Today is Saturday, July 25, 2015

Republic of the Philippines

SUPREME COURT
Manila
EN BANC
G.R. No. 189028

July 16, 2013

NATIONAL ARTIST FOR LITERATURE VIRGILIO ALMARIO, NATIONAL ARTIST FOR LITERATURE
BIENVENIDO LUMBERA, NATIONAL ARTIST FOR VISUAL ARTS (PAINTING) BENEDICTO CABRERA,
NATIONAL ARTIST FOR VISUAL ARTS (SCULPTURE) NAPOLEON ABUEVA, NATIONAL ARTIST FOR
VISUAL ARTS (PAINTING AND SCULPTURE) ARTURO LUZ, NATIONAL ARTIST FOR PRODUCTION DESIGN
SALVADOR BERNAL, UNIVERSITY PROFESSOR EMERITUS GEMINO ABAD, DEAN MARVIC M.V.F. LEONEN
(UP COLLEGE OF LAW), DEAN DANILO SILVESTRE (UP COLLEGE OF ARCHITECTURE), DEAN ROLAND
TOLENTINO (UP COLLEGE OF MASS COMMUNICATION), PROF. JOSE DALISAY, DR. ANTON JUAN, DR.
ALEXANDER CORTEZ, DR. JOSE NEIL GARCIA, DR. PEDRO JUN CRUZ REYES, PROF. JOSE CLAUDIO
GUERRERO, PROF. MICHAEL M. COROZA, PROF. GERARD LICO, PROF. VERNE DE LA PENA, PROF.
MARIAN ABUAN, PROF. THEODORE O. TE, DR. CRISTINA PANTOJA-HIDALGO, PROF. JOSE WENDELL
CAPILI, PROF. SIR ANRIAL TIATCO, PROF. NICOLO DEL CASTILLO, PROF. HORACIO DUMANLIG, PROF.
DANTON REMOTO, PROF. PRISCELINA PATAJOLEGASTO, PROF. BELEN CALINGACION, PROF. AMIEL Y.
LEONARDIA, PROF. VIM NADERA, PROF. MARILYN CANTA, PROF. CECILIA DELA PAZ, ROF. CHARLSON
ONG, PROF. CLOD MARLON YAMBAO, PROF. KENNETH JAMANDRE, PROF. JETHRO JOAQUIN, ATTY. F.D.
NICOLAS B. PICHAY, ATTY. ROSE BEATRIX ANGELES, MR. FERNANDO JOSEF, MS. SUSAN S. LARA, MR.
ALFRED YUSON, MS. JING PANGANIBANMENDOZA, MR. ROMULO BAQUIRAN, JR., MR. CARLJOE JAVIER,
MS. REBECCA T. ANONUEVO, MR. JP ANTHONY D. CUNADA, MS. LEAH NAVARRO, MR. MARK MEILLY, MR.
VERGEL O. SANTOS, MR. GIL OLEA MENDOZA, MR. EDGAR C. SAMAR, MS. CHRISTINE BELLEN, MR.
ANGELO R. LACUESTA, MS. ANNA MARIA KATIGBAKLACUESTA, MR. LEX LEDESMA, MS. KELLY
PERIQUET, MS. CARLA PACIS, MR. J. ALBERT GAMBOA, MR. CESAR EVANGELISTA BUENDIA, MR. PAOLO
ALCAZAREN, MR. ALWYN C. JAVIER, MR. RAYMOND MAGNO GARLITOS, MS. GANG BADOY, MR. LESLIE
BOCOBO, MS. FRANCES BRETANA, MS. JUDITH TORRES, MS. JANNETTE PINZON, MS. JUNE POTICARDALISAY, MS. CAMILLE DE LA ROSA, MR. JAMES LADIORAY, MR. RENATO CONSTANTINO, JR., and
CONCERNED ARTISTS OF THE PHILIPPINES (CAP), Petitioners,
vs.
THE EXECUTIVE SECRETARY, THE SECRETARY OF THE DEPARTMENT OF BUDGET AND MANAGEMENT,
THE CULTURAL CENTER OF THE PHILIPPINES, THE NATIONAL COMMISSION ON CULTURE AND THE
ARTS, MS. CECILE GUIDOTE-ALVAREZ, MR. CARLO MAGNO JOSE CAPARAS,1 MR. JOSE MORENO, MR.
FRANCISCO MANOSA, AND ALL PERSONS, PUBLIC AND PRIVATE, ACTING UNDER THEIR
INSTRUCTIONS, DIRECTION, CONTROL AND SUPERVISION IN RELATION TO THE CONFERMENT OF THE
ORDER OF THE NATIONAL ARTIST AND THE RELEASE OF FUNDS IN RELATION TO THE CONFERMENT OF
THE HONORS AND PRIVILEGES OF THE ORDER OF NATIONAL ARTISTS ON RESPONDENTS GUIDOTEALVAREZ, CAPARAS, MORENO AND MANOSA, Respondents.
DECISION
LEONARDO-DE CASTRO, J.:
Art has traditionally been viewed as the expression of everything that is true, good and beautiful. As such, it is
perceived to evoke and produce a spirit of harmony. Art is also considered as a civilizing force, a catalyst of nationbuilding. The notion of art and artists as privileged expressions of national culture helped shape the grand narratives
of the nation and shared symbols of the people. The artist does not simply express his/her own individual inspiration
but articulates the deeper aspirations of history and the soul of the people.2 The law recognizes this role and views
art as something that "reflects and shapes values, beliefs, aspirations, thereby defining a peoples national identity."3
If unduly politicized, however, art and artists could stir controversy and may even cause discord, as what happened
in this case.

