Typeface Classifications
Typeface Classifications
Note: In general, different type styles (e.g., bold, italic, and bold italic) may be used
with each type classification.
Blackletter
The Blackletter classification may also be referred to as Old English, Text, or Gothic. It is the style of text used by
scribes throughout Latin Christendom during the Middle Ages, and was used in Germany until World War II.
Blackletter typefaces are very ornate and complex, and they can be difficult read. Because of this they are generally
reserved for special uses, such as invitations, announcements, advertisements, diplomas, certificates, or initial caps
at the beginning of paragraphs or chapters.
Adobe and the Adobe logo are registered trademarks of Adobe Systems Incorporated.
2000 Adobe Systems Incorporated. All rights reserved. Terms of Use. Online Privacy Policy.
Ornamental
Instead of text (alphanumeric) characters, Ornamental typefaces contain decorative ornaments, pictures, or symbols
for some or all characters. You can use these ornaments as decorative embellishments in your documents, or as a way
to add pictures to text without importing graphics.
Ornamental typefaces that have been created specifically for non-text uses are called Symbol typefaces. Many Symbol
typefaces have been created for specific uses such as, musical notation, map making, mathematics, and publishing.
Sans serif
Sans means without in French. Typefaces in this category, therefore, are those without serifs. The first sans serif
typeface was issued in 1816, but the sans serif style did not become popular until approximately 100 years later.
Sans serif typefaces have a clean design and are very legible for display, special emphasis, and text. They should not
be used for large bodies of text, however, since large amounts of sans serif text could cause eye strain.
Script
Typefaces in this category are those designed to resemble handwriting, with styles ranging from formal to whimsical.
The characters of some Script typefaces are connected.
The first Script typeface was created by a Parisian printer in 1643. Today there is a large variety of Script typefaces
available, many of which resemble handwriting created using different writing instruments, such as a brush or calligraphic pen.
Script typefaces should never be set in all capital letters and are generally reserved for announcements, invitations,
greetings, and advertisements.
Serif
Typefaces in this category, which is also known as Roman, have serifs. Serif typefaces are very legible, and provide
improved readability by leading the eye along a line of type. Although Serif typefaces are very versatile and can be
used for virtually any purpose, their most important use is for large bodies of text. No other typefaces are as legible
for this purpose.
Slab Serif
Also called Square Serif or Egyptian, Slab Serif typefaces are similar to Serif typefaces, but instead of standard serifs,
have short block or square serifs that are generally as thick as the rest of the character. Another difference is that Slab
Serif typefaces are not as legible as serif, or even sans serif, typefaces.
Slab Serif typefaces were born out of the Industrial Revolution as a result of the increased use of posters, billboards,
and other forms of advertising. Their strong, square finishing strokes are extremely effective for commanding
readers' attention and that is why Slab Serif typefaces should be used primarily for headings, advertisements,
captions, and initial caps.
Transitional
Transitional typefaces evolved from the typefaces used in the 16th and 17th centuries. Typefaces in this category are
beautifully suited for text because of their regularity and precision. The axis of the round characters is vertical or less
inclined than earlier faces, the s is slightly pronounced, and serifs are thin, flat, and bracketed. These typefaces also
have a slightly pronounced contrast between hairlines and the main strokes, and have a flat or triangular tip where
diagonal strokes meet (e.g, at the base of a W).