r d
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
U n io n .1
I n i t i a l l y , th e A d v e n tis ts th ou gh t o n ly i n term s o f p a id o u t l e t s
fo r " F aith f o r Today"; and as funds were l i m i t e d , and t e l e v i s i o n tim e
q u ite e x p e n s iv e even in th o s e e a r ly d a y s , th e s t a t i o n count on th e b a s i c
network rem ained fr o z e n f o r a l i t t l e more th an one y e a r .
Then, in
F agal I n te r v ie w , J u ly 6 , 1 9 6 6 , 6.
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r
178
P u b lic - s e r v ic e s t a t i o n c o v er a g e im m ed ia te ly in c r e a s e d dram at
i c a l l y , to p p in g 100 f o r th e f i r s t tim e by May, 19 5 4 , on th e fo u r th
a n n iv er sa ry t e l e c a s t . ' 1'
The 2 7 0 -
or a p p ro x im a te ly one o u t o f
S t a t io n c o v e r a g e , as w i l l be n o te d by Graph 4 , i s i n a c o n tin u a l
s t a t e o f f l u x o ld s t a t i o n s o c c a s io n a l ly drop th e show, w h ile new o n es
are alw ays b e in g added.
By November,
^T e l e - n o t e s , May, 1954, 4 .
2F a ith f o r Today M is c e lla n e o u s R e p o r ts, 1 9 5 0 -6 6 .
a f t e r as M isc e lla n e o u s R e p o r ts.
C ite d h e r e
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
SN0I1U1S
JD a 3 0 Nn N
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Facility, Loma Linda U n iv e rs ity
YEAR
179
180
Septem ber 14, 1 9 6 6 --a f r e e g i f t to F a ith f o r Today, I n c . , o f more than
one m il lio n d o lla r s a y e a r ! 1
One o f th e few u l t r a h ig h fr e q u e n c y (UHF) s t a t i o n s t o c a rr y th e
program i s WIHS, ch an n el 3 8 , B o sto n , w hich began b r o a d c a s tin g " F a ith f o r
Today" in 1964 - - a modem m ir a c le o f th e e cc u m en ica l a g e , fo r th e
s t a t i o n i s owned and o p e r a te d by th e Roman C a th o lic A r c h d io c e se o f
Boston and i s p e r s o n a lly c o n t r o l le d by R ichard C a rd in a l C ushin g.
L ess than fo u r y e a r s a f t e r g o in g on a n a tio n w id e netw ork in
A m erica, " F a ith f o r Today" began i t s phenom enonal (and h i s t o r i c a l )
in t e r n a t io n a l grow th.
1I b i d .
^Report c o n ta in e d in GC M in u tes, D ec. 17, 19 6 4 , 9 1 9 .
^On Dec. 5 , 1966, t h i s w r it e r w ro te to C a rd in a l C ushin g, a s k in g
His Eminence co n c er n in g th e c ir c u m sta n c e s su rro u n d in g th e s t a t i o n ' s
d e c is io n v o lu n t a r ily to a c c e p t t h i s P r o te s ta n t t e l e c a s t (w hich announces
i t s S ev en th -d a y A d v e n tis t Church s p o n s o r sh ip a t th e end o f ea ch film ) as
a f r e e p u b lic s e r v i c e . The C a rd in a l was a l s o asked f o r a p e r s o n a l e v a lu
a tio n o f th e program as a w hole and P a sto r F a g a l's in d iv id u a l p a r t on i t .
To th e d a te o f w r it in g th e C a rd in a l n e v e r acknow ledged th e l e t t e r .
^T e le - n o t e s , S e p t ., 1954, 1.
5N e u fe ld , 394.
^ T e le -n o te s , F e b ., 1954, 4 .
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181
s t a t i o n s a tta c h e d to o v e r s e a s m il it a r y b a s e s (known as th e Armed F orces
N etw ork ). 1
The program was beamed t o U. S . s e r v i c e p e r so n n e l and t h e i r
f a m ilie s
(and co u ld be p ic k e d up by lo c a l n a t io n a l r e s id e n t s owning TV
I
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
182
The program h a d , about t h i s same tim e , s c o r e d a n o th e r " f i r s t " in
th e P a c i f i c when, on A ugust 5 , 1 956, S t a t io n KUAM began o p e r a tio n s o f
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
183
Agana on th e is l a n d o f Guam th e o n ly s t a t i o n s e r v in g t h i s key U. S .
m ilit a r y and n a v a l base.'*'
week o f b r o a d c a s tin g .
On Novem
^T e l e - n o t e s , J u n e, 1963, 8.
6 I b i d . , J u ly , 1962, 8.
7N e u fe ld , 394.
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184
g r a tify in g .
B r a z il, th e fo u r th l a r g e s t n a t io n , by p o p u la tio n , in th e
The new h y b r id p r o
S t a t io n d e c lin e :
(S ee Graph 4 .)
1I b i d . , J u ly , 1962, 8 .
^ I b id . , J u ly ,
Now th e r e
2 I b i d . , O c t ., 1962, 8.
1963, 8 .
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185
were a grow ing number o f o th e r p r o f e s s i o n a l l y produced programs com petin g
w ith th e F agal t e l e c a s t ; by J a n u a ry , 1961, th e y would number more th an
tim e d evoted to r e l i g i o n
For
g io n ; t h i s would be d iv id e d among a l l r e l i g i o n s
year.
(L e tte r from Eugene R. B etterm an , e x e c u t iv e s e c r e t a r y , Lutheran
T e le v is io n P r o d u c tio n s , S t . L o u is , M o., O ct. 14, 1 9 6 6 .)
^ T e le -n o te s , J a n ., 1961, 7.
^ I b id . , N o v ., 1960, 7.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
186
c o n tr a c ts w ith " F a ith f o r Today" f o r th e o u t l e t s in Los A n g e le s, San
F r a n c is c o , and D e t r o it .^ The W ashington, D. C ., o u t l e t dropped " F a ith f o r Today" w ith th e
Septem ber 2 9 , 1963, b r o a d c a s t.
H e n c e fo r th , i t s a i d , i t w ould c a rr y o n ly
o n e - h a lf hour o f r e l i g i o n on Sunday.
By 19 6 5 , " F a ith fo r
[SDA
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187
must be C a n a d ia n -o r ig in a te d a d e c is i o n w hich v i t a l l y a f f e c t e d " F a ith
f o r Today as w e ll as a l l o th e r r e l i g i o u s programs em anating from o u t
s id e the Dominion.'*'
(8)
In November, 1966, a
Only s i x o f th e c u r r e n t 130 s t a t i o n s
I t p r o v id e d more v e r s a t i l i t y
^I b i d . , S e p t . , 1961, 3.
^ F a ith f o r Today S t a t io n Log, N o v .-D e c ., 1966.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
[S ee F ig . 14]
H a p p ily , th e
The b e t t e r q u a lit y o f
c o lo r th e f i r s t r e l i g i o u s t e l e c a s t in th e U n ited S t a t e s th u s a v a ila b le .^
T his h e lp e d h o ld o ld s t a t i o n s and g a in new o n e s .
In d e e d , one s t a t i o n i n
^T e l e - n o t e s , J a n ., 1956, 1; Fenn, 3 3 -3 4 .
2
F agal I n te r v ie w , J u ly 6 , 1966, 6 .
^
Fenn, 3 3 -3 4 .
^Fagal I n te r v ie w , J u ly 6 , 1966, 6 .
5Wendth L e t t e r , Feb. 18, 1965, 2 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
189
Fig. 14. "C lap -B o ard " p o ise d a s d irec to r O tis C av rell p re p a re s to o rd e r ca m e ra m a n to " ro ll" in
filming S cene 1,T ake 1, of a com m ercial for Faith for T o d ay 's Bible co rresp o n d e n ce school (1961).
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
3 r
190
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
191
another program .
c o lo r r e a l l y came to th e f o r e .
In J a n u a ry , 20 s t a t i o n s c a r r ie d " F a ith
(a lth o u g h i t was n o t f i l l e d f o r s e v e r a l y e a r s ) .
Some work
in an attem pt t o r e v e r s e th e d r a s t ic d e c lin e in
^ T ru stee M inutes,
Jan. 13, 1 9 6 0 , a c t io n 6 0 -4 .
^T e l e - n o t e s , May,
1966, 3 , 6 .
^ T ru stee M in u tes,
March 2 4 , 1958, 1.
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192
the ap p eal o f th e program b o th t o v ie w e r s and t o s t a t i o n management; and
fo u r te e n months l a t e r F agal r e p o r te d back to th e board t h a t new program
form ats s u b s e q u e n tly ad op ted in c lu d e d in t e r v ie w s , B ib le s t o r i e s , m u sic a l
program s, and t r a v e lo g u e s .*
5
;
gram form at w i l l be d is c u s s e d a t g r e a t e r le n g th b e lo w .
In s p i t e o f v i c i s s i t u d e s , h ow ever, th e t e l e v i s i o n m in is t r y o f
P a sto r and Mrs. W illia m A. F agal has n e v e r t h e le s s b een b o th t r u l y d i s -
;
!
i
t e l e v i s i o n programming g e n e r a ll y .
I
;
I
\
to
m o llif y t h e i r s e n s e o f o u tr a g e .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
For them , th e r e
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194
I t was th u s to Mrs. W hite t h a t th e a n t i-d r a m a t ic opp onents o f
W illiam F ag a l and h i s p ro g ra m -p la n n ers tu rn ed f o r t h e i r c o n c lu s iv e argu
m ents.
Nor d id th e y n eed t o s e a r c h f a r to f in d d e n u n c ia to r y p a s s a g e s
a g a in s t th e t h e a t e r and t h in g s t h e a t r i c a l .
In 1 8 8 1 , sh e w r o te:
and in " d ir e c t o p p o s it io n to
"are
The te n d e n c y o f th e t h e a t r e , sh e h e ld , was to
T e s tim o n ie s , I , 5 5 4 .
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195
s tim u la te e v e r y p a s s io n to in t e n s e a c t i v i t y " ; ^ and sh e went so f a r as
to urge A d v e n tis t e v a n g e l i s t s t h a t w h erever p o s s i b l e th e y sh o u ld a v o id
u sin g t h e a t r e b u ild in g s when s e a r c h in g f o r h a l l s in w hich to h o ld t h e i r
p u b lic m e e tin g s .^
In th e conduct o f t h e i r p u b lic s e r v i c e s , Mrs. W hite fu r th e r
co u n se led A d v e n tis t m in is t e r s t o "keep as f a r from th e t h e a t r i c a l and
7
th e e x tr a o r d in a r y as C h r is t k ep t in H is w ork."
"We are n o t to ape th e
w orld in any r e s p e c t .
C h r is t.
. .
We a re t o fo llo w c l o s e l y th e f o o t s t e p s o f
R a th er, i t w i l l d iv e r t a t t e n t io n to th e
. . . th a t
g l o r i f i e s God, b u t th e p r e s e n t a t io n o f th e tr u th in th e lo v e o f C h r is t."
T riu m p h an tly, th e a n ti-d r a m a tic fo r c e s crowned t h e i r lo n g l i s t
o f s im ila r q u o ta tio n s w ith t h i s c lin c h e r :
Not one j o t o r t i t t l e o f a n y th in g t h e a t r i c a l i s to be
brought i n t o our work. God's cau se i s to have a s a c r e d ,
h e a v e n ly m old. . . . L et n o th in g o f a t h e a t r i c a l n a tu r e be
p e r m itte d , f o r t h i s would s p o i l th e s a c r e d n e s s o f th e
work. . . . In my very f i r s t la b o r s th e m essage was g iv e n
th a t a l l t h e a t r i c a l perform ances in c o n n e c tio n w ith th e
4I b id . , 139.
^ S e le c t e d M essages (RH, 1 9 5 8 ), I I , 2 4 .
5I b id .
^ T e stim o n ie s, IX , 142.
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196
p r e a c h in g o f p r e s e n t tr u t h w ere t o be d isc o u r a g e d and
fo r b id d e n . . . . These p e r fo r m a n c es, w hich sa v o red o f th e
t h e a t r i c a l , w ere t o have no p la c e in th e p ro cla m a tio n o f
th e solem n m essages e n tr u s te d to u s . l
Not a l l o f th e d is c u s s i o n , u n fo r tu n a te ly , was k ep t on a h ig h ,
im p erson al p la n e .
He
^ E vangelism , 1 3 7 -3 8 .
^ I b id . ,
139.
^E v a n g elism , 125.
5 I b i d . , 1 2 2 -2 3 .
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197
la b o r are r e a l l y e s s e n t i a l . *
in tr o d u c e d .^
3I b i d . ,
106.
E b i d . , 116.
^ T e s tim o n ie s , V II, 2 5 .
4I b id . ,
129.
E v a n g e lis m , 105.
^ E v a n g e lis m , 106.
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198
He [J e s u s ] n e v e r r e a l l y p rea ch ed a sermon as we th in k o f
serm ons; He u s u a ll y t o l d a s t o r y to i l l u s t r a t e g r e a t t r u t h s ,
th en summarized th e le s s o n s ta u g h t t h e r e i n . *
Then he b u t t r e s s e d h i s p o s i t i o n w ith th e s e fu r t h e r s ta te m e n ts
from the pen o f Mrs. W h ite, who s o h ig h ly e x t o l l e d t h i s p e d a g o g ic a l
method:
The p a r a b le s . . . show . . . how He [J e s u s] d e lig h t e d
to g a th e r th e s p i r i t u a l te a c h in g s from th e su rro u n d in g s o f
d a ily l i f e . . . . He drew i l l u s t r a t i o n s a ls o from th e e v e n ts
o f l i f e , f a c t s o f e x p e r ie n c e f a m ilia r to H is h e a r e r s . . . .
In H is le s s o n s th e r e was so m eth in g t o i n t e r e s t e v e r y mind,
to ap p ea l to e v e r y h e a r t . 2
In t h i s way He a s s o c ia t e d n a t u r a l th in g s w ith s p i r i t u a l ,
lin k in g th e th in g s o f n a tu r e and th e l i f e e x p e r ie n c e s o f H is
h e a r e r s w ith th e su b lim e tr u th s o f th e w r it t e n w o r d .3 The
P rin ce o f T e a c h e r s, He so u g h t a c c e s s t o th e p e o p le by th e
pathway o f t h e i r m ost f a m ilia r a s s o c ia t io n s .4
And f o r h is p ie c e de r e s i s t a n c e , F agal added fo r good m easure:
N oth in g i s more u p l i f t i n g t o God's s e r v a n ts than to
tea ch th e S c r ip tu r e s as C h r is t ta u g h t th em .3 C h r is t 's
method a lo n e w i l l g iv e tr u e s u c c e s s in r e a c h in g th e p e o p le .
H is methods [must b e ] m ost c l o s e l y c o p i e d . ?
The tr u th i s to be p r e s e n te d in v a r io u s w ays. Some in
th e h ig h e r w alks o f l i f e w i l l grasp i t as i t i s p r e s e n te d in
fig u r e s and p a r a b le s . 3
Having s a id a l l t h i s , F agal had y e t to answer th e a d m itte d ly
n e g a tiv e c o u n s e l c o n c e r n in g th e t h e a t r e and th in g s t h e a t r i c a l c i t e d by
h is opponents from Mrs. W h ite 's w r i t i n g s .
In view o f h i s d e fe n s e to
^E v a n g elism , 138.
^ T e stim o n ie s, V I, 2 3 0 .
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199
t h is p o in t , c o u ld th e charge o f in c o n s is t e n c y b e l a i d a t h e r door?
If
I t was produced by
She w a s,
( y e t to be b o m by th r e e d e c a d e s) was to
There i s , t h e r e f o r e , n o th in g wrong in u t i l i z i n g th e s e
P a c i f i c P ress
3I b i d . , 445.
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200
in v e n tio n s fo r th e advancement and sp rea d o f th e C h r is tia n g o s p e l.
Indeed, Mrs. W hite h e r s e l f , in sp e a k in g o f th e marked in c r e a s e in
knowledge in th e " l a s t days" j u s t b e fo r e th e sec o n d coming o f C h r is t,
p r e d ic te d by th e p ro p h et D a n ie l ( 1 2 : 4 ) , s a id o f t h e s e modern-day
in v e n tio n s :
God i n t r u s t s men w ith t a l e n t s and in v e n t iv e g e n iu s in o r d e r
th a t H is g r e a t work in our w o rld may be a c co m p lish e d . The
in v e n t io n s o f human minds a re supp osed t o s p r in g from
hum anity, b u t God i s b eh in d a l l .
He has ca u sed t h a t th e
means o f r a p id t r a v e l l i n g [remember, cinem a and t e l e v i s i o n
were unknown in h e r day] s h a l l have b een in v e n t e d , fo r th e
g r e a t day o f H is p r e p a r a t io n .!
And, a g a in ,
The end i s n e a r , and f o r t h i s rea so n we are t o make th e m ost
o f e v e r y e n tr u s te d a b i l i t y and e v er y agency t h a t s h a l l o f f e r
h e lp t o th e w ork. . . . S in c e th e Lord i s soon to come, a c t
d e c id e d ly and d e te r m in e d ly t o in c r e a s e th e f a c i l i t i e s , th a t
a g r e a t work may be done in a s h o r t t im e .4
[Emphasis
s u p p lie d .]
But what about th e w arnings a g a in s t " t h e a t r i c a l perform ance" and
" t h e a t r ic a l d is p la y " ?
F agal n e x t took each s ta te m e n t o f f e r e d by th e o p p o s it io n and
examined each in i t s
c o n te x t.
^ E vangelism , 396.
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201
4. Gaudy d is p la y and n e e d le s s outward ap p earan ce, fo r
th e sa k e o f show , i s m u tu a lly e x c lu s iv e w ith tr u e C h r is tia n
s i m p l i c i t y and m o d esty .
(" T his d is p la y makes tr u th t a s t e
to o s t r o n g ly o f th e d is h ." * )
5 . An in o r d in a n t , e x tr a v a g a n t e x p e n d itu r e o f means
r e q u ir e d f o r a t h e a t r i c a l p r o d u c tio n in one e v a n g e l i s t i c
campaign d e p r iv e s o th e r e v a n g e l i s t s o f funds from w hich to
o p e r a te t h e i r program s.
6 . T here i s danger in s u b s t i t u t i n g t h e a t r i c a l e f f e c t ,
produced by d ram atic d i s p l a y , f o r th e c o n v e r tin g power o f
th e H oly S p i r i t w hich God has prom ised w i l l a tte n d th e
s im p le , unadorned p r e a c h in g o f H is word.
7. T h e a t r ic a l p r o d u c tio n s te n d so to p reoccu p y th e mind
th a t e t e r n i t y i s p u t o u t o f th e r ec k o n in g ; in d e e d , i t
c r e a te s in many a d i s t a s t e f o r th in g s s p i r i t u a l .
8. The s p i r i t o f l e v i t y , f r i v o l i t y ,
in much t h a t i s produ ced in th e t h e a t r e ,
c a lle d to be th e m ou thp iece f o r God; and
u n f i t th e mind f o r s o l i d th o u g h t, making
th e s u p e r f i c i a l . ^
and j e s t i n g , se e n
i l l - b e f i t s th e man
i t a ls o te n d s to
i t s a t i s f i e d w ith
One con
a c t to Fagal a f t e r th e f i r s t program.
t h ir d
t e l e c a s t so t h a t F agal c o u ld f u l f i l l Bobbie
B u m s 's
w ish th a t we
m ight
th a t " it
1 I b id . ,
2
1967, 1.
127.
^Fagal I n te r v ie w , J u ly 6 , 19 6 6 , 4.
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202
A gain, f o llo w in g th e t h ir d t e l e c a s t (and a f t e r v ie w in g th e
r e c o r d in g , w h ich , he l a t e r remembered, he th o u g h t w a sn 't bad a t a l l ) ,
he c a lle d th e p r e s id e n t , who c h e e r f u lly rem arked, " I t was a w fu lb u t
t h i s tim e y o u l l s e e f o r y o u r s e l f .
He was f a i r l y w e ll p le a s e d w ith h im s e l f t h i s t im e - - s u r e ly
th er e co u ld be no a d v erse c r i t i c i s m o f t h i s show.
fe r e n c e o f f i c e to s e e th e p r e s id e n t p e r s o n a lly .
He c a l l e d a t th e con
H is s u c c in c t e v a lu a t io n
o f th e in te r v ie w form at o f f e r e d g r a t u it o u s ly in fr o n t o f one o f h i s
departm ental s e c r e t a r i e s who happened to be in th e room a t th e tim e - -w a s ,
" I t s ta n k ."
To su p p o rt h is o p in io n , he s a i d , he had tak en a p o l l o f a l l
h is s t a f f , o r w hether th e y s e n se d th e b o s s 's o p p o s it io n , d e c id e d d i s
c r e tio n was th e b e t t e r p a r t o f v a lo r , and fo llo w e d our L ord 's in j u n c t io n
in th e sermon on th e mount t o "agree w ith th in e a d v ersa ry q u ic k ly ,
w h ile s thou a r t in th e way w ith him; l e s t a t any tim e th e a d v e r sa r y
d e liv e r th ee to th e ju d g e .
f i r s t a c u te , th en c h r o n ic , fo llo w in g th e Sunday n ig h t t e l e c a s t , j o in e d
by dread o f p r e p a r in g a n o th er b r o a d c a st f o r th e n e x t w eekend.
The
1I b id .
2 I b id .
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203
P r o v id e n t ia lly , h e b e l i e v e s to t h i s day, a new --an d much more
s y m p a t h e t ic - - lo c a l c o n fe r e n c e p r e s id e n t , E rn est L. B ran son , was t r a n s
fe r r e d in t o th e area ; and th e f a c t th a t t h i s man's own f a t h e r , W illia m H.
Branson, was p r e s id e n t o f th e G eneral C o n feren ce--a n d d e c id e d ly f a v o r
a b le toward " F aith f o r Today" d i d n 't h u r t any!
E ld er Branson u rged
One
He to o k th e
1I b id .
1.
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204
We f i n a l l y e f f e c t e d a com prom ise, by c o u p lin g th e
d ram atic s k i t w ith a serm on. In th e e a r l i e r days th e s e r mon ran 5 -1 0 m in u te s; tod a y i t i s s h o r t e r , f i v e to s i x
m in u te s .1
I
|
two d e c a d e s, th e b a s i c s t a p l e o f th e b r o a d c a s t, d e s p it e th e in t r o d u c t io n
o f o th e r form ats in th e l a t e 1 9 5 0 s.
The d ram atic program to d a y , as a t f i r s t , i s s la n t e d toward th e
v iew er who i s n o t p a r t i c u l a r l y r e l i g i o u s ; y e t i t i s in te n d e d to tou ch
the l i v e s o f a l l American f a m ili e s who are in se a r c h o f d eep er r e l i g i o u s
g u id an ce, and t o b r in g a m essage o f f a i t h i n t o th e homes o f m il li o n s who
may n e v e r darken th e door o f any ch u rch .
D e sp ite the d ram atic e le m e n t, th e p rogram 's c r e a to r s attem p t
n e v e r t h e le s s to s p o t l i g h t th e human problem and i t s s o l u t i o n - - r a t h e r
than p e r s o n a l i t i e s ; and P a s to r and Mrs. F agal attem p t t o rem ain sim p ly
1I b id .
2I b id .
i
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205
Some in d ic a te d a w ish
p r e fe r r e d a lo n g e r serm on.
Some
C r itic is m o f th e
s i n c e r e s t [form] o f f l a t t e r y " ;
. . . [We have] n o t c o p ie d o th e r
1I b i d .
^T e l e - n o t e s , May, 1955, 2 .
^ C ited in B a r t l e t t , 437.
^ V ir g in ia F agal L e t t e r , June 2 0 , 1967, 1 .
C f. Fenn, 18.
" F a ith f o r T oday's Program Form at," The F a ith fo r Today P a s t o r s '
B u lle t in , J a n .- F e b ., 1965, 4.
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206
In o r d e r to p r o v id e more v a r i e t y and g r e a t e r v ie w e r -a p p e a l (and,
as a f r in g e b e n e f i t , to red u ce a n ti-d r a m a tic c r i t i c i s m ) , Fagal soon made
th e in t e r v ie w a r e g u la r fe a tu r e o f th e program .
In a d d itio n t o A d v e n tis t
^T e l e - n o t e s , J u ly -A u g ., 1951, 1.
^I b i d . , J u n e, 1952, 2.
3I b i d . , J u ly , 1958, 1.
^D alrym ple, "TV Program Worth W atchin g," 12.
^T e l e - n o t e s , S e p t ., 1960, 3 .
7I b i d . , S e p t ., 1961, 7.
^I b i d . , F e b ., 1961, 5.
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207
A t h ir d form at adopted was th e t r a v e lo g u e , g e n e r a lly f e a t u r in g
C h r istia n fo r e ig n m is sio n a r y a c t i v i t i e s o r H oly Land to u r s o f sa c r e d
s h r in e s .
(1) to
i s a h a lf -h o u r m u sic a l program
[See F ig . 1 6 .]
*I b id . , 1.
^I b id . , 2 .
^ T e le -n o te s , J u n e, 1959, 1.
^ T e le - n o t e s , J a n ., 1967, 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
(1962).
208
i
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209
i s p r o b a b le , h ow ever, t h a t th e fo u n d in g f a t h e r s who s ig n e d
(w h ic h
does
^Articles o f I n c o r p o r a tio n , 1 .
[Emphasis s u p p lie d .]
2T e l e - n o t e s , J u ly , 1 9 6 3 , 3.
3I b id ., 5.
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210
A fte r th r e e y e a r s , th e r a d io e d i t i o n o f " F a ith f o r Today" i s
s t i l l c o m p a r a tiv e ly in i t s in fa n c y ; b u t i t h as b een r e f in e d and d ev elo p ed
in t o a d i s t i n c t i v e program o f i t s own.'*'
R e c a llin g i t ,
ready to a c c e p t t h i s v e r d i c t h im s e lf ; f o r
i f th e numerous d i f f i c u l t i e s o f p r e p a r in g a new program
week a f t e r week were n o t s u f f i c i e n t t o make i t s h o r t - l i v e d ,
th e h e a r t-b r e a k in g , a ll-to o -n u m e r o u s " f l u f f s " o f th e p a r
t i c i p a n t s , c o u p le d w ith th e p a i n f u l l y o b v io u s t e c h n ic a l
m ista k e s in h e r e n t in a lo w -b u d g et l i v e program , w ould
fin is h i t o f f . 3
W illiam A. F agal m ight w e ll have a p p r o p r ia te ly t o l d h i s h e lp e r s ,
as th ey began t h i s new v e n tu r e , what W inston S . C h u r c h ill t o l d th e House
o f Commons as he took up h i s new ta s k as w artim e prim e m in is t e r :
have n o th in g to o f f e r you b u t b lo o d , t o i l , t e a r s , and s w e a t."
"I
^ C ited in B a r t l e t t , 869.
1
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211
For one t h in g , th e p r o d u c tio n bu dget c o u ld n 't a ff o r d s a l a r i e s
commanded by t o p - f l i g h t a c t o r s ; and, as TV Guide p o in te d o u t , F a g a l p r e
fe r r e d am ateurs t o s e c o n d -r a te p r o f e s s i o n a l s .*
In 1951, F agal d e c la r e d :
m in is t e r s , m is s io n a r ie s , B ib le i n s t r u c t o r s ,
church s c h o o l t e a c h e r s , n u r s e s , c o n fe r e n c e o f f i c e w o r k e rs, c o lp o r t e u r s ,
p h y s ic ia n s , h o u se w iv e s, and fa m ily groups w hich in c lu d e d c h i l d r e n .3
E s p e c ia lly in th e e a r ly d a y s, m ost o f them w ere drawn from th e c o n g reg a zl
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212
I f th e p a r t ic ip a n t s were "rough diam onds," th e r e w ere some d i s
t i n c t advan tages a c c r u in g in th e u t i l i z a t i o n o f t h e i r s e r v i c e s :
th e r e
As a r e s u l t , th e p a r t ic ip a n t s were n o t so much r e q u ir e d
to a c t , as to be th e m se lv e s." ^
[See F ig s . 1 7 -1 8 .]
-'-"Faithful A m ateurs," 2 1 .
^G iddings I n te r v ie w , 1.
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213
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
214
T here w as, o f c o u r se , no i n c e n t i v e o f money o r fame t o sp u r th e
a c to r on.
b e s t , was p u r e ly r e l i g i o u s .
L ooking back on th e e a r ly days a f t e r f i v e y e a r s e x p e r ie n c e in
t e l e v i s i o n b r o a d c a s tin g , F agal w rote in r e t r o s p e c t :
We s p e n t h ou rs and hou rs in r e h e a r s a ls w ith th e h e l p f u l
encouragem ent o f ABC-TV d i r e c t o r s .
From th e v e ry f i r s t , a l l
th e ABC t e c h n ic a l s t a f f have b een a c o n tin u a l i n s p i r a t i o n
w ith t h e i r u n f a i l i n g i n t e r e s t . They b ro u g h t p r o f e s s io n a l
s k i l l t h a t gave us c o n fid e n c e to go on t h a t we n e v e r co u ld
have found in any o th e r way. They to o k a p e r s o n a l i n t e r e s t
in th e s u c c e s s o f th e t e l e c a s t f a r in e x c e s s o f th e r e q u ir e
ments o f t h e i r a p p o in te d d u t i e s , u r g in g u s t o c a r r y on even
when we n e a r ly d e s p a ir e d o f p ro d u cin g a t e l e c a s t o f s u f f i
c ie n t p r o f e s s io n a l level.-*Commenting on th e s e e a r ly d a y s, F a g a l added:
More than o n c e , th e o n ly th in g b etw een g iv in g up and g o in g
ahead was a p r a y e r . F r e q u e n tly th e e n t i r e c a s t w ould h a l t
r e h e a r s a l and pray fo r an u n d e rsta n d in g o f how God w ould
have us p la y th a t s c e n e . 2
One woman l o s t e ig h t p o u n d s.
D uring th e f i r s t th r e e months
Hours
l a t e r , a f t e r a f r u i t l e s s se a r c h o f th e s t u d io and d r e s s in g room s, th e
man found i t h im s e lf above h i s elb ow . ^
A "postman" once w alked o f f th e s e t , f o r g e t t i n g to d e liv e r a
l e t t e r on w hich th e e n t ir e s t o r y l i n e hung.
b ecau se o f th e s t u d io r e n t a l c o s t s in v o lv e d .
v a ile d .
(F a g a l I n te r v ie w , J u ly 5 , 1966, 1 .)
Only th e p r o m p te r's t e r s e
For a tim e t h e i r view p r e
^ F a ith fu l A m ateurs," 2 1 .
^ C o ffey , "The P a s to r Who Was F r ig h te n e d by TV," 14.
5" F a ith f u l A m ateurs," 2 1 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
Somehow
Im m ed iately f o llo w in g th e f i r s t s c e n e , th e
1I b id .
On th e t e l e c a s t
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
216
o f February 4 , 1951, th e d ir e c t o r had le c t u r e d th e e n t ir e group f o r th e
"umpteenth" tim e about b e in g q u ie t on th e s e t .
During th e a c t u a l t e l e
c a s t , e v e r y th in g was g o in g b e a u t i f u l l y u n t i l he c a ll e d f o r a cameraman
to d o lly in f o r a c lo se u p s h o t o f F a g a l.
The cameraman o b e d ie n t ly
Ju st
a t th e in s t a n t he came to th e p o in t o f d e s c r ib in g th e f i e r c e b a t t l e
b ein g waged a l l around him , a lo u d rum bling n o i s e l a s t i n g f u l l y f i v e
second s or morewas h ea rd .
w e ll-p la n n e d sound e f f e c t .
in th e s t u d io on th e n e x t f l o o r
" I f th e o ld k in e s c o p e s
proved a n y th in g , i t was th a t th e b e s t o f e a r ly t e l e v i s i o n c o u ld be
^T e le - n o t e s , March, 1951, 2 .
2I b id .
3I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
p r e t t y bad."'*'
But i t was e x c i t i n g f o r th e v ie w e r , as w e ll as th e
p rodu cer!
I t r e q u ir e d betw een 15 and 18 t e c h n ic ia n s (in c lu d in g th r e e
cameramen) t o produce each " F a ith f o r Today" t e l e c a s t in a s t u d io o n ly
30 f e e t by 35 f e e t .
P a sto r F agal s o g r a c io u s ly r e f e r r e d t o i t ,
e n te r e d in v e r y s t r o n g ly fo r
s tu d io p e r s o n n e l, as w e ll as f o r th e am ateur a c t o r s .
S a id Fagal l a t e r , o f t h e s e s t u d io t e c h n ic ia n s and netw ork
o f f i c i a l s , w ith whom h i s and h i s g ro u p s l i v e s were so in e x t r ic a b l y
in te r tw in e d fo r f i v e and o n e - h a lf y e a r s b e fo r e th e move to film :
We s p e n t h ou rs and h ou rs in r e h e a r s a ls w ith th e h e lp f u l
encouragem ent o f th e ABC-TV d i r e c t o r s . From th e v ery f i r s t ,
a l l th e ABC t e c h n ic a l s t a f f have b een a c o n tin u a l in s p i r a
t io n w ith t h e i r u n f a i l i n g i n t e r e s t . They b rou gh t
p r o f e s s io n a l s k i l l t h a t gave us c o n fid e n c e to go on t h a t we
n e v e r c o u ld have found in any o th e r way. They took a p e r
s o n a l i n t e r e s t in th e s u c c e s s o f th e t e l e c a s t f a r in e x c e s s
o f th e req u irem en ts o f t h e i r a p p o in ted d u t i e s , u rg in g us to
carry on even when we n e a r ly d e s p a ir e d o f p rod u cin g a t e l e
c a s t o f s u f f i c i e n t p r o f e s s io n a l l e v e l . ^
One (p ro b a b ly u n p rem ed itated ) f r in g e b e n e f i t a r i s i n g from th e
employment o f am ateur a c to r s (who were a lm o st e n t i r e l y S ev en th -d a y
A d v e n tis ts ) was t h a t i t s e r v e d p a r t i a l l y to b lu n t th e edge o f th e a n t i dram atic elem en t w ith in th e ch u rch , f o r th e y c o u ld h a r d ly r a i l a g a in s t
t h e i r own f e llo w b e l i e v e r s !
F o r tu n a te ly , th e in f lu e n c e o f t h i s sm a ll
And w ith
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218
There w ere, how ever, o th e r and more c o m p e llin g rea so n s f o r th e
h ir in g o f p r o f e s s i o n a l s .
A fte r h i s i n i t i a l
(1)
(2) e x t e n s iv e r e h e a r s a ls would be r e q u ir e d
We had a l io n by th e
ta il." 3
" F a ith fo r T oday's" f i r s t s c r i p t - w r i t e r , R od erick M acLeish,^
serv ed o n ly p a r t - t im e , and n o t as a form al member o f th e t e l e c a s t s t a f f .
1
G iddings I n te r v ie w , 1.
Fenn, 3 4 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
219
H is c o n tr ib u tio n c o n s is t e d c h i e f l y in w r it in g what V ir g in ia F a g a l c a l l e d
"thought s c r ip t s " (" s c e n a r io s " w ould p r o b a b ly be a more a c c u r a te w o rd ),
fo r w hich he was p a id $75 e a c h , and in w hich h e o u t lin e d th e p l o t s f o r
th e dram atic s k e tc h e s d u rin g th e f i r s t few w eeks o f 1 9 5 0 .*
The f i r s t s a l a r i e d , f u l l - t i m e s c r i p t - w r i t e r , Dr. E la in e G id d in g s,
was c a lle d from a te a c h in g p o s i t i o n a t S o u th ern M issio n a ry C o lle g e n e a r
C hattanooga, T e n n e ss e e , in l a t e 1950.
T hus, in m id -1 9 5 1 , th e GC T e l e v is io n Commission v o te d
^G iddings I n te r v ie w , 1.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
220
T aking a n o th e r t a c k , th e G eneral C on feren ce c a l l e d Grace F ie ld s
to j o i n th e s t a f f as a sec o n d s c r i p t - w r i t e r , in Decem ber, 1952;^ and one
y e a r l a t e r th e T r u s te e s v o te d t o add a t h i r d .
Edwards a r r iv e d i n March, 1954.
Mrs. J o s e p h in e Cunnington
An h o n e s t b u t marked d i f f e r e n c e o f o p in io n d e v e lo p e d e a r ly
betw een th e s c r i p t - w r i t e r s and th e t e l e v i s i o n p a s t o r co n c er n in g s u g
g e s te d m o d if ic a t io n s in b o th b a s i c id e a s and s p e c i f i c d ia lo g u e in th e
o r ig in a l s c r i p t s .
The s c r i p t - w r i t e r s s i n c e r e l y b e l i e v e d t h a t th ey
17
:3 9 ) .4
F a g a l,
D uring r e h e a r s a ls he w ould f a i t h f u l l y
^T e l e - n o t e s , D e c ., 1 9 5 2 , 4.
2
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
221
In an a ttem p t a t a more perm anent s o l u t i o n , th e O perating Board,
a f t e r a r e q u e st by F agal f o r "more h e lp i n r e a d in g and approving
s c r i p t s ,"
VOTED That th e Program Committee s h o u ld s e r v e as a Reading
Committee and th a t a l l s c r i p t s sh o u ld b e s e n t o u t as soon
as p o s s i b l e to th e members o f th e Program Committee who
would be asked t o read them and sen d back any s u g g e s tio n s
t h a t th e y m ight have a t any tim e .
I t was e x p la in e d t h a t a
t e l e v i s i o n s c r i p t grow s, and i t was u n d e rsto o d t h a t th e
f i r s t s c r i p t each week w ould b e a rough cop y, and th e f i n a l
p rod u ct m ight be changed c o n s i d e r a b l y . 1 > 2
A ll th r e e lad y s c r i p t - w r i t e r s made an u n q u e s tio n a b ly v a lu a b le
c o n tr ib u tio n to th e t e l e c a s t ; and a l l w ere p u b li c ly commended by Fagal
fo r h a v in g "ren dered f a i t h f u l s e r v i c e in p rep a rin g " them.
Concerning
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
"Vernon
I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
i s s a i d , in a d e s ir e to g iv e th e docu
ment a f a i r h e a r in g , and to lo o k a t i t as a w h o le .
"we p u l l and h a u l."
The s c r i p t i s
"Then," s a i d F a g a l,
"And O tis i s no
Two
Cl) th e F a g a ls w i l l o ft e n r e c a l l s p e c i f i c
th en c a l l th e a c t o r s ' a g e n ts to
a c a s t in g agency w i l l b e c a l l e d ,
given a d e s c r ip t io n o f th e r o l e , and i t
w i l l sen d o u t f i v e or s i x a c to r s
fo r each p a r t .
Says F agal:
The f i r s t r e h e a r s a l i s w ith o u t
^I b i d . , 3.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Camera
T hese are
u n sc r ip te d and c o v er e v er y p o s s i b l e a n g le .
Then th e f ilm e d i t o r go es to work on th e f o o t a g e , sp en d in g
haps
40
per
The f i n a l p ro d u ct i s a u d itio n e d by
i t i s r e le a s e d .
Most o f th e work
f ilm in g i s o f r e l i g i o u s program s.
* I b id .
le a v e s some h ig h
^I b i d .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
225
N ea l C. W ilso n , v ic e
-j
[sh o u ld in th e n e a r fu t u r e ] g iv e more c a r e f u l s tu d y to th e
but a ls o b e c a u s e he b e l i e v e s th a t su ch an in d iv id u a l can
M eanwhile, th e se a r c h f o r a s u i t a b l e A d v e n tis t w r it e r go es on ,
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
226
Growing Pains
I n t e r n a l o r g a n iz a t io n . J u s t as P a s to r F a g a l's am ateur p erfo rm ers
on th e t e l e c a s t were d e d ic a te d A d v e n tis t laym en, s o a ls o w ere most o f
th o se who s e r v e d o ff-c a m e r a , b eh in d th e s c e n e s , on th e h ea d q u a rters
sta ff.
i
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
227
TABLE 2
SUMMARY OF FULL-TIME OFFICE WORKERS EMPLOYED
AT FAITH FOR TODAY, INCORPORATED
1 9 5 1 -1 9 6 8
Year
195 1
1952
1953
1954
1955
1956
1957
1958
1959
1960
196 1
1962
1963
1964
1965
1966
1967
1968
Employees
.......................................................................
6
.......................................................................
27
.......................................................................
26
.......................................................................
30
.......................................................................
38
.......................................................................
44
.......................................................................
50
.......................................................................
55
.......................................................................
60
.......................................................................
65
.............................................................................65
....................................................
70
.......................................................................
72
.......................................................................
78
.......................................................................
72
....................................................................... 52
....................................................................... 57
....................................................................... 58
aF ig u r es qu oted as o f December 31
each y e a r .
^Only r e g u la r f u l l - t i m e em ployees
are l i s t e d .
Temporary and permanent p a r t tim e h e lp numbers betw een f i v e and te n
p e r so n s a d d it io n a ll y ea ch y e a r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
228
T h is u n fo r tu n a te
And i t seem s
r e a so n a b le to co n clu d e t h a t t h i s s e l f l e s s example i s no s m a ll f a c t o r in
h e lp in g to r e t a in th e s e r v i c e s o f many on th e h e a d q u a r te rs s t a f f .
No c o n s id e r a t io n o f th e o r g a n iz a tio n o f p e r s o n n e l a t F a ith f o r
Today would be com p lete w ith o u t f i r s t n o t in g a t th e o u t s e t th e c r u c i a l ,
in d eed p i v o t a l , r o le p la y e d by th e g r a c io u s , p le a s a n t - f a c e d , good-hum ored
woman p o s s e s s e d o f a f a n t a s t i c memory ( e s p e c i a l l y f o r d a te s and e v e n ts )
and a f r ie n d ly s m ile , who s t o o d by h e r h u sb a n d 's s i d e on th e o p en in g
n ig h t o f h is t e l e v i s i o n debu t on " F a ith f o r Today" to g iv e him "moral
su p p o rt," and who rem ained on e v e r y t e l e c a s t t h e r e a f t e r , to d e l i v e r th e
"commercial" fo r th e B ib le c o u r se s and f r e e premium book s o f f e r e d .
In 1 9 6 8 -6 9 ,
Mrs. F agal was p a id
a monthly p arson age
Fagal g e ts
a w eek ly
R. Lawson,
b u s in e s s
1969.)
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
229
V ir g in ia F a g a l, who i s c r e d it e d w ith o r i g i n a t in g th e t i t l e o f
the show, " F a ith f o r T oday," b e fo r e th e f i r s t program was a ir e d in 1950,^
o c c u p ie s an o f f i c e im m ed ia tely a d jo in in g t h a t o f th e t e l e v i s i o n p a s t o r .
In e f f e c t , sh e s e r v e s as h is
( s e e F ig . 1 9 ).
(1) an sw erin g up to 40 l e t t e r s
an o c c a s io n a l s c r i p t , when th e n eed a r i s e s ! ) ;
and (3) s o l e r e s p o n s i-
from th e s c r i p t
^Marr, C -8.
50 1 ip h a n t, 3.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
R eproduced
with perm ission
of the copyright ow ner.
230
Further reproduction
prohibited
without p e r m issio n .
Fig. 19. V irginia Fagal a t h e r desk in Faith for Today H ea d q u arters, dictating rep lies to le tte rs from te le c a st v iew ers. S he
a lso se rv e s as h e r h usban d 's ad m in istrativ e a ssista n t in han d lin g m an y production d e ta ils fo r th e w eekly film p ro g ra m (1964).
231
And, on W illia m F a g a l1s ju n k e ts abroad t o f il m d o cu m en ta ries,
w ife V ir g in ia ta g s a lo n g w ith s p e c i f i c r e s p o n s i b i l i t i e s as " a s s is t a n t
cameraman."^
Perhaps even th e la b e l o f " a d m in is tr a tiv e a s s i s t a n t "
is r e a lly
B eg in n in g
The
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
232
c o u n s e lo r s , and a s e c r e t a r y under h e r d ir e c t io n .^
F iv e in s t r u c t o r s
a lo n e are r e q u ir e d t o o p e r a te th e B a s ic C ourse, ea ch b e in g r e s p o n s ib le
fo r b etw een 4 ,0 0 0 and 5 ,0 0 0 a c t i v e s tu d e n t s ; and a n o th er f i v e in s t r u c t o r s
are h ir e d to ca re f o r th e o th e r se v e n c o u r se s c u r r e n t ly o f f e r e d a t F a ith
f o r Today.^
In i t s
f i r s t 17 y e a r s , th e B ib le co rresp o n d en ce s c h o o l p r o c e s s e d
I t graded some
A t o t a l o f 14,279
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
R eproduced
with perm ission
GRAPE 5
BY THOUSANDS
oo
233
Further reproduction
1952
prohibited
without p e r m issio n .
1960
1965
1970
H*
234
The f o llo w in g y e a r fu r t h e r
From
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
235
In a l l ,
150 d i f f e r e n t p r in t in g jo b s a re
[See F ig . 2 0 .]
The l i t e r a t u r e m in is t r y o f F a ith f o r Today r e a c h e s o u t to n e a r ly
two s c o r e d i f f e r e n t n a t io n s abroad.
In 1961 a lo n e , n e a r ly 1 - 1 /2 m illio n
^I b i d . , S e p t . , 1957, 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
Aikman
(right) discusses
a new
printing
for Today
236
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
237
In a d d itio n t o T e le - n o t e s
In
one week to p r o c e s s
tim e a s s i s t a n t s . 2
The f i r s t departm en t to be c r e a te d a t F a ith f o r Today (and th e
f i r s t to be d isb a n d ed ) was m u sic.
When th e t e l e c a s t was b a r e ly a y e a r
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
238
S ta n S c h le e n b a k e r , 1 s t
T h is group
[s e e F ig . 21] and
4
(who had jo in e d th e group in 1963 ) l e f t t o te a c h m u sic a t an e a s t e r n
A d v e n tist c o l l e g e .
H erb ert H ohensee, a member o f th e o r ig in a l q u a r t e t , i s s t i l l
employed as a sound e n g in e e r a t th e h ea d q u a rters r e c o r d in g s t u d io .^
[See F ig . 2 2 .]
In December, 1966, F a g a l borrowed th e K in g 's H era ld s q u a r t e t and
v a r io u s s o l o i s t s and ensem ble groups from The V oice o f Prophecy r a d io
group in C a lif o r n ia , and in f i v e days o f i n t e n s i v e work r ec o r d e d a f u l l
y e a r 's m usic f o r th e t e l e c a s t . ^
At t h i s w r it in g i t i s n o t known w h ether
I b id .
5I b id .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
239
Fig. 21. Faith for T oday Q u a rte t re h e a rsin g a so n g in te le c a s t's new reco rd in g studio
(1965).
Fig. 22. H erb H o h e n se e , b a rito n e in o rig in al F aith for Today q u a rte t, now se rv e s as
sound e n g in e e r a t h e a d q u a rte rs rec o rd in g stu d io (1965).
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
r-
240
A la r g e r e n te d h ou se
in to nearby churches f o r i t s p r a c t i c e p e r io d s .
C le a r ly , new and la r g e r
^ T e le - n o t e s , F e b ., 1 9 5 3 , 2 .
^ Ib id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
241
1
2
Avenue, F o r e s t H i l l s --som ew h at n e a r e r to Manhattan than Kew G ardens.
[See F ig . 2 5 .]
5
The q u e s t io n o f r e l o c a t i o n was compounded and c o m p lic a te d by a
^Knauss, 8.
^T e l e - n o t e s , F e b .,
1953, 2 .
^ I b id . , J u n e, 1 953, 1.
^ I b id . , S e p t . , 1956, 1 -2 .
n o t p u b lis h e d t h i s month. R a th er,
s id e s o f th e s h e e t in th e i n t e r e s t s
an S .O .S . c o n c e r n in g s e v e r a l c r i s e s
b u ild in g p r o b le m .)
( A c t u a lly , T e l e - n o t e s , as s u c h , was
a p r in t e d l e t t e r p r in t e d on b o th
o f econom y--was s e n t o u t, sou n d in g
a t F a ith f o r Today, in c lu d in g th e
5 I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
S e v e r a l g a ra g es
At
tw o-
[See F ig . 26]
L o ca ted n o r th e a s t o f a huge
^Knauss, 8.
^ T e le - n o t e s , J a n ., 1964, 2 .
^I b i d .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
The
243
Fig. 23. (Above, left) The id ea for th e Faith for T oday" te lec ast w as born in a p ra y e r m eetin g
a t the W ashington A ve. S.D.A. Church, Brooklyn, which a ls o se rv e d as te le c a st office during 1950.
Fig. 24. (U pper right) Kew G a rd e n s office building, 1951-52. Fig. 25. (Right, center) F orest Hills
office building, 1953-63. Fig. 2 6 . -(Below) N ew $ 4 5 0 ,0 0 0 p e rm a n e n t h o m e of Faith for Today in
C arle Place.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
r
244
n o i s e l e s s h e a tin g and a ir c o n d it io n in g eq u ip m en t, a l s o c o n ta in s an
o f f i c e f o r m u s ic ia n s , a m u sic a l a r ra n g in g room, a r e c e p t io n room, a
f ir e p r o o f v a u lt f o r s to r a g e o f m a ster t a p e s , a la r g e c o n tr o l room w ith
the l a t e s t b r o a d c a s tin g equip m ent, and a s m a ll n a r r a tio n s t u d io .
i n s t a l l e d in 1 9 6 4 .5
At t h i s tim e o f w r i t i n g ,
*T e l e - n o t e s , J a n ., 1964, 6 .
2T r u ste e s M in u tes, A p r il
z
T e l e - n o t e s , J a n ., 1964, 4 .
2 0 , 1964, a c t io n 6 4 -3 9 .
4
I b id . , N o v ., 1964, 3.
5 I b i d . , D e c ., 1964, 3.
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245
F in a n c ia l su p p o rt and f i n a n c i a l c r i s e s . - - F a i t h f o r Today h a s h a d ,
from i t s e a r l i e s t d a y s, two p r in c i p a l means o f f i n a n c i a l su p p o rt:
d ir e c t g r a n ts from v a r io u s a g e n c ie s and o r g a n iz a tio n s o f th e S ev en th -d a y
A d v e n tist Church, and c o n t r ib u t io n s w hich p rogram -view ers v o l u n t a r i l y
m ail to th e t e l e c a s t h e a d q u a r te rs in New York.'*'
D en om in ation al su p p o rt comes c h i e f l y through two a v en u es:
a p p r o p r ia tio n s and s u b s id i e s p r o v id e d by th e G eneral C on feren ce a t i t s
annual Autumn C o u n cil s e s s i o n , and an annual o f f e r i n g ( u s u a l l y sc h e d u le d
in th e month o f February) tak en in a l l 3 ,3 4 0 o r g a n iz e d S ev en th -d a y
A d v e n tist ch u rch es in th e U n ited S t a t e s and Canada.
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r
246
M ail r e c e i p t s have
[See Graph 6 . ]
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247
GRAPH 6
COMPARISON OF MAIL RECEIPTS WITH ANNUAL CHURCH OFFERING
FAITH FOR TODAY, INC.
1951-1968
In Thousands
o f D o lla rs
600
500
300
1979
100
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248
When
and when a
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
249
th e v o te was e x a c t l y r e v e r s e d - - 1 4 8 i n fa v o r , now, and o n ly two o p p o sed !
A b u d get was th en a d o p ted , r e p o r te d to th e Autumn C o u n cil as a w h o le ,
and p a s s e d . ^
The r e a l u n d e r ly in g r ea so n f o r th e i n i t i a l v o te o f no c o n fid e n c e
was n o t so much th a t funds w ere n o t a v a i l a b l e ,"
w here.
as was r e p o r te d e l s e -
v ic t o r y th u s a s su r e d , th e agency in q u e s tio n te n d e r e d i t s r e s ig n a t io n
th r e e days l a t e r ; ^ and a new one was s u b s e q u e n tly a p p o in te d .^
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
In c lu d e d in th e b o a r d s
r e c e ip ts .
The
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
251
The u n ion c o n fe r e n c e p r e s id e n t s , w h ile em p h a sizin g t h e i r own
lo y a l su p p o rt f o r F a ith f o r Today, wondered ou t lo u d i f th e program
management c o u ld n o t somehow r e l i e v e th e f i e l d s o f some o f th e f i n a n c i a l
p ressu re.
more
And th e 1958
^Fenn, 3 1 -3 2 .
2
T r u ste e s M in u tes, J a n . 2 6 , 1955, a c t io n 5 5 -1 3 .
^Fenn, 32.
4T e l e - n o t e s , J a n ., 1958, 1.
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252
t a i l ; in s t e a d , i t v o te d an e x p a n sio n o f t e l e c a s t o p e r a tio n s as an
e x p r e s s io n o f f a i t h t h a t God d id n o t in te n d f o r t h i s work to be
r e t r e n c h e d .*
When th e c r i s i s was p r e s e n te d t o th e o f f i c e w orkers a t t e l e c a s t
h ead q u arters a s h o r t tim e l a t e r , th e s t a f f a f t e r a s p e c i a l s e a s o n o f
p r a y e r p le d g e d a s p e c i a l o f f e r i n g am ounting t o more than a f u l l w eek s
s a la r y f o r e v e r y s i n g l e f u l l - t i m e and p a r t- tim e w orker in th e o f f i c e .
On a m is s io n a r y wage a lr e a d y , t h i s r e p r e s e n te d r e a l s a c r i f i c e on t h e i r
p a r t.
When word o f t h i s g e s tu r e o f f a i t h rea ch ed G eneral C onference
h ead q u arters in W ashington, th e o f f i c e w orkers th e r e em ulated th e s a c r i
f i c i a l exam ple; and church o f f i c i a l s d e s ig n a te d a s p e c i a l day o f f a s t i n g
and p ra y er fo r th e l a i t y th ro u g h o u t N orth Am erica to be o b serv ed in
January, 1958.^
F a ith fo r Today c lo s e d 1957 in th e b la c k ; b u t , Fagal announced,
"We have no s u r p lu s e s .
We were j u s t a b le to m eet e x p e n s e s .
That i s
a ll." 4
P r i v a t e l y , G eneral C onferen ce o f f i c i a l s d e c id e d to u se th e
r e s u lt s o f th e annual o f f e r in g
te r to in d ic a t e th e d eg ree o f i n t e r e s t in c o n tin u in g th e t e l e c a s t on th e
I b id .
' I b i d . , 2,
3I b id .
I b i d . , F e b ., 1958, 1.
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253
p a r t o f th e laymen a t la r g e .
T h e ir own f i n a n c i a l su p p o rt would be
geared t o t h i s i n d e x .*
The l a s t p r e v io u s o f f e r i n g (1957) had amounted to $ 9 7 ,0 7 4 .
In c r e a se d c o s t s o f p r o d u c tio n d i c t a t e d th a t th e 1958 o f f e r i n g would have
to reach a t l e a s t $ 1 5 7 ,0 0 0 in o rd er t o
s ta tio n coverage.
The o f f e r i n g
a v o id a
c u t i n o p e r a tio n s and
a p p ea l went to
th e f i e l d b u t w ith o u t
th e ominous w arning
in c r e a s e o v e r 1957,
a f e a t n e v e r b e fo r e a c h ie v e d ) were r a i s e d , church
le a d e r s w ould b e g in
to cu t b a ck .
T h eir h o u se was on f i r e ;
l a t e r , word o f
th e F a g a l* s p e r so n a l
a p p ea l f o r th e
annual o f f e r in g .
When
"''Fagal I n te r v ie w , J u ly 5 , 1966, 1.
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And
254
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
255
(w hich c o m p le te ly
The l a i t y , o f c o u r s e , knew n o th in g o f
t h i s c r u c ia l t e s t .
The problem o f th e 20% annual cu t in a l l o c a t i o n o f t i t h e , how
e v e r , s t i l l th r e a te n e d th e lo n g -ru n e x i s t e n c e o f th e t e l e c a s t .
And th e
Fagal I n te r v ie w , J u ly 5 , 1 966, 1.
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256
O f f i c i a l s in
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257
f o r th e n e x t fo u r y e a r s (1959 to 1 9 6 2 ),
I t w a s, as Blake h im s e lf s a i d , " th e h ig h p o in t in
In 1964,
(S ee T able 3 .)
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258
TABLE 3
O p era tin g
Budget*3
Year
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
2 5 9 ,0 1 3
3 4 7 ,8 5 7
4 2 0 ,9 8 5
5 6 8 ,0 0 0
5 8 2 ,9 6 4
5 8 2 ,2 4 2
6 2 4 ,1 2 6
6 4 8 ,9 2 4
6 7 3 ,5 0 5
7 2 1 ,6 5 9
7 2 8 ,9 3 6
7 7 9 ,3 4 4
8 1 8 ,2 3 8
8 5 9 ,0 0 4
9 9 6 ,0 0 0
1 ,0 6 3 ,0 0 0
1 ,1 7 7 ,0 2 0
1 ,2 5 4 ,7 7 4
T o ta l
$ 1 3 ,1 0 5 ,5 9 1
T o ta l C orporate
N et Worthc
2 4 ,5 2 8
8 6 ,3 9 5
164,682
192,095
1 9 9,163
2 0 2 ,2 0 4
2 1 3 ,6 8 1
2 6 6 ,4 6 1
3 4 8 ,9 6 7
4 3 3 ,8 4 1
3 6 9 ,9 5 6
4 2 6 ,6 4 9
7 4 6 ,5 8 3
1 ,0 3 1 ,7 4 0
1 ,0 8 9 ,5 0 4
1 ,1 2 0 ,6 8 2
1 ,2 8 2 ,3 3 6
1 ,2 9 0 ,3 9 5
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259
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
260
in N orth Am erica;
(3)
a rem inder t h a t th e o f f e r i n g i s
On th e r e g io n a l l e v e l , th e same a r t i c l e i s i n s e r t e d in a l l 10
North American u n ion c o n fe r en ce p e r i o d i c a l s , b u t th e t e s t i m o n i a l s are
g e n e r a lly l o c a l i z e d r e g io n by r e g io n , b e in g drawn from com m unities
se r v e d by th e r e s p e c t iv e church new spaper.
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261
--$ 7 5 0 w i l l add 1 5 ,0 0 0 v ie w e r s to F a ith f o r Todays [TV]
a u d ie n c e .
$500 w i l l add 1 0 ,0 0 0 v ie w e r s t o th o s e w a tch in g F a ith f o r
Today.
$250 w i l l pay f o r g r a d u a tio n o f 125 s tu d e n ts i n th e B ib le
[co r re sp o n d en ce s c h o o l] c o u r s e , in c lu d in g le s s o n
c o s t s and c e r t i f i c a t e .
--$ 1 0 0 w i l l buy 20 m in u tes o f TV tim e .
--$ 5 0 w i l l pay f o r 1 2 ,5 0 0 B ib le c o u r se e n r o llm e n t [ a p p lic a
t io n ] c a r d s .
--$ 2 5 w i l l pay f o r two m in u tes o f TV tim e .
--$ 1 0
w i l l pay f o r g r a d u a tio n o f f i v e B ib le c o u r se s t u d e n t s .
doubt th a t t h i s
k in d o f ap p eal r e a l l y
And p u b lic r e l a t i o n s w i l l be se r v e d !
The V a le n tin e O f f e r in g , a lr e a d y m en tio n ed , was la r g e ly th e b r a in
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262
P ro m o tio n a l e f f o r t s aimed d i r e c t l y a t v ie w e r s o f th e t e l e c a s t
are la r g e l y co n d u cted th rou gh th e columns o f th e m onthly T e l e - n o t e s .
R eports c a r r ie d th e r e t e l l o f u n iq u e and som etim es n o v e lp r o j e c t s o f
view ers in r a i s i n g fu n d s, many o f w hich in v o lv e th e making and s e l l i n g
o f em broidered or c r o c h e te d handwork o r a r t i c l e s o f c lo t h i n g ,
and q u i l t s .
or afgh ans
from th e o p e r a tio n o f t h e i r s t o r e o r b u s in e s s
(one s to r e -o w n in g co u p le
1I b i d . , F e b ., 1963, 8.
2 In 1961, 78 s c h o o ls p a r t ic ip a t e d , and r a is e d $ 1 ,2 7 4 (T e l e - n o t e s ,
May, 1961, 7 ) .
The p r o c ee d s w ere u sed to p u rch a se tim e on S t a t io n KLIX,
Twin F a l l s , Id ah o, fo r one y e a r ( i b i d . , J u n e, 1961, 1 ) .
In 1962, 187
s c h o o ls p a r t i c i p a t e d , and $ 3 ,3 9 4 was r a i s e d . Two new " c h ild r e n s s t a
tio n s" w ere added: KTVC, Dodge C ity , K an.; and KQTV, Fort Dodge, Iowa
( i b i d . , J u n e, 1962, 4; and F e b ., 1 963, 8 ) .
In 1 9 6 3 , 172 s c h o o ls r a is e d
$ 3 ,5 9 1 , and two Oregon s t a t i o n s w ere added: KAKA, Klamath F a l l s ; and
KBES, Medford ( i b i d . , Ju n e, 1963, 5; and S e p t . , 1 9 6 3 , 5 ) . In 1964, 351
classroom s r a is e d $ 6 ,6 7 4 ; and WNBE in New B ern, N. C ., was added t o the
o th er f i v e " c h ild r e n 's s t a t i o n s " w hich were c o n tin u e d fo r a n o th er y e a r
( i b i d . , F e b ., 1965, 4 ) .
In 1965, 369 s c h o o ls r a is e d $ 9 ,7 5 6 , and "F aith
fo r Today" r e - e n t e r e d P h ila d e lp h ia - - t h e fo u r th la r g e s t TV market in
North A m erica--on WBIS ( i b i d . , F e b ., 1966, 6; and J u ly , 1965, 5 ) .
In
1966, $ 1 2 ,0 2 1 was r a is e d in 340 s c h o o ls ($ 1 ,0 1 5 a lo n e in th e S lig o church
s c h o o l, W ashington, D. C ., suburban Takoma Park) ( i b i d . , June, 1 966, 5 ) .
The 1968 V a le n tin e O ffe r in g came t o $ 2 4 ,5 8 1 ; and in 1969 (a s o f M arch),
some $ 3 2 ,9 8 0 had been r e c e iv e d ( l e t t e r from W illia m R. Lawson, b u s in e s s
manager, F a ith f o r Today, I n c . , A p r il 2 , 1969, 2 ) .
3I b i d . , March, 1951, 2 .
4 I b i d . , O c t ., 1956, 3 .
5 I b id .
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263
In
from A d v e n tis ts i s
P ro m o tio n a l e f f o r t s on th e management l e v e l a t t e l e v i s i o n s t a
t io n s was begun in " e a r n e st" w ith th e appointm ent o f E rn est Wendth as
th e f i r s t f u l l - t i m e s t a t i o n r e l a t io n s d ir e c t o r (s e e a b o v e ).
1953, 1.
Fagal I n te r v ie w , J u ly 5 , 1966, 1.
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The f i r s t , in 1958,
c o n s is t e d o f p r e s e n t in g s t a t i o n awards t o managers o f s t a t i o n s c a r r y
in g th e t e l e c a s t as a p u b lic s e r v ic e f o r a t l e a s t one s e a s o n .
Community
A p o s i t i v e approach
^T e l e - n o t e s , A u g., 1961, 1.
2 I b id .
7
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265
(L a te r some o f th e s e same s t a t i o n s
b y Robert T, Mason,
la m in a te d on hardboard.
The p r a y e r , w hich e l i c i t s
*T e l e - n o t e s , S e p t .,
1963, 5 .
2May 2 7 , 19 6 3 , 18.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
T
<
266
a r ra ig n ed in th e M a g is t r a t e s ' Court
The o f f i c e r s a id t h i s was a
v i o l a t i o n o f S e c t io n 2143 o f th e New
York S t a t e P en al Code.^
D efendant Lund, accom panied by P a s to r F agal and t e l e c a s t t r e a s 3
u rer Josep h H. Webb, was a r r a ig n e d th e f o llo w in g T h u rsd ay, Janu ary 1 1 ,
a t which tim e he p le a d e d "n ot g u i l t y w ith a d e f e n s e .^
T r ia l was s e t
fo r February 20.
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267
t r i a l when F a g a l te le p h o n e d them .
He s u g g e s te d th a t l e g a l c o u n s e l be
The
P f e f f e r had p r a c t ic e d law fo r 29 y e a r s , th e p a s t 17 as s p e c i a l
i s t in F ir s t Amendment i s s u e s .
A p r o f e s s o r a t Y esh iv a and Long I s la n d
U n i v e r s i t i e s , he had au th ored f i v e w orks: Church, S t a t e , and Freedom
(1 9 5 3 ); The L ib e r t ie s o f an American (1 9 5 6 ); Creeds in C om p etition (1 9 5 8 );
Church and S t a t e in th e U n ited S t a t e s (w ith Anson P h elp s S to k e s , 1 9 6 4 );
and an h i s t o r y o f th e U. S. Supreme C ou rt, T h is H onorable Court (1965)
("Leo P f e f f e r ," Who's Who in th e U n ited S t a t e s , V o l. 54 [C hicago:
M arquis-W ho's Who, I n c . , 1 9 6 6 -6 7 ], 1669; T e l e - n o t e s , A p r il, 1962, 5 ) .
3
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268
P f e f f e r r e f u s e d , i n s i s t i n g t h a t i t be
T h is a c c u s a t io n , in th e form o f a
th e r e was no
Four y ea rs
l a t e r , Dr. P f e f f e r t o l d t h i s i n v e s t i g a t o r in a p e r s o n a l in t e r v ie w :
T h is came about q u ite by a c c id e n t ; b u t when i t d id come, i t
p r e s e n t e d th e hope f o r an o p p o r tu n ity to g e t a c o n s t i t u t i o n a l
d e te r m in a tio n on t h i s S e c tio n o f th e s t a t u t e d e a lin g w ith
work one f e e l s h i s r e l i g i o n r e q u ir e s him to do. The
^Loewen, 1 0 -1 1 .
2
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269
d e lib e r a t e s t a g in g o f a t e s t c a se i s c o n s id e r e d u n e t h ic a l
among a t t o r n e y s .
I w ould n e v e r ta k e such a c a s e . l
During th e c o u r se o f th e t r i a l , w hich was h e ld May 16 and 18
b e fo r e P r e s id in g J u s t i c e James R. C r e e l and A s s o c ia te J u s t i c e s Edward T.
Galloway and James J . Commerford, P a s to r F a g a l was c a l l e d t o th e w itn e s s
sta n d to t e s t i f y co n c er n in g th e j u s t i f i c a t i o n o f th e S ev en th -d a y A dvent
i s t b e l i e f th a t S a tu rd a y , th e s e v e n th day o f th e week, i s th e "true"
Sabbath, w hereas th e s t a t u t e s o f th e S t a t e o f New York r e c o g n iz e Sunday
as th e "Sabbath."
P r o se c u to r Pryor in h i s q u e s t io n in g t r i e d to
c h o ic e
show th a t th e
country or a c o n tin e n t th a t w i l l s e l e c t i t a r b i t r a r i l y by a L e g is la t u r e
or a community, or th o se i n t e r e s t e d in o b se r v in g a S ab bath ."
H is m ajor
one
C ite d
^ O f f ic ia l Court M in u tes, 7 3 -7 4 .
3W. A. F a g a l, " F a ith f o r Today Sunday V io la t io n T r i a l," Review
and H erald , June 14, 1 962, 4.
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270
little .
"Daddy, where does a c i r c l e b eg in ? " and I th in k
t h a t ' s th e q u e s t io n t h a t th e D i s t r i c t A tto r n e y i s p u t t in g t o
you now. Where d oes th e c i r c l e b e g in ? Where do we d e c id e
where in t h i s tim e i s , what i s [th e ] f i r s t [day o f th e
w e e k ], and what i s th e s e v e n t h ? 1
F a g a l's manner o f d e fe n s e o f h i s f a i t h , th a t th e B i b l i c a l
se v e n th day i s th e same as to d a y 's S a tu r d a y , i s i n s t r u c t i v e :
W e ll, you r Honor, I w ould become a b i t t h e o l o g i c a l in
t r y in g to answ er y o u , b u t l e t me t r y .
For in s t a n c e , we
know th a t th e O rthodox Jews o b se r v e th e day th a t we now
th in k o f as S atu rd ay th ro u g h o u t th e y e a r s . We know what
day J e su s d ie d . He d ie d on what i s c a l l e d Good F r id a y . We
are t o l d [ in th e B ib le ] th e day t h a t fo llo w e d [th e c r u c i
f i x i o n i s c a lle d ] th e S ab b ath . . . . We are t o ld t h a t th e
day on which He a r o se from th e dead was th e f i r s t day o f th e
week [E a ste r S u n d a y ]. So from th e S c r ip t u r e s we have no
doubt th a t Sunday i s th e f i r s t day o f th e week and Saturday
i s th e s e v e n th , th e Good F rid a y i s th e s i x t h . 2
The P r e s id in g J u s t i c e s t i l l w a s n 't s a t i s f i e d :
I t i s a f a c t , on c e r t a in c o n t in e n t s , such as Europe,
when th ey make up th e c a le n d a r they, s t a r t th e f i r s t day o f
th e week as Monday, d o n 't th ey?^
F agal w a s n 't s a t i s f i e d e i t h e r !
He r e s p e c t f u l l y r e p l i e d th a t
Fourth
o f th e Ten Commandments. ^
I t i s d i f f i c u l t to fa u lt h is lo g ic .
In th e m eantim e, Lawyer P f e f f e r was ta k in g a more p ra g m a tic
ta c k .
York S t a te P en al Code.
P f e f f e r knew h e had an a ce up h is s l e e v e in
^I b i d . , 75.
^ Ib id .
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^ Ib id .
271
I t i s a s u f f i c i e n t d e fe n s e t o a p r o s e c u t io n f o r work o r
la b o r done on th e f i r s t day o f th e week th a t th e d efen d a n t
u n ifo r m ly keeps a n o th e r day o f th e week as h o ly tim e and
does n o t la b o r on t h a t day, and th a t th e a c t com plained o f
was done in such a manner as n o t t o in t e r r u p t o r d is tu r b
p erso n s in o b se r v in g th e f i r s t day o f th e week a s h o ly
t i m e .1
He, t h e r e f o r e , p r o c e e d e d t o e s t a b l i s h t h a t Lund (1 ) d id keep
a n oth er day o f th e week h o l y , upon which he d id no s e c u la r la b o r ; and
(2) th a t th er e had been no co m p la in t from n e ig h b o r s about b e in g d i s
tu rb ed by th e n o is e o f th e p r e s s .
In d e e d , th e a r r e s t i n g o f f i c e r (who
H is main
p o in t s , in summary p a r a p h r a se , w ere:
[1] As th e d e fe n d a n t r e g u la r ly o b s e r v e s a n o th e r day o f
th e week as h o ly tim e , he h as a b u i l t - i n d e fe n s e w it h in th e
s t a t u t e w hich exem pts su ch i n d iv id u a ls from th e p r o h ib it o r y
p r o v is io n s o f th e
3
l
'*'Cited by P f e f f e r t o t h i s w r it e r d u rin g th e in t e r v ie w .
^ O f f ic ia l Court M in u tes, 6 .
3I b i d . , 85.
4I b i d . , 86.
5 I b i d . , 8 6 -8 7 .
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272
1Ib id .. ,
8 7 -8 8 .
4I b i d . , 9 0 .
2 I b i d . , 8 8 -8 9 .
He was g r a t i f i e d a t
3I b id . , 8 9 -9 0 .
5 I b i d . , 91.
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273
h a vin g "w on, in th a t th e d e fe n d a n t had b een a c q u it te d ; b u t he was d i s
ap p o in ted a t h a v in g " lo s t" in th e a ttem p t to make a t e s t c a se o f th e
c o n s t i t u t i o n a l i t y o f a law w hich he v e h e m e n tly d e c la r e s in f r i n g e s th e
r e lig io u s
He s a id :
L ib e r ty e d it o r Roland R. H egstad l a t e r e d i t o r i a l i z e d :
We are s o r r y th a t la w -a b id in g c i t i z e n s can be h a le d
in t o th e c o u r t f o r d oin g t h a t w hich i s l e g a l- - a n d even
p r a is e w o r th y --o n a l l o th e r days th a n Sunday. But s i n c e
Mr. Lund had to go to c o u r t, we a re so r r y h e won. What a
c a se t h i s w ould have made f o r th e U n ite d S t a t e s Supreme
C o u rt! ^
When ask ed why th e j u s t i c e s o f th e Court o f S p e c ia l S e s s io n s had
ig n o red th e c o n s t i t u t i o n a l i s s u e s r a is e d in s e v e r a l o f h i s m otions to
^ P f e f f e r I n te r v ie w , 1.
2
A M agazine o f R e lig io u s
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a c q u it , P f e f f e r remarked th a t:
A ju d ge i s r e q u ir e d to d is p o s e o f a c a se on r e g u la r
ground s, i f p o s s i b l e . He can d is p o s e o f i t on c o n s t i t u
t i o n a l grounds o n ly i f th e r e i s no o th e r means o f
d is p o s itio n .
Why was t h i s c a se s i g n i f i c a n t ?
^ P fe ffe r I n te r v ie w , 2 .
^I b i d .
\ o e w e n , 11.
^ T e le -n o te s , Ju n e, 19 6 2 , 3.
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275
a lth o u g h th e
He h as a d em on strated c a p a c it y f o r s u r v iv a l
( s e e b e lo w ) .
His
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r
i
276
. . . b r o a d c a s t in g 's Man o f
In a now-famous memorandum t o h i s c h i e f
"I b e l i e v e t h a t t e l e v i s i o n , w hich i s th e t e c h n i
c a l name f o r s e e in g as w e ll as h e a r in g by r a d io , w i l l come t o p a ss in
due c o u r s e ."
[by th e y e a r 2000 A .D .] th an
L
in a l l th e m il le n ia s in c e m an's c r e a t io n ."
t io n
^ M ille r , 5 9 .
6May, 19 6 4 , 116.
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277
What i s more c e r t a in
1I b i d . , 119.
2M il le r , 5 9 .
I
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r
!
278
5
I
the p u n ch es, w i l l p ro b a b ly s t i l l b e i n th e ru n n in g ( i f n o t in th e
i t w ill
I n fe r e n c e s
A r e t r o s p e c t iv e g la n c e a t th e h is t o r y o f th e F a ith f o r Today
t e l e v i s i o n o r g a n iz a t io n , as o u t lin e d in t h i s c h a p te r , s t r o n g ly s u g g e s ts
(in t h i s w r i t e r ' s o p in io n , a t l e a s t )
th a t th e c r e a t i v e le a d e r s h ip and
(and perhaps an a d d it io n a l
T his tr a in e d s t a f f c a r r ie s out
i t s r e s p o n s i b i l i t i e s in an e f f i c i e n t p h y s ic a l p la n t w h ich , w ith i t s
modem o f f i c e , p r in t in g , and r e c o r d in g f a c i l i t i e s , has a c u rren t v a lu a
tio n o f n e a r ly one m il lio n d o l l a r s .