The Antecedents
History of the Order of National Artists
On April 27, 1972, former President Ferdinand E. Marcos issued Proclamation No. 10014 and, upon
recommendation of the Board of Trustees of the Cultural Center of the Philippines (CCP), created the category of
Award and Decoration of National Artist to be awarded to Filipinos who have made distinct contributions to arts and
letters. In the same issuance, Fernando Amorsolo was declared as the first National Artist.
On May 15, 1973, Proclamation No. 11445 was issued. It amended Proclamation No. 1001 "by creating a National
Artists Awards Committee" that would "administer the conferment of the category of National Artist" upon deserving
Filipino artists. The Committee, composed of members of the Board of Trustees of the CCP, was tasked to "draft the
rules to guide its deliberations in the choice of National Artists, to the end that those who have created a body of
work in the arts and letters capable of withstanding the test of time will be so recognized."
The authority of the National Artists Awards Committee to administer the conferment of the National Artist Award
was again reiterated in Presidential Decree No. 2086 issued on June 7, 1973.
On April 3, 1992, Republic Act No. 7356, otherwise known as the Law Creating the National Commission for Culture
and the Arts, was signed into law. It established the National Commission for Culture and the Arts (NCCA) and gave
it an extensive mandate over the development, promotion and preservation of the Filipino national culture and arts
and the Filipino cultural heritage. The NCCA was tasked with the following:
Sec. 8. The Commission. A National Commission for Culture and Arts is hereby created to formulate policies for
the development of culture and arts; implement these policies in coordination with affiliated cultural agencies;
coordinate the implementation of programs of these affiliated agencies; administer the National Endowment Fund
for Culture and Arts (NEFCA); encourage artistic creation within a climate of artistic freedom; develop and promote
the Filipino national culture and arts; and preserve Filipino cultural heritage. The Commission shall be an
independent agency. It shall render an annual report of its activities and achievements to the President and to
Congress.
Among the specific mandates of the NCCA under Republic Act No. 7356 is to "extend recognition of artistic
achievement through awards, grants and services to artists and cultural groups which contribute significantly to the
Filipinos cultural legacy."7 In connection with this mandate, the NCCA is vested with the power to "advise the
President on matters pertaining to culture and the arts, including the creation of a special decoration or award, for
persons who have significantly contributed to the development and promotion of Philippine culture and arts."8
As both the CCP Board of Trustees and the NCCA have been mandated by law to promote, develop and protect the
Philippine national culture and the arts, and authorized to give awards to deserving Filipino artists, the two bodies
decided to team up and jointly administer the National Artists Award.9 Thereafter, they reviewed the guidelines for
the nomination, selection and administration of the National Artists Award. Pursuant to their respective powers to
draft and promulgate rules, regulations and measures to guide them in their deliberations in the choice of National
Artists, the CCP and NCCA adopted the following revised guidelines in September 200710:
4. ADMINISTRATION OF THE AWARD
4.1. The National Commission for Culture and the Arts (NCCA) shall plan, organize and
implement the Order of National Artists in coordination with the Cultural Center of the Philippines
(CCP).
4.2. It shall enlist the support and cooperation of private sector experts from the various fields of
art to ensure that the awards are implemented in a successful and impartial manner.
4.3. The National Artist Award Secretariat shall commission art experts to form a Special
Research Group who shall verify information submitted on nominees and provide essential data.
They shall be selected for their specialization and familiarity with the works and
accomplishments of nominated artists.
4.4. The Special Research Group shall be composed of ten (10) to twenty (20) members who
have expertise in one or more fields or disciplines.
4.5. The National Artist Award Council of Experts shall be created before or during the
nomination period. It is tasked to screen nominees and recommend to the NCCA and CCP

Boards the candidates for the Order of National Artists. It shall be composed of highly regarded
peers, scholars, (including cultural philosophers and historians), academicians, researchers, art
critics, and other knowledgeable individuals. A wider age-range of experts who would have firsthand knowledge of achievements of nominees shall be considered.
4.6. The selection of the members of the National Artist Award Council of Experts shall be based
on the following criteria:
(a) should have achieved authority, credibility and track record in his field(s) of expertise;
(b) should have extensive knowledge in his field(s) and his views on Philippine art and
culture must be national in perspective;
(c) should be a recognized authority in the study or research of Philippine art and culture;
(d) must be willing to devote sufficient time and effort to the work of the Council;
(e) must be willing to sign a non-disclosure statement in order to safeguard the
confidentiality of the deliberations;
(f) must not have been convicted with finality of any crime by a court of justice or
dismissed for cause by any organization, whether public or private.
4.7. The National Artist Award Council of Experts shall be composed of a maximum of seven (7)
members each of the seven (7) areas/disciplines. The living National Artists will automatically
become members in addition to the forty-nine (49) selected members. These members will
constitute the first deliberation panel and will be invited to evaluate the nominations and
materials submitted by the Special Research Group.
4.8. Any member of the Council of Experts who is nominated or related to a nominee up to the
fourth degree of consanguinity or affinity shall inhibit himself/herself from the deliberation
process. Likewise, any member may decline to participate in the deliberation for any reason or
may be removed for just cause upon recommendation to the NCCA Board by at least two thirds
(2/3) of the members; in which case, the National Artist Award Secretariat shall again select the
replacements for those who decline or resigned until the first deliberation panel is completed.
4.9. The list of nominated members of the National Artist Award Council of Experts shall be
reviewed by the National Artist Award Secretariat as needed, for purposes of adding new
members or replacements.
4.10. The members of the National Artist Award Council of Experts shall serve for a fixed term of
three (3) years.
5. CRITERIA FOR SELECTION
The Order of National Artists shall be given to:
5.1 Living artists who are Filipino citizens at the time of nomination, as well as those who died
after the establishment of the award in 1972 but were Filipino citizens at the time of their death.
5.2 Artists who through the content and form of their works have contributed in building a Filipino
sense of nationhood.
5.3. Artists who have pioneered in a mode of creative expression or style, thus, earning
distinction and making an impact on succeeding generations of artists.
5.4. Artists who have created a substantial and significant body of works and/or consistently
displayed excellence in the practice of their art form thus enriching artistic expression or style.
5.5 Artists who enjoy broad acceptance through:
5.5.1. prestigious national and/or international recognition, such as the Gawad CCP Para
sa Sining, CCP Thirteen Artists Award and NCCA Alab ng Haraya
5.5.2. critical acclaim and/or reviews of their works

5.5.3. respect and esteem from peers.

6. NOMINATION PROCEDURE
6.1. The National Artist Award Secretariat shall announce the opening of nominations through
media releases and letters to qualified organizations.
6.2. Candidates may be nominated under one or more of the following categories:
6.2.1. Dance choreography, direction and/or performance.
6.2.2. Music composition, direction, and/or performance.
6.2.3. Theater direction, performance and/or production design.
6.2.4. Visual Arts painting, sculpture, printmaking, photography, installation art, mixed media
works, illustration, comics/komiks, graphic arts, performance art and/or imaging.
6.2.5. Literature poetry, fiction (short story, novel and play); non-fiction (essay, journalism,
literary criticism and historical literature).
6.2.6. Film and Broadcast Arts direction, writing, production design, cinematography, editing,
camera work, and/or performance.
6.2.7. Architecture, Design and Allied Arts architecture design, interior design, industrial arts
design, landscape architecture and fashion design.
6.3. Nominations for the Order of National Artists may be submitted by government and nongovernment cultural organizations and educational institutions, as well as private foundations
and councils.
6.4. Members of the Special Research Group, as well as agencies attached to the NCCA and
CCP shall not submit nominations.
6.5. NCCA and CCP Board members and consultants and NCCA and CCP officers and staff are
automatically disqualified from being nominated.
6.6. Nominations shall be accepted only when these are submitted in writing and with proper
supporting documentation, as follows:
6.6.1. A cover letter signed by the head or designated representative of the nominating
organization.
The cover letter shall be accompanied by a Board Resolution approving the nominee
concerned with the said resolution signed by the organization President and duly certified
by the Board Secretary.
6.6.2. A duly accomplished nomination form;
6.6.3. A detailed curriculum vitae of the nominee;
6.6.4. A list of the nominees significant works categorized according to the criteria;
6.6.5. The latest photograph (color or black and white) of the nominee, either 5" x 7" or 8"
x 11";
6.6.6. Pertinent information materials on the nominees significant works (on CDs, VCDs
and DVDs);
6.6.7. Copies of published reviews;
6.6.8. Any other document that may be required.
6.7. Nominations received beyond the announced deadline for the submission of nominations
shall not be considered.

