Ρυθμίσεις Σκαφών Κωπηλασίας
Ρυθμίσεις Σκαφών Κωπηλασίας
Ρυθμίσεις Σκαφών Κωπηλασίας
com
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The Nuts and Bolts Guide to Rigging
10th Anniversary Edition
One Hundred and Fifty Steps to Help You Get the Most from the
Rigging of Your Rowing Equipment
All rights reserved. No part of this book may be reproduced in any form
without our written permission except in the case of brief quotations in
critical articles and reviews. Copying any part of this book for any pur-
pose other than your own personal use is a violation of U.S. copyright
law. We’re struggling artists, please give us a break.
This book is sold as is, without warranty of any kind, either expressed or
implied, respecting the contents of this book, including but not limited to
implied warranties for the book’s quality, performance, or fitness for any
purpose. Neither the author, illustrator, or any other person or entity in-
volved with this book shall be liable to the purchaser with respect to li-
ability, loss, or damage caused or alleged to have been caused directly or
indirectly by this book.
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Once again, for Tracy . . .
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TABLE OF CONTENTS
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7.3 RIGGING NUMBERS OF THE FOOT STRETCHER ............................................. 138
7.4 RIGGING NUMBERS OF THE OAR .................................................................... 139
7.5 RIGGING NUMBERS OF THE RIGGER............................................................... 141
7.6 RIGGING NUMBERS OF THE SHELL ................................................................. 143
7.7 MISCELLANEOUS NUMBERS ............................................................................ 144
CHAPTER EIGHT: THE ARCS ............................................................................... 168
8.1 RIGGING AND THE ARCS .................................................................................. 169
8.2 OUTSIDE ARC .................................................................................................... 170
8.3 INSIDE ARC ........................................................................................................ 173
8.4 IMPORTANCE OF ARC ....................................................................................... 174
CHAPTER NINE: LEVERAGE ................................................................................ 175
9.1 LEVERAGE AND THE BALANCING ACT .......................................................... 176
9.2 THE FOUR DIMENSIONS (NOT A ROCK GROUP) ............................................ 179
9.3 LEVERAGE AND THE ARCS (NOT A ROCK GROUP EITHER)......................... 183
9.4 SLIPPAGE............................................................................................................ 184
CHAPTER TEN: RIGGER PITCH .......................................................................... 204
10.1 TYPES OF PITCH .............................................................................................. 204
10.2 WHERE PITCH COMES FROM ......................................................................... 205
10.3 IMPORTANCE OF PITCH .................................................................................. 208
10.4 PITCH PROBLEMS ............................................................................................ 209
CHAPTER ELEVEN: RIGGER HEIGHT .............................................................. 225
11.1 THE ZONES....................................................................................................... 226
11.2 BITS AND PIECES ............................................................................................. 228
11.3 WHEN TO ADJUST? ......................................................................................... 230
11.4 GENERIC VS. BRAND NAME ........................................................................... 231
CHAPTER TWELVE: WORK-THRU ..................................................................... 243
12.1 WHY PLACE THE ARCS CORRECTLY? .......................................................... 243
12.2 WAYS TO LOCATE THE ARCS ........................................................................ 246
12.3 FINE-TUNING THE FORE AND AFT LOCATION OF THE ARCS .................... 247
CHAPTER THIRTEEN: THE MINOR ADJUSTMENTS..................................... 271
13.1 FOOT STRETCHERS ......................................................................................... 271
13.2 OARS ................................................................................................................. 273
13.3 SHELL ............................................................................................................... 274
13.4 STIFFNESS ........................................................................................................ 274
CHAPTER FOURTEEN: PUTTING IT ALL TOGETHER.................................. 289
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CHAPTER SIXTEEN: THIS, THAT, AND TRICKS ............................................. 327
CREDITS...................................................................................................................... 426
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JOBS INDEX
CHAPTER 1 USING THIS BOOK
JOB 1.1 How To Complete A Job 30
CHAPTER 3 KARMA OF TOOLS
JOB 3.1 How To Buy Your Tools 81
JOB 3.2 What Tools To Buy 82
JOB 3.3 Taking Care Of Your Investment 86
CHAPTER 5 SAFTEY
JOB 5.1 Getting More Common Sense 112
JOB 5.2 How Safe Should You Be? 113
CHAPTER 6 YOUR RIGGING ENVIRONMENT
JOB 6.1 Creating A Positive Rigging Envi- 120
ronment
JOB 6.2 Creating A Safe Rigging Environ- 123
ment
JOB 6.3 Assessing The Impact Of The Envi- 126
ronment On Your Rigging
JOB 6.4 Being An Eco-Rigger 128
CHAPTER 7 FIRST STEPS OF RIGGING
JOB 7.1 Determining That You Need To Rig 149
JOB 7.2 Determining Your Equipment Spe- 151
cifics
JOB 7.3 Preparing To Rig 159
JOB 7.4 Slinging A Boat 160
JOB 7.5 Riggers On And Off 162
JOB 7.6 Seat Assembly In And Out 166
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CHAPTER 9 LEVERAGE
JOB 9.1 Measuring Blade Surface Area, Oar 191
Length, Inboard, Spread
JOB 9.2 Adjusting The Blade Surface Area 199
And Oar Length
JOB 9.3 Adjusting The Inboard 202
JOB 9.4 Adjusting The Spread Or Span 203
JOB 9.5 Finding Your Rigging (Leverage) 204
Numbers
CHAPTER 10 PITCH
JOB 10.1 Using A Pitch Meter 213
JOB 10.2 How To Measure Your Stern Pitch 216
JOB 10.3 How To Measure Your Outward 224
Pitch
JOB 10.4 How To Adjust Your Pitch 226
JOB 10.5 Finding Your Pitch Numbers 226
CHAPTER 11 HEIGHT
JOB 11.1 Measuring The Oarlock Height 236
JOB 11.2 Adjusting Your Sweep Heights 240
JOB 11.3 Determining Your Height Numbers 241
CHAPTER 12 WORK-THRU
JOB 12.1 How To Measure Your Work- 257
Thru
JOB 12.2 How To Adjust Your Work- 259
Thru
JOB 12.3A How To Adjust The Foot 264
Stretchers
JOB 12.3B How To Measure And Mark 267
Catch Length
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JOB 12.3C Measuring And Marking Catch 269
Angle
JOB 12.4 Determining Your Stroke Length 271
JOB 12.5 Choosing Your Work-Thru, 273
Catch Length And Catch Angle
Numbers
CHAPTER 13 MINOR ADJUSTMENTS
JOB 13.1 Minor Foot Stretcher Adjustments 280
JOB 13.2 Measuring Oar Deflection (Stiff- 286
ness)
JOB 13.3 Determining Weight Classification 288
Of Shell
JOB 13.4 Measuring Shell Stiffness 289
CHAPTER 14 PUTTING IT ALL TOGETHER
JOB 14.1 The Complete Rig Job 293
CHAPTER 15 YOUR RIGGING NUMBERS
JOB 15.1 Rigging Numbers For First Dimen- 306
sional Riggers
JOB 15.2 Rigging Numbers For Second Di- 308
mensional Riggers
JOB 15.3 Rigging Numbers For Third Di- 310
mensional Riggers
JOB 15.4 Rigging Numbers For Fourth Di- 316
mensional Riggers
JOB 15.5 What To Do When The Blade Sur- 318
face Area Changes
JOB 15.6 Using The Rigging Charts 320
JOB 15.7 Recording Your Rigging Numbers 328
CHAPTER 16 THIS, THAT, AND TRICKS
JOB 16.1 What To Do When You’re Stuck 331
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JOB 16.2 The Human Torque Wrench 334
JOB 16.3 Stuck Fasteners 337
JOB 16.4 Converting Metric To U.S. Cus- 341
tomary
JOB 16.5 Designs: Two Helpful Items For 342
Your Rigging
JOB 16.6 Getting A Little More Spread 344
JOB 16.7 Fixing A Bent Rigger Stay 347
CHAPTER 17 TAKING YOUR EQUIPMENT FOR
A TRIP
JOB 17.1 Transporting Equipment On A Car 350
Top
JOB 17.2 Transporting Equipment On A 353
Shell Trailer
CHAPTER 18 KEEPING YOUR EQUIPMENT
ALIVE
JOB 18.1 Tune-Ups 363
JOB 18.1A Daily Tune-Up 364
JOB 18.1B Bi-Weekly Tune-Up 365
JOB 18.1C Seasonal Tune-Up 369
JOB 18.2 Labeling Your Equipment 371
JOB 18.3 Sectioning A Shell 372
CHAPTER 19 STORING YOUR EQUIPMENT
JOB 19.1 Storing Your Equipment 381
CHAPTER 20 BUYING ROWING EQUIPMENT
JOB 20.1 Seven Steps To A Successful Pur- 386
chase
JOB 20.2 What’s Quality, What’s Not 390
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JOB 20.3 How To Buy A Used Shell 391
CHAPTER 21 RIGGING FOR SCULLING
JOB 21.1 How To Use This Book To Rig 400
For Sculling
JOB 21.2 Rigging For Sculling 400
JOB 21.3 Locating The Arcs 401
JOB 21.4 Finding The Leverage For Your 404
Single/Double/Quad
JOB 21.5 Adjusting The Span 405
JOB 21.6 Measuring The Height In A Scull 406
JOB 21.7 Adjusting Your Sculling Height 409
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FOREWORD
I
was well into my second year of coaching at Virginia when our team
bought a new eight. I “rigged” it. By this, I mean I removed the com-
plete riggers from their boxes, slapped them on the shell opposite the
appropriate seat, and told my crew to launch.
Our first race was the next weekend. They rowed the new boat and won a
gutsy race with a closely matched opponent. As it happens, Princeton
University was racing a different crew at the same venue. Frank Bozarth,
Princeton’s ace rigger for many years, examined the new boat, which our
crew had placed in slings after their race. Looking at the riggers, Frank
screwed up his face and asked me what spread I was using. To this, I re-
plied, “Heh, heh.”
This episode also taught me a lesson that I’ve tried to remember for the
nearly twenty years that have passed since that day. Spirited, talented ath-
letes can often find ways to overcome significant coaching ineptitude. In
this case, my crew was able to succeed in spite of a hideously uncomfort-
able rig. Rigging is important, but it is often not a critically important part
of our sport.
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first book on the topic I’ve read that presents rigging as a practical rather
than as a scientific endeavor.
Don’t get me wrong. Like most folks who know how to fix stuff and who
care about equipment and tools, Mike can be evangelical in his advocacy
of boat care. Let’s face it: he recommends that we clean the tracks in
EVERY BOAT, EVERY DAY. Still, it’s tough to fault him for being
thorough. And for those of us who get strung tighter than piano wire dur-
ing our racing seasons and use rigging to release our tension, Mike in-
cludes a helpful section on saws and hammers—my favorite rigging tools.
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Much of what I have gleaned recently has been from Nuts and Bolts. The
subtitle of this edition is 150 Steps to Help You Get the Most from the
Rigging of Your Rowing Equipment. They are steps well worth taking in
the interest of your crew’s safety, comfort, and speed.
Joe Murtaugh
October 3, 2002
Princeton, NJ
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INTRODUCTION
I can remember the exact day when the book came out and the very first
comment I received about it. I was standing at one of the vendors’ booths
at USRowing’s Annual Convention in Pittsburgh. The book had been on
sale since the day before. A fellow came up to me and it was pretty obvi-
ous that he had bought a copy of the book since he was waving it very
excitedly around in front of him. He said,
“Oh no. I’m sure that this guy wants his money back—and I don’t
have a penny in my pockets. Geez, I hope he doesn’t take a swing
at me. . . .”
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“Look, I just want to tell you that this book, why . . . this book is
good. And I read it all last night. And . . . and . . . thanks.”
And then he was gone. And I exhaled—like I have never exhaled before.
Then it started.
Ten years later, they still come. And I feel good about that. Why?
You see, I wrote the first edition of the book way back when because I
felt that there was a need for a simple, basic information source on rig-
ging. In my coaching, I kept seeing way too many rowers and coaches get
bent out of shape about rigging. Needlessly. So I was motivated to write
the book. Since then, all the comments/questions/inquires have shown me
that the need was really there.
And ten years later, the need is still here—even more so. That is why I’ve
written this new edition, with tons more information.
What I find very interesting today is that over the past ten years rigging
has gotten simpler—in some ways that is. We’ve got the Internet, which
makes information transfer so much easier, and a great new rigger de-
sign—the Euro-style rigger, which is very easy to work with.
Yet, at the same time, things have gotten much more difficult in the world
of rigging. That difficulty is due to the overwhelming load of information,
the slew of equipment choices, and the ever-increasing adjustability of the
equipment. Additionally, many coaches and rowers have moved away
from the basic guiding principles of rigging and are trying to make things
just too darn fancy.
I notice that time and time again at the rigging clinics I run. Folks focus
on the fancy stuff, like the rigging numbers from the latest national team
boats or how a new innovation will make their team faster (and of course
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they want it right now!) and ignore many of the basic principles of rig-
ging. Unfortunately, their rigging and rowing are paying a price for for-
getting the basics.
What are the basic principles? Well, this book is full of them, but here are
what I consider the three most important ones:
Keep it simple
Make changes gradually
Rigging is not as critical in the big picture of boat speed as most
people think it is
If you shut this book right now and read not one more word, but take
away those three simple principles, I will consider my job more than well
done. And your rigging and rowing will be much better off. However,
there is more—a lot more—in the pages that follow.
Look around and find yourself a comfortable seat. Get a nice cup of your
favorite beverage. And let me be your guide to the wonderful world of
rigging.
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SECTION ONE
RIGGING CONCEPTS
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— Chapter One: Using This Book—
G
o to your local bookstore and look for a book on rigging. Not
much of a selection, is there? But notice all the books on every
other subject known to man. Why the difference?
1.1 Definitions
There are a few words we need to discuss before we get going. In this
book the word Rigger, when it begins with a capital R, is used to describe
the person who adjusts rowing equipment. On the other hand the word
rigger, with a small r, describes that funky metal thing hanging off of the
shell or lying on the boathouse floor. Officially, it’s called an outrigger,
but this has been shortened to rigger in crew-speak. Rigging, regardless
of whether the r is capitalized or not refers to the adjustments done to a
rigger and to other rowing equipment, and, of course, that should be done
with rigor.
The word work with a small w means what you’d think: effort or activity
directed to the accomplishment of something. I know for some of you
work is a four-letter word, but don’t let it scare you off. When Work is
written with a capital W it describes the place where energy is being
transferred from one system to another. For example, when we talk about
a rigger and its oarlock, they could be called “the Work” because it is
where one system, the rower, is transferring energy, the rowers’ power, to
another system, the oar. Got it?
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— Chapter One: Using This Book—
In each chapter I’ve included some important ideas that I want to call
your attention to. They will look like this:
How confusing can things be? Several items in rowing are actually
called by more than one name. For example, the end of an oar is
known as the “spoon” or “blade,” and vertical braces in a boat can be
called “ribs” or “knees.” Don’t worry about which name is proper; use
the one that works best for you.
The sport of rowing itself can be divided into two distinct fields: sculling
and sweeping. The difference is simple. Scullers use two oars, one in each
hand. Sweepers use one oar, with two hands on it.
Now there is an old saying, “Twice the oars, half the rower,” or is it,
“Twice the oars, twice the rower”? I can never get that right.
Either way you look at it, sculling and sweep rowing are actually quite
closely related—especially as far as rigging is concerned—and many of
the subjects I will cover can be applied equally to either activity. There is
a chapter towards the back of the book specific to the unique details of
sculling.
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— Chapter One: Using This Book—
teen on how to convert metric to U.S. By the way, there are only a very
few countries in the world that use the U.S. Customary System, besides
the U.S. Know one of them? (Libya!)
To learn more about the Metric System visit the site for the U.S.
Metric Association, Inc: <http://lamar.colostate.edu/~hillger/>.
Or to learn about converting metric to US system visit
<http://www.wihatools.com/conversion.tm>
1.3 Layout
This book has been arranged to be used as a reference book. Basically the
chapters are arranged in the order in which you should rig. As you go
through each chapter you will see that they are dependent on the chapter
before them—a cumulative effect. But at the same time, if you have a
problem with one specific area, you will be able to turn directly to that
section for help. If you have a problem and don’t know where to turn, flip
to the index in the back; I’ve tried to make it as thorough as possible.
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— Chapter One: Using This Book—
With that out of the way, let’s get back to our regularly scheduled read-
ing.
First, over the years, I’ve received feedback from many readers that hav-
ing all that information in the book made it overwhelming. The readers
who cared about Pocock didn’t want to be bothered with the info about
Vespolis.
Second, to put all that detail into this edition would make this book un-
wieldy. In all honesty, it would be nearly impossible to include all of the
specifics on each type of boat, rigger, and oar that are now being made
and to do them justice. The size of this book would be so big you’d
probably need an assistant coach just to carry it.
Third, with the advent of the Web, I can now offer more specific and up-
to-date information on my Web site. In fact. I offer downloads for work-
ing with many of the different types of pieces of equipment there. To
check it out, go to my Web site at <http://www.MaxRigging.com> or turn
to Appendix Two for a listing of the documents you can find there.
If you are one of those people who has a different make of boat or differ-
ent type of equipment (especially sculling), and after searching this book
and after trying my Web site you cannot find information, then there are
two things for you to try. First, it’s quite possible that the JOBs I detail in
this book may work on your equipment. Most rowing equipment is simi-
lar. But I must repeat myself here and say: Do so at your own risk and be
careful so that you don’t hurt yourself or the equipment.
Second, connect directly with the manufacturer for advice. Even though
you’ll probably be in a big-time hurry, slow down and take a few minutes
to get the information—usually you’ll find it to be time well spent.
Many of the equipment makers are getting much more service oriented
these days and they can be helpful. You will find a list of their names,
addresses (postal, e-mail, Web) and phone numbers in the Suppliers sec-
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— Chapter One: Using This Book—
tion in the back of this book. All the information contained here is as up-
to-date as possible, but things are changing quickly with new manufactur-
ers and designs quickly popping up.
Speaking of Web site addresses, throughout the book I’ve placed URLs
where appropriate. They will look like this:
Rest assured, as I mentioned, I’ve tried to make sure that all the links are
correct and current, but no guarantees; things are changing quickly on the
Web. If you find one that does not work, please let me know.
1.5 Read It
I like shortcuts, you like shortcuts, everyone likes shortcuts, but there are
few shortcuts to becoming a competent Rigger. Don’t try shortcuts with
the procedures in this book. You should have no trouble with the JOBs as
long as you read and follow all the steps. A lot of errors are made because
people skip steps. Read the JOBs and follow them the way they are writ-
ten.
There are several JOBs that over the course of a season you may repeat a
hundred or so times (i.e., height adjustment). Once you become confident
and knowledgeable in what is going on, go for the shortcuts. If you find a
good one please, let me know, so I can tell others and also to make my
life easier.
A suggestion: use index tabs to mark each chapter in this book. Then,
when you are in the middle of a job, you can flip to a chapter and not
get your pages greasy. I use Post-It brand Tape Flags. They are inex-
pensive, flexible, you can write on them; and if they get grimy you can
take them off and replace them.
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— Chapter One: Using This Book—
Once you have the equipment and knowledge, you’re ready to begin a
JOB. Allow yourself extra time, about twice as much as you think it will
take. Read the JOB all the way through once. Then go back to the begin-
ning and start the task, going step by step. As I’ve said before: don’t skip
STEPS! Sometimes it is easier to have a friend read the procedures to you.
It will help keep your pages cleaner and it sure is nice to have a friend
there to keep any sagging spirits from getting too low. When you have
done the task, check your work, put away your tools, clean up, and head
on to other things.
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— Chapter One: Using This Book—
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— Chapter One: Using This Book—
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— Chapter Two: The Karma of Rigging —
O
ver the years of hanging out at boathouses and race courses, I’ve
run into a lot of folks who get stressed about rigging. In fact, I’ve
been doing a continual survey at many of my rigging clinics and
what I’ve found is that about 50% of the rowers and coaches ex-
pressed that rigging produced a moderate to high level of anxiety for
them. In other words, a lot of people get torqued out over rigging.
Why?
Well, one reason is that I think that a lot of folks don’t understand how
important—or unimportant—rigging is. To get a good handle on rigging,
you need to know where it fits into the Big Picture. The better you un-
derstand the Big Picture, the better of a Rigger you are going to be.
Do you truly know what it takes to make a shell go fast? Grab a pencil
and piece of paper and see if you can list five items.
Once you’ve got your list done, prioritize your items in the order in which
you think they impact boat speed.
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— Chapter Two: The Karma of Rigging —
I know, some of you could care less about boat speed; you just want to
rig your equipment so you can go out and have fun on the water.
That’s fine and dandy, but follow along—it might help you later on
down the road.
Now take a look at your list. If rigging was one of the top items on your
list, you and I need to have a little chat. You see, rigging isn’t that impor-
tant. In fact, in the world of competitive rowing, rigging is down there at
the bottom of the list of the critical things which make a shell go fast. Let
me explain.
To generate boat speed, there are five critical things you need, and I call
them the Five Basic Elements. Here they are in order of importance:
1. Athletes
2. Training
3. Technique
4. Equipment
5. Rigging
The athletes, or rowers, are the most important element in getting a shell
to go fast. They impact performance more than anything else. You need
to have horsepower if you want your boat to move, and if you have slow
rowers you’ll have a slow shell. The training of these rowers (condition-
ing) is more important than the rowers’ technique, and their technique is
more critical than what type of equipment is being rowed. All of these
things—athletes, training, technique, and equipment—are more important
to the performance than rigging.
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— Chapter Two: The Karma of Rigging —
about our race when I found out that their rowers were about thirty
pounds heavier than ours, they had two national team candidates in the
boat, they had been practicing three weeks longer than us, and they had
an out-of-the-crate new boat to row in. My rigging was fine; we were
beaten by a stronger and faster crew in better equipment. Catch what I am
getting at?
This is the Big Picture. It’s the horses that make the chariot go fast, not
necessarily how the chariot is rigged!
And why are some people so resistant to that little but very important
point? Time and time again, when I do rigging clinics, which I’ve done
all across the country, I stumble upon people who just don’t believe me
when I tell them this. They seem more willing to believe that a one-
centimeter difference in the spread of a rigger has a greater impact on
boat speed than a major difference in the strength and/or rowing ability of
a rower. Please, if you are one of these folks, put down the book, take a
few deep breaths and try to get those evil thoughts out of your mind right
now.
A little clarification here: When I talk about the impact rigging has,
I’m talking about differences in fine-tuning the adjustments within ac-
ceptable standards. I’m not talking about mistakes like riggers being
put on upside down or wheels being left off seats. In those cases, bad
rigging is a huge handicap.
All right, if rigging is low on the list, then why do people get so torqued
out over it?
I’ve got it pinned down to three reasons. First, some folks feel adjusting
the rigging is “the solution” to all their problems. If their boat is slow,
they assume it must be the rigging. If the rowers’ technique is bad, they
assume it must be the rigging. If they aren’t winning, they assume it must
be the rigging, and their tools can change this. According to the Big Pic-
ture, you and I know that they’ve missed the point.
Second, there is a lot of mystery surrounding rigging and at the same time
not a whole lot of information to reduce that mystery. Most folks like a
good mystery, but they get frustrated when they are not given enough in-
formation to solve it. Sometimes folks simply don’t have enough info to
rig right.
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And third, rigging is one of the few things in rowing that you may need to
change quickly. Let’s say you have been coaching a team in preparation
for a big race. You’ve had the same group of athletes for the past few
weeks, they have been training in the same boat, and they have been row-
ing with the same technique. When you get to race day, none of these
things (athletes, equipment, technique) are likely to change. But on a
moment’s notice you might need to change your rigging, and this can
cause terror—sheer terror—in some folks.
For example, there you are, standing on shore, looking at the race course
and suddenly a head wind blows up. Uh, oh . . . this means you might
need to change the rigging, possibly the inboard (collar) on the oars. You
change them and five minutes later the wind switches to a tail wind—
should you change the inboards back?
And what about the rowers? You are sharing boats and your women’s
team is rowing in a men’s boat. The water is getting rough. Are you sure
you have the boat rigged right for them? And then the lightweights. Oh,
no . . . (gulp) lightweights. They’ve just left their seats at home because
they were so worried about their weights. Sounds like more rigging work.
And then there are the novices. Oh, good God, not novice rowers . . . not
now. They left their riggers in the parking lot and a truck ran over two of
them. Now what are you supposed to do?
All of these things have happened to me at one time or another. How are
you supposed to handle situations like these and be that cool, calm indi-
vidual that everyone looks up to? It will help you keep your composure if
you remember where rigging fits into the Big Picture.
What is rigging? You may think rigging is just adjusting the riggers on a
shell. That’s like saying teaching is just writing on a blackboard or that
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For instance, you’ll have to figure the best type of equipment for your
team to row, especially considering their size and the conditions they row
in. You’ll have to use your brain to figure out what numbers to use when
you make the adjustments, when and where to make the adjustments, and
how to do them. You’ll need to get your hands on tools and to be con-
cerned about the safety of the equipment that is rowed. And when all this
is done, you’ll need to check your work to see if you did a good job.
Aaah, things get complicated.
Who should rig? In high school and collegiate programs the task of rig-
ging usually falls upon one of the coaches, or on a designated Rigger or
Boatman. This situation is best because athletes tend not to have the
knowledge, experience, or objectivity to rig correctly; although I’ve seen
one or two rowers who were wizards at rigging.
Once you get outside a well-organized program, it’s not so clear-cut who
does the rigging. It’s best that the same people always do the rigging to
insure consistency—that is, if they can do a good job. In club programs,
work schedules can cause big problems, and it is often very hard to get
rigging, especially good rigging, done. I suggest you take responsibility
for your own rigging, or appoint a rigging coordinator—someone who
will be in charge of getting the rigging done. But whoever ends up doing
your rigging, they need to have three things:
Why should you rig? Two main benefits come to mind. Speed is one.
Squeezing the most speed out of your equipment is a tough job, especially
when you are trying to get a group of athletes of different sizes, strengths,
and abilities to function together. A properly rigged boat will be faster
than a badly rigged boat if everything else is equal.
Comfort is the other benefit. The rigging has to be comfortable for the
rower. If it’s not, injuries might happen.
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And there are other benefits besides these three. We’ll discuss those later
in the book.
How should you rig? Pardon me while I go off on a small tangent for a
moment. In the first edition of this book I wrote that one thing I noticed in
the rowing world was that there was a serious lack of written material on
rigging, especially coming from the manufacturers. When you bought a
shell you hardly got anything to help you with the rigging. People would
spend a lot of money, sometimes more than on a new car, and basically
the only thing they got was a hardy “Good Luck!”
Okay, so now back to the question at hand: how should you rig? Basically
there are two ways: the right way and the wrong way. The right way
works and the wrong way doesn’t. Pretty simple.
Well, what is the right way? I consider the methods in this book and those
on my Web site the right way, but I’ll let you in on a little confession:
many of those methods are not actually my own.
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Over the past several years I’ve been fortunate enough to hang around
and be taught by some pretty smart Riggers and coaches. How did I repay
them? I stole their techniques—although I prefer to think of it as inherit-
ing them. But that’s okay, most of them inherited their methods from
someone else.
Now I’m passing them on to you. So as you read this book and get more
comfortable with rigging, you can decide for yourself right from wrong.
Just keep in mind that the major determinant is that the “right way” to rig
is the way that works best for you. That’s the bottom line on how to rig.
Where should you rig? Usually the most convenient place to rig is in-
side the boathouse. Usually, but not always. I’ve seen some pretty
crowded boathouses where leaving a shell in slings for more than five
minutes causes major hassles. So you have to find the place that suits you
best, preferably a clean and safe area.
Some of the things you should look for in a rigging area are: good light-
ing; protection from the environment—for both your sake and the shell’s;
and being out of the way so you can work with a minimum of distrac-
tions, hassles, and aggravations.
Sometimes you’ll find yourself doing rigging in some pretty weird spots.
I’ve had to rig standing in water up to my chest, in a barn, in a tent, in a
parking lot with the shell on stacks of life jackets, in a hotel ballroom, in a
parking garage, in the hold of a ferry boat, and on the top deck of a
freighter in the Caribbean, just to mention a few. Make do with wherever
you find yourself. Just use common sense and be safe—no need to get
hurt in pursuit of boat speed. See Chapters Five and Six for suggestions
on creating a safe rigging environment.
If you must put your boat in slings outside, be cautious of the wind—
even a slight breeze can knock the boat over and then you’ve got ma-
jor repair work in addition to your rigging.
When should you rig? There are basically six times when you should rig
a shell.
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This may sound like a lot of rigging. Now I’m certainly not suggesting
you walk around all the time with a handful of wrenches. Just the oppo-
site: rig only when you have to! After you make an adjustment correctly
you shouldn’t have to readjust it for quite a while. Exactly how long de-
pends on usage, abuse, and other variables. Always look and listen to
your equipment and the athletes. They will usually give you a good indi-
cation when things are wrong and it’s time to rig. My motto is to be an
“energy-conserving Rigger,” which my mom used to call “being lazy.”
Plan your rigging well and you’ll find you can save yourself a lot of time
and hassles downstream.
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helpful because some of the JOBs in this book are geared towards differ-
ent levels of knowledge.
Remember Socrates, the old Greek gent with the flip-flops and robes?
Quite a smart guy, he was. Well, Mr. Socrates had a way to classify how
much a person knew about a subject. What he did was divide a person’s
knowledge into four different Dimensions. The First Dimension consisted
of no knowledge and the Fourth Dimension was absolute knowledge. To
show what he meant, let’s take peanut butter as an example.
If you know nothing about peanut butter, nothing at all (doesn’t sound
normal does it?), then Socrates would say you were in the First Dimen-
sion of knowledge. If you happen to know a little bit about peanut butter,
like what shelf it’s on in the store, then you are in the Second Dimension.
If you know even more about peanut butter—like how to make a mayon-
naise, peanut butter, and banana sandwich—Socrates would put you into
the Third Dimension. And say you know everything there is to know
about peanut butter, absolutely everything, then you make the Fourth Di-
mension of knowledge.
Time for another definition. The word “dimension” with a capital “D”
refers to the level of your rigging knowledge. When used with a small
“d,” dimension will be referring to numbers used for rigging meas-
urements.
No peeking.
I’m serious.
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QUIZ
a. Monthly
b. Weekly
c. Daily
d. Whenever the coxswain yells at you
a. Daily
b. Weekly
c. Monthly
d. Annually
a. A fellow coach
b. A book on rigging
c. A good-looking writer, like the one doing this book
d. All of the above
a. Speed
b. Price
c. Cool names like Vortex
d. Replacing an older set
a. One race
b. One racing season
c. One year
d. Upwards of one-million strokes
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7) In a pinch, what size metric wrench will best fit on a 7/16 inch nut?
a. 10 mm
b. 13 mm
c. 11 mm
d. 12 mm
a. For speed
b. For protection
c. To decrease pollution
d. To decrease wind resistance when transporting
9) Which of the following should you use to polish the hull of a rowing shell?
a. Rubbing compound
b. Wet sandpaper
c. A belt sander
d. A Glocksteir rotary degrubber
10) When you have a piece of broken equipment, how soon should you repair it?
11) The most dependable source of information about repairs to rowing equipment
would be:
a. The manufacturer
b. Bob the Builder
c. A local welding shop
d. The magazine Independent Rowing News
12) One of the best steps you can take to maintain the moving parts in a rowing
shell is:
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13) In a shell where two unlike metals touch, you might find:
a. Weakness
b. Corrosion
c. Pitting
d. All of the above
14) Most rowing shells that are damaged are damaged when they:
15) Whenever transporting a rowing shell, you should do which of the following?
16) How many wraps of electrical tape around an oarlock equals 1/2 degree of stern
pitch?
a. 1 to 2
b. 12 to 14
c. 3 to 4
d. 8 to 9
17) With slower hull speed you should ________ the work through measurement?
a. decrease
b. increase
c. rotate
d. remove
18) Your oar has 2 degrees positive pitch. The oarlock has 3 degrees stern pitch and
1 degree outward pitch. What would you guess to be the stern pitch of the oar-
lock and oar at the mid-drive?
a. 8 degrees
b. 5 degrees
c. 7 degrees
d. 3 degrees
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19) Your oar has 1 degree positive pitch. The oarlock has 4 degrees stern pitch and
1 degree outward pitch. What would you guess to be the total pitch of the oar-
lock and oar at the catch?
a. 5 degrees
b. 4 degrees
c. 6 degrees
d. 3 degrees
20) At a position in a shell, the boat is 58 cm wide from gunwale to gunwale. At the
same spot, the center of the oarlock pin is 56 cm from the closest gunwale.
What is the spread of this rigger?
a. 82 cm
b. 83 cm
c. 84 cm
d. 85 cm
Instead, we are trying to figure how comfortable you are with rigging—
that’s it. So, I’m going to suggest this—if it took you five minutes to fig-
ure out the correct answer to Question 18 then count it wrong because
you had to work so hard for it.
It’s good that you got the right answer, but to be a true member of a spe-
cific Dimension, to really belong there, you need to feel comfortable with
the level of knowledge in that Dimension. Having to struggle is a sure
sign that you are not comfortable.
Take your score and compare it with Table 2.1, and you’ll get an idea of
what Dimension you are in. And the question will soon arise in your mind
(especially if you are one of those competitive types that rowing always
seems to attract), “How do I get better?”
Regardless of what Dimension you are in, rest assured that you will im-
prove quickly—quite quickly. There are several things that you can do to
catalyze your improvement.
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One, for example, is reading this book. That should put you into a differ-
ent Dimension. Another is to find a rigging friend, someone who can help
you rig, and you, in turn, can help him or her rig. Best bet: find someone
who knows more than you. Then you become smarter and they have
someone who can pick up the washer that fell on the floor that rolled into
the spider web in the corner that no one else is going to dare to pick up.
Yet another suggestion is to rig when you have some real peace and quiet:
a setting where you can experiment, make mistakes, and jump up and
down and do your little anger-dance when you’re frustrated is a much
better learning environment than when 35 rowers and their parents are
staring at you, or when race officials are tapping their feet waiting for
your boat.
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Answers to Quiz
1. c: daily
2. a: daily
3. c: all of the above
4. d: all of the above
5. d: replacing an older set (although Vortex is a cool name).
6. d: upwards of one-million strokes
7. c: 11 mm
8. b: for protection
9. a: rubbing compound
10. c: as soon as you can
11. a: the makers of the equipment
12. a: keep them clean
13. d: all of the above
14. a: in transport is where most get damaged
15. a: all of the below
16. c: depending on the tape, around 3 to 4 wraps should do
17. a: decrease
18. b: 5 degrees
19. a: 6 degrees
20. d: 85 cm
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S
tick your arm out in front of your face. Take a look at the funny
thing dangling off the end of it. Yeah, I’m talking about your hand.
But for all its greatness, the hand has limitations. Its skin is soft and can
easily be cut, the grip isn’t all that powerful, and the knuckles can easily
be bruised or smashed. The hand is a great thing but it can, and has been,
improved upon. Those improvements are called tools.
We and our ape-like friends came up with tools a long time ago because
there were a bunch of things that we couldn’t do with our bare hands. To-
day, tools help us get JOBs done quickly and easily while giving us spare
time to go to the local tavern for refreshments. But for all their good,
tools have some limitations.
For example, some folks think that as soon as they pick up a tool, they
automatically inherit some mystical mechanical knowledge and they
know everything. Other folks think that if they use a tool they will be des-
tined to wear overalls dripping with grease, to drink cheap beer, and to
work under cars all night.
Unfortunately, tools have this “I may be dumb, but I can lift heavy
things” stigma attached to them that they cannot seem to shake. If you
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don’t believe me, check out how many ladies or gents in three-piece suits
are browsing around the hardware aisles in your local department store.
Needless to say, this reputation is baloney and certainly not helpful to the
cause of getting people involved in rigging.
Personally, I think tools are cool. Look at some of the folks who have
made it into the big time using tools: Alexander Graham Bell, the Rolling
Stones, Thomas Edison, Bill Gates, and of course Pete “If I Had a Ham-
mer” Seger. One positively cool thing about tools is they don’t discrimi-
nate. A person of any age, sex, or race can get a tool to perform equally
well, or equally badly.
Before you try to pick up a single tool you’ll need a plan, a good plan—
reason being that the world of tools is a zoo, especially for the uninitiated.
There are long tools, short tools, fat tools, big tools, and little tools. There
are measuring tools, hitting tools, holding tools, turning tools, cutting
tools, and scraping tools. Nowadays if you have a JOB to do, there is a
specific tool for it. It is pretty easy to get lost and confused out there
without a plan. So if I may, I’m going to offer this fairly straightforward
plan for you:
A simple plan, but it works. However, before you go zipping off to the
store, we should do a little background work, and there are a couple of
things we need to mull over. Open up the memory bank and prepare to
download.
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If you know the answers to these questions, then pat yourself on the back,
skip this next part, and we will catch up to you in a moment.
The principle behind nuts and bolts is simple: you take a long, round,
skinny piece of metal (the bolt), and put threads on the outside of it. Then
take a short, fat piece of metal (the nut), poke a hole in it and put threads
on the inside of it.
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In shells you might end up adjusting certain nuts and bolts a thousand
times or more. Threading squeezes things together between the nut and
the head of the bolt so they won’t come apart until you want them to.