A d d itio n a l e v id e n c e o f th e in f lu e n c e o f W illiam F a g a l's le a d e r
sh ip i s t o be found in th e number o f s t a t i o n s c a r r y in g h i s t e l e c a s t th e
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279
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280
The f a c t th a t a
And i t a t t e s t s t o th e P a s t o r s i n s i s t e n c e on th e h ig h e s t
The f a c t th a t th e
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The s i z e o f t h i s v o lu n ta r y o u tp o u r in g o f g i f t s i s a l l th e
I t i s a l s o an in d e x o f th e h ig h reg a rd in
Much o f th e l e t t e r r e sp o n se conveys an
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282
graduated a grand t o t a l o f 1 2 7 ,8 5 7 s tu d e n ts in 17 y e a r s .
F a g a ls con
On th e
and on th e
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283
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CHAPTER IV
THE RHETORICAL THEORY OF WILLIAM A. FAGAL
The p r e a c h e r so u g h t to f in d ou t a c c e p ta b le words . .
even words o f t r u t h . . . .
I f any man o ffe n d
n o t in w ord, th e same i s a p e r f e c t
m an.E c c l. 12 :1 0 ; James 3 :2 .
M aster o f
to be
And, as u s u a l,
Oxford
2
Grand Ledge Respondent #2 3 7 . R esponses to th e a u d ien ce su rv ey
q u e s tio n n a ir e , m ost o f w hich w i l l b e found in Chapter V II, h e r e a f t e r are
c it e d m erely as GL # 1 , GL # 2 , e t c .
284
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T
2
285
g i s t s to d a y r e p e a t e d ly do s o ( in c lu d in g some te a c h e r s h o ld in g g ra d u a te
d e g r e e s , who ought t o know b e t t e r ! ) .
d e c la r e s , " A ll th e o r y , d ea r f r i e n d , i s g rey ; b u t th e g o ld e n t r e e o f
a c tu a l l i f e s p r in g s e v e r g r ee n .
W e ll, what about t h i s th in g c a l l e d " th e o r y ," so d e s p is e d , so
o s t r a c iz e d from th e s o c i e t y o f p r a c t i c a l men?
What i f a n y - - i s i t s
And one o f
Southern C a lif o r n ia ,
*C ited in B a r t l e t t , 622.
^O xford D ic tio n a r y o f Q u o ta tio n s , 2nd ed .
U n iv e r s it y P r e s s , 1 9 5 5 ), 22 3 .
(London:
O xford
^Eckbo a ls o s e r v e d as v i s i t i n g c r i t i c a t 14 d i f f e r e n t u n iv e r
s i t i e s and c o l l e g e s ( in c lu d in g M ichigan S t a t e U n iv e r s it y , 1960) d u rin g
th e 1 9 5 0 's .
(" G a rr ett E ckbo," Who's Who i n A m erica, V o l. 32 [1 9 6 2 -6 3 ]
[Chicago: The A. N. Marquis Company 1 9 6 2 ], 8 8 9 -9 0 .
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The c i t a t i o n i s somewhat
a t l e a s t t o t h i s w r it e r :
58.
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I t must b e a r t i s t i c as w e ll as
N o te , a l s o , th e a p p l i c a b i l i t y o f E ck bo's f i n a l c o n c lu s io n :
been th e b a s is f o r a l l s u c c e s s f u l
and th e a r ts s i n c e th e dawn o f
c i v i l i z a t i o n - i n c l u d i n g p u b lic sp e a k in g .
In th e f i e l d o f sp e e c h th e r e a re many handbooks on te c h n iq u e s
and some volum es w hich e s s a y t o d e a l in " p r i n c ip le s ."
But ev en p r in
P r i n c i p l e s , as w e ll as r u le s d e r iv e d t h e r e
b e h a v io r ."
in b o th p r e d ic t i o n and c o n t r o l;
The
and
1I b id .
2 I b i d . , 5 8 -5 9 .
. i
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T
i
1
288
\i
A c c e p tin g t h i s dictum as b e in g r e le v a n t in a c r i t i c a l
^Speech C r it ic is m , 2 8 .
2
,j i
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289
1966, 1.
I
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290
T h is b e in g th e c a s e ,
o b j e c t i v e - o r i e n t e d b a s is f o r sermon p r e p a r a tio n
gosp el
S in c e sh e d id n o t
W illiam broached i t ,
a s k in g h e r in
v o l u n t a r il y b r in g upth e m a tte r f i r s t ,
a g e n e r a l way how sh e th o u g h t th in g s
w en t.
" W ell," sh e r e p l i e d , "the sermon was good; f i n e . "
T hen, a
1I b id .
^ L e tte r from W illia m A. F a g a l, New York, D ec. 9 , 1968, 1.
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291
"I d e c id e d th en and t h e r e , 11 F agal mused two and o n e - h a lf decades
l a t e r , " th a t I m ust alw ays know a h e a d ." 1
But I d o n 't alw ays w r it e o u t th e aim. In d e e d , i t may change
d u rin g th e p r e p a r a tio n o f th e serm on. But I do w r it e o u t
e v e r y sermon in ad van ce, w o r d -fo r -w o r d .2
"A sermon m ay--and p r o b a b ly d o e s --h a v e s e v e r a l g o a ls ," sa y s
F agal, "but p r a c t i c a l C h r is tia n l i v i n g i s th e b a s i c g o a l , o b j e c t i v e , o f
every sermon I p r e a c h ."
B eh a v io r , as w e ll as b e l i e f , i s o b v io u s ly c en
t r a l to h i s t h in k in g .
A nother g e n e r a l o b j e c t iv e t o be found in W illia m F a g a l's p r e a ch
in g i s r e v e a le d i n th e n o te o f h ig h optim ism w hich in v a r ia b ly i s h i s
" t r a d e - m a r k . I t i s in te n tio n a l:
I lo v e serm ons th a t g iv e h o p e ! I o f t e n th in k o f th e
p a r is h io n e r who w ent to encourage h i s m in is t e r n i g h t l y in
th e p a s t o r 's s tu d y d u rin g an e v a n g e l i s t i c cam paign. B efo re
th e p r e a c h e r w ould go o u t on th e p la tfo r m , t h i s f a i t h f u l
layman w ould g ra sp th e man by th e hand, and w h isp e r in h i s
e a r , " T e ll them th a t th e y c a n , p a s t o r ; t e l l them t h a t th e y
can!" That in c id e n t has made a g r e a t im p r e s sio n on my
t h in k i n g .4
In t h i s c o n n e c tio n , F agal becomes v e r y u p s e t by th o s e o f h i s
fe llo w m in is t e r s who h o ld out what he b e l i e v e s t o be u n r e a l i s t i c i f n o t
u n a tta in a b le g o a ls b e fo r e th e p e o p le .
^I b i d .
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292
th e y 'd
As s u c h , he draws a sharp d i s
It is
1I b i d .
2 I b id .
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293
P r e a c h in g , th e n , i s t o move men and to change men.
I t sh o u ld
And i t
("What
P r e p a r a tio n f o r p r e a c h in g . - -A m i n i s t e r ' s c a r e e r sh o u ld b e
grounded upon th e c o n v ic tio n th a t God has " c a lle d " him t o th e m in is t r y .
But F a g a l's view o f what c o n s t i t u t e s th a t c a l l i s a marked d ep a rtu re
from th a t h e ld by a number o f h i s c o lle a g u e s --s o m e o f them p ro m in en t in
th e ranks o f A d v e n tis t p r e a c h e r s:
S u r e ly , a m in is t e r ought to f e e l a " c a ll" to th e
m in is tr y ; b u t what c o n s t i t u t e s th a t c a l l ? As I s e e i t , a
" c a ll" i s n o th in g more or l e s s th a n , f i r s t , s e e in g th e
need; s e c o n d , f e e l i n g a p e r so n a l d e s ir e to resp on d to th a t
n eed ; and, t h ir d , f e e l i n g th a t one h as th e a b i l i t y , th e
c a p a b il it y to do what i s n eed ed . Many men are c a l l e d , and
d o n 't even know i t ! *
F agal ta k e s is s u e w ith one prom inent A d v e n tis t le a d e r who pub
l i c l y adm onishes p r o s p e c t iv e young p rea ch ers n o t to g e t i n t o th e
m in is tr y u n le s s th e y sim p ly cannot do a n y th in g e l s e and l i v e w ith t h e i r
own c o n s c ie n c e s u n le s s th e y , l i k e P a u l, f e e l "Woe u n to me i f I p reach
n o t th e g o sp e l"
(I Cor. 9 : 1 6 ) .
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294
T oday, F a gal a s s e r t s , t h i s young man s e r v e s th e Lord in a
p h y s ic s lab i n B oston; b u t he i s n ' t happy.
No, Fagal d e c la r e s ,
g r e a t men" (P rov. 1 8 :1 6 ) .
C o n tr a r iw is e , th e la ck o f th e g i f t may
1Ibid., 3.
2Ibid.
5Ibid.
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295
m in is t e r .
m in is t e r s s p i r i t u a l q u a l i f i c a t i o n , s p i r i t u a l p r e p a r a tio n .
q u en t, fe r v e n t e a r n e s t n e s s , F a g a l d e c la r e s :
I
I
I
I
I
I
I
I
With e l o -
c a te g o r y .
Says h e:
I
I
I
I b e lie v e t h a t , b e s id e g r e a t p r e a c h e r s , th e r e are
g r e a t a u d ie n c e s . Some w i l l n e v e r g e t g r e a t serm ons b eca u se
th ey d o n 't in s p ir e t h e i r p r e a c h e r .
I
I
I
On th e o th e r hand,
I
I
1I b i d .
2I b id .
3I b id .
4 I b id .
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of
l o g i c a l , e m o tio n a l, and e t h i c a l .
And i t i s in
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297
d o c t r in a l ,
V in e t adds p s y c h o lo g ic a l
(1) t h e o r e t i c a l - d o c t r i n a l ;
(2) t o p i c a l ; (3)
(5) t e x t u a l (" th e k in d
(6 ) e v a n g e l i s t i c ; and (7)
(1) t h a t he i s t y p i c a l o f th e
A le x a n d e r , 9 6 .
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298
in d iv id u a ls whom he w i l l a d d ress ( t h e r e f o r e , th in g s th a t i n t e r e s t him
w i l l i n t e r e s t th em ); and (2) th a t i f he h im s e lf i s n o t e x c it e d about th e
m a tters to be p r e s e n t e d , he cannot be dynamic in t h e i r advocacy:
I must alw ays f in d som eth in g t h a t in t r i g u e s me^ I n ev er
d e c id e th a t I am g o in g to p rea ch on su ch -a n d -su ch a t o p i c ,
p er s e . The t o p ic i s alw ays s u g g e s te d to me by m a te r ia l
th a t s t im u la t e s .
Get m a te r ia l th a t f a s c i n a t e s , th en l e t
th e t o p ic come ou t o f t h a t .*
as o f s p e c i a l im por
^Ibid.
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3Ibid.
d a y s, to s e e t h in g s th rou gh t h e i r e y e s . 1'
H is t o r y , t o o , e n a b le s him to
"These mat
B iography s e r v e s to p r o v id e
1I b i d .
2I b id .
3 I b id .
4
Kenneth G. H ance, David C. R alph, and M ilto n J . W ik s e ll,
P r in c ip le s o f S p ea k in g , 2nd e d . (B elm ont, C a l i f . : Wadsworth P u b lis h in g
Company, 1 9 6 9 ), 80.
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300
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301
Fagal a ls o b e l i e v e s in a " ju d ic io u s " u se o f humor,^ t h a t i t te n d s to
r e v e a l "the r e a l him" o f th e m in is t e r to th e a u d ie n c e .
B u t, h e c a u t io n s ,
ev id e n c e and r e a s o n in g .
E vid en ce i s g e n e r a ll y con cern ed w ith m a tter s o f f a c t and o p in io n
as th e b a s is f o r th e e s t a b lis h m e n t o f p r o o f; r e a s o n in g i s th e p r o c e s s o f
u s in g e v id e n c e th u s d e v e lo p e d as a means o f i n f e r r in g c o n c lu s io n s .
For W illia m F a g a l, as n o te d ab ove, th e "supreme so u r ce " o f
e v id e n c e i s th e B ib le :
P a r t ic u l a r ly do I ap p ea l to th e l i f e o f C h r is t in th e
New T estam en t. A m in is t e r ought alw ays t o show Him as th e
g r e a t exam p le. But i t i s n o t enought t o u se th e B ib le
m erely as e v id e n c e ; th e p r e a c h e r must show i t s r e le v a n c e .
My burden i s alw ays to make C h r is t r e le v a n t to th e p e o p le
o f to d a y , t o p rea ch t r u l y " C h r is t-c e n te r e d " s e r m o n s . ^
F agal d oes n o t , o f c o u r s e , r u le out o th e r forms o f e v id e n c e ; b u t
im p l i c i t in h i s th e o r y o f l o g i c a l r e a s o n in g i s th e c o n c e p tio n o f th e
supremacy o f th e Word, w ith o th e r a c c e p ta b le p r o o fs b e in g u se d r a th e r in
su p p o rtin g r o l e s .
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S t a t i s t i c s and q u o ta tio n s
( l i t e r a r y m a t e r ia ls , te stim o n y o f
exam ple, a n a lo g y ,
as aware o f th e p s y c h o lo g ic a l t e s t s o f e v id e n c e and
r ea so n in g as he i s o f th e l o g i c a l t e s t s p erh a p s more s o .
And w ith h i s
th e m ost im p o rta n t t e s t i s th e t e s t o f c r e d i b i l i t y . . . .
The sermon sh o u ld be r e a s o n a b le , b e l i e v a b l e , and a c c e p t a b le .
And, o f c o u r s e , th e p r e a c h e r s h o u ld b lo c k e v e r y h o le th a t
e x i s t s f o r th e p e o p le n o t to a c c e p t h i s p o s i t i o n . 3
XIbid.
2Ibid.
3Ibid.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
C oncerning th e s t r u c t u r e o f r e a s o n in g , F a g a l r e c o g n iz e s th e two
main a p p ro a ch es, th e in d u c t iv e and th e d e d u c tiv e ; and f e e l s th a t each i s
d e s ir a b le and has a p la c e in c e r t a in k in d s o f sp e a k in g s i t u a t i o n s .
The
sp e a k e r 's g o a l, th e n a tu r e o f th e m a t e r ia ls t o be p r e s e n t e d , and th e
p r e v io u s a t t i t u d e o f th e a u d ien ce tow ard t h e s e m a t e r ia ls are th e c h i e f
d eterm in an ts in th e m a tter o f h i s c h o ic e o f s e l e c t i o n .
Says he:
I l i k e to u se th e in d u c t iv e approach; I p r e f e r to have my
id e a s dawn on p e o p le , p a r t i c u l a r l y i f i t i s a s e n s i t i v e
su b je c t.
In d o c t r in a l and e x p o s ito r y sermons I u se th e
d e d u c tiv e a p p ro a c h --y o u know, th e method where you t e l l
them what y o u 'r e g o in g to s a y , th en you go ahead and sa y
i t , and th en you t e l l them what y o u 'v e t o l d th em !l>2
On th e q u e s tio n o f th e r e l a t i v e p o s i t i o n o f argument in th e
sermon, F agal g e n e r a lly te n d s t o fa v o r p la c in g th e s t r o n g e s t argument
fir s t:
There are tim es when a m in is t e r n eed s to overwhelm h i s
au d ien ce a t f i r s t .
He sh o u ld b e g in by making h i s p o in t
f a s t , and th en b u t t r e s s i t .
O th er w ise, th e p e o p le may n o t
s t a y w ith him t o th e e n d . 3
As t o th e s u f f i c i e n c y o r q u a n tity o f argum ent, F agal ten d s t o
make t h i s an o p e r a tio n a l m a tte r --so m e th in g to be d eterm in ed by th e
sp eak er d u rin g d e l i v e r y , on th e b a s is o f a u d ien ce fe e d b a c k .
No two
J-I b i d .
2The d e d u c tiv e approach in r h e t o r ic i s g e n e r a lly view ed as th e
method whereby th e sp ea k er s t a t e s a p o s i t i o n and th en p r o c ee d s t o
p a r t ic u la r s s u p p o r tin g th e p o i n t .
F a g a l's d e f i n i t i o n h e r e i s n o t
e s p e c i a l l y a p t . That he does u n d ersta n d th e b a s ic d e s t in c t io n betw een
in d u c tiv e and d e d u c tiv e methods i s c le a r from o th e r sta te m e n ts made
e lse w h e r e , and from h i s o r a t o r i c a l p r a c t ic e ( s e e C hapter V ).
F agal I n te r v ie w , O ct. 2 0 , 1966, 5 .
I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
304
I alw ays w a it u n t i l I s e e t h e i r e y e s l i g h t up in r e c o g n it io n
b e fo r e I b r in g my sermon to a c l o s e . And I alw ays tr y to
b r in g out th e im p ortan ce o f what I m s a y in g to them,
p e r s o n a lly .
I f you c a n 't make i t r e le v a n t , th en a l l th e
argument in th e w orld wont c a rr y th e day as f a r as r e s u l t s
are c o n cern ed .^
Sermon i n v e n t io n - - p a t h o s . - -The t h ir d and f i n a l mode o f p e r s u a s io n
encom passed by th e canon o f " in v e n tio n i s t h a t o f p a th o s , o r , t o u se
a n oth er H a n ce-R a lp h -W ik sell term , " m a te r ia ls o f e x p e r ie n c e ."
He
adds:
^I b i d .
^ H a n c e -R a lp h -W ik se lls term , o f c o u r s e , has a somewhat b road er
con cep t than t h a t o f "p a th o s" as u sed by t r a d i t i o n a l r h e t o r i c i a n s . For
H a n ce-R a lp h -W ik sell, " m a te r ia ls o f e x p e r ie n c e " are d e sig n e d t o ap p eal
p r im a r ily to th e l i s t e n e r s b a s i c m o tiv e s , h i s s e n s o r y e x p e r ie n c e s and
memories o f them , and h i s n e e d s , h o p e s , f e a r s , and d e s i r e s (p . 7 1 ).
^Thonssen and B a ir d , 358.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
305
I m moved by th e th in g s I b e l i e v e i n , th in g s th a t I ' v e
g iv e n my h e a r t to ; and so are o th e r p e o p l e . 1
S e c o n d ly , F agal c l e a r l y p e r c e iv e s th a t c o n v in c in g th e "head
alo n e does n o t alw ays produce th e d e s ir e d r e s u lt a n t a c t io n w hich th e
preach er o f t e n s e e k s to a r o u s e .
w e ll p r o v id e th e key to a c t io n .
I t i s n o t , how ever, in an a t t i t u d e th a t
o th e r hand, i s a t ig h t w ir e
fo r A d v e n tist m in is t e r s , fr a u g h t w ith p e r i l fo r th e c o n s c ie n t io u s ,
because o f r e p e a te d e x h o r ta tio n s by church le a d e r s n o ta b ly E lle n G.
W h ite --a g a in s t th e u se o f j e s t i n g , j o k in g , and l e v i t y in th e p u l p i t .
M in iste r s g e n e r a lly , and e v a n g e lis t s p a r t i c u l a r l y , are warned:
Amusement i s n o t to be in terw o v en w ith i n s t r u c t io n in
th e S c r ip t u r e s . When t h i s i s don e, th e h e a r e r s , amused by
some cheap n o n se n se , lo s e th e burden o f c o n v ic t i o n .4
Some form th e h a b it o f r e l a t i n g a n ecd o tes in t h e i r
d is c o u r s e s , which have th e ten d en cy to amuse and remove from
^Fagal I n te r v ie w , O c t. 2 0 , 1966, 5 .
^W hite, E v a n g elism , 2 1 0 -1 1 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
306
th e mind o f th e h e a r e r th e s a c r e d n e s s o f th e word w hich
th ey a re h a n d lin g .1
L et them be c a r e f u l l e s t b y a tte m p tin g d u rin g t h e i r d i s
co u rse t o cau se la u g h te r , th e y d ish o n o r G od.2
I f h e i s a f r i v o l o u s , j o k in g man, he i s n o t p rep a red t o
perform th e d u ty l a i d upon him b y th e Lord. . . . The f l i p
pant words t h a t f a l l from h i s l i p s , th e t r i f l i n g a n e c d o te s ,
th e words spoken t o c r e a t e a la u g h , are a l l condemned by
th e Word o f God and a re e n t i r e l y ou t o f p la c e in th e sa c r e d
d esk .^
A ll s a n g - f r o id [ s i c ] , w h ich i s s o common . . . a l l
lig h t n e s s and t r i f l i n g , a l l j e s t i n g and jo k in g , must be
see n . . . t o b e . . . a d e n ia l o f C h r is t .
I t u n f i t s th e
mind f o r s o l i d th o u g h t and s o l i d la b o r .
I t makes men
i n e f f i c i e n t , s u p e r f i c i a l , and s p i r i t u a l l y d is e a s e d . . . .
Let e v e r y m in is t e r be s e d a te . . . y e t . . . c h e e r f u l and
happy A
W illia m F a g a l, who r e s p e c t s th e w r it in g s o f Mrs. W h ite, and
c o n s c ie n t io u s ly makes an e f f o r t to p a t te r n h i s m in is t r y upon t h e s e
c o u n s e ls , i s w e ll a c q u a in te d w ith t h e a d v ic e c i t e d ab ove.
Y e t, ta k in g a cue from th e f i n a l s ta te m e n t about m in is t e r s b e in g
" c h e er fu l and hap py," he r e p l i e s :
I c a n 't b e l i e v e th a t E lle n W hite meant th e r e sh o u ld
n ev er be any l i g h t tou ch t o l i f e .
I draw a d i s t i n c t i o n
even as I'm su r e sh e drew th e d is t in c t io n - - b e t w e e n j e s t i n g
and jo k in g on th e one hand, and a j u d ic i o u s , l i g h t tou ch o f
humor, o f w i t , on th e o th e r .
The man who " crack s j o k e s ," who ta k e s h i s work in th e p u l p i t
" l i g h t l y , n o t s e r i o u s l y ," i s , in F a g a l's book , t o be condemned.
He
c o n tin u e s :
1I b i d . , 2 0 8 -9 .
2 I b id . , 2 1 1 .
3I b id . , 6 4 3 .
^I b i d . , 64 5 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
(
I'm a g a in s t humor m erely f o r th e sak e o f humor. . . .
condemn th e man who g e t s up j u s t t o g e t th e p e o p le to
la u g h .
'A
on,
I'm s u r e C h r is t u se d i l l u s t r a t i o n s w hich b ro u g h t a s m ile ,
i f n o t la u g h te r , to th e fa c e s o f H is h e a r e r s - - t h e camel
g o in g through th e n e e d le ' s e y e , f o r exam ple (Oh, I know,
w e'v e e x p la in e d t h a t a l l away as b e in g a g a te named th e
" N e e d le 's Eye"; b u t I'm n o t so s u r e t h a t t h i s i s th e l a s t
w o r d .); a ls o H is words about m otes and beams i n p e o p l e 's
e y e s , c a l l i n g th e c r a f t y k in g Herod a f o x , e t c .
I'm su r e
th e p e o p le lau gh ed when He spoke t h e s e and o th e r w ords. Of
c o u r s e , th e humor o f t h a t day was n e c e s s a r i l y g e a re d to th e
c u ltu r e o f th a t d ay, even as our humor now i s d i r e c t l y
c o n n ected w ith our own t i m e s .3
Humor, F agal f e e l s , i s j u s t i f i e d i f i t i l l u s t r a t e s a p o i n t .
"Then i t i s a s h a f t in t o h e a r t s ."
And i f , i n an i l l u s t r a t i o n , th e r e i s
^ C ited in F le s c h , 165.
^ I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
F i r s t , i t may be a means o f g a in in g ra p p o rt
i s th a t
1I b id . , O ct. 2 0 , 1966, 6 .
2I b id . ,
May 2 9 , 1967, 1.
4Ib i d ., 5.
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309
T here can b e no i n t e l l i g e n t d e c i s i o n u n le s s i t be
R a th er, he s a y s ,
T r a d itio n a l
I b id . , 6 .
2I b id .
3I b id .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
310
E lle n G. White s t r e s s e d t h i s su p e r n a tu r a l f a c t o r r e p e a t e d ly in
c o u n se lin g th e A d v e n tis t p r e a ch er s o f h er day.
a id , our e f f o r t s to p r e s e n t d iv in e tr u t h w i l l be in v a in ," * sh e d e c la r e d
fla tly :
The s e r v a n ts o f th e Lord have t r u s t e d to o much t o th e
s tr e n g th o f argum ent. . . . The mere argument o f th e tr u th
w i l l n o t move s o u ls to ta k e a sta n d . . . fo r th e tr u th i s
un popu lar. . . . A few t h a t are c o n s c ie n t io u s are ready t o
d e c id e from th e w e ig h t o f e v id e n c e ; b u t i t i s im p o s s ib le to
move many w ith a mere th e o r y o f th e t r u t h . There must be a
power to a tte n d th e t r u t h , a l i v i n g te stim o n y t o move them.
. . . There i s l o v e l i n e s s and b e a u ty in th e tr u th ; b u t ta k e
away th e power o f God, and i t i s p o w e r le s s .2
On a n oth er o c c a s io n sh e a m p lifie d h e r th in k in g :
The p r e a c h in g o f th e word w i l l be o f no a v a il w ith o u t th e
c o n tin u a l p r e se n c e and a id o f th e Holy S p i r i t . T h is i s th e
o n ly e f f e c t u a l te a c h e r o f d iv in e tr u t h . Only when th e
tr u th i s accom panied to th e h e a r t by th e S p i r i t w i l l i t
q u ick en th e c o n s c ie n c e o r tra n sfo rm th e l i f e .
One m ight b e
a b le to p r e s e n t th e l e t t e r o f th e word o f God, he m ight be
f a m ilia r w ith a l l i t s commands and p ro m ises; b u t u n le s s th e
Holy S p i r i t s e t s home th e t r u t h , no s o u ls w i l l f a l l on th e
Rock and be b rok en . No amount o f e d u c a tio n , no a d v a n ta g e s,
however g r e a t , can make one a channel o f l i g h t w ith o u t th e
c o o p e r a tio n o f th e S p i r i t o f God. The sow ing o f th e g o s p e l
se e d w i l l n o t be a s u c c e s s u n le s s th e se e d i s q u ick en ed
in t o l i f e by th e dew o f h eaven .^
W illiam F a g a l's th in k in g on th e s u b j e c t i s perhaps b e s t e p i t o
mized by t h i s sta te m e n t o f Mrs. W h ite's w h ich , a lth o u g h r e f e r r in g t o th e
w r itte n word, a c t u a ll y a p p lie s e q u a lly t o th e sp o k en :
As th e works o f God are s t u d ie d , th e H oly S p i r i t f la s h e s
c o n v ic t io n i n t o th e m ind. I t i s n ot th e c o n v ic tio n th a t
l o g i c a l r ea so n in g p r o d u ce s; b u t . . . a d eep er meaning i s
<Z
P a c i f i c P r e ss P u b lis h in g
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311
I
I
g r a sp e d , and th e s u b lim e , s p i r i t u a l tr u t h s o f
word are im p ressed on th e h e a r t . 1
I
I
th e w r it t e n
He ta k e s g r e a t p e r s o n a l s a t i s f a c t i o n from h e r a ssu r a n c e
t o th e
m in is tr y th a t:
I
I
I
I
I f you see k t o im it a t e C h r is t in y o u r c h a r a c t e r , th e
im p r e ssio n upon th e p e o p le w i l l n o t b e made by y o u , b u t by
th e a n g e ls o f God th a t sta n d r ig h t by you r s i d e s ; th e y w i l l
tou ch th e h e a r t s o f th o s e t o whom you s p e a k .2
o f th e
I
I
I
th e d is c o u r s e are d e v e lo p e d ."
I
I
I
I
I
A ll are e x p l i c i t l y s t a t e d in W illiam
F a g a l's r h e t o r i c a l th e o r y .
I
I
p a r ts o f
in t r o d u c e .
He s a y s :
r e fe r e n c e
t o th e s u b j e c t or p rob lem , r e f e r e n c e t o th e o c c a s io n , p e r s o n a l
g r e e t in g ,
r h e t o r ic a l q u e s t io n , s t a r t l i n g s t a t e m e n t , q u o ta tio n from
S c r ip tu r e
( u s u a lly t e x t ) o r some o th e r s o u r c e , a n e c d o te , i l l u s t r a t i o n .
I
I
I h a v e , in th e p a s t , o f t e n u se d t e x t u a l in t r o d u c t io n s ; b u t
I m t r y in g t o g e t away from th a t now adays. A good i n t r o
d u c tio n i s c h a r a c t e r iz e d by b r e v it y and i n t e r e s t - c a t c h i n g
^C h r is t 's O b ject L e s s o n s , 2 4 .
^Thonssen and B a ir d , 39 3 .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
v a l u e s - - t h a t ' s th e main t h in g .
I t s h o u ld g e t you r i g h t
away; and, o f c o u r s e , i t s h o u ld a ls o show where you are
g o in g .1
With reg a r d t o th e o r g a n iz a t io n o f th e body o f th e serm on, i t i s
here a lo n e t h a t F agal r e c o g n iz e s any d eb t t o th e a n c ie n t p r o f e s s io n a l
r h e t o r ic ia n s .
In h i s o n ly c o l l e g e sp e e c h c l a s s , ta u g h t by one L i l l i a n
proem o r exordium , n a r r a t io n , e x c u r -
He sa y s now, c h a r it a b ly , h o w ev er, t h a t a t th e
in fa v o r
o f a more s i m p l i f i e d approach."^
W hile F agal h as u se d th e custom ary t r i p a r t i t e d i v i s i o n method in
th e p a s t in t e x t u a l serm on s, now, he s a y s ,
I'm t r y in g to g e t away from t h a t m ethod. I l i k e t o have my
id e a s dawn on th e p e o p le .
I l i k e to have th e serm on f l o w !
I d o n 't li k e any b r e a k s , and I have no b r e a k s .
I'm a f r a id
o f a n y th in g t h a t l o s e s an a u d ie n c e , even f o r an i n s t a n t .
Any tim e th e l i s t e n e r can ta k e even a b r e a th i s to o bad; I
have to work to g e t h i s a t t e n t io n a l l o v e r a g a in
Commitment, F agal d e c la r e s , i s th e main p u rp o se o f a c o n c lu s io n ,
w hether th e form ta k e t h a t o f a c h a lle n g e o r a p p e a l, a summary, a
1I b i d .
2 I b i d . , May 2 4 , 1 9 6 6 , 4 .
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313
q u o ta tio n , an i l l u s t r a t i o n , an in d u cem en t, a d e c la r a t io n o f p e r s o n a l
i n t e n t io n , o r a p r a y e r .^
In r e f e r r i n g to th e " i d e a l , 1* F agal f e e l s th a t
th e m ost ad m irab le k in d o f c o n c lu s io n i s one in w hich th e
sp ea k er c o n c lu d e s w ith o u t a c t u a l l y a p p ea rin g to do s o . He
s i t s down, b u t th e p e o p le a re s t i l l c o n tin u in g a lo n g h is
l in e o f th o u g h t in t h e i r own m i n d s . 2
However, th e p r a c t i c a l n eed s o f th e p r e a c h in g s i t u a t i o n , and an
o v e r r id in g con cern th a t th e main p u rp o se o f p r e a ch in g be m et, ta k e o v er
a t t h is p o in t ; and, F agal adds p r a g m a t ic a lly ,
N e v e r t h e le s s , I do f e e l t h a t i n each sermon an o p p o r tu n ity
sh o u ld be g iv e n f o r any h e a r e r t o a c c e p t C h r is t som etim es
we ask them to r a i s e t h e i r h a n d s, or s ta n d to t h e i r f e e t ,
in a r e c o n s e c r a t io n . Som etim es I u se a b r i e f p ra y er to
c o n c lu d e . But commitment i s th e main p u rp ose o f th e con
c lu s io n . And I o ft e n w orry t h a t th e r e may be someone out
th e r e on th e v e r g e o f a d e c i s i o n , and th a t i f I f a i l to
p r o v id e him w ith an o p p o r tu n ity to ta k e h i s s ta n d , he m ight
n e v e r do i t a fte r w a r d .^
T h is b e in g th e c a s e , th e c o n c lu s io n form w i l l seldom d e v ia t e
from one o f th e k in d s w hich r e a d i l y le n d s i t s e l f to a d ir e c t a p p e a l,
fo llo w e d by an o p p o r tu n ity o f some k in d f o r an in d iv id u a l r e s p o n s e .
word c h o ic e , and th e s u b s e
For th e sp eech c r i t i c s ,
1I b id . ,
7.
^ I b id . ,
7.
2 I b id . , 6.
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314
For John A. Broadus th e th r e e c h i e f e le m e n ts o f sermon s t y l e are
c le a r n e s s , e n e rg y , and e le g a n c e .^
A l l th r e e q u a l i t i e s are e i t h e r e x p l i
c i t l y o r i m p l i c i t l y r e c o g n iz e d in W illia m F a g a l's th in k in g on th e
su b ject o f s t y le .
Broadus l i s t s
" c le a r n e s s " f i r s t in h i s l i s t .
I t i s f o r F a g a l,
to o :
C la r it y i s most im p o rta n t. I f th e sp e a k e r c a n t be under
s to o d , th en he "should o f sto o d in b ed ." ^ I m a bug on
th is .
I h a te to come away from l i s t e n i n g to a s p e a k e r , and
n o t have a c le a r p ic t u r e o f what he was t a lk in g a b o u t, or
what he wanted me to do about i t . ^
" V iv id n ess" and "energy" are a l s o l i s t e d by F agal as b e in g
"im portant"; b u t, o f even g r e a t e r s i g n i f i c a n c e f o r him i s " s im p lic it y " :
The u s u a l s t y l i s t i c q u a l i t i e s a re d e s ir a b le ; b u t I worry
th a t i f I g e t to o bound up in w ord s, t h a t I wont b e a b le to
com m unicate. I have found from e x p e r ie n c e th a t th e
c a r e f u lly - p la n n e d sermon o f t e n may go f l a t .
" S im p lic it y
thus i s th e key word f o r me.
Y e t, I l i k e to u se n ic e w o rd s, c a tc h y w ords. I l i k e
good, e x p r e s s iv e w ords.
In my l a t e r y e a r s I have t r i e d to
b u ild up my v o c a b u la r y --I have k e p t a paperback d ic t io n a r y
in th e g lo v e compartment o f my c a r , e v e n .
I look up words
fr e q u e n t ly when I m r e a d i n g . 4
Even in th e m a tter o f word c h o ic e and word arrangem ent, how ever,
th ou gh t about th e p a r tn e r s h ip arrangem ent b etw een th e p r e a ch er and h i s
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T
315
D iv in e h e lp e r , th e Holy S p i r i t , i s n o t f a r from F a g a l's mind.
P e r ce p
t i v e l y , he a ffir m s :
The H oly S p i r i t i s no s u b s t i t u t e f o r p r e p a r a tio n , o f
c o u r s e . Y e t, on th e o th e r hand, th e sp ea k er f o r God must
have th e S p i r i t ' s h e lp .
I do f e e l , th ou gh , th a t i t i s a
g r o ss presu m ption on th e p a r t o f th e m in is t e r to e n t e r th e
p u lp it w ith o u t h a v in g made ad eq u ate p r e p a r a tio n . I w r ite
o u t a l l my sermons ahead o f tim e , w o rd -fo r-w o rd , t o g e t th e
words r i g h t , s t r a i g h t .
I a v o id r e a d in g in d e liv e r y , how
e v e r ; and I a v o id n o te s a t a l l . *
B ut, in th e m id -1 8 th c e n tu r y , su ch E n g lish p r a c t i t io n e r s
l o s t , so dead th a t even
How does he do i t ?
^ Ib id .
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316
Memory i s d e v e lo p e d through e x e r c i s e .
In t e l e v i s i o n , I
memorize my s c r i p t s c o m p le te ly .
In th e e a r l i e s t days o f TV
b r o a d c a s tin g , I u sed to g e t up a t 3 a.m . t o spend th r e e
hours in r e h e a r s a l o f th e s c r i p t .
Then, l a t e r , i t to o k o n ly
two h o u r s. And s t i l l l a t e r , o n ly o n e. Now, I memorize th e
s c r i p t a f t e r a r r iv in g a t th e s t u d io j u s t b e fo r e we b e g in to
sh o o t!
I make no c o n s c io u s e f f o r t a t m em o riza tio n ; I th in k o f
th e o u t l i n e , g e n e r a ll y , r a th e r th an m erely th e w ord s.
I
have on o c c a s io n r e s o r t e d to th e u s u a l t r i c k s o f th e tr a d e ,
mnemonic l i s t s o f fo u r w ords, making one s e n te n c e cue
a n o th e r , e t c . l > 2
But th e developm ent o f t h i s p a r t o f h i s m ental pow ers may w e ll
have had a b e n e f i c i a l " f a l l - o u t " e f f e c t on W illia m F a g a l's d e liv e r y o f
serm ons, a s id e from h i s dram atic p a r ts in th e TV s t u d io , as w i l l be
n o ted in th e c h a p te r w hich f o ll o w s .
(3 ) th e b e s t
r e a d in g o f th e S c r ip tu r e s in th e c o n te x t o f d e l i v e r y .
W illia m A. F agal a g r ee s w ith H. M. S. R ic h a r d s, h i s c o u n te r p a r t
on A d v e n tis t r a d io , t h a t d e liv e r y i s b e s t le a r n e d by p r e a c h in g , r a th e r
than by th eo r y :
1I b id .
^Said P a s to r F a g a l's m other, " W illia m 's f a t h e r had an e x c e l l e n t
memory, and W illia m a p p a r e n tly in h e r it e d i t .
He h a s , o f c o u r se ,
im proved i t w ith e x e r c i s e ."
(Anna F agal I n te r v ie w , J u ly 9 , 1966, 1 .)
^ A lexan d er, 119.
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317
I 'v e b een i n t e r e s t e d in o b s e r v in g o th e r s p e a k e r s , and I
have c o n s c io u s ly t r i e d t o le a r n from t h e i r f a i l u r e s as w e ll
as from t h e i r s u c c e s s e s . On more than one o c c a s io n I 'v e
t r i e d to f ig u r e o u t why a man d id n 't g e t h i s m essage a c r o s s
d e s p ite th e f a c t t h a t he had good m a t e r i a l . 1
Sermon d e liv e r y e f f e c t i v e n e s s may be a f f e c t e d by many f a c t o r s ;
and a m in is t e r ought to be c a r e f u l c o n c e r n in g a t t i t u d e s and a c t io n s
which might h in d e r , i f n o t e n t i r e l y n e g a t e , h i s work in th e p u l p i t .
D e liv e r y s h o u ld be c h a r a c t e r iz e d b y "deep s i n c e r i t y , " F a g a l
fe e ls .
h e a r t."
P e r so n a l e x p e r ie n c e s are b e s t - - s im p le s t o r i e s , w e l l t o l d .
He f e e l s th a t a
A lthough he h im s e lf h as n e v e r s t u d ie d d r a m a tic s , he f e e l s t h a t
^I b i d . , 8.
^ I b id .
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318
a t t e n t io n t o some o f th e f a c t o r s c o n s id e r e d in a c t in g s c h o o l w ould
b e n e f it many men o f th e c l o t h .
(a s d is t in g u is h e d from i n t e l l i
1I b i d .
2 I b id .
3 I b id .
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319
The a c to r q u i e t l y s to o d and s a i d , "The d if f e r e n c e i s t h i s :
I know th e P salm , b u t th e b ish o p knows th e S h ep herd ."
One sh o u ld read w ith m eaning, o u t o f th e depth o f o n e 's
own e x p e r ie n c e and f e e l i n g , n o t as i f th e l i n e s w ere an
a c t o r 's p r o p .l
I t does n o t , how
He
id e a s on p r e a ch in g f in d a d ir e c t p a r a l l e l in h o m il e t ic a l p r e c e p ts
advanced by Broadus and o th e r le a d e r s i n a p p lie d th e o lo g y s tr o n g ly s u g
g e s t s to t h i s w r it e r two p o s s i b i l i t i e s :
(1) F a g a l's h o m ile t ic s in s t r u c t o r in c o lle g e may h im s e lf have
been s te e p e d in th e t r a d it io n s o f c l a s s i c a l r h e t o r ic ; and (2) the f a c t
th a t F agal may h a v e, la r g e ly on h i s own, s u b c o n s c io u s ly d e r iv e d a lo o s e l y
form u lated body o f r h e t o r ic a l th e o r y by t h i s e m p ir ic a l mannerid e a s
which so c l o s e l y p a r a l l e l th e id e a s o f th e a n c ie n ts --m a y in one se n se
p r o v id e a h e l p f u l , la t t e r - d a y v a l id a t i o n o f th e p o s t u la t e s o f the c l a s s i
c a l and modern r h e t o r ic ia n s .
1I b id .
2I b id ., 1.
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320
R ath er, i t i s p ro v id ed to
o f th e p e r v a siv e
to h e lp o t h e r s , i s
In h i s h eyd ay, h is
The d e s c r ip t io n o f
to W illiam A. F agal:
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321
o th e r p e o p le or in c o n v e r s a tio n w ith them w ould he s a y any
th in g t h a t was d e p r e s s in g . He was a g r e a t o p t i m i s t . 1
And o f h i s g r e a t h u m a n ity , h i s g r e a t i n t e r e s t in th e in d iv id u a l,
Macartney s a y s o f Talmage:
L ik e m ost p r e a c h e r s , he p rea ch ed to th e h e a r t . He made
i t th e aim in h i s p r e a c h in g alw ays to h e lp som ebody. He
s a i d , "A p r e a ch er sh o u ld s t a r t o u t w ith th e id e a o f h e lp in g
somebody. Everybody w ants to h e lp e x c e p t a f o o l . " One o f
th e s e c r e t s o f h i s s u c c e s s , u n d o u b ted ly , la y in th e f a c t
th a t he had a warm h e a r t .
There was a deep v e in o f s e n t i
ment in him .^
T h is con cern f o r h e lp in g p e o p le in t h e i r problem s i s a ls o
r e v e a le d as one o f th e m ost p rom in en t c h a r a c t e r i s t i c s o f th e e m b a ttle d
champion o f lib e r a lis m in th e T w en ties and T h i r t i e s , Harry Emerson
F osd ick .
In a c h a p ter on p r e a c h in g in h i s a u to b io g r a p h y , The L iv in g o f
1 (P h ila d e lp h ia :
2 I b i d . , 165.
3 (New York:
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322
Between 50 and 90 p e r c e n t o f th e c r e d i t f o r e v er y
s u c c e s s f u l sermon i s due to th e c o n g r e g a tio n , n o t to th e
p r e a c h e r , m e r e ly . . . . Church members a re n o t chessm en.
There are "dry" c o n g r e g a tio n s , j u s t as w e ll as "dry"
s p e a k e r s . A dry c o n g r e g a tio n can d eh y d ra te a p r e a c h e r ,
j u s t sq u e e ze him and w ring him ou t d r y . 1
F a g a l's s tr o n g p r o c l i v i t y f o r b io g r a p h ic a l sermons a ls o fin d s
i t s c o u n te r p a r t in th e th in k in g o f Dr. C h a p p e ll, u n d o u b ted ly th e f o r e
most exponent o f b io g r a p h ic a l p r e a c h in g in th e w o rld tod ay:
P eop le a r e , a f t e r a l l , more i n t e r e s t e d in p e o p le , than
in an y th in g e l s e in th e w o rld .
B io g r a p h ic a l serm ons are th e
most h e l p f u l , t h e r e f o r e , b e c a u se th e y come up ou t o f l i f e .
D iv in e n a tu r e and human n a tu r e are two th in g s th a t d o n 't
change. . . . "Human" p r e a ch in g i s th e o n ly k in d t h a t ' s
w orth any t h i n g . 2
The p a s s io n fo r books (w hich s t i l l consumes much o f W illiam
F a g a l's incom e, as w e ll as h is tim e) i s sh a red by many s u c c e s s f u l
p rea ch ers to d a y .
And i n t e n s iv e r e a d in g and s tu d y as a p r e r e q u i s i t e to
1962, 1.
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323
The v e r a c i t y o f t h i s s ta te m e n t i s a t t e s t e d t o by t h i s w r i t e r , who
conducted th e in t e r v ie w w ith Dr. F o sd ick in th e l a t t e r ' s R iverm ere
Apartment in suburban New Y ork.
H is s tu d y program , w h ile
' S ta llin g s, 1 0 0 -1 0 1 .
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324
out o f h i s r e a d in g , r a th e r th a n p ic k in g a s p e c i f i c t o p i c and th en
s i t t i n g down and s t a r t i n g to read from t h e r e .
T h is method was th e one a ls o em ployed by th e l a t e J osep h R.
S iz o o , d is t in g u is h e d American clergym an o f th e Reformed f a i t h .
Dr. S iz o o , famous as th e m in is t e r who p rea ch ed W illia m J en n in g s B ryan's
fu n e r a l serm on, w as, s u c c e s s i v e l y , p a s t o r o f th e n a t i o n a l l y - s i g n i f i c a n t
New York Avenue P r e s b y te r ia n Church (whose W ashington p u lp it was l a t e r
f i l l e d by P e te r M a r s h a ll), p r e s id e n t o f New Brunswick T h e o lo g ic a l
Sem inary, and p r o f e s s o r o f r e l i g i o n and c h a p la in o f George W ashington
U n iv e r s it y .
In an in t e r v ie w w ith t h i s w r it e r a t h i s u n iv e r s it y o f f i c e
fo llo w in g h is l a s t ch a p el t a lk o f th e 1958-59 academ ic y e a r , Dr. S iz o o
r e f le c t e d :
How do I g e t my sermon id e a s ? By a d a il y r e a d in g o f th e
B ib le .
I r ea d v e r y s lo w ly , u n t i l som eth in g h i t s me. I s to p
t h e r e , put i t in a l o o s e - l e a f n o teb o o k .
I keep m u llin g i t
o v er a l l d ay. At th e end o f th e day, I p u t i t a l l down on a
p a g e . The n e x t d ay, I go on. T h is has two a d v a n ta g es:
(1)
I am n ev er s h o r t o f m a t e r ia l, and (2) I alw ays have a u th o r
ity .
(I p r e a c h , o f c o u r s e , e x p o s ito r y se r m o n s--th e t o p i c a l
i s p a s s e . P eo p le d o n 't ca re about what you t h in k , th e y ca re
about what God s a y s . ) l
S iz o o and F agal a ls o s e e ey e to eye on th e q u e s tio n o f u s in g
o th e r m in is t e r 's serm on s.
S a id S iz o o :
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325
S a id C lo v is C h ap p ell:
unquenchable t h i r s t f o r
h o ld in g a t t e n t io n e v er y moment
i s h e ld in common by o th e r s u c c e s s f u l s p e a k e r s , b o th th o se in th e p u l p it
and th o s e o u t s id e .
For exam p le, P r e s id e n t R ichard M. N ixon , in d is c u s s in g h is
r h e t o r ic a l th e o r y w ith f r e e - l a n c e m agazine w r it e r J u le s W itc o v e r, in
1967, s a i d ,
The w o r st s i n i s to b e d u l l .
T h a t's th e tr o u b le w ith
th e i n t e l l e c t u a l s . They have no warmth when i t comes down
t o b e in g i n t e r e s t e d in p e o p le . The r ea so n I d o n 't u se a
t e x t i s b e c a u se I want to e s t a b l i s h ra p p o rt w ith th e l i t t l e
guy in th e a u d ie n c e . T h a t's th e s e c r e t : n o t b e in g to o
c o n tr iv e d , n o t p r a c t ic in g i n fr o n t o f a m irro r b e fo r e h a n d ,
n o t w r it in g e v e r y word o u t .
I t means my sp e ec h i s lo o s e r
than I w an t, b u t i t ' s w orth i t .
I t ' s making a m ista k e once
in a w h ile .
But t h a t ' s w orth i t , t o o . 2
And C lo v is C hap pell a ffir m s t h a t "the f i r s t e s s e n t i a l o f a s e r 7
mon i s th a t i t be i n t e r e s t i n g . "
In b e l i e v i n g in th e im p ortance o f u s in g many i l l u s t r a t i o n s from
l i f e in g e n e r a l, and from th e l i v e s o f h i s h e a r e r s in p a r t i c u l a r , F agal
fo llo w s in th e f o o t s t e p s o f th e g r e a t h o m ile t ic ia n , Henry Ward B eech er,
'Chappell I n te r v ie w , 8.
^"Nixon f o r P r e s id e n t in
1967, 95.
Z
C hap pell I n te r v ie w , 2 .
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326
( in honor o f h i s f a t h e r , a n o th er em in en t p r e a c h e r , Lyman B e e c h e r ),
B eech er, i n th e
B u t, as h i s widow, C a th erin e
M arsh all, l a t e r c l a r i f i e d :
By em otion he d id n o t mean e m o tio n a lis m , f o r which he
had contem pt. He h e a r t i l y d i s l i k e d a shaky trem o lo v o ic e ,
or th e " m in is t e r ia l ton e" once a s s o c ia t e d w ith th e saw dust
tr a il.
C a r e fu lly he avoid ed th e s t i c k y a d j e c t i v e s , th e
s la c k
and slo p p y a f f e c t a t i o n th a t r u in s tr u e r e v e r e n c e . . . .
Nor d id t h i s mean th a t P e te r d is p a r a g e d s c h o la r s h ip or
human i n t e l l i g e n c e , or th a t he b e li e v e d th a t o n e 's mind
ought to be parked o u t s id e th e church d o o r.
Not a t a l l .
It
was r a th e r h i s o f t - r e i t e r a t e d s ta te m e n t t h a t " C h r is t ia n it y
i s a m a tter o f p e r c e p t io n , n o t o f p r o o f ."
By em o tio n , P e te r meant th a t tr u th in e v e r y g e n e r a tio n
g e n e r a te s i t s own p e c u lia r p a s s io n ; and i t i s a v i r i l e , n o t
an i n s i p i d p a s s io n .^
*Yale L ec tu re s on P r e a c h in g , F i r s t S e r i e s
Howard, H u lb e r t, 1 8 8 1 ), 171.
2A Man C a lle d P e te r (New York:
1 9 5 1 ), 193.
(New York:
F ord s,
3 I b i d . , 194.
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327
" s a n c t if ie d " u se in th e p u l
*Z
There i s no jo k in g f o r th e j o k e 's
4 I b i d . , 308.
5I b i d . , 418.
1C h ap p ell I n te r v ie w , 5 .
I b i d . , 8.
C ite d in F le s c h , 165.
6 I b i d . , 308.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
328
Laugh and s t a y young.
s o u p .*
I t i s a lm o st as good as ch ic k e n
T h is m in is t e r
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
329
^C ited in F le s c h , 196.
2"Bob L evoy, S la y e r o f S acred Cows," M eetin gs and C o n v en tio n s,
A u gu st-S ep tem b er, 1967, 5 9 .
^ M arsh all, A Man C a lle d P e t e r , 192.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
330
Q u i n t ili a n ,
S a id W illia m Penn, in a l e t t e r t o h is
w if e and c h ild r e n ,
Be humble and g e n t le in your c o n v e r s a tio n ; and o f few w ords,
I ch arge you; but alw ays be p e r t in e n t when you s p e a k .3
With r eg a r d to th e f i n a l canon, th a t o f d e liv e r y , th e p r i n c i p l e s
esp ou sed by W illiam Fagal are b a s i c a l l y in agreem ent w ith th o se t o be
1C ite d in F le s c h , 42 1 .
^I n s t r u c t io n o f th e O ra to r, Book V I I I , Chap. 2 , N os. 2 3 -2 4 ;
c i t e d in B roadus, 241. U n fo r tu n a te ly , Broadus does n o t i d e n t i f y th e
name o f th e t r a n s la t o r h e c i t e s . The B u tle r t r a n s la t io n (Loeb C la s s ic a l
L ib rary) ren d e rs th e f i n a l s e n te n c e in a much l e s s f e l i c i t o u s manner:
" T h erefore our aim must be n o t to push him in t o a p o s i t i o n to u n d ersta n d
our argum ent, b u t to fo r c e him to u n d ersta n d i t . "
(H. E. B u t le r , t r a n s
l a t o r , The I n s t i t u t i o O r a to r ia o f Q u i n t il i a n , Volume I I I [The Loeb
C la s s ic a l L ib rary; Cambridge: H arvard U n iv e r s it y P r e s s , 1 9 2 1 ], V I I I , 2 ,
2 3 .)
^ C ited in Bruce B ohle (c o m p .), The Home Book o f American
Q u o ta tio n s (New York: Dodd, Mead Company, 1 9 6 7 ), 9 1 .
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332
(e th o s,
The c h i e f c o n t r ib u t io n o f
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By
A THESIS
S u b m itted t o
M ichigan S t a t e U n iv e r s it y
in p a r t i a l f u l f i l l m e n t o f th e req u irem en ts
f o r th e d eg ree
DOCTOR OF PHILOSOPHY
1969
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CHAPTER V
ments n e c e s s a r y f o r r h e t o r i c a l c r i t i c i s m as found in th e s p e a k e r , th e
a u d ie n c e , and th e serm on.
g e n e r a l th e c o n v e n tio n a l framework o f r h e t o r ic a l in v e s t i g a t i o n :
s p e a k e r 's method o f sermon p r e p a r a tio n ;
(1) th e
334
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335
E a rly M in is tr y
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336
(1) th e l i t e r a t u r e o f S e v e n th -d a y
Con
c e r n in g t h i s , he s a id l a t e r :
My e a r ly id e a s were drawn la r g e l y from SDA books and
p e r i o d i c a l s . One te n d s t o become r a th e r in b re d t h i s way, I
know. A lth ough I d id some r e a d in g o f o th e r m en's serm o n s,
I had a fe a r o f r e a c h in g o u t , a f e a r t h a t I somehow w ould
lo s e o u t s p i r i t u a l l y m y s e lf i f I rea d " u n s a n c t ifie d "
a u th o r s. A ls o , I drew a l o t upon books o f i l l u s t r a t i o n s - depended upon them f o r my " h o ld in g " power w ith th e co n g re
g a t io n .
But th e s e I u se v e r y l i t t l e , now, i f a t a l l .
And,
o f c o u r se , I 'v e broadened o u t c o n s id e r a b ly in my r e a d in g
h a b i t s , t o o , t o d a y .2
The f i r e w hich g u tte d th e F agal r e s id e n c e in 1958 to o k betw een
750 and 1 ,0 0 0 volum es o f th e t e l e v i s i o n p a s t o r ' s p e r s o n a l l ib r a r y , as
w e ll as a l l h i s n o t e s from e a r l y serm ons.
C oncerning th e l a t t e r , he
2ib id .,
1, 2 .
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337
" w o r s h ip s , in th e r e s id e n c e h a l l c h a p e l.
perhaps te n t o 15 m in u tes e a c h .
T hese s e r v i c e s w ould l a s t
He th u s e a r ly formed a h a b it w hich he
h as p r e se r v e d in l a t e r l i f e th ro u g h o u t th e y e a r s o f h is m in is t r y .
He
sa y s:
We have had fa m ily d e v o tio n s in th e home e v e r y m orning,
r ig h t from th e s t a r t ; and a t s u n s e t each F rid a y and S atu rd ay
e v e n in g s we open and c l o s e th e Sabbath w ith a s e a s o n o f
p r a y e r .*
A d d it io n a lly , f o r s p i r i t u a l e x e r c is e and d ev elo p m en t, F agal
e a r ly d e v o te d a c o n s id e r a b le amount o f tim e to B ib le s tu d y and d ev o
t i o n a l r e a d in g in o r d e r to f e e d h i s own s o u l.
"But i t has to be
Some A d v e n tis t m in is
t e r s fo llo w a s y s te m a t iz e d p la n f o r r ea d in g through th e e n t ir e B ib le
on ce (o r ev en tw ic e ) d u rin g th e c o u r se o f a g iv e n y e a r ; b u t su ch a
program i s n o t f o r W illia m F a g a l:
I d o n 't fo llo w any p a r t i c u l a r p la n in r ea d in g th e B ib le .
I 'v e o f t e n th ou gh t I s h o u ld .
I ' v e n ev er been a b le t o s a y ,
" I 'v e rea d th e B ib le a l l th e way through 2 0 , o r 30, o r 40
tim es i n my l i f e . "
I w ish I c o u ld , but I c a n ' t .
I lo v e
th e G o s p e ls, p a r t i c u l a r l y - - I ' v e read and r e -r e a d them o v er
and o v e r a g a in .
But I j u s t g e t bogged down in c o n s e c u tiv e
B ib le s tu d y .
I m n o t c r i t i c a l o f o th e r s ' m ethods; t h e y 'r e
j u s t n o t f o r me. I d o n 't f in d th e Old T estam ent p a r t ic u
l a r l y in s p i r in g ; and P a u l, I f i n d , I want to s tu d y , r a th e r
than r e a d .^ My B ib le r e a d in g program j u s t i s n ' t "programmed."
1 I b id .
2.
I b id .
I b i d . , O ct. 2 3 , 1966, 2 .
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338
( 1 ) t e x t u a l (" in w hich th e t e x t w a s, to o
o f t e n , a p r e t e x t , I'm a f r a id ! " ^ ) ;
e v a n g e lis tic .
L ooking back upon e a r ly e f f o r t s a t t e x t u a l e n d e a v o r , Fagal
r e c a lls :
So o f t e n I flo u n d e r e d around in th e t e x t u a l m e ssa g e s.
I was in w a r d ly d is g u s t e d a t n o t h a v in g a n y th in g s i g n i f i c a n t
to sa y .
I had tr o u b le c r y s t a l l i z i n g my i d e a s I ' d w r it e
so m eth in g down, and th en throw i t away. Som etim es I ' d work
a l l n ig h t lo n g F rid ay e v e n in g , and r ig h t up t i l l 9 a.m .
Sabbath m orning, t o com p lete th e sermon I had to d e l i v e r a t
I I a.m .
I was d is g u s t e d w ith th e o ld c l i c h e s .
I needed
f r e s h , new m a t e r ia l, or I ' d s t a r v e t o d e a th . 2
C oncerning th e " p s y c h o lo g ic a l" ( " l i f e - s i t u a t i o n " m ight b e a more
a c c u r a te d e s ig n a t io n ) , whose m essa g es f e l l p a r t i a l l y in t o a co n cu rren t
e p o c h , he adds:
I c o m p le te ly r e j e c t e d a l l th e o ld s h ib b o le t h s o f a l l
th e S e v e n th -d a y A d v e n tis ts th rou gh th e y e a r s .
In t h i s
e x p e r ie n c e , I r e c o g n iz e d th e n eed t o r e a d , r ea d , rea d !
But
th e m a t e r ia l had to e x c i t e me f i r s t ; i t had t o be new t o me,
b e fo r e I c o u ld make i t new t o my c o n g r e g a tio n . At t h a t
tim e I f e l t t h a t p s y c h o lo g y met th e n eed s o f th e p e o p le ,
and t h a t i t a ls o h e lp e d me t o u n d ersta n d m y s e lf. And i t
d id m eet some b a s i c n e e d s , even though some o f th e m essages
sh ock ed a few o f th e o ld d y e d - in -t h e -w o o l A d v e n tis ts in th e
c o n g r e g a tio n . When I went in t o t e l e v i s i o n , h ow ever, I
r e a l i z e d th a t p s y c h o lo g y , a lo n e , w a sn 't th e answ er, e i t h e r .
I g u e ss I was j u s t grow ing a l l t h i s tim e .^
In d is c u s s in g h i s e v a n g e l i s t i c p r e a c h in g , W illia m Fagal su g
g e s t e d t h a t h i s method most c l o s e l y resem b led t h a t o f v e te r a n A d v e n tist
e v a n g e l i s t J . L. S h u le r 's " p r o o f- te x t" app roach, in w hich a b a s i c a l l y
d e d u c tiv e o u t lin e (n o t a t a l l d i s s i m i l a r to a la w y e r 's b r i e f ) was
stu d d ed w ith a t e x t or two t o n a i l down each p o in t made.
H ere, a g a in ,
*I b i d . ,
^I b i d .
^I b i d .
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339
I 'v e found
( 1 ) t r a v e l;
( 2 ) v i s i t a t i o n w ith
1 I b id .
I b id .
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340
" I 'v e
found t h a t o f t e n I co u ld g e t c lo s e r to h e a r ts th rou gh th e m a il th an in
,.2
p e r s o n . '
L ater M in is tr y
W illia m F agal now p rod u ces a p p ro x im a te ly 30 new f i v e - to s i x m inute t e l e v i s i o n s e r m o n e tte s each s e a s o n , and up to
10
new f u l l - l e n g t h
(3 0 -4 5 m in u tes) p u l p i t d is c o u r s e s d u rin g th e p e r io d o f a y e a r .^
'I b id .
4
^I b id .
^I b i d .
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341
G eneral r e a d in g . The u r g e n t p r e s s u r e t o " rea d , r e a d , read" o f
th e e a r l i e r y e a r s has n e v e r l e t up, and P a s to r F a g a l's l i t e r a r y a p p e t it e
i s as om nivorous as h i s t a s t e i s c a t h o l i c .
Every week I r ea d news m agazines to keep u p , e s p e c i a l l y
Time and U. S . News and World R ep o rt. I sc a n L if e , a l s o .
I g e t a l l th e new books from our th r e e d e n o m in a tio n a l pub
l i s h i n g h o u se s as a c o u r t e s y , and I go th rou gh them as
o p p o r tu n ity a f f o r d s .
I rea d g e n e r a lly from my own lib r a r y
books I ' v e p ic k e d up h e r e and th e r e b u t n e v e r had tim e t o
read . 1
N o n -A d v en tist p e r i o d i c a l s , i n a d d itio n t o th e on es c i t e d a b o v e,
to w hich F agal s u b s c r ib e s a r e :
1,200
In
books w hich
l i n e th e s h e lv e s o f h is p r iv a t e o f f i c e a t th e F a ith f o r Today
h e a d q u a r te r s .
The home lib r a r y c o n s i s t s g e n e r a lly o f some r e f e r e n c e works and
" S p ir it o f Prophecy" books by E lle n G. W hite, w hich are d u p lic a te d in
th e o f f i c e c o l l e c t i o n , as w e ll as a number o f o ld e r A d v e n tis t books and
o ld e r h i s t o r i e s .
^I b i d .
3
I b id . ,
I b id .
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342
A p e r s o n a l su r v ey o f th e h e a d q u a r te rs o f f i c e lib r a r y by t h i s
i n v e s t i g a t o r r e v e a le d a number o f r e f e r e n c e t o o l s
(c o n c e rn in g w h ich ,
He a ls o e n jo y s r ea d in g B i l l y Graham,
Says he:
I rea d a t a r a p id r a te on th in g s n o t to o im p o r ta n t, more
d e l i b e r a t e l y on o t h e r s .
W asn't i t Bacon who s a id th a t
* I b id .
^ I b id . , J a n . 10, 1969, 1.
^ Ib id .
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343
("maybe my s e n se o f n e a t n e s s ? " ) .
There i s ,
fo r
(o r in c e p t i o n ) when a d iv in e
"spark" o f l i f e s t a r t s th in g s i n t o m otion ; th e r e i s t h a t p e r io d o f
p a r t i a l l y - c o n c e a l e d growth and developm ent o f p reg n a n cy ; th e r e are o ft e n
p e r io d s o f "morning s ic k n e s s " d u rin g g e s t a t io n ; and f i n a l l y th e r e are
th e " lab or" pangs w hich p reced e and accompany th e a c t u a l " d e liv e r y " !
Many o f W illia m F a g a l's serm ons t r a c e t h e i r g e n e s is to a con
s c io u s d e c is i o n on h i s p a r t t o speak on a g iv e n t o p i c ; w h ile o th e r s
a r i s e out o f c u r r e n t r ea d in g w hich s u g g e s t s a t o p i c w orthy o f th e i n v e s t
ment o f fu r t h e r th ou gh t and e f f o r t .
R egarding th e TV serm on s, a s c h e d u le i s drawn up , w e l l in
advance o f th e new s e a s o n 's app roach, w ith program t o p i c s a s s ig n e d and
th e p r o c e s s o f sermon m a t e r ia l- g a t h e r in g g o tt e n underway.
Given the
^ Ib id .
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344
The t r i p o f
H is f i l i n g
I b id . ,
5Ib
id .,
Feb. 9 , 1965, 2.
I b i d . , O ct. 2 3 , 1966, 3.
J a n . 10, 1969, 1.
I b id .
5 i b i d . , O ct. 2 3 , 19 6 6 , 2.
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345
q u o t a t io n s , in fo rm a
desk o r work t a b le .
ashamed I'm n o t . But
o r g a n iz e e v e r y th in g
ta k e .l
and
perhaps d is c a r d a c o n s id e r a b le amount o f h i s c o l l e c t e d m a t e r ia l.
I want new , f r e s h , c u r r e n t m a t e r ia l.
I h a te t r i t e , o ld
s t u f f , m a t e r ia l t h a t ' s worn o u t, t h a t ' s musty and d u sty .
One tim e I w anted to p reach on th e s ig n s o f C h r is t 's com ing.
A ll my s t u f f was o ld , so I threw i t a l l out and s t a r t e d a l l
o v e r a g a in , g a th e r in g new m a t e r ia l . 2
d e sk .
Of v a r io u s v e r s io n s o f
1Ib
i d . , J an . 1 0 , 1969, 1.
I b id .
I b id . ,
1, 2 .
I b i d . , 1.
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346
(6
v o lu m e s), and
C ruden's Concord
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347
In them , th e s k e l e
c o n ta in e d in th e s t o r y i t s e l f .
p r e c lu d e t h i s , " sh e s t a t e d .
1 I b id .
, 2.
I b id .
I b i d . , O ct. 2 3 , 1966, 3.
^ V ir g in ia F a g a l I n t e r v ie w , J u ly 9 , 1966, 1.
I b id .
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348
a l l day.
The o f f i c e i s c lo s e d a l l day S a tu r d a y s, o f c o u r se ; and I
can work c o m p le te ly u n d istu r b e d by r in g in g te le p h o n e s and
by p e o p le coming in and o u t .
I d o n 't f e e l t h a t t h i s i s
"S ab b ath -b reak in g" ; I f e e l t h a t p erhaps I am p r e a ch in g w ith
my p en . ^
d o n 't g e t i n I have a l o t l e f t o v e r .
it's
lo s t, i t ' s
I h a te to lo s e any o f i t ; b u t , i f
lo s t! " 3
11
"I f in d th a t my h a n d w r ittin g
hours
18 t o
20
I b i d . , O ct. 2 3 , 1966,
I b id .
Then, a t h ir d d r a f t i s
10, 1969, 1.
3
I b i d . , Ja n . 10, 1 9 6 9 , 2 .
I b id .
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349
d ic ta te d ,
w hich th e s e c r e t a r y th en ty p e s ou t s in g le - s p a c e d .
When i t
Then
f o r "playback" on th e
serm ons:
I lo o k a t them o c c a s io n a l ly , b u t seldom i f e v e r go back and
u se one o f them o v er a g a in . I fin d I 'v e outgrown them. In
lo o k in g a t one o f them months o r y e a r s l a t e r , I o f t e n won
d er how I e v e r had th e courage t o p reach i t !
I t ' s hard to
tak e a sermon fo u r or f i v e y e a rs o ld and p reach i t a g a in ;
i t ' s l o s t i t s s p a r k le .^
1Ib
i d . , O ct. 2 3 , 1966, 3.
V ir g in ia F agal I n te r v ie w , J u ly 9 , 1 9 6 6 , 1.
I b id .
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350
c i t i e s on any g iv e n Sunday. *
In v e n tio n
B a sic B e l i e f s
He sp e n t fo u r
y e a r s in an A d v e n tis t c o l l e g e p r e p a r in g f o r a c a r e e r in th e g o s p e l m in
i s t r y o f h i s f a i t h , to w hich he was su b s e q u e n tly o rd a in ed ; and th e
rem ainder o f h i s l i f e t o th e
th e
q u it e u n d ersta n d a b ly d eterm in ed la r g e l y by th e t h e o l o g i c a l t e n e t s o f h i s
ch u rch .
S ev en th -d a y A d v e n tis ts a re o f t e n co n fu se d in th e p u b lic th in k in g
w ith th e Church o f J e su s C h r is t o f L a tte r Day S a in t s (Mormonism) on th e
one hand, and w ith th e J e h o v a h 's W itn esses
o th e r .
(W a tch
Tower S o c ie t y ) on th e
1 I b id .
, O ct. 2 3 , 1966, 3 .
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351
A dventism and Mormonism, a d m itte d ly , do have s e v e r a l th in g s in
common, e s p e c i a l l y to one who ta k e s o n ly a c u r so r y , s u p e r f i c i a l view o f
b o th b o d ie s .
Both
Both s t r e s s th e im p ortance
o f h e a lt h f u l l i v i n g , esch ew in g c e r t a in d ie t a r y h a b it s ( c o f f e e , t e a ,
a lc o h o l, and to b a cc o ) as in im ic a l to f u l l s p i r i t u a l d ev elo p m en t.
There
R u s s e ll was p r o fo u n d ly in f lu e n c e d as a te e n a g e r by an SDA e v a n g e l i s t , *
a lth o u g h t h i s f a c t i s n o t commonly known to d a y .
However, th e i d e n t i f i c a t i o n o f A d v e n tis ts and W itn esses may f in d
a p a r t i a l e x p la n a tio n p erh ap s in t h e s e s i m i l a r i t i e s :
A lit t le - k n o w n , y e t i n t e n s e l y i n t e r e s t i n g , fo o t n o te to h i s t o r y
i s th e f a c t t h a t W itn ess fou n d er C h a rles T a ze w e ll R u s s e ll , in h i s own
w ords, "stum bled upon Adventism " as a te e n -a g e boy who had f a l l e n "an
e a sy p r e y to th e l o g i c o f i n f i d e l i t y . "
R a ised a P r e s b y te r ia n and l a t e r
a C o n g r e g a tio n a lis t by m em bership, young R u s s e ll was now "shaken in
f a i t h r e g a r d in g many lo n g -a c c e p te d d o c t r in e s ," and on th e v erg e o f
th row in g o v er e v e r y th in g r e l i g i o u s and becom ing a s p i r i t u a l d r o p -o u t.
One e v e n in g , " seem in g ly by a c c id e n t ," R u s s e ll "dropped i n t o a d u sty ,
d in gy h a ll " in P itts b u r g h , P a ., to h e a r A d v e n tis t e v a n g e l is t Jonas Wen
d e l l expound some s t r a n g e , i f "not e n t i r e l y c l e a r ," r e l i g i o u s i d e a s .
R u s s e ll l a t e r p u b lic ly d e c la r e d t h i s e x p e r ie n c e t o be a m ajor tu r n in g
p o in t in h i s l i f e , " s u f f i c i e n t under God to r e - e s t a b l i s h my w a v erin g
f a i t h in th e d iv in e in s p ir a t io n " o f th e S c r ip t u r e s . W hile n ev er a c c e p t
in g A dventism as su c h , R u s s e ll n e v e r t h e le s s f e l t im p e lle d to c o n fe s s h i s
" in d e b te d n ess" to A dventism ; and, in l a t e r l i f e , he e x p r e s s e d c e r t a in t y
t h a t t h e i r body was " c a lle d o f G od"--but as a p r e c u r s o r o f h i s movement,
th e W itn e sse s! S ev en th -d a y A d v e n tis ts th u s h e ld th e dubious d i s t i n c t i o n
o f b e in g th e o n ly r e l i g i o u s d enom ination t h a t R u s s e ll d id n o t c o m p le te ly
condemn d u rin g h is l i f e t i m e .
(C f. H erb ert H ew itt S tro u p , The J e h o v a h 's
W itn esses [New York: Columbia U n iv e r s it y P r e s s , 1 9 4 5 ], 5 , 6 .)
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352
means o f p r o p a g a tin g t h e i r f a i t h .
s a c r ific e .
And, on th e t h e o l o g i c a l f r o n t ,
(5 ) b o th h o ld
as a c a r d in a l t e n e t o f f a i t h th e b a s i c b e l i e f th a t d ea th i s m erely a
c e s s a t io n o f p h y s ic a l l i f e , a s t a t e o f u n co n sc io u s s l e e p .
A ll o f th e
A lth ou gh th e denom
22
t h e o l o g i c a l p r o p o s it io n s ; and
F agal in p a r t i c u l a r , b e lie v e :
1. That th e H oly S c r ip tu r e s o f th e Old and th e New
T estam ent were g iv e n by i n s p i r a t i o n o f God, c o n ta in an a l l s u f f i c i e n t r e v e la t io n o f H is w i l l t o men, and are th e o n ly
u n e r r in g r u le o f f a i t h and p r a c t i c e .
(2 Tim. 3 : 1 5 - 1 7 .)
2 . That th e Godhead, or T r i n i t y , c o n s i s t s o f th e
E te r n a l F a th e r , a p e r s o n a l, s p i r i t u a l B ein g, o m n ip o ten t,
o m n ip r ese n t, o m n is c ie n t, i n f i n i t e in wisdom and lo v e ; th e
Lord J e s u s C h r is t , th e Son o f th e E te r n a l F a th e r , through
whom a l l th in g s were c r e a te d and through whom th e s a l v a t i o n
o f th e redeem ed h o s t s w i l l be a cco m p lish ed ; th e H oly S p i r i t ,
th e t h ir d p erso n o f th e Godhead, th e g r e a t r e g e n e r a tin g
power in th e work o f red em p tio n .
(Matthew 2 8 : 1 9 .)
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353
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
354
c o n d it io n o f man in d ea th i s one o f
That a l l men, good and e v i l a l i k e , rem ain
d eath to th e r e s u r r e c t io n .
(E c c l. 9 : 5 ,6 ;
5 : 2 8 ,2 9 .)
11. That th e r e s h a l l be a r e s u r r e c t io n b o th o f th e
j u s t and o f th e u n j u s t . The r e s u r r e c t io n o f th e j u s t w i l l
tak e p la c e a t th e sec o n d coming o f C h r ist; th e r e s u r r e c t io n
o f th e u n ju s t w i l l ta k e p la c e a thousand y e a rs l a t e r , a t
th e c l o s e o f th e m illen n iu m .
(John 5 : 2 8 ,2 9 ; I T hes. 4:
13-18; Rev. 2 0 : 5 - 1 0 .)