6.8. The National Artist Award Secretariat shall announce the opening of nominations through
media releases.
6.9. All inquiries and nominations shall be submitted to
The NATIONAL ARTIST AWARD SECRETARIAT
Office of the Artistic Director Cultural Center of the Philippines Roxas Boulevard, 1300 Pasay City or
The NATIONAL ARTIST AWARD SECRETARIAT Office of the Deputy Executive Director National
Commission for Culture and the Arts 633 General Luna Street, Intramuros, Manila
7. SCREENING AND SELECTION PROCESS
7.1. The National Artist Award Secretariat shall pre-screen the nominees based on technical
guideline items 5.1, 6.2, 6.3, 6.4, 6.5 and 6.6. The pre-screening shall not be based on the
accomplishments and merits of the nominee.
7.2. The Special Research Group shall accomplish its task within six (6) months. The main
objective is to verify the validity of the data, and evaluate the quality, true value and significance
of works according to the criteria. It shall come up with the updated and comprehensive profiles
of nominees reflecting their most outstanding achievements.
7.3. The National Artist Award Secretariat will meet to review the list of nominees for oversights.
Consequently, deserving nominees shall be added to the list.
7.4. The first deliberation panel (Council of Experts) shall be intra-disciplinary. The panelists shall
be grouped according to their respective fields of expertise or disciplines to shortlist the
nominees in their disciplines or categories for presentation to the second deliberation panel.
7.5. The second deliberation panel shall be composed of a different set of experts from the first
deliberation panel three (3) experts each of the seven (7) areas/discipline and may include
members from varying backgrounds such as critics and academicians. The achievements of
each shortlisted nominee shall be presented by one designated member of Council of Experts.
Then panel deliberates and ranks the shortlisted nominees according to the order of precedence
following the set criteria of the Order of National Artists. In extreme cases, the Second
Deliberation may add new names to the lists.
7.6. The second deliberation panel may recommend not to give award in any category if no
nominee is found deserving. The number of awardees shall also depend on the availability of
funds. All decisions and recommendations shall be in writing.
7.7. The recommendations from the Second Deliberation Panel of the National Artist Award
Council of Experts shall then be presented to the joint boards of NCCA and CCP for final
selection. The presentors shall prepare their presentation in writing together with an audio-visual
presentation or powerpoint presentation. Written interpellations/opinions will be accepted from
selected critics. The review shall be based on the ranking done by the Second Deliberation. The
voting shall be across disciplines. The National Artists will be given the option whether to vote on
all categories or on his/her particular discipline.
7.8. Proxy votes will not be allowed in the Selection Process. Designation of permanent
representatives of agencies should be made at the outset to make them regular Board members
of NCCA and thus, may be allowed to cast votes.
7.9. The list of awardees shall be submitted to the President of the Republic of the Philippines for
confirmation, proclamation and conferral.
8. PRESENTATION OF THE AWARDS
8.1. The Order of National Artists shall not be conferred more frequently than every three (3)
years.
8.2. The Order of National Artists shall be conferred by the President of the Philippines on June
11 or any appropriate date in fitting ceremonies to be organized by the National Artist
Secretariat.

8.3. The medallion of the Order of National Artists and citation shall be given to the honoree
during the conferment ceremony. The cash award of P100,000.00 in cheque shall be given
immediately after the ceremony or at another time and place as requested by the honoree.
8.4. A posthumous conferral consisting of the medallion and citation shall be given to the family
or legal heir/s of the honoree. The cash award of P75,000.00 in cheque shall be given to the
honorees legal heir/s or a representative designated by the family immediately after the
ceremony or at another time and place as requested by the family. (Emphases supplied.)
In 1996, the NCCA and the CCP created a National Artist Award Secretariat composed of the NCCA Executive
Director as Chairperson, the CCP President as Vice-Chairperson, and the NCCA Deputy Executive Director, the
CCP Vice-President/Artistic Director, the NCCA National Artist Award Officer and the CCP National Artist Award
Officer as members. They also centralized with the NCCA all financial resources and management for the
administration of the National Artists Award. They added another layer to the selection process to involve and allow
the participation of more members of the arts and culture sector of the Philippines in the selection of who may be
proclaimed a National Artist.
On September 19, 2003, Executive Order No. 236, s. 2003, entitled Establishing the Honors Code of the Philippines
to Create an Order of Precedence of Honors Conferred and for Other Purposes, was issued. The National Artists
Award was renamed the Order of National Artists and raised to the level of a Cultural Order, fourth in precedence
among the orders and decorations that comprise the Honors of the Philippines. Executive Order No. 236, s. 2003,
recognizes the vital role of the NCCA and the CCP in identifying Filipinos who have made distinct contributions to
arts and letters and states that the National Artist recognition is conferred "upon the recommendation of the Cultural
Center of the Philippines and the National Commission for Culture and the Arts."12 Executive Order No. 236, s.
2003, further created a Committee on Honors to "assist the President in evaluating nominations for recipients of
Honors,"13 including the Order of National Artists, and presidential awards. The Committee on Honors has been
allowed to "authorize relevant department or government agencies to maintain Honors and/or Awards Committees
to process nominations for Honors and/or Presidential Awards."14 In this connection, Section 2.4(A) of the
Implementing Rules and Regulations15 of Executive Order No. 236, s. 2003, states:
2.4: Awards Committees
There shall be two types of awards committees: the Committee on Honors and the various awards committees in
the various units of the government service.
A. The Committee on Honors
The Committee on Honors serves as a National Awards Committee. It is composed of the following:
The Executive Secretary, Chairman
The Secretary of Foreign Affairs, Vice-Chairman
Head, Presidential Management Staff, member
Presidential Assistant for Historical Affairs, member
Chief of Presidential Protocol, member
Chief of Protocol, DFA, member
All nominations from the various awards committees must be submitted to the Committee on Honors via the
Chancellery of Philippine Orders and State Decorations. The Chancellery shall process nominations for the
consideration of the Committee on Honors. The Committee on Honors shall screen and recommend these
nominations to the President.
The Committee on Honors shall, as a general rule, serve as a screening committee to ensure that nominations
received from the various awards committees meet two tests: that there has not been an abuse of discretion in
making the nomination, and that the nominee is in good standing. Should a nomination meet these criteria, a
recommendation to the President for conferment shall be made.
The President of the Philippines takes the recommendations of the Committee on Honors in the highest
consideration when making the final decision on the conferment of awards. (Emphasis supplied.)
Executive Order No. 435, s. 2005, entitled Amending Section 5(IV) of Executive Order No. 236 Entitled "Establishing