Sometimes, you squeeze together two pieces of metal, and other times, as
in the case of rigger bolts, it’s the metal of the rigger and the material of
the gunwale that are pressed together. (Rigger bolts are the bolts that at-
tach the rigger to the shell.) To see what I mean, take a quick break and
look at a few of the nuts and bolts on your shell.
The world is full of hundreds of different kinds of nuts and bolts, but in
rigging you need be acquainted with only a few. The most common type
of bolts you will encounter are carriage, machine, and stove (see figure
3.2). Most rigger bolts on the older shells are carriage bolts. Their heads
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are designed to anchor themselves securely into one of the materials be-
ing squeezed.
Machine bolts are designed to be turned at both ends by wrenches and are
now replacing carriage bolts in many shells. Stove bolts are not very
common on shells but you may see some on older riggers, or on some
shell foot stretchers.
There is also a large variety of nuts, such as wing, hex, square, and ny-
lock (stop) nuts. Wing nuts are designed to be used where the desired
amount of tightness can be obtained by the fingers. You usually find wing
nuts used on the foot stretchers. Hex and square nuts are the most com-
monly used nuts and you’ll find them throughout your rowing equipment.
Stop, or nylock nuts, are used when it is important that the nut should not
come loose. There is a small ring of plastic built into this nut that is com-
pressed against the bolt’s threads when the bolt is tightened, providing a
holding tension. Stop nuts are used on the riggers where the vibrations
could loosen normal nuts.
Recycling is great, so do yourself a favor and don’t get rid of any old fas-
teners unless they are damaged. Keep a collection of your old nuts, bolts,
and washers—especially rigger bolts (carriage bolts). Sort them, throw
them into an old can (coffee cans work great) and label them. In the long
run you’ll save money and time. I call these things M.C.I.H.’s (Might
Come in Handy).
If nuts and bolts were the only things you had to be concerned about, rig-
ging would be sooooo much easier, but this is not the case. So here are a
couple of little things you need to be aware of.
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Washers. Washers are flat discs with holes drilled in their centers. They
basically have two functions. One is to act as a shield to protect the mate-
rial being fastened from the nut and the head of the bolt. The other func-
tion is to keep motion and vibration from loosening the nut and bolt. In
your travels around the boathouse you’ll encounter two varieties: flat and
lock.
Flat washers are designed for the first function, protection—they back up
bolt heads and nuts and prevent damage to the Work surfaces. Their
counterpart, lock washers, are used when the nuts and bolts are subject to
vibration or rotational movement which may cause the fasteners to
loosen.
When compressed, lock washers exert a slight force away from the bolt
head causing tension between the nut and bolt threads, preventing slip-
page. As you can see in figure 3.4, the ends of lock washers are angled
and they dig into both the nut and the Work—this will reduce slippage
but may damage the material compressed. If you’re worried about some-
thing coming loose, use stop nuts instead of lock washers.
Screws. The basic principle behind screws is slightly different from that
of nuts and bolts. Screws, like bolts, are long threaded pieces of metal.
But screws, unlike bolts, are tapered at one end. This taper allows them to
bite into a hole. Whereas a nut and bolt push two pieces together, a screw
will pull two pieces together as in figure 3.5.
Most screws, unlike nuts and bolts, are not meant to be adjusted—you
drive them in and leave them. Screws are driven by screwdrivers, which
fit into indentations in the screw’s head (see figure 3.6). These indenta-
tions come in two basic designs: Philips and Standard. An easy way to
tell them apart is to look at the end of the screwdriver: The Philips looks
like a plus (+) sign (and both begin with “P”) and the Standard looks like
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a minus (-) sign. Because both styles are widely used, you should own
both types of drivers, and in a variety of sizes.
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When using screws, make sure you select a properly sized screw-
driver. Avoid using substitutes like dimes, fingernails, or knife blades.
This will prevent destroying the screw head, damaging the Work, and
a lot of cussing.
The most common problem with fasteners is people. They tend to forget
which way to turn them, and that causes problems. One way will tighten,
the other will loosen, and major hassles can occur when you tighten when
you meant to loosen. In most shells the threads are right handed, which
means you turn the nut, bolt, or screw clockwise to tighten and counter-
clockwise to loosen. This little ditty helps me out in times of trouble:
If you have other problems, such as a fastener that is frozen and definitely
won’t turn no matter how much you plead with it, or one that has stripped
threads, turn to JOB 16.3 for input. Never give up hope; it’s possible your
equipment and cheerful attitude may be saved.
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winter may have been toasty when they got into their cars, but they
weren’t doing their automobile any favors.
Most parts of rowing equipment that could rust have been replaced by
either stainless steel, brass, nylon, or plastic. Almost all of the metal fas-
teners used in rowing shells today are made of stainless steel, because it
resists corrosion, is very tough, is widely available, and is cheaper and
tougher than many other materials typical used that are noncorrosive.
There are three ways to distinguish if something is made of stainless.
head. There are usually two lines angling away from each other, like in
figure 3.8, which are the manufacturer’s markings indicating a stainless
steel product. Third, given time a metal fastener not made of stainless will
corrode, look awful, and probably make life very tough for you when you
try to use it. I prefer using the first two ways myself.
Buying. Sooner or later you are going to lose a fastener or wear one out
and you’re going to need to go to the store to get a replacement. When
you buy replacement parts, make sure you get the right ones. Take an old
one with you to compare. I call this counter-intelligence. All the little
beasties we have just discussed will come in a mind-blowing variety of
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To learn more bout screwdrivers, fasteners, etc. check out some of the
interesting Web sites such as <http://www.aaronsgeneralstore.com> or
do a search on your favorite search engine.
Here’s why: Americans know how to measure things, and do it very well,
I might add. And the French know how to measure things equally well, as
do the British, and the Chinese. But what all these smart people don’t
know is how to measure things the same way. Catch this . . .
Basically, the Metric System is used worldwide, except for a few coun-
tries, notably ours. There have been many, many efforts since the 1800s
to bring the Metric System full force into the U.S., but it has never truly
caught on. Could it be because of our fixation with body parts instead of
quadrants?
How does all this effect you in your realm of rigging? Two ways—and
this is where it gets confusing. First off, the type of tools you use will de-
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pend on what type of system the maker of your shell used. If the manu-
facturer used the Metric System, then all of the fasteners (nuts, bolts, etc.)
will be metric. This means only metric tools will fit them. If the maker
used the U.S. system then only U.S. system tools will fit. Of the more
common manufacturers of shells we will discuss, most use U.S. Custom-
ary System, except for Empacher. Kaschper, made in Ontario, Canada,
has been nice enough to put U.S. system nuts and bolts on his boats.
So how do you cope with these two systems? First, determine what sys-
tem your shell(s) use. Unless you have Empachers, or another foreign
make of equipment, you’ll probably be using the U.S. system. Then buy
tools according to your needs.
Before you buy any metric tools, check the conversion chart for Switch
Hitters (JOB 16.4) to save a few bucks. Then, become acquainted with
the Metric System because life will be easier if you use it for your meas-
urements. To help make conversion easier, make sure your tape measure
has both U.S. and metric measurements on it. Whatever happens, don’t let
the different systems blow your cool. Get comfortable with both systems,
smile when it gets confusing, and hope for the day when we all use the
same system.
My first experience with the Metric System was, well, not exactly charm-
ing . . . many years ago we were lucky enough, or so I thought at the time,
to get one of the first Carbocraft eights (a predecessor of Vespoli) in the
U.S. When it arrived on a Saturday afternoon everyone was excited—that
is until we discovered we couldn’t rig it because none of our tools fit.
Someone mumbled something about the Metric System (which I found
out was not a way to meet people named “Rick”) and I was sent on a
journey to get metric tools. I felt like I was searching for the Holy Grail—
metric wrenches aren’t something you find easily on a weekend in a small
Florida town.
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Check out these sites for more information on the Metric System:
<http://www.encyclopedia.com/articlesnew/04129.html>
<http://www.unc.edu/~rowlett/units/custom.html>
Let’s discuss the types of tools you’ll be using for rigging, their specific
purposes, and correct use.
Homo sapiens tool. Of all the tools you are going to use, this is the most
important. Your brain, eyes, and hands working together as a team are
going to make things happen when you rig. I realize for some of you this
may be a terrifying concept—but have no fear. Absorb as much knowl-
edge as possible, open your eyes, practice with your hands, and together
we can make it work. Following these four simple principles may help:
PRINCIPLES OF TOOLS
1. As a Homo sapien (if you’re not one you shouldn’t be reading this)
you don’t have everything you need to rig. You need help—you need
tools. And to do a competent and safe JOB you need the right tools.
2. On the flip side, tools can’t rig a boat by themselves, they need
something—they need you.
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Wrenches are your most important turning tool. They are used to exert a
twisting force. This twisting force is called torque. There are hundreds of
different types of wrenches in the world but we need only be concerned
with a few.
One of the first wrenches to add to your tool stock is the adjustable
wrench, which is also known as a crescent wrench.
Adjustables are extremely handy because they don’t care whether a nut is
metric or U.S. system or whether it’s small or big—they fit all sizes. They
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are easy to use, the key being to adjust the wrench so it fits snugly on the
nut or bolt. You do this by adjusting the lower jaw by rotating the thumb-
screw on the shaft of the wrench, like this:
If an adjustable wrench does slip off, it can damage the corners of the
thing you are trying to turn. This is called rounding and will quickly de-
stroy your rigger hardware. Worse yet, if the wrench does slip, your hand,
which is mightily pushing on the wrench handle could end up flying and
you’ll probably end up doing a number on your knuckles. That’s exactly
how they got the nickname “knuckle-busters.” The way to save a couple
of bashed joints and to minimize rounding damage to nuts and bolts is to
always pull an adjustable wrench towards you and don’t push it away.
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If, because of limited space or an awkward angle, you must push the
wrench away from you, do so with an open grip, with the wrench han-
dle in your palm.
If the Work is fairly tight I suggest you forget about using an adjustable,
and instead use an open-end or box-end wrench. Open-end wrenches are
nonadjustable wrenches with openings in one or both ends. The ends will
fit specific size Work. A box-end is similar to an open-end wrench except
the jaws are closed. A box-end is much safer to use than an adjustable or
open-end because it completely surrounds the nut or bolt head and this
reduces the chance of rounding and knuckle-busting.
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When looking for box-end wrenches you will notice they may have dif-
ferent patterns inside the head. Go for the one with a six-point pattern in-
stead of the twelve-point pattern. The six-point one will give a better fit.
In your quest for wrenches you may come upon some where the jaws are
angled to the handle, sort of like an S curve (shown in figure 3.12). Con-
sider it a major score if you can get one—especially if one end of the
wrench is 7/16 inch and the other is 1/2 inch, the most common sized
wrenches used in U.S. rigging. These wrenches allow you to get quite a
secure hold on a nut and turn it without hitting the rigger stay. This will
save you mucho knuckle skin.
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On the handle of wrenches you will notice numbers stamped into the
metal. This is how you can tell the wrench size. A wrench which has 13
stamped on it is a metric wrench which will fit 13 mm fasteners. One with
7/16 is a U.S. wrench which fits 7/16 in Work.
One of the most ingenious tools you will discover is the socket wrench.
A socket wrench consists of a round chunk of steel with a hole in one end
which fits over a fastener. In the other end is a square hole. Into this
square hole goes a driver which allows you to turn the socket and there-
fore turn the fastener.
When I say ingenious, it is not because of the socket itself but because of
what the socket can do in combination with the driver, which is called a
ratchet handle. The ratchet allows the socket to be turned quickly, and is
reversible. If you are working in tight areas or have a lot of turning to do,
the socket wrench will save a lot of tired arms and banged up knuckles. If
the fastener you are working on is in a recessed area, you can put an ex-
tension between the ratchet and socket.
You will find sockets most helpful in sectioning of shells (a JOB that is
hardly ever done anymore because few sectioned boats are produced
nowadays). I suggest you use a “deep socket” if you are going to be sec-
tioning (see JOB 18.3, Sectioning a Shell).
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well in my hand, and are not unreasonably expensive. But whatever you
buy, go with quality, go with quality, go with quality.
Locking pliers (Vise Grip is a brand of these) are a great all-purpose tool.
They take some practice to get used to, so fiddle around with them in
your spare time. You will see they are similar to regular pliers, except
there is a locking device which will hold the jaws in a set position. This
feature comes in extremely handy. A friend of mine, Bobby Joe, is so
sold on locking pliers he takes a small pair of them everywhere: trips,
work, parties—Bobby always has his locking pliers with him. He says it’s
his only vise.
Slip-joint pliers (see diagram) have a movable jaw that can slip into two
different positions, to grab small or large objects. Rubber-coated handles
are nice but not a necessity. Needle-nose pliers will allow you to get into
tight areas and pick up small things. These tools will also cut wire and are
all helpful in odd and emergency situations, like when you have to re-
move a crab trap from your propeller, or when your five-year-old has
stuck your only car key between the cracks in a cement sidewalk.
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A trick to using holding tools is to use them to grip but not to turn your
Work. This is an important difference. For example, if you have a frozen
nut and bolt, use the locking pliers to grip the bolt while using a turning
tool to turn the nut. This will keep you from biting and damaging the nut.
This will save the nut, your fingers, and your attitude.
Holding tools tend to be the most abused tools in the boathouse and the
ones that can cause the most damage. Used correctly, these tools are a
great help; used improperly, these tools can be downright dangerous! I
have seen locking pliers used for hammering nails, turning screws, and
tightening foot stretcher nuts. All of these are wrong and dangerous.
Clamps are instruments designed to hold things together. There are three
types of clamps you may find helpful. I use large alligator clamps to
hold the pitch meter onto the oarlock. This allows me to free up a hand
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and not drop my meter quite so often. Another clamp I used is called a C-
clamp. I have two six-inch C-clamps I use to help stabilize the shell and
for a bunch of odd ball little things. A third type I have and use most of
all is called a quick grip clamp. Clamps are not necessities, but you’ll
find that they often come in handy.
I don’t know about you, but the thought of someone wielding a hammer
in our boathouse around fragile and expensive rowing shells gives me the
shivers. I think there is really only one place for a hammer in rigging—
tucked safely away inside a tool box. You may come upon the rare in-
stance when you need a hammer, not as a “pounder” but instead as a
“persuader.” That is what my dad calls them, persuaders, and I think the
name fits well. You will find most uses for your persuader will come
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from trying to loosen stuck or frozen parts where finesse, not power, is
needed.
In all honesty, over the years I’ve found three times when my hammer
has come in handy. First, I’ve used it to lightly tap (tap, not pound!) rig-
ger bolts through the knees if they were resisting my efforts. Secondly,
I’ve use it to tap frozen rigger parts in an attempt to loosen them. Lastly,
and most importantly, I’ve used my hammer to intimidate parents who
thought they were making helpful coaching suggestions.
Other than that, hammers make darn good paper weights. If you feel that
you absolutely must have a hammer, then get a good, lightweight one. I
suggest one with a metal handle with a no-slip rubber grip, and make sure
the hitting surface is in good condition. A rubber mallet would also be a
good addition to your tools when you can afford it.
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Two types of height sticks I like are Leavitt Rigging Tools’ and Poto-
mac Rowing’s. Both work well, are easy to carry, and are priced right.
You must have a pitch meter to rig correctly. There are few substitutes
you can use, the least of which is your eyesight.
My favorite pitch meters are the ones made by Leavitt Rigging Tools
and Buffalo Rowing. They are reasonably priced, fit well in the hand,
and are durable and quite reliable.
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Rigging cards and notebooks are used to record the numbers of your
rigging dimensions. In the beginning, it may seem like a burden, writing
all this stuff down, but in the long haul, recording your numbers will save
you a lot of time and make life easier. Turn to Chapter Fifteen for the im-
portance of rigging numbers and examples of rigging cards.
There’s not a whole lot of productive rigging you can do when the boat is
upside down in the rack. You need to be able to flip the boat seats-up, on
land, to work on it. To do so, the gods of the rowing world have given us
slings. There are many types of slings, from expensive, manufactured
slings to homemade versions held together with bubble gum and duct
tape. Personally, I like using aluminum tube slings for rigging when on
the road or outside of the boathouse, and heavy wooden slings on rollers
for work inside the boathouse.
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Don’t let the athletes sit in the slings—it is a great way to destroy
them. A sling is designed to hold half of a 240-pound boat, not some
huge 200-pound rower.
Do yourself a favor and don’t ignore your slings. Make sure they are in
good condition. Constantly check your slings for overuse and abuse.
Look them over well, and if they are damaged or broken, fix them quickly
or toss them. If in doubt about a sling’s condition, don’t use it. By using a
marginal sling you set yourself and your boat up for a big letdown.
One final tool to mention here is a rather strange one. It is used to adjust
the outward pitch of Euro-style riggers. It is commonly known as a Euro-
style Pitch Adjuster; however, I call it the trog-tool (figure 3.20). This
tool increases the amount of outward pitch in a Euro-style rigger (more
on Euro-style riggers later) by streeeeeettttttcccchhhing the wields of the
rigger frame—a rather rough and tumble way to adjust a nice and expen-
sive part of a rowing shell.
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Jock tape is slang for white athletic tape. It holds things together fairly
well (it held me together in high school) and it is good to write on. Just
don’t leave jock tape out in the hot sun for a long time because the adhe-
sive will come off the tape and leave a nasty mess.
Electrical tape is made from vinyl. Don’t count on it to hold things to-
gether. Most people use it for labeling riggers (see JOB 18.2, Labeling
Your Equipment). You can find a variety of colors that can help spice up
things in the boathouse.
Another helpful item is a tool tray. Imagine being positively hungry and
going to one of those all-you-can-eat cafeterias. They’ve got everything
you could possibly want, except they’ve run out of trays. To get that huge
mound of food to your table you’re going to be making a lot of trips back
and forth. What a handy little thing a tray is.
Well, why not use one when you rig? A tool tray will save you a bunch of
time. Take a peek inside a shell and you’ll notice there’s really no good
place to put stuff. So when you rig, your choice is to either put your tools
in your pockets put them on the bottom of the boat, in the sneakers, in the
tracks, or on the deck. If you’re not a pocket person (and you won’t be
after sitting on a wrench once or twice), when you’re done rigging your
tools will be spread all over the shell. When the boat is lifted over the
heads, someone will catch the screwdriver you lost in the scull or they’ll
wrench an ankle. For a tool tray design see JOB 16.5.
A level is a simple tool that will tell you whether a surface is exactly
horizontal (called level) or exactly vertical (called plumb). Most are made
of a piece of metal with a built-in tube. This tube, or vial, is filled with a
colored liquid with an air bubble in it. The tube is marked with two lines
so that the bubble will come to the center of the vial and show itself be-
tween two lines when the surface is level or plumb (see figure 3.21).
If you are looking to get real fancy, you can get yourself an electronic
level. I’ve had one for years and have found it to be very helpful for
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measuring foot stretcher angles and outward pitch. The one I have cost
me about $65.00 and gets some use, but not a lot. Good toy to have if
you’re looking to impress any engineers in the boathouse.
Now implant this in your memory before you get tense about having to
spend big bucks at the store: You should be able to get all the tools you
need for well under $200. Now that may be a lot of bread to you—I know
it is to me—but don’t worry, you can fix yourself up for less if you are
smart and diligent.
A common question most tool shoppers ask is, “Should I buy quality or
should I buy inexpensive?” My answer is “Yes!” In today’s world of
tools you can do both.
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For those tools that are critical to rigging and that will get a lot of use,
like certain wrenches, I suggest buying a top quality product. Pick one
that comes with a lifetime warranty, like Sears’ Craftsman or Snap-On.
You may pay more initially but the tools will last a long while, and if they
break you are certain of a replacement.
For those tools that are going to be suffering a lot of abuse—like a rigger
nut wrench—and that will get borrowed and lost dozens of times, I sug-
gest you buy inexpensive tools. If you are just starting your tool collec-
tion, a great way to save money and to get a great deal is to buy used
tools.
There are several places you can get a good tool at a good price, even at a
great price. Most folks buy their new tools at the local department store or
at the neighborhood hardware shop. These stores are usually a good place
to frequent. Of the two, you’ll probably get the best price at the depart-
ment store, like Sears or Wal-Mart, but you will most likely get the most
knowledgeable service from your local hardware store or a place like
Home Depot.
For used tools, I’ve found I can get some bargain prices at places like
pawn shops, estate sales, garage sales, second-hand stores, and flea mar-
kets. These places can be the sources of some amazing deals, especially if
I know what the heck I’m looking for.
Don’t wear your best duds when visiting a flea market or garage sale.
Not because you will get dirty, but because if you are dressed up
you’re going to pay more.
Years ago, I bought a Sears’ Craftsman socket set at a garage sale for
$10. The same set sells at the store for over $75, and it comes with a life-
time guarantee. As I said, that was years ago, and I’m still using the set.
However, not all buys are great.
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With that in mind, be cautious before you shell out your hard-earned
cash. Too many people think a tool is a tool is a tool—it is more than that.
Remember, your tool is going to be an extension of your hand, and you
are going to use it on something quite valuable to you—your rowing
equipment. So check the tool over well.
A bad tool is more harm than help, and if you buy a bad one you’re going
to be hard pressed to find someone who will take it back. That’s when
you will hear the old, “we have your money, you have our sympathy”
routine. Before you hit the trail and start building your tool collection
read JOB 3.1, How to Buy Your Tools, and JOB 3.2, What Tools to Buy,
of this chapter.
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Principle 4: Buy tools that fit well into your hand—if they don’t
fit correctly, they won’t work correctly.
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I have divided up my tool collection into three different kits. One I use for
basic rigging around the boathouse, another I take on the water for use
during practice, and the third I take on road trips with me. Dividing them
up helps me find what I want, when I need it, and keeps me from lugging
everything everywhere. Arrange your tools to fit your own needs, but if
you want to divide them up into kits, here is what I suggest you have in
each kit:
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trog-tool
2. Practice tool kit: If you think you will never need to make adjust-
ments or repairs on the water during a practice, give me a call. I’ve got
some Enron stock just for you.
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That last item (a supply of rigger top bolts or nuts) is a critical item to
have. Losing one on the water is like someone applying a giant hand-
brake on your practice. Got a spare—practice continues. No spare—
back to the dock with ya (if you’re lucky enough to make it there, that
is).
3. Travel tool kit: This sport involves a lot of travel which means de-
rigging and re-rigging boats each time you move. This calls for some spe-
cial things to stash and bring along (see Appendix Four for a complete
travel list check-off sheet).
Once you start accumulating a tool collection, I suggest you keep each kit
separately. This will save time spent looking for that lost wrench.
By now the question should have popped into your mind, what exactly do
I put all these tools into? I just keep the standard rigging tools on my tool
tray instead of putting them away each time. I keep my practice tool kit in
an Army surplus ammunition box. It’s waterproof, compact and tough as
all heck. We keep our travel tool kit in a large Craftsman tool box. It is
big and clunky but it holds a lot of stuff, and we don’t have to worry
about someone wandering away with it—at least not without getting a
hernia.
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Care: Caring for your tools is fairly simple and quick, yet important. You
should clean them regularly. This consists of nothing more than putting
some mineral spirits or turpentine on a rag and wiping them clean. Lubri-
cate any moving parts. Keep your tools dry, especially those in your prac-
tice tool kit. Most tools are made of steel and will rust quickly. Be nice to
them and they will be nice to you, especially in the case of your Homo
sapiens tool. Be especially nice to it.
Labeling: You should mark your tools to identify them as yours. Not be-
cause of folks stealing them, but because tools are social things and they
like to visit other people’s tool boxes, especially on road trips. I have seen
three methods used for labeling tools.
One is using colored electrical tape or paint. I like this method since you
can mark your stuff with your own design and spice up an otherwise dull
toolbox. Another method is to use an electric engraving tool to scratch
names into the tools. And still another method is to grind notches into
them. This is kind of Troglodytic and you will need a grinder. This
method seems to work until you merge with someone who has the same
pattern of notches. I like the tape/paint method best because it looks
cooler.
Storage: I already mentioned where to keep your tools during the season
when you will be using them. During the off-season, if not in use, store
your tools in a dry area. People who are absolutely into their tools usually
hang them from a pegboard with a painted outline around them. I just put
mine in a dry place where I can find them when I need them.
If your tools are going to be living at the boathouse, I suggest that you
keep them under lock and key. Although I wish we lived in a world where
locks and keys are not needed, we don’t, so in order to protect your in-
vestment this is an important step.
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A
long time ago, when the Troglodytes and Neanderthals were rac-
ing for the Flintstone Cup, rowing equipment was much different.
Back then, the boats consisted of old chunks of trees that were
paddled with sticks. When people finally became civilized, their
rowing equipment changed: The logs became shells and the sticks be-
came oars.
Specifically, it is thought that the Phoenicians were the first to take the
paddle and turn it into an oar. This is important because a paddle, which
has no solid connection to the boat, is only about one-half as efficient as
an oar, which is connected to the boat by the outrigger. This helped the
Phoenicians to become the speed-demons of the Mediterranean.
Since those olden days, the first genuinely big change in the rowing scene
occurred around 1600. Until then, rowing usually had been done by
slaves or by workers. Competition consisted of fishermen racing each
other to get their catch of the day to the market first or of matches be-
tween watermen to see whose water taxi was faster. For some reason the
upper crust of England decided they were tired of the workers having all
the fun. So these folks put down their silver spoons and got into rowing
for recreation and competition. In the 1700s rowing became extremely
popular in England, and in 1715 the Doggett Coat and Badge Race in
England became the first recorded race for recreation.
Considering how long rowing has been around, changes have been few
and sparse. There have been improvements, but the basic idea of rowing
is the same as it was when the Egyptians were cruising the Nile. There
have been four major improvements made to equipment in the last 200
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years. These are the outrigger, the sliding seat, the swivel oarlock, and
the keel-less boat.
The outrigger probably had the greatest effect on rowing. Before the out-
rigger, the oar was attached to the boat at the gunwale. To allow this, the
boats had to be wide, sometimes up to four feet wide. You can imagine
how much fun those heavy boats were to row. Being too heavy to move,
these old boats were left in the water, unlike today’s shells. With the in-
vention of the outrigger, boat size was greatly reduced, the weights of the
shell dropped, and the boats became faster.
The invention of the sliding seat allowed more power to be applied to the
oar. Until this time, the seat had been fixed and most of the oarsman’s
power came from the upper body muscles. Rowers loved to see the slid-
ing seat because it enhanced their efficiency and reduced injuries. Butt
blisters were a common problem with fixed-seat rowing, and many row-
ers who were training hard literally had to eat their meals standing up.
The swivel oarlock increased the contact between the oar and the boat,
improving efficiency. Before the invention of the swivel oarlock, the oars
rested between two rigid pins called tholepins. The tholepins had a ten-
dency to restrict the movement of the oar and often left gaps between the
pins and the oar. This gave the oar an unattached feeling. One reason the
swivel oarlock became popular was that it gave the rower a better feel of
what was going on with the oar and allowed for a smoother stroke.
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There also has been many minor developments made to rowing equip-
ment, with many coming in the last ten years such as: synthetic oars and
boats, single action seats, Euro-style riggers, speaker amplifier systems,
and speedometers, just to name a few.
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As you can see, new ideas were not quickly accepted. It took almost fifty
years before the sliding seat totally replaced fixed-seat rowing. Some of
this was due to stubbornness on the part of coaches and manufacturers,
and some because people did not know how to use the new equipment.
An Eaton coach was quoted as saying he believed the new swivel oar-
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locks were a good idea, but he felt he could not teach rowers how to use
them.
Every time there has been a new development in equipment the art of rig-
ging has had to change. In the past rigging was kept a deep, dark secret
because of the intense rivalries in the sport. It was not uncommon for
three teams rowing out of the same boathouse to have three different row-
ing styles and three different rigging techniques, all kept as secret as pos-
sible. It has just been in the past few years that rigging techniques and
rowing styles have become standardized. This is mainly because national
governing bodies, such as USRowing, are doing all that they can to pro-
mote and develop rowing in their countries. Rowers and coaches are
thinking, and acting, more on a national and global level.
Finding your way around. The first time around a shell can be very con-
fusing. In rowing we don’t deal with left and right. Instead we give direc-
tions by saying, “Port,” and, “Starboard.” We don’t use front and
back; instead we have bow and stern. And when we move and store a
boat it’s upside-down. Not only that, but we identify the different posi-
tions in the boat by numbers. They start with the number one which is in
the front (bow) of the boat and count upwards as you approach the back
(stern) of the boat. And to top that off, in some places we don’t even use
numbers, but throw names in there instead—like stroke or bow-person.
Confused? No sweat: here are a few helpful hints. The stern is the back of
the boat. That is easy to remember because the stern is usually where the
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coxswain (person who steers) sits and they tend to be stern people. The
front of the boat is the bow and it may help you to remember that when
you bow, you lean forward.
Go to the bow of a seats-up boat and face the stern. Raise your right hand.
Which side are you pointing to, port or starboard? Those of you who said,
“Port” pat yourself on the back; those of you who said, “Starboard” read
on.
When you are in the stern and looking towards the bow of ANY boat,
port is always on your left. And it will always be in the same place re-
gardless of where you are facing. This system came about a long time ago
so sailors would always have an easy reference point. If Captain Bob
came up, looked a sailor in the eye, and said, “Quick sailor, we’re sink-
ing, jump off the ship!” the sailor could easily get confused. “But captain,
which side of the ship should I jump off, the left or right? And since we
are facing each other, would that be your left, captain, or my left?” By
using port and starboard instead of left and right, the sailor and captain
know exactly what places they are talking about, and the sailor knows
exactly where to jump.
Three more terms: aft means towards the stern, fore means towards the
bow and midships means around the middle of the boat. You will see
these terms many times. Don’t expect to catch all of this in your first out-
ing. As a matter of fact, I have been around rowing for thirty years and I
still stumble over port vs. starboard.
Shell is the common name for any rowing boat, whether it’s used for
sweep rowing or sculling (although sculling shells are often called
“sculls”). The term came about because the hull (outer skin of the boat)
used to be as fragile as an egg shell (I’m not making this up). All shells
are basically the same. The hull is what separates the insides of the boat
from the outside world.
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To help the hull keep its shape, there is a framework structure inside the
boat for support. In most boats, this superstructure consists of pieces of
wood that extend from one part of the shell to another. The horizontal
pieces are called braces. Extending upward, from the bottom of the boat
(called the keelson) to the top of the hull, are vertical pieces which are
called ribs. The top part of the rib is called a knee.
Now take a couple of steps away from your boat and look at the whole
thing. Notice how it appears to be divided up into three sections. At either
end, bow and stern, you have closed areas called compartments. In be-
tween the compartments is the interior where the seat assemblies and
foot stretchers are.
Although the bow compartment and the stern compartment look like a
waste of space, they actually serve two purposes. The first is that they ex-
tend the total overall length of the boat. This is important because there is
a critical relationship between the boat’s length and its speed. The second
is that they provide watertight compartments which are used for floatation
in case the boat swamps. The top part of a compartment, when the boat is
seats-up, is called the deck, and this can be made of either hard or soft
material.
Where the interior and the compartments meet is a wall. These walls are
called bulkheads. Either in the bulkhead or on the deck, there should be a
hatch and cover. The hatch allows access into the compartment for in-
spection, repairs, or drying.
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When the boat is not in use, leave the hatch covers open. If you have a
good watertight seal, damage might occur to the hull or deck if pres-
sure builds up or decreases greatly inside the compartment. This tends
to happen when the boat is out in the sun. Make sure the hatch is
closed when the boat is rowed to ensure flotation.
The braces and ribs together form a platform upon which sits the slides,
runners, or tracks (any of these names can be used). The seat assembly
moves back and forth on these tracks. Between the tracks, on top of the
braces or deck, is a spot, usually identified by tape or markings, called a
step plate where the athletes step when getting into and out of the shell.
Using the step plates keeps the rowers from putting their weight on the
bottom of the hull and letting the outside world (water) into the shell. You
might find your boat does not have this bracing and instead the inside
looks like one solid platform with holes cut into it. This is called a mono-
coque seat deck and is basically the same as the bracing system but just
different in design, although structurally stronger.
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Aft (toward the stern) of the seat assembly, between the braces and ribs,
are the foot stretchers. The area from one foot stretcher to another is
called the stateroom.
At the upper edges of the hull, on both sides of the boat, are the gunwales
or gunnels (again, both terms are okay). On top of the bow deck there is a
small extension of the gunwale called the splashbox. Its purpose is to
keep water from riding up on the deck and into the interior. In the older
shells you will probably see all of the gunwales made from wood, but on
the newer, synthetic boats they are made from the same materials as the
outer skin. If that’s the case with your boat you may not even be able to
tell where the hull stops and the gunwale begins.
The oar is what moves a shell. The difference between an oar and a pad-
dle is that the oar is attached to the boat by a rigger, while a paddle is not
attached. The oarlock is where the oar resides. The oar sits inside the oar-
lock resting on the oarlock sill, secured in place by the gate or keeper.
Over the years, oars have undergone many changes, even though they
don’t look that much different. The size of the blade has become shorter,
fatter and more curved and the length of the oar has decreased. We dis-
cuss this more in the later chapters.
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Oars always seem to be going through an evolution. One of the most sig-
nificant changes has been in the materials used in making the oars. At one
time, all oars were made from wood, but in the mid-1970s composite
oars, made from graphite and fiberglass, hit the scene. This revolution has
been led by a very innovative company called Concept II,
<http://www.concept2.com>. Nowadays, wooden oars are slowly becom-
ing collectors’ items. As a rower I like the feel of wooden oars, but as a
coach the synthetic (composite) oars are a dream. They are tougher than
the woodies and need a lot less tender loving care from the Rigger.
The oar is made up of six parts. The handle is what the rower holds. This
is usually a wooden piece; however, composite handles are being made
and used today. The handle is usually fairly rough to assist the rower’s
grip when it gets wet. The end of the handle is called the butt. The shaft
extends from the handle down to the blade or spoon. Between the handle
and blade is a sleeve upon which is the collar or button. The collar fits
up against the oarlock and keeps the oar from extending outward. This is
the only place where the oar contacts the shell.
When the oar is in the oarlock, there are a few positions you can put it in.
Positioning or placing the blade in the water is called making a catch;
removing the blade from the water is called making a release or finish;
when the blade is held perpendicular to the water, it is said to be in the
squared position; and when it is held parallel to the water, it is in the
feathered position.
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Now look at the outside of the hull. Somewhere along the bottom of the
boat is the skeg or fin (once again, it’s proper to use both terms). The fin
helps the boat track in a straight line in the water and resist sideways
forces, like wind. To steer the boat there is a rudder, also along the bot-
tom (not all shells have rudders). The rudder may be in combination with
the fin or they may be separated by some distance. In either case, the rud-
der will always be aft of the fin.
There are two places the rower contacts the shell: the seat assembly and
the foot stretchers. The seat is the top part of the seat assembly (may be
wooden or fiberglass), and is designed to fit the human backside fairly
well—although there have been many practices after which I would dis-
agree with that statement. The fore (bow) part of the seat has an indenta-
tion for the lower spine (coccyx) to fit in. It looks like a half-moon. Un-
derneath the seat is the carriage upon which are connected the wheels,
which allow the seat to roll on the slide. Depending on the make of boat,
you will find different carriages and wheel designs. A great new design
being produced now incorporates ball bearings with the seat carriages—a
great innovation.
The seat assembly is removable and if you get confused as to which way
it should go, always have the half-moon towards the bow (see JOB 7.86,
Seat Assembly in and Out). The foot stretchers are attached to the braces
by notched channels. These channels allow the foot stretchers to be
moved fore and aft, and then secured. Most boats today will have sneak-
ers on these stretchers. They are usually attached by nuts and can be eas-
ily exchanged for fit or repair.
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One last note: some of the larger shells, mainly eights, may come with the
ability to be split into two or three pieces. These boats are called sec-
tional boats and this is done to make transporting the shell easier. It’s
easy to tell if a shell is sectional. Look inside the boat for a large rein-
forced area that is bolted together, or if the shell is seats-down, look at the
hull for a seam line. The sections are usually at midships, but not always.
See JOB 18.3 on how to section a shell. Now that the tour is over, let’s
move on to the mechanics of rowing.
There is one basic principle that will help you understand how all of the
parts work together in rowing, and that is:
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In rowing, the power of the rower is applied through the oar to the wa-
ter by means of the rigger.
When a rower sets the oar in the water and pushes against the foot
stretcher (which means he or she is also pulling on the oar) there is a
force exerted upon the rigger. The rigger transfers this force to the shell,
which in turn is moved through the water. This may sound simple—it’s
not actually—but it’s worth trying to understand.
Instead, I suggest you do this: Focus on learning the parts and how they
interact and then get competent in adjusting them. This will give you a
good dose of reality before you tackle the theory. When you feel comfort-
able with this, you will find the theory of rowing will come easier. In fact,
you will already understand the basics of it.
For Higher-Dimensional Riggers. Well, I’ve got good news and bad
news. The good news is that if you’re reading this then you’re doing well
with your rigging and you’re now ready to discover the intricacies of the
theory of rowing. The bad news is that you are not going to learn them
here. The theory of rowing is a real handful. Let me show you an example
of what I mean.
There are two different ways to look at the mechanics of a rigger and an
oar. One is to assume that they work together as a first-order lever and the
other is to assume they work as a second-order lever.
As a first-order lever, the oar moves the water but not the boat. As power
is applied to the handle of the oar, the spoon is moving the water in front
of it. The fulcrum, or point on which the oar turns, is the pin and oarlock.