12. That th e f i n a l l y im p e n ite n t, in c lu d in g S a ta n , th e
au th or o f s i n , w i l l , by th e f i r e s o f th e l a s t d ay, be
red uced to a s t a t e o f n o n e x is t e n c e , becom ing as though th e y
had n o t b e e n , th u s p u rg in g th e u n iv e r s e o f God o f s i n and
s in n e r s .
(Rom. 6 :2 3 ; M ai. 4 :1 - 3 ; Rev. 2 0 :9 ,1 0 ; Obadiah 1 6 .)
13. That no p r o p h e t ic p e r io d i s g iv e n in th e B ib le to
reach t o th e Second A dvent, b u t th a t th e lo n g e s t o n e , th e
2300 days o f D a n ie l 8 :1 4 , te r m in a tin g in 1844, r e a c h e s t o
an e v e n t c a l l e d th e c le a n s in g o f th e s a n c tu a r y .
14. That th e tr u e s a n c tu a r y , o f which th e ta b e r n a c le
on e a r th was a t y p e , i s th e tem ple o f God in h ea v en , o f
w hich Paul sp ea k es in Hebrews 8 and onward, and o f w hich
th e Lord J e s u s , as our g r e a t h ig h p r i e s t , i s m in is t e r . The
p r i e s t l y work o f our Lord i s th e a n t ity p e o f th e work o f th e
Jew ish p r i e s t s o f th e form er d is p e n s a t io n . That t h i s
h e a v e n ly sa n c tu a r y i s th e one to b e c le a n s e d a t th e end o f
th e 2300 days o f D a n ie l 8 :1 4 , i t s c le a n s in g b e in g , as in th e
ty p e , a work o f judgm ent, b e g in n in g w ith th e e n tr a n c e o f
C h r is t as th e h ig h p r i e s t upon th e judgment ph ase o f H is
m in is t r y in th e h e a v e n ly s a n c tu a r y , foreshadow ed in th e
e a r t h ly s e r v ic e o f c le a n s in g th e sa n c tu a r y on th e Day o f
A tonem ent. T h is work o f judgment in th e h e a v e n ly sa n c tu a r y
began in 1844.
I t s c o m p letio n w i l l c lo s e human p r o b a tio n .
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355
coming
o f C h r is t i s th e g r e a t hope
clim a x o f th e g o s p e l
and p la n o f
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356
s a l v a t i o n . H is coining w i l l be l i t e r a l , p e r s o n a l, and
v is ib le .
Many im p ortan t e v e n ts w i l l be a s s o c ia t e d w ith H is
r e t u r n , su ch as th e r e s u r r e c t io n o f th e d ea d , th e d e s t r u c
t i o n o f th e w ick ed , th e p u r i f i c a t i o n o f th e e a r t h , th e
reward o f th e r ig h t e o u s , and th e e s ta b lis h m e n t o f H is e v e r
l a s t i n g kingdom . The alm o st com p lete f u l f i l l m e n t o f v a r io u s
l i n e s o f p ro p h ecy , p a r t i c u l a r l y th o se found in th e books o f
D a n ie l and th e R e v e la t io n , w ith e x i s t i n g c o n d it io n s in th e
p h y s i c a l , s o c i a l , i n d u s t r i a l , p o l i t i c a l , and r e l i g i o u s
w o r ld s , in d i c a t e s th a t C h r is t 's coming " is n e a r , e v en a t th e
d o o r s ." The e x a c t tim e o f th a t e v e n t h as n o t b een f o r e t o l d .
B e lie v e r s are e x h o r te d to be r ea d y , f o r " in su ch an hour as
ye th in k n o t th e Son o f man" w i l l b e r e v e a le d .
( L u k e
2 1 ;
2 5 -2 7 ; 1 7 :2 6 -3 0 ; John 1 4 :1 -3 ; A cts 1 :9 -1 1 ; Rev. 1 :7 ; Heb. 9:
28; James 5 : 1 - 8 ; J o e l 3 :9 -1 6 ; I I Tim. 3 : 1 - 5 ; Dan. 7 :2 7 ;
M att. 2 4 : 3 6 ,4 4 .)
2 1 . T hat th e m il le n n ia l r e ig n o f C h r is t c o v e r s th e
p e r io d betw een th e f i r s t and th e seco n d r e s u r r e c t i o n , d u rin g
w hich tim e th e s a i n t s o f a l l ages w i l l l i v e w ith t h e i r
b le s s e d Redeemer in h ea v en . At th e end o f th e m illen n iu m
th e H oly C ity w ith a l l th e s a i n t s w i l l d escen d t o th e e a r t h .
The w ic k e d , r a is e d in th e seco n d r e s u r r e c t io n , w i l l go up on
th e b r e a d th o f th e e a r th w ith S atan a t t h e i r head t o compass
th e camp o f th e s a i n t s , when f i r e w i l l come down from God
o u t o f heaven and devour them. In th e c o n f la g r a t io n th a t
d e s tr o y s S atan and h i s h o s t th e e a r th i t s e l f w i l l be
r e g e n e r a te d and c le a n s e d from th e e f f e c t s o f th e c u r s e .
Thus th e u n iv e r s e o f God w i l l be p u r i f i e d from th e f o u l b l o t
o f s in .
(Rev. 20; Zech. 1 4 :1 -4 ; I I P e te r 3 : 7 - 1 0 .)
2 2 . That God w i l l make a l l th in g s new. The e a r t h ,
r e s t o r e d to i t s p r i s t i n e b e a u ty , w i l l become fo r e v e r th e
abode o f th e s a i n t s o f th e Lord. The p ro m ise t o Abraham
t h a t , through C h r is t, he and h i s s e e d sh o u ld p o s s e s s th e
e a r th th rou gh ou t th e e n d le s s ag es o f e t e r n i t y , w i l l be f u l
fille d .
"The kingdom and dom inion, and th e g r e a t n e s s o f
th e kingdom under th e w hole h e a v e n , s h a l l be g iv e n t o th e
p e o p le o f th e s a i n t s o f th e m ost H igh, whose kingdom i s an
e v e r l a s t i n g kingdom, and a l l dom inions s h a l l s e r v e and obey
Him." C h r is t , th e Lord, w i l l r e ig n suprem e, "and e v e r y
c r e a tu r e w hich i s in h ea v en , and on th e e a r t h , and under
th e e a r t h , and such as are in th e s e a ," w i l l a s c r ib e
" b le s s in g , and hon our, and g lo r y , and power" u n to "him t h a t
s i t t e t h upon th e th ron e and unto th e Lamb f o r e v e r and e v e r ."
(Gen. 1 3 :1 4 -1 7 ; Rom. 4 :1 3 ; Heb. 1 1 :8 -1 6 ; M att. 5 :5 ; I s a . 35;
Rev. 2 1 : 1 - 7 ; Dan. 7 :2 7 ; Rev. 5 ; 1 3 . ) 1
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357
Sermon Themes
I f Shaw
In t h i s , he
"When we
in th e c o n te x t o f Henry D avid
T op ics
(1) d o c t r in e ,
(2)
c a te g o r y , two in th e se c o n d , and 15 in th e t h ir d . I t i s e a sy
w h erein l i e s th e em phasis o f th e
P a sto r F a g a l1s d o c t r in a l
to s e e
F a g a l t e l e v i s i o n m in is t r y .
serm ons on TV in 1965 d e a l t ,
su cces
*C ited in F le s c h , 362.
(which F agal
2 C ite d in i b i d . , 3 3 5 .
^ C ited in i b i d . , 380.
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358
a tw o fo ld c o n v ic t io n th a t Cl] th e e x is t e n c e o f prophecy p ro v es th e e x i s t
ence o f God, f o r o n ly God knows th e end from th e b e g in n in g and i s a b le
to p r e d ic t fu tu r e e v e n ts w ith c e r t a i n t y and a ccu ra cy ( I s a ia h 4 6 :9 -1 0 ;
4 2 :9 ; 2 P e te r 1 : 1 9 - 2 1 ] , and th u s th e p r e se n c e o f prophecy in th e S c r ip tr u e s a t t e s t s to i t s s u p e r n a tu r a l A u th o rsh ip ; and (2) God has p la c e d
prophecy in th e S c r ip tu r e s f o r th e p ra g m a tic purpose o f t e l l i n g men who
care enough to sea r c h e x a c t ly what l i e s ahead, e n a b lin g one t o p rep are
fo r i t
Of th e f i v e f u l l - l e n g t h p u lp i t
l a t e r in t h i s chap
on th e s u b j e c t o f Heaven and c o n s i s t s o f a v e r s e - b y - v e r s e e x e g e s is o f a
major p o r tio n o f th e 2 1 s t C hapter o f The R e v e la tio n .
F a g a l's f a v o r it e
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359
I n v it a t i o n s are th u s s e n t t o a l l names on th e
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360
(In
2nd week
3rd week
S a t.
Sun.
Tue.
Wed.
F r i.
S a t.
Sun.
Tue.
Wed.
F r i.
S a t.
Sun.
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361
Tue.
Wed.
"Which Church Should You J o in ? " ("How can one know which
church J e su s w ould jo in ? " )
F r i.
S a t.
T itle s
f o r th e m e ssa g e s.
With th e advent o f t e l e v i s i o n
o f n e x t w e ek 's serm o n ), th e p r a c t ic e o f g iv in g t i t l e s to
(where
T i t l e s w e r e n 't
F a gal I n te r v ie w , J u ly 6 , 1966, 2 .
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362
In 1966 he s a id :
and
1969 T i t l e
"Three Hours t o L ive"
"The B ib le and A rch aeology"
" Is M o r a lity Out o f D ate?"
"Which Day i s th e Sabbath?"
^Fagal I n te r v ie w , O ct. 2 0 , 1 9 6 6 , 1.
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363
1969 T i t l e
'Is Heaven P ie in th e Sky?"
" A fter L i f e What?"
" W ill God P u nish S in n e rs
F orever?"
"A New L if e i n C h r ist"
"God and th e W orld's Problem s"
"How You Can S c i e n t i f i c a l l y
T est God"
"Which Church Should You Jo in ? "
"The Unpardonable Sin "
" G e ttin g A cq u ain ted With God"
th e most im p o rta n t.
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364
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365
o f th e t e l e v i s i o n p r e a c h in g i s o c c a s io n - o r ie n t e d
E x p l ic it r e f e r e n c e s are most
1I b i d .
2 I b id .
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366
The
o b j e c t i v e l y , in d ep en d
q u o ta tio n s w ould be c l a s s i f i e d as n o n - a r t i s t i c .
By c o n t r a s t , " a r t i s t i c " p r o o fs
(c o n c e r n in g w hich more w i l l be
s a id below ) are " fu r n is h e d . . . th rou gh our own e f f o r t s , " and are com
prehended in th e a n c ie n t r h e t o r ic a l c o n c e p tio n s o f " e th o s ," " lo g o s ," and
" p a th o s."
F i n a l l y , A r i s t o t l e d i f f e r e n t i a t e d betw een th e n o n - a r t i s t i c and
th e a r t i s t i c by p o in t in g o u t th a t th e n o n - a r t i s t i c "have o n ly to be
used"; w hereas th e a r t i s t i c "have t o be fo u n d .
Examples
and t h e i r c o l l e c t i v e f u n c tio n
3Cooper, 8.
4H a n c e -R a lp h -W ik se ll, 9 1 .
5 Cooper, 8.
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367
A s s e r t io n :
In sta n c e :
A s s e r t io n :
In sta n c e :
1H a n c e -R a lp h -W ik se ll, 9 1 -9 2 .
2I b id .
^TV Sermon # 3 5 8 , 1.
4Sermon on Andrew, 2.
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368
A s s e r t io n :
In sta n c e s:
A s s e r t io n :
In sta n c es:
"grown-up c o u s in ," th e n a r r a t i v e ) .
H is sermon i l l u s t r a t i o n s
come c h i e f l y from fo u r s o u r c e s :
(1 ) B ib le s t o r i e s ;
(3 ) g e n e r a l a n ecd o tes
most g e n e r a ll y ,
and v a r ie d m in is t r y .
(4) h i s own r ic h
(2) e x p e r ie n c e s
of
and s t o r i e s ; and,
ten d s t o p r e f e r u s in g th e ex ten d ed
B i b l i c a l n a r r a t iv e t o th e s h o r t e r i l l u s t r a t i o n - s i z e form , th e f o llo w in g
i s a f a i r l y t y p i c a l sam ple o f h i s u se o f a S c r ip t u r a l s t o r y f o r i l l u s
t r a t i v e p u rp o se s:
A s s e r t io n :
I llu s tr a tio n :
Sermon on Andrew, 2 .
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Som etimes he w i l l u se
A s s e r tio n :
C ouples who j o y f u l l y l i v e t o g e t h e r , f a i t h f u l to
each o th e r f o r l i f e , are th e a d m ira tio n o f
everyone.
I llu s tr a tio n :
A s s e r t io n :
^Sermon on Andrew, 3.
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370
I llu s tr a tio n s :
(b eca u se o f in h e r e n t dangers to
lo s s o f fr e s h n e s s o f m a te r ia l due t o p r io r f a m i l i a r i t y o f th e a u d ie n c e ),
he o c c a s io n a lly w i l l u se t h i s s o r t o f s t o r y , such as th e fo llo w in g :
A s s e r t io n :
In fin d in g th e m ista k e s o f o t h e r s , in d is c o v e r
in g t h e i r hidden m isd e e d s, t h e y 'r e o fte n s a lv in g
t h e i r own c o n s c ie n c e s r e g a r d in g t h e i r own
g u ilty s in s .
I llu s tr a tio n :
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371
The v a s t m a jo r ity o f P a s to r F a g a l's i l l u s t r a t i v e s t o r i e s are
drawn from h i s own r ic h background o f e x p e r ie n c e and o b s e r v a t io n .
p r e s e n ts th e sp e a k e r w ith two d i s t i n c t a d v a n ta g e s:
T his
h e knows th a t h is
m a te r ia l w i l l b e fr e s h t o th e l i s t e n e r , th u s g u a r a n te e in g s tr o n g e r
i n t e r e s t - and a t t e n t io n - h o ld in g pow er; and th e s p e a k e r g a in s g r e a te r
c o n fid en ce in th e d e liv e r y , knowing t h a t h e n eed n o t f e a r th e p e o p le
have heard t h i s s t o r y a dozen tim e s b e fo r e from th e l i p s o f o th e r m in is
te r s.
N o tic e th e fr e s h n e s s o f th e fo llo w in g :
A s s e r t io n :
I llu s tr a tio n :
A s s e r t io n :
I llu s tr a tio n :
I s a t in a church th e o th e r n i g h t , and I l i s t e n e d
to a m in is t e r p r e a ch . He p rea ch ed w e l l , and I
en jo y ed l i s t e n i n g to him . But my mind began to
w ander. I t wandered back t o where I f i r s t saw
him . He w a s n 't a m i n i s t e r , th e n , 24 y e a rs ago.
And you know where I saw him?
[F a g a l th en goes
on t o t e l l how t h i s young man was d a tin g a g i r l
who was a tte n d in g F a g a l's e v a n g e l i s t i c campaign
th r e e n ig h ts a w eek. She a tte n d e d f a i t h f u l l y ;
b u t he would come in o n ly tow ard th e c lo s e o f
th e s e r v i c e , to ta k e th e g i r l o u t on a d a te .
^Sermon on Andrew, 5.
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372
F agal r e s e n te d him , f o r he f e l t th e g i r l to be
making e x c e l l e n t s p i r i t u a l p r o g r e s s , and f e l t
sh e m ight l o s e h e r way and n o t j o i n th e church
i f sh e c o n tin u e d k e e p in g company w ith him . The
young man was a dead l o s s , as f a r as F agal was
con cern ed . But God saw p o s s i b i l i t i e s in him.
The g i r l m arried him; and he became a S e v e n th day A d v e n tis t m i n i s t e r , and th e g i r l an e x c e l l e n t
m in is te r 's w if e .]
And I s a t th e r e t h a t n ig h t ,
rem embering a l l t h a t , and th in k in g t o m y s e lf how
aw ful t h a t I d id n 't s e e any p o s s i b i l i t i e s in him.
N a r r a tiv e s and S t o r ie s
F avorin g b io g r a p h ic a l p r e a c h in g as he
At o th e r t im e s , he w i l l u se a more b r i e f a l l u s i o n , or a b b r e v i
a ted s t o r y form .
'"Sermon on Andrew, 6 - 7 .
^ H a n ce-R a lp h -W ik sell, 9 2 .
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The
373
A s s e r tio n :
N a r r a tiv e :
A p p lic a tio n :
A s s e r t io n :
N a r r a tiv e :
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374
s a v in g s , p a id h e r t r a n s a t l a n t i c steam er f a r e .
Three months a f t e r a r r iv a l , h e r f a t h e r d ie d ; and
th e dau ghter r e tu r n e d to I t a l y .
But on th e
a n n iv e r sa r y o f h i s death sh e was b a p tiz e d in t o
th e SDA church and began to work fo r h e r f a m ily .
A s o n , stu d y in g f o r th e Roman C a th o lic p r i e s t
hood, a c ce p ted h i s m o th er's f a i t h and tod ay i s
s tu d y in g f o r th e g o s p e l m in is t r y in an A d v e n tis t
s e m in a r y .]
A p p lic a t io n :
S ta tis tic s
A s s e r tio n :
S ta tis tic s :
'"Sermon on Andrew, 7 -9 .
2H a n ce-R a lp h -W ik sell, 93.
5I b id .
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375
A gain, from th e same serm on, t h i s fu r t h e r o b s e r v a tio n :
A s s e r t io n :
S ta tis tic s :
As F agal does n o t c i t e th e so u r c e o f h is d a ta , i t i s im p o s s ib le
to v e r if y i t s
fo r c l a r i t y , m e a n in g fu ln e s s , and r e le v a n c e .
fig u r e i s e s p e c i a l l y s t r i k i n g .
Q uotations
mony o f o t h e r s sta te m e n ts o f f a c t or o p in io n .
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376
L ite r a r y m a t e r i a l s .- - B e l i e v i n g th a t a s p e a k e r ought u s e th e
s t r o n g e s t p r o o f he can f in d , and a ls o b e l i e v i n g t h a t th e B ib le i s th e
d i v i n e ly - in s p i r e d Word o f th e L iv in g God, i t i s n o t s u r p r is in g t h e r e f o r e
th a t n e a r ly a l l o f th e r e f e r e n c e s t o l i t e r a r y works c i t e d in h i s serm ons
are t o be found in S c r ip t u r e .
He d o e s , how ever, b r in g in o th e r m a t e r ia ls .
O c c a sio n a l r e f e r
S a id th e p o e t o f h i s own e x p e r ie n c e a t
"I came about l i k e a w e ll-h a n d le d s h ip ;
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377
What s h a l l I g iv e T h ee, M aster?
Thou h a s t g i v ' n a l l f o r me;
Not j u s t a p a r t , n or h a l f o f my h e a r t ,
I w i l l g iv e a l l to T h e e .l
And tw ic e in th e t e l e v i s i o n serm ons F agal c i t e s from th e p o e t s - once g iv in g a
once from
anunknown
p o e t whose la c k in m eter i s p a r t i a l l y o f f s e t by
and
h is
p r o v o c a tiv e th o u g h t:
A l i t t l e s e e d la y in th e ground,
And soon began t o s p r o u t;
"Now w hich o f a l l th e flo w e r s around ,"
He mused, " S h a ll I come out?"
"The l i l y ' s f a c e i s f a i r and proud,
But j u s t a t r i f l e c o ld ;
The r o s e , I th in k , i s r a th e r lo u d ,
And, th e n , i t ' s f a s h io n ' s o ld .
"The v i o l e t i s a l l v e r y w e l l ,
But n o t a flo w e r I 'd ch o o se;
Nor y e t th e C anterbury B e l l e ,
I n e v e r cared fo r b lu e s ."
And so i t c r i t i c i z e d ea ch flo w e r ,
T h is s u p e r c il io u s s e e d ;
U n til i t woke one summer hour
And found i t s e l f a w e e d .3
But i t i s to S c r ip tu r e t h a t F agal has m ost fr e q u e n t r e c o u r s e .
Sometimes he c i t e s th e t e x t u a l r e f e r e n c e , b u t g e n e r a lly he does n o t .
If
For, in a d d itio n t o th e s e d ir e c t
^TV Sermon # 3 7 1 , 1.
3I b i d . , # 3 5 1 , 1.
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378
r e f e r e n c e s , th e r e i s a w hole h o s t o f i n d i r e c t a l l u s i o n s ; w hereas su ch
i n d i r e c t r e f e r e n c e s to n o n - B ib lic a l s o u r c e s are m in im al.
F a g a l's s e r
In th e f u l l -
(An a s t e r i s k
[*] i n d i c a t e s in s t a n c e s where th e t e x t so u r c e or
OLD TESTAMENT
D eut. 18:19*
X Sam. 16:7*
P s. 37:3
P s. 37:5
P s. 37:7
I s a . 45:5
NEW TESTAMENT
M att.
M att.
M att.
M att.
M att.
Luke
Luke
Luke
Luke
Luke
Luke
Luke
Luke
Luke
John
John
John
John
John
John
19:5
19:6
2 5 :2 1 NEB
2 5 :2 8 NEB
2 5 :2 9 NEB
7:40*
7:41*
7:42*
7:4 3 *
7:44*
7 :45*
7:46*
7 :4 7 *
7: 48*
1:6
1:7
1 :35*
1:36*
1 :3 7 *
1:38*
John
John
John
John
John
John
John
John
John
John
John
John
John
John
John
John
John
John
John
1:39*
1:40*
1:41*
1:42*
2 :2 3
3:2
3 :3
3 :1 0 * NEB
3 :1 4
7 :1 3
7 :3 7
7 :4 6
7 :4 7
7 :4 8
7:49
7:51
7:52
12:21
19:38*
John 19:39*
A cts 18:9
A cts 18:10
A cts 1 9 :3
A cts 1 9 :4
A cts 19:5
Rom. 8 :3 7
Rom. 1 2 :1 *
I Cor. 1:26*
I Cor. 2 :1 *
I Cor. 2 :2 *
I Cor. 2 :3 *
I Cor. 2 :4 *
I Cor. 2 :5 *
I Cor. 1 3 :4
I Cor. 13:5
I Cor. 13:6
I Tim. 6 :5 NEB
Rev. 2 1 :1 - 8
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379
F a g a l's p enchan t and p a s s io n f o r th e New T estam en t and
e s p e c i a l l y th e G o sp e ls i s c l e a r l y e v id e n t from t h i s t a b u la t io n .
While P a s to r F a g a l's
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380
Now th e synagogue was made up o f th r e e c l a s s e s o f
p e o p le : f i r s t o f a l l , th e r e w ere Jews in i t . . . .
S e c o n d ly , i t had c o n v e r t s . T hese were pagan p e o p le th a t
had been s tu d y in g th e Old T esta m en t, th e te a c h in g s o f
Judaism , and th e y had tak en t h e i r s ta n d , and t h e y d become
Jews in r e l i g i o n . . . . The t h ir d group was G o d -fe a r e r s ,
. . . f o lk who had a ls o s t u d ie d , and t h e y 'd come to th e
p la c e where th e y b e lie v e d , and th e y a tte n d e d church e v er y
Sabbath. But th e y c o u ld n 't q u it e g e t th e m se lv e s t o become
Jew s. There was a l o t o f p r e j u d ic e a g a in s t th e J ew s, a
l o t o f a n ti-S e m it is m . And i t to o k a l o t o f courage f o r a
man to s t e p ou t and p u b lic ly d e c la r e h im s e lf a J e w .l
A nother g lim p se o f th e F i r s t Century Roman w o rld i s found in th e
Fagal sermon on H eaven, in which he ta k e s up ite m by it e m - - t h e v a r io u s
c h a r a c t e r is t ic s o f th e p la c e as r ec o u n te d by John in The R e v e la tio n
(2 1 : 1 -4 ).
F agal f i r s t e x p la in s why John th e B elo v ed was in e x i l e on th e
I s l e o f Patm os, why i t was d i f f i c u l t to be a C h r is tia n in th o s e days
when em peror-w orship was in vogue:
In th e y e a r 81 A.D. an o th er emperor came a lo n g , whose
name was D om itian . And he r u le d f o r 15 y e a r s , u n t i l A.D.
96. At t h i s tim e th e C h r is tia n s came head-on w ith p e r s e
c u tio n b e c a u se D om itian d e c id e d t h a t h e , t o o , w anted t o be
w orshipped as a god . He s e n t o u t s t a t u e s o f h im s e lf a l l
over th e realm ; and th e method th a t he asked everybod y to
use was v e r y s im p le : th e y sim p ly had to s te p up b e fo r e
th e s t a t u e o f Emperor D om itian, p la c e a l i t t l e in c e n s e
down in a f i r e t h a t was k e p t b u rn in g in f r o n t o f th e
s ta tu e fo r t h i s p u rp o se , and make one s im p le , l i t t l e s t a t e
ment: . . . "D om itian i s L ord .". . .
Now th e r e were about th r e e th in g s t h a t th e Emperor d id
to th o se who w ould n o t s a y , "D om itian i s L ord." For one
th in g , he w ould remove from them ev ery b i t o f p r o p e r ty
th a t th ey owned, making i t im p o s s ib le f o r them to work,
making i t im p o s s ib le f o r them to earn t h e i r own l i v i n g . . . .
Second, th e r e were some in d iv id u a ls th a t he k i l l e d o u t r i g h t .
They were j u s t a b s o lu t e ly g u i l t y o f h e r e s y , and t h e i r l i v e s
were taken from them as th e r e s u l t . T h ir d , and l e a s t
tr y in g o f th e pu nishm ents t h a t he g a v e , an in d iv id u a l
could be e x i l e d to some f a r - o f f i s l a n d o r some f a r - o f f
p o r t, th e r e to l i v e o u t h is l i f e as a s l a v e , w orking h a rd ,
long h o u r s .2
*~I b id . , 6 - 7 .
^sermon on H eaven, 1 -2 .
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381
F u rth er in t h i s m essa g e, in s u g g e s t in g p o s s i b l e e x p la n a t io n s f o r
J oh n 's c u r io u s s ta te m e n t t h a t in th e l i f e to come th e r e w ould be "no
more sea" (R e v e la tio n 2 1 : 1 ) , F agal g o es on to s u g g e s t some p o s s i b l e
h is t o r ic a l s o lu tio n s :
I wonder what John i s r e a l l y s a y in g h e r e . Some p e o p le
have s u g g e s te d th a t John, maybe, was s e n d in g a c r y p t ic
m essage to th o se p e o p le back on th e m ain lan d . . . . You
s e e , th e B ab ylon ian s d id n 't l i k e th e s e a ; n e it h e r d id th e
Jew s. The B a b y lo n ia n s had an o ld s t o r y t h a t th e y t o l d
about how th e e a r th was c r e a te d . They s a id th e r e was a
b ig f i g h t betw een th e god o f o rd er and c r e a t io n and th e god
o f c o n fu s io n , th e god o f c h a o s. A g r e a t war b etw een them,
and th e god o f o r d e r and c r e a t io n won, and th e dragon o f
chaos was d e f e a t e d . And upon h i s d e f e a t , h e made h i s home
in th e s e a . And he was s o u p s e t a t b e in g b e a te n t h a t he
keeps t h a t t a i l o f h i s s w is h in g ; and t h a t ' s where th e waves
come from . . . .
The Jews had a n o th e r f e e l i n g ; th e Jews s a i d , "The s e a
i s n ' t a fr ie n d ; th e s e a i s an enem y." They s a i d , "We've
. . . s e e n many p e o p le go ou t to s e a ; b u t th ey d id n 't come
back. They g o t l o s t ou t t h e r e . The s e a i s an enemy; i t
gob b les up our p e o p le th a t dare to r id e upon i t . "
The E gyp tian s had a r a th e r bad id e a about th e s e a ,
a ls o .
In E gyp t, t o t h i s d a y , where th e N ile R iv er i s ,
e v e r y th in g i s b e a u t i f u l and green and l o v e l y .
But you g e t
. . . a l i t t l e d is t a n c e away from th e N ile R iv er and t h e r e ' s
no more green and l o v e l y , t h e r e 's d e s e r t .
And so th e N ile
was th e f r ie n d o f E gypt; b u t th e ocean go b b led up th e Nile.-*F i n a l l y , som eth in g o f Jew ish custom i s se e n in th e F agal sermon
on Mary Magdalene ("G od's B lin d S p o t" ).
L aying th e groundwork f o r a
1I b i d . , 4.
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382
There was a sec o n d t h in g d on e. . . . They d id n 't a r r iv e
in t a x is b ack th e r e ; th e y had t o w alk . And th e y w alked
w ith o p e n -to e d s a n d a ls h e ld on t o t h e i r f e e t w ith th o n g s.
And, o f c o u r s e , when th e y a r r iv e d , t h e i r f e e t w ere h o t and
weary and d u s ty . And s o , o u t s id e th e f r o n t door o f e v er y
home was k e p t a g r e a t 2 0 - g a llo n ju g o f w a te r . And i t was
custom ary t o pour some o f t h i s w a te r o v e r th e f e e t o f an
a r r iv in g g u e s t , e s p e c i a l l y th e g u e s t o f h o n o r.
There was a t h ir d t h in g . . . . The g u e s t o r d in a r ily had
p la c e d upon h i s head a few drops o f a t t a r o f r o s e s , o r p e r
haps a p in c h o f in c e n s e , to g iv e o f f a g lo w in g fr a g r a n c e .
(And I g u e ss you can u n d ersta n d t h a t in th e day b e fo r e
d e o d e r a n ts, t h a t was perhaps a v e r y n ic e th in g t o do, to
make th e o c c a s io n a l i t t l e more e n jo y a b le [ l a u g h t e r ] .) 1
Thus we o b se r v e so m eth in g o f th e manner in w hich W illia m A.
Fagal v i r t u a l l y la r d s h i s serm ons w ith f a c t u a l te s tim o n y .
W hile we
And, as w i l l b e n o te d a g a in , W illia m
Only two in s t a n c e s
^ H a n ce-R a lp h -W ik sell, 9 4 .
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383
ill-fa m e .
The e ld e r P e a le w en t, prayed by th e b e d s id e o f
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
384
Thus i t w i l l b e o b se rv e d th a t W illia m F agal makes u s e , to a
g r e a te r or l e s s e r d e g r e e , o f th e fo u r ty p e s o f " n o n - a r t is t ic " elem en ts
in sermon in v e n t io n -- e x a m p le , n a r r a t iv e , s t a t i s t i c s , and o p in io n t e s t i
monyw hich e x i s t o b j e c t i v e l y , in d e p e n d e n tly o f th e sp e a k e r , and o f
which he makes u s e .
i s more d i r e c t l y e x h ib it e d .
R e c o g n iz in g c e r t a in l i m i t a t i o n s , one m ight s u g g e s t th e d i f f e r
ence by an a lo g y in w hich a m in er, on th e one hand, fin d s a diamond,
r e c o g n iz e s i t s in h e r e n t v a lu e , and p o c k e ts i t ; w h ile , on th e o th e r , th e
la p id a r y ta k e s th e diamond and c u t s , p o l i s h e s , and en g ra v es i t to
enhance i t s n a t u r a l b e a u ty .
For A r i s t o t l e , th e sp eech s u p p lie d th r e e avenues o f a r t i s t i c
p e r su a sio n :
c h a r a cter o f th e sp ea k er" ;
th e sp eech in t o a s t a t e o f emotion."'*'
^Cooper, 8 -9 .
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385
E th ic a l P r o o f (E th os)^
and, l a t e r , under th e in f lu e n c e o f
Some w ould make a d i s t i n c t i o n b etw een " eth o s" and " e t h i c a l
proof" by d e f in in g " eth o s" as what a sp e a k e r is_, and " e t h i c a l p r o o f" as
what a sp ea k er does t o e s t a b l i s h h i s e t h o s .
In "C onception s o f E thos in
A ncient R h eto ric" (Speech M onographs, 1947, V o l. XIV, 5 5 - 5 6 ) , W illia m M.
S a t t l e r u s e s th e two term s as syn onym ous--a p o in t o f view sh a r ed by t h i s
w r ite r in t h is c h a p te r .
2
Thonssen and B a ir d , Speech C r it ic is m , 384.
3I b i d . , 181.
^"The Concept o f E t h ic a l P r o o f i n P e r su a sio n and Debate (From
the P oin t o f View o f R h e t o r ic ) ," u n p u b lish e d m a n u scrip t, 1 -2 .
C ooper, 9 2 .
^J. E. C. W eldon, ( t r a n s . ) , The R h e to r ic o f A r i s t o t l e (London:
Macmillan and Company, 1 8 8 6 ), 1 1 3 -1 4 ; c i t e d by L e s te r T honssen , S e le c t e d
Readings in R h e to r ic and P u b lic S p ea k in g (New York: The H. W. W ilson
Company, 1 9 4 2 ), 43.
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386
"good s e n s e ,"
"*"W
. D. Ross ( e d . ) , The Works o f A r i s t o t l e , V o l. X I, t r a n s .
W. Rhys R oberts (O xford: The C larendon P r e s s , 1 9 2 4 ), S e c . 1378a .
^ H a n ce-R a lp h -W ik sell, 80.
^From " sa b e ," 3rd p e r so n s in g u l a r o f " s a b ir ," S p a n ish i n f i n i t i v e
"to know."
^Sermon on Andrew, 1.
^ Ib id .
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387
Membership on a church n o m in a tin g co m m ittee, w h eth er o f a l o c a l
s t a t e c o n fe r en ce o r o f th e w orld G eneral C on feren ce o r g a n iz a tio n , i s
g e n e r a lly regard ed by b o th A d v e n tis t c le r g y and l a i t y as a s t r a t e g i c a l l y
s i g n i f i c a n t p o s i t i o n o f p r e s t i g e and h o n o r , i f n o t o f t r u s t .
It is ,
The f a c t th a t
a l l y , as w e ll as in d i c a t e som eth in g o f h i s c o n s id e r a b le e x p e r ie n c e in
t h is area o f p a s t o r a l co n cern .
Fagal som etim es makes p a s s in g r e f e r e n c e t o h i s numerous sp e a k in g
o b li g a t io n s - - a n o t h e r i n d i r e c t in d e x o f s p e a k e r - p o p u la r it y .
At a Mich
?
^I b i d . , 4.
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388
h ie r a r c h y , b u t r a th e r b e c a u se o f a b i l i t y to " d e liv e r th e goods" in th e
p u lp it I
Twice th e t e l e v i s i o n p a s to r m entions r e c e iv in g l e t t e r s from
te le v ie w e r s and church members in v a r io u s p a r ts o f th e n a t io n a s i t u a
tio n which c l e a r l y im p lie s c o n fid e n c e on th e p a r t o f th e w r it e r s in th e
m in is t e r 's com petence, e l s e he w ould have corresp o n d ed w ith an oth er:
A l e t t e r came to me th e o th er day from M in n eso ta .
[F agal
then r e la t e d th e woman's problem in d e t a i l . She co n clu d ed
by a s k in g , "What am I g o in g t o d o ? " ]l
Som ething o f F a g a l* s e t h i c s as w e ll as h i s com petence may be
deduced from th e manner in w hich he in tr o d u c e d th e n e x t l e t t e r , which
came from a F a ith f o r Today B ib le C orrespondence S c h o o l s tu d e n t now
in c a r c e r a te d in an e a s t e r n s t a t e p e n it e n t ia r y :
I'm g o in g to read you a l e t t e r .
I m n o t g o in g to t e l l you
where i t came from . I t came to me through th e m a il, b u t I
w on 't t e l l you what s t a t e i t came from .
[F agal th en read
th e words o f a young woman c o n v ic te d o f m a n sla u g h te r , who
c lo s e d w ith t h i s a p p ea l: "I ask you p e o p le t o p le a s e pray
f o r me; . . . I'm g o in g to t r y a g a in . . . , " ] 2
From h is v a s t background o f e x p e r ie n c e in th e m in is t r y [and from
the s u b s t a n t ia l know ledge o f human f o i b l e s and b e h a v io r w hich i t has
su b seq u en tly brought h im ), W illia m F agal
th e p u l p i t a s:
"I'm c o m p le te ly co n v in ced . .
"Never m ista k e i t ,
11.
4I b i d . , #3 7 1 ,
1.
3 I b i d . , #367, 1 .
^Sermon on P au l a t C o r in th , 10.
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389
and i n d i r e c t w ays.
In h i s sermon
ju st a l i t t l e b e tte r ; i t ' s
little
ju st a
than
"I l i k e i t
clearer."'*'
He
"I
th in g s happened in t h i s u n ex p ected
and th en he p r o c ee d s t o g iv e h i s r e a s o n in g .
*~I b id . , 1.
^I b id . , 2 .
^I b i d . , 5 .
^Sermon on Andrew, 2 .
^ I b id . , 9 .
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390
And th e f a c t th a t th e F agal s o n , B i l l , i s
he s a y s ;
"I s a t in a c o f f e e
lu n c h e o n e t te , in th e D e t r o it a ir p o r t e a r l i e r t h i s w eek ,"
he c o n tin u e s; and a n o th er e x p e r ie n c e f o ll o w s .
I t i s , h ow ever, in h i s o v e r s e a s t r a v e l s th a t W illia m F agal m ines
the most v a lu a b le " eth os" p a y d ir t , e s p e c i a l l y in r e f e r e n c e s t o p la c e s in
the Holy Land and th e Roman World o f th e F i r s t C entury w ith w hich P au l
and th e a p o s t le s are a s s o c ia t e d , in w hich he h as t r a v e le d e x t e n s i v e l y .
In t e l l i n g o f l i t t l e Magdala on th e sh o r e o f th e Sea o f G a l i l e e - a s le e p y l i t t l e
3I b i d . , 9 .
^Sermon on Paul a t C o r in th , 9 .
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391
and o f f he
They are n e v e r an
As su c h , th ey ten d t o in c r e a s e th e F agal
e t h o s , in t h is i n v e s t i g a t o r ' s o p in io n , r a th e r than t o d e s tr o y i t a l t o
g e th e r , as som etim es happens when men o f th e c lo t h are i n j u d i c io u s about
such m a tte r s .
(1) p e r s o n a l t e s t i
1 Ibid_. , 2.
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392
to h e lp o th e r s f in d C h r is t as t h e i r p e r s o n a l S a v io u r ;
(3) a c o n tin u in g ,
and g o a ls ; and (5 ) th e a s s o c i a t i n g o f h im s e lf
And, in th e t e l l i n g ,
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393
h is S aviou r?
T e l lin g h is h e a r e r s
he asked him to
r e la t e the s t o r y o f h is r e c e n t c o n v e r s io n , w hich he d id .
F agal than
^I b id . , 17.
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u sin g them as a sp r in g b o a r d fo r
th e i n v i t i n g o f h i s h e a r e r s t o j o in in r e d e d ic a t io n to God.
Thef o llo w
in g are t y p i c a l o f t h i s form o f r e fe r e n c e :
Young p e o p le , I d o n 't know how you f e e l tod ay; b u t
l i t t l e as I know about H eaven, I want to be th e r e . L i t t l e
as I know about i t , i t ' s g o in g t o b e w o rth w h ile to make th e
s a c r i f i c e s t h a t are c a l l e d fo r h e r e in t h is l i f e , s o I can
have a p la c e e t e r n a l l y w ith Him. I want to b e t h e r e . 2
And, again :
By God's g r a ce I want to do th e same th in g to d a y .
I
want to g iv e Him anew my w hole s e l f .
I want to d e d ic a te
m y s e lf to H is s e r v i c e .
I d o n 't want to h o ld a n y th in g
back. . .
S e c o n d ly , we n o te som eth in g o f F a g a l's deep p e r s o n a l burden to
h e lp o th e r s " fin d C h r is t."
I t i s i m p l i c i t in an a tta c k on d iv o r c e ,
and i m p l i c i t in an a tta c k on
?
Sermon on H eaven, 10.
4TV Sermon # 3 4 9 , 1.
5 I b i d . , # 3 5 1 , 1.
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395
Fagal i s an xiou s th a t each h e a r e r a llo w God to le a d and g u id e in
th e in d iv id u a l l i f e e x p e r ie n c e .
F i r s t , he e s t a b l i s h e s God's concern f o r
th e in d iv id u a l:
T his l i t t l e - n o t i c e d and a lm o s t- fo r g o t te n in c id e n t [in
which God, more than 100 y e a r s in advance, f o r e t o ld b o th
th e name and th e work o f P e r s ia n King Cyrus ( c f . I s a .
4 5 :5 ]] in d ic a t e s th a t God knows a l l o f us by name and s e e s
e x a c t ly what p la c e we sh o u ld f i l l i n l i f e .
And He w i l l
g ir d u s , h e lp in g us to e a r ly f in d our p la c e in l i f e , and
p r o p e r ly f i l l i t . l
Then, he goes on to show God's a c t iv e s e e k in g o f in d iv id u a l men:
You m ight th in k y o u 'r e s e e k in g God . . . [o r] C h r is t.
[But]
He's th e one w ho's alw ays s e e k in g you! And drawing you to
H im se lf. I'm g r a t e f u l f o r a S a v io u r l i k e t h a t , a r e n 't you,
who lo v e s us enough to look f o r u s , and to tr y t o h e lp us
fin d th e e x p e r ie n c e th a t we so much n eed .^
T h ir d ly , th e p r o b it y o f
c o n tin u in g , alm o st p reo ccu p y in g
F a g a l's c h a r a c te r i s in d ic a t e d
by h i s
And, do you p r a c t i c e
it? " 3
He d e v o te s an e n t ir e sermon to a d is c u s s io n o f our L ord 's
Parable o f th e T a le n t s , in th e m id st o f which he d e c la r e s :
Everyone has been g iv e n some amount o f n a tu r a l endowments,
even you. Not ev ery one h as r e c e iv e d th e same endowments;
and, t h e r e f o r e , th e same r e s u l t s are n o t e x p e c te d from
ev ery o n e. . . . But t o whom much has been e n t r u s t e d , much
w i l l be e x p e c te d .^
Fagal adm onishes h is f e llo w church-members to eschew c o ld l o g i c
in fa v o r o f warm lo v e in t h e i r s o u l-w in n in g work f o r C h r ist:
~*~I b id . , #371, 1.
^Sermon on Andrew, 3.
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396
'We have
Sermon on Andrew, 4.
5 I b i d ., # 3 5 1 , 2.
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397
In J e s u s C h r ist we can conquer any and e v e r y d i s t r e s s
in g s i t u a t i o n o f l i f e . . . . T hen, be a con q u eror, n o t a
f u g i t i v e . . . . P la c e you r a l l in H is h a n d s, and l i v e f o r
Him day by d ay.*
And, f i f t h l y , Fagal d e v e lo p s th e p o t e n t i a l f o r e th o s in h e r e n t in
a good c h a r a c te r by a s s o c ia t in g h i m s e lf and h i s m essage w ith t h a t w hich
h is h e a r e r s g e n e r a lly ten d t o a c c e p t as th e n o b le and th e g o o d - -p r in
c i p a l l y in th e r o le o f " d efen d er o f th e f a i t h . "
F a g a l has no tim e or sym pathy f o r th e c r i t i c s o f C h r is t i a n it y
who s e e t h i s r e l i g i o n
everyday l i f e through
He v ig o r o u s ly a ffir m s :
C h r is t ia n it y i s n o t out t o h e lp a man e sc a p e h i s p a s t ;
r a t h e r , i t i s out to e n a b le a man t o fa c e h i s p a s t and r i s e
above i t .
C h r is t ia n it y i s n e v e r e sc a p e ; C h r is t i a n it y i s
c o n q u e st.^
Toward in d iv id u a ls who m is r e p r e s e n t h i s ch u r c h 's d o c t r i n e s ,
b e l i e f s , and p r a c t i c e s , F agal i s g e n t ly y e t fir m ly op p osed .
O nce, w h ile
The
1I b i d . , # 3 5 8 ,
2.
2 I b i d . , 1.
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398
I d id n 't f e e l a t a l l hungry any m ore. I began to
th in k I ' d have t o go o v e r to t h a t t a b le and b e g in to e n te r
th e c o n v e r s a tio n m y s e lf. And th e n , m e r c if u lly , th e y g o t
up and l e f t .
Thus in t h e s e f i v e ways does W illiam Fagal r e v e a l in h i s s e r monic c o n te n t th e k in d o f p e r so n he t r u ly i s , in th e c o n te x t o f
A r i s t o t l e ' s em phasis on th e p e r s u a s iv e v a lu e in h e r e n t in th e s p e a k e r 's
good moral c h a r a c te r .
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399
I t i s n ' t j u s t th e s t r e e t s o f g o ld o r g a te s o f p e a r l or
w a lls o f ja s p e r th a t w i l l make th e H oly C ity a b e a u t i f u l
t h in g .
I g e t a lo n g p e r f e c t l y a l l r i g h t w ith s t r e e t s made
o f a s p h a lt .
I ' v e n e v e r lo n g e d fo r s t r e e t s made o f g o ld . . .
g a te s o f p e a r l , w a lls o f j a s p e r t h e s e d o n 't m eet any b a s i c
n eed s o f mine a t a l l . . . . But I w ould a s p ir e t o Heaven
b e c a u se o f th e in n e r r a d ie n c e , th e in n e r j o y , th e g r e a t
p e a c e , th e f e e l i n g o f s a t i s f a c t i o n t h a t w i l l be a p a r t o f
Heaven. That I lo n g f o r . That makes l i f e w orth l i v i n g . 1
And in h i s sermon on P aul a t C o r in th , perhaps more than in any
o th e r , P a s to r F agal makes h is m ost e f f e c t i v e u se o f th e elem en t o f "good
w ill" in i d e n t i f y i n g w ith h is f e llo w church members in t h i s s e r v ic e in
th e B a t t le Creek S ev en th -d a y A d v e n tis t Church.
F i r s t , h e s t a r t s out t e l l i n g th e s e M idw esterners ( l a r g e l y o f
N o rd ic, Dutch s to c k ) about h is own " t h r i f t y German b lo o d ."
A th en s, F a gal took a g u id ed to u r o f th e c i t y .
W hile in
En r o u te to th e Parthenon,
Sermon on H eaven, 7.
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400
I wonder how th o s e C o r in th ia n s f e l t about [C r is p u s ]
I ' l l b e t th e y were proud o f him! . . . They p ro b a b ly ta lk e d
to some o f th e Jews coming out o f th e synagogue, and s a i d ,
"We've got C risp u s w ith u s . H e's o v er in our church.
B elongs to u s ." R eal proud o f him . . . . As i f th a t
proves y o u 'r e r i g h t , you know! The b ig g e r th e name you can
q u o te , th e more r ig h t you a r e! Sometimes I th in k A dvent
i s t s are th e b i g g e s t nam e-droppers th a t e v e r w alked. L et
somebody come in and j o in our church . . . some m ovie
a c t r e s s , or what have you; and w e ' l l q u ote th a t ev ery w h ere.
Fagal th en goes on t o show t h a t , w ith th e
and th e c i t y t r e a s u r e r , th e C o r in th ia n church was
e x c e p tio n o f C risp us
g e n e r a lly composed o f
and
He d e c la r e s h im s e lf "glad"
1Ibid., 11-12.
2Ibid., 13-14.
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401
I'm g la d th a t when God a sk s w hat i t i s t h a t w i l l q u a l i f y a
man t o b e lo n g t o th e church He d o e s n 't s a y , "What k in d o f
d egree do you have? From what c o l l e g e ? ," t o d e c id e w hether
or n o t y o u 'r e w orth y.
He d o e s n 't s a y , "How much money do
you have in th e bank?" . . . [o r ] "How r e s p e c te d i s your
fa m ily name? What i s your background?" . . . When He made
up th e e a r ly church in C o r in th , and when He makes up th e
church to d a y , He seem s t o ask o n ly . . . "How much do you
lo v e God? How com p lete i s y o u r d e d ic a tio n f o r th e Lord
Jesu s C h rist? "
Oh, I'm g r a t e f u l f o r th e f a c t th a t t h a t ' s a l l t h a t ' s
r e q u ir e d ! Do you know, i f th e y had any o th e r r e q u ir e m e n ts,
I c o u ld n 't b e h e r e to d a y ! My f a t h e r was one o f th e g r e a t
e s t men th a t e v e r l i v e d , . . . b u t he worked in a f a c t o r y .
A ll h i s l i f e , t h a t ' s what he d id . He u sed to p rea ch as a
la y -p r e a c h e r ; . . . b u t he j u s t worked in a f a c t o r y j u s t a
common man. I have n o th in g b e h in d me as a background to
recommend me; j u s t commonness, t h a t ' s a l l . l
The f r i e n d l y , open fr a n k n e s s , th e u n b e g u ilin g candor o f th e
Fagal p r e s e n t a t io n , th e la c k o f any p om posity or o s t e n t a t i o n som etim es
a s s o c ia te d w ith p u lp it o r a t o r y - - t h e s e l i t t l e q u a l i t i e s win t h e i r way
in t o th e h e a r ts o f th e A d v e n tis t laym en, most o f whom s e e th e m se lv e s as
ord in ary, e v er y d a y , common p e o p le .
L ogical P r o o f (L ogos)
*T b i d . ,
14.
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Most
rnrr-
402
r h e to r ic ia n s subsume two c o n s t it u e n t e le m e n ts under th e h e a d in g o f
cal
p r o o f:
e v id e n c e and r e a s o n in g .
lo g i
which
used as a b a s is f o r e s t a b l i s h i n g p r o o f o f a p r o p o s it io n ; w hereas
r ea so n in g i s th e p r o c e s s o f u t i l i z i n g e v i d e n t i a l m a t e r ia ls f o r th e p u r
pose o f in t e r r in g a c o n c lu s io n .
A. C raig B aird has c o m p r e h e n siv ely d e fin e d " f a c ts " f o r us as
c o n c re te or a b s t r a c t m a te r ia l ou t o f w hich we attem p t to
weave c o n c lu s io n s or from w hich we t r y to draw in f e r e n c e s
or betw een w hich we a ttem p t to e s t a b l i s h r e l a t i o n s h i p s . . . .
F acts . . . r e p r e s e n t ite m s w hich a l l e g e d l y are t o be
a c ce p ted b e fo r e fu r t h e r a m p lif ic a t io n or in f e r e n c e i s t o be
attem p ted . F a c ts have t o do w ith th e e x is t e n c e o f t h in g s ,
the c l a s s i f i c a t i o n o f d a ta , and th e c h a r a c te r o f phenomena.^
F a c ts, t h e r e f o r e , may in c lu d e phenomena which are o b se rv e d , e x p e r ie n c e d ,
d e sc r ib e d , c l a s s i f i e d , and r e p o r te d .
We have a lr e a d y n o te d so m eth in g o f th e u s e w hich W illia m F agal
makes o f e v id e n t ia l m a t e r ia ls o f f a c t and o p in io n in th e c o n s id e r a t io n
o f n o n - a r t i s t i c modes o f p e r s u a s io n above; and we now con cern o u r s e lv e s
more d ir e c t l y w ith th e manner in w hich he m arshals t h i s e v i d e n t i a l
m a ter ia l in th e p r o c e s s o f r e a s o n in g .
H an ce-R alp h -W ik sell s u g g e s t t h a t th e r e are fo u r ty p e s o f
reason in g:
(1)
(2)
^ Ib id . , 101.
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403
(3)
(4)
From S ig n ( Mth e p r o c e s s o f in f e r r i n g a s s o c ia t io n s
b etw een two phenomena th a t are n o t c a u s a lly r e l a t e d
in w hich one assum es th a t th e p r e se n c e o f one th in g
[an a t t r i b u t e ] in d i c a t e s th e p r e se n c e o f a n o th er [th e
su b sta n c e ]).
His sermons
[th a t]
made him o u ts ta n d in g :
[1]
[2]
^ I b id .,
102.
^ I b id .,
103.
^"What's L e ft or W hat's R ig h t? , 4.
404
[3]
[4]
She c e r t a i n l y d id ."
d id Mary
He th en p ro ceed s to show f i v e
[2]
[3]
[4]
[5]
1Ibid., 4-5.
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405
Three
In a r e fe r e n c e to lo w e r-
" P u ll th e g o s p e l n e t i n , t h e y 'r e
4
In h is sermon on Heaven,
Then, by means o f
I b id . , 10.
3I b i d . , 10.
4 I b i d . , 13.
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406
I 'd l i k e to p u t you to g e t h e r w ith an Eskimo who has
n ev er t r a v e le d more than 25 m ile s away on a dogs le d from
h is home a t th e N orth P o le . And I'm g o in g to g iv e you th e
problem o f e x p la in in g to t h a t Eskimo from th e f a r North
w a stela n d what F lo r id a i s l i k e I . . .
And so . . . you s t a r t o u t , and you s a y , " W ell, you
know, in F lo r id a th e th in g I l i k e b e s t th e y h ave lo v e ly
palm t r e e s ." And th e Eskimo lo o k s a t y o u , and s a y s , "Palm
tr e e s ? " And you s a y , "Oh, t h a t ' s r i g h t , y o u v e n e v e r s e e n
a palm t r e e , have you? A l l r i g h t , in F lo r id a th e y have
a c re s and a c r e s o f l o v e ly c i t r u s g r o v e s ." And he s a y s ,
"C itrus groves?" And y o u 'r e g e t t i n g a l i t t l e p e r p le x e d
about now, and you s a y , "W ell, you know, orange t r e e s ,
lemon t r e e s , g r a p e fr u it t r e e s . " And he s a y s , "Orange t r e e s ?
T rees?" [L aughter] And you r e a l i z e y o u 'v e g o t a problem
on your h an d s. . . .
And p r e t t y soon you . .
"W ell, you know, in F lo r id a
maybe y o u 'd s a y , "You know,
b e a r s , n o t a one (e x c e p t i n
from c a u s e - t o - e f f e c t , or from e f f e c t - t o - c a u s e .
A lthough
and co m p le te ly u n ju s t c o n c lu s io n s as th e r e s u l t . "
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H is c o n c lu s io n as reg a rd s ca u se:
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408
R easoning from s i g n . The fo u r th mode o f r e a s o n in g , from s i g n ,
i s a s u b j e c t o f some c o n tr o v e r s y among contem porary r h e t o r i c i a n s .
in c lu d in g t h i s w r i t e r h o ld i t t o
d is tin c t
b e a form o f
Some
r e a s o n in g s e p a r a te and
and M i l l s .
R eeves Hudson,
7
th e a u t h o r it a t iv e T honssen B a ir d .
and even
56
B aird Knower,
(F o s te r l i s t s
th e " so -
O
c a lle d 'argument from s i g n ' " under th e h ea d in g o f c a u s a l r e l a t i o n . )
One o f th e m ost c o g e n t argum ents f o r r e t a in in g r e a s o n in g from
s ig n i s advanced by McBurney M i l l s , who p o in t out r e a s o n in g
from cau se
American
(Boston:
^McBumey and M i l l s , 1 1 9 -2 0 .
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in th e m id st
o f the f e a s t , Mary
P s y c h o lo g ic a l P r o o f (P a th o s)
and we
^Sermon on Paul a t C o r in th , 5 .
^"God's B lin d S p o t," 8 -9 .
^ H an ce-R alp h -W ik sell have renamed th e ca te g o ry " M a te ria ls o f
Experience" (p. 1 0 9 ), in c o n t r a d is t in c t io n to " M a teria ls o f Developm ent"
( lo g o s) and " P erson al P roof" (e th o s ) .
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had l e t
410
Em otional a p p e a ls . As n o ted in th e p r e c e d in g c h a p te r , W illiam
Fagal has a d i s t i n c t d i s t a s t e f o r th e u se o f raw e m o tio n a l a p p ea ls
d esign ed fo r th e b la t a n t p u rp o se o f sw aying an a u d ien ce to a b d ic a te th e
e x e r c is e o f i t s r e a s o n in g p o w ers, even though, p r a g m a t ic a lly , such a
method in d ee d "w orks."
on Heaven, in which th e
has h ig h em otive v a lu e ,
to i l l u s t r a t e h i s p o in t th a t d ea th i s a g r e a t "sea" which s e p a r a te s th e
human fa m ily today ( in th e c o n te x t o f th e B i b l i c a l sta te m e n t th a t in thqf*.* '
a f t e r - l i f e th e r e s h a l l be "no more sea " [R e v e la tio n 2 1 : 1 ] ) :
Twenty y e a rs ago my f a t h e r p a sse d away. . . . Hard f o r
me to p ic t u r e a w orld w ith o u t my f a t h e r , w ith o u t h is f a i t h ,
and h i s s t r e n g t h .
I j u s t , week b e fo r e l a s t , was d r iv in g
along th e New York Throughway, h ea d in g fo r a camp m eetin g ;
and I p a sse d by S c h e n e c ta d y , New York, where I grew up.
And I p u lle d o f f th e Throughway, and went i n t o th e c i t y ,
and drove by th e p la c e where I [had] l i v e d .
But th en [I]
drove up, alm ost im m e d ia te ly , t o th e c e m e te r y --I th in k I go
th e r e about e v e r y tim e I go by t h a t c i t y - - j u s t a l i t t l e ,
t in y cem etery, "Zion C em etery." And th e r e i s a h ea d sto n e
th er e . . . [w ith ] th e name "Fagal" on i t . . . . 1 j u s t
kind o f w alked around th e r e among th o se s to n e s o f lo v e d ones
o f m in e --th e most im p ortan t one to me, th e s to n e o f my
fa th e r. . . .
And I th o u g h t, "What a g r e a t s e a th e r e i s in d e a th .
What a g r e a t s e p a r a tio n th e r e i s from lo v e d on es in d e a th ."
[And] what a g lo r io u s t h in g i t w i l l be when th e r e s h a l l be
"no more s e a ," no more s e p a r a t io n . . . .1
^Sermon on H eaven, 5 .
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411
sp e a k e r 's p u r p o s e ." 1
a g e n e r a l term w hich c o v er s th e d i r e c t i o n , c o n t r o l, or
in f lu e n c in g o f b e h a v io r ."
th e name o f Alan
famous " m o tiv a ted -seq u en ce" approach to th e canon o f arran gem en t.
Monroe s u g g e s ts 18 b a s ic areas to w hich a sp ea k er may a p p ea l i n m o tiv a t
in g h is au d ien ce toward th e p red eterm in ed g o a l.
A lth ou gh th e l i s t i s
13.
14.
15.
A c q u is it io n and S a v in g .
A dventu re.
C om panionship.
C r ea tin g : o r g a n iz in g , b u ild i n g .
C u r io s it y .
D e s tr u c tio n .
Fear.
F ig h tin g :
a n g e r , c o m p e titio n .
I m it a t io n .
In d ep en d en ce.
L o y a lty ( t o f r ie n d s , f a m ily , s o c i a l g r o u p s, n a t i o n ) .
P e r so n a l Enjoyment ( o f c o m fo r t/lu x u r y , b e a u t y /
o r d e r , p le a s a n t s e n s a t i o n s , r e c r e a t i o n , r e l i e f
from r e s t r a i n t ) .
Power and A u th o r ity .
P r id e :
r e p u t a t io n , s e l f - r e s p e c t .
R everence or Worship ( o f le a d e r s , i n s t i t u t i o n s /
t r a d i t i o n s , D e it y ) .
1Speech C r it ic is m , 359.
^James H. McBumey, James M. O 'N e il l, and Glen E. M i l l s , Argu
m entation and D ebate (New York: The M acm illan Company, 1 9 5 1 ), 143.
^ P r in c ip le s and Types o f S p ee c h , 4 th e d .
Foresman and Company, 1 9 5 5 ), C hapters 1 6 -1 7 .
(C h icago:
S c o tt,
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412
16.
17.
18.
R e v u lsio n .
Sex A t t r a c t io n .
Sym pathy.1
V ir t u a ll y a l l w i l l b e found em ployed, as
A c q u is itio n and S a v in g :
P arable o f th e T a le n ts i s d e v o te d a lm o st e x c l u s i v e l y t o a p p e a lin g to
a c q u is it io n and s a v in g , b u t--a n d t h i s i s im p o r t a n t- -in th e c o n te x t o f
expending what one p r e s e n t ly p o s s e s s e s in o rd er t o make g r e a t e r g a in fo r
th e fu tu r e .
Hoarding i s s e e n as a s t a t i c , s e l f - d e f e a t i n g p r i n c i p l e .
A d ven tu re:
f e s t e d in two w ays.
I n d i r e c t l y , th e te n o r o f a l l h is sermons i s th e
id e a th a t C h r is tia n l i v i n g i s th e g r e a t e s t a d v en tu re in th e w o rld .
More
c o n c r e te ly , he u se s p e r so n a l e x p e r ie n c e s in t r a v e l s abroad t o w het th e
a p p e tite o f ad ven tu re in h i s h e a r e r s ("I was in A thens a few y e a rs
ago. . . ." 3 ) .
3.
Com panionship:
1I b i d . , 196.
2TV Sermon # 3 6 7 , 1.
7
JSermon on Paul a t C o r in th , 1.
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413
o f two p e o p le sh o u ld b e a l i f e - l o n g u n io n , broken u lt im a t e l y o n ly by
d ea th .
li k e that."'*'
On th e s p i r i t u a l p la n e , F agal s t r e s s e s th e v a lu e and im p ortance
o f th e in d iv id u a l C h r is t ia n s d a il y "walk" w ith C h r is t , th e s u s t a in in g
s p i r i t u a l f e llo w s h ip i t i s each C h r is t ia n 's p r i v i l e g e to e x p e r ie n c e .
He
s t r e s s e s th e f a c t th a t an o m n isc ie n t God i s con cern ed w ith th e i n d iv id u a l ("God knows a l l o f us by name" ) and th e d iv in e p ro m ise to overcom ers
"I w i l l be h i s God and he s h a l l be My son" (R e v e la tio n 2 1 :7 ) :
J u s t l ik e a [human] f a t h e r ' s con cern ed about h is s o n , lo v e s
h is so n , w ants to know how th in g s are g o in g w ith him , wants
t o h e lp him a l l he c a n , j u s t so God w i l l be w ith u s . God
w ants to h e a r from u s - - H e 's our F a th er; w e 'r e H is s o n s . 3
This com panionship o f th e human and th e d iv i n e , begun on e a r th in t h i s
l i f e and c o n tin u e d th rou gh ou t e t e r n i t y in th e l i f e
to come, i s th a t
C r e a tin g :
The F agal a p p ea ls t o c r e a t i v i t y
C u r io s it y :
F a g a l's a p p ea l to c u r i o s i t y i s , as in th e ap p eal
^I b i d . , # 3 7 1 , 1.
4TV Sermon # 3 4 9 , 2 .
5 I b id .
6 I b id . , #351, 2.
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i l l u s t r a t i o n s , in which s u sp e n se i s u t i l i z e d in th e d e v e lo p in g o f th e
d e ta ils .
As an exam ple:
D e s t r u c t io n :
F a g a l's ap p eal to d e s t r u c t io n i s la r g e ly in
terms o f en co u ra g in g h is h e a r e r s t o e r a d ic a t e s o c i a l q u a l i t i e s in t h e i r
p e r s o n a lit ie s g e n e r a lly view ed by s o c i e t y as u n d e s ir a b le , such as th e
p r a c tic e o f nam e-dropping (a lr e a d y m entioned ab ove, in th e in c id e n t o f
Crispus and th e C orin th c i t y t r e a s u r e r ) , and th e p r a c t ic e o f g o s s ip .
Concerning th e p u rveyors o f th e l a t t e r , he o b se r v e s th a t
th e v u ltu r e s who are alw ays th e f i r s t to s m e ll th e d eca y in g
c a r c a s s , th e s e lf - a p p o in t e d d e t e c t i v e s among u s , are
u s u a lly th e in d iv id u a ls who have th e most f a u l t s th em se lv e s!
7.
F ear:
When u sed ,
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415
o p p o r t u n it ie s and s h ir k in g r e s p o n s i b i l i t i e s , w i l l be
c la s s e d by th e G reat Judge w ith th e e v i l - d o e r s . 1
8.
F ig h t in g :
fa c to r s o f th e m o tiv e -a p p e a l o f f i g h t i n g .
F a g a l se e k s to arouse an ger,
As
. . . Then, be a
conqueror, n o t a f u g i t i v e " ^ ) .
9.
I m it a t io n :
"The
. . . our
c o p ie s a f t e r H is l i f e , t o th e b e s t o f our a b i l i t y " ^ ) .
10.
In d ep en d en ce:
th e
. . .
I f th e Son th e r e fo r e
*I b i d . ,
" C h r is t ia n it y . . .
#367, 2 .
Thus, as
i s ou t to e n a b le a man to fa c e h is
^Sermon on P a u l a t C o rin th , 8.
^TV Sermon # 3 5 8 , 1 -2 .
^ I b id . ,
17.
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416
p a s t and r i s e above i t .
. .
[T h e r e fo r e ,] p la c e y o u r a l l in H is h a n d s,
L o y a lty :
For M onroe, a p p e a ls t o l o y a l t y l i e g e n e r a ll y in
For
low er in th e norm o f t h in g s , as i f
2
lo y a lty
. . . came b o ld ly to th e f r o n t ,
h is w ealth in s u s t a in in g th e in f a n t ch u rch .
. . .
. . . [em p loyin g]
In tim e o f p e r i l he
P e r so n a l E njoym en t:
C h ristian " i s
F agal b e l i e v e s th a t an "unhappy
In d eed , fo r F a g a l, th e r e can be
. . .
is a
jo y h e r e i n t h i s l i f e , and jo y in th e h e r e a f t e r , f o r e v e r .
That i s th e r e a l g o a l fo r a l l o f u s " 6 ) .
^Sermon on Paul a t C o r in th , 1 3 -1 4 .
^Sermon on H eaven, 7.
^Sermon on Andrew, 3.
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417
13.
F a g a l's a p p ea ls t o th e m o tiv e o f
P r id e :
he d id n ' t have th e r e s p e c t o f h i s
For h im , th e
But th e Lord J e su s
w ith us a c e r t a in t y th a t J e s u s C h r is t lo v e s us and b e l i e v e s in u s .
s e e s th e b e s t in u s , and He w ants t o h e lp us a c h ie v e t h a t .
He
And I hope
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418
t h e s is th a t th e p o s s e s s i o n o f th e l a t t e r
( s e l f - r e s p e c t ) w i l l u lt im a t e ly
T h is , o f c o u r s e , w ould be e x p e c te d as n a t u r a lly
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419
and i n s t i t u t i o n s
noted ) .
16.
R e v u ls io n :
Sex A t t r a c t io n :
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
And th e
Sym pathy:
M onroe's l a s t c a te g o r y o f m o tiv e -a p p e a l i s
Sermon #371, 1.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
I n t e r e s t i n g l y , th e t e l e v i s i o n
^Cited in F le s c h , 82.
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422
c o n n e c tio n w ith th e th r e e c o u r t e s ie s u s u a ll y fo llo w e d by th e h o s t b u t
om itted h e r e , F a g a l's p e r s o n a liz e d comments:
p e a c e ," he o b se rv e d :
g la d .
C oncerning th e " k is s o f
very n i c e l y . A n d
o f th e v i s i t o r a few drops o f a t t a r o f r o s e s , or a p in c h o f in c e n s e , he
remarks, w ith a broad f a c i a l g r in :
And I g u e ss you can u n d ersta n d th a t in th e day b e fo r e d eo d era n t s , th a t was perhaps a v e r y n ic e th in g to do, t o make th e
o c c a s io n a l i t t l e more e n jo y a b le !^
As exam ples o f th e more ex te n d e d ty p e o f humorous a n e c d o te , we
might o f f e r th e in tr o d u c to r y remarks a t a sermon a t th e Grand Ledge Camp
M eeting, w hich F agal used t o b r id g e th e t r a n s i t i o n b etw een th e m u sic a l
p o r tio n o f th e program s u p p lie d by h is m ale q u a r t e t and th e m essage o f
the hour:
I alw ays lo v e to
h ear them so much, I
on me, though: when
out o f b r e a th a t th e
[L aughter]
h e a r th e q u a r t e t s i n g . Even though I
never t ir e o f i t .
T h ey 're r a th e r hard
th e y s in g some o f t h e s e s o n g s , I'm a l l
end b eca u se I f o r g e t t o b r e a th e .
in h is r e f e r e n c e
^Ibid.
^Sermon on Andrew, 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
l i k e th e g a r n is h on th e d in n e r t a b l e , t h a t s e t s
'Sermon on H eaven, 6 - 7 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
424
Arrangement
As s u c h , i t i s one
And "not
th e
Method o f O u tlin in g
S a id T a c itu s , a p p ly in g t h i s t o
^I b i d . , 404.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
425
T h is w r it e r
As a c u r r e n t "com m ercial" f o r a c e r
" i t ' s n o t how lon g you make i t ;
it's
lo n g ."
Crocker ( op c i t . ) l i s t s th r e e kin d s o f r e a s o n in g :
in d u c tio n ,
d ed u ctio n , and c a u s e .
R eeves Hudson ( op c i t .) subsume th e s y llo g is m
under d e d u c tiv e r e a s o n in g ; and l i s t g e n e r a l i z a t i o n , a n a lo g y , and cause
as th ree s u b c a te g o r ie s o f in d u c t iv e r e a s o n in g .
F o s te r (op c i t . ) s u g g e s ts
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Looked a t
"I'm c o m p le te ly con
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
427
And he th en c o n c lu d e s b r i e f l y w ith an a p p ea l to th e l i s t e n e r t o t r u s t in
D ivin e P r o v id en ce in h is own in d iv id u a l l i f e . ^
In th e s o l e exam ple o f a d e d u c tiv e p u l p i t serm on, F agal f i r s t
announces h is t i t l e
. . .
I n s te a d o f g iv in g e x p e r ie n c e s from th e l i v e s o f th r e e
as in
i n d iv id u a l s ,
C h r is t q u ic k ly b ru sh es o f f a
e n te r
to God's d i r e c t i o n .
t o subm it h i s l i f e c o m p le te ly
Nicodemus g o e s away s o r r o w fu l.
H is p r id e keeps him
t h e i r ' s i s w an in g.
As Nicodemus
^For th e c h r o n o lo g ic a l s u b s ta n c e o u t l i n e , c f . p . 446.
^"What's L e f t or W hat's R ig h t? ," 1.
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428
p u b lic ly d e c la r in g o n e s s e l f f o r C h r is t ) , he a ttem p ts t o th w a rt th e
plans o f th e S ev en ty by i n d i r e c t i o n - - a co u r se o f a c t io n w hich b r in g s him
only r id i c u l e and contem pt.
In t r y in g t o hang on to b o th w o r ld s , N ic o
demus i s se e n as h a v in g l o s t b o t h .
As y e t he s t i l l i s o n ly w i l l i n g to
l e f t to them to g iv e i t an h o n o ra b le b u r i a l .
By
In d is c u s s in g
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429
"W ell,
W illiam
A lm ost e x a c t ly 17 months
" F a g a l's n a r r a
1T bid. , 2 .
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430
CRITICISM OF STRUCTURE
W illiam A. F agal d e liv e r e d t h i s sermon t o some 1,000
S ev en th -d a y A d v e n tis ts a t th e B a t t le Creek T a b e rn a cle,
S atu rd ay, February 6 , 1965, a t 4 :3 0 p.m .
W isely he ch ose a n a r r a t iv e sp e ec h p la n , d e v e lo p in g i t
w ith an in d u c t iv e approachm andatory, in view o f what he
had t o s a y , and what h e hoped t o a c co m p lish . F or, had he
b o ld ly s t a t e d h is purpose a t th e b e g in n in g ( b a s i c a l l y , th a t
A d v e n tis ts are g o in g about t h e i r s o u l-w in n in g a c t i v i t i e s a l l
wrong, and sh o u ld change m e th o d s], he w ould im m ed ia tely have
tu rn ed an in h e r e n t ly f r ie n d ly a u d ien ce i n t o a h o s t i l e one.
The n a r r a t iv e p la n p r o v id e d a maximum o f a t t e n t i o n - and
i n t e r e s t - f a c t o r s ( e s p e c i a l l y im p o rta n t f o r a l a t e a fte r n o o n
serm on), and th e A p o s tle P a u l's e x p e r ie n c e was an id e a l
v e h ic le to p r o v id e , f i r s t , common ground; and th en a demon
s t r a t io n o f how n o t to win s o u l s . By lin k in g th e f a u lt y
methods w ith P a u l, F a g a l's s o lu t i o n (d e r iv e d from P au l) was
thus made more p a la t a b le .
Thus, a la r g e r number m ight be
persu aded t o sw allow what o th e r w is e w ould have been very
b i t t e r m e d ic in e .
For th e t r a d i t i o n a l i s t , t h i s sp eech may be c a s t in t o th e
"mould" o f " In tr o d u c tio n -B o d y -C o n c lu sio n " ; . . . and th er e
are some e le m e n ts in th e i n t e r n a l developm ent o f th e h i s t o r
i c a l method ( p a s t - p r e s e n t , in n a r r a t iv e - a p p lic a t io n ) and th e
l o g i c a l method (m a te r ia ls o f p r o o f lumped to g e th e r a t c e r
ta in i n t e r v a l s i n th e n a r r a tiv e c h r o n o lo g y .
The f l u i d i t y o f F a g a l's t r a n s i t i o n s th rou gh ou t may s u g
g e s t a new , r a d ic a l method h e r e (s e e b e lo w ). Of p a r t ic u la r
i n t e r e s t i s h is t r a n s i t i o n betw een "body" and " c o n c lu s io n ."
Fagal h e r e s l i p s through so u n o b t r u s iv e ly , " goin g in fo r th e
k i l l , " t h a t th e h e a r e r i s n o t im m ed ia te ly aware th a t th e
sp eak er i s w in d in g up, and th u s i s n o t s t e e l e d w ith an " in
c o n c lu sio n " mind s e t . He i s , th u s , l e f t more v u ln e r a b le f o r
the f i n a l t h r u s t . T r a n s it io n s , l i k e a r t , are g r e a t e s t in
con cealm en t; F a g a l's are l i k e e f f i c i e n t p o lic e m e n , m arshal
lin g a t t e n t i o n - t r a f f i c in b o th d i r e c t i o n s , b u t n e v e r to
th e m se lv e s.
. . . F a g a l's n a r r a tiv e may b e lik e n e d to a r i v e r , alon g
which he b o a ts w ith h i s h e a r e r s , and a c r o s s w h ich , p e r io d
i c a l l y , he throw s up a "dam" ( e s s e n t i a l l y a m ajor p o in t in
th e serm o n ). The h e a r e r i s m om entarily s u r p r is e d by th e
sudden backw ash. A fte r r e c o v e r in g , he d isem b a rk s, su rv ey s
the "dam" b r i e f l y , w alk in g around i t in p o r ta g e , and then
co n tin u e s h i s jo u r n e y . M eanw hile, th e s u d d e n ly -a r r e s te d
w ater i s s l u i c e d through th e "dam's" tu r b in e to g e n e r a te
l i g h t , w h ich , in tu r n , i s u sed t o illu m in a t e th e "dam" p o in t ,
making i t c le a r and s ta r k ! The stream (and o ccu p a n ts in th e
b oat) th en flo w s onward, u n tr o u b le d , to th e n e x t "dam" s i t e .