the Honors Code of the Philippines to Create an Order of Precedence of Honors Conferred and for Other Purposes"
was subsequently issued on June 8, 2005. It amended the wording of Executive Order No. 236, s. 2003, on the
Order of National Artists and clarified that the NCCA and the CCP "shall advise the President on the conferment of
the Order of National Artists."
Controversy Surrounding the 2009
Order of National Artists
Petitioners alleged that on January 30, 2007, a joint meeting of the NCCA Board of Commissioners and the CCP
Board of Trustees was held to discuss, among others, the evaluation of the 2009 Order of National Artists and the
convening of the National Artist Award Secretariat. The nomination period was set for September 2007 to December
31, 2007, which was later extended to February 28, 2008. The pre-screening of nominations was held from January
to March 2008.16
On April 3, 2009, the First Deliberation Panel met.17 A total of 87 nominees18 were considered during the
deliberation and a preliminary shortlist19 of 32 names was compiled.
On April 23, 2009, the Second Deliberation Panel purportedly composed of an entirely new set of Council of Experts
met and shortlisted 13 out of the 32 names in the preliminary shortlist.20 On May 6, 2009, the final deliberation was
conducted by the 30-member Final Deliberation Panel comprised of the CCP Board of Trustees and the NCCA
Board of Commissioners and the living National Artists.21 From the 13 names in the second shortlist, a final list of
four names was agreed upon.22 The final list, according to rank, follows:
Name

Art Field/Category

Number of Votes

Manuel Conde (+)

Film and Broadcast Arts (Film)

26

Ramon Santos

Music

19

Lazaro Francisco (+)

Literature

15

Federico Aguilar-Alcuaz

Visual Arts

15

On May 6, 2009, a letter, signed jointly by the Chairperson of the NCCA, Undersecretary Vilma Labrador, and the
President and Artistic Director of the CCP, Mr. Nestor Jardin, was sent to the President.23 The letter stated, thus:
May 6, 2009
Her Excellency GLORIA MACAPAGAL-ARROYO
President of the Philippines
Malacaan Palace, Manila
Subject: 2009 Order of National Artist Awardees
Dear President Arroyo:
We are respectfully submitting a recommendation of the NCCA Board of Trustees and CCP Board of
Trustees for the Proclamation of the following as 2009 Order of National Artists:
1. Mr. MANUEL CONDE+ (Posthumous) Film and Broadcast Arts
2. Dr. RAMON SANTOS Music
3. Mr. LAZARO FRANCISCO+ (Posthumous) Literature
4. Mr. FEDERICO AGUILAR-ALCUAZ Visual Arts
The above persons were identified by experts in the various fields of arts and culture, including living
National Artists. An intensive selection process was observed following established practice. In the
past, awards were presented by the President at a Ceremony held at the Malacaan Palace followed
by a program called "Parangal" at the Cultural Center of the Philippines. We also propose to continue
with past practice of celebrating the life and works of the four (4) Order of National Artists through an
exhibit that will open and a commemorative publication that will be released on the day of the
proclamation.

We respectfully suggest, subject to Her Excellencys availability, that the Proclamation be on June 11,
2009, if possible at the Malacaan Palace.
Thank you for your kind attention.
Very respectfully yours,
(Sgd.)
VILMA L. LABRADOR
Chairman
National Commission for Culture and the Arts
(Sgd.)
NESTOR O. JARDIN
President and Artistic Director
Cultural Center of the Philippines24
According to respondents, the aforementioned letter was referred by the Office of the President to the Committee on
Honors. Meanwhile, the Office of the President allegedly received nominations from various sectors, cultural groups
and individuals strongly endorsing private respondents Cecile Guidote-Alvarez, Carlo Magno Jose Caparas,
Francisco Maosa and Jose Moreno. The Committee on Honors purportedly processed these nominations and
invited resource persons to validate the qualifications and credentials of the nominees.25
The Committee on Honors thereafter submitted a memorandum to then President Gloria Macapagal-Arroyo
recommending the conferment of the Order of National Artists on the four recommendees of the NCCA and the CCP
Boards, as well as on private respondents Guidote-Alvarez, Caparas, Maosa and Moreno. Acting on this
recommendation, Proclamation No. 1823 declaring Manuel Conde a National Artist was issued on June 30, 2009.
Subsequently, on July 6, 2009, Proclamation Nos. 1824 to 1829 were issued declaring Lazaro Francisco, Federico
AguilarAlcuaz and private respondents Guidote-Alvarez, Caparas, Maosa and Moreno, respectively, as National
Artists. This was subsequently announced to the public by then Executive Secretary Eduardo Ermita on July 29,
2009.26
Convinced that, by law, it is the exclusive province of the NCCA Board of Commissioners and the CCP Board of
Trustees to select those who will be conferred the Order of National Artists and to set the standard for entry into that
select group, petitioners instituted this petition for prohibition, certiorari and injunction (with prayer for restraining
order) praying that the Order of National Artists be conferred on Dr. Santos and that the conferment of the Order of
National Artists on respondents Guidote-Alvarez, Caparas, Maosa and Moreno be enjoined and declared to have
been rendered in grave abuse of discretion.27
In a Resolution28 dated August 25, 2009, the Court issued a status quo order29 enjoining "public respondents" "from
conferring the rank and title of the Order of National Artists on private respondents; from releasing the cash awards
that accompany such conferment and recognition; and from holding the acknowledgment ceremonies for recognition
of the private respondents as National Artists."
What is the nature and scope of the power of the President to confer the Order of the National Artists and how
should it be exercised? This is the essential issue presented in this case. It will determine whether the proclamation
of respondents as National Artists is valid. Preliminary procedural issues on the standing of the petitioners and the
propriety of the remedies taken,30 however, call for resolution as a prerequisite to the discussion of the main
question.
Contention of the Parties
A perusal of the pleadings submitted by the petitioners reveals that they are an aggrupation of at least three groups,
the National Artists, cultural workers and academics, and the Concerned Artists of the Philippines (CAP). The
National Artists assert an "actual as well as legal interest in maintaining the reputation of the Order of National
Artists."31 In particular, they invoke their right to due process not to have the honor they have been conferred with
diminished by the irregular and questionable conferment of the award on respondents Guidote-Alvarez, Caparas,
Maosa and Moreno. For petitioners, this would adversely affect their right to live a meaningful life as it detracts not
only from their right to enjoy their honor as a fruit of their lifelong labor but also from the respect of their peers.32
The cultural workers, academics and CAP claim to be Filipinos who are deeply concerned with the preservation of
the countrys rich cultural and artistic heritage. As taxpayers, they are concerned about the use of public monies for
illegal appointments or spurious acts of discretion.33