As a second-order lever, the oar moves the boat and not the water. As
power is again applied to the handle, the boat moves instead of the water.
This time the fulcrum is at the water and not the oarlock. You can look at
the rigger and oar either way, and either way is right! It can get confus-
ing.
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This is just a tidbit of the theory, which should give you some indication
of how involved rowing mechanics are. As a matter of fact, to do it jus-
tice would take a book in itself and that’s exactly what several people
have done. Many of these folks have done a superb job of putting the
complete theory of rowing into words and I am going to refer you to their
books. Call this a cop-out if you want, but these folks will give you a bet-
ter education on this subject than I could. The books are: A Textbook of
Oarsmanship, by Gilbert C. Bourne; Rudern, by Dr. Ernst Herberger; and
The Complete Steve Fairbairn on Rowing, by Ian Fairbairn. Complete
citations can be found in Appendix Three, along with other suggested
books.
For all Dimensions. All of the specifics of rigging, like height, pitch,
leverage, etc., are covered in the individual chapters of this manual. There
you will find a little theory and a lot of the reality. By reading the chap-
ters and the suggested books you should be able to get a basic idea of how
a rower works with his or her equipment.
One last thing, there is not one “set-in-stone” theory of rowing. Most
coaches and Riggers agree on the basics of what moves a rowing shell,
but there are many different views on how it is best implemented. This is
evident by all of the different rowing styles. As you become more in-
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volved in rowing you will probably even develop your own theory or
style.
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— Chapter Five: Rigging Safety —
S
ince I first wrote this book, I’ve done many rigging clinics across
the country. The topic of safety is one that I always bring up, and it
tends to generate a very typical reaction—people get a glazed-over
look and I can tell that they are “tuning out.” This usually happens
from folks who have never seen someone get seriously hurt while rowing
or who themselves have never been hurt.
Let me be right up front with you here: A great many people think that
rowing is a super-safe sport and that very few, if any, people get hurt
while doing it. I’m here to tell you that it is not (super safe) and people do
(get hurt). The same can also be said about rigging—many folks think
that rigging is super safe. Well, I’ve got to tell you that it too is not (super
safe) and people do get hurt (while rigging).
So with that thought in mind (that you can get hurt rigging and that peo-
ple do get hurt while rowing), it is a really good investment of our time
and energy to talk about safety. A good place to start is to pin down what
exactly “safety” is. I put it in these terms: Safety is limiting the possibili-
ties that something harmful will happen. That’s it—rather simply put.
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Safety and “being safe” do not mean that you will never have an accident
or an injury or a problem or a hassle or a bad experience. Those things
can happen, and if you rig and row long enough they will most likely
happen. But safety and being safe do mean that you are doing all you can
do to limit the possibilities that something bad will happen.
What makes these value judgments difficult is that if you have never ex-
perienced the bad that can happen from a decision (lung cancer, car acci-
dent), then how can you be sure you are making the correct choice when
it comes to safety? I wonder how many non-seat-belt wearers become
seat-belt wearers after they have been in, or have seen, an accident? As
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Barry LePanter told us, “Good judgment comes from experience, and ex-
perience comes from bad judgment.”
With that in mind, please follow along with what comes next—it could be
important to your own health and well being, and that of other folks.
Your first order of business is to reduce the incidences of injuries and ac-
cidents while someone is using rowing equipment. You see, the world
changes greatly once you push away from the dock, and rowers tend to be
a very trusting group—trusting that nothing bad will happen and the gods
of their rowing site will protect them. But things do happen, and you need
to try to reduce how often those bad things occur.
When you rig, focus on rigging the equipment for efficiency and comfort
for the rower, while at the same time look at the equipment from a safety
perspective. Search out faulty equipment. When you find something that
is broken, fix it or replace it immediately—and don’t row it until it is
fixed.
Although you don’t have x-ray vision, like your cousin Superman, look at
things extremely closely. Make educated guesses about the quality of the
equipment. If a top stay is badly bent from a crab or is unusually corroded
at the attachment point, then replace it—now. If the wheels on a seat as-
sembly are brittle, worn or cracked, then change them—now.
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Your second order of business is to protect the equipment itself. You will
be surprised, or maybe you won’t, at how easily rowing equipment is
damaged. Considering all the hazards your equipment goes through—
practices, moving back and forth to the docks, transporting to races, nov-
ice rowers, First-Dimensional Riggers, storage—the equipment is actually
pretty tough. But it does get damaged.
What you must do, Super Rigger, is to use your powers to protect the
equipment from all of these dangers. This is easier said than done. Two of
your superpowers that will help the most are prevention and a good
maintenance program. Prevention, using your brain to think ahead to
avoid problems, is critical to a Rigger.
For example, a crew is coming off the water from practice and they need
to put their boat into slings for attention. The slings are of questionable
quality. If you were to put the boat into the slings inside the boathouse it
will be left there all day and will get shoved around as people move other
boats. Think ahead to the worst case scenario—the slings collapse and
your boat slams into the floor. As Super Rigger you can prevent this.
For instance, make alternative plans for rigging the boat, like putting it on
a rack and rolling it into slings just before the next row. Or, fix the boat
now when you know there will be people there to move it as soon as you
are done. Prevention, prevention, prevention.
Another power that you have and need to make use of is a maintenance
program. This is the least used of all the Rigger’s resources. Most people
give their equipment a minuscule amount of attention and when it breaks
down they usually get torqued out, act surprised, and get upset.
Why?
The stuff needs attention, it doesn’t last forever, and it breaks. For some
Riggers and rowers this is a very foreign concept.
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Shells, oars, and the assorted equipment need a lot of tender loving care.
A maintenance program is a fairly small investment of your time and it
can reap you great rewards (see JOB 18.1, Tune-Ups, for a suggested
program). Good maintenance will add to your superhero reputation and
keep your equipment in motion. For more information on equipment
maintenance, turn to Chapter Eighteen: Keeping Your Equipment Alive.
Your last but certainly not your least order of business is to protect your-
self. There is absolutely no need for people to get hurt while rigging, yet
they do. Again I need to ask,
Why?
The three most common ways Riggers get hurt are: (a) moving boats, (b)
bashing themselves on a rigger, and (c) using tools. A quick talk about
each method of destruction might be helpful. I’ll keep the graphics to a
minimum. I promise.
First, I truly think some folks believe they actually do possess superhuman
strength the way they try to move shells in a boathouse. I have seen (and,
okay, I admit I have done this) two people move a fully rigged eight from
a rack onto slings. What a great way to rearrange your skeleton or the
shell! Moving a boat can be hazardous; be careful. It takes two things to
move a boat safely: brains and brawn. Both are needed. Get both and stay
healthy. Forget one and something or someone is going to get trashed.
Second, a place that I constantly see people get dinged and dented while
rigging is when something soft and organic (i.e., human body part) meets
something hard and inorganic (i.e., a shell’s rigger). This can be tough
when the rigger is stationary and the human body part, like a head, is mov-
ing. (You stand up and bash into the rigger that is on the rack just above
you.) However, this can be downright brutal and possibly even devastating
when the rigger and the human body part are both moving—like when a
shell is being carried to the dock and connects with an unaware spectator
(can anyone say Magazine Beach?).
Third, I think that some people really believe that tools have brains of
their own—and as soon as they pick one of them up the tool knows what
it should or shouldn’t do.
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As far as accidents go, you can’t prevent all of them, but you certainly
can cut down the risk of many of them happening. A simple step like
keeping your tools in good shape, free of dirt and grease will help a lot.
Dirty tools breed accidents. And damaged tools will only end up break-
ing, ruining the Work or hurting someone. Be smart: when using a hitting
tool or power tool, wear safety goggles. When using a wrench, always
pull it; never push it. This will save a lot of scraped knuckle skin. Don’t
hammer on a wrench to loosen a frozen bolt. See Chapter Sixteen for tips
with fastener problems. When using pliers, watch out for your skin be-
coming pinched between the handles.
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One last item about tools. Tools are revenge oriented—in other words, if
you mistreat a tool, it will, sooner or later, get back at you. I speak from
experience.
All too frequently, rowers and coaches don’t use their common sense be-
cause of pressure applied on them to perform (and most often this pres-
sure is applied by no one else but themselves). For instance, the pressure
to have fast crews lead some coaches to subject their teams to hazards
that common sense would recommend against. Because of performance
pressure of upcoming competitions, rowers have rowed in conditions, and
with injuries, when common sense would dictate otherwise.
Another reason is ego. Rowing attracts people who often have high ex-
pectations for themselves, who are driven, and who like to achieve. Noth-
ing wrong with that. However, sometimes this drive, this effort to please
our inner-selves (our ego), can make us do things we know we shouldn’t
do—if we would only stop and use our common sense.
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Right up front, let me tell you this: We all have common sense. Inside
each and every normal brain there sits a whack of common sense. But
some of us just don’t use it. There are many reasons for this, some of
which we just discussed above.
When we use our common sense, we tend not to get overwhelmed by the
effects of peer pressure, egos, and emotions. We act a little more logical
in situations—rather Mr. Spock-like. This can help you rig better, espe-
cially during a pressure-ridden racing season.
If you have a hard time using your common sense, it is possible to im-
prove. Here is a way you could try: Put yourself in a situation in which
you need to make a decision. For example, zip on down to your favorite
gas station and fill up the car with gas. Before you put the gas in the car,
you have a decision to make: “How much gas do I buy?”
Pretty simple steps to answer that question: (a) your mind gathers infor-
mation, (b) it weighs it, (c) it makes a decision, and then (d) common
sense might speak up if it disagrees with your decision.
In this specific case, you gather the information about how much cash
you have on you, or if you have a credit card, or if the station takes
checks. Then your mind weighs the information, and makes a choice.
Now, before the mind tells the body to pay the guy behind the counter,
common sense speaks up if things are wrong. For example, if you’ve only
got three dollars and you plan on putting five bucks into your car, chances
are that your common sense will want to have a little talk with you. You
should listen to it, and that’s that.
But what goes on in today’s world is that a lot of folks just don’t listen to
their common sense. So, often it talks, and folks just don’t hear.
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I know this sounds very simplistic, but if you want to have your common
sense work for you, then you need to listen to it. Try to look at it this
way—your common sense is pretty much similar to a muscle. Like any
muscle in your body, it needs to be used to stay healthy and grow. If it’s
not used, it atrophies and becomes flabby, limp, and pretty much useless.
Use your common sense, and it becomes stronger. Don’t use it, and it be-
comes weak.
Let me ask you this, “Can you be safer?” My answer: “Yup, you defi-
nitely can!”
Regardless of how safe you are now, you can be safer. However, there are
two factors here that need to be considered: Do you want to be safer, and
can you afford to be safer?
You see, safety should be a component of your rigging, not the focal
point. Safety should not be invasive. If it becomes that way, then you di-
minish your experience, your rigging becomes less fun and less enjoy-
able, and you stand the chance of having a backlash against safety.
There is this invisible line that separates being safe and being unsafe—
and that line is what is reasonable. Paying someone to follow you in a
launch while you row in the pond in your front yard that is 200 meters
long, 200 meters wide, and three feet deep could be considered unreason-
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able. At the same time, not rowing with someone following you on a river
where the water is 45 degrees, choppy, filled with powerboats, and foggy
could also be considered unreasonable. You have to decide what is rea-
sonable and what is not. If that decision is difficult for you to make, and
often it is, there is help (see Step 2).
Well then, I’m going to suggest two simple steps you can take to help de-
termine if you need to be safer.
So I’m going to prompt you to ask this question: “Are people getting hurt
while rowing/rigging in my boat shack?” If the answer to this question is
yes and injuries are happening, then you need look at the cause of each
injury and determine if it was preventable. If it was preventable, then take
immediate steps to prevent it from occurring again.
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— Chapter Six: Your Rigging Environment —
R
owing is both an outdoor sport and a water sport. Two pretty darn-
simple concepts. And just about every coach, rower, and Rigger
that I’ve ever met is well-versed in both those notions. So why,
why, why is it that so many of those same rowing folks forget
these simple concepts when it comes time to actually row or rig?
I see coaches, athletes, and Riggers who just seem to ignore that we do
our thing out-of-doors in what is commonly know as the environment—
and they seem oblivious to the fact the environment plays a very big fac-
tor in what we do and how we do it. Let me clue you in on something—as
a Rigger, the environment is going to have an enormous impact on what
you do and if you want to rig well you will be best served to keep that in
mind.
The first way the environment is going to play a factor is by the level of
PRE. “What the heck is PRE?” you ask. Simply, PRE is short for Positive
Rigging Environment, and it is absolutely essential to rigging well. The
best way to explain what PRE is is to look at it in terms of minimums and
maximums. The level of PRE is usually the greatest when:
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The third way the environment can impact your rigging is that it can pro-
duce factors that may well dictate changes in your rigging. One of those
factors is wind. Wind generates waves, and waves and rowers—like oil
and water—don’t mix well.
Waves can demand that you adjust your rigging heights or do some crea-
tive rigging (which I call McGyver-rigging after that enormously famous
TV show starring, who else, a guy named McGyver). For instance, at the
1995 World Championships in Tampiere, Finland, I spent hours
McGyvering splashguards for many of the US teams boats because (in
theory) it was supposed to be a very windy and very wavy race course In
reality, it turned out to not be that windy and not that wavy.
Another factor is that water currents can affect your leverage, and in turn
affect your rigging. Basically you can look at water currents like an in-
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visible force that is pushing your rowing shell in a certain direction. This
force might necessitate that you adjust your leverage.
Yet another factor is the quality of the water itself. Is it polluted, does it
contain salt?
All of these items: wind, current, water quality are addressed in JOB 6.3.
We as people whose work, play, and dreams are often focused on water
should take a leadership role in keeping our rivers and waterways clean.
If we don’t the day may soon come when the environment has been so
used and abused that we can no longer row in it. To steal a phrase, we
need to think globally and act locally (especially in the boathouse and on
the river).
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ture rowers, coaches, and Riggers. In JOB 6.4, the last JOB in this chap-
ter, I discuss some of the ways to lessen our impact upon the environ-
ment.
I’m sure you’ve heard the saying that “It is all between the ears.” Well,
that is exactly what I am talking about with PRE—how your rigging sur-
roundings impact what is going on between your ears. I’ve found that
when my rigging environment is positive, what goes on inside my head
tends to be positive; and when that happens I do a much better job of rig-
ging.
As we discussed previously, there are basically five items that will impact
the level of PRE. I’m not going to go into a detailed discussion on each of
those items, its not needed. But I did want to relate that I’ve often found
that just telling folks that these items are going to impact their rigging is
usually enough for them to control them and do a better job of rigging.
Step 1. Max Your Knowledge: Simply put, the more you know, the bet-
ter you’ll rig. I discussed in Chapter Three how to become more knowl-
edgeable about rigging. So flip there if you are on a knowledge quest and
you have some time to read.
However, if you are out of time and in one of those ugly, panicked situa-
tions, you know—I’ve-got-to-get-this-done-right-now-and-I-don’t-have-
a-clue-what-the-heck-I’m-doing types of situations—ask for help. Get on
the phone, email, fax, whatever-the-heck-you-have, and communicate
with a peer/mentor/manufacturer/rigging-czar. In my opinion, that is one
cool thing about our sport. People are helping each other all the time. You
go to a big championship regatta, an all-or-nothing-race, and you can find
coaches from competing teams helping each other rigging shells and
lending each other tools. A model for the rest of the world.
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usually goes downhill quickly. Some people love pressure situations, but
most just wilt. The pressure gets in the way of thinking straight and being
effective, and usually pressure rears it ugly head on race day.
So how do you control the pressure on your rigging? That depends on you
and your situation, but you might find this one tip helpful—don’t do any
rigging on race day except for maintenance-rigging (turn to Chapter Two
for info on the different types of rigging). Do your race-rigging days be-
fore your race, and don’t do, and this is really hard (and important)—
don’t do race-rigging on race day at the race site.
Joe Murtaugh, who wrote the foreword of this book, has given his boat-
man, a big-hulking-biker-type-guy named Brad, standing orders. If Brad
sees Joe going near one of his teams boats with a wrench on race day—in
an attempt to do some race-rigging or peace-of-mind-rigging—Brad is to
flatten him. Stand right on his chest till he whimpers.
Step 3. Maximize Your Time: As you probably well know, dealing with
time is not easy. It is something we all must do so wouldn’t you tend to
think we would be very good at it? Usually we aren’t.
If you are going to be involved in rigging for the long haul, you will need
two things to help you handle the time it takes—you’re going to need or-
ganization, and you’re going to need discipline.
Rigging demands that you structure your time. For instance, there are cer-
tain times of the day when it’s best to rig because of the weather. There
are certain times of the day when it’s best to rig because of people’s
schedules. And there are certain times of the day when it’s best to rig be-
cause of equipment usage, coaches’ schedules, boat house hours, etc. To
fit into these best times you will need to be organized.
Rigging also demands a large quantity of time, much more so than most
people think. And it seems that the more you give it, the more it wants. If
you plan on balancing your life with rigging and not alienating the rest of
your world, you are going to need to be disciplined in the amount of time
you are willing to give to rigging.
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Maximize the time you have for rigging, and you’ll do a better job. There
is a direct correlation between the time you have to rig and the quality of
job you’ll do—mostly because it relates to the pressure on you. Over the
years I’ve found that this ratio usually holds true:
The more important the rigging, the more interruptions you’ll get.
Do your best to organize your work space so you can putter along with a
minimum of distractions and hassles. To reduce your distractions find
some way to get peace and solitude so you can concentrate. For instance
unplug the phone, rent a junk-yard dog, eat onions, play Oxford Blues. Do
what you’ve got to do to focus. One friend of mine has a motel’s “Do Not
Disturb” sign she hangs on the bow ball so her rowers know not to bug
her until she’s done.
Step 5. Maximize Your Tools: Lack of tools is one sure way to bring a
rigging job to a dead-stop. In fact, I’ve seen the final event of a champi-
onship regatta held up for over an hour as a coach tried to replace a bro-
ken skeg on his boat, but couldn’t get it done because of lack of the right
tools.
Before you go diving into a rigging job, take a couple of minutes and get
everything ready. Find your tools (JOBs 3.1–3.3), set the equipment up
(JOB 7.3, Preparing To Rig), and sling your shell (JOB 7.4, Slinging A
Boat). If you think that you are lacking a tool to do the job correctly, get
it. There are times when it is okay to beg and to borrow, but not to steal.
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Needed: Your eyes, ears, and that special thing between your ears known
as the gray matter.
Okay, in the previous chapter we just spent a fair amount of time discuss-
ing safety, getting hurt while using tools, and the importance of using
common sense. There is another factor we should discuss and that is your
rigging environment. It can play a significant factor in how “healthy”
your rigging is. There are several specific items worth chatting about.
Lighting. Good lighting can make the difference between rigging well
and rigging poorly; between spending an hour looking for a washer that
you dropped and finding it in a second; between redoing your work be-
cause the wrong-rigger-ended-up-at-the-wrong-seat and getting your
work done quickly. The definition of good lighting is varied, but I’ll put it
in these terms, “If it is light enough for me to see an ant on my shoe, then
it should be light enough for me to rig.”
If you are constantly rigging in poor light, go to the hardware store, get
one of those big mama lantern (ignore the little flashlights that run on two
“D” cells—they won’t last long) and fire it up. Or find another solution
that is more solid, like a long extension cord and a trouble light. Some-
times you might find yourself with a need to be a little more creative in
your lighting—like rigging a boat for an event at a midnight regatta (you
know, the race that’s been postponed for about eight hours because no
one in the world could get the novice eights lined up in that fifty-mile-an-
hour wind).
This happened to us and we just brought over a few cars and we did a lit-
tle “headlight rigging.” A hint here—just make sure the cars are in Park
with the parking brakes on so the Ford doesn’t meet the Vespoli. (I won’t
into details why, just trust me on this one.)
Ventilation. Fresh, clean air is important to our health, you know that.
And rigging usually is done in places with lots of clean air. Usually.
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Wind. Once you venture outside of the warm, snuggly place we call the
boathouse things change quickly. When rigging outside, you are at the
mercy of Mother Nature, and let me tell you that old Mom Nature can
change a peaceful rigging experience into a hellish rigging nightmare
quicker than Steve Irwin (of Crock Hunter fame) can say, “Danger, Dan-
ger, Danger.”
It happened to me. I will spare you the gory details, but just let me say
that at the beginning of the rigging session I had an hour to get a four and
a single “fine-tuned” for a race. Seconds later I had a four that was broken
in half and a single that was absolutely obliterated. Smashed, crushed,
destroyed. No exaggeration, two boats taken out in less time than it takes
you to read this. A lot of heartache spread all around.
Things like the gory-story I just mentioned can happen quickly when you
rig outside and the main culprit is the wind. Set an eight seats-up in slings
and walk away, and odds are pretty darn good some hurricane is going to
come along and do its best to knock it over.
When boats are seats-up they really want to be seats-down, they are more
comfortable that way. So, if you need to leave a boat seats-up in slings
outside—strap it down. Take two straps, put one over the bow and one
over the stern. Connect them in such a manner that the boat doesn’t rock
in the slings. It is the rocking motion you are worried about, when they
rock—they can flip. Strap it, grab a rigger, and try to rock it. Make sure it
is stable, and then keep a darn close eye on it. The two minutes it takes to
strap the boat can save hours and hours of repairs.
Some hate it hot. Another culprit to watch out for when rigging outside
is the temperature. Cold is not too much of a worry. Wear gloves when it
is gets frosty and don’t stick your tongue to a rigger when it is below
freezing and you should be cold-okay. Hot is a different story.
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You need to be hot-aware. If you’re into rowing you are probably knowl-
edgeable about the dangers of heat and sun on folks, so no lecture here on
that. But did you know that rowing equipment does not really like the
heat and lots of sun?
Rain. When it rains, it pours—pours right into a boat that is seats up, that
is. One gallon of water weighs about eight pounds. Let a shell get a few
gallons in it and chances are pretty darn good that your slings aren’t going
to appreciate it. I’ve seen it happen—boats left seats-up in the rain, and
about 30 minutes later one coach had two broken eights.
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Following are a few questions to ask yourself about your rigging envi-
ronment to see how safe it is:
Needed: Same as in the previous JOB: your eyes, ears, and that special
thing between your ears known as your brain.
Now that I’ve said that, let me give you the bottom line—if you are a
First or Second-Dimensional Rigger, don’t worry about this impact. Just
stay to the recommendations I make in JOBs 15.1 or 15.2, and you will be
just fine. If you are a third dimensional Rigger, read on.
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For example, if the place you row is wavy, then that will have an impact
on your heights (you will probably have to raise them). If the place you
row has a strong, continuous current you may (may, not will) want to ad-
just your leverage. I discuss both those items later in the chapters specific
to those adjustments.
But you also need to take other things into consideration. For instance,
what is the water quality like where you usually row? Is it brackish (has
salt in the water)? Is it polluted? Those things may require you to take
steps to care for your equipment in different ways. Is equipment stored
outside in the direct sun? Again, this means steps you should take to help
the equipment.
So, how do you tell if you should make rigging changes due to the envi-
ronment? One of the best ways is to go for a walk. Yup, get up and go.
Put shoes on, get off the chair and go cruising. Best destination, head for
the dock (just keep in mind, if it is a short dock don’t go for a long walk).
What you are mostly interested in is the prevalent conditions. If the water
is only choppy once a month, or there is current only for two days every
Fall when they drain the damn upriver, then no worries. You want to
know what are the customary conditions. For example, if your team only
races once in salty water, that may require only a good washing after the
race. However, if you constantly row on salty water, then you need to do
things differently for the sake of your stuff. Another example is storing
your equipment outside. If it only happens once-in-a-great-while, no wor-
ries. If it is a daily occurrence, then action is needed.
So take a walk and make a list. Once you’ve got items written down then
turn to the specific chapters that come later in this book for steps you
might need to take. To learn more about the maintenance aspect of things
turn to Chapter Eighteen, Keeping Your Equipment Alive.
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It can be simple in the aspect that you don’t need to take drastic measures
or spend money to make a significant difference in your impact on the
environment. And often the effort that needs to be spent to make a differ-
ence can be small. The difficult part comes because you may be bucking
habits or oftentimes you are going against the status quo.
For what it is worth, in my opinion the world gets polluted due to three
reasons. First, people think that they are saving a buck. Second, people
think they are saving time. Third, people want to do things easier. I see it
all the time, “Hey man . . .it’s too much of a hassle to take this old motor
oil to the recycle center, I’m just going to pour it right here onto the
ground.”
Things have gotten somewhat better in the environment since the first
edition of this book, but not good enough. And the word from many of
the experts is that unless we get it together soon (like now!) the degrading
of the environment is going to continue to accelerate. So what can you as
one person do? Here are two simple things that will have a big impact.
Step 1. Take Ownership: I don’t know about you but I get overwhelmed
when I look at the big picture of the environment and what is going on.
What helps me keep things in perspective is to look at the smaller picture.
I just focus on my surroundings, and then I take ownership of the impact I
have on my immediate area.
For example, in the boathouse we recycle our old batteries from mega-
phones and flashlights, or when we can we use rechargeable. We strive to
make sure trash is recycled and hazardous waste and toxins are disposed
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These are simple steps, but they quickly add up in their impact. And I’ve
noticed over the years that the athletes involved in our program not only
learn from our efforts but they often come up with some great new sug-
gestions and ideas.
We divide all of the rowers up into ‘teams’ with group leaders and
send everyone to a specific area either on the water or on land. We
have pulled out furniture, parts of docks, boats etc. We also keep a
couple of teams at the boathouse so that it gets cleaned up as well.
We get support from the county—they provide us with nets,
gloves, and plenty of trash bags. Then we call the city and they
come and pick up all of the trash for us.
At the end of the day, we order out for pizza and feed all of our
hard workers. It’s usually a fun day, it helps everyone to get to
know each other better, builds a spirit of cooperation between the
club and the university and helps our boathouse and waterway
look beautiful for our Head of the Indian Creek Regatta the next
weekend.”
Efforts like this (and there are many more that go on around the country
each year such as a great one at Three Rivers) are great—and critical.
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Why?
Face it, we are an outdoor sport. We are on the water, we are in the water,
and the water is often on, and sometimes in, us. Also part of the beauty of
rowing is being out in the environment. I don’t know about you, but row-
ing along and seeing five empty beer cans go floating by ain’t my defini-
tion of beauty.
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SECTION TWO
RIGGING SPECIFICS
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S
o here we are, all ready to start. As you know, all journeys begin
with the first steps, and that is exactly what this chapter is all
about—showing you the first steps to take to become a competent,
comfortable, able Rigger.
This chapter will introduce you to many new items, terms, and numbers.
Don’t let any of it throw you for a loop—they’re not too complicated, and
any math that is needed is easy. We also tackle some of the first JOBs
you’ll need to do as a Rigger. Before we get going, there are a couple of
things we must discuss.
Determine and identify problems. Before you lay a single tool upon
your equipment, there should be a darn good reason for it. Change, just
for the sake of change, is a waste of time. You should be trying to accom-
plish something when you make adjustments, whether it is the correction
of a diagnosed problem, routine maintenance, or experimentation. Re-
member these oh-so-profound words, “Don’t fix it if it ain’t broke.” So
determine that there is a problem or a reason to rig (see JOB 7.3, Prepar-
ing to Rig) and then . . .
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Prepare yourself, the rowing equipment, and your tools. Make sure
your environment is a safe and positive one in which to rig. Do you have
enough time to do a good job? Are your surroundings safe? Are the shell,
oars, etc., prepared to be worked on? See JOBs 6.1 and 6.2. If everything
is all set, then you’re cruising, and it’s time to . . .
Adjust the mechanics. This is the meat of the beast. Whether you are
doing one or two adjustments or a complete rigging JOB (adjusting all of
the mechanics at once) the order in which I recommend you make your
adjustments is as follows:
This is only a suggested order. Make your adjustments in any order you
want; however, I’ve found this order works well and causes me minimal
hassles, especially with the new Euro-style riggers. One thing to grasp
when making adjustments is that a change in one area might affect an-
other area. For example, on older Vespoli riggers, if you change the
height of the oarlock (without removing the top stay) the pitch of the oar-
lock will also be affected.
Go through and make your adjustments and then record them for future
reference. (See JOB 15.7 concerning recording your numbers and
changes.) Afterwards, it’s off to a step most people ignore . . .
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Check your work. You’ve done your adjustments and now your work is
done, right? Not quite yet. Remember how your teachers always stressed
to check your work before you passed it in? In rigging, you would be well
advised to follow that lesson.
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through the boat to double-check my work, since it had been done fairly
quickly. But the Romanian head coach wanted nothing of it and would
not let me get near the riggers.
We stood there arguing back and forth in English and Romanian, which
must have been entertaining, since I don’t speak a speck of Romanian and
he did not speak any English. Finally, he threw his hands up in disgust. I
thought he mumbled something about “pushy Americans” and then he let
me proceed. It turned out that one of the nylon rigger clamps had not been
tightened. If they had attempted to row the rigger the way it was, the oar-
lock pin would have slipped, and there would have been several mad
Romanian rowers with revenge on their minds. Instead, they won their
heat and went on to win the gold medal. Ahhhaa . . . pushy Americans
indeed.
So after you check your work, which I hope you are now motivated to do,
go . . .
Row the boat. Put the boat in the water and see the results of your work.
If you were rigging to correct a problem, hopefully it’s gone. If it was
maintenance rigging you should feel good knowing your boat will last
longer and it likes you better for the tender loving care you are giving it.
And if you were doing peace-of-mind rigging hopefully you have found
it. And lastly . . .
Clean up. Put away your tools, equipment, and toys. You’ll be a better
Rigger if your work area is organized and tidy. Also, be careful about
what you throw away. Recycle and reuse whatever you can.
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Now that you’ve some idea of what lies ahead, here are a few thoughts to
help you down the path:
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Rigging measurements are those dimensions you use for the various
parts of your rowing equipment. They are usually adjustable. Following is
a brief description of all of the measurements I’ve ever encountered in
rigging, some of which you’ll use a lot, some of which you may never
see.
Before you proceed, I must offer a word of caution: Don’t get over-
whelmed. Depending on your Dimension of Knowledge, some of these
numbers are critical, some are important, and some you don’t need to
worry about in the least. We will sort all that out in the following chap-
ters.
Foot stretcher angle: this is the slant of the foot stretchers toward
the stern; normal range is 38 to 42 degrees.
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Heel cup height: height of sneaker heel cup measured from the
top of the seat, normal range is 14 to 20 cm.
Opening angle: angle the sneakers turn from each other, normal
range is 25 degrees.
Handle size: one of the options you’ll now be offered when you
purchase oars is the diameter of the handle. They usually range
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Inboard: the length of the oar shaft from the butt of the oar han-
dle to the water side of the button; normal ranges are from 111 to
118 cm.
Length: total length of oar from butt to blade tip. Normal sweep
oars range from 363 cm to 380 cm, and normal sculling oars range
from 280 cm to 300 cm. Shorter oars seem to becoming more
common as blade shapes change.
Outboard: the distance from the oar’s button to the blade tip.
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Arc: the distance an oar moves; two types: inside and outside,
measured in degrees; normal range is 70 to 85 degrees.
Catch angle: when the oar is at the catch, this is the oar’s angle
from a line perpendicular to the shell. Normal range is from 42 to
56 degrees.
Catch length: make a line perpendicular to the shell from the pin.
From there, the distance to the butt of the oar handle when it is at
the catch is the catch length. Normal range is from 80 to 96 cm.
Finish angle: the same as catch angle, only measured when the
oar is at the finish.
Finish length: the same as catch length, only measured when the
oar is at the finish.
Height: here, we are talking about the distance from the bottom of
the oarlock sill (called the horizontal flat) to the top of the water’s
surface. Normal range is 24 cm from the water or 14 to 18 cm
from the seat top.
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Lateral pitch: the angle of the oarlock away from vertical, usu-
ally 1 to 2 degrees.
Span: the distance from the center of one pin to the center of the
other. Used only in sculling.
Spread: the distance from the center of the shell to the center of
the pin. Spread can be used in both sweep and sculling. Normal
range is 80 to 85 cm.
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Depth: vertical distance at the deepest part of shell from the top
of gunwale to the bottom of shell.
Draft: the distance from the designed water line to the shell’s bot-
tom.
Skeg and rudder size: some manufacturers offer skegs and rud-
ders in different sizes. This can affect performance and definitely
affects drafts.
Track length: the length of the tracks on which the seat assembly
moves.
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Weight of shell: how much the shell weighs, when fully rigged.
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Rower’s skill level: the closer a rower gets to one million strokes,
the better (supposedly) he or she is. Knowing this can affect how
you select such other numbers as leverage pitch.
Well . . . there you have it: over forty different rigging numbers.
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If you are coaching a crew, look at them for problems. Do you see wash-
ing out, oars hitting the water, over-compression, different catch angles,
feathering under water, crabs, and a myriad of other technical problems?
In other words, does the rowing look bad? If so, then it might be a good
time to check the shell.
If things move too fast for you at practice to notice any problems, use a
video with a good slow-motion control. When the boat is in the slings
look at the riggers. Pull out your tape measure and see if the dimensions
are what they are supposed to be. Are the back stays bent? (A sign of
crabs.) Eyeball the oarlocks. Do they look worn, deformed, out of kilter?
When all the oars are in the rack, look at the buttons. Are they all the
same?
Can you hear any problems? If you’re in a launch you may find it re-
warding to stop your motor, sit quietly, and just listen as the shell rows
by. Notice any clicking, clanking, grating, banging? How about any
sounds out of the ordinary? Heard any boats hit riggers in the boathouse?
Also, listen to your athletes. Ask them for input on how the rigging feels.
The rowers can give some interesting, and important, feedback.
Can you feel any problems? We had one guy at practice who was always
complaining about the pitch on his oarlock no matter how many times it
got adjusted. After several days of listening to his grumblings the coach
stopped practice, motored up next to our boat, put the rower into his
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launch, got into the shell, and then rowed with us for about five minutes.
The outcome was that the rigger was indeed off, the coach corrected it,
and the rower went on to complain about other things.
Can you sniff out any problems? Don’t actually use your nose, especially
around all those old sneakers, but can you play detective and detect rig-
ging problems? For example, you are doing timed, full pressure, 1000-
meter pieces on a windy day. If the times into a head wind are the same as
those with a tail wind then there is possibly something funky going on. It
might be the rigging, but then again, it might not.
Can you remember the last time you rigged your equipment? Like most
people, you probably have a lot on your mind, but somewhere in that
memory bank of yours should be stored the last time you made adjust-
ments. How long has it been? I usually check the boats for my experi-
enced rowers every two weeks and the ones for beginners every one to
two weeks.
So what do you do if while using your senses you notice a fault? You
throw the boat in slings and tear apart your rigging, right? Maybe yes,
maybe no. When a problem is detected, like a boat is slow, team morale is
down, the stock market is crashing, most folks blame the rigging first. But
remember, there are four other things that are more important to boat
speed than rigging (see Chapter Two). So, keep an eye on your rigging,
but look more closely at your rowers, training, technique, and equipment.
I would suspect them first before I go blowing apart the rigging.
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Shell
Category of shell: As we mentioned before in JOB 7.2 you need to know
the category of your shell. There are five categories of sweep rowing
shells in use today, and they are classified by the numbers of rowers in
the boat. They range from two to nine rowers. Specifically, the designa-
tions of sweep boats are:
There are basically five categories of sculling shells you will run into:
It’s a cinch to determine what category of sweep shell you are dealing
with. Just count the number of riggers on the boat and this will tell you
what you’ve got. For sculling boats just count the riggers and divide by
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two. Next, to see if it is a straight or coxed boat, just look for a cox-
swain’s seat.
Many are in the stern but some, especially in elite-level boats, are in the
bow. In this case, the coxswain will be lying down and not sitting upright
as in the stern designs. This is done to lower the center of gravity of the
boat and to help the balance. Don’t assume a rudder is an indication that a
shell is coxed or not. Straight boats (coxless) may have rudders also. It
will be attached to one of the rower’s shoes and they steer by moving the
foot side to side.
Buying a boat today is a lot like buying a computer. In other words, there
are a lot of options you can get with your money, and if you’re not careful
it can get wickedly confusing because there are no longer just three
weight classes—there are tons of them. And there doesn’t appear to be a
standard weight classification used by all the manufacturers. That means
that when you go to buy a boat, or to identify the weight class of boat you
already have, you might get some drastically different weight ranges and
“names.”
For example, for their eights, Vespoli USA uses initials such as “DS” to
designate a boat designed for 130–165 pound crew average, “DM” for
160–175 average, “DL” for 175–195 average, and “DXL” for 195–220
average. And that works great, simple and clear.
However, those same weight ranges are not the applicable for their other
sized boats (a “DM” for their four is a 165–180 average). Which still is
fine and dandy, if you are only dealing with Vespolis. The confusion can
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really set in when you might have more than one make of boat you are
dealing with.
For example, Empacher has five different weight classes for their eights
(85–100 kg, 85–95 kg, 75–85 kg, 75–85 kg – short version, 70–80 kg)
and they use “K86” to identify their 75–85 average boats. But that’s just
for eights. And Pocock has different weight class system that are identi-
fied by ranges such as “< 180,” and so forth.
So what to do?
You should treat each boat as an individual entity. Realize that if you
have three different makes of singles in your boat house (or eights, or
pairs) that you can no longer say, “They are all made for midweight.”
Nope, you are going to be dealing with a lot of different ranges and
names.