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( in t r o d u c t io n , b o d y , c o n c lu s io n ) , w ith an added
I t i s assumed, as
3H a n c e -R a lp h -W ik se ll, 1 4 1 -4 2 .
_
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F agal p la n t s h is pu rp ose s e n te n c e in
the c o n c lu s io n o f h is a d d r e s s -- n o t e s p e c i a l l y s u r p r is in g , in v iew o f h is
penchant fo r th e in d u c tiv e approach.
In th e TV sermon and one p u l p i t sermon th e p u rp o se s e n te n c e i s
to be found in th e in t r o d u c t io n ; and in th e f i f t h p u l p i t sermon i t i s
found in th e c lo s i n g words o f th e f i n a l m ajor d i v i s i o n o f th e body o f
th e m essage.
That F a g a l's p u rp ose s e n te n c e s are p h ra sed s u c c i n c t l y , w ith p r e
c is io n and c l a r i t y , w i l l be s e e n from th e exam ples from TV serm ons which
fo llo w :
W ell, you can keep your home t o g e t h e r b e s t when you have
the h e lp o f H ea v en .1 [C o n c lu sio n ]
E v il Su rm isin gs !
[C onclu sion ]
L et them n o t b e a p a r t o f your l i f e !
[C o n c lu sio n ]
[C o n c lu sio n ]
I'm c o m p le te ly c o n v in ced t h a t e v e r y o n e , b e he o ld or
young, can have th e c e r t a in t y t h a t God w i l l g u id e h i s l i f e .
[In tr o d u c tio n ]
The purpose s e n te n c e s o f th e p u l p i t d is c o u r s e s are s t a t e d w ith
equal f e l i c i t y , i f w ith somewhat g r e a t e r c o m p le x ity :
2I b i d . ,
# 351, 2.
3I b i d . , #358, 2 .
4I b id . , #367, 2.
5 I b id . , #371, 1.
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434
R eferen ce to th e S u b je c t o r Problem .
R eferen ce to th e O c ca sio n .
P e r so n a l G r e e tin g .
R h e to r ic a l Q u e s tio n .
S t a r t l i n g S tatem en t ( o f F a c t or O p in io n ).
Q u o ta tio n .
Humorous A n ecd ote.
I llu s t r a t io n .7
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435
Three tim es
P e r so n a l r e f e r e n c e s , a dash o f humor,
found in . . . . "6 )
In h is sermon on Andrew, we have a humorous r e fe r e n c e to th e
q u a rtet and th e O akland, C a lif o r n i a , e x p e r ie n c e , a lr e a d y c i t e d ; a b r i e f
r eferen ce to th e o c c a s io n (" W ell, now, to n ig h t I ' d l i k e t o ta k e up w ith
2 I b i d . , # 3 5 1 , 1.
3 I b i d . , #349, 1.
5 I b i d . , #3 7 1 , 1.
6Sermon on Paul a t C o r in th , 1.
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he s t a r t s
o f th e s e r
And th e s u b j e c t i s ,
N ext he
occasion :
I t s a v ery r e a l p r i v i l e g e f o r me t o be h ere w ith you tod ay
in t h is lo v e ly church [a brand new one, o n ly r e c e n t ly
d e d ic a te d ].
I was ask ed i f t h i s i s my f i r s t v i s i t t o t h i s
church [ b u ild in g ] , and i t i s ; and as fa r as I know, i t ' s my
f i r s t v i s i t to t h i s c o n g r e g a tio n .^
^Sermon on Andrew, 1.
2"God's B lin d S p o t," 1.
3I b id .
....
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F i n a lly , he c o n c lu d e s th e
("W hat's L e ft or
(1 ) i t s h o u ld be
(2 ) i t s h o u ld " g e n e r a lly
s t y l e , or d e liv e r y " ;
u la r d is c o u r s e ;
th o u g h ts ,
(5 ) i t s h o u ld be e x c l u s i v e l y a d a p ted t o th e p a r t i c
(6 ) i t must n o t be lo n g ; and (7 ) i t s h o u ld be c a r e f u l l y
prepared.^
W illiam F a g a l's serm on ic in t r o d u c t io n s g e n e r a lly m eet t h e s e
c r i t e r i a fa v o r a b ly .
1I b id .
I f th e r e i s any la c k , i t may be in th e a r e a o f
^I b i d .
438
c a s t , s i n c e , s t r i c t l y s p e a k in g , i t i s n o t p a r t o f th e sermon in t r o d u c t io n ,
then undue le n g th i s n o t a f a i l i n g o f th e i n t r o d u c t io n .)
C e r t a in ly , th e in t r o d u c t io n s b e a r e v id e n c e o f c a r e f u l p r e p a r a
tio n ; and th e y c e r t a i n l y b r id g e e f f e c t i v e l y from th e o c c a s io n and o th e r
s im ila r m a tter s to th e im m ediate m essage a t hand in a d e f t m anner,
e x h ib itin g in th e d oin g c o n s id e r a b le e x p e r t i s e and know ledge o f b o th h is
hearers and h i s s u b j e c t .
That th e y do in d e e d e n l i s t th e a t t e n t i o n and
in t e r e s t o f h i s h e a r e r s , r e n d e r in g them w e ll d is p o s e d toward th e s p e a k e r ,
w ill be d em on strated in a c h a p ter on a u d ien ce r e sp o n se to f o ll o w .
two major d i v i s i o n s :
I.
II.
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439
I.
II.
III.
The f a c t th a t th e y
do range
in h eren t
in d iv id in g a n a r r a t iv e in t o i t s major segm en ts f o r
p u rp oses.
t iv e m essage:
does th e a n a ly s t r e c o n s t r u c t th e o u t l i n e on th e b a s is o f
the major p o in t s o f th e s t o r y ?
tio n ?
o u t lin e
Or on th e m ajor p o in t s o f th e a p p lic a
II.
1I b i d . , #371.
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440
lends i t s e l f to l o g i c a l d i v i s i o n as w e ll as c h r o n o lo g ic a l:
I.
II.
III.
IV.
Mary
Mary
Mary
Mary
in
in
in
in
B ethany (" B e fo r e ) .
M agdala.
Bethany (" A fte r " ).
L a ter L if e .
I.
II.
III.
IV.
V.
VI.
V II.
V III.
."Scene
Three. "*
Thus we n o te th a t v a r i e t y in method o f d iv i d in g th e body o f th e
d isco u rse i s th e p red o m in a tin g c h a r a c t e r i s t i c f o r r h e t o r ic a l o rd er in
the Fagal serm ons; and th a t th e n a tu r e o f th e c o n te n t and th e mode o f
approach are th e c h i e f d e te r m in a n ts as t o th e number o f m ajor d i v i s i o n s
to be em ployed.
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i t sh o u ld mark th e clim a x o f th e
1.
2.
3.
4.
5.
6.
C h allen g e or A ppeal.
Summary.
Q u o ta tio n .
I llu s tr a tio n .
Inducem ent.
_
P e r so n a l I n te n tio n .
many in c lu d e
Broadus, 21 1 .
Monroe, 296.
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442
i t b e g in s
with a r h e t o r ic a l q u e s t io n , in te n d e d t o fo c u s a t t e n t i o n a g a in on th e
theme p r e v io u s ly d e lin e a t e d .
I t i s th e n fo llo w e d by a r e s ta te m e n t o f
"TV Sermon # 3 7 1 , 1.
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443
to ask f o r everybod y e l s e
h is hand--w e want t o g iv e
l i f t your hand to d a y , and
to th e Lord J e s u s ; I want
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The u s u a l form at i s a s t a t e
Of t h i s form , Monroe s a y s p e r s o n a l in t e n t io n
"is p a r t ic u la r ly v a lu a b le
y o u r au d ien ce i s
h ig h ." *
In th e sermon on Andrew we f in d t h i s t y p i c a l exam ple:
T onight I want t o r e d e d ic a t e my h e a r t and l i f e t o th e
Lord J e s u s .
I'm so g r a t e f u l f o r what H e's done f o r me, and
fo r what He means t o me. I want to p la c e m y s e lf in H is
hands once a g a in t o n ig h t .
I want to ask Him to h e lp me to
be my b e s t s e l f , by H is s t r e n g t h , by H is a s s i s t a n c e , by th e
co n v ertin g power o f H is S p i r i t .
I ' d l i k e t o g iv e m y s e lf to
Him to n ig h t anew in r e d e d ic a t io n , b e fo r e le a v in g t h i s
p la c e , a sk in g Him t o go w ith me, and h e lp me day by day
]
^
Monroe, 302.
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if"
445
Would
and th a t g e n e r a ll y ends on a p o s i t i v e n o t e , r a th e r
than on a n e g a tiv e on e.
t e d io u s .
In d eed , o f t e n t h e r e i s no marked t r a n s i t io n a t
pu rp ose o f th e c o n c lu s io n . And I
may be someone ou t th e r e on th e
th a t i f I f a i l to p r o v id e him w ith
h is s ta n d , he m ight n e v e r do i t
^ I b i d ., 7.
w _ .
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446
T h e r e fo r e , a c h r o n o lo g ic a l
a c h r o n o lo g ic a l su b sta n ce
C h r o n o lo g ic a l S u b sta n ce O u tlin e
T e le v is io n Sermon #371
November 14, 1965
INTRODUCTION
Purpose
Sentence
A.
I m c o m p le te ly co n v in ced th a t e v e r y o n e , b e he o ld o r
young, can have th e c e r t a in t y th a t God w i l l guid e h is l i f e .
B.
BODY
ONE BLEAK AUTUMN DAY, A NEW ENGLAND BOY LEFT HOME, STARTING
OUT FOR THE FIRST TIME TO FACE THE WORLD.
A.
N a t u r a lly , he f e l t lo n e ly and h e a r t s ic k .
B.
C.
J u s t th e n , he happened to s e e a w a te r fo w l, w in g in g i t s
way south w ard, g u id ed by i t s w o n d erfu l i n s t i n c t .
1. Young W illiam C u llen B ryant was i n s t a n t l y rem inded o f
h i s f a i t h and b a s i c c o n fid e n c e in God's care f o r h i s
own l i f e .
2 . With renewed a s su r a n c e , he w ro te:
a . "He who from zone to zone
g u id e s through th e b o u n d le ss sky th y c e r t a in
flig h t,
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447
In th e lo n g way th a t I must tr e a d a lo n e ,
w i l l le a d my s t e p s a r ig h t ."
II.
III.
B.
C.
T h is l i t t l e - n o t i c e d and a lm o st fo r g o t t e n in c id e n t i n d i
c a te s so m eth in g trem en d o u sly im p ortan t to us to d a y .
1. I t in d i c a t e s th a t
a . God knows a l l o f us by name, and
b . S e e s e x a c t ly what p la c e we sh o u ld f i l l in l i f e .
2 . And He w i l l g ir d u s ,
a . H e lp in g us t o e a r ly f in d our p la c e in l i f e ,
b . And p r o p e r ly f i l l i t .
B.
B u t, he co n c lu d e d h i s accou n t o f t h i s p e r p le x in g p e r io d ,
w ith th e s e d e s c r ip t iv e w ords:
1. "I came about l i k e a w e ll-h a n d le d s h ip .
a . There s to o d a t th e w heel th a t Unknown Steersm an
whom we c a l l God."
CONCLUSION
A.
B.
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448
C.
S o, th e n ,
1. "R est in th e Lord, and w a it p a t i e n t l y f o r H im .
2 . 'Commit th y way u n to th e Lord; t r u s t a ls o in Him; and
He s h a l l b r in g i t to p a s s ."
3 . "T rust in th e Lord and do good;
a . So s h a l t th o u d w e ll i n th e la n d , and
b . V e r ily thou s h a l t be f e d ."
[Psalm 3 7 : 7 ,5 ,3 ]
D.
L o g ic a l S u b sta n ce O u tlin e
P u lp it Sermon
"WHAT'S LEFT OR WHAT'S RIGHT?"
February 11, 1967
INTRODUCTION
A.
B.
C.
R eferen ce to T opic:
1. T ext:
Romans 1 2 :1 . S t r e s s e s " r ea so n a b le s e r v i c e ."
2 . Q uotes song:
"What S h a ll I G iv e, T hee, M aster?"
a. S en tim en t o f song sums up t e x t th o u g h t.
b . God d o e s n 't want h a l f o r p a r t o f h e a r t; w ants a l l .
(1) T h is i s " r e a so n a b le s e r v i c e ."
(2] A nything e l s e i s g iv in g Him "What's L e f t ,"
in s t e a d o f "What's R ig h t."
Purpose
Sentence
BODY
I.
"SCENE ONE":
A.
k -./.. .
...
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449
c.
2.
3.
4.
B.
Nicodemus S eek s S a t i s f a c t i o n .
1. D id n 't l i k e p r e a c h in g o f John th e B a p t i s t .
a . D id n 't l i k e b e in g c a l l e d " g e n e r a tio n o f v ip e r s ."
b.
C o n seq u en tly r e j e c t e d m essage o f John th e B a p t is t .
2. Was a t t r a c t e d to J e s u s .
a. Saw crow d s, m ir a c le s .
(1) Im portant: M idrash on D eut. 18:19 h e ld
p r o p h e t's work must b e g in w ith s i g n s ,
m ir a c le s .
b . F e lt he had to t a l k w ith J e s u s ,
(1) But must be c a r e f u l , n o t compromise s e l f in
e y e s o f p e o p le .
(2) T h erefo re went a t n ig h t to Gethsemane.
3. S t a r t e d in t e r v ie w w ith f l a t t e r y c a l l e d J e su s "Rabbi."
a . J e su s saw b a s ic n e e d ; cu t th rou gh s m a ll t a l k , t o l d
Nicodemus he n eed ed s p i r i t u a l r e b ir t h .
b . Nicodemus fe a r e d a n o th er " g e n e r a tio n o f v ip e r "
approach a la John th e B a p t i s t .
c . Was s e l f - s a t i s f i e d ; fe ig n e d ig n o r a n c e .
(1) Are two k in d s o f ig n o r a n c e or n on -com prehension.
(a) One: b a se d on la c k o f kn ow led ge. Not
N icodem us' problem .
(b) O ther: in d iv id u a l u n d e r sta n d s, b u t d o e s n 't
w ant t o a c c e p t o b v io u s c o n c lu s io n , im p li
c a t i o n s . Nicodemus d id n 't want to be
"born a g a in ."
4. J e su s ta lk e d on--N icodem us r e s i s t e d .
a. A p p lic a tio n :
many to d a y r e s i s t work o f God's
S p i r i t on h e a r t; say "I c a n 't s e e i t " ; r e a l l y
d o n 't want to do what God w a n ts.
5.
F in a lly J e su s l e f t g r e a t tr u th w ith Nicodemus: f i r s t
r e fe r e n c e to c r o s s (a n a lo g y o f Moses and s e r p e n t in
w ild e r n e s s .
6.
In te r v ie w ended much same way as R ich Young R uler:
a. Nicodem us g o es away s o r r o w fu l, u n w illin g to do
what C h r is t a s k s .
b . Has n o t g iv e n C h r is t h is a l l :
made p r o v is io n fo r
p r id e , p o s i t i o n , w e a lth .
c . H a sn 't g iv e n " w h at's r ig h t" ; o n ly "w hat's l e f t . "
d. Scene One ends i n d isa p p o in tm en t to a l l .
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450
II.
SCENE TWO:
A.
Time:
B.
C.
D.
E.
3 years la te r .
to
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451
F.
III.
SCENE THREE:
A.
B.
Nicodemus ta k e s h i s s ta n d p u b l ic ly t o be a C h r is tia n .
1. N ever w ent back on th a t p le d g e .
2 . When C h r is tia n s p e r s e c u te d , he came b o ld ly t o fr o n t;
u sed a l l h i s w e a lth to su p p o rt i n f a n t C h r is tia n church.
3. Scorned and p e r s e c u te d by th o se who p a id him homage in
e a r l i e r d a y s.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
452
4.
CONCLUSION
A.
B.
C.
P rayer o f r e d e d ic a t io n .
S t y le
th e ch osen w ords.
t o Lord
3C ited in M i l l s , 2 6 7 .
^ C ited in H a n c e -R a lp h -W ik se ll, 2 1 3 .
De O r a to r e , Bohn E d it io n , 178, 24 2 .
......
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453
can le a d i t . "
Word Choice
to guide us in i t s s e l e c t i o n ?
This in v e s t ig a t o r has exam ined n e a r ly one dozen b a s ic sp eech
tex tb o o k s, from as many d i f f e r e n t contem porary t h e o r e t ic i a n s ; and each
1C ited in M i l l s , 267.
2
York:
(New
^ C ited in i b i d .
^ C ited in F le s c h , 4 2 1 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
454
o ffe r s a s l i g h t l y d i f f e r e n t c o n s tr u c t o f th e q u a l i t i e s o f good s t y l e .
There are c e r t a in common denom inators in th e v a r io u s l i s t s ; b u t , fo r
th is w r it e r , th e most com prehensive s ta te m e n t i s found in H ance-R alphW ik se ll's l i s t o f fo u r q u a l i t i e s .
i f i t e x h ib it s (1) c l a r i t y ,
a d a p t a b ilit y .1
(2 ) f o r c e f u l n e s s ,
^ a n c e -R a lp h -W ik s e ll, 2 19.
2C ited in F le s c h , 421.
^I n s t i t u t e s o f O ra to ry , Book V II I , Chap. I I , No. 24.
^Cited in B o h l, 3 6 5 :1 1 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
455
r e v ie w .
a low o f 36
words, a f a i r l y r e p r e s e n t a t iv e sa m p lin g .
In terms o f th e C h u r c h illia n id e a l o f s h o r t n e s s , th e words were
f i r s t a n alyzed in terms o f l e t t e r - l e n g t h and s y l l a b l e - l e n g t h .
As w i l l
And n e a r ly t h r e e - f o u r t h s
^From " R e str a in t in D e sig n ," New York H era ld -T rib u n e, June 2 8 ,
-------------------------
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
from
TABLE 4
WORD-LENGTH OF WORDS IN SELECTED PARAGRAPHS
FROM WILLIAM A. FAGAL'S SERMONS
L e t te r Count
No. o f L e t te r s
Per Word
1
2
3
4
5
6
7
8
9
10
11-17
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
S y lla b le Count
No. o f
Words
No. o f S y lla b le s
Per Word
No. o f
Words
16
106
138
139
81
41
35
20
20
11
15
1
2
3
4
5
6
455
118
35
6
5
3
. .
622
622
. . . . .
. ,
. . .
. , . . .
t a b le s a g e n e r a l l i s t o f 1 0 ,2 8 5
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
457
A g la n c e a t th e data in T able 5 below q u ic k ly r e v e a ls t h a t more
than 8 out o f 10 o f W illiam F a g a l's words are in th e m o st-u se d c a te g o r y
of 100 or more tim es p e r m il lio n .
Even more i n t e r e s t i n g i s th e f a c t
TABLE 5
WORD-FAMILIARITY OF WORDS IN SELECTED PARAGRAPHS
FROM WILLIAM A. FAGAL'S SERMONS
Frequency o f O ccurrence
(p er m illio n )
No. o f
Words
P e t. o f
T o ta l
520
46
54
2
83.6%
7.4%
8.7%
.3%
622
100.0%
T o ta ls
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458
ig n o r a n t
w a n tin g
p r o p o s it io n
Jesu s
fu rth erm ore
a n t ic i p a t e d
d e te c tiv e s
jo y o u s
to ll
7 - warden
6 - g ir d
5 - Eskimo
needy
3 - s h ir k in g
p e n it e n t ia r y
2 - u n lea rn ed
1 - m isdeeds
e v ild o e r s
O lives n ear J eru sa lem ; and " c r o s s ," th e in stru m en t u sed by Rome f o r
i n f l i c t i n g c a p i t a l punishm ent upon non-Roman s u b j e c t s .
g ested an i n t e r e s t i n g c o n t r a s t in h e r c o u p le t:
1
H a n c e -R a lp h -W ik se ll, 2 2 1 .
C ite d in B o h le , 4 5 1 :5 .
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459
regarded as e x c e e d in g ly im p o r ta n t."
How d o es W illiam F agal a c h ie v e t h i s f o r c e f u l n e s s , t h i s i n s i s t e n t
d ir e c tn e s s w hich com pels th e a t t e n t i o n o f h i s h e a r e r s ?
I m p l i c i t l y , he
He c a r e s .
And h i s l i s t e n e r s i n t u i t i v e l y s e n s e
He i s p o s s e s s e d , in th e words o f a f a m ilia r g o s p e l s o n g ,
I t i s th e r e k in d le d p a s s io n o f a
"I'M COM
He c a r e s
4E z e k ie l 3 3 :1 1 .
5TV Sermon # 3 7 1 , 1.
6 I b id .
...
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460
" I f you know o f som eth in g w hich you sh o u ld DO RIGHT NOW [ t o make
Sermon on P aul a t C o r in th , 1 8 -1 9 .
2 I b i d . , #3 5 8 , 2.
^Sermon on Andrew, 11.
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461
V iv id n e s s . A t h ir d c o n s t it u e n t o f good s t y l e i s th e q u a lit y o f
v iv id n e s s , th a t a p p ea l to s e n s o r y im p r e s s io n s , to human e x p e r ie n c e , to
the em otion s, in words f i l l e d w ith im agery and e x p r e s s e d w ith an e le g a n t ,
ornate b ea u ty t h a t con veys th e th o u g h t w ith o u t draw ing a t t e n t io n to
its e lf.
N ote th e h ig h e v o c a t iv e , em o tiv e q u a l
^ C ited in B o h le , 4 5 0 :9 .
4C ite d in i b i d . , 4 5 2 :9 .
5TV Sermon # 3 7 1 , 1.
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462
In th e sermon on Paul a t C o rin th , we n o te th e im agery a s F agal
begins p a in tin g word p ic t u r e s w ith s w i f t , d e f t s tr o k e s o f h i s g o s p e l
brush a g a in s t th e broad canvas p r o v id e d by th e New T estam ent:
Of P a u l, he s a y s:
I 'v e th ou gh t o f him as b e in g BOLD, and AGGRESSIVE, and
FEARING NOTHING, PREACHING th e g o s p e l w herever he had a
chance. I t n ev er o c cu rr e d to me th a t h e 'd e v e r had a tim e
o f NERVOUSNESS, and th a t h e 'd e v e r SHAKE WITH FEAR, and
th at h e 'd e v e r be WEAK. But h e r e he sa y s he w as, when he
went to C o r in th .*
In h is b e s t " e x is t e n t ia l" manner, F agal t r i e s t o " g e t in s id e " h is c h a r
a c te r s , to d is c o v e r what i t i s t h a t "makes them t ic k " - - o r n o t t i c k .
As
9
z I b id . ,
4.
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463
P e te r M arsh all b e l i e v e d ,
I t w i l l fo r e v e r be . . . th e
^I b id . , 6 .
^ I b id ., 4.
^ C ited in F le s c h , 401.
WfotnYR ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
464
p r ic e le s s g i f t f o r v i v i d d e s c r ip t i o n .
A d a p t a b ilit y . - -The fo u r th and f i n a l c o n s t it u e n t o f good s t y l e i s
the q u a lit y o f a d a p t a b il it y th e g i f t o f " f i t t i n n e s s ," as th e o ld
colored s la v e spoke o f i t ,
o r a p p r o p r ia te n e s s .
The c o n tin u in g n e c e s s i t y
The
(by t o t a l im m ersio n !) in i t .
2Sermon on Andrew, 5 - 6 .
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465
T ee n -a g er s w ould e s p e c i a l l y be i n t e r e s t e d in such th in g s as
weddings and b r id e s !
3.
3 I b i d . , 14.
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466
o ffh a n d
. . . "
S e v e r a l in th e a u d ie n c e t h a t n i g h t , who p a r t ic ip a t e d in a su rv ey
q u e stio n n a ir e d e s ig n e d t o e l i c i t a u d ien ce r e sp o n se (s e e C hapter V I I ) ,
made i t a p o in t to remark t h a t th e y f e l t such " sla n g " was unworthy o f a
m in iste r s ta n d in g in th e s a c r e d desk!
But th e s e minor e r r o r s o f judgment to th e c o n tr a r y n o tw ith
sta n d in g , i t i s apparent t h a t W illia m F agal i s p a r t i c u l a r l y a d ep t a t
adapting to h is a u d ien ce in m a tter s o f c o n te n t; and in h i s sp ea k in g
s t y le he e x e m p lif ie s ad m irab le q u a l i t i e s in th e a rea s o f c l a r i t y , f o r c e
fu ln e s s , and v iv id n e s s , as w e ll as in a d a p t a b ilit y .
We now, t h e r e f o r e , c o n s id e r t h i s
T able 6 , on th e fo llo w in g
The s h o r t e s t paragraph c o n ta in e d
^Sermon on Andrew, 7.
2
I b i d . , 4.
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two s e n te n c e s , th e lo n g e s t 12 s e n t e n c e s .
P ara
TABLE 6
PARAGRAPH SENTENCE STRUCTURE OF
WILLIAM A. FAGAL'S TELEVISION SERMONS
Paragraph
S en ten ce
#349
#351
#358
#367
#371
1
2
3
4
S-21
C-31
S-12
C-17
S-16
S- 8
S- 5
--
C-20
S-22
C-22
S- 8
S -10
CC-57
S-21
S- 9
1
2
3
4
5
6
7
S -20
CC-27
C- 9
C-14
C-16
S - 13
C-21
C -13
C-19
C-14
S- 2
S- 8
S- 8
S- 8
S -ll
S-16
CC- 7
S- 6
C-33
CC-24
C-36
C-20
S- 6
S -ll
C-18
S-20
S- 6
C-28
1
2
3
4
5
6
7
8
9
C-22
S - 19
C-56
CC-31
C-23
S -17
C-23
C-52
C-22
S-20
C-14
C-12
C-19
C-31
C-15
C-26
C-27
C-14
C-17
C-30
S-10
S-12
C - ll
C-43
C-22
1
2
3
4
5
6
7
8
9
10
C -35
C-28
C-18
S -ll
CC-31
C-23
CC-17
C-31
C-22
C-18
S- 6
S- 5
C - ll
C-15
C-17
S- 6
C-35
S-12
C-19
C-36
C-15
S- 9
S- 8
S-18
- - -
- -
C-40
C-51
S- 3
C-18
S -2 7
S-22
C-28
C-17
C-19
S - 14
C-20
C -16
C-21
C-21
C-21
S-21
C -16
C-13
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468
Paragraph
S en ten ce
#349
#351
#358
#367
#371
1
2
3
4
5
6
7
8
9
10
11
12
S -1 4
S- 6
C-15
C-16
---
C -13
S - 13
S-12
CC-25
CC-24
CC-22
C-20
S -1 6
C-12
S-25
C-14
S -21
S -1 2
S -1 4
C-22
C- 7
C-19
C-13
C-32
S- 9
C-19
C-28
C-28
S- 8
S-10
S- 7
S-15
CC-18
C-15
C -ll
CC-17
CC-25
------
----
-_ _
--
--
- -
_ _
VI
CC-60
--
---
VII
1
2
3
4
5
C - ll
C-22
S- 9
S- 7
S - 13
__
__
--
---
__
S - Sim ple s e n t e n c e .
C - Compound s e n t e n c e .
CC - Compound-complex s e n t e n c e .
--------
Numerals in d ic a t e
number o f words
in th e s e n t e n c e .
F a g a l's su b
In th e compound s e n te n c e s th e average
word-count ranged betw een 19 (m edian) and 22 words (mode and m ean).
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469
TABLE 7
PERIODICITY OF SENTENCE LENGTH OF
WILLIAM A. FAGAL'S TELEVISION SERMONS
Type o f S e n ten ce
r
B jfc fii-
Words
P er S e n ten ce
g e n te n c e s
Sim ple
2
3
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
25
27
1
1
2
6
2
7-mode
4
3
3-m edian
5
3
3-mean
1
3
1
1
1
3
4
2
1
1
58
Compound
7
9
11
12
13
14
15
16
17
18
19
20
1
1
4
2
4
5
5
4
4
4
6 -m edian
4
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470
Type o f S e n te n c e
Compound-Complex
No. o f Words
Per S en ten ce
No. o f S e n te n c e s
21
22
23
26
27
28
30
31
32
33
35
36
40
43
51
52
56
4
7-mode,mean
3
1
1
5
1
3
1
1
2
2
1
1
1
1
1
80
7
17
18
22
24
25
27
31
57
60
1
2
1
1
2 -m edian
2
1-mean
2
1
1
14
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
B ecause o f t h e s e f a c t s , t h i s i n v e s t i g a t o r worked
(s e e b e lo w ),
An
We n e v e r h eard o f t h a t .
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472
R h e to r ic a l q u e s t io n s . The u se o f th e r h e t o r ic a l q u e s tio n a s a
s tr u c tu r a l d e v ic e o f s t y l e i s a s o ld as S o c r a te s , who made i t p o p u la r ;
and th e G reeks--who alw ays had a word f o r e v e r y th in g -- in c lu d e d " e r o t e s is "
(the e x p r e s s in g o f em otion and in f u s in g an ardor and en ergy in t o th e
d isc o u r se by th e p r o p o sin g o f q u e s tio n s ) in t h e i r c a ta lo g u e o f s t y l i s t i c d e v ic e s .
I t was a f a v o r i t e method o f C h r is t in h is p r e a ch in g ;
and
And i t i s e x c e l l e n t fo r
4
Why [d id he f e e l ] . . . t h i s way? . . . Do you remem
ber an yth in g about C orin th ? 5 Can you im agine how Paul must
have f e l t , coming in t o t h a t c i t y to p reach th e g o sp el? 6
. . W ell, what happened when th ey g o t th e r e ? '7 . . . I s i t
tru e about B a ttle C reek, e v en , do you suppose? . . . In
Lansing? W ell, what d id P aul do?9 . . . And do you know
^Sermon on Andrew, 2 .
5P. 4.
6P. 5 .
7P. 5 .
8P. 10.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
9 P. 11.
473
1
2
who he was? . . . What does t h a t mean? . . . What makes
a man- ''m ighty? . . . What makes a man " n o b le ? 3
R e p e titio n and r e s ta te m e n t. R e p e t it io n i s g e n e r a lly u n d ersto o d
to r e f e r to s a y in g , in th e same w o rd s, so m eth in g t h a t has j u s t b een
sa id ; and r e s ta te m e n t i s , in e f f e c t , r e p e t i t i o n o f th e s u b s ta n c e o f what
was j u s t s a id b u t in s l i g h t l y d i f f e r e n t w ords.
The
("What's
XP. 12.
2P. 13.
3P. 13.
5P. 4.
6P. 4 .
7P. 6 .
^ H a n ce-R a lp h -W ik sell, 9 5 -9 6 .
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b u r ia l, Nicodemus
As he and
Why d id n 't
Then, th e s e two s e c r e t
d is c ip le s , b e l a t e d l y , c o n s e c r a te t h e i r a l l to C h r is t; and, in so d o in g ,
fin d r e a l h a p p in ess a t l a s t :
Now, a t l a s t , Nicodemus was happy. H e'd found co m p lete
p ea ce. . . . He was happy, c o m p le te ly s o , b e c a u se a t lo n g
l a s t he had g iv e n to C h r is t n o t what was " l e f t , " b u t what
was " r ig h t ." 3
And Fagal c lo s e s th e sermon by r e d e d ic a t in g h i s a l l t o God and i n v i t i n g
the c o n g reg a tio n to do th e same.
2P. 10.
3P. 12.
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p e r so n s, e v e n t s , or t h in g s ; and c o n t r a s t i s
a s im il a r s t y l i s t i c d e v ic e ,
The
l i k e ; th e sec o n d r e v e r s e s th e p r o c e s s by t e l l i n g what
the unknown i s n o t .^
In d is c u s s in g F a g a l's method o f r e a s o n in g from a n a lo g y , we have
alread y p r e s e n te d s e v e r a l in s t a n c e s o f h is u s e o f com parison and con
tr a st.
on Nicodemus, i s o f f e r e d h e r e :
Now, a t l a s t , Nicodemus was happy. H e'd found com p lete
p e a c e. He was p oor [h a v in g g iv e n h i s s u b s t a n t i a l p e r s o n a l
fo r tu n e f o r th e su p p o r t o f th e n a s c e n t C h r is tia n c h u r c h ],
where once h e 'd b een r i c h . He was s c o r n e d , where once h e 'd
been adm ired. He was p e r s e c u te d by th e v ery ones who had
once p a id him r e v e r e n c e .
But he was happy. . . .2
In c o n c lu d in g t h i s s e c t i o n on s t r u c t u r a l a d a p ta tio n , we n o te
once again th a t in paragraph and s e n te n c e fo rm a tio n W illia m Fagal u se s
wide v a r ie t y in term s o f le n g t h , and d em o n stra tes symmetry, b a la n c e , and
rhythm in th e c o m p o s itio n .
He makes e f f e c t i v e u se o f d ia lo g u e , r h e t o r i
Figures o f Speech
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476
T honssen
i f at a ll.
W illiam F a g a l* s sp e a k in g s t y l e i s c o m p a r a tiv e ly unadorned, in
terms o f f ig u r e s o f s p e e c h .
^Gibbons d is t in g u is h e s b etw een a " trop e" and a " fig u r e " in th a t
the former in v o lv e s th e changin g o f a word or s e n te n c e "from i t s p ro p er
s i g n i f i c a t i o n t o an oth er m eanin g," w hereas th e l a t t e r i s se e n as "the
fa sh io n in g or D ress o f a C om p o sitio n , or an em p h a tica l manner o f sp ea k
ing d if f e r e n t from what i s p la i n and common." (C ite d in Thonssen and
Baird, 4 2 0 .)
2Speech C r it ic is m , 4 2 0 -2 3 .
3Composing th e S p eech , "The Language o f S p eech ," Chap. XIV.
^TV Sermon # 3 4 9 , 2 .
i'L
fnM '
i 11
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477
An o b s t r u c t io n i s t on a j u d i c i a l
We
s in s "as s c a r l e t ,"
9
le p r o sy as "a s ig n o f s i n , " God as "a
F ath er," * 9 e t c .
N ote th e
*I b i d . , # 3 5 1 , 1.
(C f. I s a . 1 : 1 8 ) .
9 I b i d . , 7.
...
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478
d is a p p r o v a l."
Throughout, he co n d u cts a m y th ic a l d ia lo g u e
T e l l me."
Sermon on Andrew, 5 .
^Sermon on P au l a t C o r in th , 6 .
4I b i d . , 3.
7Sermon on H eaven, 4 .
I b i d . , 17.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
A l l i t e r a t i o n .--O n e v e r y im p r e s s iv e s t y l i s t i c d e v ic e , u sed by
many clergym en w ith g r e a t e f f e c t i v e n e s s , b u t seldom s e e n i n th e F agal
sermons, i s a l l i t e r a t i o n , where th e same l e t t e r or sound i s found a t th e
b egin n in g o f a s e r i e s o f words or s t r e s s e d s y l l a b l e .
are found in th e serm ons under r ev ie w :
Only two in s t a n c e s
There i s ,
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
480
f e llo w ." *
As a lr e a d y n o t e d , F agal sp ea k s about an a t t i t u d e
"They l i s t e n e d
J e su s C h r is t , C h r is t n a il e d t o th e
cross. . .
F a g a l's p u lp it p r e a ch in g :
You m ight th in k y o u 'r e s e e k in g God; [b u t] H e's th e one w h o's
alw ays s e e k in g y o u .4
Each n u rse had te n c h ild r e n to ca re fo r ; o r , as th e head
d o c to r e x p r e sse d i t , each c h i l d had a t e n t h o f a m o th e r .5
1
Sermon on Andrew, 6 .
^I b id . , 8.
4ge:mon on Andrew, 3.
Sermon on P aul a t C o r in th , 1 3 -1 4 .
Sk
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
481
A syn d eton .--E x a m p les o f a sy n d e to n th e o m issio n o f c o n ju n c tiv e
p a r t i c l e s fo r th e pu rp ose o f e x p r e s s in g sp eed or v eh em en ce--a re t o be
found in th e v a r io u s sermons under s tu d y .
Q uoting th e e x c ite m e n t o f th e
Fagal h a n d le s th e s e f ig u r e s o f sp e e c h f a i r l y w e l l .
He know s, o f
Only two e v id e n c e s
( in a f i n a l exam ple o f
p e r s o n if ic a t io n ) how th e Jews a n c ie n t ly fe a r e d th e s e a .
They o f t e n s a id
among th e m se lv e s, he r ep o r te d :
"The s e a i s n ' t a fr ie n d ; th e s e a i s an enemy. . . .W e ve
seen many p e o p le go out to s e a ; b u t th ey d id n 't come b a ck .
They g o t l o s t out t h e r e - - t h e s e a i s an enemy; i t g o b b les up
p eo p le th a t dare t o r id e upon i t . "2
In an o r ig in a l m ixed-m etaphor, F agal sa y s th a t a "broken" home
7
"uproots th e s o l i d fo u n d a tio n s w hich e v er y c h i ld n e e d s . . . ."
Sermon on Heaven, 4 .
il&i
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
We n o t e , f i n a l l y , th a t F a g a l em ploys a number o f d i f f e r e n t
fig u r e s o f sp e ec h in h i s v a r io u s d is c o u r s e s ; and t h a t , in g e n e r a l, th e y
tend to be apt in c h o ic e and h a n d led e f f e c t i v e l y .
and a su r v ey o f th e l i t e r a t u r e o f th e f i e l d in d i c a t e s
(1) th o se who h o ld t h a t
To
O r a to r ic a l and l i t e r a r y s u c c e s s has
(2 ) th o se who sa y t h a t
k in d o f r h e t o r ic has
o f w r it t e n p ro se i s
s p e a k in g . . . . A
spoken s t y l e i s
le s s
e la b o r a te ly , bu t c e r t a i n l y no l e s s s u c c i n c t l y , when he op in ed t h a t an
id e n t ic a l w r it t e n and spoken lan gu age w ould be a lm o st i n t o l e r a b l e .
For,
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483
Wayland P a r r is h ,
Gladys B orch er,^ James O 'N e ill and Andrew T. W eaver,^ W. Norwood
B rigance,
/i
Gordon L. Thomas,
Glen E. M i l l s ,
In term s o f s p e c i f i c c h a r a c t e r i s t i c s ,
(4)
G. W.
2
"The S t y le o f th e Extem poraneous S p ee c h ," Q u a r te r ly J o u rn a l o f
Speech (V I I I , Ju n e, 1 9 2 2 ), 27 2 . J o u r n a l c i t e d h e r e a f t e r sim p ly QJS.
^"An Approach to th e Problem o f O ral S t y l e ," QJS (X X II, F e b .,
1936), 1 1 4 -1 7 .
5The E lem ents o f Speech (New York:
1926), 2 7 2 -7 6 .
^The Spoken Word (New York:
F. S . C r o fts 8 Company, 1 9 3 1 ),
189-94.
^"A Study o f th e E f f e c t o f C e r ta in E lem ents o f Oral S t y le on th e
I n t e l l i g i b i l i t y o f In fo r m a tiv e S p eech es" (u n p u b lish e d Ph.D. d i s s e r t a t i o n ,
Dept, o f S p eech , N orth w estern U n iv e r s it y , 1 9 5 2 ), C hapter I .
g
Composing th e S p eech , 2 6 7 -6 8 .
9
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
484
greater v a r ie t y in s t r u c t u r e ;
(5 ) fragm en tary s e n te n c e s a re p e r m is sa b le ;
Y et th e y are a c o n s ta n t s t a p l e o f th e o r a l mode o f
P e r c e n ta g e w is e , t h i s seems a sm a ll number;
36 s e p a r a te c o n t r a c t io n s are n o te d , th e e ig h t most
23
15
14
13
th a t's
d o n 't
w o u ld n 't
c o u ld n 't
10
9
7
7
A g a in , from th e sermon on
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
485
1 s t P erson
S in g u la r
I
I'm
I ' ve
I 'd
I 'll
me
my
m y se lf
own
89
13
6
4
1
19
7
1
1
2nd P erson
S in g u la r
you
your
y o u '11
y o u ' re
y o u ' ve
b r e th r e n
111
17
5
5
4
7
1 s t P erson
P lu r a l
we
37
37
us
13
our
o u r s e lv e s
1
each o th e r 1
le t's
3
w e' 11
3
2
we' re
149
97
141
As in th e q u e s tio n o f th e fr e q u e n c y o f c o n t r a c t io n s , th e q u a n t i
t a t iv e o ccu rren ce i s , in t h i s w r i t e r ' s o p in io n , n o t as s i g n i f i c a n t as
the q u a l i t a t i v e f a c t o r .
F r e q u e n tly , F agal la c e s h i s th o u g h ts and a p p e a ls w ith th e noun,
"B rethren."
somehow do n o t seem s o o u t o f p la c e in
Ijf a ilil
I b id ., 4.
I b i d . , 10.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
486
A nother c h a r a c t e r i s t i c o f th e o r a l s t y l e , in th e c o n te x t o f
in fo r m a lity and s p o n t a n e ity i s th e in t e r r u p t in g o f o n e s e lf--s o m e tim e s in
m id -s e n te n c e --to b r in g i n a th ou gh t which o b v io u s ly h as j u s t popped i n t o
the mind.
S en ten ce s t r u c t u r e . In o r a l d is c o u r s e s e n te n c e le n g th g e n e r a lly
tends to be s h o r t e r , s tr u c tu r e l e s s com plex and more v a r ie d , than in
w r itte n s t y l e .
sen te n c es e x h ib it a l l o f th e s e q u a l i t i e s .
appear
p r e t t y t o th e e y e , in p r in t ;
a f a v o r i t e e x p r e s s io n o f C. S . Lew is)
I b id ., 3.
E lem ents o f S p ee c h , 2 7 3 .
3
The Spoken Word, 193.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
487
Examples
are found su ch a s:
Hes th e one w h o's alw ays s e e k in g you!
h im s e lf .^
He sp ea k s about b e in g "thrown f o r a
,6
W hile some in th e au d ien ce w ere undoubtedly o ffe n d e d by th e s e
Sermon on Andrew, 3
I b id ., 6.
5I b id ., 7
3I b i d . , 7.
6 I b id .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
488
The s p e a k e r 's f u n c t io n ,
have sa id :
Once th e sp ea k er ta k e s th e f l o o r to d e v e lo p an id e a , we
have a r ig h t to e x p e c t a l i v e l y r e in fo r c e m e n t o f h i s th o u g h ts .
He i s th er e to communicate som ethin g w orth p a s s in g on.
D eliv er y s e r v e s as a t o o l by w hich to enhance th e im p r e s s iv e
n ess o f the com m unication; i t i s n o t th e fo c u s o f a t t e n t i o n .^
In c o n s id e r a tio n o f th e d e liv e r y o f W illia m A. F a g a l's serm on s,
we s h a ll c o n s id e r , s u c c e s s i v e l y :
1
.
I b id ., 6 .
(1) th e s e t t i n g f o r F a g a l's d e l i v e r y ,
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
489
(2) h is method o f d e l i v e r y ,
(3 ) th e v i s u a l f a c t o r s (" th e sp e a k e r we
(" th e sp ea k er we h e a r " ).
The q u e s tio n
In 1968, th e f ilm in g
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
th e r ec o r d in g o f th e serm on ic p r e s e n t a t io n .
$3
i|
a ls o a p p ly
to
f o r th e e n t i r e
p ro d u c-
|
|
tio n u n it [s e e F ig . 2 9 ] ,
The sermon i t s e l f has p r e v io u s ly b een ty p ed in la r g e d is p l a y type c h a r a cter s fo r th e s c r o l l - l i k e A uto-C ue, a c o n t in u o u s - r o ll d e v ic e
s im ila r to the T ele-P ro m p ter, w hich i s i n s t a l l e d d i r e c t l y above th e
camera le n s .
co sm eticia n (o r , in l a t e r y e a r s , by h im s e lf ) f o r th e camera.'*'
The d ir e c t o r c o n tr o ls th e sp eed a t w hich th e sermon r o l l s
through th e Auto-Cue; and a f t e r h a v in g worked w ith Fagal f o r more th a n a
decade, h is o p e r a tio n o f t h i s equipm ent i s alm ost r e f l e x i v e .
The s e r
th e sermon on
jtfiy ir _
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
The sermon on
L a s t ly , th e sermon on Nicodemus
ftfltoh*.*-.-.. R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
492
Ef
from th e film s o u n d -tr a c k and rep rod u ced from th a t medium to a sound
If
1
|
"you s e e " ) .
In th e p u lp it sermons F agal in v a r ia b ly f o llo w s th e extem pora
neous mode o f d e liv e r y .
P r io r t o g o in g up on th e p la tfo r m he u n d e r lin e s
"But I ig n o r e i t as much
as p o s s ib le ," he adds:'*
Sometimes I n e v e r u se i t , . . . but i t ' s th e r e f o r " in su r
ance v a lu e ." I have h ig h b lo o d -p r e s s u r e now, and have to
take t r a n q u iliz e r s .
I d o n 't t r u s t my memory c o m p le te ly any
more.
(I blam e th e t r a n q u i l i z e r s , n o t o ld a g e ! ) .
I d o n 't
lik e to read a sermon. Som etimes I s t a y r a th e r c lo s e to my
n o t e s , but o r d in a r ily I d o n 't .
I t r y to g e t as fa r from my
n o te s as p o s s i b l e . Some serm on s, o f c o u r s e , have l o t s o f
" q u o te s," and th e s e r e q u ir e c l o s e r a t t e n t i o n . 2
When asked about how he r e la t e d to th e au d ien ce in term s o f the
in d iv id u a ls who compose i t ,
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
493
r ev e a le d in many w ays.
To me, i t ' s
I b i d ., 3.
'I b id .
I b id .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
494
In th e r ig h t-h a n d colum n, i d e n t i c a l la n
found in lo w e r -c a s e l e t t e r s :
PREPARED MANUSCRIPT
A number o f y e a r s ago I s e r v e d
on the n om inatin g com m ittee o f a
c e r ta in c o n fe r en ce s e s s i o n . The
men th ere had no d i f f i c u l t y in
recommending th a t th e p r e s id e n t be
r e - e le c t e d . They seemed t o have
r e a l c o n fid en ce in h is le a d e r s h ip
and a b i l i t y . However, b e fo r e
g e ttin g t h e i r r e p o r t, one man
stood t o h is f e e t and s a id , "Our
P r e sid en t has a b lin d s p o t when i t
comes to one o f th e d ep artm en ta l
men. I th in k we ought t o h e lp him
by arran ging a change f o r t h i s
man." Even th e b e s t o f men can
have b lin d s p o t s .
VERBATIM TRANSCRIPT
A NUMBER OF YEARS AGO I SERVED
ON THE NOMINATING COMMITTEE OF A
CERTAIN CONFERENCE. I t was an
i n t e r e s t i n g e x p e r ie n c e .
I r e c a ll
th a t th e n o m in a tin g com m ittee HAD
NO DIFFICULTY w h a tso e v er in s u g
g e s t in g unanim ously t o th e
c o n s titu e n c y THAT our PRESIDENT BE
RE-ELECTED. But f i n a l l y ONE o f th e
men a r o se TO HIS FEET AND SAID,
"B efo re our P r e s id e n t i s inform ed
o f o u r d e c i s i o n , I would l i k e to
make m ention o f a l i t t l e problem .
We have a w on d erfu l team o f w orkers
h e r e in t h i s c o n fe r e n c e ," he s a i d ,
"but th e r e i s one in d iv id u a l who,
w h ile he i s a v e ry good man, i s
perhaps n o t f i t t i n g i n t o th e team
in q u it e th e way we w ish he m ig h t.
Perhaps t h i s one man m ight do
b e t t e r e ls e w h e r e .
B u t," he s a id ,
"OUR PRESIDENT HAS A BLIND SPOT
WHEN IT COMES TO t h i s good man.
And," he s a i d , "I would l i k e to
s u g g e s t th a t we s a v e our p r e s id e n t
from some o f th e s e p ro b lem s, and
p o in t o u t to him th a t w e'd l i k e to
s e e t h i s o th e r gentlem an m oved."
I ' v e n e v e r q u it e f o r g o tte n th a t
s p e e c h , o r th e f a c t th a t i t was
a c c e p te d by th e group; and v ery
g r a c e f u l l y th in g s were worked o u t,
as th e y are w ith in th e cause o f God.
But in my mind, I th o u g h t, EVEN THE
BEST OF MEN, even a man as f i n e as
th a t le a d e r in G od's c a u s e , CAN
HAVE BLIND SPOTS.
iU lb tU ...--..-
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I do n o t know j u s t how f o lk
in Bethany found o u t about i t .
I t may even be th a t th e y n e v e r
d isc o v er e d th a t Simon was th e
c u lp r it , b e c a u se no one seem ed to
blame him. However, M ary's s i n
spread lik e w i l d f i r e . M others
began to warn t h e i r c h ild r e n to
s ta y away from h e r , o ld e r women
clucked at h er in d is d a in w henever
th ey saw h e r , and th e o ld e r men
made crude and c r u e l jo k e s a t h e r
expense w henever sh e was n e a r .
L ife fo r Mary became c o m p le te ly
un bearab le. Soon th e gay and
c a r e fr e e s p i r i t was gone and a
trou b led countenance in d ic a t e d
h er extrem e un happ iness to
everyone.
D uring th e p r e a c h in g
In f a c t , l i s t e n i n g to th e same
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496
more a t t e n t io n to th e a u d ie n c e .
aj
I1
I
|
if
|
|
fi
y
?f
e x p e r ie n c e s :
He has w r it t e n c o n c e r n in g t h e s e
lo o k s d i r e c t l y ,
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
497
p u b lic s p e a k in g , as a lr e a d y n o t e d ),
o r from
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
498
R o g e r W. C o o n P h o to
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
499
f in g e r - p o in t in g g e s tu r e o f t e n u se d b u t n o t o f f e n s i v e l y s o .
The w hole
A ja b b in g f in g e r f r e q u e n t ly punc
But n e it h e r o f th e s e
His
He appears
arm m o tio n .
In term s o f q u a n t it a t iv e
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited without p erm ission.
500
H is p r o n o u n c ia tio n i s v i r t u a l l y f l a w l e s s .
C on stan t r e f e r e n c e t o th e d ic t io n a r y ( in c lu d in g th e
co n cern ed .
However,
he has c o n sc io u s c o n tr o l o f an e x c e l l e n t sp e a k in g v o i c e , w hich i s
r e a d ily heard to th e f a r t h e s t r ea c h e s o f th e room in w hich he t a l k s .
In term s o f p i t c h - - t h e " h ig h n ess" or " low n ess" o f th e v o i c e - Fagal a s s id u o u s ly a v o id s a m onotone, and a c t i v e l y c u l t i v a t e s a v a r ie t y
in to n e s .
tone o v e r to n e s .
which to l i s t e n .
I t i s , m ost h e a r e r s f i n d , a v o ic e n o t u n p le a sa n t to
T his w e ll-m o d u la te d s p e a k in g - t o o l i t s e l f conveys
*C ited in B a r t l e t t ,
175.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
501
moods o f en th u sia sm , d ou b t, c o n v ic t io n , q u ery and, o c c a s i o n a l l y ,
sarcasm .
In terms o f q u a l i t y - - t h e F a g a l v o ic e i s e x c e e d in g ly r e s o n a n t.
Harsh to n es are a lm o st t o t a l l y a b s e n t; and th e r e i s o n ly an o c c a s io n a l
tr a c e o f n a s a l i t y , and no b r e a t h in e s s w h a tev er.
ii
1
The v o ic e i s v ib r a n t ,
alm ost n ev er d u l l , h u sk y , or f l a t .
In term s o f r a t e or tim e , we p au se m om entarily t o n o te t h a t
among contem porary t h e o r i s t s th e r e i s o n ly th e most g e n e r a l agreem ent as
to what c o n s t it u t e s th e " average" or "normal" r a t e o f p la tfo r m s p e a k in g .
C harles T. Brown s u g g e s t s t h a t th e "normal r a te runs anywhere from 125
to 185 words p er m in u te ."
Houghton M if f l i n Company,
101.
40 p . c i t . , 2 6 7 .
50 p . c i t . ,
114.
6 I b id .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout p erm ission .
502
TABLE 8
PULPIT SERMONS
Average W.P.M.
P -l
P-2
P -3
P -4
P-5
Mean
Median
Mode
188
194
194
166
166
175
171
175
(167)
(172)
184
181
(182)
(195)
165
161
(148)
(161)
Maximum W.P.M.
Minimum W.P.M.
223
129
237
105
217
99
227
126
223
85
I d e n tific a tio n
P -l
Sermon
P-2
Sermon
Sermon
P-3
Sermon
P-4
P-5
Sermon
Combined
A verage
175
177
Code:
on Paul a t C orin th (3 0 :0 8 )
on Andrew (4 4 :5 8 )
on Mary M agdalene ( "God's B lin d Spot' ') (5 1 :1 9 )
on Heaven (4 1 :1 5 )
on Nicodemus ("What 's L e ft o r W hat's R ight?") (36 :00)
TELEVISION SERMONS
Average W.P.M.
T -l
T-2
T -3
T-4
T-5
Combined
A verage
Mean
Median
Mode
112
114
*
115
118
*
123
121
121
114
117
*
108
118
*
114
117
*
Maximum W.P.M.
Minimum W.P.M.
129
130
134
119
128
102
98
121
89
92
*Sermons n o t lon g enough to e s t a b l i s h th e mode
I d e n t i f i c a t i o n Code:
T -l:
TV Sermon #349,
T-2: TV Sermon #351,
T-3: TV Sermon #358,
T-4: TV Sermon #367,
T-5: TV Sermon #371,
fir s t
fir s t
fir s t
fir s t
fir s t
p rea ch ed
p rea ch ed
p rea ch ed
p rea ch ed
p rea ch ed
Feb.
Feb.
Apr.
O ct.
Nov.
7,
21,
11,
17,
14,
1965
1965
1965
1965
1965
(6 :0 9 )
(5 :0 0 )
(5 :0 6 )
(6 :5 8 )
(4 :5 7 )
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
503
mode in fo u r o f f i v e i n s t a n c e s .)
The s lo w e s t r a te on TV was 89 w .p .m .,
(A s i n g l e mode
In th e t e l e v i s i o n p r e a c h in g , w ith a fo u r - to s i x -
The p u lp it d is c o u r s e s
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
504
e v en ts o f th e i n d i v i d u a l ' s l i f e
S tressi s
la id
t o p i c , and tr e a tm e n t.
I t i s upperm ost
as a m ajor
in h i s mind a t
In l o g i c a l
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
He
505
He p r e f e r s to have h i s id e a s
"dawn" on p e o p le ; and s i n c e p a r t i c u l a r l y i n th e e v a n g e l i s t i c ser m o n s-he must mahe h is way "up h i l l " in terms o f p e r su a d in g h is h e a r e r to a
s e r ie s o f t h e o l o g i c a l p o s i t i o n s w hich are g e n e r a lly v iew ed as unpopular
i f n o t s in g u l a r ly odd by th e g e n e r a l p u b lic a t la r g e , h i s wisdom in
approaching th e s u b j e c t in a somewhat o b liq u e fa s h io n does seem t o ten d
toward g r e a t e r a c ce p ta n c e o f h i s v ie w p o in t s .
B ecause o f h i s d e s ir e t h a t th e sermon " flo w ," i t i s n o t alw ays
easy or p o s s i b l e to d is t in g u is h th e in t r o d u c tio n from th e body from th e
c o n c lu s io n , a lth o u g h th e pu rp ose s e n te n c e i s alw ays o b v io u s , w h eth er
p r e se n t toward th e b e g in n in g o r toward th e end o f th e d is c o u r s e .
The
He em ploys d ia lo g u e ,
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
H is p r e s e n t a t io n i s
There are
A com
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
H is g e s t u r e s are fr e q u e n t,
e x ig en cy in th e sp e a k in g s i t u a t i o n , and i t i s an e x c e l l e n t in stru m en t
fo r e f f e c t i v e com m unication.
H is d ic t i o n i s n e a r - f la w le s s ; he u se s
g r ea t v a r ie t y in lo u d n e ss , p i t c h , q u a l i t y , and r a t e ; and h i s sp ea k in g
s t y l e i s b e s t compared o v e r a ll t o th e " b r o k e n - fie ld running" p r a c t ic e d
by f o o t b a ll p la y e r s .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
CHAPTER VI
AUDIENCE RESPONSE TO THE TELEVISION PREACHING OF WILLIAM A. FAGAL
(3) t o a c t u a t e ,
(1) to s t im u la t e ,
(4 ) to in fo rm , and ( 5 ) to e n t e r t a in ;
(2) to conwhereas
(1) p e r s u a s io n ,
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
(1 ) th o s e who so u g h t s e l f - g l o r i f i c a t i o n
(and
F o r,
p e r s u a s io n .
with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
510
And, fo r him , r h e t o r i c ' s s o l e fu n c t io n was " d is c o v e r in g . . . th e a v a i l
a b le means o f persuasion."'*'
However one may p r e f e r t o fo r m u la te th e g o a l (o r g o a ls ) o f
p u b lic s p e a k in g , few w i l l d is a g r e e th a t th e o b j e c t o f th e e x e r c i s e i s
another human b e in g .
Whether one
o r w ith
th e sp e a k e r i s to
And, as su c h , he te n d s t o m easure s u c c e s s
. . .
to h im se lf" (Romans 1 4 : 7 ) .
Response:
1-Cooper, 7.
2Jon E ise n s o n , J . J e f f r e y A uer, and John V. Irw in , The P s y c h o l
ogy o f Communication (New York: A p p le to n -C e n tu r y -C r o fts , 1 9 6 3 ), 131.
3Thonssen and B a ird , 4 4 8 .
^Cooper, x x .
5C ite d in B a r t l e t t , 2 1 8 .
N. Y .:
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
511
At a l l p e r io d s in h i s t o r y , a b i l i t y in p u b lic sp e a k in g has
been th e le v e r w hich h a s r a is e d p e o p le t o in f lu e n c e and
a u t h o r it y o v e r t h e i r f e l l o w s . T here i s pow er in th e spoken
word; and in th e c a se o f g r e a t s p e e c h e s t h e i r power can be
f e l t over th e c e n t u r ie s . . . . Som etim es s p e e c h e s make
h i s t o r y ; alw ays th e y a re th e f o o t n o t e s o f h i s t o r y . 1
The in f lu e n c e o f th e spoken w ord, l i k e th e p r o v e r b ia l c o in , has
two s i d e s .
f r ie n d .
For by th y words s h a l t th ou be j u s t i
C a s s e ll
C ited in i b i d . , 1 1 :2 3 0 .
(The c o m p ile r s , h ow ever, show th e
author as "unknown"; b u t th e 5 th e d i t i o n o f G ranger's Index t o P o e tr y
(F. B ern h ard t, E d.; New York: Colum bia U n iv e r s it y P r e s s , 1962) l i s t s
the au th or as C a rleto n ( p . 1 4 3 ).
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Not
in f r e q u e n t ly do th e y r e l a t e i t p a r t i c u l a r l y t o p r e a c h in g , in th e c o n te x t
o f sow ing and th e su b seq u en t r e a p in g o f a h a r v e s t .
Solomon adm onished:
In th e morning sow th y s e e d , and in th e e v en in g w ith h o ld n o t
th in e hand: f o r th ou know est n o t w hether s h a l l p r o s p e r ,
e i t h e r t h i s or t h a t , o r w h eth er th e y b o th s h a l l be a li k e
good ( E c c l e s i a s t e s 1 1 : 6 ) .
And, a g a in :
C ast th y b read upon th e w a te r s: f o r thou s h a l t f in d i t
a f t e r many days ( E c c l e s i a s t e s 1 1 : 1 ) .
To w hich I s a ia h added:
"Sow b e s id e a l l w aters" ( I s a ia h 3 2 :2 0 ) .
The
hoping fo r a s u c c e s s f u l , b o u n t if u l
h a r v e s t-r e s p o n s e from t h e i r h e a r e r s :
He th a t g o e th fo r th and w e ep eth , b e a r in g p r e c io u s s e e d ,
s h a l l d o u b tle s s come a g a in w ith r e j o i c i n g , b r in g in g h is
sh ea v es w ith him (Psalm 1 2 6 : 6 ) .
And Paul would add th e elem en t o f r a t io and p r o p o r tio n :
He which sow eth s p a r in g ly s h a l l reap a ls o s p a r in g ly ; and he
which sow eth b o u n t i f u l l y s h a l l reap a ls o b o u n t if u ll y
(I I C o r in th ia n s 9 : 6 ) .
And, f i n a l l y , Z ech ariah w ould rem ind th e p r e a ch er -so w er th a t
w h ile resp o n se was c e r t a i n l y t o be e x p e c te d , in t h i s work th e r e s u l t s
would n ot a lo n e be due to human e f f o r t :
Not by m ig h t, nor by pow er, b u t by My S p i r i t , s a i t h th e Lord
o f h o s t s (Z ech ariah 4 :6 ) .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
513
S in c e "r esp o n se i s th e k ey d eterm in a n t o f e f f e c t i v e n e s s " 1 o f a
p u b lic s p e a k e r though, c e r t a i n l y , n o t th e o n ly c r i t e r i o n o f m easure
mentw h at, one m ight w e ll a sk , has b een th e r esp o n se to th e p u b lic
sp e a k in g o f W illia m A. Fagal?
C l i f f R ogerson C artoon. F i r s t , on O ctober 2 9 , 1966, a B e l l McClure S y n d ic a te d c a r to o n , "Tee Vee L a f f s ," by C l i f f R ogerson, appeared
in about 100 new spapers in North America [ s e e F ig . 32) in w hich th e
" F aith f o r Today" t e l e c a s t was p r o m in en tly b rou gh t to th e a t t e n t io n o f
the n ew sp a p er-rea d in g p u b lic .
Why d id th e c a r t o o n is t choose " F a ith f o r Today" in s t e a d o f some
o th e r r e l i g i o u s t e l e c a s t
t o p o in t up a gag? . . . I needed a r e l i g i o u s program to
d e p ic t on th e TV s c r e e n , and t h i s program was th e o n ly one
l i s t e d in th e l i s t i n g s o f our l o c a l p a p er . However, I can
sa y th a t t h i s program i s q u it e p o p u la r in my a r ea (N orth
e a s te r n P e n n a .) .2
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
514
By CUFF ROGERSON
CUFF
FAira
FO R
TOIMy
0
%
oQk
Bell-McClure Syndicate
(Printed in the U.S.Aj
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
515
in th e d ia lo g u e o f a contem porary s o c i a l - p r o t e s t n o v e l, A P atch o f B lu e ,
by E liz a b e th Kata.
In h e r n a r r a t iv e , S e lin a D 'A rcey, an 1 8 -y e a r -o ld g i r l , b lin d
s in c e f i v e and r a is e d in c o a r s e , s q u a lid su r r o u n d in g s, m eets Gordon
R alfe in th e c i t y park where sh e has gone to e n jo y th e su n .
The s t o r y
l i n e r e v o lv e s around a s u c c e s s io n o f rendezvous by th e c o u p le , th e p l o t
h in g in g on th e f a c t t h a t th e i n t e n s e l y r a c e -c o n s c io u s S e lin a d oes n o t
know th a t h e r new -found f r ie n d Gordon i s a N egro.
She o n ly knows th a t
I f e l t u n ea sy .
y o u 'r e b lin d .
"Wrong w ith me?
N o,"
s a id Gordon.
I 'd c r ie d to o o f t e n m y s e lf n o t t o know by t h e i r v o ic e s
when p e o p le c r ie d .
Gordon was
l i s t e n e d to so
head b u r ie d in
a str o n g man.
c r y in g .
I
many r a d io
V e r o n ic a 's
. . . "
M arried in 1937
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
516
Her n o v e l, w hich th e New York Times Book Review found "pow erful
and m ovin g," 1 was p u b lis h e d f i r s t under a d i f f e r e n t t i t l e in hard c o v e r .
I t then came o u t in paperback under i t s p r e s e n t t i t l e
and l a t e r was made i n t o a m otion p ic t u r e
as a b e s t - s e l l e r ;
m uv,...
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
517
Problems in M easurement o f A udience and R esponse
N ie ls e n :
in
which th e t e l e v i s i o n s e t s in 1 ,4 0 0 s c i e n t i f i c a l l y s e l e c t e d homes th ro u g h
out th e n a tio n are c o n n e c te d to an A udim eter m o n ito r in g them on a
24-hour b a s i s .
i s tu n ed .
A fte r d i g e s t i n g d a il y m ountains o f d a ta , N ie ls e n i s s u e s w eek ly
" r a tin g s ."
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
I n s id e th e b u s in e s s , th e y a r e h a te d and fe a r e d , b eca u se
t h e ir t a b u la t io n s can make a man a p o t e n t i a l m i l l i o n a i r e or
a f a i l u r e in a m a tte r o f w eek s. O u tsid e , th e y are d i s
t r u s te d b y many e g o c e n t r ic c i t i z e n s who r e f u s e to b e l i e v e
th a t th e v ie w in g h a b it s o f a sm a ll group o f s tr a n g e r s co u ld
p o s s ib ly r e f l e c t t h e i r own and, b y th e same to k e n , th e
n a t io n 's .^
Nem esis was th e Greek g o d d ess o f . r e t r ib u t io n .
rename h e r N ie ls e n !
C o n tin u in g , Eck p o in t s ou t fo u r c h i e f "drawbacks" t o u t i l i z i n g
data from th e N ie ls e n A udim eter su rv ey :
[1] I t assum es th a t w henever a s e t i s tu rn ed on , so are
i t s ow ners, w hich i s u s u a l l y , b u t n o t a lw a y s, tr u e . . . .
[2] F a m ilie s who a re n o t k e e n ly i n t e r e s t e d in t e l e v i s i o n
g e n e r a lly r e f u s e t o l e t th e N ie ls e n p e o p le i n s t a l l A udim eters
in t h e i r s e t s . . . .
[3] Not a l l A udim eter r e c o r d in g s reach N ie ls e n h ead
q u a rters in E van ston , I l l i n o i s , in tim e fo r in c lu s io n i n th e
t a b u la t io n s .
[4] The N ie ls e n sam ple has an a d m itted s t a t i s t i c a l e r r o r
o f th r e e p o i n t s . 4
But perhaps th e b i g g e s t e r r o r in John Q. P u b lic 's u s e o f th e
N ie lse n r a t in g s i s th e c i t i n g o f them as a r e l i a b l e and perm anent in d e x
2Eck, 4 6 .
^I b id .
with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
^I b i d .
Says Eck:
(1) The N ie ls e n r a t in g i s n o t c o n s ta n t th ro u g h o u t th e
a.
The hour on Sunday when th e program i s r e le a s e d (m id
day and e a r ly a fte r n o o n g e n e r a lly appear more co n d u civ e to
a t t r a c t in g a la r g e r au d ien ce than e a r ly m o rn in g ).
*I b id . , 47.
2 I b i d . , 4 6 -4 7 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
T$
I
520
TABLE 9
NIELSEN RATINGS DATA FOR "FAITH FOR TODAY"
IN ELEVEN SELECTED U. S . CITIES
1966a
C ity
New York
Los A ngeles
D e tr o it
M in n e a p o lis-S t.P a u l
A tlan ta
Denver
In d ia n a p o lis
Oklahoma C ity
Omaha
T ulsa
Eugene
E s t. Pop.
7 -1 -6 5
TV
S ta .
1 1 ,3 6 6 ,0 0 0
6 ,7 6 5 ,0 0 0
3 ,9 8 7 ,0 0 0
1 ,6 1 2 ,0 0 0
1 ,2 1 6 ,0 0 0
1 ,0 7 3 ,0 0 0
9 8 4 ,0 0 0
5 8 5 ,0 0 0
5 1 6 ,0 0 0
4 3 3 ,0 0 0
1 9 4 ,0 0 0
WABC
KCOP
WJBK
KSTP
WAGA
WLZ
WFBM
KWTV
KMTV
KTUL
KEZI
N ie ls e n
R a tin g
1
1
1
1
2
1
2
.6C
2 .5 d
1
3
Broad.
Hour
8 :0 0
12:30
10:30
9 :3 0
9 :3 0
10:00
10:30
8 :0 0
1 0 :3 0
11:30
3 :0 0
No. Competing
P rog. O ptions
a.m .
p.m .
a.m .
a.m .
a.m .
a.m .
a.m .
a.m .
a.m .
a.m .
p.m .
5
6
4
3
2
3
2
2
2
2
1
aD ata s u p p lie d from "NSI A verage Week E stim a te s" f o r 1966, con
ta in ed in a l e t t e r from Laurence F rerk , Prom otion D ir e c to r , A. C. N ie ls e n
Company, C h icago, 1 1 1 ., D ec. 1 5 , 1966.
^ P o p u la tio n e s t im a t e s from U. S . Bureau o f C en su s, S t a t i s t i c a l
A bstract o f th e U n ite d S t a t e s :
1 9 6 7 . 8 8 th E d it io n .
(W ashington: U. S .
Government P r in t in g O f f i c e , 1 9 6 7 ), 1 8 -2 0 .
cD ata b elow minimum r e p o r t in g sta n d a r d s.
(T h is f ig u r e a r r iv e d a t
by averagin g th e r a t i n g o f .3 a t 8 a.m . and th e r a t in g o f 1 .0 a t
8:15 a .m .)
^ R ep resen ts a v era g e o f r a t in g o f 2 a t 10:30 a.m . and r a t in g o f 3
at 10:45 a.m .
An-i-.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
521
" J u x ta p o s itio n " i s a key word t o c o n s id e r a t t h i s p o i n t .
Ju st
1
2
2
2
2
15
n o tn e c e s s a r ily
Los A n g e le s
prove
the program
wasunpopular in g e n e r a l, o r w ith
v ie w e r s in
p a r t ic u la r .
I t may o n ly s e r v e t o show th a t a g a in s t th e h ig h ly fo r m id a b le
In a n o th er s e a s o n o f th e y e a r a l l o f th e
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
522
C ity
New York
Los A ngeles
D e tr o it
M in n eap olisS t . Paul
A tla n ta
Denver
In d ia n a p o lis
Oklahoma C ity
Omaha
T ulsa
Eugene
T o ta ls
AVERAGE NUMBER OF
HouseT o ta l
h o ld s
A dult
V iew ing FFT V iew ers
Men
T eens
C h ild
Av. No.
Lady o f
House
V iew ing
32
27
11
32
34
11
32
27
9 .5
7
1 .5
12
15
10
14
4
14 .5
2
1 0 .5
4 .5
2
18
6 .5
2 0 .5
4
2 1 .5
5
2
12
3 .5
1 1 .5
2
9
3 .5
1
6
3
9
2
6
1.5
1
133.5
16 9 .5
121
42
32
27
9 .5
10
4
9 .5
2
6
2 .5
1
6 1 .5
3 .5
1 2 .5
Data s u p p lie d from "NSI A verage Week E stim a te s" f o r 1966, con
ta in e d in a l e t t e r from L aurence F rerk , Prom otion D ir e c t o r , A. C. N ie ls e n
Company, C h icago, 1 1 1 ., D ec. 15, 1966.
(F ig u r e s shown above r e p r e s e n t a v era g es o f N ie ls e n d a ta reco rd ed
at th e b e g in n in g o f th e 30-m in u te program and a g a in a t m id -p o in t 15
m inutes l a t e r .
In some in s t a n c e s th e a u d ien ce had grown; in o t h e r s , i t
had d e c re a sed in s i z e . )
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
i s c la s s e d as
perhaps more l i k e l y t o
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
524
d i f f i c u l t - t o - o b s e r v e g o a l o f a s h i f t in o p in io n a n d /o r a t t i t u d e .
Such
A udience r e s p o n se , th e n , even on th e s o c i e t a l l e v e l ,
* I t i s w e ll to n o te th a t w ith a p o s s ib le s t a t i s t i c a l e r r o r o f 3,
a N ie lse n r a t in g o f 1 i s in any c a se v i r t u a l l y m e a n in g le ss .
2C ited in "In a Word," Time, Nov. 14, 1960, 23.
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
1
525
W illiam A. F a g a l.
In th e p la tfo r m s i t u a t i o n , th e sp e a k e r p r e p a r e s h i s
And, i f th e r e sp o n se
d itio n e d to l e t t e r - w r i t i n g
( e s p e c i a l l y t o t h e i r l e g i s l a t i v e and o th e r
e le c t e d p u b lic o f f i c i a l s )
The d i f f i c u l t i e s in any
L.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
526
The e f f e c t s o f b r o a d c a s tin g on i n t e r e s t s , a t t i t u d e s ,
and o p in io n s a r e so num erous, v a r ie d , and s u b t l e , and so
i l l u n d ersto o d th e y d e fy a n a ly s is o f any com p lete and e x a c t
k in d . *
N e v e r t h e le s s , r e s p o n s e , how ever i t may d e fy a n a l y s i s , may s t i l l
a t l e a s t be d e s c r ib e d when ev o k ed .
we p r o c e e d fo r th w ith
(1) a d e s c r ip t io n and c l a s s i f i c a t i o n o f r e g u la r m a il
M cGraw-Hill Company, I n c . ,
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527
North America
B eg in n in g w ith h i s v e r y f i r s t t e l e c a s t , he i n v i t e d th e
The Ayer D ir e c to r y :
1969 l i s t s
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528
coverage b r in g s in c r e a s e d o p e r a tin g e x p e n s e ) .
I t c o n ta in s news o f
And i t
c o n ta in s frank
sta te m e n ts o f f i n a n c i a l n e e d .
A lthough F agal does n o t ask f o r c o n tr ib u tio n s o v er th e a i r ,
e it h e r d i r e c t l y or through th o s e l i g h t l y - v e i l e d
(and r e p u ls iv e ) s u b t e r
Not in f r e q u e n t ly a c ir c u l a r l e t t e r
over h is s ig n a tu r e (and o f t e n b e a r in g h i s p ic t u r e ) i s in s e r t e d i n th e
current e d i t i o n , e x p la in in g in fra n k d e t a i l th e im m ediate n e e d s .
A r e g u la r f e a tu r e in T e l e - n o t e s , som etim es o ccu p y in g a f u l l
page, i s th e "In Memoriam" column w hich l i s t s g i f t s s e n t by v ie w e r s in
memory o f a d e c ea se d f r ie n d or r e l a t i v e .
The broad im p lic a t io n th rou gh ou t i t a l l i s , o f c o u r s e , th e
a p p lic a tio n o f th e in j u n c t io n o f our Lord (a t th e end o f th e s t o r y o f
the Good Sam aritan) to "Go, and do th ou lik e w is e " (Luke 1 0 :3 7 ) .