All of the petitioners claim that former President Macapagal-Arroyo gravely abused her discretion in disregarding the
results of the rigorous screening and selection process for the Order of National Artists and in substituting her own
choice for those of the Deliberation Panels. According to petitioners, the Presidents discretion to name National
Artists is not absolute but limited. In particular, her discretion on the matter cannot be exercised in the absence of or
against the recommendation of the NCCA and the CCP. In adding the names of respondents Caparas, GuidoteAlvarez, Maosa and Moreno while dropping Dr. Santos from the list of conferees, the Presidents own choices
constituted the majority of the awardees in utter disregard of the choices of the NCCA and the CCP and the arts and
culture community which were arrived at after a long and rigorous process of screening and deliberation. Moreover,
the name of Dr. Santos as National Artist for Music was deleted from the final list submitted by the NCCA and the
CCP Boards without clearly indicating the basis thereof. For petitioners, the Presidents discretion to name National
Artists cannot be exercised to defeat the recommendations made by the CCP and NCCA Boards after a long and
rigorous screening process and with the benefit of expertise and experience. The addition of four names to the final
list submitted by the Boards of the CCP and the NCCA and the deletion of one name from the said list constituted a
substitution of judgment by the President and a unilateral reconsideration without clear justification of the decision of
the First, Second and Final Deliberation Panels composed of experts.34
Petitioners further argue that the choice of respondent GuidoteAlvarez was illegal and unethical because, as the
then Executive Director of the NCCA and presidential adviser on culture and arts, she was disqualified from even
being nominated.35 Moreover, such action on the part of the former President constituted grave abuse of discretion
as it gave preferential treatment to respondent Guidote-Alvarez by naming the latter a National Artist despite her not
having been nominated and, thus, not subjected to the screening process provided by the rules for selection to the
Order of National Artists. Her inclusion in the list by the President represented a clear and manifest favor given by
the President in that she was exempted from the process that all other artists have to undergo. According to
petitioners, it may be said that the President used a different procedure to qualify respondent Guidote-Alvarez. This
was clearly grave abuse of discretion for being manifest and undue bias violative of the equal protection clause.36
Respondent Caparas refutes the contention of the petitioning National Artists and insists that there could be no
prejudice to the latter. They remain to be National Artists and continue to receive the emoluments, benefits and
other privileges pertaining to them by virtue of that honor. On the other hand, all the other petitioners failed to show
any material and personal injury or harm caused to them by the conferment of the Order of National Artists on
respondents Guidote-Alvarez, Caparas, Maosa and Moreno. The rule on standing may not be relaxed in favor of
the petitioners as no question of constitutionality has been raised and no issue of transcendental importance is
involved.37
Respondent Caparas further argues that the remedies of prohibition and injunction are improper as the act sought to
be enjoined the declaration of respondents Guidote-Alvarez, Caparas, Maosa and Moreno as National Artists
had already been consummated. In particular, respondent Caparas was already proclaimed National Artist through
Proclamation No. 1827 issued on July 6, 2009.38
On the merits, respondent Caparas contends that no grave abuse of discretion attended his proclamation as
National Artist. The former President considered the respective recommendations of the NCCA and the CCP Boards
and of the Committee on Honors in eventually declaring him (Caparas) as National Artist. The function of the NCCA
and the CCP Boards is simply to advise the President. The award of the Order of National Artists is the exclusive
prerogative of the President who is not bound in any way by the recommendation of the NCCA and the CCP Boards.
The implementing rules and regulations or guidelines of the NCCA cannot restrict or limit the exclusive power of the
President to select the recipients of the Order of National Artists.39
For her part, in a letter40 dated March 11, 2010, respondent Guidote-Alvarez manifested that she was waiving her
right to file her comment on the petition and submitted herself to the Courts discretion and wisdom.
Respondent Maosa manifested that his creations speak for themselves as his contribution to Filipino cultural
heritage and his worthiness to receive the award. Nonetheless, he expressed his conviction that the Order of
National Artists is not a right but a privilege that he would willingly relinquish should he be found not worthy of it.41
Respondent Moreno did not file any pleading despite being given several opportunities to do so. Hence, the Court
dispensed with his pleadings.42
In a Resolution dated July 12, 2011, this Court gave due course to the petition and required the parties to file their
respective memoranda.43 Respondent Caparas filed his memorandum on September 8, 2011,44 the CCP filed its
memorandum on September 19, 2011,45 respondent Maosa on September 20, 2011,46 and the Office of the
Solicitor General filed a manifestation stating that it is adopting its comment as its memorandum on September 21,
2011.47 Respondent Moreno failed to file a Memorandum, hence, the Court resolved to dispense with the same.48