The easiest way for you to tell the exact weight class of your hull is to
talk to the manufacturer. They won’t remember your boat off the top of
their head, but if you have the serial number they can look it up for you.
This may be the easiest way for you but not for them; they are busy folks.
Turn to Chapter Thirteen, JOB 13.3, Determining Weight Classification
of Shell, if you need help determining your boat weight classification.
In some cases, the serial numbers can provide a lot of information, de-
pending on the manufacturer. For more information on locating serial
numbers see my Web site article archive.
Oars
Length of oar. A friend can be very handy when measuring the length of
an oar. Take the tape measure and have your friend hold the start (called
the dumb end) of the tape at butt of the handle. Holding the tape (the
smart end), pull it to the tip of the blade. If the tape is not long enough
then extend it out as far as it will comfortably go, mark the spot and re-
member the distance, bring the start of the tape to this new spot, measure
to the tip of the blade, and add up your distances. Record the number so
you won’t have to do it again.
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When measuring the lengths of oars it is best to measure the whole set
of oars and not just one or two. Frequently sets get mixed up, espe-
cially if they are not well labeled. If that’s the case, they may not all be
of the same length. Be sure to check them all.
Macon blades are all but gone, there are a bunch of different sizes for Big
Blades, and new models/shapes such as “Smoothies,” “Vortex,” and
“Apex” are appearing. So how do you tell?
You could ask someone who you think knows, or you can check your
files if you bought the oars. However, if you want to know exactly what
you have the absolute best way to tell is to find and record the serial
number and then call the manufacturer.
Miscellaneous
There are a couple of other items you may want to know about your
equipment. These bits of info can come in handy. Let’s discuss them here.
Make of oar. Look at the label on the shaft (loom) of the oar. There is
most likely a label there with the manufacturer’s name on it. If you’re in
the U.S., most carbon fiber sweep oars are made by Concept ll or Drehr
(most, but certainly not all). Another great make of oar, from Australia,
are those made by Croker.
One reason it’s good to know the make is to keep the sets uniform be-
cause of the varying deflection of the oars (see JOB 13.2).
Shape of hull. If you were to cut your shell in half you would get a cross-
section profile of the hull. A profile that looks deep and narrow will have
less wetted surface when the boat is in the water. This will lead to less
resistance between the boat and the water and is supposedly a faster hull
design, yet at the same time this design will make the boat a less stable
platform.
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A hull profile that is more rounded and flat-bottomed will have more sur-
face in contact with the water. This design will tend to be slower through
the water; however, at the same time, it is more stable. The tendency is to
put beginners in the latter and the more experienced crews in the former.
To tell the shape of the hull, you don’t have to actually cut the boat in
half. Instead, when the boat is resting on sawhorses or slings—seats
down—go to the bow of the shell and sight down the hull. You should get
a good idea of what type of hull you have.
Now, exactly what you do with this info is up to you. This is something
you should definitely think about before buying a shell. See Chapter
Twenty, JOBs 20.1–20.3, for suggestions if you’re about to fork out
money for a shell. However, once the shell is yours, there is little you can
do with this info. Remember, usually (usually—but by no means always)
novice crews tend to be put into flat-bottomed hulls and experienced
crews into the narrower hulls.
Girth of shell. The girth is one of those specifics you probably won’t
ever think about. It is the distance from the top of one gunwale, around
the outside of the hull, to the top of the other gunwale at the widest part of
the boat.
To measure girth, go to the middle of the shell, take your tape measure
and secure it on one gunwale. Pull the tape around the hull to the other
gunwale and see what you’ve got. Girth will give you some idea of the
size of the shell but I find that depth is a better indicator of shell size. If
you find a good use for the girth dimension, please let me know.
Beam of shell. This is the distance from the top of one gunwale to the top
of the other at the boat’s widest point (usually amidships). But unlike
girth that is measured around the hull, the beam is measured straight
across, between the two gunwales. This could actually be called the width
of the boat, but that’s not nautical enough. I have found this to be infor-
mative in comparing different designs of hull shapes. And it becomes
very, very, very important for those wide folks who end up rowing in nar-
row-beamed bow and stern seats.
Weight of shell. The weight of your boat when rigged is something you
need to consider, but at the same time it is something you can do little
about. On the elite level of rowing, shells are weighed at regattas. This is
because the concern is with minimum weight. If a shell weighs below a
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set standard then weight will be added until it reaches the minimum. But
shell weigh-ins don’t happen at most high school, club, or collegiate
races. Thank goodness—you’ve got enough to worry about on race day.
1X 14 30.87
2X 27 59.54
4X 52 114.66
2- 27 59.54
2+ 32 70.56
4- 50 110.25
4+ 51 112.45
8+ 96 211.67
Make and age of shell. When we’re driving along the highway, my wife
prides herself on being able to point out any car she sees and telling me
the make and model. This is kind of aggravating because she is usually
right. Once you’ve been involved with rowing for a while it should be-
come second nature for you to do the same with shells. But if you’re new
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to the sport and unsure of what is what, it’s still easy to tell the makers of
boats.
Of course, the first thing is to look for the label. Manufacturers are sel-
dom shy about what they make and they like to display the labels in
prominent places. But where the label is placed will vary not only be-
tween the different makers, but also between shells of the same company.
The best way to tell the age of a shell is by the serial number. Locate it,
and write it down. Again, it may be located in a multitude of locations.
Some numbers will have the year the boat was made. If you are not posi-
tive then take the number and call the manufacturer (again, see my Web
site article archive for more information about serial numbers).
Draft of shell. Draft is how far the hull extends below the surface of the
water. This dimension may be important to you if you row in shallow ar-
eas or if you are building a boat rack. Measuring the draft is very easy to
do with the boat seats-up on slings, after it’s been rowed a few times.
When the boat comes in from practice, don’t wash or wipe off the hull.
Take your tape measure and start at the top of the gunwale at amidships.
Extend the tape straight down towards the ground. Measure to the bottom
of the hull. You might think the bottom of the hull is where you would
stop but look back at the stern. Does your fin extend down further? If it
does, try to estimate how much more the fin adds to the distance. This
total distance, from the top of the gunwale to the tip of the fin, is what I
call the true boat depth.
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The reason that you don’t wipe the hull clean, which you should normally
do, is so you will have a waterline mark on the hull. This mark is the
point where the hull sits in the water. Find this line and then measure
from the top of the gunwale to it: the distance is your freeboard. If you
subtract the freeboard from your true boat depth you will have your draft.
See Figure 7.5 for help.
Although you can measure your freeboard with the boat in slings I sug-
gest you measure it when the rowers are in the boat. It’s the simplest way
to get the most accurate reading. Be aware that the new wing riggers
won’t really affect your freeboard, but they might make rowing in rough
water easier—at least less splashy.
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There are three things you need to prepare when it’s finally time to go to
work: yourself, the equipment, and your tools.
Yourself. If this is one of your first times rigging, then I suggest you
definitely spend a couple of minutes getting yourself ready. The hardest
part is what happens between your ears. It is usually best to start off when
the boathouse is empty. It doesn’t help to have people looking over your
shoulder if you are a little nervous. You’re going to make mistakes, so get
ready for them.
To get going, try some of the easier tasks first. The first time you rig can
be a madhouse because even a small adjustment might change several
other dimensions. Don’t try a complete rig JOB (Chapter Fourteen) on
your first outing. For suggestions on constructing a positive rigging envi-
ronment, flip to Chapter Six, JOB 6.1, before you begin.
Then, before you get going, make sure you have read Chapters Three
(Karma of Tools) and Five (Safety), and all the information in the chapter
specific to the JOB you want to do. If you’re a First-Dimensional Rigger
you need to get comfortable with your equipment. Take a piece of paper
and pencil to the boat-shack and sketch your rigger, foot stretcher, and
oar—then label your parts. This will give you a good idea of what’s what.
When you’re ready, turn to the JOB index at the beginning of this book,
find the JOB you need to do, grab some patience and a dose of positive
mental attitude, and you’ll do just fine. If you happen to get stuck, turn to
JOB 16.1 for tips.
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Equipment. Put the equipment in the best location that you can. Find a
comfortable setting where things are easy to get at, the lighting is good,
the temperature is comfortable, the shell is at the right height (so you
bend and crawl as little as possible), you are safe, and set up any little ex-
tras such as tunes or snacks. (Turn to JOB 6.2, for tips on constructing a
safe rigging environment). Always make sure the rigger bolts are tight-
ened before you check the rigging of the boat. See JOB 16.2, to prevent
overtightening.
Tools. Try to have all your tools ready before you start. Read through the
JOB once before you begin. This will give you an idea of exactly what
you will need and what is going to happen. A tool tray can help you save
a lot of time looking for lost tools (see JOB 16.5 for suggestions on a tool
tray design).
Now you should be ready to rig, so turn to the JOB you need and get go-
ing. If you’re working on a shell, it’s easier if it’s in slings, so . . .
The goal here is to put your boat into a position so that you can comforta-
bly work on it. First, prepare the area and make sure it is well lit. You
don’t want to walk away from this JOB needing glasses. Also make sure
the area is clean. It’s no fun spending an hour looking for that “doodad”
you just dropped.
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I’m not going to sit here and tell you my commands for moving a shell. I
have found rowing commands are basically the same everywhere, but
there are enough differences to make one person’s command another per-
son’s confusion.
Therefore, how you move and roll your shell is up to you since there are a
multitude of ways to do it. Whatever your commands, before you move a
boat, make sure everyone knows their role. It’s not a good time to have a
mutiny when you’ve got a $25,000 shell hoisted over your head. If you’re
not comfortable giving commands, then beg, borrow, or steal someone
who is. Listen to them a few times, write down the commands if you need
to, and memorize them.
Before you move your boat, check the slings for quality. Don’t use them
if they look suspicious in any way. You could totally demolish a shell by
having it fall off slings, although I have seen one or two fall with only
slight damage.
Next, make sure you have enough folks to move the shell. For a maxi-
mum, I suggest you have as many helpers as there are riggers. I leave the
minimum amount of help up to your discretion. Just keep this in mind—a
shell may seem fairly lightweight, but when you put it in motion it can be
terribly awkward to handle. The more people you use, the easier and safer
moving a shell will be.
If your helpers are not experienced, show them where to grab the boat. I
have actually seen people try to pick up a boat by grabbing a seat and try-
ing to lift. This can be dramatic, but not helpful. When placing a boat into
slings I always prefer rolling it down to the waist first and then placing it
into the slings. Rolling the boat directly into the slings may work for you,
but just be cautious of someone bashing the boat onto the top of the sling
and damaging the hull. Also, watch out for the fin and the rudder or any
speed-measuring devices that may be attached to the hull.
Once you have rolled the boat to the waist make sure the slings are in the
proper place. You want to have about one-third of the boat overhanging
from both slings. For example, to give proper support for an eight the
slings should go under the two’s and the seven’s foot stretchers. For a
four, the slings should go under the bow and stroke seat, and for a pair,
they should go under the wash box and by the fin. If you’re in doubt take
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a few steps back once the boat is in the slings, take in the whole picture,
and adjust the slings if you need to.
When you think it’s time to take the boat out of the slings, I suggest you
pick it up to waist height and then walk away from the slings a small
amount before you roll it overhead, if you have clearance to do so. This
will keep you from hooking the slings on any riggers when the boat is
turned and lifted. Also be cautious of anything hanging over the shell.
You will be surprised at how high the riggers extend upward on a boat
being rolled.
The trick to moving boats smoothly and safely is technique, and that
comes from practice.
Needed: Basic rigging kit, shell and riggers, labeling supplies (tape,
marker).
Sooner or later, you will need to either remove riggers from, or attach
riggers to, a shell. This usually happens when traveling to and from races,
but you may also need to do it for repairs or for changing the rig setup in
your shell.
Labeling. One of the benefits of having adjustable riggers is they are in-
terchangeable when you need them to be. They will fit any position on
the same side with a few adjustments and a few types will even fit the op-
posite side with some minor changes. This can be a help when you want
to arrange your rowers in different positions, but it can be a pain in the
neck if whoever is putting the riggers back on the boat doesn’t know what
they are doing.
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marked. I suggest you use either tape or paint to mark the riggers. Try to
color code your equipment or come up with a number/boat name system.
We use colored electrical tape to mark our stuff. Some folks prefer ath-
letic tape but the adhesive leaves a mess and the cloth breaks down in
sunshine after a short period of time. A nice feature of colored tape is that
you can color-coordinate your oars and riggers with matching colors. This
will make yours and the rowers’ lives easier. Put a wrap or two of tape
around the riggers and oars and then put a piece of the same color tape at
a visible spot on the boat. Now people can tell what riggers and oars go to
which boat. If you want to be slick, put some tape on the boat rack and
then the coxswain will know exactly where the boat goes. These few
wraps of tape and a waterproof marker can help solve a lot of mix-ups.
See JOB 18.2 for more suggestions on labeling equipment.
Riggers off. Once you are sure everything is labeled, begin loosening
your riggers. Take your rigger wrench and turn all the rigger nuts coun-
terclockwise to loosen them.
Most rigger nuts will be 7/16 inch; however, some will be 10 mm. if
the boat is foreign made. This should not be a problem as long as the
nuts are same as all the other rigger nuts on the boat. If you have odd
sizes then standardize when you can and get rid of any of the odd
ones—it will make your life much easier.
Once they are finger-loose, take them off by hand. Put the nuts and wash-
ers in a secure place—like the sneaker’s heel cup. You should be using
washers, either plastic or metal, on your boat. This will protect the rigger
stays and help secure the riggers better. The plastic washers may need a
little bit of persuasion to come off. They are designed to collapse to pre-
vent overtightening, which causes compression of the knee. They do this
well, but when they’re compressed those washers can be a royal pain to
remove.
As you remove the nuts, be sure to support the rigger with one hand or
else gravity may grab it and it will crash. What you are doing is open
heart surgery on your rigger, so take your time, doctor, and be patient. If a
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surgeon had his hands in your chest would you want him hurrying be-
cause he had a golf game to scoot off to? I don’t think so.
When the nuts and washers are off, slide the rigger away from the gun-
wale and off the rigger bolts. This may take a little bit of persuasion as
well. Once it’s off, place it in a safe place out of harm’s way.
At this point pull out your pencil and rigging card and record any specif-
ics for that rigger, like if it is shimmed—or a quick hint as to which stay
goes to which bolt. Pack the cards away so they will be where you will
need them. If you are preparing for a trip see Chapter Seventeen for sug-
gestions.
Inspect the rigger stays at the attachment points for corrosion and replace
any damaged nuts, bolts, or washers.
Riggers on. The important trick to putting riggers on is to make sure you
know what goes where. It helps to have the correct rigger going to the
right position and that the riggers are placed right side up. I know of one
rower who had the wrong riggers on his shell for three months because
they were not labeled. When you’ve figured out what is what, begin by
removing any nuts and washers that are on the rigger bolts.
Pull out your rigging card for any notes you may have scribbled about the
rigger. Then put the foremost stays of the rigger on their proper rigger
bolt. This is where a lot of people run into difficulties. If you are confused
as to which stay goes to which bolt, try checking out another boat for
guidance.
Sometimes riggers with only one front and one back stay make it
tough to decide which stay goes to which rigger bolt. If you’re con-
fused, look towards the stroke seat for clues. Often there will be only
one bolt for the aft-most stay and this should help you figure out
which stays go where.
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If the boat is seats-up, it helps to keep the rigger pointed slightly down-
ward until all of the bolts and stays are lined up. If the rigger has previ-
ously been adjusted for the position you are placing it on, it should slip
right on when you gently raise it up. If the rigger has not been adjusted
for the position it may be a difficult fit. If it is, remove the rigger and
loosen any rigger clamps that are tight. Adjust the stays so they are loose
and try again.
Once the rigger is on, replace the washers and put on the nuts and finger
tighten them. Tighten to two-finger tight (see JOB 16.2) all the nuts with
your rigger wrench, being cautious not to over tighten. Be careful about
letting athletes do this before a big race; it is amazing what a dose of
adrenaline can do.
Serious damage to the shell can occur from overtightening the rigger
nuts. Make sure the person(s) doing the work understands this. Don’t
let unknowledgeable people tighten the nuts or you may be facing
some major repair work. Instruct them to use the two-finger method
described in JOB 16.2, or do the JOB yourself.
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Take seat assembly out. Make sure any retaining devices (straps or
hooks) are loose. You will have either two types of seat assembly: (a)
ones with retaining clips or (b) ones without. Retaining clips are small
bits of angled metal or plastic that ride under the tracks to hold the seat in.
If you don’t have them, then the seat assembly should lift right out. If so,
then make sure you have labeled the seat assembly in some manner so
you know where it should go.
Normally, seat assemblies from the same boat are identical and you can
switch them between positions. But seats from different shells, even of
the same manufacturer, may not be the same. So label them well to avoid
hassles. I like to put the boat’s name, our school’s name, and the position
number under the seat with a waterproof marker. I’ve also seen them en-
graved with a wood-burning tool.
If the seat doesn’t lift out easily then it probably has retaining clips and
you need to roll the seat assembly as far aft as it can go. All seats will
come out towards the stern and not towards the bow, except for a few vin-
tage-types of boats.
You will basically have two types of seats to deal with: non-roller bearing
(a.k.a. dual-action seats) and roller bearing (a.k.a. single-action seats).
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For non-roller bearing seats. If you’re on the port side of the shell place
the wheels of the carriage against the front stops with your right hand
while keeping the seat-top towards the bow with your left hand (see Fig-
ure 7.8). Gently push or tap on the seat top with your left hand until the
assembly rides up and over the front stops. Keep your right hand close,
but out of the way, in case the seat assembly pops out. Once both sets of
wheels are clear of the front stops then take the seat assembly out and
make sure it’s labeled.
For roller bearing seats. Roller bearing seats are just a little different to
take out than non-roller bearing seats. Do all the steps as you would for
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the non-roller bearing seat (previous step); however, realize that there
won’t be a carriage underneath the seat sliding back and forth—just re-
taining clips. That’s good, not having the carriage is what makes these
seats superior. It also means when you take them out you’ll have to have
everything lined up just right, and that your “gentle push” or “tap” of the
seat will have to be a little heftier and at the right time and the right place.
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hand until the clips are past the stops. Check the wheels to see they are all
on the tracks and they roll freely. If not, repeat the process.
At the stern end of the tracks, place the bow wheels of the seat onto the
tracks. Now begin to push the seat towards the bow, making sure that the
retaining clips under the seat are both under the tracks. As the stern
wheels of the seat get to the stern end of the tracks you will need to apply
gentle, but firm, pressure on the seat to get those wheels up and over the
tracks’ front stops. Once the seat is on the tracks, place firm pressure on
the top of it and roll it back and forth to make sure that the wheels are in
the tracks and the retaining clips are under the tracks.
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I
magine a rower sitting in a shell preparing to take a stroke. Try to pic-
ture just the rower’s body and nothing else.
At the catch, the body is located towards the stern. The knees are bent
and the angle between the shin and femur (thigh bone) is about 50 de-
grees. This is called the knee angle and a 45–50-degree knee angle puts
the rower’s shins almost vertical relative to the water.
The upper body, specifically the chest, is leaning forward along the top of
the thighs and the arms are extended. The rower is ready to take a stroke.
Now stick an oar and oarlock into this picture. The oarlock will be lo-
cated slightly behind the rower’s hips. The oar extends from the rower’s
hands, through the oarlock, and then out toward the bow. Our imaginary
rower is ready to row and puts the oar into the water.
With the oar in the water the rower takes a stroke and two things happen
at the same time. The blade at the end of the oar is going to travel, with
respect to the shell, from the bow to the stern. Also the oar handle, at the
other end of the oar, is going to travel, again with respect to the shell,
from the stern to the bow. As these two parts of the oar rotate around the
oarlock pin neither of them moves in a straight line. Instead they move in
a circle, or actually part of a circle.
This part of a circle is called an arc, and the oar forms two arcs. One is
called the inside arc, which is the distance traveled by the butt of the oar
handle. The other is called the outside arc, and this is the distance trav-
eled by the blade.
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Then one day, a friend who was rigging a shell began to chat about what
she was trying to accomplish with her rigging. She started talking about
this funky subject she called “arcs,” and I got her to explain it in detail.
She sat me down at a desk. In my right hand she gave me a pencil, had
me put it on the desktop and told me to hold it around the middle with
two fingers. She said my fingers holding the pencil represented the rigger,
the eraser end of the pencil was the oar handle, and the pointy end of the
pencil the oar blade. Then she told me to grab the eraser with fingers on
my left hand and gently move the pencil back and forth—like an oar.
As I moved the eraser, the pointy end moved just like an oar blade, with
both ends of the pencil describing arcs as they moved. Then she had me
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slide my right fingers along the pencil to different places, wiggle it again,
and took notice how the arcs changed.
Let’s get kinda scientific for a moment and talk about propelling the boat.
You and I both know the boat is moved by the rower applying power to
the oar. But did you know that if we break down the mechanics of the
stroke we find the most powerful part of the stroke is when the oar is per-
pendicular to the shell? At this position, called the mid-drive, the rower
is biomechanically in a very strong setting. The legs are almost all the
way down, the arms are straight, and the back is getting ready to surge on.
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Besides the rower, the oar itself is at its most efficient position. At the
mid-drive the oar is 90 degrees to the centerline. Here all of the force ap-
plied to the oar is being used to propel the boat forward (called propel-
ling force). But, you might ask, isn’t all of the power applied to the oar
used to move the shell forward no matter where the oar is located?
Nope.
If you locate the blade away from this perpendicular position, either aft or
fore, the stroke becomes less effective. That’s because some of the pro-
pelling force is not moving the boat forward but instead is directed into a
sideways force, called a turning force. And as you can see in figure 8.3,
as the oar follows the arc and moves away from the perpendicular, the
propelling force lessens quickly and the turning force becomes greater.
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So when you rig, if you have located the outside arc too far aft when the
rower makes the release, a lot of the propelling force will be changed into
turning force. Instead of driving the boat forward, this turning force will
pull the shell towards the blade. This effect is called “pinching.” The
same effect can happen at the catch if the arc is located too far towards
the bow, but in the bow the turning force pushes the shell away instead of
pulling the shell towards the oar.
Okay, let’s catch our breath here a second. What does all this mean?
First off, if the length of the outside arc is too long (or too short) then the
feel, or load, on the rower will be too heavy (or too light). Second, it
means that if the outside arc is not located correctly, then the propelling
force will be diminished and the turning force will be greater. This means
there will be pinching of the boat, the boat speed will be reduced, and the
steering of the shell may be affected, especially for smaller boats (for
more on pinching, see Chapter 12, JOB 12C, Measuring and Marking the
Catch Angle). In both cases, it means that if the outside arc is not adjusted
correctly then the efficiency of the rower will be lessened and boat speed
will suffer.
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You see, when rowers are either at the catch or the release, there is a cer-
tain position in which their bodies are most efficient. The inside arc can
have a great impact on whether a rower can achieve this position. If for
whatever reason the rowers cannot attain this position, the efficiency of
their stroke decreases quickly.
For example, I mentioned how at the catch the compression of the legs
should be about 45 degrees for the angle between the calves and ham-
strings. If a rower compresses this area more than 45 degrees (called
overcompression) and the calves and hamstrings are closer together, the
leg drive will be less powerful.
If the rigger is adjusted so the length of the inside arc is too long, the
rower will be forced to compensate by doing one, or all, of three things.
First, he or she may have to reach out farther at the catch to compensate
for the extra length which will cause the overcompressing we just men-
tioned. Second, he or she may have to lay back farther at the finish, which
will cause too much layback. Or third, he or she may just row with a
shorter stroke, which means less effectiveness.
If the rigger is adjusted so the length of the inside arc is made too short
then again the rower will have to compensate. Only this time the compen-
sations will be shortness at the catch (called undercompression), not
enough layback, or rowing too long in the water. Either way, the compen-
sation will decrease effectiveness.
The location of the inside arc is also important. As a rower takes a stroke,
the hands and the body generally follow the arc of the oar handle. The
hands follow the arc a lot more closely than the body does, depending on
the rower’s style. If we adjust the rigger so the inside arc is moved a few
inches closer to the oarlock pin, this new arc may cause the rower to lean
towards the rigger. If the relocation of the inside arc is too great this can
have the effect of throwing both the athlete and boat off balance and can
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make a big difference in the comfort of the athlete and the speed of the
shell.
It may be helpful to think of arcs in this way: changes to the inside arc
will affect the biomechanics of the rower; changes to the outside arc
will affect the propelling force of the oar.
Following, you can see how each adjustment involves the arcs, specifi-
cally the two critical characteristics of the arc: the length and the location.
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Y
ou’ve been sitting at a red light for a couple of minutes when it
finally turns green. You press down the gas pedal, shift gears, and
scoot off in your car. What allows this act of modern-day trans-
portation to happen is a device located between your engine and
the tires. It’s a box full of gears, nuts, and bolts called the transmission.
The transmission takes the power from the engine, modifies it, and then
transfers it to the wheels. Whether you realize it or not, rowing shells also
have a transmission—it’s called the rigger and oar.
When a rower takes a stroke, power is generated. The oar and rigger work
together to modify and then transfer this power from the rower to the end
of the oar just like a car’s transmission. Also, like a car, a shell has differ-
ent gears, but shifting gears in a car transmission is a lot easier than shift-
ing gears in a rowing transmission. When zipping along in your car you
shift whenever you need to (uphill, passing, stopping at the mailbox, etc.).
However, things are a little different in the world of rowing: You start off
in one gear and stay there. To shift gears in a shell, the boat has to be
stopped, taken out of the water, put in slings and the riggers adjusted.
Shifting gears in rowing is called rigging.
What gear you’re in (in our case, how the boat is rigged) is called lever-
age. There are four critical items which make up the leverage: spread
(span in sculling), length of the oar, inboard, and the blade surface
area. I’m not being too radical when I say these are the most critical di-
mensions in rigging.
The spread is the distance from the centerline of the shell to the center of
the pin (see figure 9.1). The oars are divided into two lengths: the in-
board, which is the length from the butt of the handle to the blade side of
the button, and the outboard, which is the length from the button to the
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blade tip. These two combine to give the total length of the oar. The blade
surface area is just what it sounds like—the size of the blade’s area.
How you rig these four items (shift your gears) will determine your lever-
age, and this will dictate how hard or easy it is for the rower to use the
transmission.
The small leverage makes it hard for Bob to transfer his power when he
takes a stroke, and this will make the rigging feel heavy to him. Ralph,
Bob’s identical twin brother, is rowing in the three seat in an eight next to
Bob’s. Everything is exactly the same in both boats, except that Ralph’s
rigging has a little more leverage. Since Ralph has more leverage, it’s
easier for him to transfer his power and the rigging will feel light. These
feelings or demands that both Bob and Ralph are experiencing are called
load and this is what every oarsperson feels when he or she rows. Load
can be thought of as the resistance felt when a stroke is taken.
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Now here’s where it can get tricky: The less leverage there is, the harder
it is on the rower to transfer the power, and in turn, the heavier the load
feels. The more leverage there is, the easier it is to transfer power, and the
lighter the load feels. This might help:
This shouldn’t seem too foreign to you, I hope; it’s something that you do
every day when you drive. You see, when you’re in your car zipping
along the highway, all the shifting you do (or that the car does for you if
you have an automatic transmission) is nothing more than an attempt to
put the transmission in the most appropriate gear so it can transfer the
maximum power from the engine to the wheels. You don’t try to take off
from a red light in fourth gear and you don’t try to drive fifty miles-per-
hour in first gear. Neither would be efficient, and you’d probably end up
destroying your engine.
When you rig you, are attempting to put the transmission in the most ap-
propriate gear so it can transfer the maximum power from the rower to
the blade. In other words, so it can be as efficient as possible without de-
stroying the rowers.
Rigging the leverage is actually a balancing act. You must try to find the
perfect mix between load and efficiency. Remember Bob and Ralph?
Well Bob’s boat, rigged with little leverage, transferred a lot of power for
each stroke taken, but the demand (load) on Bob was great. The heavier
the load, the greater the demand; the greater the demand, the quicker Bob
tired. So Bob had an efficient leverage, but he paid a price for it because
he was under a heavy load. On the other hand, Ralph’s shell had more
leverage. Ralph wasn’t transferring as much power per stroke as Bob, but
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he also wasn’t under such a great load. Ralph wouldn’t tire as fast, but his
rigging is not as efficient as Bob’s.
So what the heck do you do—rig the leverage to feel heavy or light? For
more power or less? You balance by finding the perfect mix!
You do this by selecting the right leverage numbers (see JOB 9.5, this
chapter). To get a better idea of how important leverage is, let’s look at
the four dimensions in detail.
Don’t start worrying about this balancing act of load vs. efficiency.
Most of it’s already been done for you. Many rigging charts, like the
ones in Chapter Fifteen, are based on years of research and experimen-
tation by coaches and Riggers, and the dimensions printed take into
account this balancing act.
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With a little imagination (which you need to be a Rigger), you’ll see that
you’ve just made a working model of a rigger. The ruler is the oar and
your fulcrum finger is the oarlock pin. The bottle represents the resistance
the rower feels (load), and the end of the ruler being pulled is the oar
handle. Every time you pull on the ruler you’ve just taken a rowing
stroke!
With each stroke there are two important things you should have noticed.
First, the farther your oarlock pin (fulcrum finger) was from the bottle,
the harder the bottle was to move. Second, the closer your fulcrum finger
was to the bottle, the easier it was to move—but the closer your finger
was the less distance the bottle traveled.
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Notice that this is your balance of load vs. efficiency. The heavier the
load (fingers were close), the more efficient you were but the harder it
was to pull. This is leverage.
With these first couple of pulls on the ruler, you’ve just witnessed the ef-
fect of adjusting the spread on a rigger. Moving your finger along the
ruler is the same as moving the oarlock pin on an actual rigger and you’ve
just seen and felt how that affects the leverage. Changing the spread
(moving the pin) is the most important adjustment you’ll make in rigging.
There are two reasons for that. First, the location of the pin has the great-
est effect of any of the leverage dimensions. Second, changes to the pin
affect all the other major rigging measurements. In fact, pin location is so
important that changes of 1/2 cm are sometimes critical.
Try our experiment again. Take a stroke, feel the resistance, and watch
the bottle move. Keep 4 inches between your two sets of fingers, slide
them both 1 inches closer to the bottle, and set up again: there should now
be 1 inches of ruler extending past your pulling fingers (like “B” in figure
9.3). Now take a stroke, feel, watch. Slide your fingers 2 inches closer to
the bottle and take another stroke (you should now have 3 inches sticking
out). You should’ve noticed the closer your fingers got to the bottle the
less resistance there was, but when the bottle moved it traveled a shorter
distance.
You’ve just seen the effect changing the length of the oar has. The shorter
the oar, the greater the leverage but the less the load. For this reason, oar
length is the next most important adjustment you can make concerning
leverage.
Set the experiment up as before and, using the ruler, put your fulcrum
finger 8 inches from the bottle. Take a stroke. Now set up again, but this
time substitute something several inches longer for the ruler. Be sure to
keep those fingers 4 v apart (like “C” in figure 9.3). Take your stroke.
What did you notice?
The resistance should have felt greater with the new oar and the bottle
should’ve traveled farther. You’ve just experienced the effect shortening
the inboard has on the leverage. Inboard is the distance between the but-
ton on the oar and the butt of the oar handle, or in our model the distance
from your pin finger to the pulling end of the ruler. When you substituted
for the ruler you did the same thing as shortening the inboard on an oar. If
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you were to increase the inboard (use something shorter than a ruler) the
result would have been opposite.
Put your ruler down for a minute. There are two fairly strange but quite
important relationships between the spread and inboard that we need to
discuss.
The first relationship is that changes to the inboard make changes to the
length of the outside arc, making it shorter or longer by very small
amounts. When you adjust the spread, you adjust the location of the out-
side arc, moving the arc closer to or farther away from the centerline.
Both these adjustments effect the leverage, but adjusting the inboard has
less effect than adjusting the spread.
As far as the leverage is concerned, there is a 3:1 ratio between the spread
and the inboard. This means changes in the spread have three times the
effect as the same change to the inboard, so moving the pin 1 cm is the
same as moving the inboard about 3 cm.
Let’s do our experiment one last time. Go back to the ruler and place your
fulcrum finger exactly 8 inches away from the bottle but this time change
bottles. First, use the smallest one. Take a stroke, feel and watch. Now try
the middle bottle, take a stroke, and observe. Both loads moved the same
distance, but the smaller load was easier to pull, right? Now try the largest
bottle. Again the same distance but harder to pull, right? This is the effect
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changing the blade surface area has on the leverage. The largest bottle
represented a large blade; the smallest bottle, a small blade.
Out in a shell, a larger surface area makes it easier for the blade to grip
the water and this increases the efficiency of the power transmission,
which is good. But increasing the blade surface area also increases the
resistance as the blade moves through the water and decreases the amount
of slippage. This increases the load on the rower, and whether this is good
or not depends on what cardiovascular shape the rower is in.
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The exact location of the inside arc is critical for the rower’s comfort and
function. In most cases the inside arc is located almost on top of the cen-
terline (see figure 9.5). When a rower slides back and forth on the tracks
there is basically little potential for body motion from side to side due to
the hands holding onto the oar as it follows the inside arc.
If the inside arc were to be greatly shifted to either side of the centerline,
then the rower would be forced to shift the body to one side or the other
to follow the arc. This could cause drastic leaning, which would result in
major balance problems in the boat setup. This is where the Thirty-
Centimeter Rule comes in handy. The spread should always be about 30
cm less than the inboard. This will assure that the inside arc is located 30
cm to the outside of the centerline at the mid-drive and that it is in the
proper location for the rower.
The length of the outside arc is critical because it directly affects the load
on the rower and the efficiency of the rigger. Any changes to the spread,
to the inboard, or to the oar length will change the length of the outside
arc. The longer the outside arc, the longer the stroke. The longer the
stroke, the farther the boat moves each time the oar is pulled. But we
know what this will result in: a greater load on the rower. So once again
we’re back to the balancing act. But as I mentioned before, don’t worry
about it: It’s already handled by the dimensions of the rigging charts.
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A tip that the arc is shifted too close to the rigger would be the rower’s
pulling the oar away from the oarlock at the catch and/or release. Watch
the blade in the water for clues about the outside arc. After a leverage
change look to see if the rower’s catch or release timing is suddenly dif-
ferent than the rest of the boat. If it is, it may be due to the outside arc
length being too long or too short. This could be a big problem, especially
in a pair or four.
9.4 Slippage
For you folks in the Third Dimension and aspiring Second-Dimensionals,
here is an important message from Mr. Physics. When a stroke is taken,
the blade not only moves fore to aft, but it also moves sideways away
from the boat. This is called slippage (see figure 9.6), and it’s an impor-
tant concept to grasp because it affects your leverage balancing act. To
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illustrate, let’s say it’s winter, the river is frozen solid, and things have
gotten a little boring in the boathouse. To liven things up, you and your
pair partner decide to try a little ice rowing. You strap skates onto the bot-
tom of your pair and affix ice picks onto the oars. You launch your ice-
shell and get ready to fly. You and your buddy come up to the catch and
set the ice picks into the ice. You both take a stroke but something strange
happens—the boat doesn’t move! You try again and pull and pull and
pull with all your might but the boat doesn’t budge.
Why not?
The reason why is pretty simple. When you both pull at the same time the
oars can’t slip sideways so your ice-shell literally has nowhere to go. The
blade (fulcrum) is fixed and both sides of the boat are pushing against
each other. In this case, you have no balance in your leverage; you have
maximum load but no efficiency in your rigging. As you can guess, ice
rowing isn’t destined to be a very popular sport.
Thank goodness things are different when the boat is on non-frozen wa-
ter. When the blade is set into the water at the catch, it tries to fix itself as
in our ice-shell, but it can’t because water flows. The blade slips through
the water as shown in figure 9.6 (notice the blade movement away from
the centerline). So when you row in water your blade is able to slip side-
ways: you can achieve a balance and the boat can move. But you don’t
want too much slippage—it would be a waste of power.
It’s important to note that slippage has caused a revolution in oar designs.
The days of the long oars with the narrow flat blades are gone, and those
oars have been replaced with shorter oars with stout, curved blades (Big
Blades, Apex, and other designs). The reason why is that the long oars
had too much slippage and the short oars slip less in the water—and with
reduced slippage you can increase the load.
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Okay, enough talk; just remember any adjustments you make to the lev-
erage are going to result in drastic changes in what the rower feels. So
when making changes, do them gradually to prevent injuries—make no
Mega-Changes.
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Actually, we don’t need to figure out the exact surface area. Instead, if we
focus on three simple dimensions we can find out what’s important and
skip doing a lot of math. The dimensions are: A, the width of the tip; B,
the width at the middle of the blade; and C, the length of the blade. These
will give us enough info to make sure we have the right size blade and
also to compare blades to make sure the set is identical.
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Step 2. Measure Away: Fill in the first column with the number of the
oar. Now measure dimension A, the width of the tip, and write it down.
Measure dimension B, the middle width. If it’s a Big Blade style blade
measure at the widest part of the blade, usually close to the middle. Fill in
the column. Now put the hook end of the tape measure on the tip of the
blade and measure the length, dimension C, and enter it on the chart. Re-
place the oar in the rack and finish measuring the set.
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For oars with different shapes, such as the “Apex,” you should contact
the manufacturer to see what dimensions they use.