A s p e c i a l w eek ly p r a y e r s e r v ic e i s h e ld by th e s t a f f o f F a ith
fo r Today in which r e q u e s t s f o r s p e c i a l p r a y e r r e c e iv e d d u rin g th e p r e
ced ing week are remembered in an o ld - f a s h io n e d p r a y e r -m e e tin g s e r v i c e .
Viewers are fr e q u e n t ly rem inded o f t h i s f a c e t o f th e F a ith f o r Today
l e - n o t e s , D e c .,
------------------
1965,
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529
book form
in P a s to r , T h is i s My Problem . E x tr a c ts from t h i s
appeared in
column and
s e r v in g th e double purpose
*Cf. i b i d . , 2 .
2I b i d . , 8.
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There i s , o f c o u r se , no
A r e g u la r and e v e r - in c r e a s in g volum e o f m a il h as
f o r th e
(S ee F i g s . 33 and
3 4 .)
Some 21 months a f t e r th e p rem iere t e l e c a s t , T e le - n o t e s c a r r ie d
the en cou ragin g news t h a t more than 1 ,0 0 0 l e t t e r s in a s i n g l e day were
b ein g r e c e iv e d ; w h e r ea s, e a r l i e r , th e s t a f f had hoped th a t th e y m ight
someday r e c e iv e as many as a thousand p ie c e s in a s i n g l e w e e k .
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R eproduced
with perm ission
of the copyright ow ner.
Further reproduction
prohibited
without p e r m issio n .
532
*Z
had been a t t a i n e d .3
S t i l l newer r e c o r d s were e s t a b l i s h e d w ith th e S ix th A n n iversary
in May, 1956, w ith 8 ,5 8 6 l e t t e r s a r r iv in g in a one-w eek p e r io d ;
Septem ber, 1958, th e volume had s o a r e d to 9 ,0 0 0 p ie c e s w e ek ly .
and by
3I b i d . , May, 1954, 3.
^ I b id . , March, 1955, 2 .
3 I b i d . , A p r il, 1955, 1 -2 .
A s t a f f o f 50 were now r e q u ir e d to
handle the con seq u en t w o r k -lo a d in th e t e l e c a s t h e a d q u a r te r s.
^ I b id . , May, 1956, 1. B ib le le s s o n s were now coming in and
b eing graded a t th e r a te o f 1 0 ,0 0 0 w e ek ly .
2I b i d . , S e p t .,
1958, 3.
(C f. a ls o F a g a l, " F ifte e n
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533
TABLE 11
Year
Number o f L e tte r s
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
T o t a l ............................................................................
4 9 ,675
1 4 6 ,4 0 6
2 0 7 ,5 5 6
3 0 1 ,9 7 3
3 4 9 ,4 4 3
3 5 0 ,3 5 6
3 5 9 ,9 8 5
3 2 5 ,0 0 2
3 1 0 ,4 9 6
3 1 8 ,9 9 8
3 2 9 ,2 5 0
3 1 2 ,2 3 0
3 2 0 ,9 0 8
2 8 3 ,5 7 2
2 5 8 ,8 5 8
2 4 7 ,3 4 8
2 4 4 ,6 8 4
4 ,7 1 6 ,7 4 0
The s e a s o n a l, c y c l i c a l n a tu re o f th e v ie w e r m a il i s fu r th e r
in d ic a te d by Graph 7 on th e f o llo w in g p a g e , w hich r e f l e c t s th e m onthly
volume o f m a il r e c e i p t s f o r th e p e r io d 1 9 5 4-1966:
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
R eproduced
35000
LJ
aooao
SI
534
Further reproduction
ai
>n
prohibited
a
si
10000
without p e r m issio n .
1950
1955
I960
19E 5
YEAR
G rap h 7 . M onthly V olum e of V iew er Mail, Faith for Today, Inc., 1954-1966.
1970
535
There i s , how
Both
The b a s is o f t h i s pub
.. .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
536
TABLE 12
GEOGRAPHICAL DISTRIBUTION OF NORTH AMERICAN VIEWER MAIL
NINE HIGHEST VOLUME STATES
FAITH FOR TODAY, INC.
M ail R e ce iv e d on J u ly 8, 1968a
Rank
Order
1
2
3
4
5
6
7
8
9
S ta te o f
O r ig in
C a lif o r n ia
M ichigan
F lo r id a
P e n n sy lv a n ia
New York
North C a r o lin a
G eorgia
Ohio
V ir g in ia
No. o f
L e t te r s
392
214
162
157
155
132
127
125
114
8 9 ,3 5 2
1 8 ,4 1 4
1 0 ,9 2 8
6 ,9 9 6
9 ,2 4 6
5 ,2 0 6 c
9 ,0 3 5 ^
8 ,4 9 9
1 1 ,801e
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
W ritin g in
As a r u le th e w r it e r s have l o s t , o r n e v e r h ad , a c t i v e con
t a c t w ith r e l i g i o n . L e t te r s come to us from a l l p a r t s o f
th e U n ited S t a t e s from p e o p le who, f o r th e most p a r t , t e l l
us th a t th e y i d e n t i f i e d th e m se lv e s w ith th e p e r so n and h i s
problem as p o r tr a y e d on our program , and were w r it in g t o us
to s e e i f th ey m ight f in d h e lp in th e s o l u t i o n o f t h e i r s ,
even as o th e r s had on th e t e l e c a s t . 2
V ir g in ia F a g a l, who answ ers much o f th e m a il a d d re sse d to h er
husband, in w r it in g about th e s p i r i t u a l c o n d it io n o f many o f t h e i r
c o rr e sp o n d e n ts, s a id :
. . . A fte r our f i r s t t e l e c a s t , th e l e t t e r s began to come
i n . . . . We found a bond o f f e llo w s h ip "out th e r e " w hich
we n ev er a n t ic ip a t e d .
How much th e s e l e t t e r s have meant to us th rou gh th e y e a r s !
Through them we have le a r n e d what h eavy lo a d s some p e o p le
b e a r lo a d s o f s i n , s ic k n e s s , so rro w , and d isa p p o in tm e n t. . . .
^Pp. 2 - 3 .
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538
Congressmen and S e n a to r s ,
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(1) B ib le co rresp o n d en ce s c h o o l r e s p o n se , (2 )
(3 ) c o n tr ib u tio n r e s p o n s e ,
(4) d e c is io n r e s p o n se ,
(5)
B ib le corresp on d en ce s c h o o l r e s p o n s e . --B y f a r , th e g r e a t e s t
volume o f m a il r e sp o n se to F a ith f o r Today h ea d q u a rters comes as a con
sequence o f h e a v y , i n t e n s i v e a d v e r t is in g o f th e v a r io u s B ib le
correspondence c o u r se s o f f e r e d th e p u b lic f r e e o f charge by th e
in s titu tio n .
A d v e r tis in g o f t h i s s e r v i c e i s done o r a l l y on t e l e v i s i o n ,
through coupons in T e l e - n o t e s , and by means o f a p p lic a t io n cards d i s
tr ib u te d by members o f th e 3 ,3 4 0 S ev en th -d a y A d v e n tis t Churches in North
America to t h e i r n e ig h b o rs and f r ie n d s .
As th e s e l i n e s are b e in g w r it t e n , e ig h t c o u r se s are a v a ila b le
d e a lin g w ith th e g e n e r a l d o c t r in e s and te a c h in g s o f th e B ib le ; p ro p h ecy ,
p a r t ic u la r ly th o se o f D a n ie l and The R e v e la tio n ; th e l i f e o f C h r is t;
h e a lth and n u t r it io n ; a lc o h o lis m ; and y ou th p ro b lem s.
Courses in th e
(and s e v e r a l p a r t-tim e )
1McKay I n te r v ie w , 1.
2
Ifiki*.'-.
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540
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Of th o s e e n r o lle d , o n ly
He
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TABLE 1 3
SUMMARY OF ACTIVITIES
NORTH AMERICAN BIBLE CORRESPONDENCE SCHOOL
FAITH FOR TODAY, INC.
1 9 5 2 -1 9 6 8 a
Year
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
T otal
A p p lic a tio n s ^
E n r o llm e n ts0
Diplom as
2 3 ,5 0 0
3 0,771
4 9 ,9 5 1
8 1,417
112,321
1 1 2 ,6 3 4
123,266
9 9 ,6 5 5
106,015
1 0 2 ,0 4 8
1 5 8 ,428
109,202
114,225
1 1 9 ,654
9 9 ,7 7 6
9 1 ,6 9 9
1 3 2 ,467
9 ,7 0 0
1 1 ,7 7 8
2 0 ,3 7 6
2 7 ,8 8 6
3 1 ,4 5 8
3 3 ,7 2 1
3 5 ,8 3 9
2 9 ,5 8 7
3 1 ,6 4 2
3 5 ,8 0 0
3 8 ,4 0 0
3 6 ,9 9 4
3 8 ,1 3 3
3 1 ,4 5 3
2 6 ,4 9 2
2 7 ,5 2 7
3 1 ,7 6 3
309
2 ,0 1 0
3 ,6 3 7
5 ,5 0 1
6 ,2 8 5
8 ,1 9 6
9 ,4 1 6
1 0 ,3 1 6
8 ,6 8 2
8 ,9 6 5
9 ,8 2 0
8 ,9 5 0
1 0 ,7 7 6
9 ,7 0 4
9 ,8 9 8
8 ,1 2 1
7 ,2 7 1
3 5 ,0 0 0
1 4 3 ,1 0 3
2 3 1 ,9 5 4
3 6 4 ,1 7 0
4 5 4 ,0 9 0
5 2 0 ,8 3 2
5 6 3 ,1 1 0
5 2 9 ,0 9 2
5 0 9 ,9 9 9
5 4 5 ,2 0 9
5 7 6 ,4 1 0
5 1 1 ,9 9 9
5 2 0 ,1 9 3
4 5 4 ,0 5 8
4 3 7 ,6 7 0
4 2 3 ,4 8 6
4 1 5 ,8 9 1
1 ,6 6 7 ,0 2 9
4 9 8 ,5 4 9
1 2 7 ,8 5 7
7 ,2 3 6 ,2 6 6
L esso n s Graded
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
543
TABLE 14
RELIGIOUS AFFILIATION OF ENROLLEES
NORTH AMERICAN BIBLE CORRESPONDENCE SCHOOL
FAITH FOR TODAY, INC.
Fourth Q u a rter, 1967a
D enom ination
Seventh-day A d v e n tis t
B a p tist
M ethodist
Roman C a th o lic
Lutheran
P e n te c o s ta l
Church o f God/Assem bly
o f God
P resb y teria n
C h ristia n
H olin ess
Church o f C h r ist
C ongregational
United
E piscopal
S a lv a tio n Army
Nazarene
Number
E n r o lle d
263
258
101
41
36
34
32
27
19
17
17
11
10
10
9
8
D enom ination
J ew ish
B rethren
E v a n g e lic a l
A n glican
Reformed
D is c ip le s o f C h r is t
Orthodox
Amish
Community
L a tte r Day S a in t
Glad T id in g s
Moslem
J eh o v a h 's W itn ess
M ennonite
In te r d e n o m in a tio n a l
P r o te s ta n t
No a f f i l i a t i o n l i s t e d
T o ta l
Number
E n r o lle d
8
8
6
4
3
3
2
2
2
2
1
1
1
1
18
47
258
1 ,2 6 0
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
544
T his
^ C ited
in T e l e - n o t e s , J a n ., 1968, 2 .
3I b i d . , 8 .
4 I b i d . , N o v ., 1967, 2 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
By c o in c id e n c e , o n ly s i x days
*I b id . , O c t ., 1965, 2.
P r e v io u s ly , H orten se Avery had s e n t th r e e d o n a tio n s o f $100
each on s u c c e s s iv e o c c a s io n s t o F a ith f o r Today.
( L e t t e r s from
Hortense W. A very, C h icago, S e p t . 19, Nov. 1 1 , and D ec. 2 3 , 1 9 5 4 .)
^The Wizard o f Wards," C hicago D a ily News, Feb. 1 0 , 1955, 1.
Copyrighted 1955 C hicago D a ily News.
^I b id . , 4 . Quoted by p e r m is s io n .
( L e t t e r o f J o sep h M. Simmons,
L ib rarian , Chicago Sun-Times and C hicago D a ily News, O ct. 2 8 , 1 9 6 6 .)
with perm ission of the copyright owner. Further reproduction prohibited without permission.
546
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
R eproduced
m m m m
2 0 9 Lake S m opc D m vc
fEfl 18 I95S
p<-A*T>
^ -/
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a -m
L,
"
GncO-mj _
/? /
/* * * * /
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ifcus Xj
^ Z fa
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k L y
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N s /u * u *
'I * }
f a .
\jl/ , A /
01
4^
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e/b >
, y
'
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without p e r m issio n .
Fig. 3 5 . Letter to William A. Fagal from Mrs. Sew ell (H ortense) A very, w ife of M ontgom ery W ard Board C hairm an,
req u estin g th e P astor's p ra y e rs on b eh alf of h e r hu sb an d then fighting with Louis Wolfson for control of th e co rp o ra
tion. The N ew York Times d escrib ed this stru g g le a s " o n e of th e fiercest proxy co n tests in th e history of co rp o rate
fin an c e;" a n d it said th a t A very's victory "m arks th e first tim e in 1955 th a t a m ajor corp o ratio n h as su cceed ed in
turning back a bid for control." In conceding d e fe a t, W olfson c h a rg ed h e h ad b e e n double-crossed b y " s o m e big
foreign h o ld e rs" (of M ontgom ery W ard stock); Mrs. A very cred ited a n o th e r " fo re ig n " p o w e r G od.
Y fc
A /
if
'
548
b o th e r in g you w ith t h i s a p p e a l.
b e a u t if u l w if e and y o u r s e l f .
My v e r y b e s t w ish e s to your
G r a t e f u ll y ,
H o rten se A v ery -Mrs. S e w e ll
P. S.
I am e n c lo s in g a check t o h e lp a l i t t l e toward th e
p u b lic a t io n s you send me. P le a s e pardon my penm anship. I
have been q u it e i l l w ith th e " flu " and my hand i s s t i l l a
l i t t l e "w obbly."
H o rten se Avery
A very, who a t t h i s tim e was chairm an o f b o th Montgomery Ward and
U. S. Gypsum, a d ir e c t o r o f U. S . S t e e l , and a member o f th e boards o f a
h a lf-d o z e n o th e r b ig f ir m s , was c h a r a c t e r iz e d as "the a g e le s s g e n iu s o f
th e in d u s t r ia l world" and an " 8 1 -y e a r -o ld w iza rd who had b a t t l e d th e
fe d e r a l government and anyone e l s e he b e li e v e d w rong."
t-1
-
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
549
Would Fagal
prayer.
XNov. 1, 1960, 1.
^C hicago D a ily News, Feb. 1 1 , 1955, 7.
3New York T im es, A p r il 2 3 , 1955, 1.
4 I b id .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
550
Commented th e T im es:
and Mrs.
And on A p r il 8 , 1 9 5 6 -- la c k in g
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
W illia m A. F a g a l, t e l e v i s i o n p a s t o r o f th e S e w e ll A v e r y s , fle w
to Chicago t o condu ct th e f u n e r a l, w hich was a tte n d e d by 1 5 0-200 in v i t e d
m ourners, in c lu d in g th e e n t i r e Board o f D ir e c to r s o f Montgomery Ward.^
And when S e w e ll Avery h im s e lf d ie d , on O ctober 31, 1 9 6 0 ,^ h i s
c h ild r e n c a l l e d F a ith f o r Today h e a d q u a r te rs in New York t o r e q u e s t
P a sto r F a g a l s p r e se n c e once a g a in in t h e i r hour o f n e e d - - t h i s tim e , to
bury t h e i r f a t h e r .
Perhaps n o th in g .
T h is w r it e r would
era.
and
to
19 6 6 ,
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
aiJ
W illiam F a gal h as n e v e r , d i r e c t l y o r i n d i r e c t l y , s o l i c i t e d
f in a n c ia l su p p o rt o v e r th e airwaves.'*'
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
554
TABLE 15
Year
1950d
1951e
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
T o ta ls
I n c .,
V iew er Income
From Mail^
. .
14,865
5 8 ,7 6 1
9 6 ,7 6 7
1 4 9 ,4 5 9
1 8 8 ,7 7 1
2 1 7 ,2 5 7
2 3 7 ,6 2 1
2 6 6 ,8 0 3
2 9 2 ,6 8 5
3 0 0 ,9 0 7
3 2 0 ,0 0 1
3 8 3 ,4 4 0
4 1 4 ,1 8 9
4 5 1 ,5 2 6
4 8 1 ,8 6 5
5 1 0 ,2 2 3
5 9 4 ,9 4 9
5 4 6 ,9 6 2
$ 5 ,5 2 7 ,0 5 1
Annual
O ff e r in g 0
. .
8 2 ,7 4 8
9 2 ,3 2 2
7 9 ,6 5 4
7 6 ,4 5 7
8 0 ,8 1 0
9 7 ,0 7 4
160,7 2 1
1 2 8 ,0 1 4
156,631
1 7 6 ,0 9 4
2 0 5 ,2 6 6
1 9 5 ,2 0 4
1 9 9 ,6 7 3
2 7 7 ,7 8 0
3 1 0 ,8 7 0
2 7 9 ,6 2 2
2 7 0 ,5 8 2
$ 2 ,8 6 9 ,5 2 2
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
555
TABLE 16
T otal C o n tr ib u tio n s
"Sponsor" D onations
Other D onations
Amount o f G if t s W ithin
D olla r C l a s s i f i c a t i o n
$ 0 .0 1 - $ 4 .9 9
5 .0 0 9 .9 9
10.00 - 2 4 .9 9
25.00 - 4 9 .9 9
5 0 .0 0 - 9 9 .9 9
100.00 and over
Monthly
Average
12-Month
T o ta ls
Per c e n t
o f Whole
$ 4 6 ,5 2 9
3 7 ,9 6 4
8 ,5 6 4
$ 5 5 8 ,3 4 4
4 5 5 ,5 7 1
1 0 2 ,7 7 3
100.0%
81.6%
18.4%
6 ,6 7 0
3 ,9 1 4
2 ,7 5 6
8 0,039
4 6 ,9 7 2
3 3 ,0 6 7
100.0%
58.6%
41.4%
$ 6 ,3 1 8
7 ,5 5 1
11,245
5 ,9 4 6
4 ,2 6 6
1 1 ,2 0 4
$ 7 5 ,8 1 3
9 0 ,6 0 7
1 3 4 ,9 3 8
7 1 ,3 5 1
5 1 ,1 8 9
1 3 4 ,4 4 7
13.6%
16.2%
24.2%
12.8%
9.1%
24.1%
3 ,8 8 7
1 ,4 7 7
947
215
78
64
4 6 ,6 4 3
1 7 ,7 3 4
1 1 ,3 7 3
2 ,5 8 4
938
767
59.0%
22.2%
14.2%
3.3%
1.2%
0.1%
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Only A la sk a ,
TABLE 17
GEOGRAPHICAL DISTRIBUTION OF NORTH AMERICAN DONOR MAIL
NINE HIGHEST VOLUME STATES
FAITH FOR TODAY, INC.
M ail R e c e iv e d on J u ly 8 , 1968a
Rank
Order
1
2
3
4
5
6
7
8
9
S ta te o f
O r ig in
C a lifo r n ia
M ichigan
Iowa
Kansas
W ashington
F lo r id a
D i s t r i c t o f Columbia
Colorado
I llin o is
N o. o f
L ette rs
No. o f
G if t s
$ Value
G if t s
SDA A d u lt B apt.
Membershipb
392
214
55
26
70
162
26
50
82
303
86
23
13
53
70
15
30
41
$ 3 ,3 7 2
652
625
541
454
421
379
338
300
8 9 ,3 5 2
1 8 ,4 1 4
3 ,5 2 7
3 ,7 9 8
8 ,6 5 6
1 0 ,9 2 8
1 1 , 801c
9 ,0 9 0
7 ,3 5 8
1968.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
As b e fo r e , th e r e i s no s i g n i f i c a n t g e o g r a p h ic a l c o r r e l a t i o n , and th e
c o r r e la tio n betw een h ig h -in co m e and high-SDA-member s t a t e s i s o n ly
approxim ate.*
The l e t t e r s accom panying th e s e m a il c o n t r ib u t io n s day by day are
s im ila r to
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
1
|
558
he w r o te:
^ I b id .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
559
H is many
under a l l k in d s
In
As A lexan d er h a s p e r c e p t iv e ly o b se r v e d ,
The n a tu r e o f in n e r r e sp o n se to serm o n ic d is c o u r s e i s
complex and d i f f i c u l t t o m easure a p a rt from th e i n d i v i d u a l s
own te stim o n y c o n c e r n in g what has ta k en p la c e in h i s
life
and co n cern in g what d e c is i o n s he has made or in te n d s to make
as a r e s u l t o f h e a r in g a g iv e n s e r m o n . 2
N o n -C h ristia n s k e p t ic s are perhaps more l i k e l y t o r i d i c u l e th e
program o f C h r is tia n e v a n g e lis m a t t h is p o in t than any o th e r b e c a u se o f
the a l l - t o o - o f t e n ephem eral n a tu r e o f th e d e c is io n m a d e --" b a c k s lid in g ,"
to use th e ch u r c h 's own euphemism.
*-Fagal, " F ifte e n Y ears o f S u c c e s s f u l Soul W inning," 9 .
^A lexander, 2 9 5 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
560
" N eith er does a b a th ," th e red o u b ta b le D octor Graham s h o t back.-*The im p lic a tio n o f th e an alogy i s , o f c o u r se , c le a r .
J u s t w hat, in th e way o f s p e c i f i c s , does W illiam A. F agal see k
in th e way o f " d e c is io n " fo r h i s t e l e c a s t ?
A word or two o f d e f i n i t i o n
3I b i d . , 296.
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It
T h is
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
TABLE 1 8
Year
No. o f Baptism s^
1950 )
1951 ) ..................................................................
1952 )
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
T o ta l
I n c .,
200c
140
170
427
468
472
617
619
727
741
1 ,8 0 8
1 ,5 0 2
2 ,0 0 1
1,4 0 0
831
803
1 ,3 5 3
1 4 ,2 7 9
^ In c lu d e s o n ly b a p tism s r e p o r te d from th e
f i e l d to t e l e c a s t h e a d q u a r te r s . T o ta l a c t u a l b a p
tism s a t t r ib u t a b le to " F a ith f o r Today" are
u n q u e stio n a b ly much g r e a t e r than th e above f ig u r e s
in d i c a t e . A ls o , S ev en th -d a y A d v e n tis ts do n o t b a p
t i z e in f a n t s ; th e r i t e , by t o t a l im m ersion , i s
a d m in iste r e d o n ly t o a d u lts and y o u th who have
reach ed th e "age o f a c c o u n t a b ili t y ," u s u a lly 10-12
y e a rs o f a g e.
R e p r e s e n t s b a p tism s r e p o r te d f o r th e p e r io d
1 9 5 0 -1 9 5 2 , and in c lu d e s v ie w er s ta k in g le s s o n s from
s t a t e c o n fe r e n c e B ib le co rresp o n d en ce s c h o o ls b e fo r e
FFT's was o r g a n iz e d .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
563
pray f o r my husband.
I m so happy.
home to one o f p e a c e and h a p p in e s s .
I t has c o n v e r te d my
Mrs. L. W.
P e n n sy lv a n ia 1
The ta k in g o f o n e 's s ta n d f o r C h r is t a l i v i n g C h r is tia n w itn e s s
fe a tu r e s p r o m in en tly i n many l e t t e r s to W illiam F a g a l.
The f o llo w in g
serve to i l l u s t r a t e :
Through th e F a ith f o r Today B ib le co u r se and th e book I
r e c e n t ly r e c e iv e d , By F a ith I L iv e , I have b een le d to ta k e
a f u l l sta n d f o r C h r is t .
I lo o k forw ard to b a p tism in th e
n ear fu tu r e . You can n ot know how d e e p ly g r a t e f u l I am f o r
th e t e l e c a s t and th e b l e s s i n g i t has brou gh t me. Thank you
fo r h e lp in g me to b e t t e r u n d ersta n d th e Word o f God and to
lea rn th e im p ortan ce o f making a f u l l su r re n d er t o C h r is t.
Mrs. D. E. F.
W ashington, D. C .2
" F aith f o r Today" b rou gh t S c r ip tu r e tr u th t o me in a
w onderful way.
I had l i s t e n e d t o many r a d io b r o a d c a s ts and
view ed a number o f t e l e v i s i o n program s, b u t I had n o t
r e a l l y d is c o v e r e d a l l t h a t I was s e e k in g . Now I have tak en
my sta n d f o r C h r is t.
F. W.
M innesota
I e n r o lle d in th e F a ith f o r Today B ib le c o u r se a t th e
New York W orld's F a ir .
I found th e le s s o n s i n s p i r i n g . A
c o n v ic tio n came t h a t I must make a change in my l i f e and
l i v e fo r C h r is t.
I am g r a t e f u l t o F a ith fo r Today fo r
le a d in g me to ta k e t h i s s ta n d .
M iss I . C.
New York4
Reports o f b ap tism s in t o S e v e n th -d a y A dventism , such as th e f o l
low ing, are always e s p e c i a l l y welcom e in F a g a l's o f f i c e :
God has w o n d e r fu lly b le s s e d s in c e I became a b a p tiz e d
member o f th e ch u rch . How happy I am f o r t h i s !
My son
urged me to view " F a ith f o r Today" and I began t o do s o .
I
became con v in ced t h a t h e r e was th e knowledge th a t I had
been s e e k in g . E n r o llin g in th e F a ith f o r Today B ib le co u rse
1I b id . , May, 1964, 2 .
2I b i d . , A u g ., 1966, 2 .
3I b i d ., D e c ., 1966, 2 .
4I b i d . , J a n .,
1967, 2 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
564
I found a r e a l b l e s s i n g .
V a lle j o , C a lif o r n ia .
Of p a r t ic u l a r i n t e r e s t to th e s tu d e n t o f d e c is i o n r esp o n se to
the " F aith f o r Today" t e l e c a s t i s th e phenomenon w hich appears concom i
tan t w ith many d e c is io n s to j o i n th e SDA Church t h a t o f e n te r in g in t o
f u ll- t im e e v a n g e lic a l s o u l-w in n in g work to sp rea d th e "m essage" in a
more a c t iv e c a p a c ity than i s open to th e o r d in a r y w it n e s s in g layman.
One ex-"Mod" te e n a g e r o f th e " sw in g in g ," lo n g -h a r e d s e t r e c e n t ly
wrote o f h is d e c is i o n to e n te r th e g o s p e l m in is t r y :
The B ib le c o u r se i s th e b e s t th in g I have d is c o v e r e d .
I t i s w o n d er fu l.
I t has h e lp e d me a l o t in my everyd ay
th in k in g .
I u sed t o be l i k e o th e r te e n a g e r s :
lo n g h a ir ,
f u l l o f s p i t e f u l n e s s , e t c . Now I am g o in g t o be a m in is t e r
when I grow up. My f a t h e r and mother are d iv o r c e d , b u t I
w i l l n o t w orry. I have th e Lord.
R. L.
Nebraska^
One husband and w if e , c o n v e r te d , d e c id e d t o become c o lp o r te u r s :
My husband and I b o th had w o r ld ly i n t e r e s t s .
In d eed , we
met a t a d an ce. R eal d i f f i c u l t i e s came to our home. Then I
e n r o lle d in th e F a ith f o r Today B ib le c o u r se . Today b o th o f
us r e j o i c e in C h r is t, and we are s h a r in g our f a i t h w ith
o th er s through l i t e r a t u r e e v a n g e lism .
Mrs. C. P .
C a lifo r n ia
W illiam F agal r e c e n t ly w rote o f "Seven Who Were C alled" ^ in t o
the S eventh -day A d v e n tis t g o s p e l m in is tr y th rou gh th e in te r m e d ia tio n o f
Faith f o r Today c o n ta c t.
e x c e e d in g ly d iv e r s e :
1
I b i d ., F e b ., 1967, 2 .
2 I b i d . , F e b ., 1968, 2.
3I b i d . , D e c ., 1966, 2 .
^Review and H era ld , Jan . 2 6 , 1967, 2 - 4 .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
565
James
owned h is own a ir c o n d it io n in g b u s in e s s .
W illiam E.
And i t a l l
f i v e o f th e 80 p e r so n n e l em ployed a t h ea d q u a rters
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
and m in is t r y b u t a ls o f o r th e "mes
V ir g in ia F agal has
T h is i n t e r e s t i n g f a c e t o f th e t e s t im o n ia l co rresp o n d en ce h ig h
lig h t s a th o u g h tfu l o b s e r v a tio n once made by n o w -d ecea sed v e te r a n e d it o r
Francis D. N ich o l in t h i s w r i t e r ' s h e a r in g , t h a t A d v e n tis ts " d o n 't have
many 'g r e a t ' p r e a c h e r s ; b u t we do have a g r e a t m e ssa g e ." A d v en tism 's
th eo lo g y c e n te r s around th e s o - c a l l e d "Three A n g e ls' M essages" o f
R ev ela tio n 14.
^ C ited by W illia m F a g a l, "An Im portant M essage to You From F a ith
fo r Today," supplem ent t o T e l e - n o t e s , J a n ., 1968, 1.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
567
I was v e r y p le a s e d , in f a c t d e li g h t e d , w ith th e
program . . . p r e s e n te d t h i s m orning. I am d is a p p o in te d
th a t I d id n o t g e t th e f i r s t p a r t o f th e program . Would
th e r e be any way t h a t I c o u ld o b ta in a copy o f th e in fo rm a
t io n p r e s e n te d . . . or perhaps i t w ould be p o s s i b l e to
o b ta in th e ad d ress o f th e m is s io n a r y m in is t e r . . . ? I
would l i k e in d ee d t o w r ite them .
D ia b o lic a l p o s s e s s io n su ch as was d e s c r ib e d so w e ll on
th e program i s n o t so w e ll known now adays, and w henever i t
i s m entioned p e o p le te n d to be v e r y u n b e lie v in g . No wonder
th e d e v il can do s o much harm in th e w orld when th e r e are
so many who do n o t even b e l i e v e t h a t he e x i s t s .
C o n g r a tu la tio n s on a f a s c i n a t i n g program.
F a th er C. C.
New Y orkl
W hile l e t t e r s su ch as th e fo r e g o in g from Roman C a th o lic c le r g y
are o f a c o m p a r a tiv e ly r e c e n t v in t a g e , l e t t e r s from P r o t e s t a n t s o f a l l
p e r su a sio n s, su ch as th o se w hich f o llo w , have been flo w in g i n t o th e
F aith fo r Today h e a d q u a r te rs f o r y e a r s in an e v e r - s w e ll in g stream :
I am a L utheran and am a p r a c t i c a l n u r s e . The p a t ie n t
I have now r e q u ir e s c o n s ta n t a t t e n t i o n . T h erefo re I have
no o p p o r tu n ity t o a tte n d s e r v i c e s , s o you can s e e what
"F aith f o r Today" means to me.
Mrs. M. W.
W ashington
I am a Sunday S c h o o l te a c h e r i n th e P r e s b y te r ia n Church
and was i l l tod ay s o had t o rem ain a t home. V iew ing r e l i
g io u s program s, I heard P a s to r F agal t e l l o f h i s v i s i t to
Babylon and th e f u l f i l l m e n t o f proph ecy b e fo r e your e y e s .
I agree w ith what he s t a t e d about th e B ib le and i t s proph
e c i e s b e in g f u l f i l l e d .
I am s u r e , t o o , th a t God i s th e
Author o f th e B ib le . We n eed more p e o p le l ik e P a s to r F agal
to b r o a d c a st t o th e w orld th e t r u t h about God and C h r is t .
Mrs. A. P.i B.
T en n essee
C ite d in T e l e - n o t e s , J u n e, 1965, 2 .
5I b i d . , May, 1966, 2.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
T
\
568
I
I
I
Mrs. J . A.
Canada3
In c o n c lu d in g t h i s s e c t i o n on t e s t i m o n ia l r e s p o n se ,^ b r i e f
1I b id . , F e b .,
1968, 2 .
2I b i d . , D e c ., 1967, 2 .
3I b i d .
4
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
569
T e s tim o n ia l l e t t e r s o f t h i s s o r t are a lm o st in v a r ia b ly th e
r e s u lt o f p u b lic r e l a t i o n s a c t i v i t i e s on b e h a lf o f th e program and
sp ea k er, and th e s e a re no e x c e p t io n .
D uring November, 1964, Gordon F.
D alrym ple, p u b lic a t io n s e d i t o r a t F a ith f o r Today, w rote to co n g res
s io n a l and g u b e r n a to r ia l o f f i c i a l s s o l i c i t i n g words a p p ro p ria te to th e
o c c a sio n o f th e upcoming 15th A n n iv er sa ry .
I t i s an a c c e p te d p a r t o f th e p o l i t i c a l f a c t s o f l i f e th a t
p o l i t i c i a n s respond t o r e q u e s ts o f t h i s s o r t and th e o ld "pros" among
them do i t i n s t i n c t i v e l y , a lm o st as a c o n d itio n e d r e f l e x . For th e f i r s t
law o f p o l i t i c a l l i f e i s s u r v iv a l; and t o s u r v iv e one must (a) p le a s e as
many as p o s s i b l e , and (b) g e t o n e 's name and f a c e , i f p o s s i b l e in
p r in t as o ft e n as p o s s i b l e , and under as fa v o r a b le circu m sta n ces as
p o s s ib le . When th e ca u se to be p r a is e d i s p a t e n t ly as unim peachable as
a r e li g io u s t e l e v i s i o n program o f dem on strated m e r it , and th e prom ise o f
p u b lic a t io n o f sta te m e n t and p o r t r a i t i s made, b o th g o a ls may be met
w ith th e in s t a n t s tr o k e o f a pen and a few s to c k p l a t i t u d e s , however
ponderous and pompous. In d e e d , one th u s l i n e s h im s e lf up as b e in g w ith
the group in fa v o r o f m otherhood and God and a g a in s t s i n , and th a t n e v e r
l o s t anyone a v o t e !
Thus, t e s t im o n ia ls o f t h i s s o r t may have lim it e d v a lu e to th e
stu d en t o f au d ien ce r e sp o n se :
th e w r i t e r ' s m o tiv es may b e s u s p e c t, and
to th a t d egree h i s words are o f d im in ish e d v a lu e .
Add to t h i s problem t h a t o f th e phenomenon o f what th e communic a t i o n i s t s c a l l " sou rce c r e d i b i l i t y . "
One wonders what th e e f f e c t o f
the t e s t im o n ia ls o f such men as C o n n e c tic u t's S e n a to r Thomas J . Dodd
(p u b lic ly exp osed by form er o f f i c e em ployees and C olum nist Drew P earson
fo r m isfe a sa n c e and m a lfe a sa n c e in o f f i c e and su b s e q u e n tly censured by
the S en a te) and M is s o u r i's S e n a to r Edward V. Long (ex p o sed by L ife i n a
th r e e -p a r t s e r i a l f o r h ig h ly q u e s tio n a b le a s s o c ia t io n w ith known hood
lums and members o f th e n o to r io u s M afia crim e s y n d ic a te ) would be upon
th e read er had t h i s t h e s i s been p u b lis h e d a y e a r o r two e a r l i e r .
On th e o th e r hand, even a c r im in a l has h i s moments o f tr u t h , and
h o n est d e s ir e s fo r th e way o f r ig h te o u s n e s s som etim es s p r in g up w ith in
with perm ission of the copyright owner. Further reproduction prohibited without permission.
570
of R e p re se n ta
m ission a t th e
a t th e C apitol,
o rd e r to g r e e t
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
571
D e p a rtm e n t of Ju stice P h o to
Fig. 3 7 .J. E dgar H oover, director, F ed era l B ureau of In v estig atio n , g re e ts W illiam A. F agal a t his
D ep artm en t of Ju stice office, W ashingto n , D.C., M arch 4, 19 6 6 . D uring th e in te rv iew , A m eric a's
No. I police official told th e n a tio n 's first n atio n al te le v isio n p a s to r th a t " 'F a ith for T o d ay ' m akes
an excellent contribution in building up g o o d fam ily life a n d in co m b attin g ju v e n ile d e lin q u e n c y ."
In a public s ta te m e n t issued 10 m onths e a r lie r in co n n ectio n w ith th e te le c a s t's 15th a n n iv e rsa ry ,
H oover said: "T he fam ily has b e e n , from tim e im m em o rial, th e fu n d a m e n ta l co h e siv e fo rce of
society; a n d in its d ed icatio n to th e principles of lib erty , justice, a n d e q u a lity lies th e s tre n g th of
our N ation. The p a s t d e c a d e h as w itn e sse d a n a la rm in g in c re a se in th e in cid en ce o f crim e, a n d
the w ell-being of A m erica is c o n tin g en t u p o n a re v e rsa l of this u n fav o rab le tre n d . This can o n ly b e
accom plished by a w a k en in g in o u r citizenry a se n se of d ev o tio n to th e p rinciples on w hich this
Republic w as e s ta b lish e d . C e rtain ly "F aith for T o d ay ," in dep ictin g w h o leso m e a s p e c ts of fam ily
life, p erform s a co m m en d a b le public s e rv ic e ."
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
572
t o g e th e r w ith
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
573
"Crank11 r e s p o n s e . The f i n a l c a te g o r y o f m a il r e c e iv e d by
W illiam A. F agal i s
r e f u s a l o f th e r e q u e s t o f a s o r t p u b lic o f f i c i a l s r e c e iv e by the s c o r e
d a ily , Gov. Rhodes w ro te:
"Your d e s c r ip t io n o f th e program i s p e r su a
s iv e o f i t s h ig h m e r it, b u t i t i s my u n iform r u le n o t t o comment on
m atters n o t w it h in my p e r s o n a l k n o w led g e."
( L e t t e r from James A. Rhodes,
O ffic e o f th e G overnor, S t a t e o f O hio, Columbus, Nov. 1 8 , 1964, to
Gordon F. D a lr y m p le .)
Rhodes, " b l u f f handsome governor" o f th e 6 th l a r g e s t s t a t e ,
"unquestioned le a d e r" o f th e GOP in O hio, and "one o f th e most s p e c ta c u
la r ly s u c c e s s f u l p o l i t i c i a n s in th e c o u n tr y ," was a c c u se d by L ife
magazine o f f i s c a l and p o l i t i c a l c o r r u p tio n . R hodes, th e y s a id , dipped
in to campaign funds from 1954 through 1957 f o r p e r s o n a l u se to th e
amount o f $ 8 8 ,9 8 2 ($ 1 8 ,9 8 2 o f w hich he d id r e p o r t on a p e r s o n a l income
tax retu rn as " g i f t s and g r a t u i t i e s " ) , among o th e r t h i n g s . The governor
su b seq u en tly r e f u s e d e i t h e r to m eet w ith L ife b e f o r e p u b lic a t io n o f th e
exp ose, or to answ er q u e s tio n s o r even comment on f a c t s dredged up by
th e ir r e p o r t e r s .
(C f. "The Governor . . . and th e M o b ster," and "L eni
ency fo r a Hoodlum" by Denny W alsh, L i f e , May 2 , 1969, 2 8 -3 2 a .)
In view
o f t h is l a t e s t d ev elo p m en t, w hich s e r i o u s l y t a r n is h e s th e g o v e r n o r 's
r e p u ta tio n i f n o t h i s i n t e g r i t y , h i s r e f u s a l to w r it e a t e s t im o n ia l
l e t t e r on b e h a lf o f " F aith f o r Today" i s a l l th e more c u r io u s .
^ L etter from W illia m A. F a g a l, New York, Aug. 7 , 1967.
WA.1..
__
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
574
sou l or s p ir it
read th e
sta te m e n ts
th e S c r ip t u r e s .*
The su b sta n ce o f th e r e p ly , in
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
575
Dear Pastor:
Your l e t t e r a r r iv e d many weeks ago. Perhaps i t would
be b e t t e r i f I d id n o t t r y t o answer i t a t a l l , b u t somehow
I f e l t t h a t you are s i n c e r e , and th e r e fo r e I wanted to w r it e
you.
I h a r d ly know how to ta k e your l e t t e r , b e c a u se you s e e
I , to o , am a b o r n -a g a in C h r is t ia n , t r u s t in g c o m p le te ly i n
th e m e r its o f C h r is t 's sh ed b lo o d f o r my s a lv a t io n .
I am
very s in c e r e in my d e s ir e to b e as e a r n e s t a f o llo w e r o f my
Lord and as f a i t h f u l a shepherd o f th e flo c k as I can p o s
s i b l y b e . To r e c e iv e a l e t t e r from a b r o th e r in th e
m in is t r y , t e l l i n g me t h a t I am l o s t , under th e c o n tr o l o f
S a ta n , and some day to come under th e judgment o f God i s a
b it s ta r tlin g .
To be a ccu sed o f b e in g a d e c e iv e r i s a ls o a b i t d i f f i
c u lt to a c c e p t . I am a S ev en th -d a y A d v e n tist C h r is tia n
m in is t e r . My church a f f i l i a t i o n i s announced e v e r y s i n g l e
Sunday on my program, and t h i s has b een tru e fo r th e 17
y ea rs I have been on th e a i r . At th e c o n c lu s io n o f e v er y
t e l e v i s i o n program th e words ap p ear, "This program was a
p r e s e n t a tio n o f th e S e v e n th -d a y A d v e n tis t Church in your
a r ea ." I s th e r e any way one can i d e n t i f y h im s e lf more
c le a r ly ?
Your u se o f th e word " c u lt" i s u n fo r tu n a te and r e v e a ls a
deep p r e ju d ic e r a th e r than c l e a r in fo r m a tio n . A member o f
your B a p tis t d en om in ation , W alter M a r tin ,! has p u b lis h e d a
number o f books about th e v a r io u s c u l t s and has e n te r e d in t o
much ex am in ation o f them and t h e i r te a c h in g . He has made
th e sta te m e n t in h i s b o o k s ,2 and has made i t on th e a ir in
the New York area on o c c a s io n , th a t S ev en th -d a y A d v e n tis ts
are n o t a c u l t and t h a t th ey a re in d ee d " brethren in C h r is t."
We b e lie v e in J e su s C h r is t and th e m e r its o f h is a to n in g
s a c r i f i c e e x a c t ly as do th e B a p t i s t s . We d i f f e r on what
Mr. M artin r e f e r s to as " o th er m a tte r s .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
and book ,
to t h is i n v e s t ig a t o r upon a n o th er o c c a s io n .
YOU MUST BE JOKING! I! YOU BOTH ARE MENTALLY RETARDED
IF YOU BELIEVE THAT "THE HOLY MAN" (AS YOU CALL HIM) WILL
COME AGAIN!! YOU SAY THAT YOU ARE TO LIVE A TRUE LIFE.
WELL IF YOU BELIEVE THAT WHY ARE YOU TRYING TO FOOL EVERY
ONE BY PREACHING ALL OF THAT MALARCHY [ s i c ] ON YOUR
TELEVISION SHOW? WAKE UP! ! YOU MUST HAVE BETTER THINGS
TO DO WITH YOUR TIME THAN PLAY CHURCH ALL OF THE TIME!! TO
SAY THE LEAST YOU TWO ARE WIPED! ! ! ! 3
F a g a l's o n ly o b s e r v a tio n on t h i s l a s t m i s s i v e , appended t o a
note accompanying i t t o t h i s w r it e r , was:
not r e p ly to i t ;
and I g u e ss I w ould n o t i f I c o u ld .
Overseas
*Z
JAnonymous l e t t e r to F a ith f o r Today, u n d a ted , postm arked Omaha,
N eb., J u ly 10, 1967.
(The l e t t e r was a d d re sse d to " P astor and Mrs.
Fagan. 11 The pun was p rob ab ly in t e n d e d .)
^ L etter from W illiam A. F a g a l, New Y ork, J u ly 1 4 , 1967.
[fcjkti&c*. ..
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
577
We pause
b r i e f l y , t h e r e f o r e , to n o te e v id e n c e s o f a u d ien ce r e sp o n se among p e o p le s
o f c u ltu r e s w hich o f t e n are e s s e n t i a l l y a l i e n to th a t f o r w hich (and in
which) th e program i s i t s e l f p ro d u ced .
Korea
from
th e r e in th e c a p i t a l c i t y :
I am a g i r l s i x t e e n y e a r s o ld . I w atched your TV p r o
gram and f e l t th a t th e c a se was th e same as m ine. I was
moved d e e p ly . I am n o t a b e l i e v e r in J e s u s , but I r e a l i z e d
Munson's in t e r p r e t a t i o n o f th e f i r s t two l i n e s o f t h i s s ta n z a
i s the common one; and, i r o n i c a l l y , i s n o t c o r r e c t . Few go on to c i t e
the very n e x t two l i n e s , w hich p r o v id e an a lt o g e t h e r d i f f e r e n t view :
"But th e r e i s n e it h e r E a st nor W est, B order, n o r B reed, n or B irth ,/W h en
two s tr o n g men sta n d fa c e t o f a c e , though th e y come from th e ends o f th e
earth !" I n s te a d o f r e f u t in g M unson's t h e s i s , K ip lin g , i r o n i c a l l y ,
a c tu a lly su p p o rts i t !
3C ite d in T e le - n o t e s , J a n ., 1965, 3.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission .
578
th e n eed o f f a i t h .
P le a s e g u id e me i n th e way o f f a i t h .
W aiting f o r your answ er.
M iss H. S . K.
S e o u l, Korea^
Ceylon
in h i s e v a n g e l i s t i c m e e tin g s:
South P a c i f i c I s la n d s
~*~I b id .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission .
N ig e r ia
^T e l e - n o t e s , A u g., 1963, 8.
^ I b id . , D e c ., 1964, 3.
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout p erm ission .
"Our c o r r e
A u s tr a lia
A more d e t a il e d stu d y o f th e
In p a r t i c u l a r , he wanted
I b i d . , J a n ., 1961, 1. T h is w r it e r i s in a p o s i t i o n t o v e r i f y
Hughes' r e p o r t; I l i v e d in N ig e r ia du rin g 1953-64 and w itn e s s e d th e
in a u g u r a tio n o f b o th th e new s t a t i o n and th e "F aith f o r Today" t e l e c a s t .
Twice I had o c c a s io n to p r o v id e a l i v e in tr o d u c tio n to th e film e d
program.
In th e summer o f 1964, w h ile I was p rep a rin g to le a v e N ig e r ia
perm anently, two in c id e n t s on th e same day t y p i c a l l y i l l u s t r a t e d
"audience r esp o n se" t o th e t e l e c a s t :
(1) th e E n g lish owner o f a b ea u ty
p a r lo r , an e v a n g e lic a l b e lo n g in g t o th e A p o s t o lic F a ith d en om in ation ,
upon le a r n in g o f my c o n n e c tio n w ith th e m is s io n which sp o n so red " F a ith
fo r Today," asked me to a s s i s t him in o b t a in in g a copy o f a premium book
o ffe r e d fr e e t o th e p u b lic ; and (2) th e American manager o f th e Lagos
branch o f th e Chase M anhattan Bank asked me when I would a gain appear in
person on th e t e l e c a s t , r e c a l l i n g he had s e e n me on a program o r two in
r ecen t m onths.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
581
He d id so :
^Scragg L e t t e r , 2 .
2I b id .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout p erm ission .
HR
T e l e v is io n s t a t i o n management r e s p o n s e . C oncerning th e a c c e p t
a b i l i t y o f th e im p orted F a ith f o r Today program w ith A u s tr a lia n TV
s t a t io n management, S cragg fu r t h e r e la b o r a te d :
The programme i s v e r y w e ll r e c e iv e d in A u s t r a lia .
S t a t io n managers a re a n x io u s to p la c e i t on t h e i r s t a t i o n s ,
and we have no problem s a t a l l as f a r as p la c in g th e
programme.1
Four o f f i c i a l s o f t e l e v i s i o n s t a t i o n s in A u s t r a lia respon ded t o
d ir e c t approaches made b y t h i s i n v e s t i g a t o r .
In s p i t e o f th e f a c t th a t
and TVW-7's
1I b id .
2
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
583
My g e n e r a l im p r e s s io n , h o w ev er, i s th a t th e programme
had h ig h p o p u la r it y as f a r as r e l i g i o u s t e l e c a s t s are
c o n c e r n e d .1
Scragg L e t t e r , 2 .
T
L e tte r from R. J . K ing, radio-T V s e c r e t a r y , Q ueensland C o n fer
ence o f th e S ev en th -d a y A d v e n tis t Church, B r isb a n e , A u s t r a l ia , S e p t. 12,
1966, to N. E. P a sc o e . C ite d h e r e a f t e r as King L e t t e r .
^C ited in T e l e - n o t e s , S e p t., 19 6 2 , 4 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
584
Commenting in an a r t i c l e f o r T e le
C h ild re n , t o o , he c la im e d , l i k e
homes
o f th e p r o
gram;
m essage o f
P a sto r F a g a l."*
F ive y e a rs l a t e r , in 1964, " F a ith f o r Today" was w ith in r ea c h o f
o n e -th ir d o f th e t o t a l p o p u la tio n o f A u s t r a lia .
I t s v ie w in g a u d ien ce
over 1962.
r e q u e s t s , in 1963 up to 1 ,0 0 0 r e q u e s ts w ould
be r e c e iv e d .
1964, 4 - 5 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
585
One m ost rem arkable r e p o r t o f " aud ience resp o n se " t o "F aith f o r
Today" among te e n -a g e you th in A u s t r a lia was r e c e iv e d by th e New York
h ead q u arters in 1964:
A number o f te e n a g e r s w ere v i s i t i n g in th e home o f one o f t h e i r
group a t a tim e when th e p a r e n ts w ere away.
The y o u n g s t e r s , d e c id in g to
Some
1I b id .
R ep ro d u ced with p erm ission of the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
1C ited in King L e t t e r , 2 - 3 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
587
c o n tin e n ts .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
S ix
a t a l l , p a r t ly b e c a u s e , as one resp o n d en t
. . . C hurch."
The la c k o f t h i s d ir e c t v i e w e r - t o - s t a t i o n r e s p o n se was in t e r p r e t e d
v a r io u s ly by management.
with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
Volume o f g e n e r a l v ie w e r r e a c t i o n . C lo s e ly a s s o c ia t e d w ith th e
q u a lit y o f v ie w e r r e s p o n se i s th e q u e s tio n o f volume o f r e s p o n s e .
th e s t a t i o n s su r v e y e d n o te d c o m p a r a tiv e ly l i t t l e
As
d ir e c t r esp o n se from
One gen
with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout perm ission.
590
*7
c o n s ti
TV # 1 2 , P u b lic A f f a ir s D ir e c to r , S o u th - c e n tr a l C o n n e c tic u t,
Aug. 25, 1966.
^TV # 1 1 , P r e s id e n t , W estern C olorad o, Aug. 1 8 , 1966.
^TV # 4 3 .
^TV # 4 4 , Community A f f a ir s D ir e c to r , S o u th -e a s te r n W isco n sin ,
Aug. 23, 1966.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
591
None
Which w ere th e s t r o n g e s t fa c to r s ?
c i t e d by 21
Twelve f a i l e d
R ep ro d u ced with p erm ission of th e copyright ow ner. Further reproduction prohibited w ithout p erm ission .
On th e q u e s tio n o f c o n te n t , management g e n e r a ll y te n d s t o f in d
i t " e x c e lle n t ,
2
" s e n s ib le ,"
" w e l l - s e l e c t e d s u b j e c t m a t te r ."
One
te n t as " t y p ic a l p r e a ch er f a r e ."
C oncerning th e F agal d e liv e r y and p erfo rm a n ce, one Canadian p r o
du ction manager summed up th e f e e l i n g o f perhaps a dozen o f th e
respon dents among h i s c o lle a g u e s when he w ro te:
Fagal i s a sp e ec h p e r f e c t i o n i s t who has o b v io u s ly w e ll
r eh ea r sed e v e r y p h r a s e . . . . He lo o k s s t r a i g h t a t th e
camera and has no a f f e c t a t i o n s . He sp eak s d e l i b e r a t e l y and
c le a r ly w ith l i t t l e em o tio n . A s m ilin g co u n ten a n ce en h a n ces
h i s d e liv e r y . H is sp eech i s to o p r e c is e in d ra m a tic s k i t s . 9
3TV #12.
^TV # 9 , Program D ir e c t o r , C en tra l C a lif o r n ia , S e p t . 7 , 1966.
^TV # 4 2 , Program D ir e c t o r , S o u th -c e n tr a l West V i r g i n i a , Aug. 18,
1966.
%V #4 7 , P r o d u ctio n Manager, A lb e r ta , Canada, Aug. 2 9 , 1966.
J
with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
593
he s a i d .
(" p rob ab ly
a p u b lic
a f f a ir s d ir e c t o r o b se r v e d .
*TV #12.
2
1966.
3TV # 4 2 .
4
1966.
5TV #44.
3TV # 3 7 , P rogram /O p eration s Manager, C en tra l T e x a s, S e p t . 6 , 1966
7TV # 4 9 .
*2TV # 4 2 .
8TV #26.
9TV # 4 3 .
*TV # 3 2 .
**TV # 1 8 .
*3TV # 1 2 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
594
N oted a Canadian p r o d u c tio n manager:
F agal appears as an i n t e l l i g e n t c o n s c ie n t io u s commenta
t o r who seem s to r e p r e s e n t "Joe C i t iz e n ." He c e r t a i n l y i s
n o t dynam ic, b u t he i s q u it e b e l i e v a b l e . 1
Only one n e g a t iv e comment was r e g i s t e r e d , e x p r e s s in g a d m itte d ly
a p u re ly p e r s o n a l r e a c t io n :
F a g a l's p e r s o n a lit y i s g e n e r a lly c o n s id e r e d warm and
a p p e a lin g , a lth o u g h h i s a i r p e r s o n a li t y i s somewhat s a c c h a
r in f o r my t a s t e s . 2
same c a te g o r ie s o f c o n te n t , d e l i v e r y , and p e r s o n a l i t y .
In ta b u la r form , as r eg a r d s c o n te n t com parison,
grade o f "A" ( " e x c e lle n t " )
F agal r e c e iv e d a
him a "B"
17 ranked
him in th e
7
w h ile
lrrv #4 7 .
2TV # 1 .
7
The r ea d er sh o u ld keep in mind th a t th e s e "grades" are g iv e n in
the c o n te x t o f com paring F agal w ith o th e r t e l e v i s i o n c le r g y , and n o t in
the c o n te x t o f th e p u b lic p la tfo r m o r p u l p i t .
In ord er even to s u r v iv e
on t e l e v i s i o n , a p r e a c h e r must b e more th an " average" ; and a grade o f "C"
here in d ic a t e s n o t th a t F agal i s an a v e r a g e , o rd in a ry p rea ch er; b u t ,
r a th e r , t h a t he i s m erely t y p i c a l o f th a t s p e c i a l b r e ed who are dem onstra
b ly good enough to g a in and m a in ta in a t e l e v i s i o n f o ll o w in g .
^TV # 3 0 , Program M anager, N o r th -e a s te r n O hio, Aug. 17, 1966.
i f ____
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
"grade" w h atever t o t h i s c a te g o r y .
In d e s c r ib in g W illiam F a g a l's d e l i v e r y , resp o n d e n ts u se d such
e x p r e ssio n s as " f i n e , smooth p r e s e n t a t io n - - g o o d ap p earan ce" ;2 " m id d leroad e f f e c t iv e n e s s " ; ^ and "demands a t t e n t io n ." ^
S li g h t q u a l i f i c a t i o n was v o ic e d by two o f th e r e sp o n d e n ts.
S a id
one:
He appears to speak from th e h e a r t . H owever, he te n d s to
be m onotone. H is p a c in g i s good. He does n o t u se h i s
hands t o em phasize a p o in t w hich m igh t h e lp . On th e o th e r
hand, he i s a t a l k e r , n o t a p r e a c h e r . ^
And, observed th e o th e r :
Sometimes to o s a n g u in e --so m e tim e s to o co n d escen d in g ; b u t on
the w h o le, b e t t e r th an m o s t . 6
F i n a lly , in th e a rea o f p e r s o n a l i t y , F agal fa r e d q u it e w e ll in
comparison w ith o th e r clergym en on t e l e v i s i o n .
A gain, u s in g th e t y p i c a l
XTV #47.
2
3
1966.
^TV # 4 8 , Program S u p e r v is o r , Nova S c o t i a , Canada, S e p t. 7 , 1966.
5TV #47.
6TV # 3 0 .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
In t h e i r e y e s , F a g a l was:
Good p r o j e c t io n o f p e r s o n a l i t y . ^
Less p e r so n a b le than so m e --b u t t h i s i s hard to j u d g e .4
Not q u ite in th e same le a g u e w ith B ishop Sheen or B i l l y
Graham, b u t p r e t t y good n o n e t h e le s s .^
Again
2TV #47.
TV #46,
4TV #28.
5TV #26.
3TV #42,
6 I b id .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
m th e dram atic s k i t s .
12
11
and to
and th e p erfo rm
1TV # 1 .
2TV # 49.
4TV # 9 , #1 8 .
5TV #12.
3TV # 3 2 .
8TV # 1 .
n TV #37.
12TV #44.
13TV #49.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
"This w ould
" P le a s in g , b u t n o t
Summary
W illiam A. F a g a l, th e f i r s t n a t io n a l t e l e v i s i o n p a s t o r in N orth
America and in A u s t r a lia , h as had a s u b s t a n t i a l l y p e r v a s iv e in f lu e n c e
not o n ly upon h i s h e a r e r s in p a r t i c u l a r b u t a ls o upon th e c u lt u r e s o f
both o f th e s e c o n t in e n t s .
The N ie ls e n su r v ey i n d i c a t e s t h a t th e " F a ith f o r Today" v ie w in g
audience in th e U n ited S t a t e s , in 1966, was composed la r g e l y o f fem a le
a d u lt s , who outnumber t h e i r a d u lt male c o u n te r p a r ts by a f a c t o r o f
n ea rly th r e e to on e.
3TV # 1 1 .
4 TV # 3 5 , # 4 7 .
5TV # 4 6 .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
6 TV # 1 .
A t o t a l o f 4 .7 2 m i l l i o n
co rp o ra tio n e x e c u t iv e s t o h o u se w iv e s and h ig h s c h o o l s t u d e n t s .
V iew ers have c o n tr ib u te d $ 5 .5 3 m il lio n d o lla r s th rou gh th e m a il
alone to su p p o rt th e t e l e c a s t and i t s
a u x i l ia r y s e r v i c e s d u rin g 1951-
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in t o i t s membership d u rin g 1 9 5 0 -1 9 6 8 .
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CHAPTER V I I
Then, t o o , th e r e i s o f t e n
F i n a lly , th e
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t h is m in is t e r in a l i v e , f a c e - t o - f a c e com m unication e x p e r ie n c e .
I t came to f u l l flo w e r in th e
and s u r v iv e s to d a y , i f
~*~Ayer D ir e c t o r y , 1967:
514.
2
James H. S m y lie , "Camp M eetin g ," E n c y c lo p e d ia Am ericana V
(1968): 2 9 2 -9 3 .
3SDA Y earbook, 1965-66:
46.
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603
as f a r as 100 m ile s
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
604
Q u e s tio n n a ir e f a c t o r s . As th e c o n g r e g a tio n g a th e r e d on t h is
Saturday e v e n in g , to c lo s e b o th i t s
Sabbath and i t s
Of th e 3 ,0 0 0 form s d is t r ib u t e d ,
in
ander model by t h i s w r it e r .
One f e a t u r e p r o m in e n tly (and d e l i b e r a t e l y ) r e t a in e d , how ever,
was th e "open-ended" n a tu r e o f th e r e s p o n s e :
p r o v is io n f o r a modest
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the
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
$
1?
(35.8%) by n e a r ly two to o n e.
The sam ple a u d ien ce was overw h elm in gly composed o f m arried p e r
sons (78.1% ), w h ile widows and widow ers (8.9% ), th e s i n g l e (8.7% ), and
th e d iv o r c e d and th e s e p a r a te d (3.5%) made up th e b a la n c e o f th e p o p u la
t io n sam p le.
Not u n e x p e c te d ly , in v iew o f th e n a tu re o f th e o c c a s io n , 98.1%
o f th e resp o n d en ts in d ic a t e d membership in th e S ev en th -d a y A d v e n tist
Church, and g e n e r a lly tend ed to r e p o r t a tten d a n c e a t i t s s e r v ic e s as
" r e g u la r ."
Of th e 23 n o n -A d v e n tist v i s i t o r s p r e s e n t and p a r t i c ip a t i n g th a t
e v e n in g , membership in th e f o llo w in g b o d ie s was r e g is t e r e d :
B a p t is t ,
aged"a g a in , n o t s u r p r is in g s in c e s e p a r a te e v en in g s e r v ic e s were h e ld
;
male r esp o n d e n ts) and women (19.91% o f fem ale r esp o n d e n ts) was 41-50
years.
I n t e r e s t i n g l y , an
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
607
a d d it io n a l 119 o f th e 1 ,0 5 0 r e s p o n d e n ts (11.34%) r e p o r t e d s t i l l f u r t h e r
e d u c a tio n a l a tta in m e n t in advance o f a b a c c a la u r e a t e d e g r e e .
Of th e 35
I f th e
l i s t e d employment i n one o f 12 d i f
fe r e n t p r o f e s s i o n a l c a t e g o r i e s , w h ile a n o th e r o n e - t h i r d (325 r e s p o n d e n ts )
in d ic a t e d t h e i r o c c u p a t io n a l s t a t u s as e i t h e r "housew ife" or some o t h e r
s p e c i f i e d form o f d o m e s tic en d eav or.
The a u d ie n c e , w h ile c e r t a i n l y n o t t y p i c a l o f th e g e n e r a l American
p o p u la tio n as a w h o le , appears t o b e , how ever, r a t h e r t y p i c a l o f an
A d v e n tist-d o m in a te d g a t h e r in g .
H a r t z e l l S p e n c e , i n a c h a p te r on S e v e n th -
* I t i s , o f c o u r s e , q u i t e p o s s i b l e t h a t th e b e t t e r - e d u c a t e d among
those r e c e i v i n g th e q u e s t i o n n a i r e would be more i n c l i n e d t o com plete i t .
However, A d v e n t is t s g e n e r a l l y te n d t o f a v o r o b t a in in g more e d u c a tio n
somewhat more than th e g e n e r a l p o p u la t i o n ( s e e b e l o w ) .
^Spence, 167 -68 .
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608
2 3
*
Review
2 I b i d . , 40.
7
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609
R espondents were a sked w h at, s p e c i f i c a l l y , prompted them t o come
to t h i s p a r t i c u l a r m e e tin g ; and, a f t e r t a b u l a t i n g th e r e t u r n s , t h e r e
could be b u t l i t t l e
prime, s t a r a t t r a c t i o n .
Some 34.2% o f th e r e s p o n d e n ts e x p l i c i t l y s t a t e d t h a t th e y had
come becau se t h e y w ish e d t o h e a r P a s t o r F agal sp e a k ; and 26.6% m entioned
e i t h e r the t e l e c a s t by name or th e F a ith f o r Today Q u a r te t or o r g a n i s t
as a m o t iv a t in g f a c t o r i n t h e i r d e c i s i o n t o a t t e n d .
Fagal was no s t r a n g e r t o t h i s c o n g r e g a t io n :
91.4% r e p o r t e d
m e d ic a l t e c h n i c i a n .
^GL #215; 6 5; l i c e n s e d p r a c t i c a l n u r s e .
^GL #240; 62;
h o u s e w if e .
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610
To h e a r an i n s p i r e d Man o f God p r e a c h .^
I ' v e heard him b e f o r e , and was im p r e s s e d .2
Enjoyment o f th e q u a r t e t ' s s i n g i n g and th e s i n c e r e y e t
s p a r k lin g p r e s e n t a t i o n o f E ld . F a g a l ' s . 3
P a s to r F a g a l 's s t y l e i s dynamic and i n s p i r i n g . Never m iss
a chance t o l i s t e n t o him. 4
Balance betw een "head a p p ea l and h e a r t a p p ea l. . . . "3
The r esp o n se o f s e v e r a l n o n - A d v e n t is t s i s worthy o f n o t e .
An
A Mormon h o u s e w ife
A t y p i c a l l y in d ep en d en t s t r e a k in th e A d v e n tis t p e r s o n a l i t y was
r e v e a le d i n a d v e r t a n t l y by s e v e r a l r esp o n d e n ts who knew th e pu rp ose o f
the q u e s t io n n a ir e and y e t r e s i s t e d a n a t u r a l te m p ta tio n t o g i v e a "patsy"
answer in ord er t o " b u ild up" th e "image" o f " t h e i r man."
Not a l l came to th e s e r v i c e b e c a u se Fagal was th e s c h e d u le d
speaker; and th e candor w it h which th e y r e f u s e d t o h id e t h i s f a c t was
ra th e r r e f r e s h i n g t o t h i s i n v e s t i g a t o r as he n o ted some r e p l i e s t o the
q u e s tio n :
1GL #381; n o t g iv e n ; p h y s i c a l t h e r a p i s t .
2GL #437; 38; e n g in e e r .
3 gl #474; 45; h o u s e w if e .
4 gl #594; 47; s a le sm a n .
5 gl #714; 44; te le p h o n e company s e r v i c e r e p r e s e n t a t i v e .
6 gl #172; 29; i n s p e c t o r ; no r e l i g i o u s a f f i l i a t i o n l i s t e d .
7gl #140; 44; h o u s e w ife ; Mormon.
8gl #754; 23; s e c r e t a r y ; no r e l i g i o u s a f f i l i a t i o n l i s t e d .
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611
I c u s t o m a r ily go to a l l t h e e v e n in g m e e t i n g s . 1
I w o u ld n 't want t o m iss l a s t m e e tin g o f camp m e e tin g .
i s u s u a l l y g o o d .2
Came t o a t t e n d s e r v i c e s .
Daughter sang a s o l o . 3
Came w ith my aunt and u n c l e - - n o p a r t i c u l a r r e a s o n .^
C h ild ren w anted t o a t t e n d camp f i r e . 5
The bus s t a y e d , s o I d id , to o !
I am g la d .^
My w i f e . 7
It
And one r e s p o n d e n ts r e p l y may o r may n o t have been conrpliment a r y - - f r o m t h e c o n t e x t i t was im p o s s ib l e t o determ ine:
"No m eetin g
b e t t e r t o a tte n d ."
Some 140 r e s p o n d e n ts
(13.3% o f th o se p a r t i c i p a t i n g ) f a i l e d to
many o f h i s o t h e r sermons p r i o r t o
b e n e f i t o f an announced sermon t i t l e .
It
l a t e 1966) d e l i v e r e d w ith o u t
was e x p o s it o r y i n method and
n a r r a t iv e in form, d e a l i n g w it h a p a s s a g e o f S c r ip tu r e (John 1 : 3 5 - 4 2 ) .
A f t e r a b r i e f p r e - i n t r o d u c t i o n "warm-up," o f th e ty p e so common
in th e b r o a d c a s t s i t u a t i o n
^GL #825; n o t l i s t e d ; s t u d e n t .
GL #861; 33; h o u s e w if e .
7GL #1038; n o t l i s t e d ; p a i n t e r .
GL #567; 24; h o u s e w if e .
^Cf.
Appendix G f o r t r a n s c r i p t i o n .
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612
In a n a l y s i s , th e sermon does n o t admit o f th e custom ary t r i p a r
t i t e d i v i s i o n (o r any o th e r c l e a r - c u t major d i v i s i o n , f o r t h a t m a t t e r ) ,
b ein g an e x p o s i t i o n o f a n a r r a t i v e .
t h a t are c h r o n ic le d .
By i m p l i c a t i o n , F agal d is c o v e r s John t o be
one o f
Simon P e t e r ' s
b r o th e r , Andrew).
Fagal p ro ceed ed t o show t h a t as th e y f o ll o w e d th e M aster a f a r
o f f , C h r ist tu r n e d , s e i z i n g th e " d iv in e i n i t i a t i v e , " and a d d r e s se d them
f i r s t , i n v i t i n g them t o come v i s i t w ith Him in His home.
So, J e s u s ,
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(1) h i s b r o t h e r , Simon P e t e r ;
(2 ) th e
in d e e d , n o t p l a c i n g him i n
t h e most
c r e d it a b le l i g h t , t a k in g th e onus on h i m s e l f , th e b e t t e r t o i l l u s t r a t e
h is p o in t.
The e n t i r e m essage i s perhaps b e s t e p ito m iz e d by t h e s e few s e n
te n c e s taken from t h e c o n c lu d in g p o r t io n o f th e e v e n in g m e s sa g e , when he
d e c la r e s t h a t , f o r h im , "th e most t h r i l l i n g p a r t o f th e g o s p e l message"
is:
J e su s s e e s yo u , j u s t as you are i n a l l your w ea k n ess. He
knows a l l yo u r m i s t a k e s , He knows w h a t's wrong w ith you;
you d o n 't n eed t o t e l l Him t h o s e t h i n g s , He s e e s a l l t h a t .
But He s e e s beyond a l l t h a t . He has c o n fid e n c e i n you. He
s e e s what you can be w ith H is b l e s s i n g , what yo u r l i f e ,
u n ite d t o His l i f e , can produce f o r Him.
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614
W illia m
e x p r e s s io n s were f r e q u e n t ly c o l l o q u i a l .
He spoke a t a mean a v e r a g e r a t e
to
le ft
^Sermon on Andrew, 1 0 -1 1 .
2
The median r a t e was 175 w .p.m . , and th e mode was 167 and
172 w.p.m.
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I
v
615
in th e p r e - i n t r o d u c t i o n "warm-up" to th e f i n a l words o f h i s c o n c lu d in g
pr a y e r.
During t h e t e l l i n g o f s e v e r a l r a t h e r ex ten d ed s t o r i e s by way o f
p e r so n a l i l l u s t r a t i o n - - s t o r i e s which had a p a r t i c u l a r l y h ig h e m o tiv e
v a lu e th e a u d ie n c e appeared a lm o st r e l u c t a n t t o b r e a t h e .
(F agal i s an
l a r g e l y , and look
d i r e c t l y i n t o t h e f a c e s o f h i s c o n g r e g a t io n th ro u g h o u t.
Eye c o n t a c t was
to
th e p la t fo r m t o g r e e t
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616
An A n a ly s is o f Q u e s t io n n a ir e Response t o W illiam F a g a l 's P u l p i t P rea ch in g
E t h i c a l p e r s u a s i o n . In th e f i r s t q u e s t i o n under P a rt I I , members
o f th e au d ien ce were i n v i t e d t o e v a l u a t e P a s to r F a g a l s e t h i c a l p e r s u a
s i o n on th e b a s i s o f h i s v o i c e , manner, and appearance.
A t o t a l o f 979
o f the t h r e e c a t e g o r i e s . )
T y p ic a l o f th e r e p l i e s - - t o g e t h e r w ith th e b a s e s f o r them --w ere
th ese:
A d e d ic a t e d , c u l t u r e d , s i n c e r e C h r i s t i a n , which you w ished
you were l i k e h i m . 1
S in c e r e and c u lt u r e d : h i s c l o t h i n g i s c o n s e r v a t i v e , h i s
v o ic e and manner are q u i e t , f o r c e f u l , and e a r n e s t ; h i s
grammar i s c o r r e c t ; h i s message i s from God, I b e l i e v e . 2
A happy p a s t o r , b u t an a v id r ea d er and q u i t e c u r io u s :
b ecause he has q u i t e a s e n s e o f humor, b u t someone who i s
very f a m i l i a r w ith Gods h o ly word.^
Dynamic, a l e r t t o t o d a y 's mode o f t h i n k i n g .
s t o r y - t e l l e r , man o f c o n v i c t i o n . 4
S i n c e r e , good
respondent e x p r e s s e d a s i m i l a r view on h e r q u e s t i o n n a i r e :
"This was n o t
one o f th e b e s t sermons I ' v e h eard from P a s to r Fagal (GL #614; 33;
o ffic e secreta ry ).
There may be two p r e d is p o s in g ca u ses f o r t h i s e f f e c t :
(1) t h i s was th e t h i r d sermon Fagal had p r e a ch ed , t o c o n g r e g a t io n s num
b e r in g i n th e th o u s a n d s , i n th e l a s t 24 h o u rs; t h i s a lo n e c o u ld produce
g r e a t p h y s i c a l s t r a i n ; and (2) Fagal was aware t h a t th e q u e s t i o n n a i r e s
had been d i s t r i b u t e d t o o n e - t h i r d o f h i s a u d ie n c e , and t h a t t h i s au d ien ce
would be w a tc h in g e v e r y word, e v e r y move, e v e r y g e s t u r e w ith an u n u s u a lly
c r i t i c a l e y e ; and t h i s th o u g h t , t o o , may have prov ed u n s e t t l i n g , subcon
s c i o u s l y . N e v e r t h e l e s s , even when n o t a t i t s b e s t , t h i s F agal p r e s e n t a
t i o n made a tremendous im p r e s s io n on th e v a s t m a j o r it y o f h i s c o n g r e g a t io n
th a t e v e n in g , as i s e v id e n c e d by th e r e s p o n s e s c i t e d i n th e s e c t i o n which
fo llo w s im m e d ia te ly .
1
GL #222; 62; p h y s i c a l t h e r a p i s t .
GL #262; 44; p h y s i c i a n .
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617
GL #378; 49; t e a c h e r .
GL #568; 27; r e g i s t e r e d n u r s e .
6 gl #647; 56; n u r s e .
GL #690; 36; h o u s e w if e .
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618
o t h e r s . He can t o l e r a t e a m b ig u ity i n o t h e r p e o p le b e c a u s e
he i s open-minded: a t th e b e g in n in g o f th e sermon he
warned a g a i n s t premature c l o s u r e and c l o s e d b e l i e f s (o r
c l o s e d m in d s ).*
Only a s m a ll m in o r it y (1.6%) o f r e s p o n d e n ts who answered t h i s
q u e s tio n (16 o f 979) l i s t e d q u a l i t i e s c h a r a c t e r i s t i c o f what one might
speak o f as " n e g a tiv e e t h o s . "
To one, F agal was " a lm o st t o o good t o be t r u e . "
A nother found
in th e p u l p i t "
One o b j e c t e d t o " s la n g e x p r e s
( a lt h o u g h s im u lt a n e o u s ly a d m ittin g t h a t " i t
A c o lle g e ju n io r
C.
"a l i t t l e
fe m in in e i n h i s conduct and f a c i a l
e x p r e s s io n (th e v o i c e i s a l l r i g h t , th ough)."
Only one e x p r e s s e d a f e e l i n g t h a t Fagal "has a way t h a t makes
him seem a s h o w - o f f ."
And a s l i g h t la c k i n th e dynamism o f d e l i v e r y
S a id
GL #579; 31; c o u n s e l o r .
And one
GL #5; 26; r e g i s t e r e d n u r s e .
