Physics in Daily Life: Hear, Hear... : Acknowledgements
Physics in Daily Life: Hear, Hear... : Acknowledgements
Physics in Daily Life: Hear, Hear... : Acknowledgements
Acknowledgements
I would like to thank several colleagues for their reading and suggestions, in particular 1. Pape, P. Janot, R. Barate and I. Timmermans.
About the author
Daniel Treille is a senior physicist at CERN and a former
spokesman of the DELPHI experiment.
........................................................................................................................
References
ven a tiny cricket can make a lot of noise, without having to
[1] G. Kane, in Scientific American, June 2003, for a brief reminder of the
SM and Supersymmetry Basics can be found in H. Georgi, Scientific
American, April 80, p 104, G. t'Hooft, ibid., June 80, p 104
Or, if you wish: the human ear is pretty sensitive-if the sound
waves are in the right frequency range, of course.
How exactly our ears respond to sound waves has been sorted
out by our biophysical and medical colleagues, and is illustrated
by the familiar isophone plots that many of us remember from the
textbooks. They are reproduced here for convenience. Each isophone curve represents sound that seems to be equally loud for
the average person.
The figure reminds us that the human ear is not only rather sensitive, but that it also has an astonishingly large range: 12 orders of
magnitude around 1 kHz. This is, in a way, a crazy result, if we
think of noise pollution. It means that if we experience noise loud
enough to reach the threshold of pain, and we assume a 1/fl decay
of the sound intensity, we would have to increase the distance from
the source by a factor of 106 to get rid of the noise. Or, if we
stand at 10 m from the source, we would
------.
1lI,w1(,6cP
have to walk away some 10 000 km.
-....
All this assumes that the attenuation /:fj
Sa<ND .-PT
can be neglected, since we have been ~
o
taught that sound wave propagation is an
adiabatic process. Obviously, real life isn't
that simple. There are several dissipative
terms. For example, think of the irreversible
heat leaks between the compressed and the
expanded areas: the classical absorption
coefficient is proportional to the frequency squared, which makes distant
thunder rumble. Then there is
attenuation by obstacles.
There is the curvature of the
earth. There is the curvature of the
sound waves themselves, usually away
from the earth due to the vertical temperature gradient.Without loss terms like these, forget a solid sleep.
Asecond fea4U'e worth noticing is the shape ofthe curves.Where- ~
as the pain threshold is relatively flat, the threshold of hearing ~.
increases steeply with decreasing frequency. If we turn our audio g
amplifier from ahigh to a lowvolume, we tend to loose the lowest fre- ~
quencies. The"loudness" control is supposed to compensate for this. ~
Finally, it is interesting to notice the magnitude of the sound if
intensity. How much sound energy do we produce when we
speak? Let us assume that the listener hears us speak at an average ~
sound level of 60 dB, which corresponds to 10-6W1m2 as seen from ~
the right-hand vertical scale. Assuming that the listener is at 2 m,
the sound energy is smeared out over some 10 m2 This means
that we produce, typically, 10-5 W of sound energy when we talk.
That is very little indeed. During our whole life, even if we talk day
and night and we get to live 100 years, we will not talk more than
106 hours. With the above 10-5 W, this means a total of 10 Wh. Even
with a relatively high price of 50 EurocentslkWh, this boils down to
less than one cent for life-long speaking. Cheap talk, so to speak.
[9] CERN Courier, June 03, article 2, p6, July-Aug 03, article 6, p8, Sept
03, article 6, p9
[10] CERN Courier, Sept 03, article 1, pS, and a review by R. Jaffe and
EWilczek, hep-phl0401034
[11] K. Lane, Two lectures on Technicolour, hep-phl0202255
It