Step 3. What Have You Got? Quickly scan the chart to see if all the oars
are the same. If you’re using Concept II oars, compare your dimensions
to the Blade Specification/Size Comparison Chart that’s on the next page
to see what size blades you have. If you’re using other oars such as Drehr
or Croker, contact the manufacturer for the specifications. If you need to
change the blade surface area or oar length, on to JOB 9.2.
You might notice from the specification chart that Macon oars are listed.
Yes . . . they are still made, sold, and rowed. Concept II states that about
2% of sweep oars and 8% of sculling oars, purchased from them, are
Macon oars (as of 2002).
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Step 1. Find Your Dimensions: See the rigging charts in Chapter Fifteen
to find the best oar length for your crew.
Step 2. Setup: Find an area where you can lay down a few oars without
getting them, or you, trampled. Organization will make this JOB easier
and so will a friend to horse the oars while you do the cerebral stuff. On
the scrap paper draw two columns: one for the oar’s number and the other
for the length. This will help you keep your place when some crisis
comes up and you need to run off.
Step 3. How Long? On your first blade, hook the end of the tape measure
to the tip of the blade. Now measure the length of the oar. If you’ve got a
ten-foot tape, you’ll have to measure out ten feet, mark the shaft, roll up
the tape, measure the rest, add it up in your head, and mark it down on
your scrap paper.
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got your length. Of course, the other way is to measure each oar sepa-
rately but that’s boring: so be daring, take a shortcut, and wow the crowd.
If you discover you’ve got a mismatched set, a little grumbling is okay.
Step 5. Record And Mark: Your oar lengths should never change unless
there is a saboteur in your boathouse. Or unless you have adjustable han-
dles, and they get adjusted. Once you’ve got the lengths, mark the oar sets
distinctly (see JOB 18.2, Labeling Your Equipment) and record the info
on your rigging cards.
Step 1. Find Your Dimensions: Turn to Chapter Fifteen and review the
rigging charts to find your inboard dimensions.
Step 3. How Long? Hook the end of your tape measure onto the butt of
the oar handle. Sometimes the butts of the handle will get worn or are
rounded, so make sure the tape measure is sitting squarely on the end.
Now measure the distance to the blade side of the button. This is your in-
board. On the scrap paper write down each oar with its inboard. A rule of
thumb for sweep oars is that the inboard should be 30 (+2) cm more than
the spread.
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Step 1. Find Your Numbers: Once again, the rigging charts in Chapter
Fifteen are the best place to find your spread ranges.
Step 2. Boat Seats-Up: Get your boat rolled into slings with the seats up.
Take a peek to see if any rigger washers were put in the wrong place—
like between the connecting plate and bolt shield instead of between the
nut and connecting plate. If they’re in the wrong place (it happens more
than you’d believe), take a moment and right the wrong. Once you’re
done, go through the boat and snug up the rigger nuts.
Step 3. Make A Centerline: Grab your tape measure. At the seat posi-
tion where you want to know the spread, measure perpendicularly across
from the outside of one gunwale to the outside of the other. Do this as
close to the mid-drive rigger bolts as possible. What you are measuring is
the width of the shell. Now take this distance and divide it in half. This
number tells you where the centerline of the shell lies. Measuring the cen-
terline is a lot easier to do if you’re using metric (hint, hint).
Step 4. Out To The Pin: You’re looking for the distance from the center-
line of the shell, which you just found when you divided your width, to
the center of the pin. To get it, you need to place your tape measure so the
number you just calculated is on the outside of the inside gunwale (the
gunwale with the rigger on it). Now hold the tape measure in place on the
gunwale with a thumb and extend the tape out to the center of the bottom
of the oarlock pin. The place where the pin intersects the tape measure is
your spread. Remember, you want the center of the pin, not the side of the
pin nor the side of the oarlock. If you’re not in a hurry, take a few mo-
ments and check all the riggers.
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Some folks measure the spread to the side of the vertical flat of the
oarlock. This can shorten your measurement from 1–2 cm. That’s fine,
as long as you know that’s where the measurement was taken from.
When looking numbers up in charts, comparing them with friends, or
discussing them with other Riggers, make sure you know where the
measurements are taken from.
Step 5. Enter The Data: Record the spreads you’ve gotten even if you’re
going to change them. If the new dimensions you try don’t work, you
may want to come back to these original numbers.
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Easiest method: Before the oars ever get to the boathouse is the best time
to adjust blade surface area. If you’re placing an order for a set of oars,
talk to the manufacturer about the size of blade and design that would be
best for your team. They know the equipment better than anyone else and
usually have some good advice.
I suggest that if you are happy with the equipment you already have, try
to keep future purchases similar to what’s already in the boathouse. This
will make rigging easier, but at the same time, don’t be afraid to experi-
ment. But if you are not ordering oars and you’ve got to do something, try
the . . .
Next best method: If you’ve measured your set of oars and notice some
irregularities, the solution may be as close as the oar rack. Sometimes,
especially if they are not marked well, oars get switched around and out
of order. You might have the wrong oar in your set, which also means
another set has the wrong oar. If that’s the case, pull out the oars and
measure the blades. Make sure that if you make any switches you mark
the oars to stop any more mix-ups. If this doesn’t work, you can . . .
Get the kit. Some blades are changeable by using a kit from the manu-
facturer. For instance, we changed a set of Concept II Big Blades to Vor-
tex Blades by getting a kit from them and adapting the blades. It wasn’t
difficult at all. However, this option is only available to a few specific
types of oars. To find out which are adaptable call the maker directly.
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got to worry about whether the pitch is set right. I’ve only had to do this
once, when replacing a broken blade on a set of oars we needed, and it
was enough to make me want to go out and buy a new oar. But if this is
the direction you must take, then call the manufacturer (see Suppliers in
back of book) for advice.
Easiest method: The best time to take care of problems with your oar
length is when you buy them. When you order oars, my suggestion is to
standardize—try to have all the oars in the boathouse the same length.
That way, if an oar breaks, or if an oar is forgotten on a road trip, or the
wrong oar is taken out to practice, all you have to do is shift an inboard.
Check what length oars you already have, and if you’re happy with them,
order your next set the same length. The standard range for sweep oars is
378.5–386 cm. But if you need to do something about the length right
now try the . . .
Next-best method: Adjust the adjustable. Did you buy or inherit adjust-
able oars? If you did, it’s your lucky day.
Adjustable oars are designed to do exactly what you need to do: change
the length of the oar. This is done by sliding the oar handle into or out of
the shaft of the oar. Two things will tip you off that you have adjustable
oars. First, the handles are not wood, they are usually made of either
metal or a composite material. Second, there will be some sort of restrain-
ing hardware close to the handle.
Adjusting an adjustable oar is not difficult, just a little tricky. Grab the
tool you need to loosen the restraining hardware (usually a Philips screw
driver), your tape measure, and get ready for a change.
Put the oar in a comfortable position. I’ve found that having it lying on
the floor/ground works best. Measure the oar first, then loosen the re-
straining hardware. Be careful here. The trick is to loosen the hardware,
not to remove it. If you unscrew the bolt too much, the doodad inside the
oar handle that keeps it from slipping will fall off, inside the oar, and then
you have got a time-consuming hassle to get it back on.
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Once the hardware is loose, slide the handle in/out, and measure until you
get the length you need. You might need to do a little twisting or a little
taping of the handle to get it to move. Tighten up the hardware, check the
length again, tighten again. And off you go.
Troglodyte method: If anyone asks, tell them you heard about this in
some back alley, not from me, okay? If you’ve got to shorten your oar
length, I mean you’ve positively, absolutely, really got to shorten it, then
this may be your method. If this is the way you’ve got to go, then pull out
your handsaw and prepare to operate. (This method only works on wood
handles!)
The plan is to trim the extra length off the oar handle; you should be able
to cut several centimeters off and still have a workable oar. Measure the
length you want removed, make a mark, make a clean cut, sand the rough
edges and hide, but save (see TIP below) the evidence. Just be cautious
not to get radical and shorten your handles too much. Again, only do this
with wooden handles!
Well, Doc, if you’ve decided to make the cut, keep the pieces you cut
off. I saw a guy cut about an inch off a set of oars. The next day his
buddy took the scraps back to his boathouse and glued them to his set
of oars to make them longer. True friendship.
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Step 1. Find Your Dimensions: Same as JOB 9.2, Step 1, this chapter.
For help in finding how all your leverage numbers should fit together,
see Chapter Fifteen.
Step 4. Adjust Buttons: Look at the button on your first oar. There
should be one or two fasteners securing it. The fasteners should always be
on the oar handle side of the button, so the flat side is against the oarlock.
Depending on the age of the oar and how well the oars have been treated
these fasteners will either loosen easily or be a major hassle to turn.
Just loosen them. No need to remove the button unless it needs replacing.
On the new oars the button is designed so the nut is held in place while
the bolt head rotates. Get your screwdriver and loosen the bolt. If it’s fro-
zen, which happens, go to JOB 16.3, Stuck Fasteners, for help. If the nut
turns while you rotate the bolt head place another screwdriver between
the nut and button to lock it and try again.
Don’t hold the oar in your lap while doing this JOB. The screwdriver
can easily slip off the bolts, which is a great way to ruin a pair of
pants—or a leg.
With all the fasteners free, you should be able to wiggle the button. Move
it to where you think you want it. Most oars will have indentations in the
sleeve and each indent is usually about 1/2 cm. Measure to see if you’ve
got what you want, tighten down the button, making sure not to over-
tighten the fastener, and measure once more to see if it slipped. Now onto
the next one.
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Step 5. Record And Replace: When you’re done with an oar, put it in
the rack, send it to the dock, or just get it out of your way. Then record
the new inboard dimension. I say it all the time and there is a reason for
it—you will need the info sooner or later.
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A brief sidebar: there was a time, not long ago, that I actually could out-
line all the steps for adjusting the spread of all the most popular sweep
rowing shells; and I could accomplish that in only a few pages. Ah . . .
but times have changed. Boats, riggers, and the adjustments have become
much more specific, and to outline all of the steps for adjusting the spread
in all of the more popular sweep shells and sculls (or most of the other
adjustments) would be a book in itself. And those boats, riggers, and ad-
justments are changing significantly almost on a yearly basis. So . . . this
is what I’ve done. . . .
To give you access to the best and most current information possible I’ve
created documents on my Web site <http://www.helpingcoaches.com>
that you can download specific to many of the JOBs you will need to do.
Those documents are in PDF files (portable document format) and can be
read right on any computer, or printed out to use at the boathouse. Yes,
technology comes to the world of rigging.
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H
ave you ever wondered why an oar doesn’t sink when it’s
rowed? It is buoyant, of course, but when someone is yanking
as hard as possible on an oar handle, floatation isn’t enough to
keep the blade from going straight to the depths of Davy Jones’
locker. An oar usually stays close to the surface, and pitch is why.
When an oar is placed into the water at the catch, there is a slight motion
down on the blade, due to the lifting up on the oar handle. If the blade
were to enter the water perfectly vertical, this downward motion would
tend to carry the oar deep, and when force was applied to the oar it would
go even deeper. Back in the olden days, someone figured this out and
they devised a way to stop it. They put a slight slant on the blade. This
slant, which we today call pitch, keeps the oar from going deep and bug-
ging any submarines cruising below.
Outward pitch, also known as lateral pitch, is how far the oarlock pin
tilts away from the centerline of the shell. Although the pin never tilts
very far, it still tilts enough to make it an important measurement. As the
blade moves through the water, the outward pitch works in combination
with the stern pitch to give the blade a varying amount of slant. Outward
pitch is a relatively new adjustment added to riggers and today most rig-
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gers usually come with the outward pitch already built into them. On sev-
eral types of riggers you will find you can change the outward pitch if
you need to.
Pitch in oarlock. Pick up an oar and look at the shaft. About one-third of
the way between the handle and the blade there should be a collar and
sleeve. The sleeve is a protective tube around the oar shaft and the collar
(button) is the small ring around the sleeve, which will rest against the
oarlock when the oar is in it. One side of this sleeve is flat, called the
sleeve flat.
Now look at an oarlock. Notice how there are two flat surfaces in it: one
sits parallel to the water, the horizontal flat, and the other sits perpen-
dicular to the water, the vertical flat.
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An oar and an oarlock are good buddies, and just how close they are is
apparent when the oar is inside the oarlock. The sleeve flat always rests
against one of the flat surfaces of the oarlock: against the horizontal flat
when the oar is feathered or against the vertical flat when the oar is
squared.
There are several different names for the horizontal flat, vertical flat,
and sleeve flat. Call them whatever you wish, but check out figure
10.2 to make sure we’re talking about the same things.
Can you see how the vertical flat and horizontal flat are slightly tilted?
It’s hardly noticeable so look closely. This tilting of the oarlock flats does
two things. First, when the oar is feathered, the tilt of the horizontal flat
gives the bow edge of the blade a small slant upwards. This helps the oar
skim across the water when it’s rough. Second, and most important, when
the oar is squared, the tilt of the vertical flat helps give the oar pitch. And
this tilting is what accounts for the pitch in your oarlock.
Pitch in oar. An oar itself can have pitch. This is due to any angling be-
tween the sleeve flat and the blade. If you’re buying new oars you can
order them with a wide variety of pitch built into them, although most
folks order them with 0 degrees pitch. If a new set has just arrived, wood
or composite, measure them just to make sure you got what you ordered.
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The newer composite oars are a blessing as the pitch in these oars will
hardly ever change with age. Wooden oars are a different story. They
have a tendency to twist as the wood gets old and over a period of time
this twisting may change the pitch. Regardless of the make of oar, you
must know its pitch to figure out the stern pitch.
Some of the early types of composite oars had problems holding their
pitch. This was usually due to the sleeve slipping on the shaft—not the
oar twisting. Changes in design and production have all but eliminated
this problem.
Pitch in oarlock pin. Oarlock pins are rarely straight up and down: they
usually have some degree of stern and outward pitch. On all of the newer
riggers, the stern pitch is adjustable and on some the outward pitch is too.
Most Euro-style riggers do not come with outward pitch adjusters. That’s
where the Trog Tool comes in handy.
How much stern pitch the pin gets depends on how much pitch is in the
oar and the oarlock itself. The amount of outward pitch will depend on
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what you as a Rigger determine you need for proper performance of the
oar.
There are two major reasons riggers have stern pitch. One is to help keep
the oar just below the surface of the water during the drive. That’s where
you want it, just below the surface. The farther the blade goes under the
surface, the higher the oar handle will rise. If the blade goes too deep
(called rowing deep or diving) the oar handle will go so high that power
application is difficult for the rower. It will also make getting the blade
out of the water extremely frustrating. If the blade doesn’t go deep
enough it will begin peeking up above the surface. If that happens, the
blade will be rowing air instead of water (called washing out). Unfortu-
nately rowing air doesn’t move the boat.
During the drive, if the pitch is off greatly, the oar handle will rotate
while the oar is pulled. The rower will have to spend strength and en-
ergy fighting this rotation. I call this the battle of “the hands vs. the oar
handle.” It’s a fight the oar handle wins every time, and often results
in crabs or wicked bad blisters.
The other reason for stern pitch is to help with boat balance. When a
stroke is taken, the oar generates an upward force (it’s a small one but it’s
there). This upward force pushes the rigger slightly towards the sky and
pushes the opposite gunwale down. If this small force is not the same on
both sides of the boat there can be balance problems. An eight has four
ports and four starboards. If only the four ports were rowing, with nothing
happening on the starboard side, the upward force would pick up the port
riggers and drive down the starboard gunwale, giving the boat a
starboard list (a leaning of the boat to starboard). But when both sides
are rowing, the force upward from starboard should cancel the force up-
ward from port. If all eight are rowing and someone is underpitched (so
they’re going deep), the upward forces won’t balance and the under-
pitched rigger will actually generate a downward force. This added to the
unbalanced force will give a healthy balance problem. The opposite will
happen when a rigger is overpitched and the oar washes out.
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There is one good reason for outward pitch: we don’t want the same
amount of stern pitch during the whole stroke.
As the oar moves through the outside arc, it’s actually desirable to have
the stern pitch decrease slightly from the catch to the release. The same
amount of stern pitch that keeps the blade from sinking at the catch (due
to the oar handle lifting) would make extracting the oar from the water
difficult. You want to decrease the stern pitch as the oar nears the release.
Outward pitch acts like a mentor for the stern pitch telling it when to
change. The more positive outward pitch in the oarlock pin the greater the
decrease in the stern pitch from catch to release.
Another tricky thing about pitch is that it doesn’t take much to mess it up.
A slight crab, a run-in with the boathouse door, or an oar slammed hard
into an oarlock can cause a change in your pitch. And any change, even a
little one, can result in big problems with the stroke and possibly with the
balance of the boat.
Which brings up the point of how do you tell if you have a pitch prob-
lem? Three ways. First, follow your routine maintenance checkup (JOB
18.1): this will help you cut off problems at the pass. Second, keep an eye
out for problems as the oar moves through the water—such as the blade’s
going deep (possibly not enough pitch) or the blade’s washing out (possi-
bly too much pitch)—especially checking the pitch immediately after you
see or hear of any crabs. And third, listen to the rowers.
After a hard day of slaving over a hot rigging stick, I was hanging out at
the boathouse watching the sunset. The boss came around the corner and
said one of his guys was complaining about the pitch in the rigger. To ap-
pease the boss, and to satisfy my curiosity, I got the boat down and
checked the rigger and oar. No problem with the pitch—in fact, it was
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just a whisker away from perfect. We told the rower this and he replied,
“No, my rigger is not off, it’s Bob’s rigger. It’s got to be off at least one
forth of a degree!”
This guy was telling us that from the two seat he could tell the six seat’s
rigger was out of pitch, and by some tiny margin no less. We did the only
thing possible in this situation: laughed it off and banished the rower to an
ergo-
meter for a short prison term. It’s important to listen to the rowers, but
unless you’re dealing with topnotch elite rowers, take “pitch-bitching”
with a grain of salt.
The best way to determine pitch is with a pitch meter. The meter can be
a little intimidating at first, but after using it a few times you’ll get very
comfortable with it. Figure 10.4 shows a common design for pitch meters.
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Step 1. Getting To Know You: The first thing to do is pick up the meter
and check it over. There are basically four parts to the meter: the scale,
the flat, the level (bubble), and the pointer. If it’s out-of-the-box new,
read the directions. If it’s used or borrowed, check it out to make sure the
flat and pointer are straight and the bubble is not broken (There are sev-
eral different pitch meter designs. I use the more common one here for
the figures.)
Step 2. Check Your Surfaces: When you measure the pitch of some-
thing, you are comparing how much tilt there is in it compared to a true
vertical or true horizontal line (called the reference surface). To get a
good reading, the surface(s) you’re going to measure and your meter need
to be clean and undamaged. A gunwale with a big chunk missing is going
to screw up your reading.
Step 3. Zero The Meter: Place the pointer on the lower zero, it should
slide easily along the scale. Put your thumb on the pointer and firmly hold
it at zero. Now place the meter on the reference surface you’ve chosen for
your true horizontal line. Muster up all your coordination and while hold-
ing the meter on the surface and the pointer on zero adjust the bubble so
it’s between the two lines scratched in the tube. If the bubble is fairly
small in relation to the space between the lines, adjust the bubble so it just
touches one line and then be sure to use the same line in the next step.
I like to have the meter facing me when I take a pitch because it is eas-
ier to read. But that is my preference—you can have it facing the other
way if you want. It’s just critical the meter is always facing the same
way at the reference surface and of the oarlock.
Step 4. To The Oarlock: Carefully take the pitch meter and hold the ver-
tical base onto the vertical flat part of the oarlock. An oarlock with many
years of use will be pretty worn so check the vertical surface to see if it’s
flat and not damaged. If you’ve got a large alligator clamp, use it to
clamp the meter in place instead of holding it. Keep the base in good con-
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tact with the oarlock, making sure it is not resting on rounded corners at
the top or the bottom. Now slide the pointer until the bubble centers itself
between the two lines and read the number at the pointer—that’s your
oarlock pitch.
Step 5. One More Time: Take your meter off the oarlock and walk
around the shell, enjoy the scenery, grab a sip of soda and relax. Let’s try
it once more to see if we really know what we’re doing. Set yourself up at
the same rigger and measurement again.
You should be right on the money, 1/2 degree off is acceptable for First-
Dimensional Riggers, but you’ll get more accurate with experience. Got
the same number? Great, go to the store, pick yourself up your Pitch Me-
ter Merit Badge, and proudly wear it. Got a major difference? Check your
steps and try again—you’re probably just moving too fast.
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Needed: Pitch meter, boat seats-up, rigging card (helpful extras: large
alligator clamp, carpenter’s level, two C-clamps, sawhorse, three-foot-
long chunk of wood [not too wide], rigging stick, adhesive tape, rag,
friend.)
There are two different types of pitches we need to fret over. Stern pitch
is the degree of tilt the blade has when it’s perpendicular in the water.
This tilt can come from three places, a twist in the oar, a slant in the oar-
lock pin aft or fore, or angling built into the oarlock itself. Or it might be
a combination of all three. To find out exactly what your stern pitch is
we’ll need to measure them all. The other pitch is the outward pitch, if
that’s what you need go to JOB 10.3.
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When you measure the pitch, be accurate. We want to know the pitch
to half a degree. That’s a small amount, but it can make a big differ-
ence.
To measure the oars, you’ll have to lay them out flat, so give yourself
some room. Set your sawhorse up so it’s stable; if it wobbles toss it out
and get another one. Set the rigging stick on top of the horse and secure it
with tape. There are two places on the oar you’re going to measure: the
blade and the flat part of the sleeve (sleeve flat) that sits against the oar-
lock face (vertical flat) when the oar is squared (see figure 10.7). Take
your rag and make sure both places are clean; a little bit of gunk under
your pitch meter can screw up your readings. Place two small pieces of
tape about 8 inches apart on the rigging stick: this marks the space where
the oars go (when you’re doing a lot of oars, this will help your sanity).
The folks at Concept II used to ship their pitched oars with colored
bands around them (they no longer do that). This was for quick identi-
fication that the oar has pitch. A green band denoted starboard pitch, a
red band port pitch and a plain band was zero pitch.
Step 2. Measure Away: Now lay your pitch meter flat between the
pieces of tape and zero it (see previous JOB if you need help with using
the meter).
Take your first oar, feather it, and place it between the two pieces of tape.
Make sure the sleeve flat is on the rigging stick. Have your friend press
slightly down on the sleeve to make sure it stays level. With your buddy
stabilizing the oar, take your pitch meter (which is zeroed!) and place it
on the blade, while keeping the meter parallel to the sawhorse. Remember
to have the meter facing the same direction as when you zeroed it. Place
the meter about one third the length of the blade from the blade tip and
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center the bubble by moving the pointer. Read the scale; what you see is
your oar pitch.
Step 3. Keep Track: Let’s think ahead and try to save ourselves some
time down the line. We need to mark down this pitch, either on the oar
itself or on your rigging cards. The easiest way is to mark the pitch with a
waterproof pen on the same label that identifies the oar. If that won’t
work, pull out the rigging cards and write it down. Wooden oars have a
tendency to change their pitch with age, so I’d suggest you measure them
every season or so; composites don’t seem to change much so once every
year or two should do.
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Tighten all the riggers. After you’ve set the boat up, it’s going to help
your cause greatly to stabilize it so it doesn’t rock freely from side to side.
If you are a pro at taking pitches, or in a hurry, this step is not necessary,
but if you are a First- or Second-Dimensional Rigger, take a few extra
minutes and stabilize the shell well. A stable shell is a necessity for doing
outward pitch, regardless of how experienced you are.
When you clamp onto the stay, do so on the gunwale side of the oarlock
pin so that if you have to adjust the spread, you will not have to remove
the clamp. Before you tighten down the clamps, you need to level the
boat. Take your carpenter’s level and place it across the gunwales per-
pendicular to the centerline. Have your friend ready at the clamps, and
when the boat is balanced (the bubble is centered), have your pal tighten
down the clamps.
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If you don’t have a carpenter’s level, you can substitute your pitch me-
ter. Find a place you know to be level (door frames usually are). Zero
the pitch meter on it, place your rigging stick perpendicular to the cen-
terline across the gunwales, and put the pitch meter on top of it. Now
balance the boat so the bubble is centered and tighten the clamps.
If you can’t be quite as fancy with your setup, you can place a strap or
two over the boat and snug it down to the sling. Or place an oar in both
the port and starboard side oarlocks and then let the oars rest on the
ground. You will find your boat is fairly steady. You will also find you’ve
made a great roadblock and are bound to have half a dozen people trip-
ping over your oars.
One of the worst methods I have found to keep the shell from rocking
back and forth is to have someone lean against it and try to hold it in
place. This works about as well as giving a five-year-old child an ice
cream cone and telling him not to lick it.
Step 2. Zero The Meter: Grab a rag and clean all the goobers off of the
oarlock. Take your pitch meter and, keeping it parallel to the centerline,
zero it somewhere on the boat. Gunwales, monocoque decking, and
braces work well if they are smooth and not damaged—tracks do not
work because they are slightly inclined and will screw up your readings.
Keeping the meter facing the same direction, bring it out to the oarlock,
and place the vertical face of the meter against the vertical flat surface of
the oarlock (see figure 10.9) and secure it with your alligator clamp.
Make sure the meter face is even against the vertical flat.
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Some people measure the oar pitch and oarlock pitch at the same time.
They put the oar into the oarlock and holding it steady move the oar
into the different positions, then take their readings at the blade. I’ve
never had much luck with this system: it takes up too much room and I
have too little coordination.
Step 3. Catch Your Pitches: You’re ready to get your pitches. There are
three different places you want to find the stern pitch: the catch, the mid-
drive and the release.
Turn the oarlock to the catch position (where an imaginary oar handle
would go just aft of the foot stretchers). Slide the pointer until the bubble
is centered and read the pitch off the scale. Now turn the oarlock to the
mid-drive position (the oarlock is parallel to the centerline of the shell),
slide the pointer, and read the pitch again. And finally to the finish posi-
tion, slide the pointer and find your pitch there. Be careful that with all
this turning and twisting the clamp doesn’t slip and you drop your meter.
If it does, or if you think you have messed up the bubble, you’ll need to
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zero the meter again. In fact, you should zero it every time you move to a
new rigger.
Step 4. Add It Up: To find out what your stern pitch is, add your oar
pitch to the measurements you just got from each oarlock’s position. The
normal range from catch to release is 6 to 4 degrees. If you find the stern
pitch does not decrease from the catch to the release then you may have a
problem with your outward pitch. If you need to change either the stern
pitch or the outward pitch, get ready for an operation. If you’re happy
with what you’ve got, grab a cookie and move on to other things.
Step 5. Write Everything Down: I know I keep nagging, but write down
your numbers. If you’re doing more than one rigger, you’ll forget them.
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Needed: Pitch meter, saw horses, pencil and paper, access to the Web.
Outward pitch is the slant of the oarlock pin leaning away from the cen-
terline of the shell. This tilt of the pin will cause the stern pitch to change
slightly as the oar is rowed through the outside arc. An outward pitch of 0
to 1 degrees (which is the now the norm—it used to be 1 to 2 degrees)
will cause the stern pitch to decrease by 0 to 1 degrees from the catch,
through the mid-drive, to the release. A larger stern pitch at the catch
helps keep the blade from diving deep, and a smaller stern pitch at the
finish helps with extraction of the oar.
Measuring the outward pitch is similar to measuring the stern pitch, ex-
cept that it’s critical to have a level boat. You’re trying to measure a tiny,
yet important item and a level boat will make it a possible chore. You
won’t have to measure the outward pitch frequently because you can use
the stern pitch as a trip-wire to inform you that the outward pitches are
off. If you get some funky stern pitch readings, like the pitch at the catch
is less than the pitch at the finish, then you know it’s time to check the
outward pitch.
Quick Method
There is a quick and simple method to measure your outward pitch, one
that doesn’t involve taking the rigger apart. Here it is.
Step 1. Stabilize Boat. (See JOB 10.2, Part 2, Step 1, Measuring the
Oarlocks.) I strongly suggest you use the sawhorse method to stabilize
the shell. Ever notice how a lot of tools are named after animals? For ex-
ample, monkey wrenches, sawhorses, alligator clamps—but hardly any
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are named after vegetables? Aah . . . never mind. Make sure your riggers
are on tight; a loose rigger is a waste of time.
Step 2. Measure Away. Now measure the stern pitch at all three posi-
tions (catch, mid-drive, release). Your numbers should read something
like the following:
catch = 5 degrees
mid-drive = 4 degrees
release = 3 degrees
Subtract the mid-drive pitch number from the catch pitch number. Then
subtract the release pitch number from the mid-drive pitch number. Now
add these two numbers you have left, divide that number by 2 and that’s
your outward pitch. If you do your math and your measurements cor-
rectly, your number should be between 0 to 1. If it is not, do the meas-
urements and math again.
Detailed Method
There is a more specific method to measure the outward pitch of a rigger;
however, it involves talking the rigger apart and can be tedious. Each
make of rigger is different, which means the detailed method is different
for each make of boat.
To get the detailed method for your make of boat, check out my Web site,
<http://www.MaxRigging.com>. There you will find a series of down-
loadable PDFs with information about many different types of boats and
measurements.
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At this point, things are not right with your pitch. It is time for some seri-
ous surgery on your oar(s) or rigger(s). What you need now is specific
information about your equipment. Go to my Web site,
<http://www.MaxRigging.com>, download that specific information, and
get ready to operate.
If you don’t already know your pitch numbers, then turn to Chapter Fif-
teen. I’ve included Rigging Charts there that have numbers you can use for
pitch adjustments.
You’ll notice that the numbers come in ranges and are not specific. Why a
range? So that you can adapt the pitch for an individual or a group.
Novice rowers tend to row fairly rough. To help them control their stroke,
especially to make a clean release, rig them in the higher range of stern
pitch. More stern pitch is helpful in keeping the oar close to the surface of
the water and making a clean release. Elite rowers tend to row more
smoothly—that’s what comes from rowing a million or so strokes. These
folks tend to need less help from the pitch. So rig them towards the lower
range of the stern-pitch numbers. Reducing the stern pitch will reduce
some of the slippage of the blade during the drive. This helps the blade
get a better bite on the water.
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the better the technique of the rower the less stern pitch you need to give.
The better rowers need less help.
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— Chapter Eleven: Rigger Height —
N
ow it’s time to focus on a different element of rigging, the height.
If you read some of the older or more technical writings, you may
see this measurement called oar height, oarlock height, or even
height of the swivel. All of those names are pretty official, and
by now you should be on fairly friendly terms with your rigger, so let’s
simply call it rigger height.
Understanding height can be a little tricky, but once you have a good
grasp of it, life as a Rigger will be much easier.
In theory, height is the distance from the horizontal flat of the oarlock
(a.k.a. oarlock sill) to the top of the water’s surface. The horizontal flat is
the bottom support of the oarlock, which is where the oar rests.
Therefore, in reality, the height is the distance from the horizontal flat to
the top of the seat. Got it? Check Pete’s diagram; it’ll help.
You adjust the height by moving the oarlock up and down, which is usu-
ally a simple JOB. What isn’t so simple is knowing where your heights
should be adjusted to. The height needs to be set correctly for two rea-
sons. First, on the recovery phase of the rowing stroke, proper height ad-
justment allows the rower enough room to extract the blade cleanly from
the water and gives the oar enough clearance to go over the puddles of the
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other rowers or over the waves on the water. Second, height affects how
efficient the rower is during the drive phase. If the height is not adjusted
correctly, then the rower won’t be able to properly apply power.
Picture this: You and the family have gone to Aunt Mabel’s for the an-
nual Thanksgiving feast. When the time comes to sit down and eat,
you’re short one chair. Being well mannered, and very hungry, you vol-
unteer to go without a chair and sit on the only thing around, a milk crate.
There you are, sitting at the table on this little milk crate and feeling sort
of low (literally) . . . but things are getting better because here comes the
food.
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your back begins to hurt—and because you have to lift your spoon so
high, the soup keeps spilling off it. Once again you are uncomfortable and
now famished.
The measurement of height can be looked at the same way. The height of
the oarlock determines how high the oar will be carried during the drive.
If the height is not adjusted correctly, then the rower will be uncomfort-
able and inefficient (remember, a rower will always be hungry—
regardless of the height).
Let’s take this thought of comfort and efficiency one step farther and
name two zones after them. I call them the comfort zone and the effi-
ciency zone.
Comfort zone is a ballpark area of height in which the rower feels com-
fortable during the drive and especially comfortable at the finish. If the
height of the oarlock is in the comfort zone then the rower will have nei-
ther excessive strain on the upper body (due to pulling in the oar too high)
nor excessive strain on the lower back (due to pulling in the oar too low).
The rower will also have enough room on the recovery so that the oar will
be off the water and the handle will clear the top of the thighs. A decent
rule of thumb is the higher the rigging, the more comfort for the rower (to
a certain point). The comfort zone varies with each individual rower due
to varying body types.
Efficiency zone is the area of height in which the stroke is the most effi-
cient. Basically, the lower the rigging, the more efficient the stroke (to a
certain point) because the blade will hold the water better. Also, the oar,
which will be carried lower during the drive, will form a better lever.
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Well then, sounds like you should set the height high for comfort and at
the same time set it low for efficiency. So what do you do? Go for both!
Try to set the height so you are getting the best of both zones. This will
happen at the union of the comfort and efficiency zones. Trying to deter-
mine where this union is located is not easy. JOB 11.3 is all about helping
you to determine where the proper height (and this union) is.
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Some makes of riggers, for instance older Vespolis, do not use the spacer
system. Instead, the oarlock pin has been threaded so that the pin itself
can be raised or lowered by rotating it through the rigger mainstay, as
shown in figure 11.3. This in turn moves the oarlock, which then adjusts
the height. It is a fairly simple procedure, but be wary: when the height is
changed on these riggers, the pitch can also change (that is if you do not
remove the lock stay when adjusting the pitch).
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the connecting plate, where the rigger attaches to the shell. This allows
you to put the rigger onto the boat at different height settings. In conjunc-
tion with the metal spacers (or washers), this system allows you to get a
wide range of height adjustments. Some Kaschper models adjust this way
too, except they only have two holes at the connecting plate instead of
three like the Empachers.
Now don’t lose your cool if your rigger is one of those really old, antique
types that are basically nonadjustable. Unlike some of the other meas-
urements for these riggers, in which there is nothing you can adjust, you
can adjust the heights to some degree.
Have your crew launch and find a relatively calm spot of water. The row-
ers should then sit at the release position with the blades square in the wa-
ter. The hands should be placed lightly on the handles, and the blade of
the oar should be allowed to find its natural depth.
At this release position, the handle should just be touching into the
rower’s chest area. It is important that the shell is on an even keel, so I
recommend you do this test with at least one pair (in sweep) or one rower
(in sculling) keeping the shell balanced.
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Now check where the oar handle touches the rower’s chest. If the height
is properly adjusted, the butt of the handle should be just an inch or two
above the xiphoid process, which is the bottom of the rower’s sternum
(chest bone). This point usually turns out to be within the union of the
comfort and the efficiency zones. If the butt of the oar handle is not near
this area of the chest, then you need to readjust.
Just remember, the boat must be on an even keel and the oars buried
for the height check to work. Keep checking these two points before
you decide your heights are out of whack and you get in a huff.
The height check will give you a pretty good idea if your heights are
right, but there are two other signs to keep your eyes and ears alert for
that may signal you that the heights need adjusting.
The other sign of height trouble is when a rower has difficulty extracting
the blade cleanly from the water. This may be due to something else, such
as pitch or a technique problem, but having trouble at the release (such as
rowing it out or feathering underwater) is a fairly good sign you need to
check the height.
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rowers will be rowing consistently in which seats and the riggers are then
set to the individuals. When this is done, the height is usually one of the
major adjustments made because the upper bodies of people vary greatly.
A change of only inches in someone’s upper body height can change their
comfort and efficiency zones greatly. The spread, pitch, and work-thru
remain fairly constant throughout the boat, but the height needs to receive
some special attention.
I’ve heard it said by several notable coaches that about 60% to 80% of
riggers have the height adjusted too low. I tend to put my own rigging
in the upper extremes of the comfort zone.
Needed: Rigging stick (or a long straight edge), tape measure, something
to clean oarlock with.
This JOB is a lot easier if your shell is seats-up. In a pinch it can be done
upside-down, but that’s a great way to get a stiff neck. Before we touch
the boat, we need to discuss two things:
The seat top is the other reading point. We measure from the lowest point
on the seat which is at the bow end right before the half-moon (where
your tail bone would be).
Any part of the seat top will work for your height measurement. When
comparing notes, just know what spot has been used. Different spots
will give slightly different readings.
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What to use: Are you one of the fortunate sons who can afford a rigging
stick (see Chapter Two)? Good. Pull it out and make sure it is in good
shape. They tend to get beaten up when traveling or in storage. Make sure
the ruler is clean and easy to read.
If you don’t have a rigging stick, or if you’re in a pinch, you can make
out quite nicely with a straight edge. Find yourself a long, clean piece of
whatever. I’ve seen wood, plastic, and metal used. It needs to be about
four or five feet long, in good shape, and easy to handle. If you’re using a
two-by-four, do yourself a favor and remove any nails in it.
Hold the straight edge in one hand and look down the end, just as if you
were looking down the barrel of a gun—which of course you wouldn’t
do! Look at the edges. They should be straight and curveless. If they are,
then you’ve got your piece. Are the edges wavy? Return it where you got
it, especially if it’s holding up the roof, and try another piece. Be picky;
get a good one. Also get a good tape measure, preferably one with both
metric and U.S. systems on it.