GL #310; 22; s t u d e n t .
GL #321; 37; b i o a n a l y s t .
GL #429; 43; f i n i s h c a r p e n t e r .
8,
GL #358; 33; d e n t i s t .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
619
7
p e r s o n ,"
d e f i n i t e l y d id n o t
o f th e v a s t m a j o r it y o f r e s p o n d e n t s , who o v e r
Vocal q u a l i t y .-- T h e s ec o n d q u e s t i o n r e l a t e d t o v o c a l q u a l i t y ;
and p a r t i c i p a n t s i n
d i f f i c u l t to li s t e n
to th e Fagal sp e a k in g v o i c e .
or
Some 987 r e p o r t e d i t e a s y t o l i s t e n t o , w it h an a d d i t i o n a l 30
g iv in g a q u a l i f i e d "yes" v o t e .
made no r e s p o n se w h a te v e r.
audience" ) .
^GL #481;
57;
hear o p era to r.
^GL #439;
34; c a r p e n t e r .
^GL #190; n o t l i - t e d ;
^GL #992;
67;
h o u s e w if e .
^GL #106;
^GL #493;
63;
n u r s in g e d u c a to r . GL #801;
f a c t o r y foreman.
^GL #892; n o t l i s t e d ; e l e v a t o r s t a r t e r .
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620
tr o u b le k e e p in g awake; I e n jo y e d e v e r y moment" ) .
Many spoke a p p r o v in g ly o f th e w e ll-m o d u la te d q u a l i t y o f th e
Fagal sp e a k in g v o i c e ( " f l u c t u a t e s h i s ton e enough t o a v o id any h i n t o f
7
Another
f e l t t h a t th e v o c a l v a r i e t y compensated f o r th e d is a d v a n ta g e s u f f e r e d
from an u n fa v o r a b ly l o c a t e d s e a t ("I dont have t o be so c l o s e and look
c l o s e a t h i s g e s t u r e s " 3) .
E n u n c ia tio n and p r o n u n c ia t io n were b o th d e s c r ib e d v a r i o u s l y as
^
7
8
" c le a r ," " p l a i n ," and " d i s t i n c t " ;
and s i x who i d e n t i f i e d th e m se lv e s
as h a r d - o f - h e a r in g r e p o r t e d "no t r o u b l e a t a l l in h e a r in g and understa n d in g him."
11
13
12
yet
) , rh y th m ica l (" e a sy -r u n n in g s p e e c h ,
15
GL #98; n o t l i s t e d ;
2'GL
_
c o l l e g e th e o lo g y major.
#890; 43; ,h o u s e w if e .
3g l # 7 3 7 .
42
; bookkeeper.
4GL #579.
3 GL #946; 61; h o u s e w if e .
6 GL #19.
GL #215; 65; l i c e n s e d p r a c t i c a l n u r s e .
^GL #989; 57; m erchant.
11GL #830; 26; s t u d e n t .
13GL #515; 43; p a i n t e r .
10 GL #560; 69; r e t i r e d .
12GL # 1 9.
14GL # 6 8 8 ; 63; f u r n i t u r e m anufacturing.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
621
1
ers" ) .
w hich
and 30 d i f f e r e n t respon d
" sk ille d
. . . use o f t h e m ic r o p h o n e ." 1
Vocal q u a l i t i e s d e t e c t e d i n th e Fagal v o i c e w ere:
r eso n a n ce
1O
14
17
);
1 >7
and "rotund"
) ; candor
2GL #334;
3GL # 6 8 6 ; 39; c o n t r a c t o r .
5 gl #262.
6GL #546; 18 s t u d e n t .
7gl #844; n o t l i s t e d ; te a c h e r .
21
; c a b in e t b u i l d e r
9 gl #278; 34; m i n i s t e r .
10GL #337; n o t l i s t e d ; academy p r i n c i p a l .
n GL #332; 61; r e t i r e d s c i e n c e t e a c h e r .
12 gl #60; 24; h o u s e w if e .
14 gl #25; n o t l i s t e d ;
lite r a tu r e e v a n g e list.
68
; teacher.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
1
2
3
("frank" ) ; m u s ic a l (" h is v o i c e i s s w e e t m usic t o me"; " m e lo d io u s,"
4
5
"euphonious" ) ; " e n t h u s i a s t i c " ;
c h e e r f u l ("happy,"
11
) ; u n s o p h i s t i c a t e d ("down t o e a r t h ,"
12
" s t r a i g h t t o th e
A market r e s e a r c h i n t e r v i e w e r
observed:
: GL #409.
3 gl #872; 66; l i t e r a t u r e e v a n g e l i s t .
4 gl #340; 71; r e t i r e d t e a c h e r .
6 gl #526; 34; h o u s e w if e .
7gl #675; 29; elem en tary s c h o o l t e a c h e r .
GL #217; 36; n u r s e .
n GL #600; 29; t e a c h e r .
12 gl #1015 ; 21; s t u d e n t .
13 gl #409.
14 gl # 6.
19GL #716.
c lerk .
24GL #3 70 .
26 gl #462; 34; s e c r e t a r y .
2 2 gl #15; 50; t e a c h e r .
2 5 gl #63; 50; highway e n g in e e r .
27 gl #620; 60; h o u s e w ife .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
623
o f c o u r s e , im p o s s ib l e t o p l e a s e e v e r y o n e ; but o n ly 34 o f
one r e p o r t e d d i f f i
3 GL #497; 22; t e a c h e r .
4 gl #353; 72; h o u s e w if e .
5 gl #680; n o t l i s t e d , s tu d e n t
6 gl #788; 36; p h y s i c i a n .
7 gl #858; 39; h o u s e w i f e .
9 gl #528; 59; r e t i r e d .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
624
I n t e r e s t / a t t e n t i o n f a c t o r s . The t h i r d q u e s t i o n d e a l t w ith
i n t e r e s t - and a t t e n t i o n - f a c t o r s i n th e sermon and i t s d e l i v e r y ; and
respondents were asked i f th e y had found th e m essage i n t e r e s t i n g and
easy t o l i s t e n t o .
Some 957 r e s p o n d e n ts (97.4% o f t h o s e r esp o n d in g ) r e p l i e d w it h an
u n q u a l if ie d " y e s."
seven s a i d , "no."
Some 68 made no r e s p o n se w h a te v e r to th e q u e s t i o n .
la n g u a g e ,
human i n t e r e s t , " 4 " a p p r o p r i a t e ," 3 " p r a c t i c a l , " ^ " c o n c r e t e ," '7 " h e a r t
warming,"^ " a p t," ^ "sim ple and warm,"*9 and " a r r e s t i n g . " ^
3GL #114; n o t l i s t e d ; h o u s e w if e .
6 gl #336; 63; h o u s e w if e .
7 gl #413; 40; d e n t i s t .
00
5 gl #325; 43; p h y s i c i a n .
CD
4 gl #182; 48; h o u s e w if e .
#847; 35; B ib le t e a c h e r .
9 gl #566; 41; r e g i s t e r e d n u r s e .
10GL #651; 42; h o u s e w if e .
n GL #701; 57; custom er i n v e s t i g a t i o n .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
625
A t e le p h o n e o p e r a to r n o t e d t h a t F a ga l " t o ld e x p e r ie n c e s w ith o u t
too much d e t a i l , " add ing t h a t "sometimes to o much d e t a i l makes th e s t o r y
d r a g ." 1
A f a c t o r y worker a p p r e c ia t e d F a g a l 's method o f u s in g " s t o r i e s o f
the p a s t , framed i n i l l u s t r a t i o n s ,
hearers.
t o f i t th e p r e s e n t "
needs o f h i s
Another m entioned
^GL #688.
^GL #876; n o t l i s t e d ; a d m in is t r a t o r .
GL #191; 40; c e r t i f i e d p u b l i c a c c o u n ta n t.
^GL #354; 6 5 ; t e a c h e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
626
He s t r e s s e s th e p o i n t a l l th e way th ro u g h .
He made h i s
p o i n t . . . . He came t o t h e p o i n t from th e f r o n t door and
n o t th e b a c k . 2 A l l p a r t s o f t h e sermon c o n t r ib u t e d t o th e
main id e a .^
L o g ic a l b u t n o t monotonous; h o p e f u l b u t n o t c a n d y - c o a t e d .4
R eveals new th o u g h ts and f a c t s l i t t l e known t o average
B ib le s t u d e n t s . Makes B i b l e l i v e in modem world.**
J u s t enough humor w ith o u t s i l l i n e s s . ^
He i s c a r e f u l t o g i v e h i s t o r i c a l background which makes
B i b l i c a l i n c i d e n t s modem a p p l i c a t i o n s .
Never r e f e r s t o
o t h e r B ib le e x p e r ie n c e s as background w ith o u t e x p l a i n i n g
th em --so n e c e s s a r y t o new B i b l e s t u d e n t s . 7
Thoughts flo w sm o o th ly .
Brought out p o i n t s i n f a m i l i a r
B ib le s t o r y t h a t made me s e e m y s e l f and my f a i l i n g s through
h i s p o i n t i n g out the f a i l u r e s o f th o s e men o f lo n g ago.**
E x c e l l e n t o r g a n i z a t i o n and l o g i c a l developm ent; i m a g i n a t i v e .
I a p p r e c ia t e d th e f a c t t h a t i t was B i b l i c a l .9
W e ll-d e v e lo p e d , w ith a p p l i c a t i o n s a t s h o r t i n t e r v a l s ,
i n s t e a d o f one lo n g d i s s e r t a t i o n w ith a b r i e f a p p l i c a t i o n
a t th e e n d . 10
One h o u s e w ife f e l t th e F agal message t o be a welcome c o n t r a s t to
some sermons sh e had a p p a r e n tly p r e v i o u s l y s a t th rou g h .
For h e r , th e
p r e s e n t a t io n was i n t e r e s t i n g and e a s y to l i s t e n t o b e c a u s e :
An o v e r l y - s t u d i o u s , h ig h - s o u n d in g sermon i s o f t e n hard t o
fo llo w .
I c o n s id e r m y s e lf a good s t u d e n t , bu t d o n 't e n jo y
a sermon o n ly e a s i l y u n d e rsto o d by a Ph.D. A sermon sh o u ld
have som ething t o "take h o ld o f , " so m eth in g to ta k e h o m e .H
And F a g a l's o b v i o u s l y d id f o r her!
D e liv e r y was th e t h i r d major c a te g o r y i n a s s e s s i n g i n t e r e s t - and
a t t e n t i o n - h o l d i n g f a c t o r s l i s t e d b y r e s p o n d e n ts .
: GL #359; 30; h o u s e w if e .
3 GL # 863; 39; h o u s e w if e .
4 gl #159; 49; t e a c h e r .
5 gl #686.
6 gl #722; 44; o f f i c e s u p e r v i s o r .
7 gl #447; 40; t e a c h e r .
^GL #699.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
627
F in a lly , a
They ranged
*GL #12.
3GL #882;
5 GL #429.
**GL #868;
79; h o u s e w if e .
7GL #579.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
th ro u g h o u t th e program!
Only one
1GL #528.
^ GL #244;
30; t e a c h e r ; e x - B a p t i s t .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
629
Grammar was
Other m is c e ll a n e o u s f a c t o r s were i s o l a t e d by
4 gl #480.
5 gl #874; 69; r e t i r e d s c h o o l t e a c h e r .
7gl #331; 39; h o u s e w i f e .
10GL #863.
llGL #447.
13GL #364.
14GL #3 5 9 .
15 gl #467; n o t l i s t e d ; s a l e s ie n g in e e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
630
1GL #329; n o t l i s t e d ;
3GL #480.
teacher.
4GL #600.
2 gl #245; 39; m i n i s t e r .
5 gl #371; 28; m i n i s t e r .
6 gl #382; n o t l i s t e d ; j u v e n i l e i o f f i c e r .
-j
CO
00
#591; 33; h o u s e w i f e .
12 gl #500; 48; t e a c h e r .
13GL #489.
ISGL #244.
16GL #358.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
631
I lo s e
c o n t in u it y i f I am m om entarily d i s t r a c t e d ." ^
A t o t a l o f 15 answered in th e n e g a t iv e ; and
*GL #830.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
632
Lack o f c o n f id e n c e i n o u r s e lv e s .'*
We must a l l ta k e an i n t e r e s t in f e l l o w men h e r e on e a r t h
b e fo r e we can g e t to h e a v e n .2
We a l l n eed t o be h e lp i n g o th e r s ; we need courage in t h e s e
d a y s .3
S e i z i n g upon o p p o r t u n it y when you f i n d i t . ^
P a ssin g judgment on p e o p le w ith o u t r e a l l y knowing s o much
about th em .5
Brought J e s u s ' l i f e t o modern-day l i v i n g . ^
We sh o u ld a l l b r in g o th e r s t o J e s u s .
We might be a b le t o win more s o u l s i f we showed more
i n t e r e s t in them.
Modem l i v i n g robs us o f th e p r i v i l e g e o f s e e k in g o u t th e
h o n e s t - i n - h e a r t and t e l l i n g them o f J e su s.
We are to o i n t e r e s t e d i n m a t e r ia l t h in g s i n t h i s l i f e
i n s t e a d o f lo o k in g f o r and o b s e r v in g t h a t which i s
s p i r i t u a l . 10
Our ap p arel and our home i s n o t r e a l l y im p ortant; our l i f e
and p e r s o n a l i t y are more i m p o r t a n t .H
Weak c h a r a c te r s are as o ld as Adam and Eve, and as modem
as tomorrow. 12
The i d e n t i f i c a t i o n o f th e sa c r e d w ith th e s o - c a l l e d s e c u l a r was
c l e a r l y made by s e v e r a l o f th e r esp o n d en ts:
iGL #1; n o t l i s t e d ; h ig h s c h o o l p r i n c i p a l .
^GL # 6 .
^GL #22;
B a p tist.
n o t l i s t e d ; m a t e r ia l
^GL #30;
74; h o u s e w ife .
^GL #46;
57; h o u s e w if e .
h a n d le r;
3 g l #15.
#53; 53;
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
633
S t i l l an o th e r f e l t t h a t th e sermon tou ch ed
on t h i s a r ea "on ly i n d i r e c t l y . "
The b i g g e s t s i n g l e c o m p la in t r e g i s t e r e d was t h a t th e sermon was
7
"too g e n e r a l," t h a t i t had " to o many g e n e r a l i z a t i o n s ; n e e d s t o be more
s p e c ific ."
S a id one,
^GL #195; 63 ; r e t i r e d t e a c h e r .
^GL #244.
2GL #1 5 0.
SGL #163.
9 GL #37 0.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
634
i n th e s i x t h q u e s
of
th ought and
(2 1 ),
use o f
i n t e r e s t f a c t o r s ( 2 0 ) , and d e l i v e r y te c h n iq u e s ( 1 9 ) .
Other
causes
c i t e d in c lu d e d s k i l l f u l u se o f r e p e t i t i o n , u se o f
B ib lic a l
There i s l o g i c a l o r g a n iz a t io n : he f o l l o w s through s t e p
by s t e p , has a g o a l or aim t o work toward. T h e r e 's no
d ig r e ssio n .
He r e l a t e s an e x p e r ie n c e o r an e c d o te i n o rd er
to i l l u s t r a t e o r c l i n c h a p o i n t , c l a r i f y or a m p l i f y . 3
I was l e d by h i s ch a in o f th ou gh t as i t u n r o l l e d . ^
Simple p o i n t s were made one by one; th e l i s t e n e r d id n o t
have t o keep i n mind a lo n g l i n e o f r e a s o n in g t o be a b le t o
p ic k out a c o n c l u s i o n . 5 The t e x t , th e em p h a sis, and the
i l l u s t r a t i o n s a l l headed i n th e same d i r e c t i o n . 5 There were
d e f i n i t e t r a n s i t i o n s betw een paragraphs and i l l u s t r a t i o n s ;
th er e was d i r e c t i o n t o th e m e s s a g e .7 He f o ll o w e d
iGL #376; 42; e lem en ta ry s c h o o l p r i n c i p a l .
^GL #628; 40; h o u s e w if e .
5GL #3 29 .
#355; p r i n t e r .
^GL #497.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
635
I gl # 59 1.
5 gl #822; n o t l i s t e d ; s t u d e n t ; no a f f i l i a t i o n l i s t e d .
7gl #566.
GL #5 7 9.
9 GL #70; 81; r e t i r e d p ia n o t e c h n i c i a n .
n GL #600.
21 gl #830.
12GL #737.
17 gl #37; n o t l i s t e d ; p h y s i c a l t h e r a p i s t .
19 gl #1 61 .
GL #525
*^GL # 4 1 3 .
2GL #943; n o t l i s t e d ; d e c o r a t o r .
22GL #596; 44; e l e c t r i c a l c o n s t r u c t i o n .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
gg
636
He a t t r a c t s your a t t e n t i o n , g e t s your i n t e r e s t , th en
you can s e e where you can a p p ly t h i s t o your own l i f e . l I
p r a c tic a lly liv e in
h i s ser m o n .2 He s h a r e s w it h us h i s
background o f e a r l y la n g u ag es and h i s t o r i c a l e v e n t s which
makes t h e s e Ms t o r i e s M l i v e . 3 I was a b le t o f o l l o w P a s t o r
F a g a l's l i n e o f th ou gh t and argument l i k e a t r a i l e r f o l l o w s
a car; he h e l d my i n t e r e s t l i k e a k i t e h e ld b y a l i t t l e b o y . 4
He f r e q u e n t l y reminded us o f h i s th em e.8 He made h i s
theme c l e a r ; 3 he had a s i n g l e p u rp ose: are you ready f o r
J e s u s ' s se c o n d coming?? He brough t th e same th o u g h t back
o f t e n . 8 He r e p e a t s
th e main th ou g h t bu t i n d i f f e r e n t and
i n t e r e s t i n g w a y s .9
He r e t u r n s o f t e n t o th e f o c a l p o i n t o f
h i s s e r m o n . 10 He k e p t g o in g back t o th e main tr e n d o f
thought o f t e n enough to make i t p l a i n . H
I l i k e i t b roken;
i . e . , s to r y , p o in t, s to r y , p o in t, e t c . I 2
He has an i n t e r e s t i n g d e l i v e r y ; I 3 he had a w e l l - o r g a n i z e d
sermon, and f o ll o w e d i t through w ith a smooth, e f f e c t i v e
m a n n e r . 14
i t ' s e a s i e r t o grasp what th e s p e a k e r sa y s when he
preach es h i s sermon and does n o t rea d i t . * 3 He d o e s n ' t u s e
b ig words; makes you f e e l he lo v e s p e o p l e . I 3 He seems to
speak as i f t a l k i n g t o each one p e r s o n a l l y ; h i s remarks
s t im u la t e t h in k i n g on th e p a r t o f th e l i s t e n e r . 1? H is
method o f d e l i v e r y i s such t h a t you cannot l o s e th e th ou gh t 18
He i s a good s t o r y - t e l l e r , v e r y h e l p f u l in making sermons
c l e a r . 19
I n t e r e s t i n g l y , some who f e l t un able to f o l l o w F a g a l ' s " l i n e o f
argument" i n d i c a t e d i n d i r e c t l y by t h e i r resp o n se t h a t , f o r them, the
I gL #829; 52; r e g i s t e r e d n u r s e .
8GL # 4 4 7 .
4 q l # 4 4 8 ; 58; s i g n p a i n t e r .
8GL #3 12 ; 49; n u r s e .
6GL #3 60 .
U GL #844.
not l i s t e d ; p h y sic a l th e r a p is t.
19GL #729; 6 6 ; h o u se w ife .
......
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
637
word "argument was equated w ith p o le m i c a l arguing r a t h e r than th e
p rocess o f r e a s o n in g .
a n o th e r , "He r e a l l y
argu e?" ^
S a id s t i l l an o th er:
I f th e f a c t s are
"I co u ld f o l l o w i t
S t i l l , I found i t i n t e r e s t i n g . "
C o r r e c tio n :
he
To t e l l th e t r u t h , I could n o t r e c o n s t r u c t a l o g i c a l
t r a i n o f s t r u c t u r e d th o u g h t; b u t th e t o t a l e f f e c t was
b ea u tifu l!
B e a u tifu l.5
Only about a h a l f - d o z e n r esp o n d e n ts found com p lain t w ith F a g a l's
p r e s e n t a t io n in t h i s c o n t e x t .
They r e p o r te d :
I had a b i t o f d i f f i c u l t y f i t t i n g i t a l l t o g e t h e r . 6 I
f e e l he in t r o d u c e d to o many d i f f e r e n t l i n e s o f th o u g h t .?
Probably to o many d i f f e r e n t th o u g h ts from to o la r g e a
pa ssa ge o f S c r i p t u r e . 8
Too many o f f - s i d e i l l u s t r a t i o n s . 9 Maybe he would do
w e ll t o u se more r e a s o n in g and few er i l l u s t r a t i o n s .10 His
i l l u s t r a t i o n s in t e r r u p t e d my l i n e o f t h o u g h t . H
He s a i d many good t h i n g s , but th e c e n t r a l theme was
12 i t took me a w h i l e t o d e c id e what h i s g o a l w a s . 13
I f e l t he was b u i l d i n g a s tr o n g f o u n d a t io n , b u t th e clim ax
was p o o r . 14
w e a k .
1GL #638
62; widow.
5GL #294
28; s t u d e n t .
7gl #133
2GL # 8 3 .
3 GL #140.
6 GL #880;
U gl #922
21; h o u s e w if e .
14 gl #752
23; t e a c h e r .
i 2 GL #597.
9GL #440.
4GL #310.
19; n u r s in g s tu d e n t.
1GL #676.
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638
la ck ed them e, o u t l i n e , and e s p e c i a l l y p s y c h o l o g i c a l s e q u e n c e .
M issed h i s a t t e n t i o n p r e p a r a t i o n , e t c . Had a hard tim e t o
f in d out what h e was d r i v i n g a t a f t e r 15 m in u tes o f s p e a k i n g . *
By f a r th e m a j o r it y , how ever, r e p o r t e d f e e l i n g l i t t l e
or no d i f
Q u a n t i t a t i v e l y , 49
s a id th ey th ought he u s e d to o l i t t l e S c r i p t u r e , o n ly 2 f e l t h e had u se d
too much, and 124 e x p r e s s e d th e o p in io n t h a t t h e amount u s e d was " j u s t
r i g h t ," an a p p r o p r ia t e b a la n c e .
Perhaps h a l f o f th o s e r e sp o n d in g went on t o make a d d i t i o n a l
o b s e r v a tio n s upon th e manner i n which P a s t o r Fagal h an d led th e Word o f
God.
qu estion :
He and th e B ib le are o l d f r i e n d s , h e ' s a t e a c h e r o f
His s t r o n g e s t p o i n t i s h i s knowledge o f th e B i b l e .
I can t e l l he h as put i n much tim e and th o u g h t s o he can
p r e se n t m a t e r ia l c l e a r l y . 4 H is r e f e r e n c e s are alw ays a t
h i s command; one s e n s e s im m ed ia te ly he i s c l o s e l y a c q u a in te d
w ith th e B i b l e . 5 He co u ld w r it e a commentary, I b e l i e v e .
Never have I h e a r d anyone p r e s e n t e v e r y p h ra se o f a B ib le
p assage s o c l e a r l y . 6 I t ' s o b v io u s l y th e fo u n d a tio n o f h i s
m i n i s t r y ; 7 he r e a l l y b e l i e v e s i t . 8 He rea d s th e S c r i p t u r e s
as th ey are w r i t t e n ; i t g i v e s c o n f id e n c e o f h i s p e r s o n a l
i n t e g r i t y t o th e l i s t e n e r . 9
B ib le .^
iGL #163.
4GL #98.
#436; 48; h o u s e w if e .
5 GL #223; 50; s e c r e t a r y .
#702; 60 ; h o u s e w if e .
6 GL #409.
9 GL # 2 6 1 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
639
F a g a l ' s h a n d lin g o f th e Word i s d e s c r ib e d v a r i o u s l y a s :
"rever
i r r i t a t e p e o p le o u t s i d e our c h u r c h ."-*-5
F a g a l's q u a n t i t a t i v e u s e o f th e S c r i p t u r e s
was most f r e q u e n t l y
and to o much.
Obser
I gl # 42 .
3 gl #278.
7GL
7gl #318; 48; h
1 o u s e w if e .
;ted ; h o u s e w if e .
12 gl #6 34; 47;
r ister e d n u rse.
14 gl #706; 72; i
lse w ife .
18 gl #746.
21 gl #674;
19
19; :
6 GL #313.
GL #323; 36; h o u s e w if e .
l 0 GL #463; n o t
i 6 GL #162; 53;
SGL #29 4.
^GL #340.
*''*'GL #57 9 .
1^
GL #689; 60; h o u s e w if e ,
23 gl #831; 35;
24 gl #688.
25 gl #394; 49;
26 gl #656; 36;
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
640
||
i5
j
d i r e c t b e a r in g on h i s t o p i c ;
I c a n t t h in k o f an e f f e c t i v e t e x t on th e s u b j e c t h e d id n t u s e ; h e
d id n o t u se any
u n n e ce ssa r y S c r i p t u r e . 2
F agal i s n o t an i n t e l l e c t u a l s p e a k e r .
H is s t y l e o f
p r e a ch in g does n o t n e e d e x t e n s i v e u s e o f B ib le t e x t s . His
sermons are an e m o tio n a l a p p ea l g iv e n i n a q u i e t m anner.3
Most p a r t i c i p a n t s would have a g reed w ith one r e s p o n d e n t who, h i g h l i g h t i n g
the e s s e n t i a l l y B i b l i c a l n a t u r e o f th e F agal p r e s e n t a t i o n , o b se rv e d i n
an a s id e , "A sermon w it h o u t B ib le i s n t a sermon; i t ' s
a s p e e c h , soon
fo r g o tte n ." 4
F a g a l ' s e x p o s i t o r y method appeared t o be e s p e c i a l l y a p p r e c ia te d
by many, i f n o t m o st, in h i s a u d ien ce :
He gave a w hole sermon
S c r ip t u r e , and t h i s I l i k e
through th e w hole B i b l e . 5
t e x t p h ra se by p h ra se s o a
from one s m a ll p o r t i o n o f
b e t t e r th an s k ip p in g around
I l i k e th e way he e x p l a i n s th e
background " t a p e s t r y " i s form ed .5
iGL #737.
2 GL # 8 6 3 .
3GL #366,
4 gl #811; n o t l i s t e d ; c o n s t r u c t i o n la b o r e r .
5 gl #267; 40; h o u s e w if e .
6 gl #566.
7 gl #825; n o t l i s t e d ; s t u d e n t .
8 gl #139; 24; s t u d e n t .
9 gl #175; 20; s e c r e t a r y .
12 gl #90.
13GL # 37 .
^GL
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
I
|
641
T h e r e 's n o t h in g l i k e e x p o s i t o r y p r e a c h i n g ! 1 I l i k e h i s
u s e o f one o r two t e x t s th o r o u g h ly r a t h e r th an a b a rrage o f
s e v e r a l t o t r y t o remember and r e l a t e . 2 He l e t s th e B ib le
speak; makes p e o p le a c q u a in te d w ith and lo v e th e B i b l e . 3
He d i d n ' t t r y to c o v e r s o much w ith s o l i t t l e e x p l a i n i n g . 4
He e x p la in s s m a ll d e t a i l s ' s i g n i f i c a n c e . 5
E x e g e s is i s e x c e l l e n t ; w e l l s t u d i e d . ^ Very f a i r t o
B i b l i c a l e x e g e s i s ; does n o t approach s u b j e c t w ith o n ly c o ld
f a c t s . ^ The whole
theme was B i b l i c a l ;9 and th e theme was
O
w e ll p resented .
New i d e a s , a p p l i c a t i o n , and r e le v a n c e were a l l e s p e c i a l l y
s i n g l e d out by h e a r e r s i n th e c o n t e x t o f W illia m F a g a l 's u se o f th e
S c r ip tu r e s :
I e s p e c i a l l y l i k e t h i s p a r t o f h i s p r e a c h in g . I have
g a in e d much knowledge o f th e B i b l e ' s m essage and circum
s t a n c e s under which i t was w r i t t e n . 9 He makes th e B ib le
app ly t o us t o d a y ; 10 he makes i t more i n t e r e s t i n g , s im p le
t o me.
He e x p l a i n s t h in g s t h a t would o th e r w is e go u n n o t i c e d ; I 2
he g iv e s a d i f f e r e n t s l a n t , d e lv e s more d e e p l y ; 13 makes your
mind d w e ll on v e r s e s you h a d n 't n o t i c e d . 14 He b r in g s out
s p i r i t u a l m e a n in g s ,! 5 new a n g le s and new i n s i g h t . 16 He
m a g n ifie s w ith c l a r i t y th e S c r i p t u r e , 17 makes i t seem so
modem and p e r s o n a l , I S so r e a l and p r a c t i c a l . 19
He makes i t more i n t e r e s t i n g by r e a d in g betw een th e
l i n e s ; e v id e n c e o f much r e s e a r c h and s t u d y . 20 New tr u t h
1GL #242; n o t l i s t e d ; B ib le i n s t r u c t o r .
3GL #222.
2 GL #447.
a f f i l i a t i o n not l i s t e d .
5 gl #320; 24; t e a c h e r .
6GL #163.
7GL #371.
9 GL #157.
10GL #190.
U gl #131; 38; h o u s e w if e .
13 gl #284.
15 gl #389; n o t l i s t e d ; machine o p e r a to r .
17 gl #457.
i 6 GL #399; 21; s tu d e n t
19 gl #751; 52; t e a c h e r .
20 gl #576; 18; s t u d e n t .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
642
t r a n s l a t i o n i f i t w i l l b e b e t t e r t o u n d e r s ta n d ." 0
And th e s p e a k e r ' s p h y s i c a l h a n d lin g o f th e Book was n o t e d by a
number o f o b s e r v e r s :
He u s e s B ib le t e x t s i n a c a su a l manner.
However, I
know he knows h i s B i b l e . 4 He seems t o know th e B ib le by
h e a r t , b u t rea d s s o we know he i s q u o tin g from God's W o r d . 5
He seemed t o know th e B ib le w e l l w ith o u t a p p a r e n tly havin g
t o open i t . 6 He knows where t o f i n d t h in g s w ith o u t h u n t in g .?
He had to o s h o r t a time t o speak to spend much tim e lo o k in g
up t e x t s .8
What was t h e n e t e f f e c t o f a l l t h i s upon th e h e a r e r s ?
S a id one,
about e v e n ly
needed to b u t t r e s s h i s
79; j a n i t o r .
7gl #629;
37; o f f i c e n u r s e .
6 GL #537; 56; r e g i s t e r e d n u r s e
00
^GL # 1 2 8 ; 55; h o u s e w if e .
^GL #6.
^GL #638.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
643
too much S c r ip t u r e !
Some appeared
S a id
one:
He could have u sed more t e x t s t o n i g h t , b u t each sermon i s
d i f f e r e n t .3
And another, commenting on th e e v e n in g sermon, opined:
Too l i t t l e f o r members o f th e church; however t h i s i s
probably th e most e f f e c t i v e f o r th e g e n e r a l p u b l i c . 4
S e v e r a l s t r o n g l y f e l t t h a t P a s t o r Fagal s h o u ld have emphasized
the t e x t u a l so u r c e c i t a t i o n more s t r o n g l y i n h i s d is c o u r s e so t h a t the
con grega tion co u ld f o ll o w a lo n g i n t h e i r own B ib le s th ro u g h o u t:
At l e a s t a r e f e r e n c e t o th e c h a p te r might be h e l p f u l . 3
He n ev er gave a t e x t f o r th e a u d ien ce t o look u p .6
I cannot r e c a l l a s i n g l e t e x t . ?
Perhaps th e S c r ip t u r e v e r s e s co u ld be more o f t e n r e p e a t e d . 8
I l i k e to h e a r a m i n i s t e r u s e S c r i p t u r e , b u t g iv e me a
second o r two to f i n d them, and be su re to r e p e a t c h a p te r
and v e r s e . 9
Would a p p r e c ia te more docum entation on major p o i n t s
m e n tio n e d .10
I f e e l t h a t i f th e S c r ip t u r e s a re q u o te d , I have a ten d en cy
t o w r it e them dow n.H
1GL # 2 1 7 .
3GL #686.
6 gl #30.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
644
He c o u ld hav e m entioned th e c h a p te r a g a in s o la te c o m e rs
c o u ld f o l l o w . 1
C oncerning th e p h y s i c a l h a n d lin g o f th e B ib le , one f e l t t h a t
Fagal s h o u ld " h old i t up, and r e f e r to i t more";
and th e Mormon v i s i t o r ,
le n t u se o f th e S c r i p t u r e s , q u a l i t a t i v e l y and q u a n t i t a t i v e l y .
Use o f s u p p o r t iv e m a t e r i a l s . - - I n th e e ig h t h q u e s t io n members o f
the a u d ien ce were asked t h e i r im p r e s s io n c o n c er n in g W illiam F a g a l ' s u se
o f s u p p o r t iv e m a t e r i a l s su ch as i l l u s t r a t i o n s , poems, q u o t a t i o n s , e t c .
Some 866 r e s p o n d e n ts v o i c e d approval (24 w ith r e s e r v a t i o n or
q u a lific a tio n );
ev er t o th e q u ery .
A r e - e x a m in a tio n o f th e t r a n s c r i p t o f t h i s p a r t i c u l a r sermon
r e v e a ls th e f a c t t h a t a lth o u g h i t
c o n ta in e d i l l u s t r a t i o n s i n abundance,
( I n t e r e s t i n g l y , s e v e n o th e r s n o t e d th e s i n g u l a r
^GL # 25 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
1GL # 1 .
2 GL #230;
25; h o u s e w ife .
3GL #83 3.
4GL #598;
41; t e a c h e r .
3 GL #8; 37; h o u s e w if e .
9GL #46 1;
61; r e t i r e d .
2GL #83.
GL #496;
48; c a r p e n te r .
9 GL #6 15 .
U GL #622.
*2 GL #548;
64; r e t ir e d .
*3GL #730;
64; p r a c t i c a l n u r s e .
*4GL #165;
41; s p o t w e ld e r .
*^GL #964;
32; h o u s e w ife .
*9 GL #3 26 .
19GL #133.
22GL #958; n o t l i s t e d ; h o u s e w if e .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
manner.
S p e c ific a lly ,
l i s t e n e r s i n d i r e c t l y i d e n t i f i e d sev en p a r t i c u l a r
Cl)
(2) h o ld in g a t t e n t i o n and
(3) s i m p l i f i c a t i o n , a m p l i f i c a t i o n , and i l l u m i n a t i o n
(6)
So homey, s o a p t , th e y c r e a t e an a l l - i m p o r t a n t rapport
w ith th e a u d i e n c e . 4 His s t o r i e s and i l l u s t r a t i o n s make him
seem f r i e n d l y , common, d o w n - t o - e a r t h .5
(2)
I b e l i e v e p e o p le i n g e n e r a l l i k e t h e s e t h i n g s u s in g
v a r i e t y h o ld s i n t e r e s t o f f o l k s , 6 makes t a l k s i n t e r e s t i n g . ?
He u s e s enough o f t h e s e t o make h i s sermons i n t e r e s t i n g f o r
a l l a g e s . 8 J e s u s u sed p a r a b l e s . 9
(3)
He put windows i n h i s s e r m o n s .1
They s i m p l i f i e d h i s
serm on .11 Background i l l u s t r a t i o n s p a r t i c u l a r l y h e lp e d one
understand th e b a s i c a l l y a b s t r a c t c o n c e p ts o f r e l i g i o n . 12
They a m p lify h i s t h o u g h t s , 13 th e y b r in g o u t many th o u gh ts
not seen on th e s u r f a c e , 14 brought sermon p o i n t s i n t o
f o c u s . 15 They b r in g o u t p r a c t i c a l as w e l l as i n t e r e s t i n g
l e s s o n s . 1^ They f i t n i c e l y and s t r e n g t h e n th e p o i n t . 1? He
iGL #279; 5 0 ; p r i n t e r .
4GL #294.
^GL #3 13 .
15GL #9.
16GL #15.
17GL #182.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
647
p ic k s i l l u s t r a t i o n s t h a t i l l u m i n a t e h i s theme well;'*' th e y
h i t the s p o t . 2 Sermons are so p l a i n and s t o r i e s h e lp e d to
make t h in g s e a s i e r to u n d e r s t a n d .5 They always h e lp e d t o
make h i s p o i n t s p l a i n ; 4 t h e y are t o - t h e - p o i n t , - - y o u know
what p o i n t he was t r y i n g t o make.5 They g iv e th e a u d ien ce
or c o n g r e g a tio n a chance t o g e t a l i t t l e b e t t e r e d u c a t e d .6
(4)
P a s to r Fagal has w o n d e r fu l, a p p r o p r ia te i l l u s t r a t i o n s
. . . w in d in g l i k e a g o ld e n th re a d through h i s s e r m o n s . 7
(5)
(63
His i l l u s t r a t i o n s h i g h l i g h t e d th e punch p o in t , h e lp e d
make h i s p o i n t more a l i v e . 10 He seemed to have j u s t th e
thoughts t o touch th e h e a r t , H h e lp e d make a deep im p rin t
on my m in d .12 T his I p e r s o n a l l y en jo y ; h e ' s s o human; I
never f a i l to be t o u c h e d - - t e a r s , e t c . 1 3 H is i l l u s t r a t i o n s
make me s e a r c h f o r a c r e a t i v e r e s p o n se on my p a r t ; 14
develop a d e s i r e t o h ea r m o r e .l5
(7)
5GL #164.
# 20 8.
3GL #213.
6GL #5 46 .
GL #1 30 .
^GL # 2 4 5 .
U gl #38; 48; n u r s e a i d e .
12 gl #32; 44; h o u s e w if e .
^GL # 6 8 8 .
^GL #438.
^GL #90.
19 gl #398; 2 4; d i e t i c i a n .
^G L
l^GL #495.
23GL #172.
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
648
i l l u s t r a t e d w ith a v e r y a p p r o p r ia te s t o r y or h a p p e n in g .*
A ll c o n t r ib u t e t o h i s main p o i n t ; 2 th e y f i t t o a l l p o i n t s
no w aste o f w o r d s .3 He d o e s n t have t o " t w is t " h i s i l l u s
t r a t i o n s t o make them f i t h i s th e m e .4 He keeps up i n t e r e s t ,
but d o e sn t overshadow th e main t o p i c . 3
He ta k e s you j u s t s o f a r i n h i s t h i n k i n g , th en b r e a k s i n
w ith an i l l u s t r a t i o n . 6 He g i v e s a b i g p o i n t , th en t e l l s
enough o f th e s t o r y t h a t one f e e l s as i f th ey were t a l k i n g
to the i n d i v i d u a l s t h e m s e l v e s . 7
He seemed to keep coming back to h i s t o p i c and i n f a c t
s t r u c tu r e d h i s i l l u s t r a t i o n s i n such a way t h a t h e n e v e r
r e a l l y seemed t o s t r a y from h i s t o p i c even though a t tim e s I
got so e n g r o ss e d i n h i s s t o r i e s and f o r g o t th e t o p i c u n t i l
he would t i e i t t o g e t h e r a t th e end o f an i l l u s t r a t i o n . 8
The s o u r c e s o f W illia m F a g a l 's i l l u s t r a t i o n s , and t h e i r c o n s e
quent c r e d i b i l i t y , were commented upon by 27 d i f f e r e n t l i s t e n e r s .
Typical o f t h e i r remarks are t h e s e :
I l i k e i l l u s t r a t i o n s about p e o p l e . 9 I l i k e t o h e a r
t e s t i m o n i e s .10 I l i k e tr u e e x p e r i e n c e s , 1* p e r s o n a l e x p e r i
e n c es. 12 x e s p e c i a l l y e n jo y i n c i d e n t s he r e l a t e s from h i s
t r a v e l s . 13 I l i k e h i s s t o r i e s and b r i e f s ta te m e n ts o f w e l l known p e r s o n s . l ^ He u se d m o s tly human i n t e r e s t s t o r i e s .18
I l i k e h i s " l i v e " i l l u s t r a t i o n s he d o e s n 't have to" g e t
them out o f a book or someone e l s e s e x p e r i e n c e .! ^ I l i k e
h i s s t o r i e s o f p e o p le o f t o d a y ; 12 h e u se d ones n o t to o
commonly u s e d . l O th e r s ' problems and s u c c e s s e s can be
a p p lie d to u s .1 9 He i s a m aster o f i l l u s t r a t i n g h i s sermons
w ith o r a c t i c a l h e lp and r e a l e x p e r i e n c e s .20 S t o r i e s o f
p erson a l e x p e r ie n c e and e x p e r ie n c e s o f o th e r s s t a y w ith me,
h e lp " drive home th e p o i n t . "21 His i l l u s t r a t i o n s p e r t a i n i n g
to modern l i f e are most e f f e c t i v e . 22
*GL #464.
2GL #863.
3GL #399.
4GL #157.
5GL #410.
U GL #91; 66; l i t e r a t u r e e v a n g e l i s t .
14gl #131.
15GL #480.
16GL #615.
i 7 GL # 6 0 .
19 gl #186.
20 gL #150.
2 i GL #207.
9GL #630.
i 8 GL #63.
22 gl #386; n o t l i s t e d ; r e t i r e d .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
H is i l l u s t r a t i o n s a re o f o r d in a r y p e o p l e , and a r e
b e l i e v a b l e , ! n o t m i s l e a d i n g . 2 He u s e s i l l u s t r a t i o n s common
to us a l l . 3 I l i k e h i s i l l u s t r a t i o n s b e c a u se th e y are about
p eo p le l i k e m y s e l f , n o t d o c t o r s , p r e a c h e r s , o r m i s s i o n a r i e s .4
The f a c t th e y are tr u e makes them more i n t e r e s t i n g . 3
S ta te m en ts made b y th o s e in a tte n d a n c e c o n c e r n in g t h e q u a n t i t a
t i v e use o f i l l u s t r a t i v e m a t e r i a l s appear t o echo o b s e r v a t io n s a l s o made
concerning th e amount o f S c r i p t u r e u s e d i n th e d i s c o u r s e :
He t o l d enough s t o r i e s and i l l u s t r a t i o n s t o keep th e
a u d ie n c e s a t t e n t i o n and t o keep th e sermon m o v in g .6 He
u se s a number, b u t n o t s o many t h a t t h a t i s a l l t h a t com
p r i s e s th e s e r m o n .7 The b a la n c e o f i l l u s t r a t i o n s i s g o o d . 8
They are s p r i n k l e d th ro u g h o u t th e sermon, j u s t enough t o
make i t i n t e r e s t i n g . 9 E f f e c t i v e ; n o t to o many,!*! o f p r o p e r
l e n g t h , ! ! n o t o v e r d o n e . ! 2 He u se s j u s t t h e r i g h t am ount.13
Many o f F a g a l ' s s t o r i e s were e i t h e r humorous in c o n te n t o r t o l d
in a humorous manner.
t h i s , as w i l l be n o t e d b e lo w , a t l e a s t e i g h t went o u t o f t h e i r way to
s i n g l e out t h i s f a c e t i n an a p p rovin g s ta te m e n t:
I
l i k e h i s humor, t h e way he p u ts h i s p o i n t a c r o s s w ith
a s m i l e . ! 4 Humorous, b u t t o - t h e - p o i n t ; 1 5
he b r in g s home th e
p o in t w ith o u t b r i n g i n g i n l e v i t y .
I l i k e t h a t . 16 I l i k e
h is use o f s u b t l e hum or:17 p l e a s i n g l y amusing b u t r e p r e s e n t
a t iv e t o p u t th e p o i n t a c r o s s . ^ W itty and c l e v e r , h e h o ld s
the a t t e n t i o n o f h i s l i s t e n e r s , 19 w it h j u s t enough humor t o
make a l a s t i n g i m p r e s s i o n . 20 i l i k e h i s i l l u s t r a t i o n s .
They
is e w ife .
3G
L #398.
3GL
4,
4GL
#5 44 .
8gl #1 6 2.
5 GL #473.
6GL #844.
;enograph er.
1 '*'GL #710.
.e c tr ic ia n .
14GL #979; n o t
.s t e d ;
7GL # 16 1 .
h o u s e w if e .
lic e n s e d p r a c t ic a l nurse.
15GL
gl #505; 39;
39; in s u r a n c e r a t i n g c l e r k .
*^GL #326.
18 gl #875; 45;
l^GL #600.
sg ister e d n u rse.
*7GL # 6 2 8 .
20 gl #768; 53;
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission .
Well p r e s e n t e d ,
very fo r c e f u l, very s t i r r i n g .
He i s
a g ia n t i n r e l a t i n g e x p e r i e n c e s .5 He has a d ram atic way o f
p r e s e n t in g i n a few words a p i c t u r e o f what he w is h e s t o
p r e s e n t .^ He h as an un u su a l way o f t a k in g s im p le i n c i d e n t s
and making them i n t e r e s t i n g . 7
F a g a l s i l l u s t r a t i o n s are u s e d as he f e e l s them, as i f
he were th e i l l u s t r a t i o n or p o e t . 8 He a lw a ys h o ld s h i s
lis t e n e r s in in t e n s e i n t e r e s t ; u ses c o n v e rsa tio n a l s t y l e . 9
Uses good punch l i n e . 10 Time p a s s e s s o q u i c k l y when we
l i s t e n t o h i m . H He k eep s you l i s t e n i n g e v e r y m i n u t e . 1^
Fine i l l u s t r a t i o n s keep us s i t t i n g on th e edge o f our s e a t s . 13
When he t e l l s a s t o r y , I f o r g e t t o b r e a t h e ; 14 he k ept one
sp e llb o u n d t o t h e e n d . l 5
N e g a tiv e comment, w hich r e p r e s e n t e d a mere 3.4% o f r e s p o n d e n ts
(30 in number), fo c u s e d a lm o st e n t i r e l y upon a g e n e r a l d e s i r e among th e
group f o r few er i l l u s t r a t i o n s s o t h a t th e in n e r s t r u c t u r e o f th e sermon
might th ereb y be s tr e n g th e n e d :
Becomes r e p e t i t i o u s i n i l l u s t r a t i o n s . ! 6
Sometimes he does wander o f f h i s t o p i c i n u s i n g h i s
i l l u s t r a t i o n s .1 7
I l l u s t r a t i o n s som etim es to o l o n g . l ^
His s i d e l i g h t s were d e t a i l e d enough t o o c c a s i o n a l l y
s i d e t r a c k . 19
I gL #757;
4 gl #147.
6 gl #55;
:.
8 gl #259;
9 GL #329.
7GL # 1 9 5 .
1GL #293; 38; h o u s e w ife .
U GL #223.
15 gl #500.
14GL #33 9.
16GL #1 6 3 .
18GL #255;
19gl #377;
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout p erm ission .
"I'm o l d -
fash ion ed .
sermon"3) .
h is s p e c i f i c g o a l t o b e .
Of ^\e 866 who r esp o n d e d , 855 f e l t th ey c l e a r l y u n d erstoo d th e
m in is t e r 's g o a l , and a n o th e r f o u r added a q u a l i f i e d " y e s ."
Only sev e n
s o u l-w in n in g w i t n e s s f o r C h r is t ( 3 6 4 ) , p e r s o n a l r e c o n s e c r a t io n
(2 1 0 ) .
2GL #6 68 .
3GL #676.
5 GL #202; 81; r e t i r e d .
6 GL # 15 9 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
652
Concerning th e n e c e s s i t y f o r an e f f e c t i v e C h r is t ia n w i t n e s s t o
o th e r s , r esp o n d e n ts f e l t t h a t P a s t o r F agal would have them:
Lead o th e r s t o C h r is t as Andrew, s e e p o s s i b i l i t i e s i n e v e r y
s o u l , what a l l can b e c o m e .1
Work f o r everyone no m a tter how unprom ising th e y seem to b e .
W itness t o o th e r s by a good l i f e . 3
Be examples t o our f r i e n d s , h e lp th e unsaved become
C h r istia n s. 4
With r eg a r d to th e need f o r p e r s o n a l r e c o n s e c r a t io n or r e d e d i c a
tio n to th e Lord and H is work, r e s p o n d e n ts saw i n t h i s m essage and
meeting a c h a lle n g e t o :
I n s p ir e a more com plete d e d i c a t i o n o f our l i v e s t o C h r i s t . 3
Be an overcom er, r e d e d i c a t e l i f e anew to th e Lord.^
Give a l l our h e a r t t o C h r i s t . ?
Last chance t o r e d e d ic a t e l i f e .
I t i s a whole y e a r t o th e
n e x t camp m e e tin g , and some w i l l n o t be l i v i n g t h e n . 3
The m i n i s t e r ' s p r e o c c u p a tio n w ith emphasis upon a concern f o r
others was r e c o g n iz e d by many, .who saw i n h i s g o a l an appeal to :
Q
Have us r e a l i z e our r e a l m is s io n i n l i f e .
Take more i n t e r e s t i n each s o u l . 1^
M otivate b e l i e v e r s t o s e e a p o t e n t i a l b e l i e v e r i n ev ery
u n b e l i e v e r . 11
12
Live a c t i v e C h r i s t l i k e l i f e i n s e r v i c e fo r o t h e r s .
Make us s e n s i t i v e t o our r e s p o n s i b i l i t y to o t h e r s . 13
Make us more f r i e n d l y t o o t h e r s , n o t o v e r lo o k anyone no
m atter how h u m b le .14
Be o f h e lp t o our f e l l o w men by s e e i n g the b e s t i n them,
and then a s s i s t them i n d e v e lo p in g i t . 13
Other g o a ls p e r c e i v e d by l i s t e n e r s in c lu d e d th e f o ll o w i n g :
Prepare fo r h e a v e n . 1^
Be a b e t t e r s e r v a n t o f th e Lord.
iGL #65.
5GL #63.
8GL #212.
Q
GL #210; 5 7 ; m aintenance worker,
10GL #232; n o t l i s t e d ; d e n t i s t .
13GL #182.
14GL #55.
15GL # 5 3.
11GL #2 44 .
1^GL #38 2.
^GL #186.
17GL #3 99 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
or " d i f f i c u l t t o
understand."4
C le a r ly , th e a u d ien ce p e r c e iv e d t h a t P a s to r Fagal w ish ed them to
become more concerned w ith th e p r e s e n t c o n d it io n and fu tu r e p o t e n t i a l o f
a l l i n d iv id u a ls w i t h i n t h e i r sp h ere o f i n f l u e n c e ; and n o t t o n e g l e c t
t h e ir own s o u l ' s s a l v a t i o n as th e y worked f o r th e s o u ls o f o t h e r s .
Of th e
310 f e l t th e p u l p i t p r e a c h in g was
1GL #537.
2 GL #629.
3GL #163.
4GL #255.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission .
-i
6 5 4
2 Gl
#594.
3GL #746.
nurse a id e .
4GL # 5 3 .
^GL #109;
SGL #768.
38; diem aker.
9 GL #443.
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
655
His TV p r e a c h in g has t o be d i f f e r e n t he u s e s th e B ib le
more. At camp m e e tin g he can be more r e l a x e d i n p e r s o n ,
more w i t t y , can t a l k t o our p e o p le more p e r s o n a l l y . *
His TV program i s ge a re d t o th e m asses; h i s p u l p i t p r e a c h in g
i s s p e c i f i c a l l y f o r S e v e n th -d a y A d v e n t i s t s . 2
And e i g h t remarked upon th e d e f i n i t e d i f f e r e n c e s i n mode o f
d e liv e r y betw een th e p u l p i t p r e s e n t a t i o n s and t h e TV s e r m o n e t t e s :
His manner i s d i f f e r e n t i n th e p u l p i t p r e a c h in g ; t h e p r e
sen ta tio n i s d i f f e r e n t . 3
In p e r so n , more l i k e t a l k i n g t o fa m ily ; on TV, more l i k e
ta lk in g to f r ie n d s .4
The TV program was more l i k e a v i s i t i n t h e home, n o t
s e r m o n izin g ; h i s p u l p i t p r e a c h in g t o n i g h t was more o f a
c o u n s e lin g , en c o u r a g in g one i n C h r i s t i a n s e r v i c e . 5
His TV p r e a c h in g i s more l i k e he was j u s t s i t t i n g i n your
l i v i n g room t a l k i n g t o you as f r i e n d t o f r i e n d . However,
h i s p r e a c h in g i s s im p le and e a sy t o u n d e rsta n d and p e r
s o n a l l y a p p lie d .^
Both are good; e a ch way o f p r e a c h in g has i t s own p l a c e . ' 7
These same d i f f e r e n c e s , how ever, f i g u r e p r o m in e n tly i n th e
responses o f o th e r l i s t e n e r s as b a s i c r e a s o n s f o r t h e i r p r e f e r e n c e f o r
the p u lp it p r e a c h in g r a t h e r than th e t e l e v i s i o n p r e a c h in g .
R espondents
favoring th e p u l p i t v a r i e t y were n o t h e s i t a n t i n e x p r e s s i n g t h e i r
p referen ces:
I l i k e b o t h , b u t TV i s n o t enough.
TV p r e a c h in g i s w o n d e r fu l, b u t i t i s tremendous i n th e
p u lp it.9
Nothing e x c e e d s h i s p e r s o n a l a p p e a r a n c e .10
Nothing l i k e s e e i n g , h e a r in g him i n p e r so n ; TV i s secon d
b e s t .11
I have n o t i c e d t h a t i n th e l a s t two y e a r s h i s p u l p i t
p r e a c h in g h a s improved a g r e a t d e a l . 12
XGL #217.
2G
2GL
L #83 9; 43; n u rse a i d e .
4GL #722.
6 gl #753; 55; s e c r e t a r y .
7GL #619;
9 GL #545;
i gl
#595; 60; l i t e r a t u r e e v a n g e l i s t .
U gl #856; n o t l i s t e d ;
le g a l secreta ry .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
656
I l i k e th e p u l p i t p r e a c h in g f a r b e t t e r ; I c o u ld l i s t e n t o
him as o f t e n as he c o u ld p r e a c h . 1
Nor were r e s p o n d e n ts r e l u c t a n t t o go i n t o
b a s is
f o r t h e i r p r e f e r e n c e f o r th e p u l p i t s t y l e .
d e t a i l s c o n c e r n in g
th e
Some 39 e x p r e s s e d th e
p r e f e r to be i n a l i v e a u d ien ce as I p r e f e r t o s e e , f e e l ,
im p r e ssio n s one c a n ' t g e t on TV from any program .2
I t i s always more i n t e r e s t i n g t o s e e and h e a r
a p erso n
th e f l e s h than on TV even th e " B e e t l e s " ! 3
P erson al p r e a c h in g much more e f f e c t i v e p e r s o n a l warmth and
p r e se n c e .4
P u lp it p r e a c h in g has more human i n t e r e s t ; TV p r e a c h in g i s
l e s s p e r s o n a l.
I t i s always more i m p r e s s iv e t o s e e a m i n i s t e r i n p e r so n .^
His p e r s o n a l i t y i s more im p r e s s iv e i n p e r so n h e r e . '
Seeing him i n p e r so n seemed t o make a l a s t i n g im p r e s sio n on
me p e r s o n a l l y t h a t t e l e v i s i o n has n o t made.
My p e r so n a l b l e s s i n g i s g r e a t e r i n a m ee tin g where I can
s e e him.^
Part o f t h i s "more p e r s o n a l"
be found in the c o n t r a s t betw een th e
in
elem en t w as, f o r 45 r e s p o n d e n t s , t o
F agal TV demeanor and
th e Fagal
p u lp it demeanor:
His p u l p i t p r e a c h in g i s more c a s u a l , ^ more i n f o r m a l , 11
more r e l a x e d . 12 Seems f r e e r , more a t e a s e , l e s s s e r i o u s .
He f e e l s more n a t u r a l i n p e r so n than on T V , 1 4 much more e a sy
in h i s manner,! more p l e a s a n t . 16 He laughs more and i s a
l o t l e s s f o r m a l .l ^ He u s e s a few e x p r e s s i o n s - - a l m o s t s l a n g - -
2 gl #826; n o t l i s t e d ; s t u d e n t .
4GL #23; 45 ; s u r g eo n .
6 gl #219; 69; n u r s e .
8gl #435; 27; h o u s e w if e .
n GL # 9 1 .
5 GL #55.
7GL #340.
9 GL #473.
i 2 GL #103; 34; h o u s e w if e .
13 gl #177; 57; n u r s e .
14 gl #429.
16 gl #465; 18; s t u d e n t .
15 gl #433.
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
657
t h a t were a c c e p t a b le t o a l i v e a u d ie n c e , b u t would n o t do
on TV.* Maybe a l i t t l e more a t home w it h u s . 2
His t e l e v i s i o n p r e a c h in g te n d s t o be to o s a c c h a r in e ;
was b e t t e r t o n i g h t . 3 TV p r e a c h in g l i t t l e more f o r m a l , 4
more s e r i o u s . 5 On TV, I th o u g h t , o v e r d r a m a tic . I f e l t
Fagal was i n s i n c e r e b e c a u s e he s m ile d s o much. B e t t e r i n
person than on TV.6 Seems a l i t t l e to o p o se d on TV.? TV
prea ch in g n o t as warm and s t r a i g h t from th e s h o u l d e r . 8
Seems a lm o st im p ersonal on TV.9
C lo s e ly co n n ected w ith th e mention o f h i s more r e l a x e d , in fo r m a l
demeanor in th e p u l p i t was comment from 39 r e s p o n d e n ts t h a t t h i s p u l p i t
p r e s e n t a tio n was v a s t l y more dynamic than t h a t on t e l e v i s i o n :
His p u l p i t p r e a c h in g was more f o r c e f u l , 19 more e x p r e s
s i v e , I* trem en d o u sly more p o w e r fu l and d y n a m ic .!2 He
speaks more e v a n g e l i s t i c a l l y from th e p u l p i t . H is TV
p r e a ch in g i s e x c e l l e n t , but I do n o t f e e l h i s p r e s e n t a t i o n
i s q u it e as d y n a m ic.13 TV m essages la c k f o r c e ,
c o m p a r a tiv e ly .1 4
I e n jo y h i s p u l p i t p r e a c h in g more b e c a u s e h e seemed
c l o s e r , seemed to make th e sermon " l i v e . " 1 5 He p u ts more
l i f e i n t o h i s sermons from th e p u l p i t ; 16 he t r u l y s t i r s h i s
c o n g r e g a tio n . There were no nodding h e a d s in e v i d e n c e . 1?
He i s much more exuberant i n p e r s o n . 18
His p u l p i t p r e a c h in g i s a t a f a s t e r pace and more
i n f o r m a l . 19 He u s e s a few more hand g e s t u r e s i n p r e a c h in g
t o n ig h t than on T V . 2 0
He sp e a k s much f a s t e r , seems even
more f r i e n d l i e r i n p e r s o n . 21 In p e r so n he seems more
e m p h a tic ;22 h i s p r e s e n c e adds c o n v i c t i o n . 23 n e seems t o
1GL #312.
13GL #280.
3 GL #830.
6GL #114.
9 GL #362.
14GL #386.
16 gl #107; 26; h o u s e w i f e .
17GL #223.
18 gl #411; 50; r e s e a r c h d i r e c t o r .
I9 GL #5 2 1.
20 gl #541; 56; te a c h e r .
23GL #6 6 6 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
658
Some 32 r e s p o n d e n ts , s e n s i n g th e
r e s t r i c t i o n s in h e r e n t i n th e b r o a d c a s t s i t u a t i o n , f e l t t h a t Fagal found
much g r e a te r freedom i n c o n te n t s e l e c t i o n in h i s p u l p i t p r e a ch in g :
I gL #741.
2 GL #805.
5 gl #290; 51; s e c r e t a r y .
6 gl #216; 44; r e g i s t e r e d n u r s e .
7gl #76.
9 GL #204; 45 ; le n s p o l i s h e r
10GL #284.
n GL #329.
i 2 GL #212.
13GL #279.
14 gl # 368.
15GL #432.
i 6 GL #714.
17GL #360.
R ep ro d u ced with p erm ission of th e copyright ow ner. Further reproduction prohibited w ithout p erm ission .
659
He seems to speak w ith more freedom; on th e a i r he seems
a l i t t l e r estr ic ted .
He does a much b e t t e r job i n th e
p u lp it because he can d i g r e s s and f e e l more f r e e i n h i s
e x p r e s s io n s , and h i s c h a t t y manner i s more a p p e a lin g t o t h e
a u d i e n c e . 2 He p u t s t h i n g s a l i t t l e more on th e l i n e h e r e
than on TV--no doubt th e way i t s h o u ld b e . 3 TV perhaps more
watered down.4
In t a l k i n g w ith h i s TV a u d ie n c e , he needs t o be g e n e r a l ,
but to us he can b e more s p e c i f i c , b e c a u se he i s d e a l i n g
with a s p e c i f i c p e o p le w ith known p r o b le m s .5 T his sermon
seemed t o have more s p i r i t u a l th ought f o r me;^ I e n jo y e d i t
more to n ig h t b e c a u se he f u l f i l l e d my n e e d s . 7 On TV . . . h e
has to tr e a d s o f t l y . ^ His p r e a c h in g t o n i g h t was d e e p e r ,
contained more s p i r i t u a l meat than h i s TV p r e a c h in g d o e s ;^
before h i s own p e o p le he s a y s t h i n g s , meat v s . m ilk . 10 He
spoke more i n t i m a t e l y t o n i g h t ; H to SDAs he can be more
s p e c i f i c and s e l f - c r i t i c a l . 12 i e n jo y h i s p u l p i t p r e a c h in g
more because he can p r e s e n t more d o c t r i n e . I 3
Preaching in p e r so n may n o t reach as f a r o u t , b u t i t
goes a heap d e e p e r . 14
In t h i s c o n t e x t , th e n , th e p u l p i t p r e a c h in g was s e e n t o be "more
p e r s u a s iv e ," !3 "more d i r e c t l y geared to s t i r p r a c t i c i n g C h r i s t i a n s to
greater e n d e a v o r ." 1*
Eleven o f th e r e sp o n d e n ts s u g g e s t e d t h a t perhaps one c a u se o f
the improved, dynamic p u l p i t p r e a c h in g was to be found i n th e f a c t t h a t
in the p u lp it s i t u a t i o n th e s p e a k e r f a c e s a l i v e a u d ie n c e w it h whom he
may react and i n t e r a c t :
T onight I f e e l he warmed t o a la r g e a u d i e n c e , ! 7 a l a r g e
ov erflow in g a u d i e n c e . 18 He was lo o k in g a t a la r g e a u d ie n c e
to n ig h t, w h ile on TV he m ight n o t know how many are
1GL #490.
2GL #98.
5GL #546.
6 GL #742.
00
U gl #950; 42; a c c o u n ta n t.
13GL #99; 33; h o u s e w ife .
1 7 gl
^GL #5 0 2 .
9 GL #844.
10GL #872.
12 GL #36; 41; h o u s e w if e .
i 4 GL #448.
15 GL # 3 8 .
i 6 GL #423
18GL # 9 4 6 .
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660
liste n in g .
He i s more a t e a s e b e h in d th e p u l p i t w ith a
l i v e a u d ie n c e .^ His p u l p i t s p e a k in g i s more e f f e c t i v e ,
g e ts th e man a c r o s s b e t t e r , more p e r s o n a l rap p ort w ith th e
a u d ie n c e .^ He i s f r e e r in p u b l i c . . . sp eak s more p e r s o n
a lly to h is v i s i b l e a u d ie n c e .4
His p u l p i t p r e a c h in g i s more f r e e ; r a p p ort betw een him
and h i s a u d ien ce i s h e ig h t e n e d by p e r s o n a l a p p ea ra n ce.^ He
has a n a t u r a l r e s p o n s e t o h i s s e e n a u d ie n c e , p r o b a b ly
because o f c l o s e r c o n t a c t w ith h i s a u d i e n c e . 7 He l e t s you
know he i s one o f u s , t e l l s us t h in g s he c o u l d n ' t on TV.^
His a u d ie n c e 's r e s p o n s e appeared t o i n s p i r e him as he
in s p i r e d h i s a u d ie n c e .
A lthough th o s e who p r e f e r r e d W illia m F a g a l ' s TV p r e a c h in g t o th e
p u lp it v a r i e t y were outnumbered by n e a r ly n in e t o o n e , t h e i r r e s p o n s e s
are n e v e r t h e l e s s i n s t r u c t i v e ; and th e y are c o n c e n tr a te d l a r g e l y i n th e
areas o f (1) th e n a tu r e o f th e b r o a d c a s t in g s i t u a t i o n ,
^GL #321.
5 GL #371.
^GL #586.
6GL #316; :2 9; h o u s e w if e .
8GL #775.
9 GL #338 ; 49; t e a c h e r .
**GL #159.
l^GL #716.
14 gl #121.
16GL #1 06 .
1SGL #67 6.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
3GL #4 4 3.
00
*GL #815;
h o u se w ife .
5 gl #343; 47; s a le s m a n .
6 GL #661.
8GL #370.
9 GL
* gl #485; 62; l i c e n s e d p r a c t i c a l n u r s e .
**GL #532; n o t l i s t e d ; h o u s e w if e .
teacher.
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662
1GL #6.
2GL # 1 8 .
3GL #24.
5GL #85.
12 gl #155; 64; l i c e n s e d p r a c t i c a l n u r s e .
i 4 gl
13GL #213.
18GL #976.
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
663
more p r e a c h in g .* His p u l p i t p r e a c h in g t o n i g h t i s much,
much more l i k e what he sh o u ld p r e a ch l i k e on TV.^ On TV he
seems t o be more q u i e t .
In p e r so n h e speaks o u t . May t h e
Lord s e e t o i t t h a t he can some day speak on TV as he does
to n ig h t .^ I th in k he c a r r i e s th e crowd when he u s e s sp e ec h
in a good o l d fa s h io n e d t a l k . 4
TV programs seem t o d w e ll on p e o p l e ' s s p i r i t u a l prob
lems; n e v e r heard him p rea ch on TV.5 I h a v e n 't heard a f u l l
sermon on TV.6 He i s n ' t r e s t r a i n e d in p u b l i c ; i n p u l p i t
preach in g he has i t a l l t o s a y - - o n TV he seems more l i k e a
c o u n s e l o r . ^ P u l p i t sermons are s t r a i g h t sermons; on TV
sermons are s t o r y and o f p a s t o r g i v i n g C h r is t ia n counsel.**
On TV he i s more or l e s s th e p a s t o r c o n v e r s in g w ith a
fa m ily .
In h i s sermon t o n i g h t he i s a p r e a c h e r . His p r e a ch
in g t o n ig h t i s more a n im a te d .9 On TV i t seems more l i k e
c o n v e r s a tio n than a ser m o n .10 S t o r i e s on TV are d ram atic,
but they l o s e t h e i r p o w e r .H
He sh o u ld be a llo w e d more time t o TV;*2 We w ish he had
a whole hour.*-5 T e l e v i s i o n p r e a c h in g i s good, b u t I w ish i t
were l o n g e r ; 14 i t i s n e v e r lo n g enough. One always wants to
hear more, have l e s s s i n g i n g and more s er m o n .I 5
Two r e s p o n d e n ts * 6 * 17 in d e p e n d e n tly p r o v id e d i d e n t i c a l answers to
t h is q u e s tio n a s k in g f o r a comparison o f th e p u l p i t and t e l e v i s i o n s e r
mon s t y l e s .
*GL #124.
2 GL # 2 5 .
3 GL #79.
7GL #729.
9 gl #338.
*GL #498.
**GL #279.
12 GL. #63 8 .
*3GL #989.
*4GL #394.
^GL #2 13 .
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th is audience r e s p o n s e su rv ey :
Oh, h e s b e t t e r p r e a c h in g from th e p u l p i t . H e's v e r y dry
on TV. Most o f th e young p e o p le d o n 't e n jo y h i s sermons
on TV. Hes b e t t e r i n th e p u l p i t than on TV. l
In c o n c l u s i o n , i t seems c l e a r t o t h i s i n v e s t i g a t o r t h a t a s u b
s t a n t i a l number o f th e members o f W illia m F a g a l s aud ien ce a t th e Grand
Ledge camp m e e tin g f e e l t h a t th e F agal TV p r e a c h in g would be m easurably
improved and enhanced i f t h i s m i n i s t e r would make i t as dynamic and as
c o lo r fu l as h i s p u l p i t sermon on t h i s o c c a s i o n .
This w r i t e r does n o t f e e l t h a t th e remarks made b y r esp o n d e n ts
in d ic a te a r e s i d u a l l y l a t e n t h o s t i l i t y t o th e p r e se n c e o f drama on some
o f the t e l e c a s t s , p e r s e .
He does f e e l t h a t t h e r e i s a w id e sp r ea d
1GL #83.
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19
665
and one r e g i s t e r e d
strong d is a p p r o v a l.
A t o t a l o f 3 9 , i n t e r e s t i n g l y , r e f u s e d t o c a t e g o r i z e F agal a t a l l
by comparing him w ith o th e r m i n i s t e r s ( f o r r e a s o n s t o be n o te d b e l o w ) .
Seven more gave m is c e ll a n e o u s r e s p o n s e s ; and 262 made no r e s p o n s e w hat
ever to th e q u e s t i o n .
Among th e 489 i n th e f i r s t c a t e g o r y who r e g i s t e r e d e m p h a t ic a lly
strong a p p ro v a l, F a g a l s p r e a c h in g was r a t e d as e x c e l l e n t , " * " o u tsta n d ing,"
" s u p e r io r ,"
"top o f th e l i s t as f a r as I'm
concerned.
The f o l l o w i n g are t y p i c a l o f o b s e r v a t io n s made by r esp o n d e n ts i n
th is c a te g o r y o f s t r o n g e s t ap p ro va l:
I f e e l he i s s i n c e r e and c o n v in c in g .
I would l i k e to
have him f o r a n e x t - d o o r n e ig h b o r . The way I f e e l about h i s
p r e a ch in g i s t h a t when he p r e a c h e s I f e e l I can i n v i t e an
o u t s id e r [n o n -A d v e n tis t] and f e e l proud t o in t r o d u c e him as
an A d v e n t i s t .^
Among th e b e s t ; n o t to o p i e r c i n g l i k e E ld e r W a lte r , and
d o e s n 't put me to s l e e p l i k e E ld e r B o o th b y .7
More e f f e c t i v e than most e v a n g e l i s t s .
Knows h i s m a t e r i a l .
Sermons show much p r e p a r a tio n and th o u g h t. Not deep t h e o l o g y ,
which i n h i s work i s an a d v a n t a g e .8
I p r e f e r P a sto r F a g a l ' s p r e a c h in g b e c a u s e h e s s o calm
and so c o n f id e n t in what he has to s a y t h a t i t i n s t i l l s con
f id e n c e i n th e l i s t e n e r s . He d o e s n ' t sh o u t or speak i n a
loud v o i c e .
T h a t's what I d i s l i k e in any m i n i s t e r .
I feel
P a sto r Fagal has one o f th e f i n e s t d e l i v e r i e s you w i l l h ea r
anywhere. His sermons seem t o end so q u i c k l y , b u t th e tim e
i s up and he has t o s t o p . 9
So many A d v e n t is t p r e a c h e r s g iv e a sermon I c a n ' t
remember 20 m inutes a f t e r I le a v e th e church, b e c a u se C h r is t
^GL #293.
^GL #598.
5GL #12.
6 GL # 6.
7GL # 3 7.
9 GL # 9 0.
8GL # 7 6.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
666
JGL # 8 1 1 .
12
2 GL # 5 2 6 .
^GL #137; 48 ; l i t e r a t u r e e v a n g e l i s t .
4GL #182.
5GL #1 97 .
GL #201; 42; h o u s e w if e .
7GL #509.
GL #695; 39; p r e s s o p e r a t o r .
*GL #10; 24; h o u s e w if e ; B a p t i s t .
^GL # 8 5.
12GL #2 09 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
11
GL #561; n o t l i s t e d ;
3GL # 1 9 5 .
8GL # 3 6 8 .
X1GL #8.
4 GL #255.
1?
" co m p a ra b le," 1
" a b le to h o ld h i s own,"
lic e n s e d p r a c t i c a l n u r s e .
5 GL #2 5 3 .
6 GL #1 8 9 .
GL #304.
7GL #398.
10GL #438.
13GL #5.
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668
"the same as o t h e r s ," * "som etim es as good as any, som etim es b e t t e r ,
sometimes n o t as good."'1
A lthough o n ly 19 r e sp o n d e n ts (2.6% o f th o se answ erin g in a man
ner which a d m itte d a q u a l i t a t i v e c l a s s i f i c a t i o n ) r e g is t e r e d m ild
d isa p p ro v a l, in term s o f i n f e r i o r i t y in com parison w ith o th e r p r e a c h e r s ,
and one in d ic a t e d s tr o n g d is a p p r o v a l, a b r i e f look a t t h e i r remarks i s
w orthw hile.
m inority group:
F a g a l's p r e a c h in g i s n o t h a r d - h it t in g n or i s i t s t r o n g ly
d o c t r in a l.
I t i s d e s ig n e d t o a t t r a c t a p e r so n and i n t e r e s t
him t o th e p o in t o f w r it in g in fo r th e B ib le c o u r s e . I t i s
in sharp c o n t r a s t to [George Vandeman's] " I t i s W r itte n ,"
which i s i n t e l l e c t u a l , d o c t r in a l , and h a r d - h i t t i n g . 3
P a s to r F agal o f t e n u se s th e p r o b le m -s o lu tio n approach.
I t i s c o n v in c in g . I t i s r e f r e s h in g . But i t does n o t alw ays
make th e b e s t Sabbath morning serm on. On Sabbath I want an
in c r e a s e d aw areness o f som eth in g t h a t I p o s s e s s , bu t h a v e n 't
d isc o v e r e d y e t . 4
He c a p tu r e s my i n t e r e s t and h o ld s i t , b u t does n o t
appeal to my e m o tio n s.
I p e r s o n a lly l i k e a more em o tio n a l
s p e a k e r .3
I l i k e "World K id s' Crusade" and "World B ib le Crusade"
on r a d io , and Jack W yrtzen 's "Word o f L ife Crusade" on TV.
I f in d our TV and r a d io programs la c k in g in ENTHUSIASM com
pared t o t h e s e o t h e r s .
I th in k we sh o u ld work more fo r
c h ild r e n and y o u th , sh o u ld be l o t s on tem p era n ce--a n d th e
home. 3
H is TV p r e a c h in g la g s f a r b eh in d o th e r B a p t is t and SDA
p rea ch ers in s i n c e r i t y and c o n v in c in g n e s s .?
Not s u r p r i s i n g l y , th e clergym an w ith whose p r e a c h in g W illiam
F a g a l's was m ost o f t e n compared was H. M. S . R ichards o f "The V o ice o f
Prophecy," F a g a l's c o u n te r p a r t on A d v e n tist r a d io - - a v ery p o p u la r
*GL #298;
71;
3GL #366.