Petitioners filed their Memorandum on May 14, 2012.49

On the other hand, the original position of the Office of the Solicitor General (OSG) was similar to that of respondent
Caparas.50 In a subsequent manifestation,51 however, the OSG stated that the current Board of Commissioners of
the NCCA agree with the petitioners that the President cannot honor as a National Artist one who was not
recommended by the joint Boards of the NCCA and the CCP. The implementing rules and regulations of Executive
Order No. 236, s. 2003, recognized the binding character of the recommendation of the NCCA and the CCP Boards
and limited the authority of the Committee on Honors to the determination that (1) there has been no grave abuse of
discretion on the part of the NCCA and the CCP Boards in making the nomination, and (2) the nominee is in good
standing. Where a nomination meets the said two criteria, a recommendation to the President to confer the award
shall be made.52
The OSG further argued that, while the President exercises control over the NCCA and the CCP, the President has
the duty to faithfully execute the laws, including the NCCA-CCP guidelines for selection of National Artists and the
implementing rules of Executive Order No. 236, s. 2003. Moreover, the laws recognize the expertise of the NCCA
and the CCP in the arts and tasked them to screen and select the artists to be conferred the Order of National
Artists. Their mandate is clear and exclusive as no other agency possesses such expertise.53
The OSG also assailed the former Presidents choice of respondent Guidote-Alvarez for being contrary to Republic
Act No. 7356.54 Section 11 of the said law provides:
Sec. 11. Membership Restrictions. During his/her term as member of the Commission, a Commissioner shall not
be eligible for any grant, or such other financial aid from the Commission as an individual: Provided, however, That
he/she may compete for grants and awards on the same level as other artists one (1) year after his/her term shall
have expired.
The omission of the word "award" in the first portion of the above provision appears to be unintentional as shown by
the proviso which states that a member may compete for grants and awards only one year after his or her term shall
have expired. As such, respondent Guidote-Alvarez is restricted and disqualified from being conferred the 2009
Order of National Artists.55
The Courts Ruling
Standing of the Petitioners
Standing is the determination of whether a specific person is the proper party to bring a matter to the court for
adjudication.56 The gist of the question of standing is whether a party alleges such personal stake in the outcome of
the controversy as to assure that concrete adverseness which sharpens the presentation of issues upon which the
court depends for illumination of difficult constitutional questions.57
The parties who assail the constitutionality or legality of a statute or an official act must have a direct and personal
interest. They must show not only that the law or any governmental act is invalid, but also that they sustained or are
in immediate danger of sustaining some direct injury as a result of its enforcement, and not merely that they suffer
thereby in some indefinite way. They must show that they have been or are about to be denied some right or
privilege to which they are lawfully entitled or that they are about to be subjected to some burdens or penalties by
reason of the statute or act complained of.58
In this case, we find that the petitioning National Artists will be denied some right or privilege to which they are
entitled as members of the Order of National Artists as a result of the conferment of the award on respondents
Guidote-Alvarez, Caparas, Maosa and Moreno. In particular, they will be denied the privilege of exclusive
membership in the Order of National Artists.
In accordance with Section 2(a)59 of Executive Order No. 236, s. 2003, the Order of National Artists is "an exclusive
association of honored individuals." To ensure the exclusivity of the membership in the Order, a rigid nomination and
screening process has been established with different sets of renowned artists and respected art critics invited to sit
as the Council of Experts for the First and Second Deliberation Panels. Moreover, all living National Artists are given
a voice on who should be included in their exclusive club as they automatically become members of the Final
Deliberation Panel that will vote on who should be included in the final list to be submitted to the President for
conferment of the Order of National Artists. To allow the untrammeled discretion and authority of the President to
confer the Order of National Artists without regard to the stringent screening and rigorous selection process
established by the NCCA and the CCP will diminish, if not negate, the exclusive nature of the said Order. It will
unduly subject the selection and conferment of the Order of National Artists to politics rather than to principles and
procedures. It will subvert the transparent and rigorous process and allow entry to the exclusive Order of National

Artists through a secret backdoor of lobbying, back channeling and political accommodation.
Among the other petitioners, Prof. Gemino Abad presents a unique valid personal and substantial interest. Like
respondents Caparas, Maosa and Moreno, he was among the 87 nominees for the 2009 Order of National Artists.
Like respondent Moreno, he made it to the preliminary shortlist. As he did not make it to the second shortlist, he was
not considered by the Final Deliberation Panel, more so by the former President.
It should be recalled too that respondent Guidote-Alvarez was disqualified to be nominated for being the Executive
Director of the NCCA at that time while respondents Maosa and Caparas did not make it to the preliminary shortlist
and respondent Moreno was not included in the second shortlist. Yet, the four of them were treated differently and
considered favorably when they were exempted from the rigorous screening process of the NCCA and the CCP and
conferred the Order of National Artists. The Committee on Honors and the former President effectively treated
respondents Guidote-Alvarez, Caparas, Maosa and Moreno as a preferred class. The special treatment accorded
to respondents Guidote-Alvarez, Caparas, Maosa and Moreno fails to pass rational scrutiny.60 No real and
substantial distinction between respondents and petitioner Abad has been shown that would justify deviating from
the laws, guidelines and established procedures, and placing respondents in an exceptional position. The undue
classification was not germane to the purpose of the law. Instead, it contradicted the law and well-established
guidelines, rules and regulations meant to carry the law into effect. While petitioner Abad cannot claim entitlement to
the Order of National Artists,61 he is entitled to be given an equal opportunity to vie for that honor. In view of the
foregoing, there was a violation of petitioner Abads right to equal protection, an interest that is substantial enough to
confer him standing in this case.
As regards the other concerned artists and academics as well as the CAP, their claim of deep concern for the
preservation of the countrys rich cultural and artistic heritage, while laudable, falls short of the injury in fact
requirement of standing. Their assertion constitutes a generalized grievance shared in a substantially equal
measure by all or a large class of citizens.62 Nor can they take refuge in their status as taxpayers as the case does
not involve any illegal appropriation or taxation. A taxpayers suit is proper only when there is an exercise of the
spending or taxing power of the Congress.63
Nonetheless, as a reading of the petition shows that it has advanced an issue which deserves the attention of this
Court in view of its seriousness, novelty and weight as precedent, it behooves the Court to relax the rules on
standing and to resolve the issue presented before it.64 Moreover, this issue is of paramount interest,65 which
further justifies a liberal stance on standing.
Propriety of the Remedies
The present action is a petition for prohibition, certiorari, injunction, restraining order and all other legal, just and
equitable reliefs.
It has been held that the remedies of prohibition and injunction are preventive and, as such, cannot be availed of to
restrain an act that is already fait accompli.66 Where the act sought to be prohibited or enjoined has already been
accomplished or consummated, prohibition or injunction becomes moot.67
Nevertheless, even if the principal issue is already moot, this Court may still resolve its merits for the future
guidance of both bench and bar. Courts will decide a question otherwise moot and academic if it is "capable of
repetition, yet evading review."68
It is an opportune time for the Court to assert its role as republican schoolmaster,69 a teacher in a vital national
seminar.70 There are times when the controversy is of such character that, to prevent its recurrence and to assure
respect for constitutional limitations, this Court must pass on the merits of a case.71 This is one such case. More
than being a teaching moment, this is not the first time that the Order of National Artists was conferred in the
manner that is being assailed in this case.72 If not addressed here and now, there is great probability that the central
question involved in this case will haunt us again in the future. Every President may invoke absolute presidential
prerogative and thrust upon us National Artists after his or her own heart, in total disregard of the advise of the CCP
and the NCCA and the voice of the community of artists, resulting to repeated episodes of indignation and uproar
from the artists and the public.
Furthermore, if not corrected, such an act would give rise to mischief and dangerous precedent whereby those in
the corridors of power could avoid judicial intervention and review by merely speedily and stealthily completing the
commission of an illegality.73
In any event, the present petition is also for certiorari and there is no procedural bar for the Court to pass upon the