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Step 2. Measure Twice: Take your rag and clean off the gunk growing
on the oarlock. Get it nice and clean, especially if you are doing this on
Sunday morning in your good suit. Place the oarlock so it is parallel to the
centerline of the boat (mid-drive position). With your rigging stick still
across the two gunwales (perpendicular to the centerline), push its end out
to the oarlock. Take your ruler and place it at the end of the rigging stick
and move it so it touches the oarlock. Read the number where the ruler
touches the mid of the horizontal flat. That’s your height.
Watch out! Make sure both sides of the rigging stick are still touching
the gunwales. If your rigger has a front stay, the stick may get hung up
on it causing it not to sit flat on the gunwale. This will give you some
wild readings.
Step 2. Measure Twice: Now slide the tape out to the oarlock end of the
stick. Hold the tape against the rigging stick with the number you just
measured right at the top of the stick. Keep the oarlock at the mid-drive,
bring together the tape and oarlock and read the number where the middle
of the horizontal flat and the tape intersect. That’s your height. Is it where
you want it? Great, clean up, and you’re done. Not what you want? Then
on to JOB 11.2.
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Needed: Basic rigging kit, height numbers, clean rag, shell seats-up (this
can be done upside-down, but why kill yourself?), access to the
Web/phone.
At this point, things are not right with your height. It is time for some se-
rious surgery on your rigger.
Step 1. Change The Spacers: A great many sweep riggers today use
spacers to change the rigging height. Look at your rigger. Are there spac-
ers? Are they easy to get too? If you have a Euro-style rigger you’re
golden with this step. (If not, off to Step 3.)
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If so, then remove the top nut/bolt and shift your spacers around. Then,
put things back together correctly, with a three-finger tightened top
nut/bolt.
Step 2. Re-measure: After things are back together double check the rig-
ger height. Then go row to see how it feels.
Step 4. No Luck: If experimenting isn’t for you and you cannot find a
resource on my Web site, pick up the old telly-phone and give your men-
tor or the builder a call. Ask for help, adjust the rigger, and off to bigger
and better things.
My sixth grade teacher was fond of saying, “There are two ways to do
something, Master Davenport: the easy way and a better way.” In this
case, I agree with Mrs. Gatlingun; there are two ways.
Step 1. Book It: Refer to Chapter Fifteen for your height numbers.
Step 2. Adjust, Row , Observe, and Readjust: Adjust the rigger accord-
ing to the above numbers (see JOB 11.2, for how to adjust). Send the boat
out, try the height check, watch the rowing.
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We came up with a formula that has been a helpful guide and has gotten
me through a few hectic times when my head was spinning. The formula
takes into account some things you may not consider when picking your
height numbers. Using the formula may take a little more effort on your
part, and a better grasp of what’s going on (a Third-Dimensional Rig-
ger)—but the results are usually good and you might save some time in
the long haul.
There are four things you need to worry about when picking height num-
bers. The first two are the shell’s weight classification and the average
weight of your crew—truly important stuff we briefly touched on in JOB
7.2.
Think hard now, where do we measure the height from? The seat top to
the center of the horizontal flat, right? And remember, so we can use the
seat top, we assume the distance from the water’s surface to the seat top is
always consistent. Well, it may not be consistent if you start mucking
around with the boat’s weight classification and your crew’s average
weight.
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So, for example, if you row a heavyweight men’s 8 designed for crews
whose average weight is 185–210 pounds, everything will be fine and
dandy (height-wise that is) if the crew’s average weight is between 185–
210. The distance from the designed water line to the seat top is just
where the manufacturer planned it. But if you throw midweights (160–
185 pounds) into the boat, things won’t be okay.
Realize that the shell with midweights in it will not be carrying as much
total weight as it was built for. With the midweight rowers, the shell will
be sitting higher out of the water because of this weight difference—there
is less mass so the boat sits higher. The distance between the designed
water line and the seat top is greater than it should be. The seat is higher
out of the water, so is the horizontal flat, and therefore so is the oar.
Even though you set the heights correctly off of the seat top, the heights
are not correct in respect to the designed water line because you have
changed what the builder took as a given—the average weight of the
crew.
It works the other way also. When you try to row a heavy crew in a shell
designed to carry a lighter load the boat will sit lower in the water be-
cause there is more total weight in the boat than the manufacturer planned
for. The seat top and water are closer than they should be, and the oar
height is therefore lower. Got it?
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The amount of boat touching the water is called the wetted surface.
When the weight of the crew is less than what the manufacturer had
planned for, there will be less wetted surface. This might make the
boat a little slower, and a little less stable because of the change in the
surface contact area. This is something you might want to keep in
mind when selecting a boat for your crew.
Another thing to worry about is water conditions. The distance from the
horizontal flat to the water’s surface is the important thing, right? When
the water is rough and wavy then this distance is constantly changing.
Sometimes it’s less (when a wave goes by) and sometimes it is greater
(when a trough goes by).
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When you are rowing in very rough water, raise your oarlocks to maintain
your heights clear of the waves. Hopefully this will keep your rowers
happy and efficient (just think “high and dry”). For a suggestion about
rowing in rough water, see Chapter Sixteen, JOB 16.5, for a tip on
splashguards.
The last item to think about is body size. Every once in a while, you may
have a rower whose body size makes your rigging difficult. The most
common problems are extra-large thighs or very short upper bodies. I
tend to add .64 cm (1/4 inch) for big thighs (they’ve got to be truly big)
and subtract .64 cm (1/4 inch) for a short upper body.
Step 1. Book It: Look up the height number that corresponds to your
crew’s size. Write it down.
Step 4. Surf’s Up? Rough water? If so, then add about .64 cm (1/4 inch)
to the book number.
Step 5. Body Size: Got a rower with huge legs or small torso? Add or
subtract .64 cm (1/4 inch) respectively.
Step 6. Total Them Up: Time for a little math. Take your book number
and do this:
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or in U.S. system
6 3/4 inch – 3/8 inch + 1/4 inch + 1/4 inch = 6 7/8 inch
Once you get good at finding your height numbers you’ll be able to pick
them right off the top of your head. Remember two important things here.
One, getting the correct height is a constant adjusting process. Two, as
soon as it is convenient, you should do a height check after you have ad-
justed the riggers to double-check yourself.
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— Chapter Twelve: Work-Thru —
A
s we’ve discussed, the oar generates two forces: a propelling
force and a turning force. Because of these forces, it’s very im-
portant that we are careful about how far fore and how far aft we
locate the inside and outside arc. That is what Work-thru is all
about—locating the arcs.
Jane comes up to the catch position, sets her oar in the water, takes a
stroke, makes the release, and stops. From Chapter Eight we know that as
Jane took her stroke, her blade drew an arc in the water: the outside arc
(remember, that is in theory; the oar does not really draw an arc in the
water). But did you know the outside arc needs to be located differently
for different sizes of boats?
When Jane is rowing, her eight moves along fairly fast. At the split sec-
ond when Jane sets her oar in the water, the boat is moving faster than her
oar. This is because Jane has just shifted her body from moving sternward
to moving towards the bow and she hasn’t had time yet to get her oar, or
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body, moving. Once she has made her catch and started her drive, it takes
Jane time to accelerate her oar up to the speed of the boat.
Her oar won’t be doing much good until it starts moving faster than the
boat—then it will begin to accelerate the hull. What would be best for
Jane, and her boat, is if she could have her oar moving as fast as possible
by the time it is perpendicular to the hull (called the mid-drive position).
That is where the oar is most efficient (see figure 12.1).
So if you were rigging Jane’s rigger you’d want to locate her outside arc
so the oar would have enough distance to accelerate up to the hull speed
by the time the oar is about perpendicular to the boat.
Actually, the most efficient area for the oar is 20 degrees to either side
of the perpendicular. I call this the “prime acceleration area.” Her-
berger explains it in detail in Chapter Two of his book Rudern.
The next day Jane is rowing in a pair. When she comes up to the catch
and takes a stroke, her oar makes an arc just like that in the eight, and
again it takes time for Jane’s oar to accelerate up to the speed of the boat.
But the difference is that the pair has a slower hull speed than the eight.
So when Jane’s oar is in the water it’s going to take less time (and dis-
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tance) for her to accelerate her oar up to the speed of the pair’s hull than it
did in the eight.
If you were adjusting Jane’s rigger in the pair, you’d want to give it
enough distance so her oar could get up to hull speed by the mid-drive.
Since the pair is a slower boat than the eight, this distance will be shorter
in the pair’s rigging than it was in the eight’s rigging.
So what we try to do when we rig is have the outside arc in the right spot
to give the rower’s oar enough time to accelerate up to hull speed by the
prime acceleration area. This way, when the oar reaches its most efficient
position, it will be moving faster than the hull and can accelerate the boat.
The slower the boat, the less distance toward the bow you have to locate
the outside arc to achieve this.
On the other hand, the faster the boat, the greater the distance toward the
bow you have to locate the outside arc. So a men’s eight would have a
greater distance into the bow than a men’s four because the eight is faster.
This distance is called the work-thru. Following the same logic, a four’s
distance (work-thru) would be greater than a pair’s. The same adjustment
of the outside arc holds true for women’s rowing.
Let’s look at the other end of Jane’s oar for a second. As she rows along,
the butt of her oar handle makes an arc inside the boat called (you know
this) the inside arc. Where we place this inside arc is important because it
can have an effect on the technique of the rower. Rowers have a comfort
zone when they row in which they are efficient and comfortable.
Whenever you change the location of the inside arc, it will affect this
comfort zone and force the rowers to compensate for this change. Usu-
ally, the compensation is something as simple as adjusting the foot
stretchers, but sometimes the rower compensates for changes in the inside
arc by altering the technique (i.e., changes body angles, leaning). This
may force the rower to be inefficient or uncomfortable, which is some-
thing you definitely want to avoid. Just remember, the oar is a solid ob-
ject, and because it is any, change to the outside arc will cause a change
to the inside arc, and this will affect the rower.
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From here, some folks measure the work-thru as a distance from this oar-
lock pin perpendicular to another perpendicular line going across the
front of the seat when it’s aft. Others measure to a perpendicular across
the center of the wheels, some to a perpendicular across the center of the
holes in the seat, others to a front-stop perpendicular, and some even
measure to the aft of the rear wheels of the seat assembly. All of these
methods work well but, but, but, as you might guess, each way of measur-
ing is going to give a different number.
I’ve tried all these methods and I don’t think one method works any better
than any of the others. I use the front-stops’ perpendicular just because
that’s the way I was taught. As far as you and I are concerned, and we’ll
let everyone else grumble, we’ll measure the work-thru from the center of
the oarlock pin to a perpendicular across the foremost part of the front-
stops. Therefore, our definition of work-thru is the distance from a per-
pendicular line through the center of the oarlock pin to a perpendicular
across the front-stops.
The reason we use work-thru is to help us locate the outside arc so the oar
has enough distance to accelerate to hull speed by mid-drive, with an in-
side arc that is comfortable and efficient.
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The correct foot stretcher adjustment will determine if the rower can get
the full range of motion on the track (slide), and it will help locate the
inside and outside arcs. The foot stretchers are a very critical part of rig-
ging and very simple to adjust, but at the same time, they are one of the
most overlooked adjustments in rigging. For more information on the foot
stretchers see JOB 13.1.
If you look inside a shell, you’ll notice the foot stretchers are separated
from the front-stops of the tracks by a certain distance. When you adjust
the foot stretchers, you are fine-tuning this distance for the individual
rower so he or she can be efficient as possible.
I mentioned before that when a rower is at the catch, the most efficient
knee angle is 45 degrees (45 degrees is approximate depending on the
individual). Well, if this angle is greater than 45 degrees, the rower will
not get the full compression at the catch. This means the oar will not be
moving through the normal outside arc length. This is called rowing
short. If the angle is less than 45 degrees then the calves and hamstrings
are too close together and this means the leg drive will be weaker. This is
called over-compression.
Stand next to a tall wall. Squat down until you have an angle about 45–50
degrees between your calves and hamstrings. Then jump as high as you
can and touch the wall at the top of your jump. Now try it again but this
time compress way down so the angle is much smaller. Jump and touch.
You should find you have not jumped as far, or if you have, then it took
you a lot more energy to get there.
Rest your weary legs and check JOB 12.3A for how to adjust the foot
stretchers.
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To check for proper foot stretcher adjustment, try to get a side view of
the shell while it is being rowed. Look for under-compression or over-
compression of the legs, a sign of improper foot stretcher adjustment.
For correct compression, the rower’s shins should be slightly bow-
ward (but not greatly bow-ward) of perpendicular at the catch. If the
compression is not right, stop the boat, and have the rowers adjust
their foot stretchers.
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First, when we use work-thru, we assume all of the rowers are the same in
body types. But that’s clearly not the case in this imperfect world; rowers
are of different builds and different flexibilities. If you’ve got a boat-load
of people of different sizes and abilities, you’ll find the outside arcs at the
catch won’t be located in the same places. And of course you remember
the pinching effect produced by the turning forces, right?
If the outside arcs start in different places, there will be varying amounts
of turning forces at each rigger, and this is going to impact the boat’s
course.
Let’s say you need to rig a four and the two port rowers reach out farther
at the catch than the two starboards. This means the ports’ outside arcs
are closer to the bow than the two starboards’, and at the catch, the ports
will be applying a greater turning force. The boat will be pushed to the
starboard side.
At the release, the ports will not be as long in the water as the starboards,
and now the starboards will be applying a turning force to the boat pulling
the stern towards the starboard side. To keep this boat on a straight course
there is going to be a lot of rudder action needed. This is not what you
want since every time the rudder is used it acts like a brake, slowing the
boat down. Common sense should tell you this is something you want to
avoid.
If the catch angles are identical, then all of the rowers will be entering the
water with the outside arc located at the same place. The turning forces
on port will balance those on starboard and the boat should travel a
straighter course.
Second, the slower the hull speed of a shell, the less work-thru we want.
Another way to look at it is: the slower the boat, the closer you want the
angles on either side of the oarlock perpendicular to be. To see what I
mean, look at figure 12.5 and you’ll see I’ve divided the outside arc into
two sections, the fore section and the aft section.
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In an eight, with a large work-thru, the fore section is greater than the aft
section. In a pair, the fore section will be closer to the size of the aft sec-
tion—the slower the shell, the closer the angles are. Normal outside arc
ranges are usually 70–85 degrees for sweep and 85–100 degrees for scull-
ing. The catch angle will help you find these angles (see JOB 12.3C).
Don’t give yourself ulcers worrying about the size of the outside arc.
Just remember two important things: the slower the hull speed, the
smaller the size of the fore section (so, the smaller the catch angle),
and fine-tune the arcs with catch length or catch angle markers so you
can check the rower’s catch position.
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Oh, there’s one thing you and I need to discuss while the First and Sec-
ond-Dimensional folks ramble around in other parts of this book. The oar
doesn’t really make an outside arc.
Huh?
Yeah . . . I know . . . I’ve talked about this outside arc ad nauseam, but
instead of an arc, the blade carves a design in the water more like the let-
ter J (see figure 12.5). I’ve found it helps new Riggers (it helped me) get
a grasp on what they are trying to do if they think the oar is just moving
through the water making a big arc. But it actually doesn’t—the oar slips
sideways through the water.
Don’t let this bit of news change your thinking about how to rig; every-
thing is still the same. It’s just important you know this, especially as
you get comfortable with the Third and try to leap up into the Fourth Di-
mension. (See section 9.4 for more information about Slippage.)
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Step 1. Prepare Seat And Tracks: If you have adjustable tracks, make
sure they are both even. To do this, put the seat assembly aft and look at
the stern wheels. Do they both touch the front-stops equally? Or is one
front-stop offset? If so, then you will measure from the fore-most front-
stop since that will be where the wheels of the seat will stop.
Step 2. Measure: Take your tape measure and measure the distance from
the perpendicular through the pin to the fore of the front-stop. It’s easiest
to do this right along the track. Again, if the tracks are not equal, then
measure to the one that has the front-stop closest to the mid-drive knee.
Remember this distance.
Measure this distance from both knees to make sure your rigging stick is
sitting square to the gunwales. You have just made a perpendicular. If it’s
your first perpendicular, pat yourself on the back, give out a “whoopee,”
and let’s get back to work. Make sure the rigging stick extends out to the
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pin. What you have just done is to extend an imaginary line, which repre-
sents the front-stops, out to the side of the boat. If you have a friend
handy, have him or her hold the rigging stick in place so it won’t wiggle
around.
Step 4. Find Your Distance: With your tape measure, find the distance
from the center of the pin to your rigging stick. Make sure you are meas-
uring to the same side of the rigging stick you measured to from the
knees. This distance is your work-thru. If your pin is located on the bow
side of your rigging stick, which is usually where it should be, then your
work-thru is positive. If the pin is stern of the rigging stick, your distance
is negative. If the center of the pin and front-stops are even, then you
have zero work-thru.
Step 5. Compare: Take this distance, write it down and compare it to the
number you want (see JOB 12.5 on how to calculate your work-thru di-
mension). Got the work-thru you need? If so, then clean up and you are
done. If not, then on to JOB 2.
Needed: Boat seats-up, riggers on tight (see JOB 7.5, Riggers on and
Off ), basic rigging kit.
Think of an oarlock as a big letter D. This letter D kinda hangs around the
outside of the shell. What’s neat about this D is that you can move it in
any direction. You can move it fore and aft; you can move it closer to the
boat or farther away. You can tilt it towards the stern or the bow, and you
can even tilt it sideways.
What we are concerned about with work-thru is moving this letter D fore
or aft in respect to the front-stops. Depending on your type of shell, there
are different ways to do this. You need to check out your shell to see
which method to use.
First, you need to know if the tracks are adjustable. Easy enough. Feel
around underneath the tracks where they appear to be connected to the
bracing of the boat. What you’re looking for is a small threaded bolt that
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goes through the bracing and connects the track to the boat. It should
have a nut on the end of it, most likely a wing nut. Usually they have one
in the stern and one in the bow end of the tracks. Get your hand down
there and dig around, sometimes they are tough to find. If you find any
then you have adjustable tracks (most makes will have them—
Schoenbrod Intercollegiate won’t). Didn’t find any? Nonadjustable
tracks for you.
Second, you want to know if the rigger is adjustable fore and aft. Easiest
way to tell is look at the connecting plate where the rigger attaches to the
shell at the mid-drive knee. If the connection between the mainstay and
the connecting plate is solid then there is no fore/aft adjustment to your
rigger (I call this a limited-adjustable rigger). If the connection is a
movable joint then there is fore/aft adjustment. Use the following direc-
tions depending on what type of equipment you have.
With the Schoenbrod Intercollegiate and similar types, the tracks are set,
and this means the front-stops will not move, but you can still get a wide
range of work-thru adjustment by moving the rigger.
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Step 4. Adjust: With the rigging stick still in position, slide the rigger
fore or aft to move the oarlock pin into the position. Recheck your stick
because they have a tendency to move. With your tape measure, put the
pin where you want it; remember to measure to the middle of it. Tighten
the two bottom stay-adjustment clamps. Re-measure once more to make
sure you’ve got it where you want it.
Step 2. Set Tracks: Remove the seat (see JOB 7.6). Then loosen the
tracks. Most adjustable tracks I’ve seen are held with two fasteners, one
fore and one aft—but yours may have more, so check well. Find these
fasteners, which may be a lot harder than it sounds. In shells with brace
construction it is usually not a problem to loosen and tighten these wing
nuts.
The nuts most likely will be plastic so don’t crank them down too hard. In
shells with monocoque decks it can be a little more difficult. You may get
lucky and have an inspection port nearby that allows easy access to the
nuts. If not, you may have to move some foot stretchers to get at them.
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Once you’ve found them, loosen them so there is a good 1/4 inch between
the nut/washer and the contact surface.
With all fasteners loosened, slide the track to the desired position. You
may need to apply some “gentle” persuasion to move them, especially if
they have not been moved in a while. Remember, the key word here is
gentle. Try tapping it with a hammer, not your tape measure, to loosen it
up.
If they don’t move freely, I suggest you remove the nuts and take the
tracks out of the shell. Try to find the problem and clean the tracks. If you
have never seen what they look like, you should take them apart at least
once to get an understanding of what holds these tracks in. When you get
it moved, adjust the other track.
To find your new work-thru position, locate the perpendicular through the
oarlock pin with your rigging stick, measure the distance you need out on
the gunwales (toward the stern), and put your rigging stick at this new
location on the gunwales. This is now your imaginary plane for the work-
thru. Look down to see if the front-stops break this plane (or measure
from the mid-drive knee to the front-stops).
Instead of just looking down from the rigging stick to check if the
front-stops are right, measure them. Determine the distance from your
rigging stick, along the top of the gunwale, to a landmark (e.g., mid-
drive knee). Take this distance and place your tape measure along the
tracks and measure out from the landmark to the front-stops an equal
distance. Now you know exactly where your front-stops should be.
Once you’ve moved the tracks, check to see if both of them are in the
same position by putting the seat on and rolling it to the front-stops. If
both tracks are equal, the wheels on both sides of the seat will be touching
the front-stops. Check your measurement, tighten the nuts—being very
careful not to overtighten—and move on to the next position.
Step 3. Adjust Foot Stretchers: You’re only half way done and this is
where some people flame out. Since you’ve changed the front-stops’ lo-
cation you must adjust the foot stretcher position. See JOB 12.3A, and
don’t give up. If you don’t adjust them, you may be in for some technique
changes you don’t want. You haven’t touched the rigger, so all the other
adjustments should be the same.
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Step 4. Check Your Work: After the first couple rows, visually check
the tracks to see if they may have slipped. Sometimes they will move
when jarred by a seat hitting the front-stops.
Step 2. Move The Tracks: If this is the way you decide to go, which as
you can probably tell gets my vote, then see the preceding JOB, steps 2–
4.
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Step 3. Change The Rigger: Are you sure you want to do it this way? If
it is, then you’ll need to go to my Web site for the specifics. Go there,
download the correct file, and come back here.
Take a look at your tracks. Notice at each end there is a small block.
These blocks keep the seat wheels from sliding off the tracks. The blocks
in the bow are called back-stops and the ones in the stern are called
front-stops (slightly confusing, huh?). The distance from these front-
stops to the foot stretcher is critical, but first let’s focus on where the
front-stops are located for a moment.
The location of the front-stops is important for two reasons. First, the
front-stops can, and will, stop the seat dead in its tracks. This has a posi-
tive side—the front-stops can act as a guide and help a novice rower get
the correct compression.
When a rower makes a catch, the momentum aft needs to be stopped and
redirected towards the bow. This is a pretty difficult maneuver to do, and
you can never be quite sure the rower is doing this with the seat at the
right place. So if the foot stretchers are adjusted correctly, the front-stops
can be a helpful landmark, there to remind the rower when to stop the seat
and make a catch.
But there is also a negative side. If the foot stretchers are too far away
from the front-stops, they can act as a barricade, blocking the rower from
getting the compression needed. With each stroke, the rower will bang
into them like a jackhammer—but at least keeping the seat on the tracks!
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Second, tracks are coming in some very long lengths nowadays. If you
have long tracks, you need to be aware that if they extend too far towards
the stern, they could possibly dig into the back of the rowers’ calves.
The front-stop-to-foot-stretcher distance is critical. So how do you tell
when you’ve got the right distances? Judge by the angle of the rower’s
legs at the catch.
Step 1. Survey The Scene: Look at the tracks and locate the front-stops.
They should be in good shape, relatively clean, and free of tape and junk.
Check out the foot stretchers and make sure that you know the parts and
that they also look in good shape. Before you proceed, make sure your
work-thru is set correctly (see this chapter, JOB 12.2).
Sometimes the front-stops will bruise or even cut into the rower’s
calves, especially in smaller boats, regardless of your best adjustment
efforts. This should worry you because of the possibilities of infection.
Try padding the front-stops with tape (keeping it out of the tracks) or
having the rowers wear protection on their calves (such as the top half
of socks).
Step 2. Rowers In Boat: With the shell in the water, have the athletes get
in and have them put their feet into the foot stretcher sneakers.
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When the wheels are at the front-stops, look at the rowers’ shins to see
what angle they form with the water. (To get a good view, you shouldn’t
be too close). The shins should be almost straight up and down (perpen-
dicular). If the shins are angled past perpendicular (towards the stern),
then there is probably not enough foot stretcher/front-stop room for the
rower and most likely they will overcompress at each catch. If the shins
are not up to the perpendicular, then there may be too much foot
stretcher/front-stop room for the rower, and every time they come to the
catch they will hit the front-stops.
Step 4. Change The Foot Stretcher: If you think a change is called for,
then have the rowers loosen the fasteners holding the foot stretchers, re-
move their feet from the sneakers, move the foot stretcher, feet back in,
and check again.
Save yourself a lot of hassles and make sure the rowers take their feet out
of the foot stretchers when they move them. If they don’t, they tend to use
caveman-like leg strength to move the foot stretchers instead of gentle
hand strength, and things are going to get demolished.
You should know that every time you move the foot stretcher, there is
an impact on the inside arc, but there is triple the impact on the outside
arc. So if you move the foot stretchers aft 1 inch, this moves the inside
arc aft 1 inch, but at the same time moves the outside arc towards the
bow about 3 inches.
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Step 5. On Your Way: If the placement looks okay, then tighten and get
a rowing. If not, then adjust again, observe, and adjust until you’ve got
them where you want them.
Your sneakers on the foot stretchers should have two small strings at-
tached to their heels. These are used to attach the heels to the foot
stretcher. In case the rower needs to get out of the shell quickly, as in a
capsizing, these strings secure the heels and help the rowers slip their
feet out of the sneakers. Be safe, and make sure these strings are
tightly tied to the footplates.
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Needed: riggers on tight (see JOB 7.5), basic rigging kit, tool tray, tape
measure, colored tape, rigging stick, helping hand (nice, but not a neces-
sity).
Step 1. Find Your Oarlock Perpendicular: See JOB 12.1, this chapter,
Step 1–3.
Now measure the same distance along the other gunwale, and mark the
length. Do the same thing with all the positions. You have just marked
out your catch length on the gunwales.
I also use brightly colored wire-ties. You can find them nowadays at al-
most any hardware store. When taped to the gunwales, they stick up,
which makes it easier for the rowers to find the mark and easier for me to
see the marks from the launch.
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Step 4. Observe: Take the boat for a spin and focus on the catch length.
As the athletes are rowing, motor along the side of the boat in a launch
and see if the butt of the oar handle is breaking the imaginary plane be-
tween the two tape markers. If for whatever reason the rowers are not
reaching your markers, or are overreaching them, you know they are not
achieving the work-thru you want.
If things move too fast for you at practice to get a good view of this, or
you’ve got lousy eyesight, then videotape your rowers. Play back the
tape in slow motion to get a good idea of what is going on.
Step 5. Adjust: Stop the boat and have the rowers adjust the foot stretch-
ers accordingly so at the catch the butt of the oar handle will be just
breaking the plane of the tape markers. When this happens, you know the
rowers are at the correct work-thru.
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Step 3. Measure Angle: I truly suggest some peace and solitude when
you first try to measure the catch angles, not because it’s difficult but it
might get a little confusing in a crowd.
Measuring and marking the catch angle is similar to measuring and mark-
ing the catch length, except instead of using tape for a marker, we use
something that extends up from the inside gunwale (gunwale closest to
the rigger). Now when the rower takes a stroke, the oar will physically
touch the marker. This gives the rower instant feedback—on every stroke,
they can see and feel, unlike the catch length where the oar passes
through an imaginary plane and the feedback comes mainly from the
coach.
The first rigger is the toughest; the others are easier. Start where the per-
pendicular through the oarlock pin meets the inside gunwale. At this in-
tersection point, slide your rigging stick out to the pin and place the pro-
tractor on top—the protractor needs to be next to the oarlock pin.
Once you’ve done this, put the oar into the oarlock and have your friend
balance the oar and boat. Watch out for the oar’s swinging wildly. Make
sure the button is against the oarlock and bring the oar to the catch posi-
tion.
Looking down on the oar shaft, line up the stern side of the oar with the
proper angle on the protractor. Now mark where the oar intersects the in-
side gunwale. This is where you are going to put your raised marker.
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Make sure you have it marked well, remove the oar, and get your adhe-
sive tape and raised marker.
Put the marker at the exact intersection point and tape it in place so that it
extends above the gunwale about 4–5 inches. To make things easier at the
other riggers, measure the distance from the oarlock perpendicular to this
marker. Measure out and mark this distance with all the positions. You
have just marked out your catch angles on the gunwales.
Some folks get a little fancier and cut out large templates they can place
right on the boat to find their angles. It’s a good idea, especially if you
think you’ll be measuring a lot of catch angles. All you need is a little
trigonometry, a protractor, and a large chunk of cardboard. This method
will be a little more accurate than the above method—but it is just a dif-
ferent method for the same thing.
You can use several different things for raised markers. I use plastic
ties (wire ties) that are colored. They’re rugged, cheap, bright, and
flexible enough to withstand lots of abuse and keep on working. Most
hardware stores carry them.
Step 4. Row, Observe, Adjust: Now that you’ve set things up, have your
rowers go for a spin. What you are looking for is if the oar shaft
“touches” the marker consistently. If it does touch, then you’re all set. If
the shaft is either short of the marker or goes past it have the rower slide
her foot stretchers fore or aft respectively so at the catch the marker is
touched.
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We’ve spent quite a bit of time discussing arc length and a question may
have dawned on you—how do you know if the rower is rowing the whole
stroke? From my experience, the rower will usually attempt to row the
stroke you rig. But sometimes they don’t, and it’s usually due to some
physical limitation.
Some people just don’t have the flexibility, length, or strength to achieve
the same rowing stroke as the others in the boat—for some, the rigging is
just wrong. This is something you need to know, not so you can holler at
the rower, but so you can fix the problem.
Then we watch the athletes row and see if they are rowing the stroke.
Simple enough. What you then do with the info isn’t quite so simple.
Let’s get on with it.
Step 1. Mark The Catch Length: See JOB 12.3B, this chapter.
Step 2. Mark The Finish Length: Turn to Chapter Fifteen and find your
finish length. From the perpendicular you used for the catch length, mark
out the finish length on the outside gunwale. Make your mark with some-
thing highly visible—colored electrical tape, for example. The finish
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length marker is usually harder to see than the catch length marker be-
cause the rower will be behind it and may obscure it.
Step 3. Observe: Send out the boat and watch them row. Check out both
markers. If you have a hard time telling what’s going on, I suggest you
videotape the rowing and play it back in slow motion. It should help you
easily identify problems. If you don’t have a camera, use your best judg-
ment.
Step 4. Now What: It’s extremely critical that your rowers follow the arc
and length you’ve rigged for them. Just one rower’s being off the mark
can cause balance and flow problems. Well, if a rower is missing the
marks, what do you do?
If the rower is rowing short (not reaching a mark) or rowing long (going
past a mark), maybe it’s just a case of adjusting the arc location. Try us-
ing the fine-tuning JOBs in this chapter (JOBs 12.3A–12.3C) to fix the
problem. Or maybe there is a serious problem, like an injury or poor
technique. If there is a problem, you should put effort into correcting it. If
you’re lost for a solution, try JOB 16.1 for help.
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The hull speed of the shell is something you want to keep in the back of
your mind. There is a fairly wide range of hull speeds for the fifteen
classes of shells we are considering in this book. If we were to take the
same level of rowers over a 2000-meter course, the following chart illus-
trates their ranking from faster to slower:
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Yup.
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W
crucial.
ell, we’re done with all the major rigging stuff. Now let’s get
on with a couple of the minor parts of rigging, focusing spe-
cifically on the foot stretchers, oars, and a couple of shell di-
mensions. This is a small chapter, but don’t let it fool you; it’s
There are two ways to secure a rower’s feet in the shells. The older
method, which you won’t see too often uses clogs, which are basically
open shoes built on top of the foot plate. This was quite popular way back
when; however, now you might only see clogs in recreational singles.
Today, most builders are now installing sneakers in their boats. Nothing
affects the rower’s comfort as much as how their feet feel, and sneakers
are enormously more comfortable than clogs. Regardless of whether you
have sneakers or clogs, all the following measurements pertain to both
types.
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The distance from the top of the seat to the bottom of the heel cup (inside
the sneaker) is called the height of the heel cup. Rowers move back-
wards and upwards during the drive. This means the feet need to be lower
than the seat so the legs can be in a good position to drive. When the heel
height is adjusted properly, the rower’s feet and legs will be in the right
spot for a comfortable stroke. When it’s not adjusted correctly, it can
make the rower feel off-balance and awkward.
If you take a good look at the foot stretchers, you’ll notice the sneakers
pronate out from the centerline. This is called the opening angle, and it
allows the legs to open naturally as they push. In sweep rowing, the out-
side leg tends to flair out slightly, depending on the build of the rower.
The opening angle lets this outside leg be comfortable when flared. The
angle is not meant to be adjusted and comes standard around 25 degrees.
In sculling, the legs do not flair so you will find the opening angle sub-
stantially less.
Foot stretchers are tilted up from the keel and this tilt is called the foot
stretcher angle or rake of stretcher. This angle is important because of
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the flexing required by the rower’s ankles at the finish and catch. The
normal range of 45 degrees seems to accommodate most feet, but you
may stumble upon someone with flexibility problems who will need the
angle changed. If that’s the case see JOB 13.1, this chapter.
I’m not going to waste time discussing sneaker size except to say if
you’ve ever rowed with sneakers too small you know how miserable life
can be. One day I stumbled upon a poem left on a foot stretcher by some
rower/poet who apparently was upset about the sneaker size. It read:
I am tall—
Too large is fine.
These are small—
No longer mine (please).
13.2 Oars
We’ve already discussed the two major oar dimensions—oar length and
inboard (see Chapter Nine)—but there are two other dimensions of oars
you need to know about, neither of which you can adjust.
Despite what you may think; the shaft of an oar is not solid, it is hollow.
One reason for this is so the oar can bend when it’s rowed. Oars are de-
signed to bend, even though some people think that is a sign of weakness
or a manufacturer’s defect. The bend helps the rower make the release
and enhances the rower’s feel of what’s going on during the stroke.
However, not all oars bend the same amount. They range from very stiff
to very flexible. The amount an oar bends is called the oar deflection.
Problems occur when sets are mixed with oars of different deflection. See
JOB 13.2, this chapter, for how to measure the bend in your oars.
When you place an oar into an oarlock, about one third of the oar ends up
on the inboard side of the pin and the other two thirds on the outboard
side. This means more of the oar weight is located outside of the pin.
When your rowers have their oars up off the water this oar weight plays a
major role in the boat balance. This is where the oar balance point
comes in.
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Each oar has its own balance point, which is usually about halfway down
the shaft. It’s helpful if all of the oars in your set have the same balance
point. Unless you’re doing some important Third-Dimensional Rigging, I
wouldn’t spend much time worrying about the oar balance point. If the
oar length and inboards are the same throughout your set, then the bal-
ance point will take care of itself.
13.3 Shell
In a perfect world, each crew would row only in a boat built just for them.
It would be the right size, length, shape, color, and have a refrigerator full
of ice cream.
But this isn’t a perfect world, and unfortunately most rowers end up row-
ing whatever boat is available in the boathouse. This can cause problems
because boat-builders build their shells to carry an average weight of a
crew, and sometimes a crew’s average weight is different than what the
builder planned for. Turn to JOB 13.3, to find out if your crew is in the
right weight classification of shell.
13.4 Stiffness
I was taught to row in an old wooden eight that was many years older
than our coach. Over the years, the poor boat had suffered a lot of wear
and tear and much of the bracing was loose. It was so loose and the boat
wiggled so much we could have a port list in the bow seat (a list is sailor-
talk for when a boat leans), starboard list at four, another port list in the
stroke seat and the coxswain’s seat would be perfectly balanced. We
called the boat “Slinky.” There was no stiffness left in ol’ Slinky and it
was impossible to row more than four people at a time.
Like most novice we didn’t know about stiffness: we thought that was the
way all boats were supposed to be.
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In a stiff boat the stroke should be able to feel what is going on in the
bow. In boats that aren’t stiff, it’s hard for the rowers to work together as
a team, the balance will be bad, and the boat speed will suffer. The more
competitive you want a shell, the stiffer it should be. Speed ahead to JOB
13.4 if you want to check your shell’s stiffness.
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Step 1. Measuring The Heel Cup: The distance you want is from the
seat top to the bottom of the heel cup. At the shell’s position you want to
measure, slide the seat aft. Lay your rigging stick across the gunwale—
over the seat, and measure down to the lowest part of it (same spot we use
for height). Note the distance. Now slide your rigging stick over to the top
of the heels of the sneakers.
Push the sneaker flat against the foot plate and measure down from the
rigging stick to the bottom of the inside of the heel cup. Subtract the two
numbers, and you’ve got your heel cup height. The normal range is about
17–19 cm, but remember, some rowers aren’t normal (or is it most?). So
use the rower’s feedback to see if the height is right. To get reliable feed-
back, try a dock check.
Here is how a dock check works: With the shell at the dock, have the
rowers get in. One at a time, have the rowers come to the catch, while the
others keep the boat balanced—if the catch length or catch angle is
marked, they should get as close to it as possible. At the catch, and then at
the release, ask how their legs feel.
If the heel cup height is too small their legs will feel too high—they’ll
feel like they just can’t reach out far enough at the catch. If the height’s
too large their legs will be too low—they’ll feel like they’re off balance
and leaning too far forward at the catch. Also, if it’s too large the rowers
may not be able to extend their legs completely at the release. If you need
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to make a change, onto Step 2. Just remember, rowers are built differently
and what feels “right” for one may not feel “right” for another.