6 GL #115;
r e tir e d .
4GL #480.
51;
tea ch er.
2GL #143.
5 GL #377.
7GL # 4 4 0 .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
a c lo se "second t o H. M. S ." ;
;z
and he w i l l be as good"
and two
1GL # 3 2 3 .
3GL # 1 2 1 .
6 GL # 9 .
5 GL #4 4 .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
"I know too few to com pare"*); and one resp o n d en t appeared t o w ish o n ly
to q u ib le w ith se m a n tic s (" I d o n t s e e how I can compare i t s i n c e i t
ca n 't be done; th e b e s t I can do i s c o n t r a s t i t " ) ; i t seem ed e v id e n t
th at the v a s t m a jo r ity w ere c o n s tr a in e d on r e l i g i o - e t h i c a l g ro u n d s.
A d v e n t is t s , g e n e r a ll y , h ave b een somewhat c o n d itio n e d a g a in s t
c r it ic is m o f t h e i r c le r g y .
^GL #448.
6 GL #53.
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671
d i r e c t l y from God:
sp e a k e r s
h e r e , and
1GL #320.
2 GL #737.
00
#764;
14; s t u d e n t .
6 GL #1 3 5 .
4GL #7 5 3 .
7GL #2 79.
9 gl #536; 77; r e t i r e d .
n GL #970; 30; s e lf-e m p lo y e d
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F a g a l's image as a p r e a ch er :
p o s i t i v e f a c t o r s . - - I n th e t w e lf t h
Of th e 704 who d id
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" fr ie n d ly "
I gl #74; 74; 1
is e w if e .
2GL # 7 8 .
3 gl #127; n o t
5 gl #458; 47;
6 GL #245.
7 gl #802; 21;
10GL #106.
8GL #6.
11GL #398.
i 4 GL #192; 51;
16 gl # 4 7 3 .
,L
12 gl #1 0 5 .
9GL # 1 5 .
i 3 GL #537.
15 gl # 3 4 .
17GL #294.
18 gl # 3 2 0 .
R ep ro d u ced with p erm ission of the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
674
6 GL # 9 8 .
^GL # 2 4 4 .
2 GL #37.
3GL #449.
4GL # 2 6 6 .
8GL # 3 7 2 .
14GL # 8 4 4 .
16GL #780.
17
17GL #684; 51; tru ck d r iv e r .
19gl #547.
22 gl #76.
23,
23GL #171; 2 4; s tu d e n t.
15GL # 7 6 1 .
*8GL # 3 6 0 .
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
1GL #366.
4GL #477;
6 gl #824.
^GL #84.
3GL #381; n o t l i s t e d ; p h y s ic a l t h e r a p i s t .
3; h o u s e w ife .
7GL #517; n o t l i s t e d ; s e a l e r .
8GL #520.
10GL # 2 0 9 .
U GL #212.
i 2 GL #681; 24; s t u d e n t .
14 gl # 2 0 7 .
15GL #177 .
16 GL # 2 5 9 .
17GL # 4 9 7 .
18 gl #163.
19GL #150.
2 0 GL # 1 7 1 .
21GL # 4 0 9 .
9 GL #600.
i 3 GL #722.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
676
The B ib le i s h i s g u id e and a u t h o r it y .
His serm ons a re
b u i l t around C h r i s t . 23 He h as a deep c o n v ic t io n o f th e f u l
f illm e n t o f p r o p h e c y . 24 H is c o n fid e n c e i s in G o d . 25 He
5 GL # 3 4 0 .
8gl # 3 1 .
9 GL #45.
6 GL # 6 7 8 .
7gl # 6 5 .
10GL # 4 6 .
n GL #234; 54;
12 gl # 4 3 .
13 gl #350; 47; ]
14 gl #129; n ot
listed.
15 gl #275; 58; i
18 gl #863.
19i
21 gl #225.
22,
24 gl #81.
25,
16GL # 4 9 .
17GL #1 4 3 .
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677
r e a l l y knows J e s u s as h is p e r so n a l S a v io u r .
Such a man o f
God:^ deep s p i r i t u a l e a r n e s t n e s s ,3 s o u l- s e a r c h in g ,^ he
r e v e a ls th e nower o f th e H olv S n i r i t . 3 b r in e in v C h r is t to
the p e o p l e .6 He b r in g s c o n v ic tio n to my h e a r t; he preach es
J esu s C h r is t.^
In r e p ly to th e seco n d h a l f o f th e q u e s t io n , w hich asked
respondents t o l i s t th in g s th e y p a r t i c u l a r l y lik e d about W illiam F a g a l's
t e l e v i s i o n p r e a c h in g , 822 r esp o n d e n ts fu r n is h e d n o th in g which co u ld be
u s e fu l to t h i s i n v e s t i g a t i o n :
A gain,
C ontent f a c t o r s were
whereas
2 GL # 86.
3GL #294.
5GL #279.
6GL #110.
8GL #223.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
o f th e
auditorium in t o th e t e l e v i s i o n medium:
He sp eak s r i g h t d i r e c t l y a t you and i s no lo n g e r in th e
s tu d io hundreds o f m ile s away, b u t r ig h t w ith you in th e
home.
A d d it io n a lly , one m en tion ed t h a t th e cameraman a f f e c t s th e
d e liv e r y in s h o o tin g from "many d i f f e r e n t p o se s and a n g le s " ;5 and
another lik e d th e l i t t l e F agal TV "trademark" o f h a v in g
in a " tig h t" s h o t o f th e F agal hands fo ld e d
th e camera fo c u s
and l i g h t l y r e s t i n g on h i s
B ible w h ile p ra y er i s o f f e r e d o v e r th e a i r .^
L a s t ly , m ention was made o f F a g a l's r e la t io n s h ip to h is w ife by
15 d if f e r e n t r e sp o n d e n ts in t h i s q u e s t io n .
W hile in one s e n s e t h i s i s
n o t, s t r i c t l y s p e a k in g , a f a c t o r o f W illia m F a g a l's p r e a ch in g p e r s e ,
y e t in th e c o n te x t o f th e program i t i s d i f f i c u l t to s e p a r a te i t a t
le a s t in v ie w e r s ' m inds from m a tter s o f th e s p e a k e r 's p e r s o n a lit y and
oth ers in e x t r ic a b ly in t e r t w in e d .
C o n seq u e n tly , t h e r e f o r e , a s e p a r a te
c lo s e o f t h i s c h a p te r to d e a l w ith t h i s
p a r t ic u l a r phenomenon.
XGL # 5 9 4 .
2GL # 3 1 2 .
3GL # 8 4 4 .
4GL # 1 3 9 .
5 GL # 3 9 9 .
6 GL # 5 1 0 .
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
679
n e g a t iv e f a c t o r s .--T h e r e lu c t a n c e
I d on t look f o r a m in is t e r 's f a u l t s . *
I have no d i s l i k e s o r c r i t i c i s m s o f our b e lo v e d m in is t e r s .
How could anyone d i s l i k e E ld er F agal on th e program?^
How could you ask such a q u e s tio n ? H e's p e r f e c t . 4
I cannot fin d any [ f a u l t ] , f o r i f I do I w ould be fin d in g
f a u lt w ith God, f o r h e i s God's r e p r e s e n t a t iv e in e a r th .
C n 1 1 1 4*
t.i4
Is /s
*i f s
/s J
c.
*v* / s r s v a c
/* s ts + n 4* t
s rA
1 r t
nothing th a t I f in d d i s t a s t e f u l in h is p r e s e n t a t i o n .
For a n oth er 18, t h e i r o n ly " com plaint" ( a c t u a l l y , a v e i l e d com
plim ent) was th a t th e sermon was to o s h o r t:
7
I would l i k e h i s sermons to be lo n g e r .
Too much m usic and n o t enough preaching.**
Too b r i e f : he j u s t g e ts s t a r t e d and th en s i t s down a g a in . 9
Time goes by to o fast.-*-
2 GL #323.
5GL #517.
9 GL #448.
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
680
f a u lt o f o v e r ly d ra w n -o u t, in te r m in a b le p r e lim in a r ie s , in c lu d in g a
length y in t r o d u c t io n o f a number o f d i f f e r e n t s o l o i s t s who perform ed
during th e v e sp e r s so n g s e r v i c e .
With some o f th e r e s id u e o f 102 " com p lain ers" m en tio n in g f a c t o r s
in more than one o f th e f i v e a r b it r a r ily - c h o s e n c a t e g o r i e s , th e r e were
19 r e f e r e n c e s to f a c t o r s o f p e r s o n a l i t y , 54 on c o n te n t and c o m p o s itio n ,
40 on d e liv e r y ; one on s p i r i t u a l e le m e n ts , and two m is c e lla n e o u s r e p l i e s .
As regard s th e F a g a l p u l p i t p e r s o n a li t y ,
17 r e sp o n d e n ts appeared
to f e e l t h a t th e s p e a k e r w a s, by tu r n s , to o a f f e c t e d , to o s e r i o u s , to o
d is t a n t , to o s e l f - e f f a c i n g , and to o e g o t i s t i c a l !
C oncerning a l l e g a t i o n s o f a f f e c t a t i o n , one f e l t th a t th e r e was
"perhaps to o much s m ilin g ; seem s somewhat a f f e c t e d . " 4
For a n o th e r ,
d i f f e r e n t l y by s t i l l a n o th e r as "Smug?
*GL #166.
^GL #859;
3GL #755.
4GL #19.
5 GL # 5 .
6 GL #63.
He d o e s n 't
s m ile
36; r e g is t e r e d n u r s e .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
enough."^
H is v o ic e i s f r ie n d l y ."
to o humble and s e l f -
e f f a c in g ," 5 d e s c r ib e d v a r io u s ly a s:
His ten d en cy to a p o lo g iz e f o r h i m s e l f . 5
Sometimes i s s e l f - d e p r e c a t o r y . 7
Too a p o lo g e t ic as com paring h i s p a r t w ith th e q u a r t e t .5
Made e x c u se s f o r h a v in g to l i s t e n t o him in s t e a d o f the
q u a r t e t .9
He began w ith an a n e c d o te w hich degraded h i s own a b i l i t y - a r a th e r p oor way to e s t a b l i s h a u d ie n c e c o n f i d e n c e .15
F i n a l l y , th e most common c o m p la in t, m en tion ed by s i x , was th e
f e e lin g th a t F agal "seems t o be (b u t p r o b a b ly i s n o t) j u s t a l i t t l e
e g o t i s t i c a l " : 11
He has a ten d en cy to em ph asize h i s r o l e as a w o rld t r a v e le r
a b i t to o m u c h . 1 ^
Sometimes o verd oes p e r s o n a l r e f e r e n c e s ( t o h i m s e l f ) . 13
M ild ly e g o t i s t i c a l . 14
Common enough to s e e a b i t o f e g o --J o h n , th e d i s c i p l e , was
more humble than F a g a l, th e p a s t o r . 13
P le a s e do n o t g e t to o " fa m ilia r " o r " jok ey" w ith th e
c o n g r e g a t io n .15
By f a r th e l a r g e s t number o f c o m p la in ts were in the a r ea o f con
3*
00
te n t and c o m p o sitio n .
3GL #598.
5 GL #5 5 8 .
2GL # 1 6 1 .
\4
21; s tu d e n t n u rse
1GL
m
J
CO
#875.
9 GL #156.
4GL #3 8 6 .
U GL #306.
12GL # 48 2 ; 45; s c h o o l a d m in is tr a to r .
13GL #4 8 0 .
14 gl #300.
15GL # 29 9 ; 40; r e g i s t e r e d n u r s e .
16GL #8 3 1 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
682
A nother c o n s id e r e d p a r ts o f th e sermon to be
("a l i t t l e
to o much s t r e t c h i n g o f th e im agin a
(le s s
'I t h in k ,'
'I t
1GL #25.
2GL # 2 9 4 .
4GL # 8 3 0 .
6 gl #743; 48; m in is t e r .
5GL # 8 4 .
7 gl #541.
3GL #509.
8GL # 3 5 8 .
9 gl #377.
n GL #613.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
683
T h ir te e n took e x c e p t io n to F a g a l's u se o f c o l l o q u i a l e x p r e s s io n s
which th ey f e l t b o rd ered on " s la n g ," and which a number found " t r i t e ,
"unnecessary, and un w ise":
Two s ta te m e n ts t o n ig h t to o crude:
(1 ) "Let him drop dead,"
and (2) "Bad c a s e o f 'h o o f-in -m o u th ' d i s e a s e . "3
The e x p r e s s io n , "I b e t . "4
I w ish he w o u ld n 't u se su ch e x p r e s s io n s as "I c o u ld n 't care
le s s " and "went f o r a lo o p ." S o r r y !$
An u n con sciou s v o c a l c ru tc h was a ls o d e te c te d by one l i s t e n e r who n o ted
a " to o -fr e q u e n t u se o f th e e x p r e s s io n ,
He sh o u ld n o t funny s o much. 11
In in tr o d u c in g th e q u a r t e t members b e fo r e th e e v e n in g serm on,
Fagal jo k ed about o d d -so u n d in g names o f s e v e r a l members.
Three in th e
1GL #495.
2GL #853; n o t
4 GL #207.
5 GL # 3 5 4 .
8 gl #251; 50+; te a c h e r .
n GL #852; 59; b u ild e r .
6
9 GL #568.
10GL #831.
12 GL #52; 54; te a c h e r .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
684
which
the respondent d e p lo r e d .
C oncerning c o m p o s itio n , 12 resp o n d en ts were concerned about two
apparent w eak n esses:
p r o tr a c te d e x p a t ia t io n a lon g a c ir c u i t o u s r o u te
(in c lu d in g an i n t e r e s t i n g s a r t o r i a l p r o b le m ), v o c a l
4GL #244.
6 GL #272.
9GL #678.
5 GL # 7 5 0 .
10GL # 6 9 0 .
7GL #415.
~*GL #266.
8GL #840.
U GL #752; 23; te a c h e r .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
685
The
consen su s:
He's b o r in g .^
Not f o r c e f u l or em ph atic enough.
Sometimes he d o e s n 't have enough " s p i r i t . " 4
Could be a l i t t l e more a n im a te d .5
Sounds to o much l i k e " a d v e r t is in g .
I t ' s d e f i n i t e l y a s te r e o ty p e d s p e e c h .?
Not as d e m o n str a tiv e as some p r e a c h e r s , b u t may n o t be
f i t t i n g f o r him , I d o n 't know.
Seven f e l t t h a t W illia m F a g a l's g e s t u r e s p r e s e n t e d d i f f i c u l t i e s
in com m u n ication --alth ou gh one a n t ic i p a t e d a p o s s i b l e c a u se :
"Too many
Q
g e stu r e s , p ro b a b ly b eca u se he knew we w ere c r i t i c i z i n g him t o n ig h t ."
In a d d itio n to a f e e l i n g th a t th e r e were to o many g e s t u r e s , r esp o n d e n ts
noted a ls o :
E x c e s siv e u se o f han d s.
He makes t o o many m otions w ith h i s h a n d s .11
A somewhat u n r e a l i s t i c u se o f arm movement and v o ic e when
12
im it a t in g John s a y in g , "B ehold, th e Lamb o f God. . . ."
Sometimes h i s c o n tin u o u s a c t i v i t y (arm s, h a n d s, r o c k in g on
f e e t ) makes me b r e a t h l e s s . 13
F iv e o th e r s n o te d an i n t e r e s t i n g c lo t h in g p ro b lem , and th e
sp e a k e r's p ro b a b ly s u b c o n sc io u s e f f o r t s t o r e c t i f y i t :
Nervous m a n n e rism s--sh o u ld e rs t w it c h in g , hands f u s s in g
w ith c l o t h i n g . 14 He h as a mannerism in a d j u s tin g h i s c o a t
th a t i s a n n o y in g .15 Tugs a t c o a t , 1^ p u lle d a t h i s c o a t to o
much.1? He i s v e r y c o n s c io u s o f h i s t i e coming o u t o f h i s
c o a t, f o r he k eep s tu c k in g i t back i n . 1
1GL #157.
2GL #83.
3GL #25.
^GL # 5 9 2 .
4GL #546.
6 GL #530.
7GL #140.
10GL # 3 4 0 .
11GL #8 4 4 .
12gl #713; n o t l i s t e d ; s t u d e n t .
13GL #7 8 8 .
14 gl #397; 32; te a c h e r .
15GL #597.
16GL #192.
17 gl #324.
18 gl # 8 4 0 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
686
Nine r esp o n d e n ts commented on a d e f ic i e n c y p e r c e iv e d in W illia m
F agal's v o c a l q u a lit y :
He has a mannerism in h i s v o ic e t h a t i s a l i t t l e hard
to u n d ersta n d .^ n q to n e change in v o i c e . 2 P l e a s e , more
head t o n e s . 3 E a s ie r i f more v a r ia n c e i n to n e o f v o ic e .
When a p e r s o n 's mind wanders a b i t , a m oderate b u t d e f i n i t e
change o f to n e o f v o ic e b r in g s a p e r so n b a c k .4
S l i g h t l y a f f e c t e d o v e r to n e s in v o i c e . 3 Som etim es h is
in t o n a tio n curve seems s l i g h t l y a r t i f i c i a l .
He c o u ld sound
a b i t more s in c e r e and sp o n ta n e o u s, l e s s l i k e an o r a to r o r
s p e e c h - g iv e r .6 P le a s a n t enough, b u t n o t as c l e a r as so m e-has a l i t t l e fu z z y q u a l i t y . T hroat seem s t i g h t .
Seems to
speak to o much from h i s t h r o a t . 7 O c c a sio n a l downward
d e f l e c t i o n o f h i s v o ic e t h a t i s s l i g h t l y o v e r d o n e --I r e a l l y
c a n 't put my f in g e r on what e f f e c t i t h a s .
I t ' s v e r y m inor,
r e a lly .8
S ix r esp o n d e n ts f e l t th a t th e sp e a k e r " ta lk s to o f a s t a t tim es";
sa id one, "Sometimes h is words tum ble out i n h i s e a r n e s tn e s s." *
C oncerning p h y s ic a l ap p earan ce, th e r e were two c o m p la in ts , both
o f in t e r e s t :
I p a r t i c u l a r l y l i k e to s e e him w ith h i s g l a s s e s on.
enhances h i s d i g n i t y .* !
It
Only th in g I d i s l i k e i s n o t what h e s a y s , b u t he lo o k s
a l i t t l e to o " p e r fe c t" f o r p u l p i t p r e a c h in g . Too p e r f e c t l y
groom ed.12
F i n a lly , one resp o n d en t com plained o f n o t b e in g a b le t o s e e th e
speaker very w e l l ! 3 ( c e r t a i n l y n o t F a g a l's f a u l t J ) ; and a n o th er remarked
rath er o b liq u e ly , "Good p r e a c h in g n o t t e a c h in g (d e c id e d ly a v a lu e ju d g
ment e it h e r w a y )." * 4
*GL #559; n o t l i s t e d ; m in is t e r .
2GL #108; 19; h o u se w ife ; no r e l i g i o u s a f f i l i a t i o n
3 gl #116; 22; s tu d e n t.
7gl #613.
U GL # 1 0 6 .
8GL #803.
*2GL #520.
4 GL #230.
9 GL #124.
5 GL # 4 8 0 .
lis te d .
6 GL #4 9 7 .
*3GL # 2 0 5 .
*4GL # 8 0 5 .
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
p a r tic ip a n ts in th e su rv ey ?
T hese n e g a t iv e o b s e r v a t io n s , he f e e l s ,
The rea d er s h o u ld n o t f o r g e t
(1) F a g a l's s u p e r io r p u lp it p r e a c h in g ,
(2)
e t h ic a l r e s t r a i n t f e l t by th e r e sp o n d e n ts a g a in s t c r i t i c i z i n g t h e i r
p rea ch ers, or (3) b o th !
I t i s i n t e r e s t i n g to n o te t h a t 263
T h ir te e n m entioned
(a number o f o th e r s in d ic a t e d
1GL # 143.
2GL #4 6 .
3GL #545.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
688
tim e, how ever, th e s ta te m e n t was n o t an im p lie d com p lim en t, as i t
appeared to be f o r th e 18 who i n d ic a t e d a s im ila r r e sp o n se r eg a r d in g
th in gs d i s l i k e d in th e p u l p i t p r e s e n t a t io n s .
s t i f f . 12
! gl # 4 3 .
2 GL # 1 1 4 .
3GL #4 4 0 .
4GL # 4 4 3 .
SGL # 3 9 8 .
6GL #2 0 5 .
7GL #530.
8GL #5 9 8 .
9GL #868.
10GL # 8 3 0 .
U gL # 2 7 9 .
^GL #135.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
A remark su ch as t h i s ,
I suppose h i s
I c o n s id e r a
I th in k th e
But I'm su re
su r e i t a p p ea ls
1GL #628.
2GL #805.
4GL #124.
SGL #366.
7GL #196.
GL #655; 26; s e c r e t a r y .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
690
S p ea k in g fo r a l l ,
one remarked:
T h is may sound f o o l i s h , b u t i t b o th e r s me t o s e e him
w ith ou t h i s g l a s s e s on.
I t has no b e a r in g on h i s p r e a c h in g -I d o n 't d i s l i k e a n y th in g about t h a t . 2
Two o th e r s g u e s s e d c o r r e c t l y t h a t th e g l a s s e s w ere abandoned
because s t u d io l i g h t s ten d ed to r e f l e c t from them i n t o th e camera e y e .
O ther a s s o r te d c o m p la in ts in th e a rea o f d e liv e r y w ere:
He sounds l i k e h is remarks are m em orized, o r perhaps a
T ele-P rom p ter i s u s e d .3
Could be a b i t more d y n a m ic.4
Preach th e g o s p e l f e a r l e s s l y .
His f a c i a l e x p r e s s io n a t tim es i s n o t r e la x e d and e n t i r e l y
n a t u r a l.6
He has a ten d en cy to speak out o f th e c o m e r o f h i s mouth
in c lo s e - u p s h o t s . 7
He used to w ear to o much make-up.
I do th in k h is TV p r e a c h in g would b e im proved w ith th e u se
o f v i s u a l a id s .^
He cou ld be a b i t l e s s t a l k a t i v e . A l i t t l e wordy som etim es.*
He i s n o t handsome e n o u g h .H
The r o le o f Mrs. F a g a l's sp e a k in g in c o n n e c tio n w ith h e r
husband's p r e a ch in g was n o te d by resp o n d e n ts a g a in as in th e p r e v io u s
q u estion ; and t h i s m a tte r w i l l be c o n s id e r e d in a s e p a r a t e s e c t io n a t
the end o f t h i s c h a p te r .
*GL #613.
2GL # 5 2 6 .
4GL. #397.
5 GL #543; 6 9 ; h o u s e w ife .
6GL #597.
7GL #4 1 0 .
3GL #370.
GL #491; 6 3 ; m in is t e r .
**GL #448.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
691
a t l e a s t t o t h i s i n v e s t i g a t o r , in d e e d
worthy o f n o t e .
An i n t e r e s t i n g s i d e l i g h t i s th e f a c t t h a t an u n u s u a lly la r g e
number o f th e r esp o n d e n ts t o t h i s q u e s tio n w ere th e m se lv e s m i n i s t e r s .
To what degree a "sour grap es" a t t it u d e e n te r e d in t o t h e i r judgm ent,
r e f le c t in g p r o f e s s io n a l j e a lo u s y on W illia m F a g a ls u n d e n ia b le p o p u la r it y
among th e A d v e n tis t l a i t y , t h i s w r it e r would n o t attem p t t o ju d g e .
P er
D e c is io n s made t o n ig h t a t t r ib u t a b le t o F a g a l. - - I n th e fo u r te e n th
q u estio n , resp o n d en ts w ere asked w h eth er, as a r e s u l t o f h e a r in g P a s to r
Fagal speak th a t e v e n in g , th e y had su b s e q u e n tly made any s p i r i t u a l or
moral d e c is io n s ; and, i f s o , th e y were i n v i t e d t o i d e n t i f y them .
A t o t a l o f 619 r e p l i e d a f f i r m a t i v e l y , 66 answ ered n e g a t i v e l y ,
and 365 made no r e sp o n se w h a tev er.
A c a t e g o r ic a l a n a ly s is o f th e a f f ir m a t iv e r e p l i e s r e v e a ls th a t
366 were o f th e n a tu r e o f a r e c o n s e c r a tio n or r e d e d ic a t io n ; 244 r e la t e d
to d e c is io n s to engage in some k in d o f s o u l-w in n in g a c t i v i t y ; 47 men
tio n ed a d e te r m in a tio n to h e lp o th e r s ; and 20 m is c e lla n e o u s r e sp o n se s
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
were n o te d .
category in t h e i r r e p ly .
More th an h a l f ( 5 3 . 1 %) 0 f th o s e who acknow ledged th e making o f a
personal d e c is io n in d ic a t e d t h a t i t was o f th e n a tu r e o f as one
respondent put i t - - " a r e d e d ic a t io n t o c o n tin u e to l i v e a c o n s is t e n t
C h ristian l i f e . " 1
O thers e x p r e s s e d i t v a r io u s ly :
Try harder to be a s o l i d C h r is t ia n .
New d e te r m in a tio n to be rea d y f o r th e L o rd 's sec o n d com ing.
To conquer th e god o f a p p e t i t e . 4
Be more d i l i g e n t in p r a y e r and B ib le s t u d y .5
Attend church more f r e q u e n t l y .6
To s t r i v e h ard er f o r t r a n s l a t i o n . 7
P ersevere in p e r f e c t i n g my ch aracter.**
Have d e c id e d to p la c e more v a lu e on th e e t e r n a l , and l e s s
on tem poral m a tters.
To fin d tim e to re-ex a m in e my s e n s e o f v a l u e s . 1
To l e t p e o p le m eet C h r is t when th e y m eet m e .H
More than o n e - t h ir d (36.0% ) o f th o s e r esp o n d in g a f f i r m a t i v e l y to
the q u e stio n in d ic a t e d t h a t t h e i r d e c is i o n w as, in e f f e c t , to be "a more
f a it h f u l layman and w it n e s s " : 12
I *Z
To le a d o th e r s t o C h r is t J e s u s in a more d e c i s i v e way.
To tr y h a rd er to be a b e t t e r exam ple t o my husband and
f a m ily - - s o I can be an Andrew, and le a d them to J e s u s . 14
To l i v e b e fo r e my f a m ily , p u p i l s , and fr ie n d s a l i f e th a t
w i l l le a d o th e r s to a b e t t e r l i f e . 1^
As a new c o n v e r t, t o w it n e s s w h erever o p p o r tu n ity o p en s.
T his has h e lp e d me, and w i l l h e lp m o r e . 16
I f e e l im p ressed to e n r o l l o th e r s in th e B ib le co rresp o n d
ence c o u r s e .1^
1GL #519.
2GL # 8 2 4 .
3GL
5 GL
**'
10 GL #144; 40; o r g a n is t .
11'
12 gl #688.
13,
14 gl #204.
16 gl #196.
17GL #3 4 1 .
9 GL #250,
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693
O thers e x p r e s s e d i t in t h e s e w ords:
D e c is io n s b e fo r e t o n ig h t a t t r ib u t a b le to F a g a l. In th e f i n a l ,
f if t e e n t h q u e s t io n , r e sp o n d e n ts were asked i f th e y had made any moral or
s p ir it u a l d e c is io n s b e fo r e t h a t e v en in g as a con seq u en ce o f h e a r in g
W illiam Fagal p r e a ch .
2GL # 7 8 .
SGL # 8 3 3 .
6 gl # 6 3 9 .
7gl #237; n o t l i s t e d ; te a c h e r .
9 gl #274; 56; lic e n s e d p r a c t i c a l n u r s e .
U gl #587; 26; h o u s e w ife .
13 gl # 5 .
8 gl # 1 6 2 .
1GL #80.
12 GL #587; 26; h o u se w ife .
i 4 GL #108.
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And a d d it io n a l 34 who in d ic a t e d a f f ir m a t iv e
answers d id n o t s t a t e th e n a tu r e o f th e d e c is io n made.
A lthough th e m a jo r ity o f th e r e sp o n se s to t h i s q u e s tio n were
id e n t ic a l w ith ones made to th e p r e v io u s q u e s tio n , s e v e r a l in th e r e c o n
sec r a tio n c a te g o r y are w orth n o t in g h e r e :
I'm alw ays c o n v ic te d when I h e a r h im .1
The F agal fa m ily i s so g e n t le and k in d th a t I would
lik e to be more l i k e th em .2
A fte r l i s t e n i n g t o P a s to r F agal on any o c c a s io n I am
always l e f t w ith th e f e e l i n g t h a t I can be what J e su s wants
me to b e . 3
A fte r h e a r in g him I alw ays f e e l li k e a r e d e d ic a t io n
and th in g s I f in d m y s e lf la x i n - - w e l l , a f t e r a s p i r i t u a l
r e f r e s h in g , I t r y to do b e t t e r . 4
He seems to be l i v i n g c l o s e to C h r is t and h i s sermons
make me want to l i v e c lo s e r t o C h r is t a l s o . My mother who
had been r e b e l l i o u s a g a in s t r e l i g i o n was h e lp e d by him .
She corresp on d ed w ith him on o c c a s io n and c o n sid e r e d him
h er f r i e n d . 5
No m a tte r how o f t e n we h e a r E ld e r Fagal we f e e l as
though e v e r y tim e i t i s new and b e a u t if u l and i t to u ch es
our h e a r ts and r e a c h e s deep i n t o our s o u ls and we f e e l
lo n g in g s and yearn t o r e c o n s e c r a te o u r s e lv e s to God a l l
1GL #613.
2GL # 5 5 .
3GL # 5 6 8 .
4 GL #223.
5GL # 2 1 3 .
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695
A 2 7 - y e a r - o ld te a c h e r r e p o r te d th a t "as a te e n a g e r I found
encouragement in h i s s t o r y o f how h i s c o l l e g e p r o f e s s o r s s a id he co u ld
never su c c e e d as a m in is t e r ." 3
And a 5 8 - y e a r - o ld f o r k - l i f t o p e r a to r
^GL #6.
3GL #502.
4GL #1 2 3 .
6 GL #438.
7GL #480.
5 GL # 3 6 6 .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Several
Speak ing in fa v o r ,
respondents s a id :
I lik e h i s b e in g on TV w ith h i s w i f e ,* h i s a t t i t u d e
toward Mrs. F a g a l,2 h is f r i e n d l y , d i g n i f i e d way o f w orking
w ith h is w if e f o r s o u l s . 3 H is w if e seem s l i k e th e s w e e t e s t
person on TV,4 h is w if e i s s o h e l p f u l . 5
I li k e th e way h e u s e s h i s w if e and o th e r p e o p le to
confirm th e sermon and e n lig h t e n i t . 6 He seem s to in c lu d e
h is w ife so g r a c i o u s l y .?
I t i s v e r y im p r e s s iv e t o s e e E ld er and Mrs. F agal
to g e th e r in th e same i n t e r e s t . 8 H is f r i e n d l y manner and
sh a rin g th e program w ith h i s w if e makes you f e e l h i s fa m ily
i s v i s i t i n g w ith your f a m i l y .9 I l i k e th e s m ile he alw ays
1GL # 770.
8GL #160;
7GL # 8 3 3 .
2GL # 1 3 .
3GL # 1 0 6 .
4GL # 4 3 8 .
^GL # 6 8 4 .
9 GL #473.
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Of th e
three in th e "con" group, two were men and one was a woman.
As w ith r e s p o n d e n ts t o t h e t e l e v i s i o n s t a t i o n management p e r so n
nel su r v ey , who d i s c u s s e d t h e i r s u b j e c t i v e f e e l i n g s f r e e l y , o p in io n s and
t a s t e s vary; some app rove, and some d is a p p r o v e .
tend to
And o p i n i o n s , i t seems,
be s t r o n g - - a n d s t r o n g l y e x p r e s s e d - - o n
Summary. A f t e r a c a r e f u l e x a m in a tio n o f
b o th s i d e s o f th e fe n c e !
in d iv id u a l r e s p o n s e s t o th e v a r io u s q u e s t i o n s asked i n t h i s s u r v e y o f
the 1,050 r esp o n d e n ts who p a r t i c i p a t e d , a f a i r l y c l e a r p r o f i l e o f
2GL #6 9 5 .
3GL #410.
5 gl #1 2 8.
4 GL #71.
6 gl #285; 68; m i n i s t e r .
8 gl #358.
9 GL #443.
7 gl #626; 69 ; h o u se w ife
10 GL #1 90 .
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Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
699
preaching was n e g l i g i b l e .
In comparing W illia m F a g a l 's p r e a c h in g w ith t h a t o f o th e r c l e r g y
men whom members o f th e au d ien ce had heard e lse w h e r e ( e i t h e r on
t e l e v i s i o n or i n th e p u l p i t ) , 66.9% r a t e d F a g a l 's p r e a ch in g d i s t i n c t l y
su p e r io r by com parison.
When a sk ed what t h e y l i k e d most about F a g a l 's p u l p i t p r e a c h in g ,
67.0% r e p l i e d l i s t i n g v a r io u s f a c t o r s r e l a t i n g t o h i s warm, f r i e n d l y
p e r s o n a l i t y , an i n t e r e s t i n g and w e ll-c o m p o se d sermon, and an e s p e c i a l l y
dynamic d e l i v e r y .
S im ila r f a c t o r s were a l s o n o te d f o r th e t e l e v i s i o n p r e s e n t a t i o n s ,
ex cep t t h a t a s u b s t a n t i a l number f e l t t h a t F a g a l 's TV p r e s e n t a t i o n s
lacked th e dynamism e x h i b i t e d i n th e p u l p i t which would have made th e TV
p reach in g much more a p p e a lin g and e f f e c t i v e .
A s u b s t a n t i a l number
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d i s t i n c t l y d o c t r i n a l a c c o r d in g to t h e b e l i e f s o f th e S ev en th -d a y
A dventist s p o n s o r s .
A t o t a l o f 58.9% o f r e s p o n d e n ts i n d i c a t e d t h a t th e y had made
s p i r i t u a l or moral d e c i s i o n s t h a t e v e n in g as a r e s u l t o f h e a r in g th e
Fagal m essage; and 25.7% added t h a t th e y had made s i m i l a r d e c i s i o n s as a
consequence o f h e a r in g t h i s s p e a k e r upon an e a r l i e r o c c a s i o n .
Throughout a l l o f th e r e s p o n s e s t h e r e was n o te d a g e n e r a l l y w id e
spread f e e l i n g o f warm e n th u sia sm and app roval on th e p a r t o f
p a r t ic ip a n t s i n t h i s s u r v e y f o r t h e p r e a c h in g o f W illiam A. F a g a l, and
an a p p r e c ia t io n f o r h i s d e d i c a t i o n t o h i s unique m i n i s t r y as w e l l as f o r
h is many and d i v e r s e t a l e n t s as a s p e a k e r w hich appeared o b vio u s t o th e
m ajority o f th e r e s p o n d e n ts .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
CHAPTER V I I I
A word f i t l y spoken i s l i k e a p p le s o f g o ld i n p i c t u r e s
o f s i l v e r . . . . The e n tr a n c e o f th y words
g i v e t h l i g h t , i t g i v e t h u n d e rsta n d in g
t o th e s im p le . . . . Thy words
have upholden him t h a t was
f a l l i n g : and th o u h a s t
s t r e n g t h e n e d th e
fe e b le k n e e s.
Prov. 2 5 :11 ; P s. 119:130; Job 4 :4
Now o f th e t h in g s which we have spoken t h i s
i s th e sum: . . . sound sp e e c h
t h a t cannot be condemned.- Heb. 8 : 1 ; T it u s 2 : 8
a word from th e s p o n s o r .
I
I
I
I
. . . "
In k e e p in g w ith t h i s hoary t r a d i t i o n o f
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702
*-Dr. Anderson i s a n a t i v e o f A u s t r a l i a .
2
L e t t e r from Roy A lla n A nderson, G eneral C onferen ce o f S e v e n th day A d v e n t i s t s , W ashington, D. C ., O ct. 2 4 , 1966, 1.
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R eproduced
with perm ission
of the copyright ow n er.
703
Further reproduction
prohibited
without p e r m issio n .
Fig. 3 8 . (Left) Pastor Fagal w elcom es th e No. 1 S ev en th -d ay A dventist, G e n e ra l C o n feren ce P resid en t R obert H. Pierson, to
th e la tte r's first "Faith for T oday" b o ard m eetin g a t N ew York, following P ierso n 's election to this high church office in Ju n e,
1966. Fagal said th a t Pierson w as th e first G en e ra l C on feren ce p resid e n t to visit te le c a st h e a d q u a rte rs since th e program
b e g a n in 1950. Fig. 3 9 . (Right) P astor Fagal discusses a b o ard a g e n d a item w ith th e new chairm an, N eal C. Wilson, also
elec ted in 1966 to th e vice p resid en cy for N orth A m erica in th e G e n e ra l C o n feren ce (which carries with it b o ard ch airm an
ship of Faith for Today, Inc.).
704
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705
[See F ig . 3 9 .]
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706
Summary o f F in d in g s
mmu....
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707
context o f h i s t i m e s .
He i s s e e n , through th e e y e s o f h i s m other, h i s
He e a r l y d e v e lo p e d a t a l e n t f o r
During
g o in g on
In
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708
William A. F a g a l, and th e h i s t o r y o f th e t e l e c a s t i t s e l f .
"F aith f o r
It is ,
copied the " F a ith f o r Today" dram atic fo r m a t), th e most w id e ly view ed
r e l i g i o u s t e l e c a s t around th e w o r ld .
I t was th e f i r s t r e l i g i o u s f e a t u r e
As th e o l d e s t con tin u o u s
n a t io n a l r e l i g i o u s t e l e c a s t i n th e U n ited S t a t e s , th e program r e c e i v e s
annually more than $1 m i l l i o n i n f r e e a i r tim e from s t a t i o n s who b e l i e v e
i t s i n t r i n s i c m e r it i s w orthy o f t h i s f r e e p u b l i c s e r v i c e .
In th e
A s te a d y
A t o t a l o f 1 2 7 ,8 5 7 have gradu
&&
i ..
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H is body o f r h e t o r i c a l th e o r y i s g e n e r a l l y i n harmony
A s tu d y o f r e f l e c t e d p a r a l l e l i s m s
in d ic a te s t h a t th e F a g al r h e t o r i c a l th e o r y i s
preaching em bodies th e o r d in a r y p r a c t i c e o f r h e t o r i c a l p r i n c i p l e s b u t in
a s e t t i n g p r e s i d e d o v e r by th e Holy S p i r i t , th e t h i r d Person o f th e God
head; and t h a t s u p e r n a t u r a l f a c t o r s are a t work i n the o r a l p rom u lgation
of the g o s p e l t h a t may n o t be p r e s e n t i n o r d in a r y , s e c u l a r s p e a k in g .
Chapter V exam ines th e r h e t o r i c a l p r a c t i c e o f W illia m A. F agal.
In in v e n t io n we d i s c o v e r t h a t th e sermons are r e l e v a n t to modem l i v i n g ,
th ree out o f fo u r o f them d e v o te d to m a tter s o f p r a c t i c a l , d a y - t o - d a y
C h ristian l i v i n g .
and i t i s uppermost i n h i s t h in k i n g a t
a l l s t a g e s o f p r e p a r a t io n and d e l i v e r y .
Dr. Fagal h a n d le s
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710
m a teria ls which tend t o enhance th e im p r e s sio n o f h i s com petence,
character, and good w i l l on th e p a r t o f th e aud ien ce w ith e f f e c t i v e n e s s .
Logical argument i s c h a r a c t e r iz e d p r i n c i p a l l y by r e a s o n in g from exam ple,
although r e a s o n in g from cause and a n a lo g y are a l s o p r o m in e n tly u s e d .
Motive a p p ea ls o f a l l t y p e s are employed, w ith s p e c i a l emphasis on t h o s e
of a r e lig io u s n atu re.
In
D ia lo g u e , r h e t o r i c a l q u e s t i o n s ,
p a r a t iv e ly unadorned, numerous f i g u r a t i v e d e v ic e s a re u t i l i z e d ,
e s p e c i a l l y metaphor and s i m i l e , anaphora, and onom atopoeia.
The o v e r a l l
s t y l e p a r ta k e s e s p e c i a l l y o f the d i s t i n c t i v e q u a l i t i e s o f th e good o r a l
p r e s e n t a t io n , and are p r e s e n t e d i n a h i g h l y c o n v e r s a t io n a l mode o f
address.
communicating th e th o u g h ts he p r e s e n t s , and h i s v o i c e i s w e l l - t r a i n e d
and w e ll- d e v e lo p e d t o meet the v a r ie d needs o f th e v a r io u s s p e a k in g s i t
uation in which he p a r t i c i p a t e s .
His g r e a t v a r i e t y i n lo u d n e s s , p i t c h ,
H is d i c t i o n i s
n e a r - f l a w l e s s , and h i s a c c e n t i s t y p i c a l l y Middle A t l a n t i c .
S&S&l
ic ...
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711
The p e r v a s iv e
C2) R equest
(4) d e c i s i o n r e s p o n s e ,
(5) t e s t i
A t o t a l o f 1 2 ,9 2 9 i n d i v i d u a l
more than
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audience and o c c a s i o n .
of the m essage.
in d ic a t in g th e y had made s i m i l a r d e c i s i o n s
the sp ea k er upon an e a r l i e r o c c a s i o n .
N e a rly 7 out o f te n f e l t
C h a r a c t e r i s t i c s o f t h e Fagal p u l p i t p e r -
as a con seq u en ce o f
h e a r in g
Throughout a l l o f th e r e s p o n s e s t h e r e was n o t e d a g e n e r a l l y
d e d ic a tio n t o h i s un iqu e m i n i s t r y , as w e l l
t a l e n t s as a s p e a k e r .
I
I
as f o r h i s many and
d iv e r se
C o n c lu sio n s
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terms o f t o t a l a c c e s s i o n s o f members as a r e s u l t o f h i s p e r s o n a l
m in istr y .
(3) W illia m Fagal e x e m p l i f i e s i n a h ig h d eg ree C a to 's i d e a l o f
"a good man s p e a k in g w e l l . "
He i s p e r c e iv e d by h i s in t im a t e a s s o c i a t e s ,
and a c o n t in u a l c o n s c io u s e f f o r t a t s e lf-im p r o v e m e n t i n p u b l i c s p e a k in g .
In terms o f a r t i s t i c c r i t e r i a , h i s perform ance shows marked and c o n t in u
ing improvement i n e a c h o f th e f i v e s u c c e s s i v e s e l e c t e d p u l p i t sermons
(which span a 24-month p e r i o d ) , w it h th e l a t e s t one e x h i b i t i n g t h e h i g h
e s t degree o f a r t i s t i c e x c e l l e n c e , as judged from a c c e p te d s ta n d a r d s
w ith in t h e sp eech p r o f e s s i o n o f to d a y .
Fagal began h i s t e l e v i s i o n m i n i s t r y by
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d e liv e r in g h i s f o u r - t o s ix - m in u t e s e r m o n e tt e s from a s t u d i o p u l p i t ( s e e
behind a d e s k , c o n s c i o u s l y a d o p tin g th e r o l e o f s p i r i t u a l c o u n s e lo r in
c o n tr a d istin ctio n
s id e r a b le t a l e n t s as a p u b l i c s p e a k e r .
t o th e r o l e o f th e p u l p i t orator'*' ( s e e F ig . 4 0 ) .
The
I
I
auditorium a u d ien ce r e s p o n se q u e s t i o n n a i r e i n d i c a t e d a c o n v i c t i o n t h a t
I
I
Fagal s h o u ld somehow r e t u r n to th e r o l e o f p u l p i t o r a to r i n p r e f e r e n c e
A s u b s t a n t i a l number o f t e l e v i s i o n s t a t i o n management p e r s o n n e l
I
I
format.
e f f e c t i v e , or s l i g h t l y more e f f e c t i v e , as a p u b l i c s p e a k e r , than h i s
contem poraries i n th e t e l e v i s i o n p a r i s h .
rather than t o r e p e l .
F a ga l i s r e s p e c t e d as a h i g h l y
two r o l e s :
t h a t o f o r a t o r - p r e a c h e r and t h a t o f c o u n s e l o r - a d v i s e r .
I t i s e v id e n t t h a t t e l e v i s i o n
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715
Fig. 4 0 . P astor Fagal, counseling a y o ung C hristian m o th e r a b o u t pro b lem s of fam ily life, on o n e
of th e w eekly "F aith for T oday" p ro g ram s. F ag al h as unw ittingly d e v e lo p e d a s te re o ty p e d im ag e
a s a counselor (ra th e r th a n a s a preach er) du rin g his d e c a d e an d a half on telev isio n b e c a u s e so
much tim e "o n c a m e ra " h as b e e n s p e n t in this role. Even his four-m inute se rm o n e tte s follow ing
th e d ram atic skits, a r e d e liv e re d w hile h e is s e a te d b eh in d a desk, ra th e r th a n from a p u lp it (as in
th e te le c a st's e a rlie s t days).
Stoll. ..
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716
management to d a y , as w e l l as members o f h i s d e n o m in a tio n , when i t comes
to choosing ambassadors f o r th e King o f K in g s, c l e a r l y p r e f e r th e o r a t o r
to the c o u n s e lo r f o r t h e i r spokesman i n th e realm o f th in g s s p i r i t u a l .
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717
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BIBLIOGRAPHY
& A ....
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BIBLIOGRAPHY
Books
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McGraw-Hill Book
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New York:
2nd ed.
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718
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719
I _______ _________ .
I
I
I
I
I
I
I
I
I
I
I
I
I
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720
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F a it h f o r Today, I n c . ,
A F a ith f o r L iv in g .
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"for Today, I n c . , 1954.
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721
Why Man S u f f e r s .
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P rin cip les
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P u b lis h in g Company, 1969.
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L im ited War. New York: Oxford U n i v e r s i t y P r e s s , 1960.
The Holy B i b l e .
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Oxford U n i v e r s i t y P r e s s
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McGraw-Hill Book
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Chicago:
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P a r is:
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S e ld e s , George (comp.)*
1960.
Silverman, D avid. P i t c a i r n I s l a n d .
in g Company, 1967.
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C le v ela n d :
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P r o h i b i t i o n : The Era o f E x c e s s .
Company, 1962.
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Up t o Now: An A u tob io grap h y.
P r e s s , 1929.
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The R h e to r ic o f A r i s t o t l e .
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Southern P u b lis h in g
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P a c i f i c Press P u b lish
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724
Fundamentals o f C h r is t ia n E d u cation .
" P u b lish in g A s s o c i a t i o n , 1923.
Gospel Workers.
A s s o c i a t i o n , 1945.
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A r tic le s
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Chicago:
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_________.
"May 2 1, 1950:
_________.
Green,
Gould, Jack.
Hance,
10,
Hayes, Arthur H u l l .
8 0 -8 9 .
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Lachenbruch, David. " ' I t H a s n 't Turned Out As I E x p e c te d " ' [an i n t e r
view w ith V la d im ir K. Z w orykin], TV G uide, A p r il 20, 1967, 8 -1 0 .
Lambert, W illia m .
"The J u s t i c e
May 9 , 1969, 3 2 -3 7 .
. . . and th e S to c k M a n ip u la to r ," L i f e ,
^>
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F o r tu n e , May,
Spence, H a r t z e l l .
"The S e v e n th -d a y
i c a ' s R e l i g i o n s . New York:
1 65-82.
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729
Witcover, J u l e s .
"Nixon f o r P r e s id e n t in 6 8 ? ," Saturday Evening P o s t ,
February 2 5 , 1967, 9 3 - 9 7 .
"Witness f o r th e D e fe n s e ," L ib e r ty :
Ja n u ary-F ebruary, 1963, 16.
Y ates, Raymond F.
7 4 -7 8 .
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B ro a d ca stin g , 1963.
Chicago D a ily News, 1955.
C o l l i e r ' s , The N a t io n a l W eekly, 1919.
The F aith f o r Today B u l l e t i n , 1 9 6 4 -6 6 .
Ladies Home J o u r n a l, 1919.
Lake Union H e r a ld , 1 9 6 6 -6 7 .
Lansing [M ichigan] S t a t e J o u r n a l, 1966.
L i f e , 1969.
The L ite r a r y D i g e s t , 1919.
The M in is t r y , 1960.
Napa [ C a l i f o r n i a ] R e g i s t e r , 1968.
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New York T im es, 1919, 1 9 5 5 -1 9 5 6 , 1960.
P a c i f i c Union R e co rd er, 1 967-1969.
Reader's D i g e s t ,
1966.
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730
New York:
New York:
F a ith f o r
New York:
F a ith
What the R atin gs R e a lly Mean: A Look a t T e l e v i s i o n R atin gs and How They
Are D eterm ined.
Chicago: A. C. N i e l s e n Company, 1964.
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731
General C onference o f S e v e n th -d a y A d v e n t i s t s . S e v e n th -d a y A d v e n t is t
Yearbook. Washington: Review and H erald P u b lis h in g A s s o c i a t i o n ,
1 9 6 5 -1 9 6 6 , 1 9 6 8-1 96 9.
S e v e n th -d a y A d v e n t i s t Youth a t th e M id-Century.
Review and H erald P u b lis h in g A s s o c i a t i o n , 1951.
General E l e c t r i c Company.
1 9 25 -19 3 5.
Annual R e p o r ts.
New York:
Washington:
S c h e n e c ta d y ,
New York:
Moodys
New York:
N ie lse n
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732
Washington:
T e le v isio n
U np ublish ed M a t e r ia ls
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Documents
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734
1950-1968.
I n te r v ie w s
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735
sound e n g in e e r and
membero f o r i g i n a l
New York, J u ly 13, 1966.
Sermons
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736
L etters
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737
17,
12,
22,
9,
1967
1967
1968
1968
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738
....
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740
Other Sources
...
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APPENDIXES
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APPENDIX A
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741
counsEL c o m
ADULT A N D TEEN -AG E PROBLEMS
A n sw ered by W illiam A . Fagal
D irector, "F a ith fo r T o d a y " TV P rogram
R A r> C L JB (Jfttf
FORGIVENESS
A FRAID T O D O RIGHT
CO NFESSING CHRIST
QUESTION: H ow can I o v erco m e self-consciousness r e
garding my faith in G od? I believ e, b u t I am a fra id to
adm it it to o thers a n d to ta lk o f m y fa ith . I h av e p ra y e d
to G od to h e lp m e o v erco m e th is, b u t I d o n o t yet k n o w
the answ er. I am tw en ty -o n e years o ld .
ANSWER: Jesus promised, "W hosoever therefore shall
confess Me before men, him will I confess also before My
Father which is in heaven. B ut whosoever shall deny Me
before men, him will I also deny before My Father which
is in heaven." M atthew 10:32, 33. C hrist wants us w ill
ingly and gladly to confess our love for H im to our fellowmen. W hen we accept C hrists gift for us on Calvary, we
cannot help but talk of H im to others. God adm onished
Paul, "Be no r afraid, but speak, and hold n o t thy peace: for
1 am with thee, and no m an shall set on thee to hurt thee."
Acts 18:9, 10. W e, too, are called upon to speak fearlessly
of our faith. Perhaps you are shy and, therefore, hesitant to
converse on any subject. However, begin, even though
ever so timidly, to tell your own personal experience re
garding how Christ changed your life. Gradually you will
become accustomed to speaking easily and naturally about
your Christian faith.
24
R E IN C A R N A TIO N
QUESTION: W h a t do you th in k o f re in c a rn a tio n o r th e
tra n sm ig ra tio n o f th e soul? I h a v e a n e ig h b o r w h o be
lieves in th is v ery th o ro u g h ly a n d has. q u o te d th e state
m e n t o f C h rist, "Y e m u st b e b o rn a g a in , as p ro o f o f h er
b elief th a t it is p o ssib le to b e re b o rn in a n o th e r form .
D oes th e B ible su p p o rt th is idea?
ANSWER: Y our friend has taken C hrists words out of
their setting in applying them to reincarnation. The new
birth as referred to by Christ is a spiritual experience in
which one forsakes a past life of sin and seeks a new ex
perience wrought miraculously by the Holy Spirit. H e is
then a new creature born "not of corruptible seed, but of
incorruptible. T he doctrine of reincarnation originated
in the teachings of heathen religions. It became popular
because of mans natural dread of death and the silence of
the grave. Reincarnation, even in another form, at best
gave promise of another life, even though it, too, m ight
be short and troubled. Christians have som ething more
satisfying than that. W e do not look forward to rebirth
in another body in this world, but we do look forward to
resurrection and eternal life in a perfect world.
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742
SH O U L D A C HRISTIAN M A R R Y A
N O N -C H R IS T IA N ?
QUESTION: I h a v e b e en g o in g w ith a y o u n g lady fo r
som e tim e , a n d w e a re c o n sid e rin g m a rria g e . Y et I w o rry
o v er th e fact th a t she is a stu d e n t a t th e u n iv ersity in
to w n a n d h as lo st h e r fa ith since a tte n d in g th ere. D o y o u
b eliev e th a t if I le a d a go o d C h ris tia n life a fte r w e are
m a rrie d she w ill r e tu r n to th e c h u rc h ?
ANSWER: If your Christian life does not lead her to re
gain her lost faith before marriage, w hat causes you to be
lieve that it will do so after marriage? Too many people
hopefully expect a m iracle to take place after the wedding
ceremony which will lead an unbeliever to a rich Christian
experience. Such is rarely the case. Consider well the
strong and positive counsel of G ods W ord: "Do not be
mismated w ith unbelievers. For w hat partnership have
righteousness and iniquity? Or what fellowship has light
w ith darkness? W h a t accord has Christ with Belial? O r
w hat has a believer in common with an unbeliever?" 2 Co
rinthians 6:14, 15, R.S.V. Such adm onition should never
be taken lightly, for the Scriptures also ask, "Can two walk
together, except they be agreed? Amos 3:3. D o all in
your pow er n ow to help your friend see the necessity of
having faith in God if her life is to be truly meaningful and
satisfactory. If all efforts in this direction fail, then unless
you w ant to have a hom e from w hich the shadows are
never truly lifted, do not link your life with one who does
not share your love for God.
W HY D O TRAGEDIES H A P P E N ?
QUESTION: O u r o n ly so n , a tw en ty -o n e-y ear-o ld p ilo t,
w as k illed in th e K o re a n W a r. M y w ife s o n ly n e p h e w
w as killed in W o rld W a r II. O u r d a u g h te r d ie d tw o a n d
a h a lf years ag o , le a v in g tw o little g irls w h o m o u r sonin-law w ill n o t p e rm it us to co n ta c t in a n y w ay. M y w ife 's
m other, o n e o f th e m o st w o n d e rfu l C h ris tia n w o m e n I
have ever k n o w n , w as k ille d in a n a u to m o b ile accid en t
at age fifty-five. W h y ? W h a t is th e a n sw er?
ANSWER: O ur "whys will never be answered com
pletely this side of heaven. Only G od knows why some
things happen to us, and the speculation in the world will
not provide us with an answer to our questioning. H ow
ever, it is our Christian privilege to trust in G ods wisdom
even though we cannot understand. These unfortunate
S IG N S
OF
THE
T IM E S ,
J u n o ,
1965
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25
APPENDIX B
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743
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744
SjM
...
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APPENDIX C
W*EL~.
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745
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ISLANDS
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S a t.
APPENDIX D
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
S-l
S-2
S-3
S-4
Southern Union
Viewer D onations
Annual O f f e r in g
W.B.A. Commissions (n e t )
Donations from W il l s L e g a c ie s
Other O peratin g Income
I s r a e l i t e H e r ita g e I n s t i t u t e D onations
Rental P r o p e r ty ( l o s s )
T otal O perating Income
$ 1 5 ,0 0 0 .0 0
5 5 0 ,0 0 0 .0 0
2 7 5 ,0 0 0 .0 0
3 1 ,0 0 0 .0 0
1 0 ,0 0 0 .0 0
3 0 ,0 0 0 .0 0
1 ,0 0 0 .0 0
9 , 9 0 0 .0 0
$
9 2 1 ,9 0 0 .0 0
EXPENSE
T e le c a st Expenses:
S t a t io n Time R e l a t i o n s
S-5
S-6
Produ ction Expense
Film Department
S-7
T o ta l T e l e c a s t Expense
$ 2 5 2 ,4 5 0 .0 0
3 1 3 ,6 2 0 .0 0
4 2 ,5 9 0 .0 0
$ 6 0 8 ,6 6 0 .0 0
Viewer S e r v ic e 5 Promotion:
S-8
S a la r y Other Worker Exp. $ 1 0 6 ,8 5 0 .0 0
4 7 ,7 0 0 .0 0
S-9
A d v e r t is in g & Logs
2 8 ,5 0 0 .0 0
S-10 G ift o f th e Month
1 3 1 ,7 5 0 .0 0
S - l l T e le n o te s
3 2 ,7 5 0 .0 0
S-12 General Expenses
4 5 ,6 7 0 .0 0
Overhead
T o ta l Viewer S e r v i c e Pro.
3 9 3 ,2 2 0 .0 0
2 5 2 ,2 9 5 .0 0
S-17
1 , 2 5 4 , 1 7 5 .0 0
$
3 3 2 ,2 7 5 .0 0
$ 1 2 5 ,0 0 0 .0 0
1 9 7 ,4 5 0 .0 0
12 , 0 0 0 . 0 0
3 3 4 ,4 5 0 .0 0
2,175.00
S-15
S-16
S-17
Southern Union
Viewer D onations
Annual O f f e r in g
D onations W ills L e g a c ie s
Other O p era tin g Income
I s r a e l i t e H e r it a g e D onations
R ental Income from P r o p e r t ie s
S e r v ic e s t o Trans-Ad, I n c .
T o ta l O p era tin g Income
$ 1 5 ,0 0 0 .0 0
5 4 6 , 9 6 2 .1 3
2 7 0 ,5 8 1 .6 9
1 0 ,1 4 5 .8 6
4 9 ,9 0 3 .4 8
7 6 6 .2 7
2 6 , 7 7 2 .1 4
1 2 ,6 0 0 .0 0
$
9 3 2 ,7 3 1 . 5 7
EXPENSE
T elec a st E xpense:
S-18 S t a t io n Time R e la t io n s
S-19 P roduction
S-20 Film Department
T o ta l T e l e c a s t Expense
$ 223, 940..35
327, 037.,20
38, 447.,28
$108, 052..76
4 2 , 080.,48
31, 471..72
141, 273..07
32, 812.,85
4 4, 781.,75
$ 5 8 9 ,4 2 4 .8 3
4 0 0 ,4 7 2 .6 3
2 3 1 ,6 1 0 .0 1
1 7 ,6 5 8 .9 6
7 , 6 1 1 .2 5
7 ,9 9 6 .4 6
S-17 Expense on R e n ta l P r o p e r t i e s
S-30 P r in t in g Department Loss
A p p rop ria tion t o FFT Canadian
T o ta l O p eratin g Expense
1 ,2 5 4 ,7 7 4 .1 4
$
3 2 2 ,0 4 2 .5 7
$ 1 2 4 ,9 9 8 .8 2
1 9 7 ,4 4 9 .3 2
12 , 000.00
3 3 4 ,4 4 8 .1 4
Operating Gain A f t e r S u b s i d i e s
$
747
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
1 2 ,4 0 5 .5 7
748
12,405.57
NON-OPERATING
Income:
G. C. Equipment A p p r o p r ia tio n
Gain on S a le o f Equipment
M iscellan eou s Income
1967 VSP In v e n to r y Adjustment
1967 Film P r o d u c tio n Adjustm ent
1968 FFT Foundation W r ite -O ff
$ 5 0 ,0 0 0 .0 0
1 ,5 9 0 .5 0
5 ,4 8 3 .4 1
5 , 4 2 7 .0 0
2 ,7 7 8 .7 5
4 6 .4 4
$ 6 5 ,3 2 6 .1 0
Expense:
M iscella n eo u s Expense 1967 A d j.
2 ,6 0 3 .3 0
$ 6 2 ,7 2 2 .8 0
Trans f e r :
In: From B ib le Course R e v is io n Fund
For 1968 O p e r a tin g Expense
Net O perating Gain T r a n s f e r
Increase to Net Worth f o r 1968
2 , 2 7 6 .7 0
6 4 ,9 9 9 .5 0
$
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
7 7 ,4 0 5 .0 7
APPENDIX E
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Program
Number
Program
T itle
a 6
344
345
Jan.
3
Jan. 10
M it c h e ll B ib le C ontest
The Im p e r fec t
346
347
348
Jan. 17
Jan. 24
Jan. 31
No A c cid en t
Mexican Adventure
Kretschmar I n te r v ie w
349
Feb.
P aren ts 1 Day
350
351
352
Feb. 14
Feb. 21
Feb. 28
353
354
355
Mar.
7
Mar. 14
Mar. 21
S e n io r C i t i z e n
Talk I t Over
B ib le Cartoons
356
Mar. 28
Weisseman I n te r v ie w
357
358
A.pr. 4
Apr. 11
The P o s i t i v e No
The D e se r t
359
360
Apr. 18
Apr. 25
E a s te r Song Show
The B ribe
361
362
363
----
May
May
May
May
364
365
366
367
368
369
Sermon
Topic
(No Sermon)
P a r e n ts' o b l i g a t i o n to
t r a i n youth p r o p e r ly .
Meaning o f f a i t h .
(No Sermon)
(No Sermon)
D iv o r c e , broken homes, and
th e c h i l d .
(No Sermon)
Gossip e v i l s u r m is in g .
Prophecy: Baby, T yre, Sid on.
How t o grow o ld i n God.
Power i n p r a y e r .
C e r ta in ty o f f u l f i l l m e n t
o f B i b l i c a l proph ecy.
(No Sermon)
Importance o f c h i l d t r a i n i n g
Running away from duty:
C h r i s t i a n i t y and e sc a p ism .
(No Sermon)
God's w i l l v s . man's w i l l .
Newberg I n te r v ie w
The Voyage
Gamblers Anonymous
(Repeat Program)
(No Sermon)
C h r is t ia n view o f d ea th .
(No Sermon)
Sep. 26
The Debt
S e lfish n e ss fo rg iv en ess.
Oct.
Oct.
Oct.
Oct.
Oct.
B o l i v i a I n te r v ie w
Double Q u a r te t
The T a le n ts
S c o f i e l d I n te r v ie w
Time o f th e End
(No Sermon)
(No Sermon)
Improving o n e 's t a l e n t s .
(No Sermon)
2nd Coming o f C h r is t .
2
9
16
23
3
10
17
24
31
749
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Program
Number
Program
T itle
Date
Sermon
T opic
370
371
Nov.
7
Nov. 14
372
-----
Nov. 21
Nov. 28
Japan T ravelogu e
Advent Song Show (R epeat)
373
Dec.
D iff e r e n c e s
374
375
376
Dec. 12
Dec. 19
D ec. 26
Danny's Problem
C hristm as Song Show
The G if t
R e c a p itu la tio n :
Concern fo r o t h e r s .
God's d ir e c t i o n in i n d i
v id u a l's l i f e .
(No Sermon)
(No Sermon)
Human im p e r fe c tio n &
s e lf-r e a liz a tio n .
C hoosing a l i f e ' s com panion.
(No Sermon)
C h r is t - - t h e G if t o f God.
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APPENDIX F
D e liv e r e d
B a t t le Creek T a b ern a cle
B a t t le C reek, M ichigan
F ebruary 6 , 1965
4 :3 0 p.m .
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
INTRODUCTION
A.
B.
C.
I.
WHY WAS HE WEAK, AND NERVOUS, AND SHAKING WITH FEAR? W e ll, I can
th in k o f a c o u p le o f r e a so n s--m a y b e th e r e are more, b u t I can th in k
o f a t l e a s t tw o.
A.
751
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752
2.
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
5.
6.
7.
B.
p r e a c h in g .
I ' d l i k e to hope s o . I b e l i e v e th ey
p r o b a b ly d id .
a". But no r e a l church o r g a n iz a tio n , no r e a l s u c c e s s .
As P au l w alked on h i s way toward h i s n e x t ap p o in tm en t,
w hich was in C o r in th , I'm su r e he was a s k in g h im s e lf some
p r e t t y b i g q u e s t io n s . Any tim e a man e v e r s e t s ou t to sa v e
s o u l s , and fin d s th a t i t h a s n 't worked, he a sk s h im s e lf - - o r
sh o u ld ask h im s e lf--s o m e p r e t t y b ig q u e s tio n s :
a. W hat's wrong? Why th e f a i l u r e ? Why w e r e n 'twhy d id n 't
I have s u c c e s s back th er e ?
When P au l a r r iv e d in C o rin th , he t o ld th e b e l i e v e r s th e r e
y e a rs l a t e r what he d e c id e d . He s a id :
a. "As
f o r me, b r o th e r s , when I came to y o u , Id e c la r e d
th e tr u th o f God w ith o u t d is p la y o f f i n e words or
wisdom . I r e s o lv e d t h a t w h ile I was w ith y o u , I w ould
th in k o f n o th in g b u t J e su s C h r is t - - C h r is t n a il e d to th e
c r o s s ."
b . And he d id i t in C o rin th .
c . And as a r e s u l t o f him d oin g i t , he r a is e d up a church
th er e .
(1 ) You f in d l e t t e r s to th e C o r in th ia n s , th e E p h esia n s,
th e G a la t ia n s , th e T h e s s a lo n ia n s , th e C o lo s s ia n s ,
(2 ) But you d o n 't f in d a l e t t e r to th e A th e n ia n s. No
church back th e r e .
c". B u t, thank God, t h e r e 's a church in C o rin th , r a is e d up
by th e A p o s tle Paul as a r e s u l t o f h is p r e a c h in g J e su s
C h r is t .
W ell, h e was n ervou s as he lo o k ed forw ard to C o rin th . W ell
he m ight have b e e n .
BUT THERE WAS A SECOND THING THAT PROBABLY MADE HIM NERVOUS,
AND WEAK, AND SHAKE WITH FEAR. And th a t was th e problem th a t
C orin th i t s e l f p r e s e n te d .
Do you remember a n y th in g about
C orinth?
1. That was a pagan c i t y .
Very few p e o p le th a t w e r e n 't
h ea th en in i t .
a. T here were a few Jew s;
b . P r a c t i c a l l y no C h r is tia n s .
2. They u se d to have an e x p r e s s io n back th e r e in th e a n c ie n t
w o r ld -- " to C o r in th ia n iz e ," or " to l i v e l i k e a C o r in th ia n ."
a. And th a t meant one th in g :
a p erso n l i v i n g l i k e a
C o r in th ia n was l i v i n g a v ery im m oral, d i s s o l u t e , p r o f
l i g a t e l i f e . H e'd sunk r ig h t down to th e b ottom .
T h a t's th e k in d o f l i f e th ey liv e d in C o rin th .
3. They had a tem p le th e r e in C orinth which th e y had d e d ic a te d
to V e n u s--A p h r o d ite .
a. Upon th e s t a f f o f th e tem ple th ey m a in ta in ed one
th ou san d p r i e s t e s s - p r o s t i t u t e s !
b. And from t h e i r e a r n in g s , th e c i t y government o f C orinth
was ru n .
3". They had d e i f i e d s e n su o u s n e ss . They had g o tte n about as
fa r away from God's p la n f o r man as th ey c o u ld g e t .
Can
you im agin e how Paul must have f e l t , coming in t o th a t c i t y
to p rea ch th e g o s p e l?
.l .
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754
a.
b.
II.
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f.
2.
B.
jti
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C.
W ell, P au l a r r iv e d a t th e sy n a g o g u e.
1. And th e r u le r s to o k a lo o k a t him , and r e c o g n iz e d im m ed ia tely
a d is t in g u is h e d v i s i t o r .
2 . And th e y came down and s a i d , "We'd l i k e to i n v i t e you to be
th e sp e a k e r to d a y ."
3. P aul a c c e p te d .
4. Now i f he was n e r v o u s , or weak, o r sh a k in g w ith f e a r , he
c o v er e d i t up p r e t t y w e l l .
a . He g o t up th e r e in f r o n t o f t h a t c o n g r e g a tio n t h a t day,
and he v in d ic a t e d t h a t image t h a t I ' v e c a r r ie d around
o f what P aul was l i k e , a l l t h e s e y e a r s .
Cl) B o ld ly and a g g r e s s i v e ly he p ro ceed ed to p rea ch
J e su s C h r is t b e fo r e th o s e p e o p le who had n e v e r
even heard o f Him.
(a) He t o l d about th e p ro m ised M essia h , and
(b)
He s a i d , "H e's come! H e's b een among u s !"
(c )
T old th e s t o r y o f H is d eath on C a lv a ry .
(2) That c o n g r e g a tio n s a t th e r e w ith mouths open.
(3) Ther u le r s s a t up in f r o n t ,
and th o u g h t, "We've
n e v e r h ea rd a n y th in g l i k e t h i s b e f o r e ."
(a) Now,
th e r u le r s w ere t o l e r a n t f e l lo w s .
(i)
T h e y - - i t was a l l r ig h t i f somebody
w anted to p r e s e n t some new id e a s , i f
th e y d id n 't go to o f a r w ith them.
( i i ) And so Paul c o u ld go ahead and p rea ch
t h i s i f he w anted t o .
(b)
But a f t e r th e s e r v i c e , th e y s a id v ery l i t t l e .
(c)
And th e f o llo w in g week when Paul came back to
ch u rch , th e y d id n 't i n v i t e him t o p rea ch th a t
w e e k --th e y 'd le a r n e d t h e i r le s s o n th e week
b e fo r e !
5 . But t h a t week P aul was t h e r e , j u s t th e sam e.
a. And th e p e o p le g a th e r e d around him and s a id :
(1) "P aul, we e n jo y e d th a t serm on.
(2)
"We've th o u g h t about i t a l l w eek.
(3 ) " T e ll us more
abou t t h i s C h r is t."
b . And Paul t o l d them . Give him an o p p o r tu n ity , and
he
w ould t a lk !
(1) A ll d u rin g th e week P a u l worked w ith A c q u illa and
P r i s c i l l a as te n t -m a k e r s .
(2) P eo p le came th e r e and brou gh t t h e i r b u s in e s s th e r e .
(3) And when th ey w a ite d f o r t h e i r t e n t s to be sew n,
th e le a t h e r to be worked on , th e y l i s t e n e d w h ile
P aul ta lk e d J e su s C h r is t.
(a) J e su s C h r is t!
C h r is t n a i l e d to th e c r o s s !
c . To m eet P au l was t o m eet C h r is t . C o u ld n 't be o th e r w is e .
6 . W ell, a f t e r a w h ile , t h i s le a v e n began t o go through th e
Jew ish syn agogu e.
a . And many f o lk began to be th in k in g about ta k in g t h e i r
s ta n d f o r J e s u s .
7. And th en one Sabbath when Paul came to th e sy n a g o g u e, and
came w a lk in g i n , two a s s i s t a n t s came w a lk in g in w ith him ,
S i l a s and T im othy.
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757
8.
D.
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758
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759
(2)
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liiMiff
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761
14.
15.
A.
B.
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762
Euuv_
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C.
What do we b e lie v e ?
1. B r e th r e n , we b e l i e v e th a t J e su s C h r ist i s our S a v io u r ; and
2. We b e l i e v e H e's our exam ple in a l l t h in g s , d o n 't we?
a. We b e l i e v e t h a t our l i v e s ought to be c o p ie s a f t e r H is ,
t o th e b e s t o f our a b i l i t y .
b . And i f w e 'r e co p y in g th e l i f e o f J e s u s , i f I become
p e c u lia r in th e e y e s o f th e w orld abou t me, I c o u ld n 't
care l e s s !
I'm form ing my l i f e a f t e r th a t o f J e su s
C h r is t!
c.
I f I keep H is Sabbath, and t h a t makes me keep a day th e
r e s t o f th e w o rld d o e s n 't k e e p , I'm n o t g o in g t o be
em barrassed about t h a t .
I'm on th e s id e o f J e su s
C h r is t.
I h a v e n 't g o t an argument in th e w orld
about
th is .
I'm j u s t fo llo w in g J e s u s .
(1) What a trem endous argument th a t i s in i t s e l f ,
is n ' t it?
(2) And, b r e th r e n , i t ' s th e argument th a t changes
h e a r t s , and th a t changes l i v e s , and th a t c o n v e r ts ,
and th a t w in s s o u l s .
d . When I t a lk about th e communion s e r v i c e , I'm o n ly doing
what J e su s d id , and what He asks us to do.
(1)
I'm n o t s t r e s s i n g p e c u l i a r i t i e s ,
(2) I'm s t r e s s i n g th e w on d erfu l th in g s th a t we s h a r e .
(2*) L e t 's t a lk t h a t way. L e t 's "know n o th in g b u t
J e su s C h r is t C h r ist n a il e d to th e c r o s s ," th e One
who d ie d to sa v e u s , through whom o n ly we can be
sa v ed .
D.
E.
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764
1.
2.
F.
T o n ig h t, I want to r e d e d ic a t e my l i f e to J e su s C h r is t.
I want
to p la c e my l i f e anew in H is han d s.
1. Would you lik e to j o in me in d o in g th a t? I f s o , w ould you
l i f t your hand a lo n g w ith me i n a recommitment to Him?
2. God b l e s s you so much. L e t 's bow our heads to g e th e r as we
pray:
G.
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APPENDIX G
TRANSCRIBED COPY OF
WILLIAM A. FAGAL SERMON ON ANDREW
Camp M eeting
M ichigan C on feren ce o f S e v e n th -d a y A d v e n tis ts
Grand L ed ge, M ichigan
J u ly 17, 1965
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TRANSCRIBED COPY OF
WILLIAM A. FAGAL SERMON ON ANDREW
(Q uartet:
(Fagal:
I alw ays lo v e to h ea r th e q u a r t e t s i n g .
Even though I h e a r them
so much, I n e v e r t i r e o f i t . T hey r e r a t h e r hard on me in one way,
though: when th e y s in g some o f t h e s e s o n g s , I'm a l l o u t o f b r e a th a t
the end b e c a u se I f o r g e t to b r e a th e .
[L augh ter]
I was in O akland, C a li f o r n i a , w ith th e q u a r t e t a few weeks a g o ,
and we f in is h e d t h i s p o r tio n o f th e program , and I g o t up and made th e
comment th a t I alw ays h a te to s e e th e m u sic a l p a r t o f our program come
to an end. And th e r e was one o ld gentlem an s i t t i n g down toward th e f r o n t ,
who s a id in a v o ic e th a t I th o u g h t was f a r to o lo u d , "Amen. " [L augh ter]
I d on 't know q u it e what he m eant; b u t I'm a f r a id I do.
[L aughter] So
I 'v e been a l i t t l e more c a r e f u l how I ' v e s a id t h a t e v e r s i n c e .