question of whether the proclamations of respondents Guidote-Alvarez, Caparas, Maosa and Moreno as National
Artists were attended by grave abuse of presidential discretion.
Limits of the Presidents Discretion
The respective powers of the CCP Board of Trustees and of the NCCA Board of Commissioners with respect to the
conferment of the Order of National Artists are clear. They jointly administer the said award and, upon their
recommendation or advice, the President confers the Order of National Artists.
To "recommend" and to "advise" are synonymous. To "recommend" is "to advise or counsel."74 To "advise" is "to
give an opinion or counsel, or recommend a plan or course of action; also to give notice. To encourage, inform or
acquaint."75 "Advise" imports that it is discretionary or optional with the person addressed whether he will act on
such advice or not.76 This has been clearly explained in Cojuangco, Jr. v. Atty. Palma77:
The "power to recommend" includes the power to give "advice, exhortation or indorsement, which is essentially
persuasive in character, not binding upon the party to whom it is made." (Emphasis supplied.)
Thus, in the matter of the conferment of the Order of National Artists, the President may or may not adopt the
recommendation or advice of the NCCA and the CCP Boards. In other words, the advice of the NCCA and the CCP
is subject to the Presidents discretion.
Nevertheless, the Presidents discretion on the matter is not totally unfettered, nor the role of the NCCA and the
CCP Boards meaningless.
Discretion is not a free-spirited stallion that runs and roams wherever it pleases but is reined in to keep it from
straying. In its classic formulation, "discretion is not unconfined and vagrant" but "canalized within banks that keep it
from overflowing."78
The Presidents power must be exercised in accordance with existing laws. Section 17, Article VII of the Constitution
prescribes faithful execution of the laws by the President:
Sec. 17. The President shall have control of all the executive departments, bureaus and offices. He shall ensure that
the laws be faithfully executed. (Emphasis supplied.)
The Presidents discretion in the conferment of the Order of National Artists should be exercised in accordance with
the duty to faithfully execute the relevant laws. The faithful execution clause is best construed as an obligation
imposed on the President, not a separate grant of power.79 It simply underscores the rule of law and, corollarily, the
cardinal principle that the President is not above the laws but is obliged to obey and execute them.80 This is
precisely why the law provides that "administrative or executive acts, orders and regulations shall be valid only when
they are not contrary to the laws or the Constitution."81
In this connection, the powers granted to the NCCA and the CCP Boards in connection with the conferment of the
Order of National Artists by executive issuances were institutionalized by two laws, namely, Presidential Decree No.
208 dated June 7, 1973 and Republic Act No. 7356. In particular, Proclamation No. 1144 dated May 15, 1973
constituted the CCP Board as the National Artists Awards Committee and tasked it to "administer the conferment of
the category of National Artist" upon deserving Filipino artists with the mandate to "draft the rules to guide its
deliberations in the choice of National Artists":
Proclamation No. 1001 dated April 27, 1972, creating the Award and Decoration of National Artist, is hereby
amended by creating a National Artists Awards Committee, hereinafter to administer the conferment of the category
of National Artist upon those deserving thereof. The Committee, which shall be composed of members of the Board
of Trustees of the Cultural Center of the Philippines, shall organize itself immediately and shall draft the rules to
guide its deliberations in the choice of National Artists, to the end that those who have created a body of work in the
arts and in letters capable of withstanding the test of time will be so recognized. (Emphases supplied.)
The authority of the CCP Board of Trustees as National Artists Awards Committee was reiterated in Presidential
Decree No. 208 dated June 7, 1973.
The function of the CCP Board of Trustees as National Artists Awards Committee has been recognized under
Republic Act No. 7356:
Sec. 18. The National Cultural Agencies. The [NCCA] shall coordinate with the national cultural agencies including
but not limited to the Cultural Center of the Philippines, the Institute of Philippine Languages, the National Historical
Institute, the National Library, the National Museum, the Records Management and Archives Office. However, they

shall continue operating under their respective charters or as provided by law where provisions therein are not
inconsistent with the provisions of this Act. They shall serve as the national repository and/or showcase, as the case
may be, of the best of Philippine culture and arts. For this purpose, these agencies shall submit periodic reports,
including recommendations to the [NCCA]. (Emphasis supplied.)
On the other hand, the NCCA has been given the following mandate in connection with the conferment of cultural or
arts awards:
Sec. 12. Mandate. The Commission is hereby mandated to formulate and implement policies and plans in
accordance with the principles stated in Title 1 of this Act.
(a) To encourage the continuing and balanced development of a pluralistic culture by the people themselves,
it shall:
xxxx
(4) extend recognition of artistic achievement through awards, grants and services to artists and cultural
groups which contribute significantly to the Filipinos cultural legacy;
xxxx
Sec. 13. Powers and Functions. To carry out its mandate, the Commission shall exercise the following
powers and functions:
xxxx
(j) advise the President on matters pertaining to culture and the arts, including the creation of a special
decoration or award, for persons who have significantly contributed to the development and promotion of
Philippine culture and arts;
(k) promulgate rules, regulations and undertake any and all measures as may be necessary to implement this
Act. (Emphases supplied.)
By virtue of their respective statutory mandates in connection with the conferment of the National Artist Award, the
NCCA and the CCP decided to work together and jointly administer the National Artist Award. They reviewed the
guidelines for the nomination, selection and administration of the National Artist Award, created a National Artist
Award Secretariat, centralized all financial resources and management for the administration of the National Artist
Award, and added another layer to the selection process so that more members of the arts and culture sector of the
Philippines may be involved and participate in the selection of National Artists.
We have held that an administrative regulation adopted pursuant to law has the force and effect of law.82 Thus, the
rules, guidelines and policies regarding the Order of National Artists jointly issued by the CCP Board of Trustees and
the NCCA pursuant to their respective statutory mandates have the force and effect of law. Until set aside, they are
binding upon executive and administrative agencies,83 including the President himself/herself as chief executor of
laws. In this connection, Section 2.5(A) of the Implementing Rules and Regulations84 of Executive Order No. 236, s.
2003 provides:
2.5: General Guidelines for Awards Committees
A. National Orders of Cultural and Scientific Merit
The existing modalities of the NCCA for selecting recipients for the Order of National Artists, and the Gawad sa
Manlilikha ng Bayan, and of the NAST for selecting recipients of the Order of National Scientists, shall remain in
force. (Emphases supplied.)
Section 2.4(A) of the same implementing rules further states:
2.4: Awards Committees
There shall be two types of awards committees: the Committee on Honors and the various awards committees in
the various units of the government service.
A. The Committee on Honors
The Committee on Honors serves as a National Awards Committee. It is composed of the following:

The Executive Secretary, Chairman

The Secretary of Foreign Affairs, Vice-Chairman
Head, Presidential Management Staff, member
Presidential Assistant for Historical Affairs, member
Chief of Presidential Protocol, member
Chief of Protocol, DFA, member
All nominations from the various awards committees must be submitted to the Committee on Honors via the
Chancellery of Philippine Orders and State Decorations. The Chancellery shall process nominations for the
consideration of the Committee on Honors. The Committee on Honors shall screen and recommend these
nominations to the President.
The Committee on Honors shall, as a general rule, serve as a screening committee to ensure that nominations
received from the various awards committees meet two tests: that there has not been an abuse of discretion in
making the nomination, and that the nominee is in good standing. Should a nomination meet these criteria, a
recommendation to the President for conferment shall be made.
The President of the Philippines takes the recommendations of the Committee on Honors in the highest
consideration when making the final decision on the conferment of awards. (Emphasis supplied.)
Pursuant to the above provision of the implementing rules of Executive Order No. 236, s. 2003, the authority of the
Committee on Honors is limited to determining whether the nominations submitted by a particular awards
committee, in this case, the joint NCCA and CCP Boards, have been tainted by abuse of discretion, and whether the
nominees are in good standing. Should the nominations meet these two criteria, the Committee on Honors shall
make a recommendation to the President for conferment of the Order of National Artists.
In view of the various stages of deliberation in the selection process and as a consequence of his/her duty to
faithfully enforce the relevant laws, the discretion of the President in the matter of the Order of National Artists is
confined to the names submitted to him/her by the NCCA and the CCP Boards. This means that the President could
not have considered conferment of the Order of National Artists on any person not considered and recommended by
the NCCA and the CCP Boards. That is the proper import of the provision of Executive Order No. 435, s. 2005, that
the NCCA and the CCP "shall advise the President on the conferment of the Order of National Artists." Applying this
to the instant case, the former President could not have properly considered respondents Guidote-Alvarez, Caparas,
Maosa and Moreno, as their names were not recommended by the NCCA and the CCP Boards. Otherwise, not
only will the stringent selection and meticulous screening process be rendered futile, the respective mandates of the
NCCA and the CCP Board of Trustees under relevant laws to administer the conferment of Order of National Artists,
draft the rules and regulations to guide its deliberations, formulate and implement policies and plans, and undertake
any and all necessary measures in that regard will also become meaningless.
Furthermore, with respect to respondent Guidote-Alvarez who was the Executive Director of the NCCA at that time,
the Guidelines expressly provides:
6.5 NCCA and CCP Board members and consultants and NCCA and CCP officers and staff are automatically
disqualified from being nominated.85
Respondent Guidote-Alvarez could not have even been nominated, hence, she was not qualified to be considered
and conferred the Order of National Artists at that time. The Presidents discretion on the matter does not extend to
removing a legal impediment or overriding a legal restriction.
From the foregoing, the advice or recommendation of the NCCA and the CCP Boards as to the conferment of the
Order of National Artists on Conde, Dr. Santos, Francisco and Alcuaz was not binding on the former President but
only discretionary or optional for her whether or not to act on such advice or recommendation. Also, by virtue of the
power of control, the President had the authority to alter or modify or nullify or set aside such recommendation or
advice. It was well within the Presidents power and discretion to proclaim all, or some or even none of the
recommendees of the CCP and the NCCA Boards, without having to justify his or her action. Thus, the exclusion of
Santos did not constitute grave abuse of discretion on the part of the former President.
The conferment of the Order of National Artists on respondents Guidote-Alvarez, Caparas, Maosa and Moreno
was an entirely different matter.

There is grave abuse of discretion when an act is (1) done contrary to the Constitution, the law or jurisprudence or
(2) executed whimsically, capriciously or arbitrarily, out of malice, ill will or personal bias.86
There was a violation of the equal protection clause of the Constitution87 when the former President gave
preferential treatment to respondents Guidote-Alvarez, Caparas, Maosa and Moreno. The former Presidents
constitutional duty to faithfully execute the laws and observe the rules, guidelines and policies of the NCCA and the
CCP as to the selection of the nominees for conferment of the Order of National Artists proscribed her from having a
free and uninhibited hand in the conferment of the said award. The manifest disregard of the rules, guidelines and
processes of the NCCA and the CCP was an arbitrary act that unduly favored respondents Guidote-Alvarez,
Caparas, Maosa and Moreno. The conferment of the Order of National Artists on said respondents was therefore
made with grave abuse of discretion and should be set aside.
1wphi1

While the Court invalidates today the proclamation of respondents Guidote-Alvarez, Caparas, Maosa and Moreno
as National Artists, such action should not be taken as a pronouncement on whether they are worthy to be conferred
that honor. Only the President, upon the advise of the NCCA and the CCP Boards, may determine that. The Court
simply declares that, as the former President committed grave abuse of discretion in issuing Proclamation Nos.
1826 to 1829 dated July 6, 2009, the said proclamations are invalid. However, nothing in this Decision should be
read as a disqualification on the part of respondents Guidote-Alvarez, Caparas, Maosa and Moreno to be
considered for the honor of National Artist in the future, subject to compliance with the laws, rules and regulations
governing said award.
WHEREFORE, the petition is hereby GRANTED in PART. Proclamation Nos. 1826 to 1829 dated July 6, 2009
proclaiming respondents Cecile Guidote-Alvarez, Carlo Magno Jose Caparas, Francisco Maosa, and Jose Moreno,
respectively, as National Artists are declared INVALID and
SET ASIDE for having been issued with grave abuse of discretion.
SO ORDERED.
TERESITA J. LEONARDO-DE CASTRO
Associate Justice
WE CONCUR:
MARIA LOURDES P. A. SERENO
Chief Justice
ANTONIO T. CARPIO
Associate Justice

PRESBITERO J. VELASCO, JR.

Associate Justice

(On leave)
ARTURO D. BRION*
Associate Justice

DIOSDADO M. PERALTA
Associate Justice

LUCAS P. BERSAMIN
Associate Justice

(no part)
MARIANO C. DEL CASTILLO**
Associate Justice

ROBERTO A. ABAD
Associate Justice

MARTIN S. VILLARAMA, JR.

Associate Justice

JOSE PORTUGAL PEREZ

Associate Justice

JOSE CATRAL MENDOZA

Associate Justice

BIENVENIDO L. REYES
Associate Justice

ESTELA M. PERLAS-BERNABE
Associate Justice

MARVIC MARIO VICTOR F. LEONEN

Associate Justice
CERTIFICATION