Step 2. Adjust The Heel Cup: Clog Types: If your boat has clogs, you
have two options: either they’re adjustable or they aren’t. Look at your
foot stretcher; take it out of the shell if you need to get a good look.
You’ll find a variety of designs for the heel cups, ranging from simple
three-screw adjustments to nonadjustables. There are so many varieties
that have popped up over the years I’ve got to say you’re on your own
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here. See what you’ve got; if it’s adjustable, move it, and if it’s not, you
may need to call the manufacturer for advice.
Sneaker types: If your boat has sneakers, your choice is simple: relocate
the sneaker on the foot plate. Usually the sneakers are attached to a plate
that has several holes in it that is then attached to the foot stretcher. Usu-
ally—not always. If yours is attached that way, just unscrew the fasteners
of the plate, relocate the plate either higher or lower, and tighten up the
fasteners.
Step 3. Check Your Work: After you’ve made the change do another
dock check just to see how your work turned out. Hopefully you were
successful. If not, keep fiddling with the heel cup heights.
Step 1. Check The Angles: There are two ways you can check the angle:
(a) measure it, or (b) watch your rower. Measuring is simple. Find your-
self a protractor, a simple little device for measuring angles. Leave the
stretchers in the boat and set yourself up like figure 13.4.
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tor will work fine; however, if you have access to an electronic level, give
it a try.
I’ve found that watching the rowers is a more reliable method than meas-
uring the angles—plus you don’t have to go digging around for a protrac-
tor. Do your dock check just like Step 1 for the heel cups. At the catch,
look at the distance from the bottom of the rower’s heels to the footplate.
If the angle is set properly the rower’s heels will come up just slightly
from the foot plate at the catch until the drive starts, then they’ll be flush
against it. If the angle is too step, the heels will be too far up from the foot
plate and the rower may end up driving off the toes. If the angle is too
flat, then the heels won’t lift off the foot plate at all.
Have the rower go to the release; if the angle is too flat, the legs may not
be able to extend completely—almost the same as problems with the heel
cups. If you see anything funky, ask the rower how the stretcher feels. If
you think you need to make an adjustment, check to see if your stretchers
are adjustable. If they are, on to Step 2. If they aren’t, don’t panic; there
might be a few things you can do.
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Step 2. Adjusting The Adjustable: If you’ve got to change the angle and
it’s your lucky day, then you’ve got foot stretchers with built-in adjust-
ments. Before you adjust anything, measure the angle with your protrac-
tor. If you make a mistake it’s good to know where you started. Now look
at the foot stretcher and identify the moving parts. To allow adjustment,
either the ends of the top-cross support will turn or the footplate itself will
turn on the top support. Loosen the fasteners, make a small adjustment,
re-tighten, and get the rower’s feedback.
Step 3. The Nonadjustable: If you’ve got to move the angles and the
stretchers are nonadjustable, you might be able to fudge things enough to
get what you need. I’ve only stumbled upon this situation twice. In one
case, I replaced the sneakers with a pair with more heel cushioning and
that solved the problem. The other case involved a Schoenbrod Intercol-
legiate foot stretcher. I had to take it completely apart, re-work it, and
then reassemble it. Turned out to be a lengthy JOB—drilling a bunch of
new holes and all that. If this is the direction you think you’re headed, I
suggest first picking up the phone and calling the manufacturer. They
may have some handy-dandy suggestions.
Step 1. Mark Them: You can save yourself some hassles down the road
by marking all the sneakers in your shell with waterproof markers. Mark
on the sole, or on the toes. Put on the size and what boat they go to; that
way you’ll know where they came from and be able to keep like sizes to-
gether. The only thing worse than rowing with sneakers too small is row-
ing with two different-sized sneakers.
Step 2. Remove Them: Before you change any sneakers, make sure
you’ve got a replacement pair. If your luck is still hot, you’ll have a spare
pair that already has the holes drilled with the correct number of bolts in
them. If it’s not your lucky day, keep reading.
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Remove the complete foot stretcher from the boat (by removing the nuts
attached to the stretcher bolt), especially if this is the first time you’ve
ever done this. Then look at the bottom side. You should see one or two
fasteners holding the sneaker to the foot plate. Loosen and remove these.
Remove the sneakers, being sure to note which holes in the foot plate the
bolts go through. Some foot stretchers have several different sets of holes
and each set makes a difference in the heel cup height. If you’re here to
change the heel cup height, moving the bolts to different holes is what
you want to do.
If your replacement sneakers don’t have bolts, then you’ll need to remove
the bolts from the old sneakers, drill holes in the new sneakers, and slide
the bolts into them. If you feel comfortable with a drill, it’s pretty easy.
Just line up the old sneakers, mark the bolts and drill away—you will
need to go all the way through the sneaker bottom. If you need replace-
ment bolts try using stainless steel elevator bolts. They are used on some
household appliances to level loads and can be found in many appliance
and hardware stores—just make sure you use stainless steel.
Step 3. Replace Them: Replace the old sneakers with new ones (or if not
new, then better ones). If you’re keeping the old ones, tie the laces to-
gether and stash them. When tightening the fasteners, make sure there’s a
washer between the nut and foot plate. This will save the foot plate from a
lot of wear and tear and stop the nuts from working loose.
I use plastic wing nuts to secure the sneakers, if they are bolted from
underneath the foot stretcher. They prevent over-tightening and cut a
few ounces of weight. They are easier to adjust than regular nuts and
the rowers can tighten them by hand with the stretchers still in the
boat.
Step 4. Measure The Heel Cup: A different sneaker size can move the
heel cup height by a few centimeters. If you’ve changed the sneaker size,
measure the height to check you’re still in the range you need.
Step 5. Rower’s Feedback: Go for a row and then get feedback from the
rowers on how the sneakers feel. You’re not only checking the size but
also checking the opening angle and heel cup height—they may have
changed. If you’ve got sneakers too big, see if having the rower wear an
extra pair of socks (or two) makes a difference. If they are way too big, or
too small, you should change the sneakers.
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You can’t change the oar deflection, but it’s something you need to
know—you want all the oars in your oar set the same. Remember, we are
talking about stiffness. If your set has a variety of stiffnesses you’re going
to end up with all sorts of funky balance and technique problems, which
you and the rowers don’t need. Measuring them is fairly simple once the
setup is done, and a set of eight should only take you fifteen minutes to
do.
Step 1. Setup : You’ll need a setup like in figure 13.5. I suggest you use
a sturdy sawhorse for the fulcrum point and something quite solid to sta-
bilize the handle, like the rack of a trailer or something secured to a wall.
Depending on who you talk to, or read, there are several variations on
how to measure the deflection: for example, how much weight to use for
the load A, where to measure distance B, and the length of distance C. If
you’re only measuring your oars to compare them with each other you
can use any weight and measure any distance that works for you, as long
as you’re consistent.
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Step 2. Measure Away: Lay out your first oar. With the weight not at-
tached yet, measure and record where the blade tip comes to on the yard
stick. Now slip the rope attached to your load over the blade until it sits
almost in the middle of the spoon. Let the load hang free, and now meas-
ure where the blade tip is on your yard stick. Subtract the two distances
and you’ve got your deflection. Record this number and do the rest of
your set.
Step 3. What Ya Got? When you’re done the set, compare the numbers
and see what, if any, variety you’ve got. I usually get about a 1–2 centi-
meters variety in my sets, but that’s probably due to the way I measure
things. I can’t tell you what to expect, except that you should see a pattern
between oars and try to put as many like oars together as you can. I sug-
gest you measure sets once every couple of years to keep track of things.
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Today, there are more choices, and with more choices you have the need
to make more decisions and you have more chances to make mistakes.
What you are interested in with weight classification is pretty simple: try-
ing to get the correct size crew in the correct size boat (see Chapter
Seven, JOB 7.2, for more info on this).
Each size boat will have different dimensions. There are two dimensions
that change the most between the different sizes: depth and beam. But
there is variety as far as these dimensions are concerned, and two heavy-
weight shells from the same builder may have different depths and
beams.
One reason is that customers may want different options that change the
dimension of the boat, and models change from year to year as the build-
ers experiment to come up with better and faster shells. Also, the building
processes change over time with new methods and new technology, and
that may mean different dimensions, too.
So how do you tell what shell size a boat is? First, you need the depth and
the beam dimensions. Get your tape measure and go to the midships of
the shell. This is where the hull should be the deepest. Set your rigging
stick or straight edge across the gunwales. Now measure down from the
bottom of the straight edge to the bottom of the inside of the hull. That’s
your hull depth. At the same point—which should also be the widest part
of the boat—measure from the inside of one gunwale to inside of the
other for the beam. These numbers will be a guideline to help you find the
shell size. Second, you may need your serial number (see
<http://www.MaxRigging.com> for info on locating different serial num-
bers). Armed with this information, you’ve got three ways to tell the shell
size:
Good method: Eyeball comparison. If you’ve been around this sport long
enough you’ll be able to tell a shell’s size just by looking. If you’re in a
boathouse, and need a little help, take a few steps back and compare
shapes with another boat you know the size of. If this doesn’t help,
try . . .
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Better method: The best way to tell a shell size, with the least amount of
hassles, is to already have the measurements (beam and depth) of a boat
whose size you know and then compare the boat in question to those
numbers. There are two ways to get these numbers. One, of course, is to
call the builder and get the beam and depth for a size and category
(eight, four, pair) of boat. The other way is just to measure a boat. Either
way, make sure the numbers are from the same manufacturer.
Best method: Take your measurements and the serial number and head to
a phone. You need to call the builder. This may cost you a few pennies,
but you’ll find out positively what size shell you’ve got.
I know all this may sound like a lot of hassle, but for good rigging you
need to know what class a boat is.
What we’re interested in finding out is how tight, or un-tight, your shell
is. We are going to check in two directions: side to side, and bow to stern.
I use a reliable, but a fairly unscientific method. Definitely check the
stiffness if it’s a used shell you’re thinking of buying.
Step 1. Setup: It’s best to try checking stiffness when the boat is in
slings. For an eight, place the slings under the two and seven seats. If you
can’t sling it, you can still check the bow to stern stiffness in the rack.
Step 2. Side To Side: Make sure your rigger nuts are tight. Go to the
fore-most rigger and press down with a gentle motion. Notice what hap-
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pens to your aft-most rigger on the opposite side. When you press down
the other rigger should go up the same amount, and at the same time.
Now gently rock the bow rigger up and down and see what happens.
There should be little or no time delay between the two riggers moving,
or any swaying occurring in the boat. The more sway you have, the less
stiff the boat.
Step 3. Bow To Stern: Now we’re going to find out if the boat is tight
from end to end. Go to the bow, about two feet from the bow ball. Cradle
the hull in both hands and wiggle the shell up and down. Nothing dras-
tic—just a subtle motion. Careful of the soft decking if you’ve got it.
Look at the stern and see what’s happening. Are things tight, or does the
boat wiggle like a bowl of strawberry Jell-O? (See figure 13.2.)
If the boat is in the racks, there’s another test you can do. Go to the bow,
about halfway between the bow ball and wash box. Cradle the sides of the
boat and gently lift up. Watch your back; grab a friend to help if you need
it. When you lift, look at the racks and notice if the shell moves as one
unit or if it sags in the middle. If it sags, it’s not stiff—the more the sag,
the less the stiffness.
Step 4. Now What? You’ve looked at sag and sway so now you know
something about how stiff your boat is. What do you do with the info?
Your choices are fairly simple. If the shell is tight and solid, keep rowing
it. If the boat wiggled, it may be time to either do a major repair JOB,
such as tightening up the bracing, or take the boat off of your competitive
racing-boat list and start using it as a training shell. If it’s a used shell
you’re thinking about buying, lack of stiffness is a warning there might be
problems.
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T
his chapter is about doing a complete rigging JOB. Previously
we’ve been doing one JOB at a time, but often you’ll come upon a
boat in which the whole rig needs to be done. This makes things a
little more complicated, but doing it step by step makes it easy.
Needed: Basic rigging kit, boat in slings, rigging cards, rigging numbers,
mellow place to work, time, PRE (positive rigging environment), SRE
(safe rigging environment).
It seems everyone has a different method for doing a complete rig JOB,
and what works best for you is the way that you should proceed when
faced with the big rig. I’m going to present here for you the way that I do
it. Feel free to use this or venture out on your own.
The following steps are the way I was taught. I remember asking my rig-
ging mentor why we were doing things in this order. The answer was,
“Because, grasshopper, it flowed.” And he was right, it flowed. There
should be a flow when you rig and everything should feel comfortable
with a minimal amount of back tracking over steps. If you’re a First- or
Second-Dimensional try this way. When you’re a Third, you’ll be ready
to develop your own.
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Step 1. You’ve Got To Do It: All signs are saying that it’s time to rig. If
you’re not quite sure that you need to get to work, then see Chapter
Seven, JOB 7.1, Determining That You Need to Rig.
Step 2. Find Your Numbers: Here’s where you start because there’s not
much you can do without numbers. You need to know three things: the
size of some specific equipment, the average weight of your crew (this
can be an estimate), and the numbers you will want to adjust your equip-
ment to. Check your sources, measure your stuff, and find your numbers.
For help, turn to your favorite reference book or Chapter Fifteen. Once
you’ve got your numbers, write them down and keep them handy (see
JOB 15.7). You’ll be surprised how hard it is to keep all those figures
straight in your head, especially when every little half-centimeter counts!
Step 3. Prepare To Rig: Setup, Tools, Game Plan: Before you go div-
ing into things, take a couple of minutes and get everything ready. Find
your tools (JOBs 3.1 and 3.2), set the equipment up (JOB 7.3: Preparing
to Rig), sling your shell (JOB 7.4, Slinging a Boat), construct your rig-
ging environment (Chapter Six), and organize your work space so you
can putter along with a minimum of distractions and hassles.
The more important the rigging, the more interruptions you’ll get. Find
some way to get peace and solitude so you can concentrate, like unplug
the phone, rent a junkyard dog, eat onions, play Oxford Blues. Do what
you’ve got to do to focus. One friend of mine has a motel’s “Do Not Dis-
turb” sign she hangs on the bow ball so her rowers know not to bug her
until she’s done.
When rigging a complete boat I suggest you do the same JOB to all
the riggers before you move on to the next JOB. So, for example, go
through and do all the leverage adjustments, and check them before
you move on to the next measurement (for sculls do both riggers of a
position at the same time). This saves a lot of tool-switching, and you
can compare the riggers to see if they all fall within the same range. A
complete rig JOB may take several hours, depending on the equip-
ment’s need and your skills. Start at one rigger, such as the stroke’s,
and use that for a landmark. It will help you with your flow.
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Step 4. First Things First: Go through and tighten all the rigger nuts
snugly. If you know you’ll be making adjustments to all the riggers, such
as changing all the spreads, go through and loosen all the major fasteners
and clamps on the riggers before you begin making the actual adjust-
ments. Make sure the seats are in their proper places and undo any retain-
ing straps. See JOBs 7.5 and 7.6.
Step 7. Height: Now it’s on to adjust the height, which determines the
distance of the horizontal flat off the water’s surface. Changes in height
may affect your pitch—when you’re done with your height, double-check
your pitch. See Chapter Eleven, JOBs 11.1–11.3.
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In sculling, because of the handle overlap, the heights are different for
the port and starboard riggers (see Chapter Twenty-One). To help you
keep track of these height numbers, adjust both riggers of a position
before you move onto the next.
Step 10. Check Your Work: When Henry Ford’s assembly line was
chugging along, I’ve heard that every so often he would wander down to
the shop, pull a car off the line, rip it apart, and measure it to make sure it
met his specs. His version of quality control.
You need to do the same with your rigging, and you’ve got to be quite
critical about it. Double-check: see if the adjustments are correct, if the
fasteners are tight, if all beaten-up and broken parts have been replaced,
and most importantly, if the equipment is safe to row. You’re doing your
own version of quality control—the last thing you need is a recall, espe-
cially during a race.
Step 11. Test It Out: Now give your rigging the real test—row it. Have
the athletes, or yourself—if that’s who you’re rigging for—take the boat
for a spin. First do a dock check (JOB 13.1) and height check (Chapter
Eleven) to make sure things are where they need to be. Have scullers
come to the release and check their hand positions. If needed, adjust the
foot stretchers to locate the hands correctly (see Chapter Twenty-One).
Then start the boat rowing with an easy, controlled pressure. Then put the
boat through the paces. Get feedback and readjust if you need to.
Step 12. Clean Up: Tidy up your work space and put things where they
belong.
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Step 13. Keep It Working: You want to get the biggest and longest bang
for your buck. You need to maintain your stuff with a little tender loving
care and a couple JOBs. See Chapter Eighteen, Keeping Your Equipment
Alive, JOBs 18.1–18.3.
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SECTION THREE
RIGGING EXTRAS
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O
f all the things that have changed in the rowing/rigging world
since I wrote the first edition of this book, this chapter is one that
has changed the most, and at the same time has changed the least.
Here is what I mean.
Rigging has gone through a great revolution the past ten years, due to the
advent of new oar designs, the acceptance of the Euro-style rigger in the
U.S., and production of new electronics (e.g., SpeedCoachTM Rowing
Computer, GPS, stroke watches). The change in oars has meant signifi-
cant changes in the numbers used for the leverage measurements. While
the Euro-style rigger has significantly impacted how people adjust a rig-
ger. And the electronics are tools/toys that help Riggers figure things out.
Yet, despite all of those changes the dependence that rowers, coaches,
and Riggers have on rigging numbers and how they use and locate those
numbers has not changed at all. So, many aspects of rigging numbers are
really no different than from I described them ten years ago, but the num-
bers you find and use will be different.
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Benefit #1: Comfort. Ever take a long drive while sitting in a car seat
that just didn’t fit very well? How about writing a term paper with a pen
that is too big? Or talking on a phone where the cord is way too short?
(Remember those days when phones had cords?)
If you’ve ever endured any of these things, or have done anything else
with a piece of equipment or with a tool that didn’t fit right, then you
have a pretty darn good idea of what it’s like to row with equipment that
is not adjusted correctly.
Simply put, correct rigging numbers can help rowing be more comfort-
able.
Benefit #2: Speed. For rowing coaches, speed is our Holy Grail. It is that
elusive item we seem to spend hours, days, weeks, months, and years
chasing. Rigging numbers are critical to generating maximum hull speed.
If it is speed you’re after, then you need the right numbers, for without
them you may find max hull speed to be very elusive.
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up only about ten percent of a body’s surface, but boy, that ten percent is
important. I call these places the hot spots, and if there is a problem in
one of these areas, that can really mess up your rowing.
For example, little nasties like blisters have been known to stop armies
dead in their tracks, and they certainly can make your rowing uncomfort-
able and inefficient. So can a smashed knuckle. Or even worse, an in-
credible case of screaming boat-butt.
In my clinics I often relate the story of seeing eight stud-type rowers get
off the water after a spin in one of the first boats in the country with ad-
justable tracks. The boat was new and no one was quite sure how to ad-
just the tracks—in this case, they were adjusted about five inches too far
toward the stern. With each new stroke, the end of the tracks jabbed into
their calves, and the end product was eight bleeding, limping, and grum-
bling rowers
Using the correct rigging numbers won’t totally eliminate these types of
injuries, but they sure can help reduce them.
Benefit #6: Less Torture. I have one last benefit I want to throw out:
more than once I’ve had unpleasant rigging experiences when I didn’t
have the correct rigging numbers. When you need to rig, especially when
it’s important to get it right, not having those numbers around can be like
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torture. In other words, rig a boat poorly and lose a race by .5 seconds—
don’t expect a good night’s sleep.
First, be very, Very, VERY careful of WHERE you get your rigging
numbers. For example, a rigging chart produced from the rigging of the
men’s eights rowed at the 1999 World Championships gives the numbers
that those folks rowed at that regatta. But “those folks” are well-trained,
high-performance athletes, of very homogeneous traits, who execute at
the upper end of human abilities. You are not likely to find many, if any,
similar people in your programs/boats. And the rigging numbers that push
one of these athletes to the brink of his endurance when racing a 2000-
meter race will absolutely crush lesser rowers very early on in the race
(that is, if they make it to the race at all).
At the end of this chapter, you will find my rigging charts. You’ll notice
two things. First they come in ranges. Second, accompanying those charts
is a table that explains how they were measured. Both of these steps are
taken to help make your selection of rigging numbers safer.
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There are so many other things that you need to know about in the world
of rowing if you’re just getting into it. Items like safety and injury pre-
vention are so much more critical than rigging and rigging numbers.
Don’t let anyone tell you differently.
So, at this stage, put knowledge about rigging numbers way the heck to-
ward the bottom of your list of things to do!
Step 2. Observe: Watch your rowers, look at other rowers, check out
other Riggers, watch the oars move through the water. Look, stare, gaze,
scrutinize, give the once-over, reconnoiter, and survey whatever you can.
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Oh yeah, you know that saying, “There are no stupid questions . . .”? As
someone who teaches for a living, I want to tell you, “Oh yes, there are!”
So when you’re asking questions, think about the question first. And if it
is a reasonable and appropriate one, ask away. And if it’s not, store it for
a later date.
Step 4. Read: An excellent way to learn is to read. I suggest that you read
everything about rowing and rigging and rigging numbers that you can
get your hands on. Get it from the Web, or books, or magazines, or bath-
room walls. Get it, read it, and digest it.
But notice, I am not saying believe it all. That would be a mistake. There
is so much silly, lame, and downright wrong stuff out there that you need
to be careful about what you believe. Be picky.
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Needed: What you’ll need to be successful here are the rigging charts at
the end of this report, a quiet place, a few deep breaths, and possibly a
phone.
Step 1. Read: Before you begin your numbers hunt, take five minutes
and go back and get familiar with Chapter Four, The Equipment, and
Chapter Seven, The First Steps of Rigging.
Step 2. Relax: Too often—way too often—I’ve seen people get to this
stage of the game and freak out over rigging and rigging numbers. Don’t
place undo importance upon rigging numbers—it’s a dark and evil place
to go.
Instead, realize that rigging numbers can help you do a better job, but
they are not the end-all. If you feel that you don’t quite have the right
ones, no worries, we’ll get them. Locating them is not too hard, especially
if you take it one step at a time.
Step 3. To The Charts With You: At this stage in your learning, rigging
charts are one of the best sources of information available. That is, if the
numbers come from a credible source. (The ones in the back of this chap-
ter do come from a credible source—me). One thing about the charts I’ve
included: you’ll notice that they give ranges instead of specific numbers.
These ranges have been determined by the rowing world through many
years of trials and experimentation. Stop here a second, flip to the charts
at the end of this chapter, and look at the chart to see what I mean.
Why ranges? Ranges are given because there are so many variables (e.g.,
rower’s size, race length, conditions, technique, etc.) that will impact the
numbers you use to rig. So ranges are not a cop-out; they are exactly what
you need to start the process of maximizing your numbers. Once you’ve
found ranges for your numbers you need to narrow the ranges down.
Step 4. Fine Tune. You’ll need help for this step. For help, call someone
whose rigging opinion you respect to see what he or she suggests. Ask
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around and see what other folks are using for their numbers. Maybe
you’ll get some good ideas. Maybe you’ll get reinforcement that the
numbers you’ve picked are the best. Maybe you’ll get the cold shoulder.
At race courses, ask coaches what they are using for their numbers (but
make sure it’s not five minutes before a big race). After regattas, find out
what the winning crews used for their measurements, and find out what
the slower crews used. There’s probably not too much of a difference.
Record all of this groundwork so you can narrow your ranges down to a
specific number. (If you can’t find help with narrowing your ranges, play
it conservative and just go for the middle of the range.)
Step 6. Use Them: Once you’ve got your numbers, and a range that you
think is right, it’s time to do something with them. You may need to get
someone to assist you with the rigging, or even have them do it for you
while you observe. If you work slowly, rig the best you can, and things
look good, then you’re done with the hands-on part of rigging for now.
Here comes the hard part—leave your rigging alone! It’s fine; don’t
touch it (except to check if something may have slipped!).
Step 7. Write Them Down: Once you’ve got the numbers and done your
rigging, record everything for future reference. Don’t skip this step! ! !
For suggestions and guidance on how to record your rigging numbers, see
my Special Report, How to Maximize Your Rigging Numbers, at my Web
site <http://www.MaxRigging.com>.
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Needed: What you’ll need to be successful are the rigging charts at the
end of this chapter (or similar ones), your own rigging numbers if you
have them, and some testing equipment (e.g., SpeedCoach ). TM
Step 1. Get The Numbers: Finding your numbers is not all that much
different from the method First- and Second-Dimensional Riggers use
(look it up, ask people, etc.) except for one thing: You should have your
own.
By now, you should have a store of different rigging numbers you have
used in the past. From these numbers, you should have a good idea about
what you want to use, and what works and what doesn’t. These numbers
are a resource you need to put to good use.
Step 2. Testing: Not to sound offensive, but when you’re at this stage of
the game, the numbers you get from books, charts, friends, or your own
rigging should not be good enough for you at face value. You should feel
a need to prove that these numbers will work for you and for your crew.
To do this, you need to do a few tests, record the results, make some
comparisons, and determine what will work best. Following are two sug-
gested ways to do such tests. For more information and more suggestions
of other tests to perform, see my Special Report, How to Absolutely
Maximize Your Rigging Numbers which can be found at my Web site
<http://www.MaxRigging.com>.
It doesn’t matter how long the distance is, as long as it is a consistent dis-
tance that is well marked. The important element is the markers must be
easily seen and set up in such a way to form two imaginary planes that
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extend out into the water. When the bow ball of the boat breaks the first
plane, start the watch, and stop it when the second plane is broken.
For this test to work you need to be accurate. Start and stop the watch at
the exact same place and have the crew at a consistent pressure. Do sev-
eral pieces in both directions (to account for wind or for current) and de-
termine an average time, making sure the rowers have plenty of time to
recover. Then make your rigging change. For example, lighten the in-
boards a full centimeter.
Now do the pieces again and record the results. Do several. Compare the
times. If the crew is faster after the changes, you may be on to something.
If the crew is slower then go back to the original numbers (which you
wrote down) and try again.
This method will let you test any rigging-measurement (even sneaker
size!), different equipment, different rowers, ratings, coxswains, and dif-
ferent race strategies. Try to set yourself up a permanent course you can
use over many seasons to compare results year to year.
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the first 500-meter split will be several seconds faster than the other three
500-meter splits, which usually will be within one to two seconds of each
other. Noticeably slower times in the second half of the course, specifi-
cally in the fourth 500 meters, might indicate that your leverage is too
heavy.
You can (and should) double-check your testing. On the last test piece,
return your rigging to the way it was on the first test piece. Row the piece
and check the results (time) with the first test piece. The results should be
very close if you’re doing things right, if the rowers are getting enough
rest time, and if the conditions haven’t changed greatly.
read-out of the speed of a shell, among other things. From this info, you
can run tests that tell you the impact of your rigging numbers on the hull
speed of your boat.
The nice thing is that you don’t need to rely on a marked course on shore
when using a SpeedCoach . You can do experimental pieces just about
TM
anywhere, and of just about any length or duration. (I’m a big fan of 30-
stroke pieces.) The SpeedCoach offers a lot of other information you
TM
can use (maybe too much). On the down side, it is something else for the
coxswain to carry, and a pricey item for you to worry about; but on the up
side, it can yield invaluable data that can help you greatly in your rigging.
If you have the bucks, and the time to get comfortable with all the bells
and whistles, give it a spin.
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Before you get into testing, a must-read can be found on Concept II’s
Web site at:
<http://rowing.concept2.com/concept2/v02/products/oars/oartesting2.asp>
Step 3. Record. For any of these tests to be meaningful, you need to re-
cord results, measurements, and conditions in a manner so that you will
be able to understand. Confusing little scribbles on scraps of paper proba-
bly won’t mean anything to you two days after the test. Try to neatly file
your results so you can find them easily and in such a manner that a year
from now you’ll be able to understand what the heck went on.
For suggestions and help on recording your numbers and testing, see my
Special Report, How to Absolutely Maximize Your Rigging Numbers, at
my Web site <http://www.MaxRigging.com>.
Step 4. A Word Of Caution: Don’t jump up and down over your first
results without further testing, especially if you get some bizarre results.
To be accurate, do your test more than once just on the outside chance
something screwball might have happened (like one of your rowers
turned into the Incredible Hulk during one of the pieces).
Let’s say you’ve been invited to the Head of the Piranha on the Amazon.
Brazil is a long, long way and it’s too expensive to take your own equip-
ment, so you’ve made arrangements to borrow a shell and oars when you
get there. When you arrive, the first thing you want to do is rig the
equipment. Well, what numbers do you use?
If the equipment you’re borrowing is exactly the same as what you were
training in at home, it’s no big deal. Pull out your rigging records and just
rig it. But what if the equipment is not the same? What if the oars are 371
cm instead of 375 cm and the riggers are nonadjustable at 84 cm and you
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want 83.5 cm? And you don’t have time for doing extensive speed test-
ing. Have any ideas?
Use the all-purpose Leverage Formula to save the day. Here is the for-
mula:
LEVERAGE = (L – I) – B/M
S
L is the total length of the oar, I is the inboard, B is the length of the
blade, and S is the spread. M is a variable. If you have Big Blade oars and
variations of it, M is equal to 2. The distance of B/M is subtracted because
that is approximately where the blade’s center of pressure is located. All
distances need to be in the same units.
So to be helpful on your trip to Brazil, you pull out your rigging records
and figure out the leverage you were rowing with at home. Next, plug
into the formula any limiting numbers from your borrowed equipment,
those that can’t be adjusted (in this example, it’s the oar length and the
spread).
Now solve the formula for the remaining unknowns (in this case the in-
board) while trying to get the answer to be as close as possible to your
leverage at home.
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Use a calculator because you want to get your answer to two decimal
points. This will give you the inboard you need to rig the borrowed stuff
so the rowers will have a “feel” and “efficiency “ just like home.
Use this formula only as a guideline, nothing more. One reason why is
that this formula assumes a lot. It assumes that both the blade surface area
and the curvature of the blade remain the same. Because of these assump-
tions you can’t use this formula when changing blade surface area, like
switching from a Big Blade to a Vortex to an Apex (although, you can
use it for any type of blade, as long as the blade type remains the same).
You also should not use it if you make adaptations to an oar, like if you
retrofit a Big Blade to a Vortex.
You’ll find the Leverage Formula is handy for a lot of things, such as fig-
uring out rigging numbers when you have: (a) small changes in equip-
ment (a new set of oars that are slightly longer than the older set), (b)
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changes in the size of a crew, (c) changes in race course length (less lev-
erage for longer races), (d) changes in strength of crew (stronger crews
can handle more leverage), and (e) changes in weather (less leverage for
rowing into a head wind, more with a tail wind).
The formula is also a great way to keep track of your rigging from year to
year. Figure out the leverage of your rig. If it worked well for you then
next year use the same leverage as a base for your rigging numbers and a
point from which you can experiment. But just keep this in mind: the
formula will not work when the blade surface area changes.
If you’re going to experiment (and at this stage, you should), I would like
to make a few suggestions.
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change was made, I would make sure that as many of the variables as
possible remained the same: same coxswain, same weather, same type of
day . . . etc.
By breaking it down into parts and by keeping it simple, you are more
likely to find out what you are after. If there are a multitude of variables,
well . . . the feedback you get might be almost useless. So keep it simple,
and try to isolate what you want to examine.
Step 3. Record Everything: I experiment quite a lot. And one thing that
I learned early on in the process is to record, record, record everything I
can. I look at the time I invest in recording my results as time wisely in-
vested in my sanity. More than once I have seen coaches experiment, and
at the end of the experiment, not be pleased with the results. And so they
want to go back to where they started. Those coaches who did not write
down their rigging numbers of the equipment before the experiment are
basically lost.
Step 4. Be!: As you experiment, there are a few things you should be.
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Step 6. More Information: There are two sources you might want to re-
fer to for more information on experimenting. One, of course, is my Spe-
cial Report, How to Maximize Your Rigging Numbers, at my Web site
<http://www.MaxRigging.com>. Another is Concept II’s Web site
<http://www.Concept2.com>.
A Little Background. For about thirty years, Macon blades were the
most commonly used blades, and during that time the blade surface re-
mained standard. Then around the early 1990s came the introduction of
blades with larger surface areas, such as the Big Blades, and variations of
that design. Those new designs caused (and still do cause) many Riggers
to question what numbers to use to rig their boats. And that is exactly
when the first edition of this book came out, and it was a rather turbulent
time—in terms of determining your rigging numbers, that is.
You see, back then the rowing world was in the midst of some major
growing pains. Blade shapes were changing, and it looked like that was
going to be a painful process—exciting, but nonetheless painful. One rea-
son that it was painful was that changes in blade shape usually meant
changes in many of the leverage measurements—specifically oar length,
spread, and inboard.
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That wasn’t the first time that an “oar revolution” had occurred. Back in
the late 1960s there was a flurry of hectic activity as the shape of the
standard blade went through changes. That process took several years for
things to sort out, and the end result was the acceptance of the Macon
blade as the new standard shape for rowing, and a better rowing world.
What I find interesting is that the growing pains that started in the early
1990s are still with us today and blade shapes and oar designs continue to
change and be refined. But that’s the way it is in rowing; it takes quite a
while to figure things out. Look at it this way—it took the sliding seat a
good fifty years to actually catch on!
And today? If you find confusing the prospect of some of the new blade
shapes and the corresponding changes in oar length, you’re in good com-
pany. The dynamics of blades are very, very complex. The whole reason
the rowing community is willing to go through this continual process is to
get a more efficient blade, and in turn, faster hull speed.
Blade and oar design have been the subject of many scientific papers, dis-
cussions, and research groups. Doug Martin, from Martin Marine, who
has spent a lot of time and effort on blade design, told me ten years ago,
“The Big Blades are a giant step in finding a more effective blade shape
and area, and the process has a long way to go.” And he certainly was
correct, for the process is still ongoing.
So the original question behind this JOB is still floating out here, and it is,
“What the heck are you supposed to do if you change your oars to a dif-
ferent shape or design?”
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The following charts contain ranges of rigging numbers for you to con-
sider for your equipment.
Ah . . . ranges, you say, but you want specific numbers. Well, I’ve put
ranges in these charts because the rowing world is full of way too many
different size people, of different ages, who race different distances, in
too many different conditions, in different times of seasons, with different
styles. It is impossible to do justice to all these variables in a few simple
charts. For the small amount of extra time you need to narrow down your
range, I think you’ll be much happier with the results.
You’ll notice there are two charts for sweep rowing and two for sculling.
To find your ranges:
Step 1. Determine the type of rowing and the skill level of the person(s)
you are rigging for. Then . . .
Step 2. For the type of rowing you’re doing, locate the range for oar
length, pitch, height, and foot stretcher adjustments under the column for
the correct skill level. Then . . .
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Step 4. Find the proper shell class and locate ranges for work-thru, lever-
age, and arc location measurements.
Step 5. When you’ve done these four steps you should have all the ranges
you need. Now just narrow them down. A few thoughts to keep in mind:
1. The faster the hull speed of a shell the greater the catch length,
catch angle, and work-thru you need. (If you feel you need a re-
view of hull speed, see Chapter Twelve). So in a pair. these three
dimensions will be less than those in an eight, and at the same
time, a slow pair will have less catch length, catch angle, and
work-thru than a fast pair.
2. The faster the hull speed of a shell, the smaller the inboard and
spread you need. So in an eight, these two dimensions will be less
than those in a pair, and a fast eight should have smaller inboard
measurements and spread, than a slow eight.
4. For oar and oarlock numbers, favor the right side of ranges for
younger or less experienced rower(s), favor the left side of ranges
for older or more experienced rower(s). Be consistent with your
selection—if you favor the left side of a range for one dimension,
favor the left side for all the dimensions. Not to sound sexist, but
do the same for female rowers (favor the right side of the ranges),
and for male rowers favor the left side of the ranges.
Step 6. For these numbers to really mean anything, you must know where
they are measured from. The chart on the following page should help.
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Step 7. Once you’ve got your numbers and rigged the equipment, don’t
be afraid to look, listen, and experiment. Look at the rowing and at the
rowers to see how the rigging is working. Listen to the rowers for their
feedback (“Oh . . . my height is just too low . . .”). And experiment to see
if the numbers you’ve chosen work for you, and them.
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RIG CHART
SUGGESTED SWEEP RIGGING NUMBERS
BY SKILL LEVEL
*Note: These blade sizes are for Concept II Big Blades only, and do not include Macon
blades or other manufacturer’s oars. See page 194 for reference chart of other sizes, or
contact the manufacturer directly.
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RIG CHART
SUGGESTED SWEEP RIGGING NUMBERS
BY BOAT CLASS
Boat Class 2+ 2– 4+ 4– 8+
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RIG CHART
SUGGESTED SCULLING RIGGING NUMBERS
BY SKILL LEVEL
*Note: These blade sizes are for Concept II Big Blades only, and do not include Macon
blades or other manufacturer’s oars. See page 194 for reference chart of other sizes, or
contact the manufacturer directly.
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RIG CHART
SUGGESTED SCULLING RIGGING NUMBERS
BY BOAT CLASS
Boat Class 1X 2X 4X
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Step 1. Why Record?: Recording your rigging numbers will make your
rigging life so much better. It will save you time. It will save you effort. It
will make you better looking (okay . . . two out of three isn’t bad).