[Laughter] The q u a r te t w i l l s in g f o r us a g a in a t th e end o f the serm on,
but y o u 'r e s tu c k w ith me f o r a l i t t l e w h ile .
I hope y o u ' l l s ta y by to
l i s t e n to them a t th e end.
W ell now, t o n ig h t , I ' d l i k e t o ta k e up w ith you in t h i s f i n a l
m eeting, a v e r y sim p le s t o r y .
I t ' s one th a t y o u 'v e h eard again and
a gain , and, I h o p e, read o f t e n in you r B ib le .
I t ' s lo c a t e d in th e f i r s t
chapter o f th e Book o f John.
I'm g o in g to read to you th e s to r y as i t ' s
found in John 1, v e r s e s 35 through 42:
The n e x t day a f t e r , John s t o o d , and two o f h i s d i s c i p l e s ;
and lo o k in g upon J e s u s , as He w alk ed , he s a i d , B ehold th e
Lamb o f God. And th e two d i s c i p l e s h eard him sp e a k , and
th ey fo llo w e d J e s u s . Then J e s u s tu r n e d , and saw them
f o llo w in g , and s a i t h unto them, What s e e k ye? They s a id
unto Him, R abbi, w hich i s t o s a y b e in g in t e r p r e t e d , M aster,
Where d w e lle s t Thou? He s a i t h u n to them , Come and s e e .
They came and saw where He d w e lt, and th e y abode w ith Him
th a t day.
For i t was about th e te n t h h o u r. One o f th e two
which h ea rd John speak and fo llo w e d Him was Andrew, Simon
P e t e r 's b r o th e r . He f i r s t f in d e t h h i s own b r o th e r , Simon,
and he s a i t h u n to him , We have found th e M essaiah (w hich i s
b e in g in t e r p r e t e d , th e C h r i s t ) . And he b ro u g h t him to
Jesu s.
And when J e su s b e h e ld him , He s a i d , Thou a r t Simon,
th e son o f Jonah. Thou s h a l t be c a l l e d , Cephas (w hich i s ,
by in t e r p r e t a t i o n , a s t o n e ) .
Now, l e t ' s
th in k about t h i s sim p le s t o r y t o n ig h t .
765
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766
F i r s t o f a l l , John th e A p o s t le , d e s c r ib e s to us som ethin g about
John th e B a p t is t . And he t e l l s us t h a t John th e B a p t is t was s ta n d in g
one day w ith two o f h is d i s c i p l e s as J e su s came a lo n g . And John p o in te d
to J e s u s , and h e s a i d , 'B ehold th e Lamb o f God."
You know, I f in d som eth in g i n t e r e s t i n g in J o h n 's r e f e r e n c e s to
John the B a p t is t . John, i t seem s, each tim e he m entions him , m entions
him in a way t h a t seem s to d e p r e c ia t e John th e B a p t is t j u s t a l i t t l e .
There are s o many th in g s one can sa y about John th e B a p t is t th a t e le v a t e
him c o n s id e r a b ly .
But h e r e in t h i s v e r s e , once a g a in , h e 's t e l l i n g how
John p o in ts th e f in g e r a t J e s u s , and s a y s , "H e's th e Lamb o f God; Behold
the Lamb o f God."
E a r l ie r in t h i s c h a p te r , John th e A p o s tle t e l l s how John th e
B a p tist was "a man s e n t from God whose name was John ." B ut, h e s a id ,
"He was n o t t h a t l i g h t , b u t he was s e n t t o b ea r w itn e s s to th a t l i g h t . "
I n te r e s tin g how alw ays he seems t o j u s t d e p r e c ia t e him , j u s t a t r i f l e .
And one wonders why; and one m ight even be a l i t t l e d is a p p o in te d a t
f i r s t , th a t John w ould t r e a t John th e B a p t is t in th a t way.
But a f t e r an in t e r v a l o f s tu d y one comes upon a c o n c lu s io n th a t
h elp s him u n d erstan d why th e a p o s t le does t h i s . You s e e , th e r e were
some p e o p le t h a t p r o g r e s s e d o n ly a s f a r as John th e B a p tis t had p r o
g ressed in t h e i r r e l i g i o u s th in k in g . They were s a t i s f i e d w ith th e l i g h t
th a t had come through John th e B a p t is t .
And even though th e r e a l l i g h t ,
the l i g h t o f th e Lord J e su s C h r is t , was to come to th e w o rld , th e s e
people sto p p ed where John th e B a p t is t sto p p e d .
The New T estam ent g iv e s us a l i t t l e p ic t u r e o f some o f th o se
fo lk in th e Books o f A c ts .
[A cts 1 9 :2 -5 ] Paul w ent to a c e r t a in c i t y ,
and he found some p e o p le t h e r e , and he s a id to them, "Have you r e c e iv e d
the Holy Ghost s in c e you were b a p tiz e d ? " They s a i d , "Holy Ghost? We
never heard o f t h a t . W hat's th a t? " And Paul was astounded; and he
s a id , "Unto what w ere you b a p t iz e d , then?" And th e y s a id , "Unto J o h n 's
b ap tism ." And P au l s a i d , "John v e r i l y b a p tiz e d u n to r e p e n ta n c e ." But
then he began t o p rea ch to them J e su s C h r is t . And th e y were b a p tiz e d
in to the name o f th e Lord J e s u s .
There w ere many f o lk l i k e t h a t , t h a t had sto p p ed where John th e
B a p tis t had s to p p e d .
In th e fa c e o f th e g r e a t e s t l i g h t th a t t h i s w orld
has e v e r s e e n , in th e Lord J e su s C h r is t , th e y 'd sto p p ed s h o r t o f t h a t .
You know, t h i s i s one o f th e sa d com m entaries on many f o l k in
t h e ir r e l i g i o u s e x p e r ie n c e . T h ey 're s a t i s f i e d w ith l i t t l e :
th ey g e t a
l i t t l e l i g h t , a l i t t l e u n d e r sta n d in g , and th e y s to p r ig h t t h e r e . M artin
Luther had s o much w on d erfu l l i g h t th a t he b rou gh t t o th e w o r ld , b u t he
s a id t h e r e 's s o much more y e t to be fou n d , d o n 't s to p where I 'v e sto p p ed .
But many p e o p le d id . A fte r L u th e r 's d eath th ey d id n 't c o n tin u e to
search th e S c r ip tu r e s to f in d more t r u t h .
B reth ren , l e t ' s n e v e r be
s a t i s f i e d w ith l i t t l e when i t comes t o s p i r i t u a l m a tte r s; l e t ' s sea r c h
on, and s tu d y on , and become more and more g r e a t g ia n t s in th e
S c r ip t u r e s .
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768
are you lo o k in g f o r in l i f e ?
to ask o f o u r s e lv e s .
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769
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770
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771
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772
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773
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774
He was th e one who met w ith G reg a rio DeNoy and s tu d ie d w ith him e a r
n e s t ly . And a f t e r a tim e was a b le t o le a d him i n t o th e w a te r s and
b a p tiz e him. The M it c h e lls had t o l d me som eth in g about B r o th e r C o ffin ,
and how w on d erfu l he was in d e a lin g w ith t h i s man, how g e n t l e and k in d ,
and th o u g h tfu l and c o n s id e r a t e i n a l l o f h i s h e lp t o b r in g t h a t man who
had sp en t a l l th o se y e a r s b eh in d p r is o n b a r s - - t h a t man t h a t nobody had
even thought o f in t w e n t y - f iv e y e a r s , b e fo r e th e M it c h e lls came a lo n g to
help lea d him to th e Lord J e su s C h r is t .
W ell, do you know, as so o n a s he was r e a l l y in th e ch u rch , and
was e n t h u s ia s t ic w ith what h e 'd fo u n d , he had a burden on h i s h e a r t . He
sa id he would so much l i k e t o s e e h i s l i t t l e g i r l .
And he c o n fe s s e d
he'd never se e n h i s l i t t l e g i r l .
She had b een b o m a f t e r h e 'd gone to
p r iso n , a f t e r h e 'd come to t h i s c o u n tr y . H e'd f o r g o t t e n t h a t h is
" l i t t l e " g i r l w a s n 't s o l i t t l e any more. She was 40 y e a r s o ld . She
liv e d in I t a l y . And th e M it c h e lls th o u g h t i t o v e r , and t a lk e d i t o v e r ,
and th ey s a id , "We wonder how much i t would c o s t to b r in g h e r h e r e ."
They dipped i n t o t h e i r m eager s a v in g s . They s e n t th e t i c k e t o v er to
th at daughter in I t a l y , f o r h er t o come to th e U n ited S t a t e s to s e e h e r
fa th e r.
One day th e b o a t p u lle d i n , th e s h ip p u lle d i n t o New York h a rb o r.
And th ere on th e dock s to o d G reg a rio DeNoy and th e M it c h e l l s .
And th e y
had to ld th e d au gh ter in a l e t t e r th a t sh e sh o u ld s ta n d on th e deck and
wave a h a n d k e r c h ie f w ith h e r l e f t hand.
(W e ll, o f c o u r s e , everyb od y was
waving h a n d k e r c h ie fs, b u t th ey th o u g h t maybe th e l e f t hand w ould be
d iffe r e n t from what m ost p e o p le 'd be doin g; b u t th e y c o u ld n 't p ic k ou t a
le ft-h a n d ed h a n d k e r ch ief-w a v e r up th e r e on th e b o a t a t a l l . )
And so i t
looked lik e an u t t e r f a i l u r e ; n ob o d y 'd e v e r see n each o t h e r , and how
were they g o in g to g e t to g e th e r !
W ell, f i n a l l y Mrs. M it c h e ll s a id , "We s e n t h e r a p i c t u r e on th e
day o f G r e g a r io 's b a p tism in w hich we were b o th s ta n d in g , one on e i t h e r
sid e o f him. Why d o n 't we ta k e our p o s i t i o n s h ere j u s t l i k e we were in
that p ic t u r e , and maybe s h e ' l l s e e u s ." And so th e r e th e y s to o d on th e
dock, j u s t l ik e th e y had in th e p i c t u r e . And sh e was lo o k in g down, and
f i n a l l y she saw h e r p ic t u r e ; and th e y were a b le t o g e t t o g e t h e r v ery
q u ick ly . What a happy m eetin g i t w a s, a w o n d e r fu lly happy m e e tin g .
B ut, do you know, G regario had som ething e l s e in h i s mind in
se e in g th a t d a u g h ter. Not was he j u s t w an tin g to s a t i s f y h i s c u r i o s i t y ;
he wanted to te a c h h e r what he had found in th e Lord J e s u s C h r is t.
And
so he s tu d ie d th e B ib le w ith h e r ; h e showed h e r what he now b e lie v e d ; h e
showed h er what h is f a i t h had done f o r h i s l i f e ; and he le d h e r to th e
fo o t o f th e c r o s s .
She had hoped to s t a y in t h i s cou n try f o r a y e a r . E v er y th in g
was arranged s o th a t sh e c o u ld .
But a f t e r she had o n ly b een h ere fo r
three months, su d d en ly G regario DeNoy had a h e a r t a t t a c k , and d ie d . She
boarded th e s h ip a g a in , and went back to I t a l y .
But, do you know, t h e r e ' s a s e q u e l to th a t s t o r y :
The s e q u e l i s
th a t on th e a n n iv e r s a r y o f h e r f a t h e r ' s d e a th , sh e was b a p t iz e d in t o
th is cause o v er in I t a l y , where th e work goes so d i f f i c u l t , where i t ' s
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776
man r ig h t now, y o u re j u s t an o r d in a r y f e l l o w , j u s t a r o l l i n g s t o n e ,
c a n 't count much on y o u .
And I'm su r e th e y c o u ld n 't cou n t much on th a t rou gh , crude
fisherm an. Every tim e he spoke he g o t h i s f o o t in h i s mouth, had a r e a l
severe c a se o f " h oof-in -m ou th " d i s e a s e , you know.
[L aughter] Always
went around s a y in g th e wrong t h in g a t th e r ig h t tim e , i t seem ed. J e su s
looked a t him, and saw a l l t h a t , saw h i s w ea k n ess, saw a l l h is m is ta k e s .
But then J esu s s a id , "You s h a l l b e a r o c k , so m eth in g on w hich we can
depend."
I wonder i f Simon remembered t h a t th e n ig h t he d e n ie d h i s Lord.
Was th a t p a r t o f what b rou gh t su ch rem orse in t o h i s so u l? He c o u ld s a y ,
"He was the o n ly one th a t saw a n y th in g o f v a lu e in me, and now I ' v e l e t
Him down." I'm su r e t h a t was a p a r t o f i t .
And a l i t t l e l a t e r on th a t
man did become a s tr o n g p r e a c h e r o f r ig h t e o u s n e s s . With th e Lord J e su s
in h is h e a r t, h e was a b le to go o u t and do a g r e a t work f o r Him.
Other p e o p le d id n 't s e e a n y th in g o f v a lu e in S im o n --I'm s u r e I
w ouldn't have s e e n much o f v a lu e in him; b u t th e Lord J e su s d id .
B rethren, th a t i s th e m ost t h r i l l i n g p a r t o f th e g o s p e l m essage t o me:
Jesu s s e e s you, j u s t as you are in a l l yo u r w ea k n ess. He knows a l l your
m ista k es, He knows w h a t's wrong w ith y o u , you d o n 't n eed t o t e l l Him
th ose t h in g s , He s e e s a l l t h a t .
But He s e e s beyond a l l t h a t . He has
con fid en ce in y o u . He s e e s what you can b e w ith H is b l e s s i n g , what your
l i f e , u n ite d to H is l i f e , can produce f o r Him.
What would He sa y to you t o n i g h t , i f He were to s e e you? Would
He s a y , p erh a p s, "You are w eak, b u t you s h a l l be c a l l e d s tr o n g ," w ith
His h e lp . C onfidence in you! He s e e s what you can b e! How g r a t e f u l I
am fo r a C h r ist l ik e t h a t ! The w orld m ight n o t s e e a n y th in g o f v a lu e in
you, th ey m ight look down a t y o u , I d o n 't know.
There was a l i t t l e boy t h a t came home from s c h o o l one day,
b earin g a n o te from h i s te a c h e r .
And th e n o te s a i d , " P le a se d o n 't sen d
t h is boy back to s c h o o l any more; h e ' s to o s tu p id to le a r n a n y th in g ."
The b o y 's name was Thomas A lva E d iso n ! The w orld d id n 't s e e much o f
v a lu e in th a t l i t t l e f e l l o w .
A lfr e d T ennyson, when he was j u s t a l i t t l e b o y , w rote som eth in g
about h is grandm other, t h a t p le a s e d h i s g r a n d fa th e r v e ry much. And h is
gran d fath er gave him te n s h i l l i n g s , and he s a i d , "T here, A lfr e d , t h a t ' s
the f i r s t money y o u 'v e e v e r ea rn ed from y o u r p o e tr y --a n d , ta k e i t from
me, i t ' l l be your l a s t . "
[L augh ter] How wrong h was!
Benjamin F r a n k lin 's m o th e r -in -la w d id n 't want h e r d a u g h ter to
marry Ben F r a n k lin . The rea so n ? He was a p r in t e r ; and sh e s a id t h a t
th e r e were a lr e a d y two p r in t in g h o u se s i n th e U n ited S t a t e s , and sh e
w a sn 't su r e th e cou n try c o u ld su p p o rt a t h ir d .
[L aughter]
How wrong we are in lo o k in g a t each o th e r ! But th e Lord J e s u s
looks a t you, and He s e e s v a lu e th e r e t h a t th e w o rld d o e s n 't s e e ; He
se e s what you can b e .
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I
|
I
I
>
to g iv e
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778
[Q uartet:
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
APPENDIX H
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
R esponses
Donors
D onations
ATLANTIC:
Bermuda
C o n n ecticu t
Maine
M a ssa ch u setts
New Hampshire
New York
Rhode I s la n d
Vermont
3
16
15
34
13
155
4
12
2
6
8
24
2
59
2
2
CANADIAN:
A ll o f Canada
153
49
3 0 5 .0 0
CENTRAL:
Colorado
Kansas
M issou ri
Nebraska
Wyoming
50
26
52
37
4
30
13
16
24
3
3 3 8 .5 0
5 4 1 .0 0
5 0 .0 0
1 1 1 .0 0
2 3 .0 0
COLUMBIA:
Delaware
D i s t r i c t o f Columbia
Maryland
New J e r s e y
Ohio
P en n sy lv a n ia
V ir g in ia
West V ir g in ia
7
26
40
59
125
157
114
40
3
15
13
27
42
39
28
10
1 5 .0 0
3 7 9 .5 0
1 9 0 .0 0
1 0 7 .0 1
1 7 1 .2 5
1 2 9 .0 2
8 7 .6 8
5 0 .0 0
LAKE:
I llin o is
Indian a
M ichigan
W iscon sin
82
77
214
45
41
29
86
26
3 0 0 .0 0
1 7 2 .0 6
6 5 2 .3 4
1 4 8 .2 4
NORTHERN:
Iowa
M innesota
North Dakota
South Dakota
55
45
18
12
23
28
8
4
6 2 5 .4 2
7 8 .0 6
2 4 2 .0 0
4 5 .0 0
779
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
2 .0 0
2 1 .0 0
1 6 .0 0
1 0 2 .0 0
3 .0 0
1 9 7 .2 1
3 .0 0
4 .0 0
780
NORTH PACIFIC:
Idaho
Montana
Oregon
W ashington
A la sk a
PACIFIC:
R espon ses
D onations
Donors
5 1 .0 0
9 .0 0
2 5 1 .5 0
4 5 4 .0 0
10
6
59
70
1
8
4
40
53
A rizo n a
C a lif o r n ia
Nevada
Utah
H aw aiian I s la n d s
11
392
5
6
2
6
303
1
1
1
45 .00
3 ,3 7 2 .3 0
5 .0 0
1 .00
5 .0 0
SOUTHERN:
Alabama
F lo r id a
G eorgia
Kentucky
M i s s is s ip p i
N orth C a r o lin a
South C a r o lin a
T en n essee
69
162
127
52
52
132
57
91
11
70
22
6
9
33
12
28
4 3 .0 0
4 2 0 .6 2
70 .5 0
8.75
5 7 .8 5
1 9 8 .0 4
5 7 .8 5
144.62
SOUTHWESTERN:
Arkans as
L o u is ia n a
New M exico
Oklahoma
T exas
25
29
9
64
76
11
15
3
30
38
5 3 .5 0
3 2 .0 6
8.00
2 2 8 .0 0
2 2 4 .5 0
FOREIGN:
Bahamas
Cayman I s la n d s
C eylon
Dom inican R ep u b lic
J amai ca
Japan
P a k ista n
Panama
Penang
P u er to R ico
T rin id a d
West I n d ie s
T o ta l F oreign
3
1
1
1
3
1
1
1
1
1
4
1
19
3 0 5 .0 0
3 ,2 1 6
1 ,3 6 9
$ 1 1 ,1 5 4 .8 3
TOTALS
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
APPENDIX I
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
DISTRIBUTION OF
VIEWER INCOME AT FAITH FOR TODAY, INCORPORATED, FOR THE
12-MONTH PERIOD: JUNE 1 , 1967, TO MAY 31, 1968
BY SOURCE
T o ta l
D onation
Income
T o ta l
"Sponsor"
Income
June '67
$ 3 9 ,9 5 6
July3 5 ,9 4 3
August
3 5 ,2 0 8
September
3 9 ,5 4 9
October
4 5 ,0 1 3
4 5 ,5 2 9
November
December
6 7 ,7 8 0
January '68
5 3 ,5 3 3
February
6 6 ,7 6 0
March
5 0 ,1 5 4
April
40 , 895
May
3 8 ,0 2 4
$ 3 0 ,9 1 8
2 9 ,9 9 6
2 9 ,0 3 8
3 4,8 1 5
36,262
3 8 ,5 6 4
5 8 ,8 9 0
4 7 ,1 8 3
5 2 ,4 5 2
3 2 ,9 1 3
3 2 ,5 6 0
3 1 ,9 8 1
TOTAL
$455,571
Month
$ 5 5 8 ,3 4 4
T o ta l
"Other"
Income
T o ta l
Number
Donors
T o ta l
Sponsor
Donors
T o ta l
Other
Donors
9 ,0 3 8
5 ,9 4 8
6 ,1 7 0
4 ,7 3 5
8 ,7 5 1
6 ,9 6 5
8 ,8 9 0
6 ,3 5 1
1 4 ,3 0 8
1 7 ,2 4 1
8 ,3 3 5
6 ,0 4 4
5 ,7 4 4
5 ,5 4 5
5 ,9 8 6
5 ,8 5 0
6 ,7 4 2
6 ,6 5 3
8 ,6 0 0
6 ,7 2 2
8 ,6 0 7
6 ,6 5 1
6 ,6 7 9
6 ,2 6 0
3 ,1 4 3
3,1 4 2
3,2 6 5
3,679
3 ,7 9 7
3 ,9 1 5
5 ,2 2 8
4 ,3 9 2
4 ,8 5 9
3 ,8 4 8
3 ,8 4 6
3 ,8 5 8
2 ,6 0 1
2 ,4 0 3
2 ,7 2 1
2 ,1 7 1
2 ,9 4 5
2 ,7 3 8
3 ,3 7 2
2 ,3 3 0
3 ,7 4 8
2 ,8 0 3
2 ,8 3 3
2 ,4 0 2
$ 1 0 2 ,7 7 3
8 0 ,0 3 9
4 6 ,9 7 2
3 3 ,0 6 7
781
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
782
II.
BY GIFT SIZE
$ 0 .0 1 4 .9 9
$ 5 .0 0 9 .9 9
$ 1 0 .GO2 4 .99
$ 2 5 .0 0 4 9 .9 9
$ 5 0 .0 0 9 9 .9 9
$ 1 0 0 .0 0
o r more
June '67
July
August
September
October
November
December
January '68
February
March
April
May
$ 5 ,7 8 6
5 ,3 0 5
6 ,0 6 5
5 ,7 7 0
5 ,4 1 7
6 ,4 0 5
7 ,3 5 7
6 ,2 6 1
8 ,3 1 1
6 ,4 2 2
6 ,6 0 2
6 ,1 1 2
$ 6 ,0 2 3
6 ,0 1 1
6 ,2 0 2
6 ,0 6 4
7 ,3 4 3
7 ,5 2 0
1 1 ,1 2 1
7 ,2 1 7
1 1 ,2 5 5
7 ,4 2 0
7 ,5 1 6
6 ,9 1 6
9 ,2 4 8
9 ,1 2 1
9 ,2 1 4
8 ,9 4 9
9 ,2 2 9
1 0 ,815
1 7 ,7 5 1
1 1 ,9 0 7
1 6 ,8 0 9
1 1 ,4 7 8
1 0 ,0 4 3
1 0 ,3 7 5
$ 4 ,5 0 9
4 ,8 4 3
3 ,5 0 1
4 ,0 2 3
6 ,4 6 2
5 ,5 3 7
9 ,9 4 2
7 ,0 2 7
8 ,2 3 7
6 ,7 0 7
5 ,3 7 9
5 ,1 8 3
$ 2 ,9 8 2
2 ,7 2 1
2 ,1 4 0
2 ,7 3 8
5 ,6 6 8
3 ,4 8 0
6 ,4 0 1
5 ,1 3 7
6 ,5 4 6
5 ,9 5 2
3 ,7 0 6
3 ,7 1 7
$ 1 1 ,4 0 7
7 ,9 4 3
8 ,0 8 5
1 2 ,0 0 5
1 0 ,8 9 4
1 1 ,7 7 3
1 5 ,2 0 8
1 5 ,9 8 4
1 5 ,6 0 3
1 2 ,1 7 5
7 ,6 4 8
5 ,7 2 1
Total
$ 7 5 ,8 1 3
$ 9 0 ,6 0 7
$ 1 3 4 ,9 3 9
$ 7 1 ,3 5 1
$ 5 1 ,1 8 9
$ 1 3 4 ,4 4 7
Month
Month
June '67
July
August
September
October
November
December
January '68
February
March
A pril
May
Total
$ 0 .0 1 4 .9 9
$ 5 .0 0 9 .9 9
$ 1 0 .GO2 4 . 99
3 ,5 4 6
3 ,3 6 1
3 ,8 1 7
3,672
3 ,7 5 4
3,9 5 6
4 ,3 9 0
3 ,9 0 4
4 ,5 0 8
3 ,8 7 6
4 ,0 9 4
3,765
1 ,1 6 1
1 ,1 5 4
1 ,1 9 4
1 ,1 6 4
1,6 8 2
1 ,4 6 2
2 ,1 5 6
1 ,3 9 2
2 ,1 7 3
1 ,4 2 2
1 ,4 3 9
1,335
758
761
767
759
868
904
1 ,4 7 9
997
1 ,4 1 4
959
842
865
4 6 ,6 4 3
17 ,7 3 4
1 1 ,3 7 3
$ 2 5 .0 0 4 9 . 99
$ 5 0 .GO9 9 .9 9
$ 1 0 0 .0 0
o r more
160
171
128
142
255
201
368
258
297
233
188
183
57
50
40
51
107
66
118
96
117
102
66
68
62
48
40
62
76
64
89
75
98
59
50
44
2 ,5 8 4
938
767
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APPENDIX J
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
M ich igan :
"I am te n y e a r s o ld , and I f in d i t hard to u n d ersta n d
serm ons, b u t I f in d you r program v e ry i n t e r e s t i n g .
I have e n jo y e d
your books so much I am s e n d in g you a d o n a tio n fo r s e n d in g t h e s e
w on d erfu l books f r e e ."
M in n esota: "I am 14 y e a r s o ld , and have n e v e r b e lie v e d i n God
u n t i l I l i s t e n e d t o your program; th e n th in g s s t a r t e d e x p la in in g
th e m se lv e s. My m other d ie d when I was 8, and I can t r u t h f u l l y
sa y th a t I have n o t gone t o church o v e r 10 tim es s in c e th e n .
None o f our fa m ily have e v e r gone o u t o f t h e i r way t o a tte n d
783
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
784
C a lif o r n i a :
" C h r ist e n te r s on e v e r y o c c a s io n when you e n t e r our
home. You are s u r e ly w elcom e, t o o .
I lo v e you r l o v e l y co n cep t
o f f a i t h , t r u t h , and r i g h t .
I t i s r e a l l y tr u e r e l i g i o n . Your
te c h in g s are l ik e th o se o f th e G a lile a n C a rp en ter."
I l l i n o i s : "Many o f your s t o r i e s and i l l u s t r a t i o n s seem t o f i t
in t o our home and h e lp u s ."
M ichigan: ". . . 1 w ould r a th e r m iss e a t in g Sunday d in n e r th an
m iss th e s p i r i t u a l food you g i v e . Your program i s c e r t a i n l y a
p o te n t one, and has f i n a l l y rea c h e d me when n o th in g e l s e c o u ld ."
OCT.
1953
p. 4
(No in d ic a t io n o f s o u r c e :)
"I f e e l i t i s a s te p toward m a tu r ity
th a t su d d en ly I no lo n g e r am w i l l i n g t o s i t and rea d what a man
has w r it t e n , or h ear what a p r e a c h e r i s s a y in g , and b e l i e v e j u s t
b ecau se he i s a p p a re n tly a good man. I want God's Word f o r i t
now, b eca u se I have le a r n e d from th e s e le s s o n s th a t r e a l tr u th
can be found o n ly in th e B ib le ."
("From th e M a ilb a g ." )
NOV.
1953
p. 4
New Y ork:
"I w atched your program to d a y , and was v ery much
in t e r e s t e d - - v e r y much so b e c a u se I am J e w ish . I w ould a p p r e c ia te
your B ib le c o u r se ."
C a lif o r n i a : "You have a superb way o f g e t t i n g yo u r m essage t o
p e o p le .
I t ' s a g r e a t p le a s u r e w atch in g and l i s t e n i n g . Thank you
fo r your e a s y - t o - t a k e r e l i g i o u s l e s s o n s ."
T ex a s: "I l i k e your programs v e r y much f o r th ey are down to
e a rth fo r th e young p e o p le to u n d ersta n d and g e t som eth in g from ."
DEC.
1953
p. 4
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
785
1954
p. 4
JUNE
1954
p. 4
N ebraska:
"We en jo y you r program so much. Your t a lk s are so
d i f f e r e n t from p r e a ch er s who lo o k down, read a l i t t l e , g la n c e up,
and read some more. We do n o t b e lo n g to a church, b u t we lo v e to
l i s t e n t o you and h e a r th e q u a r t e t s in g ."
I llin o is :
"I e n jo y your t a lk s and 'a c te d o u t' sermons e v e r y
Sunday. One cannot h e lp b u t g e t th e 'p o in t ' o f your l i t t l e
s e r m o n e tte , as you make i t so p l a i n .
E s p e c ia lly do I en jo y i t
when you have te e n -a g e r s on you r program ."
M in n eso ta : "Thank you s o much f o r your t e l e c a s t .
I en jo y
l i s t e n i n g to you b e c a u se you sp eak so c l e a r l y .
B eing hard o f
h e a r in g I do n o t alw ays h e a r so w e ll in church."
W ashington: "I l i s t e n to you r program ev ery Friday e v e n in g and
r e c e iv e so much enjoym ent o u t o f i t .
You seem to answ er, in such
a c le a r way, th e q u e s tio n s w hich p e o p le l i k e m y s e lf w ish to know."
New J e r s e y : "I e n jo y your t e l e c a s t v e r y much; n ev er h eard any
th in g l i k e i t b e f o r e .
I t i s more than j u s t a t a l k , a serm on, or
p r e a c h in g . I t i s u n iq u e. God b l e s s you and your s t a f f . "
I l l i n o i s : "We f e e l th a t you rs i s th e b e s t o f a l l r e l i g i o u s
programs on t e l e v i s i o n b e c a u se i t i s so human in i t s approach.
I t packs a punch, and g iv e s us so m eth in g to l i v e b y ."
JULY
1954
p. 4
N ebraska:
"Have j u s t f i n is h e d l i s t e n i n g to your TV b r o a d c a st fo r
th e f i f t h or s i x t h Sunday in a row. I t i s th e f i r s t tim e in a
lon g tim e th a t I have found a r e l i g i o u s group or program th a t
seemed to me to 'make s e n s e . '
I t a c t u a ll y seems to r e l a t e th e
B ib le to everyday l i f e , n o t some man-made in t e r p r e t a t io n ."
AUG.
1954
p. 3
i w u ...
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Oklahoma:
"I w ish to s t a t e t h a t I have n e v e r heard a more
d e l i g h t f u l , s p i r i t u a l , c o n s e c r a te d , and p r a c t i c a l t e l e v i s i o n hour
than yours o f l a s t Sunday. I s t i l l f e e l warmed and s p i r i t u a l l y
n ou rish ed by i t . "
DEC.
1954
p. 4
M ichigan:
"I fin d you te a c h th e B ib le as i t r e a l l y i s . The
flow ery sermons d o n 't reach th e s o u l as you r d o w n -to -e a r th t a lk s
do."
MARCH I l l i n o i s :
"I have l i s t e n e d t o your serm ons and le s s o n s in tr u th
1955 fo r some tim e now. W hile I am n o t o f you r f a i t h , I d e r iv e much
p. 4 s p i r i t u a l u n d ersta n d in g from your l e s s o n s . You and Mrs. F agal
are p e o p le I would l i k e to know. I f e v e r I am in New York, I
t r u s t I s h a l l be a b le to meet you p e r s o n a lly and j u s t sa y 'Thank
you' fo r p la y in g su ch a g r e a t p a r t in b r in g in g th e m essage o f our
good Lord to th o se who l i s t e n to y o u ."
New M exico: "I l e t my supp er a lm o st b u m one n ig h t to w atch
two, but i t was w orth i t . "
you
APRIL M ichigan:
"I en jo y your TV program v e r y much. I t i s a r e s t f u l
1955 c o n tr a s t to a l l th e o th e r programs on th e a i r .
I t b r in g s r e l i g i o n
p. 4 in t o everyd ay l i f e in s t e a d o f th e o n ce-a -w eek s p u r t m ost p e o p le
take tim e f o r . "
MAY
1955
p. 4
SEPT. O hio:
"I have se e n and h eard your TV program s e v e r a l tim es and I
1955 r e a l l y en jo y ed th e calm , l o g i c a l , m a t t e r - o f - f a c t way in w hich you
p. 4 e x p la in e d v a r io u s c o n d it io n s and p ro b lem s.
I s u r e ly w ould r e l i s h
a f a c e - t o - f a c e ch at w ith you , s i r , b u t th a t b e in g im p o s s ib le , I
w i l l tr y to absorb some o f y o u r p r in t e d l e s s o n s . P le a s e sen d me
your p la n f o r p r a c t i c a l B ib le s tu d y w hich you s t a t e d you m a il to
c o r r e sp o n d e n ts ."
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
787
MAY
1964
p. 2
K ansas:
MMy f a t h e r was a s p i r i t u a l i s t , a medium, and f o r many
y ea rs t h a t was th e o n ly r e l i g i o n I e v e r knew. When he d ie d , he
s a id on h i s d eath b ed t h a t he had b een on th e wrong t r a c k . That
i s when I woke up and began t o w onder. Thank God f o r t h e s e B ib le
c o u r se s ."
New J e r s e y : "Never b e fo r e have I had su ch a w o n d erfu l i n s i g h t
in t o th e B ib le .
I f e e l more a t p e a c e than e v e r b e f o r e ."
V ir g in ia : "I have been th in k in g about g iv in g up th e to b a c c o
h a b it s in c e th e r e c e n t r e p o r t from th e f e d e r a l governm ent was
announced. T h is L esson 9 has been v e r y h e lp f u l to me in making
my d e c is i o n . T hanks."
T e n n e sse e : "Three men w ere b a p t iz e d in 1964 as a r e s u l t o f your
B ib le c o u r se . Your h e lp and c o o p e r a tio n in th e p a s t i s s i n c e r e l y
a p p r e c ia te d . We n eed your p r a y e rs i n our work h ere in th e p r is o n .
May God r i c h l y rew ard each o f you th e r e a t th e B ib le S c h o o l."
APRIL In d ia n a :
"I s ig n e d up fo r th e B ib le c o u r se s s h o r t l y a f t e r my
1965
husband p a s s e d away, when I was so h e a r t s ic k I c o u ld n 't th in k o f
p. 2
an yth in g b u t my l o s s .
But th e s tu d y o f God's Word, y o u r p e r s o n a l
i n t e r e s t in my l o s s and my p ro b lem s, and your w o n d erfu l answ ers
to my many q u e s tio n s have opened up a new way o f l i f e t o me. I
do pray f o r your s u c c e s s in s t a y in g on th e a i r , and hope i t
h e lp s many o th e r s as i t has h e lp e d me. May God b l e s s you a lw a y s."
Oklahoma: "Many p e o p le ta k e S c r ip tu r e s out o f c o n t e x t , ch an gin g
th e meanings to s u i t t h e i r p u rp o se .
I am g la d th a t y o u r B ib le
cou rse b r in g s ou t a l l th e S c r ip tu r e s on a g iv e n s u b j e c t . T h is i s
th e o n ly way to s tu d y and u n d ersta n d th e B ib le ."
Iowa: "I'm w r it in g t o l e t you know how much I a p p r e c ia te d and
e n jo y ed my B ib le c o u r s e .
When my husband was tak en from me, I
c o u ld n 't u n d erstan d why.
He l i v e d a good l i f e .
But now my
q u e s tio n s have b een answ ered. B e fo r e , I would look about me and
s e e so many who d id n 't do r ig h t and n e v e r b e lie v e d in God. Y et
th ey l i v e d , w h ile o th e r s who were good d ie d .
I w ondered why.
But a f t e r I s t u d ie d my B ib le c o u r s e , I b e t t e r u n d ersta n d and have
come to know th a t God's ways are j u s t . He knows what i s b e s t fo r
a ll o f u s.
I e n jo y your TV program s o much, and 1 thank you
again f o r t h is w on d erfu l o p p o r tu n ity ."
JUNE
1965
p. 2
C o lle g e T eacher; M is s o u r i:
"I r e c e n t ly en jo y ed v ery much th e TV
p r o d u ctio n o f P a s to r W illia m F a g a l's v i s i t to B abylon . His
accou nt o f th e B i b l i c a l p r o p h e c ie s o f th e d e s t r u c t io n o f a n c ie n t
c i t i e s , and h i s p h otogra p h s o f th e r u in s were m ost im p r e s s iv e .
B est w ish e s fo r you r c o n tin u e d s u c c e s s w ith y o u r w ork."
R esid en t C h ap lain , Maine S t a t e P r is o n :
"I w ish to e x te n d to you r
o r g a n iz a tio n , on b e h a lf o f th e men o f t h i s i n s t i t u t i o n , a warm
thank you fo r books w hich you s e n t .
Be a ssu r e d th a t th e m in is tr y
c a r r ie d on by F a ith f o r Today i s a p p r e c ia te d ."
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
788
AUG.
1965
p. 2
Ohio:
"I hope you c o n tin u e your program on TV b e c a u se I g e t a
b l e s s i n g ou t o f e v e r y one th a t I w atch and t h a t i s q u it e a l o t
fo r a te e n a g e r l i k e me. I am e n jo y in g e v e r y one o f my le s s o n s
th a t I g e t from you and th e y a re r e a l l y h e lp in g me to g e t a
b e t t e r u n d e rsta n d in g o f God's Word."
T e n n e sse e : "I know I am a b e t t e r C h r is tia n s in c e I ' v e b een
stu d y in g so much and a ls o a b e t t e r B ib le s t u d e n t .
I have more
t r u s t and f a i t h - - i n f a c t I'm j u s t s o r r y I ' v e w a ite d so lo n g b e fo r e
I found you a l l . "
OCT.
1965
p. 2
NOV.
1965
p. 2
C a lif o r n i a :
"Sunday I c a s u a lly d ia le d F a ith f o r Today. I view ed
i t a t a tim e o f d iscou ra g em en t in my own l i f e .
Thank you s o much
f o r p r e s e n t in g a program on t e l e v i s i o n t h a t i s n o t o n ly w orth
w h ile , b u t th a t h e lp s a p erso n b e t t e r u n d ersta n d h im s e lf . Thank
you f o r making C h r is t r e a l to me."
Ge o r g ia : "In th e b r i e f tim e I have ta k en th e L if e o f C h r is t
B ib le le s s o n s , I have come to a d e e p e r u n d e r sta n d in g o f t h i s man
J e s u s . The S a v io u r has come to mean more to me in my d a il y l i f e . "
NOV.
1965
p. 2
DEC.
1965
p. 2
C a lif o r n i a :
"I must thank you f o r yo u r p r a y e r s . My husband has
n o t had a drop o f a lc o h o l s in c e i asked you t o pray f o r h im ."
Oklahoma:
"The F a ith f o r Today t e l e c a s t h a s b ro u g h t me c l o s e r to
th e Lord than I e v e r have b e e n . So many o f th e programs seem
in te n d e d e s p e c i a l l y f o r me."
M aryland: "As a m other o f 6 , I c a n 't t e l l you how much th e s e
le s s o n s are h e lp in g me. I am q u it e sh o ck ed t o le a r n how wrong I
have been in p r e p a r in g our m e a ls . I h ave b een s u f f e r i n g f o r
some tim e w ith stom ach t r o u b le . Now I can o n ly s a y , 'no w o n d er,'
as my e a t in g h a b it s have been a l l w rong."
JAN.
1966
p. 2
In d ia n a :
"I w atched your program , 'The Time o f th e E n d ,' to d a y ,
and I was p r o fo u n d ly moved by yo u r c o n v ic t io n C h r is t w i l l come
and b r in g t h i s w o r ld 's h is t o r y to an en d . Would you p le a s e send
me fu r t h e r in fo r m a tio n about t h i s ?
I n c i d e n t a l l y , t h i s i s th e
f i r s t F a ith f o r Today t e l e c a s t I have v ie w e d ."
New York: "I was p r iv i l e g e d to m eet y o u r s o n , B i l l F a g a l, a t our
r e l i g i o u s c o n v o c a tio n in Union S p rin g s l a s t week (my f i r s t
e x p e r ie n c e in such a g a t h e r in g ) , and i t w i l l alw ays rem ain in my
mind as one o f th e many t h r i l l i n g h i g h l i g h t s o f a week f i l l e d
w ith b l e s s i n g s and t h r i l l s , f o r I f e e l I owe my b e in g th e r e to
you in a way! I f th e Lord had n o t le d me t o w atch your program ,
'F a ith f o r T o d a y ,' one Sunday m orning, s e e m in g ly q u ite by ch a n ce,
and I had n o t s e n t f o r your B ib le c o u r se and th en gone to our
lo c a l church to be b a p t iz e d , I w ould n e v e r have known th e jo y o f
camp m e e tin g !"
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
789
P e n n sy lv a n ia :
"Thanks be to God fo r H is w a tch ca re and te n d e r
mercy. You can n e v e r r e a l i z e what your I s r a e l i t e H e r ita g e Course
has meant to me. May God r i c h l y b le s s your e f f o r t s . "
JUNE
1966
p. 2
JULY G eo rg ia :
"The F a ith
1966 in g have been so much
p.
2 p ic k e d up a number o f
in p r e p a r in g m e a ls .
and d is e a s e h as been
much f o r making them
New York:
"My le s s o n s have g iv e n me new u n d e rsta n d in g o f D a n ie l
and R e v e la t io n . Thank y o u ."
O hio: "A few days ago I s e n t in a p ra y er r e q u e s t f o r a 1 2 -y e a r o ld boy; he was h e a le d and i s now a b le to a tte n d s c h o o l."
C a lif o r n i a : "I must thank you f o r your p r a y e r s . My husband has
n o t had a drop o f a lc o h o l s in c e I asked you to p ra y f o r him ."
O hio: "Words can n ot e x p r e s s my p r a is e f o r your B ib le co u r se
which I have j u s t f i n i s h e d .
I t has g iv e n me a b e t t e r u n d ersta n d
in g o f th e B ib le and a f e e l i n g o f peace and h a p p in e ss d e s p it e a l l
my p e r s o n a l p r o b le m s. I w ould l i k e t o c o n tin u e w ith th e n e x t
c o u r se ."
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
I
\
DEC.
1966
p. 2
New J e r s e y :
"I am f i f t y y e a r s o ld and was ed u c a te d in church
s c h o o ls , b u t have n e v e r had th e Book o f R e v e la tio n e x p la in e d as
i t has been in you r B ib le le s s o n s .
I was amazed a t th e prophe
c i e s e x p la in e d ."
MARCH West V i r g i n i a :
"I am e ig h t y e a r s o ld and in th e t h ir d g r a d e . I
1967 lik e s c h o o l v e ry much. I went to B ib le s c h o o l two y e a r s and
p. 2 d id n 't m iss a day. The seco n d y e a r I g o t a p r iz e f o r show ing th e
most s p i r i t in B ib le s c h o o l.
I e n jo y your B ib le co u rse v ery much.
I u sed to w atch you r program when i t was on S t a t io n WHIS, B lu e fie ld .
I w ish you l o t s o f s u c c e s s in your m in is t r y ."
M a ss a c h u s e tts : "A few weeks ago I w rote and t o l d you how my w ife
and I s t a r t e d t i t h i n g our incom e. We d id so w ith th e a ssu ra n ce
th a t God w ould be f a i t h f u l t o H is Word. At f i r s t th in g s went
w e ll, b u t soon th e g o in g g o t rough. However, b e fo r e any b i l l s
were p a id , God's te n t h was tak en ou t as He commanded. R e c e n tly I
was c a l l e d i n t o th e o f f i c e and t o ld I had a $5 r a i s e . T h is was
an answ er to p r a y e r , f o r th a t same day I r e c e iv e d my le s s o n s back
w ith t h i s p h ra se w r it t e n by th e i n s t r u c t o r :
'May He c o n tin u e to
b l e s s y o u .' We can t r u ly sa y w ith Solom on, 'T r u st in th e Lord
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
JUNE
1967
p. 2
AUG.
1967
p. 2
SEPT.
1967
p. 2
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
792
H onduras:
"When I r e c e iv e d th e f i r s t th r e e le s s o n s o f your B ib le
c o u r se , my mind was t r o u b le d . I was a lo n e in th e w o rld b e c a u se
a l l my fa m ily had p a s s e d away. Now I do n o t sa y I am a lo n e in
the w o r ld . Thanks to you I found a good companion whose name i s
C h r ist J e s u s ."
U. S. N avy: "T his co u r se has c le a r e d up s e v e r a l q u e s tio n s and
doubts in my mind. J u s t r e a d in g t h e s e le s s o n s g iv e s one a f e e l
in g o f s e c u r i t y .
I f more p e o p le c o u ld f in d gu id an ce and s e c u r i t y
through God l i k e I h a v e , I c a n t h e lp th in k in g what a w on d erfu l
w orld t h i s would b e! Someday when I become a f a t h e r , I amg o in g
to u se t h e s e le s s o n s t o te a c h my c h ild r e n andanswer t h e i r
q u e s t io n s ."
Q uebec, Canada: "I have com p leted th e F a ith f o r Today b a s ic
corresp on d en ce co u rse and r e c e iv e d my b e a u t if u l d ip lom a. May I
tak e a few m in u tes to thank y o u . By s tu d y in g w ith y o u r h e lp , I
f e e l t h a t a 'd o o r ' has in d e e d b een opened to me, and th a t C h r is t
has come in t o my h e a r t .
I hope to c o n tin u e to le a rn and th u s be
an exam ple o f a tr u e C h r is t ia n . T h e r e fo r e , p le a s e sen d me your
course o f f e r e d on h e a l t h f u l l i v i n g .
A ls o , I want to thank you
f o r in tr o d u c in g me to th e church in M o n trea l.
I have made many
new f r i e n d s , and I am so happy to be a b le t o w orship w ith them .
I pray t h a t my husband w i l l want to fo llo w my example and th a t he
w i l l become i n t e r e s t e d as I am."
DEC.
1967
p. 2
New Y ork:
"I so w e ll remember t h a t when I f i r s t g o t my TV s e t in
J u ly , 1958, F a ith f o r Today was th e v e ry f i r s t program I tu ned in
on, and I j u s t f e l l f o r i t , h a v in g n e v e r m issed i t s in c e u n le s s
you w ere n o t on. S e v e r a l tim e s I h ave w r it t e n th e s t a t i o n
e x p r e s s in g a p p r e c ia tio n f o r t h i s p u b lic s e r v i c e , b u t I am g o in g
to w r it e and t e l l them a g a in ."
N eb rask a: "I had n o t a tte n d e d church f o r y e a r s when I f i r s t
view ed F a ith fo r Today. S in c e n o th in g e l s e seemed to be w orking
out in my l i f e I d e c id e d t h a t I w ould t r y th e B ib le c o u r s e . L a ter
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
793
I read th e book , By F a ith I L iv e , by P a s to r F a g a l. I th e n con
ta c te d th e m in is t e r o f th e church and was b a p tiz e d in N orth
P l a t t e , N ebraska. I have le a r n e d more about th e B ib le th an I
e v e r dreamed I w ould.
I lo v e t o a tte n d m e e tin g s and s e r v i c e s o f
th e church."
JAN.
1968
p. 2
I llin o is :
"There i s power in yo u r program t h a t b r in g s t e a r s .
I
a p p r e c ia te P a s to r F a g a l1s l i t t l e se r m o n e tte s and th e s in g in g i s
b e a u tifu l.
When one h e a r s good s in g in g and p r e a c h in g , one w ants
to t e l l i t to o t h e r s .
I have t o l d many about your programs and
how I e n jo y them ."
T en n essee: " I t i s d i f f i c u l t to b e l i e v e th a t such a trem endous
o r g a n iz a tio n as y o u rs c o u ld r en d e r so much a t t e n t i o n , C h r is tia n
a id , and m a te r ia l t o one l i t t l e 'worm su ch as I . 1 I a c c e p te d
C h r ist and was b a p tiz e d a t th e age o f n in e . Now, in th e l a s t few
m onths, a t th e age o f 5 0 , I have g a in e d more in s p i r a t i o n and come
c lo s e r t o God through you r le s s o n s and su p p lem en tary m a te r ia l
than I have a l l th e o th e r y e a r s o f my l i f e . "
O hio: "I have w anted to sen d a g i f t o f money a f t e r r e c e iv in g
your n o te t e l l i n g o f your n e e d s , b u t I d id n 't th in k our b u d g et
would p e r m it i t j u s t now. Then I check ed our lo c a l g r o c e r y s l i p s
and g o t two d o lla r s f o r 150 o f them. T h is i s th e money I am
sen d in g you . Now we are b o th w in n ers w orking f o r th e w in n in g o f
s o u ls .
I am happy f o r t h i s s m a ll p a r t in h e lp in g ."
FEB.
Alabama: "These le s s o n s have h e lp e d me u n d ersta n d th e B ib le and
1968 God's te a c h in g s much b e t t e r .
They have in s p ir e d me to want to
p.
2 fo llo w God's Word in a b e t t e r and more e f f i c i e n t way.
I h ave a
r e q u e st to make. I made a new f r ie n d who d e s ir e s v ery much to
become a C h r is tia n and t o r e c e iv e th e jo y s w hich a C h r is tia n
p erson r e c e i v e s . She i s n o t a b le to a tte n d church v e ry much, and
I th in k sh e would l i k e to r e c e iv e your f r e e B ib le c o u r s e .
I
b e lie v e sh e w ould g e t a b l e s s i n g from th e s e le s s o n s as I h a v e ."
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
794
Your t e l e
TESTIMONIAL LETTERS
GOVERNMENT OFFICIALS
15th ANNIVERSARY
John Sparkman
S e n a to r from Alabama
P e te r H. Dominick
S e n a to r from C olorado
Thomas J . Dodd
S e n a to r from C o n n ec tic u t
George A. Sm athers
S e n a to r from F lo r id a
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
795
Hiram L. Fong
S en a to r from H aw aii
B irch Bayh
S en a to r from In d ia n a
Vance Hartke
S en a to r from In d ia n a
L e v e r e tt S a l t o n s t a l l
S en a to r from M a ssa ch u setts
Edward V. Long
S en a to r from M isso u ri
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
Lee M e tc a lf
S e n a to r from Montana
Alan B ib le
S en a to r from Nevada
Frank J . Lausche
S en a to r from Ohio
Wayne Morse
S en a to r from Oregon
Harry F. Byrd
S en a to r from V ir g in ia
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
797
Warren G. Magnuson
S en a to r from W ashington
W illiam
S en a to r
Proxm ire
from W iscon sin
George C. W allace
Governor o f Alabama
W illiam A. Egan
Governor o f A lask a
John Dempsey
Governor o f C o n n ec tic u t
F a r r is Bryant
Governor o f F lo r id a
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without perm ission.
798
C arl E. Sanders
G overnor o f G eorgia
Edward T. B r e a t h it t
G overnor o f Kentucky
"During t h i s tim e [ o f f i f t e e n y e a r s o f b r o a d c a s t in g ] , t h i s e x c e l l e n t
program has c o n tr ib u te d s i g n i f i c a n t l y to s tr e n g th e n in g th e m oral f ib e r
of our n a t io n .
I t i s my hope th a t t h i s r e l i g i o u s t e l e v i s i o n program
w ill co n tin u e t o en jo y s u c c e s s f o r many y e a r s t o come."
November 10, 1964
Augusta
John H. Reed
G overnor o f Maine
1964
K arl F. R olvaag
G overnor o f M in n esota
Frank B. M orrison
Governor o f N ebraska
R ichard J . Hughes
Governor o f New J e r s e y
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
799
your e f f o r t s t o rem ind modem man o f h i s n eed f o r s p i r i t u a l as w e l l as
p h y sica l and i n t e l l e c t u a l grow th and d ev elo p m en t."
November 2 4 , 1964
Santa Fe
Jack M. Campbell
Governor o f New M exico
N e lso n A. R o c k e f e lle r
Governor o f New York
Terry Sanford
Governor o f N orth C a r o lin a
Mark 0 . H a t f ie l d
Governor o f Oregon
. . .
. . .
. . .
Frank G. Clement
Governor o f T en n essee
Reproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
John C on n ally
Governor o f Texas
A lb e r t D. R o s e l l i n i
Governor o f W ashington
H u le tt Smith
G o v ern o r-E lect o f West V ir g in ia
C lif f o r d Hansen
Governor o f Wyoming
Max R a ffe r ty
S u p e rin te n d e n t o f P u b lic
I n s t r u c t io n and D ir e c to r o f
E ducation
S t a te o f C a lif o r n ia Department
o f E d u cation
R eproduced with perm ission of the copyright owner. Further reproduction prohibited without permission.
APPENDIX K
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
MICHIGAN STATE U N I V E R S I T Y
e a s t l a n s in g
. Mic h ig a n 4882}
149 AUDITORIUM
A u gu st
15,
1966
v a lu e d c o o p e r a tio n and c o u r te s y .
Roger W. Coon
G raduate C oun cil F e llo w
Enclosures: 2
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
802
b. Performance?
d. Format?
e. Other?
2. How would you describe typical overall view er reaction to the FFT program
in your area on the basis of mail and/or telephone calls following the w eekly
telecast? (check one)
Decidedly favorable.
ED Slightly unfavorable.
I ISlightly favorable.
ED D ecidedly unfavorable.
ED 26-50 responses.
ED 1-10 responses.
ED 51-100 responses.
ED 11-25 responses.
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803
4. How, in your own private judgm ent, does "Faith for Today compare with
other local or national religious teleca sts with which you are familiar? (Answer
all appropriate section s)
a. Technical?
b. Performance?
d. Format?
e. Other?
b. Performance?
d. Format?
e. Other?
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804
a. Content (including relevance of topic and treatm ent)?
b. Delivery (in serm on ette) and Performance (in dram atic skit)?
c. Personality?
7. How, in your opinion, does Pastor F agal compare w ith other clergym en now
broadcasting on television with w hose program you m ay be familiar? (Answer
all appropriate section s)
a. Content (including relevance of topic and treatm ent)?
b. Delivery?
c. Personality?
8. What, as you se e it, are the weakest factors in the total program, as pres
ently constituted places where you feel im provem ent m ight profitably be
m ade?Please be specific. (Answer all appropriate section s)
a. Technical?
b. Performance?
d. Format?
e. Other?
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9. What, in your judgm ent, are the weakest factors in Pastor Fagals individual
contribution to th e program, as presently constituted? (Answer all appropriate
sections)
a. Content (including relevance of topic and treatm ent)?
c. Personality?
10. Please assign in rank order of merit the type of program format which, from
your prior experience, you believe the general viewing public in your area
enjoys m ost ( 1-greatest interest on down to 4-least interest):
Dramatic skit, followed by 4-minute serm onette, and quartet.
............. Strictly m usical program only by FFT music staff.
Interview program (religious leaders, m issionaries, civic leaders, gov
ernment officials, e tc .)
.............Travelogues (generally related to overseas Christian m issions work).
Now please rank your own personal reference (using sam e method as above):
Dramatic skit, followed by 4-minute serm onette, and quartet.
.............Musical program.
Interview program.
.............Travelogue program.
11. What other comments, positive or negative, would you feel free to make con
cerning the program as a whole, or Pastor F agals contribution in particular?
How would you evaluate this program in term s of television as a whole?
What contribution, if any, do you think it has made or is making to the
general viewing public? What opinions do you have about the program?
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APPENDIX L
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T
TABULATION OF STATISTICAL RESULTS FROM SURVEY QUESTIONNAIRE
SENT TO TELEVISION STATION MANAGEMENT PERSONNEL
1.
What f a c t o r s s i g n i f i c a n t l y in f lu e n c e d y o u r s t a t i o n ' s d e c is i o n t o
a c ce p t th e " F a ith fo r Today" program?
TECHNICAL
PERFORMANCE
CONTENT
FORMAT
OTHER
NO ANSWER
TOTAL
2.
104*
3.
17
17
18
19
19
__ 4
20
16
6
0
0
12
_5
59
18
28
0
0
0
0
TOTAL
59
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3
23
4
29
TOTAL
59
4.
8
29
0
TOTAL
59
22
B.
T ec h n ic a l
Perform ance
C ontent
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
4
20
15
1
0
15
TOTAL
59
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
3
15
19
3
0
19_
TOTAL
59
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
5
17
12
4
0
21
TOTAL
59
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808
D.
E.
5.
6.
Format
O ther
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
3
12
17
9
0
18
TOTAL
59
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
4
5
3
3
0
44
TOTAL
59
12
11
26
6
5
11_
TOTAL
71*
7.
23
21
20
12
76*
C ontent
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
TOTAL
1
14
17
1
0
26_
59
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809
D e liv e r y /
Perform ance
P e r s o n a lit y
8.
9.
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
3
19
14
2
0
21_
TOTAL
59
SUPERIOR
BETTER THAN AVERAGE
AVERAGE
BELOW AVERAGE
MUCH BELOW AVERAGE
NO ANSWER
3
14
14
4
0
2j4
TOTAL
59
4
12
6
13
4
20
TOTAL
59
8
10
9
32
TOTAL
59
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810
10.
Program
Format
A.
B.
C.
D.
INTERVIEW PROGRAM
P r e fe r e n c e
1st
2nd
3rd
4th
NO
1st
2nd
3rd
4th
NO
1st
2nd
3rd
4th
NO
1st
2nd
3rd
4th
NO
TRAVELOGUES
G eneral
P u b lic
B ro a d ca st
E x e c u tiv e
CHOICE
CHOICE
CHOICE
CHOICE
ANSWER
16
12
12
3
16
TOTAL
59
12
12
9
9
17
59
CHOICE
CHOICE
CHOICE
CHOICE
ANSWER
9
16
6
10
18
9
8
12
11
19_
TOTAL
59
59
CHOICE
CHOICE
CHOICE
CHOICE
ANSWER
7
5
7
18
22_
4
10
9
16
20
TOTAL
59
59
CHOICE
CHOICE
CHOICE
CHOICE
ANSWER
10
9
13
6
21
18
9
9
3
20_
TOTAL
59
59
No. S e n t Out
Number R eturned
U nited S t a t e s and P o s s e s s io n s
Canada
F oreign
179
26
9
51
4
_4
T o ta l
214
59
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APPENDIX M
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811
Female_____
Marital Status:
Education:
(Single,
Age ______
Married,
Your Occupation
Divorced,
Widowed)^
If so,
Seventh-day Adventist,
name of denomination:
(Bap
etc.)
(Regularly,
frequently,
occasional,
in
frequent 1 y )
PART I
1. What specifically prompted you to come
evening?
"Faith For T o
this
(state which)
frequent,
Ap
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812
PART II
(To be completed after the close of tonight's service)
1. From his voice, manner, and appearance, what kind of person do you think
Pastor Fagal is?
Why?
[Please be specific]
3.
Why?
Did you find Pastor Fagal's sermon tonight interesting and easy t o
listen to?
Why?
[Please be specific]
Did you find that the words Pastor Fagal used in his sermon were e a s y
to understand?
In what way?
[Please be specific]
5- Do you feel that Pastor Fagal's sermon tonight touched upon problems
which relate to modern-day living as you know it?
In what way, p a r
ticularly?
[2]
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813
10. If you have heard Pastor Fagal previously on television, how would you
compare his TV preaching with his pulpit preaching tonight?
[Please be
specific.
11. How would you compare Pastor Fagal's pre aching either TV or pulpit
with other preaching that you have listened to elsewhere?
[3]
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814
b. On Television?
a. In the Pu lpit?
b. On Television?
14. As a result of hearing Pastor Fagal ton ig ht , have you made any spiritual or moral decisions?
If so, would you mind briefly stating
them below?
13- Have you made any spiritual or moral decisions before tonight as a re
sult of hearing Pastor Fagal--either in public or on television?______
If so, we would appreciate your briefly listing them below:
THANK YOU VERY MUCH FOR YOUR VALUED CO-OPERATION IN THIS RESEARCH PROJECT.
PLEASE LEAVE THIS COMPLETED QUESTIONNAIRE ON YOUR SEAT AS YOU LEAVE;
USHERS WILL COLLECT THEM AFTER THE CONGREGATION HAS LEFT THE AUDITORIUM.
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APPENDIX N
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I.
1.
C l a s s i f i c a t i o n by S ex and M a r ita l S ta tu s
Male
Female
D e c lin e d t o S t a te
376
673
1
35.8%
64.1%
.1%
1 ,0 5 0
100.0%
M arried
Widowed
S in g le
D iv o rced
S ep a ra ted
D e c lin e d to S t a t e
821
94
92
30
6
7
78.1%
8.9%
8.7%
2.8%
.7%
.8%
1, 050
100.0%
C l a s s i f i c a t i o n by Age G roupings
3.
Group
T o ta ls % o f Group
Years
Male
% o f Group
Female
% o f Group
11-20
2 1-30
31-40
41-50
51-60
61-70
71-80
81-90
D e clin ed
to S t a te
9
40
63
94
69
38
24
3
2.39%
10.64%
16.76%
25.00%
18.35%
10.11%
6.38%
.80%
22
72
122
134
132
88
48
6
3.27%
10.70%
18.13%
19.91%
19.61%
13.08%
7.13%
.90%
31
112
185
228
201
126
72
9
2.96%
10.68%
17.64%
21.73%
19.16%
12.01%
6.86%
.86%
36
9.57%
49
7.28%
85
8.10%
376
100.00%
673
100.00%
1,049
100.00%
C l a s s i f i c a t i o n by E d u c a tio n a l Background
E d u cation
A tta in e d
Male
%of
Group
1- 8 y r s .
9 -12 y r s .
13-16 y r s .
RN
BA+
MA
MA+
PhD
42
123
116
0
21
14
9
4
11.17%
32.71%
30.85%
.00%
5.59%
3.72%
2.39%
1.06%
Female
%of
Group
72
244
229
36**
18
16
4
0
10.70%
36.26%
34.03%
5.35%
2.67%
2.38%
.59%
.00%
Group
T o ta ls
114
367
345
36
39
30
13
4
815
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%of
Group
10.87%
34.99%
32.89%
3.43%
3.72%
2.86%
1.24%
.38%
816
E d u cation
A tta in e d
MD
DDS
DC
BD
D e c lin e d
to S t a t e
Male
% of
Group
Female
Group
T o ta ls
%of
Group
%of
Group
19*
10
1
1
5.05%
2.66%
.27%
.27%
2
0
0
0
.30%
.00%
.00%
.00%
21
10
1
1
2.00%
.95%
.10%
.10%
16
4.26%
52
7.73%
68
6.48%
376
100.00%
673
100.00%
1 ,0 4 9
100.00%
4.
C l a s s i f i c a t i o n by Employment
Men
A.
PROFESSIONAL
1 . Clergym en ( p a s t o r s , c h a p la in s )
2.
P h y s ic ia n s and D e n tis ts
MD
C h ir o p r a c tic
DDS
3. N u rsin g
RN
LPN and Other
N urse A n e s t h e t is t
4.
D i e t ic ia n
5. M o r tic ia n
6 . E d u c a tio n a l
P r in c ip a ls /A d m in is tr a to r s
T e a c h e r s /P r o fe s s o r s
7. F in an ce
T re a su r er
A u d ito r
CPA
A ccou n tan t
8.
B u sin e ss
C o rp o ra tio n P r e s id e n t
A d m in is tr a to r /E x e c u tiv e
M anagerial:
S to r e
C r e d it
N u rsin g Home I n s tr u c t o r
H o s p ita l E x e c u tiv e H ousekeeper
M u n ic ip a l/S ta te
P o lic e /M ilita r y
C o n tr a c to r /B u ild e r
Sm all B u sin ess/M erch a n t
Food S e r v ic e D ir e c to r
P etroleu m D is t r ib u t o r
9 . A rts
M u sician
I n t e r i o r D ecorato r
A r tis t
19
19
1
10
- -
1
-----
Women
2
- -
21
1
10
44
53
1
2
1
1
73
4
105
1
1
2
4
1
1
2
11
1
2
1
1
2
1
3
3
11
4
2
1
1
- -
2
3
11
4
2
1
1
- -
- -
5
2
19
44
52
1
2
1
3
32
T o ta l
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5
2
1
817
Men
10.
11.
12.
S o c ia l Work
C ou n selor
S o c ia l Worker
Church Work
L ib r a r ia n
S c ie n c e
S c ie n tis t
Chemist
B io a n a ly s t
E n g in ee r
R esearch D ir e c to r
OFFICE-CLERICAL-SALES
1 . S a le s
2.
C le r ic a l/G e n e r a l O f f ic e
R e c e p tio n is t/S w itc h b o a r d
S e c r e ta r y /S te n o g r a p h e r
T elep hone Co. S e r v ic e R e p r e s e n ta tiv e
A d v e r tis in g Agency
3.
I n s p e c to r /S u p e r v is o r
G eneral and O f f ic e
Market R esearch
4.
B ookkeeping
5.
C a sh ie r
Women
3
2
1
3
Totai
3
6
1
3
206
1
2
1
11
1
345
6
11
5
28
1
1
18
14
5
28
1
1
2
1
5
__ 1
7
1
__ ] _
20
61
81
2
4
2
3
3
1
1
5
7
3
1
1
1
1
2
1
11
1
139
12
3
1
1
3
1
- -
- -
2
1
3
1
3
7
3
1
1
33
3
1
2
1
4
1
3
7
3
1
1
12
45
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818
Men
D.
TRADES
1 . P a in te r
2. C arpenter/C ab inetm ak er
3. Mason
4. Baker
5 . P r in t e r
6 . Plumber
7. M echanic
8. W elder
9. S e r v ic e
A p p lian ce
S o ft-W a te r Equipment
C lea n in g
8
14
4
1
4
1
3
2
SEMISKILLED
1. D r iv er /O p er a to r
Truck
S ch o o l Bus
F o r k -L ift V e h ic le
Crane
2. F a cto ry
G eneral
B indery
Laundry
Tent Awning M anufacturing
Sew ing Machine O perator
P r e ss O perator
M illw r ig h t
Trimmer
S h e e t M etal Worker
Shear O perator
S e a le r /S p r a y e r
M a ch in ist
Drop Forge Worker
Pulpwood C u tter
- -
- - -
- - -
1
1
2_
41
E.
Women
----
4
1
1
1
5
1
2
1
1
1
1
3
2
1
1
2
4
1
1
1
1
2
41
23
-
8
14
4
1
4
1
3
2
--
4
1
1
T o ta l
28
1
2
1
1
2
3
2
1
1
2
4
1
1
45
12
57
1
10
9
1
1
-22
17
18
10
9
1
1
1
UNSKILLED
1.
2.
3.
4.
5.
6.
AGRICULTURAL
1. Farmer
2 . Gardener
13
-
1
18
40
13
__ 1
___1_
14
__
14
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819
Men
H.
DOMESTIC
1. H ousew ife
2 . S e a m str ess
3.
C u lin a ry
4. R e st Home H elp er
I.
STUDENT
J.
SELF-EMPLOYED
K.
DISABLED-UNEMPLOYED-RETIRED
1.
2.
3.
L.
D is a b le d
Unemployed
R e tir e d
Women
T o ta l
316
3
5
1
325
316
3
5
1
325
23
20
43
--
28
1
1
12
14
4
2
36
42
12
3 .
1
24
DECLINED TO STATE
Women
T o ta l
139
20
33
41
45
22
14
206
61
12
14
5
345
81
45
41
57
40
14
325
43
4
42
12
376
673
1049
C l a s s i f i c a t i o n by R e lig io n
Men
Women
T o ta l
S ev en th -d a y A d v e n tis t
B a p tis t
C o n g r e g a tio n a l
C h r is tia n M iss. A l l .
B eth esd a M iss. Temple
M eth o d ist
Lutheran
Mormon
No A f f i l i a t i o n L is t e d
368
1
1
659
2
1
1
2
1
1
6
1027
3
1
1
1
2
1
1
12
376
673
1049
A.
B.
C.
D.
E.
F.
G.
II.
I.
J.
K.
L.
5.
P r o f e s s io n a l
O ffic e -C le r ic a l-S a le s
T e c h n ic a l and S k i l l e d
Trades
S e m is k ille d
U n s k ille d
A g r ic u lt u r a l
D om estic
S tu d en t
S e lf-e m p lo y e d
D isa b le d -U n em p lo y e d -R e tir ed
D e c lin e d to S t a t e
23
4
28
7
12
18
325
20
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820
6.
960
87
3
1 ,0 5 0
B.
*Many SDAs do n o t
own a TV s e t .
100.0%
C.
91.4%
8.3%
.3%
101
128
235
440
56
10.5%
13.3%
24.5%
45.8%
5.9%
960
100.0%
**Program n o t a v a i l
a b le in C hicago o r
Lansing-G rand Ledge
a r ea in 1965.
18
245
333
364
1.9%
25.5%
34.7%
37.9%
960
100.0%
95 7
90
3
91.1%
8.6%
.3%
1 ,0 5 0
100.0%
II.
AUDIENCE RESPONSE TO THE
PREACHING OF WILLIAM FAGAL
1.
976
16
5
71
91.4%
1.5%
.5%
6.6%
1 ,0 6 8
100.0%
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282
768
424
1,4 7 4 *
Why^
EASY:
U n q u a lifie d a f f ir m a t iv e
Q u a lif ie d a f f ir m a t iv e
DIFFICULT
NO ANSWER
987
30
4
29
94.0%
2.8%
.4%
2.8%
050
100.0%
957
18
7
68
91.1%
1.7%
.7%
6.5%
1 ,0 5 0
100.0%
F a c to r s M entioned:
I llu s tr a tio n s
226
C o n te n t/O r g a n iz a tio n 386
D e liv e r y
82
694
Did you f in d th a t th e words P a s to r F agal u sed in h i s sermon were
ea sy t o u n derstan d? In what way?
YES:
U n q u a lifie d a f f ir m a t iv e
Q u a lif ie d a f f ir m a t iv e
NO
NO ANSWER
964
11
0
75
1 ,0 5 0
9 1 . 8%
1.0%
.0%
7.2%
100.0%
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822
F a c to r s M entioned:
Word C hoice
S im p lic it y
137
Commonness
289
C la r it y
61
A p p ro p ria ten ess to
O cca sio n and A udience
D ic tio n and D e liv e r y
Grammar
O ther F a c to r s
487
107
61
28
79
762
802
8
15
225
76.3%
.8%
1.5%
21.4%
1 ,0 5 0
100.0%
858
18
6
168
81.7%
1.7%
.6%
16.0%
1 ,0 5 0
100.0%
F a c to r s M entioned:
C ontent
181
O r g a n iz a tio n 103
E x p la n a tio n
77
D e liv e r y
19
O ther
10
390
What i s your p e r s o n a l im p r e ssio n o f P a sto r F a g a l's u se o f th e B ib le ?
P le a s e comment.
( E f f e c t i v e , c o n v in c in g , to o l i t t l e , to o much, e t c . )
UNQUALIFIED APPROVAL
QUALIFIED APPROVAL
DISAPPROVAL
NO ANSWER
876
34
26
114
83.4%
3.2%
2.6%
10.8%
1 ,0 5 0
100.0%
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
QUALITATIVE:
E f f e c t iv e
C onvincing
QUANTITATIVE:
Too L i t t l e
Too Much
About R igh t
610
433
1,050
49
2
124
175
8.
9.
842
24
6
178
80.1%
2.4%
.6%
16.9%
1 ,0 5 0
100.0%
S p ea k er 's Goal:
G reater S o u l-w in n in g
W itness
R e c o n se c r a tio n /
R e d e d ic a tio n
G reater Concern fo r
O thers and M isc.
R esponses
855
4
7
184
81.4%
.4%
.7%
17.5%
1,0 5 0
100.0%
364
340
210
914
10.
310
264
36
24
416
29.5%
25.1%
3.5%
2.3%
39.6%
1,0 5 0
100.0%
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
824
11.
12,
489
214
26
19
1
32
7
262
46.6%
20.3%
2.5%
1.8%
.1%
3.1%
.7%
24.9%
1 ,0 5 0
100.0%
In th e P u lp it?
C a te g o r ic a l R espon ses
No Answer
F a c to r s L is te d * :
P e r s o n a lit y
C ontent
D e liv e r y
S p i r i t u a l Elem ent
M isc e lla n e o u s
377
325
182
59
13
704
346
67.0%
33.0%
1 ,0 5 0
100.0%
*Some resp o n d e n ts l i s t e d :
than one f a c t o r .
956
B.
On T e le v is io n ?
C a te g o r ic a l R espon ses
" D itto " to Answer Under "A"
Above
Not S u f f i c i e n t l y A cq u a in ted
w ith TV Program
R espondents Not A nsw ering
F a c to r s L iste d * :
P e r s o n a lit y
107
Content
86
D e liv e r y
38
S p ir i t u a l Elem ent 19
M isc e lla n e o u s
20
228
21.7%
169
16.1%
39
614
3.7%
58.5%
1 ,0 5 0
100.0%
*Some resp o n d en ts l i s t e d ;
than one f a c t o r .
270
R ep ro d u ced with p erm ission o f the copyright ow ner. Further reproduction prohibited w ithout p erm ission.
825
13.
In th e P u lp it?
102
387
18
6
537
9.7%
36.8%
1.8%
.6%
51.1%
1 ,0 5 0
100.0%
C a te g o r ic a l R espon ses
E v er y th in g i s "O.K."
Sermon i s Too S h o rt
R efused to E v a lu a te
No Answer
F a c to r s L is t e d : *
P e r s o n a lit y
C ontent
D e liv e r y
S p i r i t u a l Elem ent
M isc e lla n e o u s
19
54
40
1
__ 2
*Some r e sp o n d e n ts l i s t e d more
than one f a c t o r .
116
B.
On T e le v is io n ?
C a te g o r ic a l R esponse
E v er y th in g i s "O.K."
Sermon i s Too S h o rt
" D itto " to Answer Under "A"
Above
Not S u f f i c i e n t l y A cq u ain ted
w ith TV Program
No Answer
44
263
20
4.2%
25.0%
1.9%
15
1.5%
13
695
1.3%
6 6 . 1%
1 ,0 5 0
F a c to r s L iste d * :
P e r s o n a lit y
C ontent
D e liv e r y
S p i r i t u a l Elem ent
M isc e lla n e o u s
100.0%
14
8
17
0
6
45
14.
619
66
365
1 ,0 5 0
5 8.9'
6 .3
34.8'
100.0%
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.
826
D e c is io n s L is te d * :
G rea ter Sou l-W in n in g W itn ess
R e d e d ic a tio n /R e c o n s e c r a tio n
G rea ter Concern f o r O th ers
M isc e lla n e o u s
244
366
47
20
677
15.
270
206
574
1 ,0 5 0
25. 7
19.7
54.6'
100.0%
Decisions Listed*:
35
181
8
5
6
*Some resp o n d en ts d id n o t
i d e n t i f y th e d e c is i o n ( s )
th ey had made on p r io r
h e a r in g o f th e s p e a k e r .
235
R ep ro d u ced with p erm ission o f th e copyright ow ner. Further reproduction prohibited w ithout perm ission.