Well, actually, I don’t mean just write them down anywhere, I mean write
them down on cards so you file them away neatly and pull them out every
time you rig. I call them rigging records, and they are very important if
you want to maximize your rigging numbers!
Step 3. Use The Cards: On the next pages you’ll find a few charts. They
include spaces for all the rigging-measurements and equipment-
measurements that you probably will ever use. (There are actually more
rigging numbers than there are spaces on the charts.)
I use these charts. I’ve made the charts fairly large so I can copy them and
store them easily in a notebook. I have also copied them and shrunk them
down to the size of an index card and put them in a small notebook that
fits into my toolbox or pocket.
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DATE: SHELL
CREW
OARS
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Size:
— Chapter Fifteen: Your Rigging Numbers —
COMMENTS
Leverage 8 7 6 5 4 3 2 1
Spread/Span
Inboard/Length
Blade Size
Blade Type
Leverage
Oarlock 8 7 6 5 4 3 2 1
Pitch (Stern)
Pitch (Lateral)
Height
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Catch Angle
— Chapter Fifteen: Your Rigging Numbers —
Catch Length
Foot Stretcher 8 7 6 5 4 3 2 1
Angle
Heel Cup Height
Opening Angle
Location
— Chapter Sixteen: This, That, and Tricks —
F
ollowing are a variety of JOBS that you might find helpful at some
time or another. If you have a JOB that you would like to share
with readers, you can submit them at my Web site,
<http://www.MaxRigging.com>, and I will try to get it into the
next edition.
Step 1. Check Your Previous Work: If you’re doing a JOB you’ve done
before, stop whatever you are doing and backtrack. Sometimes we do a
JOB so often it becomes automatic, like tying shoelaces. If we get inter-
rupted or stop to think about this automatic task the brain goes blank. Go-
ing back and looking at the task can help get your mind back on track.
Check out a previous JOB—does it help? If not, then . . .
Step 2. S.O.S.: If you’re stuck on a JOB and you truly don’t know how to
do it—ask! Find someone you can ask for help. Ask a friend, a fellow
coach, or call the builder. Hey, if your pride is in the way, swallow it and
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get the info to do the JOB right! Never, ever be embarrassed to say you
don’t know how to do something. It’s part of the growing and learning
process. If your S.O.S. fails, try . . .
Step 3. Take Chances, Make Mistakes, Get Messy: Ever watch The
Magic School Bus? It is a great kids cartoon-show that adults (especially
Riggers and rowers) could greatly benefit from. Why? A constant theme
appears in the show followed with the saying,
If you’re an independent thinker and think you’ve got a solution, go for it.
Don’t be afraid to experiment (especially when rigging for sculling). I
hope you realize rigging is not a static, stagnant science (or is it an art?)
that is written in stone. You’re not a bad person if you don’t rig the way
others rig—just the opposite. We need to have experimentation; that’s
how the sport grows.
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Ever read Tom Peters? Try him. He encourages the exploration, the ex-
perimentation, the pursuit of what he calls Wow! How do you find Wow!?
Easy—take chances, make mistakes, get messy!
What about the first folks who came up with the swivel lock or the sliding
seat? Were they cheaters or disrespectful to the sport of rowing? Not to
me, they just had an idea that turned out to make a difference.
What I’m getting at, the long way, is don’t be afraid to experiment with
your rigging any way you want to. Just don’t be afraid to make mistakes
because you will make them. And don’t be static. Be safe, but not static.
Step 4. Take a Breather: Give your mind a rest. Attacking the problem
with a fresh mind and a better mental attitude might get you unstuck.
I had a major dose of Rigger’s block one day. I was in a big hurry to
get an older boat rigged with a set of new oars. I finished, and the
rowers took it to the dock to row. Everything was fine—except they
couldn’t get the oars into the oarlocks. We tried, and tried, and tried,
but the oars just wouldn’t fit. I spent all afternoon trying to figure out
what the problem was. The next morning, as soon as I woke, the solu-
tion dawned on me. The oarlocks were sculling oarlocks and there was
no way the oars were going to fit. I had to get away from the problem,
and clear my mind, before I could figure it out.
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Needed: Wrenches that fit fasteners, brain (yours preferably), and a pair
of hands.
Most fasteners (nuts, bolts, screws) are tightened or loosened with a twist-
ing motion called torque. You can measure torque with a nifty little tool
called a torque wrench. It’s a wrench with a gauge that tells you how
hard something is being twisted. This is handy when doing work on
things like motors and fine machinery, which require precision in how
tight the fasteners are turned.
Proper amounts of torque keep a car’s engine from falling apart on the
freeway or the bolts holding the seat on your carnival ride from bouncing
loose in mid-spin. In rowing, we don’t require such precision, but we do
want to make sure the fasteners are turned to a certain degree of torque
for two reasons. First, if too little torque is used, the fastener will loosen,
and second, if too much torque is used, things are going to get broken.
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gether so they stay put. If any of these fasteners are overtightened, there is
a darn good chance something is going to suffer. I’ve seen guerrilla-
rowers crush, splinter, and implode the knees of a boat by overtightening
rigger nuts—making the boat unrowable until the knees were replaced or
repaired. I’ve witnessed nervous coaches crank down on top nuts so hard
that the oarlock pin snaps in two. A wrench is a dangerous tool in a mind-
less body.
In our boathouse we give the coxswains and coaches their own torque
wrenches. Actually, those folks come equipped with them—they just
don’t know it. What I’m talking about is their hands.
For rigger nuts, we use two-finger tight. For the top nut on riggers, and
most fasteners squeezing metal, we also use three-finger tight.
There may be a couple of fasteners you need to tighten that don’t quite
fall into the finger system. For example, the bottom rigger nut on some
older riggers and on the new Euro-style riggers. Here, we use something I
call a palm-and-hip tight.
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If these nuts slip, the whole adjustment of the rigger is shot. You’ve really
got to crank them down and sometimes that’s tough to do without bashing
a knuckle or straining a muscle. With the wrench in the palm of the hand,
set it on the nut, place the hip on the elbow of the wrench hand, and
gradually, but firmly, lean into the wrench with your body weight to
tighten the nut (at the same time holding the rigger top stay for stability).
Keep leaning until you meet solid resistance—it should be tight enough.
The clamps on rigger stays are a bother because both the nut and bolt
turn. Tightening or loosening these requires two wrenches and a push-pull
motion that can result in slipping wrenches, flying hands, and rounded
fasteners. To make things easier we use a two-hand squeeze. Put a
wrench on both nut and bolt head—hold the bolt head steady while tight-
ening down the nut until firm resistance is felt. Now offset the wrenches
just enough so when your fingers are locked together the wrenches will fit
in the palm of your hands (see figure 16.2). Now squeeze your hands to-
gether and push. Reset wrenches and push again until the resistance is
solid. You’ll find that you can generate some great torque and reduce
damage to the Work and to yourself.
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Needed: Travel tool kit, even temper, flexibility between the ears.
Something has gone wrong with a fastener. It’s not working like you need
it to. Time’s short; you’ve got to row the boat in a couple of minutes, and
your in-laws are coming. Don’t freak; there may be hope. With the fas-
tener, that is—you’re on your own with the in-laws.
Get your head on right! First thing’s first: breaking the head off a bolt
or stripping a thread can be a hassle, but it shouldn’t give you a bad atti-
tude.
Take a few minutes and clear the frustration out of your head. The world
hasn’t ended. Go for a walk, count to ten in German, eat an apple, watch
some clouds. Do whatever you need to do to get a good dose of positive
mental attitude. To solve the problem, you’re going to need some finesse,
and you can’t have finesse in a foul mood. Turn to JOB 6.1 for some help
if needed.
Problem 1. Stuck Rigger Bolt: Rigger bolts, which connect the rigger to
the hull, sometimes need to be replaced or removed. They usually slide
right out with gentle pressure, but not always. You may need to use some
gentle persuasion. The trick is to do it with out destroying the threads on
the bolt.
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When the rigger is off, take the rigger nut and thread it back onto the rig-
ger bolt. Have the nut flush with the bolt so no threads are showing past
the nut (figure 16.3). Now with your trusty rubber mallet, tap the nut and
bolt towards the hull. If you’re using a metal hammer, place a small block
of scrap wood over the nut for protection, and then tap the nut and bolt.
Once the nut is flush with the gunwale, take it off the bolt and remove the
bolt from the knee.
Get a grip on the rounded part with the pliers. Get a good purchase, set
the pliers, and hold them tight. Put a wrench on the other end and turn it
(do not turn the pliers—remember, they are a holding tool) being careful
not to cause more damage. If this works, loosen the problem and replace
it. If the pliers won’t work, try this . . .
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In some places that have two rigger bolts (mid-drive knee) the top and
bottom ones may be connected. If so, you’ll have to remove both at
the same time.
Grab a hacksaw and cut the problem as in figure 16.4. Most likely, the
fastener is still attached to the equipment, so take your time and be care-
ful with your cuts—don’t cut your rigger in two!
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socket, or locking pliers on the Work and loosen the fastener. Once it’s
free, replace both the nut and bolt and wipe up all the cuttings.
You’re not trying to knock the silly thing free, just trying to set up vibra-
tions that will help the penetrating oil seep into the threads and slipperize
things. This method is going to work almost every time. Tap again and let
it sit for a moment. Now try to turn. Hopefully you’re successful. If not,
try a little more muscle and maybe a slightly longer wrench for more lev-
erage. If all attempts fail, you may have to cut the nut similar to figure
16.5, but only as a last resort.
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Problem 5. Stuck screw: There aren’t more than a few screws involved
in rigging nowadays. If you happen upon one that’s in wood and won’t
turn, try this trick: hold a hot soldering iron on the screw head for about
30 seconds. This will cause the screw to expand. Then let it cool for a few
minutes, and try to turn it. The expanding and cooling should cause the
surrounding wood to compress and let the screw turn more easily.
Metric is the wave of the future. To ride the wave you don’t necessarily
need to go out and spend a whole lot of money. You might be lucky
enough to have tools that fit both metric and U.S. fasteners already. I
strongly suggest that you start stockpiling metric tools as your wallet al-
lows, but in the meantime, the following chart will help you out with
sizes that fit both systems.
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Conversion Chart
These sizes are “switch-hitters,” meaning the metric size will fit the U.S.
size and vice versa. The fit might be tight, but they should work well in a
pinch
Right Fit? If the wrench you’re using doesn’t fit snugly on the fas-
tener, don’t use it. Find the proper size wrench or carefully use an ad-
justable. A sloppy fit will damage the Work.
There’s a handy little item that can help reduce water-attacks; it’s called a
splashguard. And you may want to consider using it, especially if your
shell has a low freeboard.
Splashguards go at the junction where the rigger meets the hull. They cut
down on the spray and keep things a little dryer. That’s all they do; they
don’t make rough water easier to row in; they just keep things a little
dryer. I’ve used two types of splashguards, tape and pre-cut plastic.
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The easy, but messy, way to use splashguards is duct tape. I usually bring
several rolls any time we race. If the water starts to get wavy, I put it on.
You don’t need much, just a couple of pieces here and there, but it can
make a difference (figure 16.6). A little more involved method is to use
pre-cut plastic triangles that also fit at the junctions. They may look bet-
ter, but they’re usually held on with tape anyway and the tape works just
as well.
Don’t get carried away with the tape; a little goes a long way. Once, I
made the mistake of putting too much tape on the riggers of a pair. I used
so much tape that, when a wave crashed over the rigger, landing on the
tape, the force was enough to almost flip the boat. Don’t overdo it; you’re
trying to cut down splashes—not tidal waves.
Design 2: Tool Tray. A tool tray is one of those things that you don’t
really notice how handy it is until you start using one. It’s a great orga-
nizer and time saver and easy to make.
Get yourself something about the size and shape of a cafeteria tray. A few
charming words at the local eating establishment may land you one of
these trays easier than you think. Cut two supports about thirty inches
long and attach them underneath the tray. Put a little padding on the sup-
ports to protect any innocent gunwales, and cut slots in them. The slots
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will sit on the gunwales, keeping the tray steady if the boat tilts—
hopefully keeping all your tools from clanging onto the ground. Now all
you have to do is use it. Move it from position to position as you rig. You
should find you spend less time looking for that lost wrench and more
time rigging.
Needed: Set of eyes, blocks of hardwood, drill and bits, longer rigger
bolts (carriage), time.
Adjustable Riggers
If you’re using adjustable riggers (most new riggers, Euro-style riggers)
and switching things around a bit (like making a port-stroke boat into a
starboard-stroke boat), chances are you are going to run into a problem
with one or two riggers being too long/too short. This usually happens in
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eights because they get quite narrow towards the stern and bow, and in
those seats the rigger frames need to be wider to get the pin out to where
it should be. When you try to change a “two” rigger’s length into a “one”
rigger’s length, problems usually pop up.
Most new boats now come with what is known as “mirror riggers.” These
are riggers designed for just such a problem. For example, Vespoli USA
ships their eights with 10 riggers, eight for the shell rigged as purchased
(port or starboard stroke) and two mirror rigger frames in case you decide
to change the stroke side. Those riggers are usually stamped with an “M”
on the rigger plate, so instead of reading “1” the mirror rigger might read
“M1.” Therefore, if you’re switching things around, and need a
longer/shorter rigger frame, look for the mirror.
Right frame?—make sure that the rigger frame has been made for the
same size boat you are rigging. A rigger frame for a four is not a good
rigger frame for an eight.
Nonadjustable Riggers
A long time ago, riggers were not made to be adjusted; the man was made
to adjust to the rigger. If you’ve got one of these nonadjustable riggers
and you need to increase the spread (or you want to squeeze more spread
from other riggers), you’ve got only one choice, and that is to block the
riggers out.
Blocking will only work for riggers that need more spread, not less. If
you’re handy with tools, you can also use blocks to increase/decrease the
outward pitch. I’ve had to use blocks several times. They’re a hassle to
make, and if I had the money I’d buy a better rigger, but in times of need
you do what you’ve got to do.
Step 1. Numbers: Figure out how much you need to increase your
spread. The limiting factor here is the size of the rigger bolts.
Step 2. Cut Your Block: Go to the scrap wood box, or lumber store, and
get a couple of pieces of hardwood. Don’t use softwood because it will
split easily. Trace the connecting plate for the rigger on the wood and cut
out your block. You’re going to need a block for each stay of your rigger.
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Step 3. Drill The Holes: Here’s the fun part. Put the connecting plate
again on top of the block and mark where the rigger bolt holes are. With
the wood secured, drill the holes using a drill bit larger than the diameter
of the rigger bolt. When both holes are drilled, try to slide the block into
position over the rigger bolts. You may need longer rigger bolts and you
might find you have to drill the holes larger for the block to fit. Keep
playing with it until you get a good fit.
Step 4. Rigger On: When you’re happy with the fit, put the blocks on
and attach the rigger. Now to check your work. Measure your new spread.
If you designed correctly, you’ve got what you need. Measure the pitch,
both stern and outward, and height. Hopefully they’re right. If not, adjust
the rigger if you can, shim it, or take the mid-drive block off and shape it
to get the outward pitch and height right.
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A bent stay is a sign that something exciting, forceful, and not necessarily
pleasant has happened to a rigger: such as a crab, bashing into a buoy, or
whacking the boathouse door.
A bent stay will never be the same. You may get it back to its original
shape and be able to use it again, but when the material bends, it is weak-
ened. Moving it back just weakens it more; it does not repair it. It may
work fine for many years, but a straightened stay is substandard.
With that in mind, do you use a straightened rigger stay? Depends on how
bad the bend was, how good the fix is, and how you’re set for spare parts.
If the bend is more than 45 degrees don’t even try to straighten it—it’s
done for. If it’s less than 45 degrees try these steps:
Step 1. Hammer It: Take a large rubber mallet, not your metal hammer,
place the stay on a solid surface, hold it carefully, and forcefully pound
the bend down towards the surface. Once you get most of the bend out
finish off with . . .
Step 2. Vice Squad: Sandwich the stay between two pieces of wood like
figure 16.9 and slowly tighten the vice. You may have to rotate the stay
and re-tighten it several times, but this should take most of the kinks out.
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R
owers are a different breed. Nowhere does that become more
apparent than when we travel. We’re on the move constantly,
probably more so than the average person. When we travel, we
are usually in a hurry, hungry, and tired. We make bizarre, al-
most-impossible-to-keep plans. We’re certainly not built for
traveling. And somewhere we’ve brought all our stuff with us . . . car-
loads of it . . . trailers full of it . . . planes full of stuff.
Traveling is tough, and because of the equipment we take with us and the
way we travel with it, it can be one of the most hazard-filled parts of our
sport. The other day, a good friend was telling me how he was returning
from a regatta on a bus full of rowers. He was caught in this lengthy traf-
fic jam. When the bus finally approached what seemed to be the cause of
the traffic jam, he saw, to his horror, his team’s trailer overturned in the
middle of the interstate. Boats, equipment, and trailer were destroyed, and
two assistant coaches were in shock . . . lucky to be alive. Unfortunately,
traveling accidents like this are more common than you might think.
But those are the self-centered benefits; there are other benefits, such as
not hurting other people on the highway (which has happened) and not
giving members of the local law enforcement more things to do (which
has certainly happened).
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Warning: Be advised that these are not inclusive of all the steps that
you should take for safe equipment transportation. I advise you to
check with local experts about your individual needs and requirements
for safe transport.
If you’re car-topping, you’re going to have your hands full, mostly be-
cause driving a car with a shell on top is a lot different from just driving
the car. So here we go with some very critical steps . . .
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Step 1. Plan It: I’m not going to go into a lot of detail here, but let me
say that one of the foundations for a safe and smooth rowing trip is plan-
ning. Time and energy invested in planning is often the deciding differ-
ence between being safe or having an accident, between having hassles or
having fun, between getting there on time or missing your race. I can al-
most guarantee that the level of success of a trip is in direct proportion to
the quality of effort involved in planning it. For more information on
planning a trip, see my Special Report Get It There in One Piece: Safe
Traveling With Your Rowing Equipment at
<http://www.MaxRigging.com>.
I don’t have the space or the expertise to go into detail here, but proper
insurance is critical. Call your own insurance agent, tell him or her what
you are planning on doing, and ask what the recommendation for cover-
age is. Then contact the Leonard Insurance Group,
<http://emporium.turnpike.net/~coxing/insurance.html>,
and get a quote. Over the years, Fred Leonard has been insuring a large
part of the rowing community and has been very helpful. Compare the
quotes and the coverage, and go from there.
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Check all the fluids, the tires, the spare tire, racks, blinkers, etc. Breaking
down on the highway is a hassle enough in a plain old car. Breaking
down with rowing equipment on your roof, especially with a starting time
staring you right in the face, is enough to make a sculler switch to sweep
rowing.
Step 5. Rack, Straps, and Flags: When it comes time to load that
equipment, you need to make sure that your rack and your straps are
bomb-proof. They should be of the best quality, especially the tie-downs.
I suggest double-strapping the boat at both ends, just to make sure—the
price of the extra pair of straps is minimal, compared to the extra amount
of protection that you get. I also recommend that both the bow and the
stern be tied to the bumpers with strong safety lines. (See my article Tie-
Downs in the article archive at <http://www.MaxRigging.com> for more
information.)
Step 6. Drive It: If you’re driving a car with a shell strapped to the roof,
the only change you need to make to your driving is to be a little more
careful than normal. Watch the overhangs and the stopping distance.
Also, stop and check the boat quite often, since straps can loosen. I stop
and check every 100 miles, which is also a good time to take a safety
break.
Step 7. Review Trip: After all is done, and everyone is home safe and
sound, dedicate a few minutes to reviewing your trip. What worked?
What didn’t? A simple review can help make your traveling safer in the
future.
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Let me say this here: if you are going to be driving a shell trailer, then
you need to be darn serious about what you are doing. Driving a shell
trailer is dangerous stuff, and you, your equipment, and innocent people
can get hurt, seriously hurt, if you don’t do it right.
The three most common causes of accidents involving shell trailers are
poor driving skills, lack of good visibility, and improper tying of
shells. These three items will constantly need your attention.
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Step 1. Plan It: As I noted in the previous JOB, the time and energy in-
vested in planning is often the deciding difference between being safe or
having an accident, between having hassles or having fun, between get-
ting there in time or missing your race. This is even more critical when
driving a trailer, especially since the length of a loaded shell trailer and
tow vehicle can be longer than the average tractor-trailer you find on the
highway.
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So what do you do about these regulations? You call all the different
states you are going to be traveling through and check, and then follow
the regulation! It may be a hassle, but a few minutes on a phone and do-
ing what needs to be done is nothing compared to the hassle of being
stuck on the side of the road with the state police getting ready to confis-
cate your trailer and tow it away.
Step 4. Driver Preparation: Let me throw out one word here that can
make all the difference between successful trailering and disaster . . . that
one word is “practice.” As rowers, we happily commit hours upon hours
to learning the skills of our sport. Why not give the same attention to de-
tail for driving a trailer? To become a safe and efficient trailer driver, you
need to practice.
Hook up the truck and trailer (an empty trailer is best), and go drive. Go
to a shopping mall (when the stores are closed and the lot empty) or a
large open area and drive, drive, drive. Practice backing, practice parking,
practice driving, practice blowing the horn. When you feel comfortable
with all that, crank it up a notch and do the same with a loaded trailer.
Then, when ready for the highway, find an experience trailer driver (bribe
him or her with whatever they want) and head out for a road trip.
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Lecture over.
Trailers. A shell trailer is one of the most used and abused pieces of
equipment a team owns. Often, they are parked outdoors for months on
end, usually in areas subject to terrible weather. When they are needed,
they are dragged out, loaded to capacity (if not more), driven like crazy to
a race, unloaded, reloaded, driven home, unloaded once more, and then
left again outside—ignored. A very tough life. Because of this abuse, a
trailer should be constantly checked to ensure everything is working
properly. Nothing can be quite as disappointing as training for a race all
year only to miss your chance to compete because your shell trailer never
arrived.
Step 6. Equipment Preparation: Getting the stuff, all the stuff, that we
take to regattas takes time—often more time than people leave to do the
job right. Your concern is that the equipment (shell, riggers, oars, tools,
slings, etc.) get there without damage. Following are just a few of the
steps that I take to prepare our stuff for travel:
1. Check labeling on all riggers and oars (see JOB 18.2 for tips on
labeling your equipment).
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5. Tie a rope in the stern of all boats, run it through all the foot
stretchers, and then tie it in the bow. (This has saved at least a
dozen foot stretchers from death on the highway.)
Step 7. Loading: The key to safe trailering is how you load your shells
and tie your boats. This depends mostly on your type of equipment and
the method you are used to. Regardless of your system, here are some dos
and don’ts that might make things go a little smoother for you:
Before loading:
• Plan it. It’s usually a very wild and crazy time when loading a
trailer. A what-goes-where sketch (loading diagram) is a great
help and makes things a lot less confusing. I’ve enclosed one that
you can copy and use.
• Check it. It’s a lot easier to work on a trailer or tow vehicle when
it is unloaded, so check for problems beforehand. Inspect the hitch
and tire air pressure (including the spare’s) before loading. Also,
periodically check to see that the wheel bearings are in good shape
and properly greased—this will usually have to be done by a me-
chanic.
While loading:
• Point it. Fifty-five miles per hour of wind can do a lot of damage.
I’ve found less damage happens to the rudders, skegs, and interior
of shells when the bows are pointed towards the tow vehicle.
• Secure it. All equipment should be safely tied down. Seats should
be immobilized in the shells or put in crates, and foot stretchers
should be tightened. Tuck sound system wires up into boats to pro-
tect them. Oars and riggers should be lashed down so they don’t
bounce out. You are legally responsible for anything that falls of
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• Chain it. There must be safety chains attaching the trailer to the
vehicle. These should crisscross under the tongue of the trailer. In
case the trailer comes off the hitch, the chains will keep the tongue
off the ground and prevent the trailer from flipping end over end.
• Balance it. An unbalanced load can cause the trailer to fishtail and
make braking and turning extremely difficult. Try to center the
load on the axles. The weight on the trailer tongue should be
somewhere between five and seven percent of the total weight of
the trailer.
After loading:
• Recheck it. When all is loaded and things have mellowed out, re-
check how well the equipment is tied down. If you are driving it,
you are responsible for it.
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• Park it. Place the trailer somewhere out of the way and safe so
you won’t get blocked in or the shells damaged.
It’s crucial when driving a shell trailer that you plan your route ahead be-
fore beginning your journey. Rush hour and construction traffic can add
time to your trip, but they are not your real worries. Dangerous turns and
especially low overheads are where you really need to be concerned be-
cause that is where you can damage your shells and cause accidents.
To help avoid problems with low overheads, measure the total height of
the trailer after the shells are loaded. Make your measurements from the
ground to the tip of the rudder or skeg—most trailers with shells on the
top rack will be around ten feet high. I usually add four inches to the
number as a safety margin. Then write this information down and tape it
to the dashboard. This could save you a lot of embarrassment at such
places as low bridges, gas stations, and drive-throughs.
When choosing who drives, don’t put inexperienced people behind the
wheel. In fact, most insurance companies demand that the driver of the
vehicle be experienced and at least twenty-one years of age, which pro-
hibits many students from driving. Drivers should carry their licenses,
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When you finally hit the road, constantly look, listen, and feel for any-
thing unusual with the vehicle or load. If you notice anything, pull over as
soon as it is safe and check for the cause. And speaking of checking, get
in the habit of checking the trailer and load every time you stop—on long
trips, I suggest you stop every 100 miles. Check the tie downs, flags,
equipment, lights, hitch, and tires for any problems.
Every time you stop to get gas or eat, walk around the truck and trailer
before you get in and leave. I did this once and found that the stern of
one of my boats has been ripped off by a bus. The end of the boat was
actually imbedded into the windshield of the bus. If I had just hopped
in and took off I would have never known what had happened.
The two most difficult parts of driving a shell trailer are cornering and
handling the overhang of the shells. Trailers turn inside the track of the
tow vehicle, meaning you need to take corners wider than normal. But the
overhang is what gives most trailer drivers problems. Remember—you
may be driving one of the longest vehicles on the highway, with thou-
sands of dollars of shells just hanging out.
If you’re not comfortable with this thought—or with your driving skills—
go practice. Load up the trailer one Sunday and go to a parking lot and
improve your skills. It’s a good investment of your time, especially con-
sidering that the alternative may be waiting three months for a boat that’s
in the repair shop.
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Step 9. Review of Trip: After all is done, and everyone is home safe and
sound, dedicate a few minutes to review your trip. What worked? What
didn’t? A simple review can help make your traveling safer in the future.
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Y
our rowing equipment represents a big chunk of money. Like
most folks, you want to get as much from this investment as pos-
sible. Rowing stuff is designed to survive the hardships of daily
use; however, even the toughest stuff isn’t ready to withstand the
hardest challenges of its life, like transits, storage, pinhead coaches, and
novice rowers. How you take care of your equipment will make the dif-
ference in its lasting two years or twenty, and who can afford to replace
oars, riggers, and shells every other year?
At one of your practices, a crew will hop into the boat, take a couple of
strokes, and there will be something wrong. It may be something broken,
out of place, or badly adjusted. The older your equipment, the more often
this will happen, although age isn’t the prime factor. You want to avoid
these glitches because sooner or later the problems will start taking away
from your water time.
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proof marker, colored tape, and a share of common sense. We still have a
few problems, but by faithful practice of tune-ups, we’ve cut down drasti-
cally on repair time, and that gives us more time for rowing.
Needed: Garden hose, rags to clean hull and tracks, solvent (mineral spir-
its), pencil and paper to record problems.
Giving your boat a daily look-over to catch trouble will take about five
minutes of the coxswain’s and your time.
Step 2. Cleaning: After each row, the boats should be rinsed off or wiped
down with a towel to remove grime and river sludge; and if a hose is
handy, the inside of the boats should be sprayed. Each track should be
wiped down to get the grease and dirt off. A clean rag or one with mineral
spirits on it will clean the track. Also, each inspection port should be left
open for drying the compartments.
Step 3. Glance: When the boat is racked, give the hull a once-over to see
if the skeg and rudder are okay. Coxswains can run over stuff and not
even know it. Also, look to see if there are any dings or dents that might
need attention. Give the riggers and oars a quick look to see if anything is
out of place, like slipped inboards or oarlock pins off their spread marks.
Step 4. Fix It: Look at your notes and plan when you can fix the prob-
lems. Spending twenty minutes repairing a little problem as soon as it ap-
pears often will save you many hours of hassles down the road.
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Needed: Slings, paper and pencil, basic rigging kit, cleaning supplies, a
few moments of peace and quiet.
Step 1. Walk-Around: With the boat seats-up and a note pad in hand,
take a brief stroll around the boat. You’re looking for anything that jumps
out for your attention. Start at the stern, walk around one side, around the
bow, and back up the other side.
If you see a problem, write it down and keep moving. Check the rigger
labeling (see JOB 18.2 for labeling suggestions) to make sure that the rig-
gers are in the right places. Look at the spread markers to see if any of the
pins have slipped. Are the seats facing the right direction? Is the decking
okay? Is the wash-box still solid? Is the skeg straight and rudder work-
ing? Tracks equal? Give the bow ball a feel; is it on tight? Bare spots in
the varnish or chips in the paint? See anything broken, bent, worn, torn,
or out of line? Look for old war injuries (old and worn out that is). If you
see any, write them down, but don’t stop.
Step 2. Rigger Tighten: Once you’ve got a feel for what’s going on, it’s
time for some action. Before you do anything, grab a rigger tool, start at
the stroke seat and go through and tighten all the rigger nuts. You’re
looking for two-finger tight (see JOB 16.2). Check to see if any washers
have been put between the hull and the rigger connecting plate—a fairly
common mistake.
Step 3. Rigger Check: When the riggers are tight, go through and tighten
all the rigger fasteners, especially the top nut/bolt. Again, start at the
stroke’s seat. I say start there because it’s a good landmark. Go back once
more to the stroke seat and do a work-thru check. Look to make sure both
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tracks are even, and with your tape and rigging stick check the measure-
ment.
Now check the pitch. Pull out your rigging cards and find your dimen-
sions and stabilize the boat. The pitch is a great tip-off for major prob-
lems, and if it is off you could have other problems, like the spread’s
slipping. If the pitch is not correct, you should check all the other dimen-
sions of the rigger.
At the same time, look for anything that needs replacing. Any signs of old
age (oarlocks, tracks, sneakers)? If so, replace them. When you’re done
checking the pitch, give all the faces of the oarlock and the pins a good
cleaning. Now take a break for a few, go get some fresh air, and get ready
for one last walk-around.
Step 4. Hands-on Check: Time for a little hands-on with the foot
stretchers. You’re interested in two things: Is everything tight, and is eve-
rything in good shape? In time, foot stretchers can loosen—not only the
tracks (a.k.a. adjustment channels) but also the fasteners that hold them
together. With both hands, grab the stretchers and give a good, solid
shake. If there’s movement, you’ve got to spend some attention here. The
adjustment channels should be rock solid ,as with the cross tubes. Note
loose fasteners, demolished sneakers, or frayed laces.
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Tie It! Sneakers now come with heel strings to tie the heel to the foot
stretcher. This makes it a lot easier for the rower to pull their feet out
of the sneakers in an emergency, like an overturned shell. Make sure
all the heel strings are tied and broken ones repaired.
While you’ve got your hands inside the boat, inspect the seats. Give them
a roll. They should move smoothly with no bumps or grinds. Are the
wheels in good shape? Take a rag and run it along the track. It should be
nice and clean. If not, clean the tracks and make this part of your daily
tune-up.
Step 5. Oar Check: Unless you’ve planned differently, all the inboards
should be the same. Survey the oar handles. Look at and feel the blades
for damage.
Step 6. Coxswain Seat Check: If you’ve ever sat in a coxswain’s seat for
a period of time, then you know they’re not built for comfort, but instead
for function. A coxswain’s position needs as much attention as any other
spot in the boat.
First check the seat itself. Are the seat and the back brace in good shape?
Does the rudder move smoothly and freely? When it’s straight. are the
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holders even on the cable? Inspect the sound system. Grab a buddy and
find out if all of the speakers work. If the boat has got a stroke me-
ter/SpeedCoachTM, does it work accurately?
Step 7. A Few More Things: If you’ve got a sectional shell, give the sec-
tion a quick check (to identify if your boat has a section, see this chapter,
JOB 18.3, Step 1). The bolts should be three-finger tight. Inspect the
compartment covers; they make the compartments watertight in order to
keep the boat from sinking if it swamps. If the covers are missing or bro-
ken, you could be in for big trouble.
Go over the hull. Run your hands along the surface, feeling for dents or
bruises. Look for paint chips or breaks in the varnish. Give the skeg a
gentle wiggle; if there is play in it, it needs repair. Inspect your slings,
looking for rotting materials or weakening supports. Write down the
problems you find.
Step 8. JOBs to Do: Pull up a chair and look over the note pad and/or
blackboard. Rewrite your complete list of JOBs to do and prioritize them.
Then start at the top of the list and get done what you can.
Step 9. Spic and Span: I suggest you try to have the shells and oars
washed thoroughly every one or two weeks during heavy use. Besides
everything looking cleaner, there are actually two good reasons for this.
One is speed. If the hull is dirty, then there will be more friction as it
moves through the water, which will slow you down. The other reason to
clean stuff is health. Oar handles can be a grubby place. Wash the oars
and make sure the handles get washed with a disinfectant. This will help
keep the germoids from getting into rowers’ blisters.
The off-season is a great time for boat work because everything should be
dry. This is the time to do major maintenance you didn’t have the time or
energy to do before.
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Daily
Before Rowing
Check rigger fasteners
Keep shoes (and dirt) out of boat
Keep boat off of dock
After Rowing
Clean tracks
Clean hull
Clean oar locks and oar sleeves
Do a quick check for any problems
Open ports to promote drying
Bi-Weekly
Walk around boat looking for problems; record and fix them
Tighten all rigger fasteners
Check rigger adjustments
Bi-Annually
Treat hull with rubbing compound
Wax hull
Pay insurance premium
Lubricate ball bearing seats and touching unlike metals
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Before you label your equipment, you’ve got to figure out how it’s going
to be used. A friend of mine has his equipment organized so that the first
time the rowers walk into the boathouse they are assigned an oar. For as
long as they row, that is their oar. No matter in what seat or in what shell
they sit, they use the same oar. This means a lot of inboard adjusting, but
my friend swears by this system.
There are a zillion different ways you can label your stuff. To keep our
equipment straight and to avoid mass chaos, we use colored tape and a
waterproof marker. We assign each shell a specific color tape. For exam-
ple, one of our eights, the Clo Truslow, is assigned the color red. We put a
little piece of red tape on the gunwale, near the bow, so every one can see
it.
For sectional shells, we put tape on the bow and stern to make sure the
right pieces get put together. We put a piece of red tape on the bottom of
each seat, and write the seat position on the tape. On each rigger, we put a
wrap of red tape and write the rigger number on it (depending on the type
or rigger, we might also use this tape as the spread markers). Then we put
a wrap of red tape around each oar and use the manufacturer’s numbers
supplied to mark the positions. We also have colored tape on the boat
rack so coxswains will know where the boat goes, and tape on the oar
rack to direct the oars into the right spots.
What happens when you run out of tape choices, which can happen in
large boathouses? Use two wraps of tape to give you more options. So
with a couple rolls of colored tape and a waterproof marker, you can have
things pretty well organized, and bring some color into your boathouse.
Tape is only one of a zillion ways to label. I’ve seen paint and engraving
used in other boathouses, but both are a little too permanent for me. If
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you do plan on using paint, then consider paint pens made by Testors
Paint Company (called Gloss Paint Marker). They are very handy, non-
messy, and inexpensive.
Sometimes, shells, mostly eights, can be broken down into two or three
pieces. Each of these pieces is called a section. Usually you will find the
divider placed smack dab in the middle of the shell between the four’s
and five’s stateroom.
Step 2. Setup: Roll the boat seats-up into slings. Try to locate the slings a
little closer amidships than normal: if you’re splitting an eight, put them
around the two’s foot stretcher and under the seven’s seat.
Step 3. Prepare to Section: Take the riggers off and do what other
preparations you need to do to get the boat ready to travel. If you’ve got a
sound system/speed-measuring system make sure you disconnect the bow
part from the stern part. There should be a connector located somewhere
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around the section. If not, you’ll either need to pull the system out of one
section or cut the wires and put a connector in yourself. If you are cutting,
make sure the connector is waterproof.
Sectioning should be done with two to four people. More than four people
is a party, and only one person is pretty tough—although it has been
done. I’ll assume you’ve got three, yourself and two handy helpers. Send
one helper to the bow ball and the other to the stern. Get your wrenches
ready and go to the section.
Step 4. Section: Have each helper hold the boat. Their JOB is to balance
their section—you’ll see why in a second. Take a towel, old rag, or blan-
ket and lay it over the gunwale where you’re going to work. This JOB can
be gggrreasssy so watch your clothes. Take a peek inside the shell. The
section is a wide band, usually of wood, that runs along the inside profile
of the hull. It’s made of two parts; one goes with each part of the shell.
Your JOB is to locate and loosen the nuts and bolts that hold the two parts
together.
Look at the section carefully and locate the fasteners; there will be a
bunch. They may be different sizes, so try to get a mental picture of
which fastener goes where. Both the nut and bolt head will turn, so you’ll
need two wrenches; sockets come in handy here. Start at one side of the
hull and begin loosening. Don’t loosen any one fastener all the way. In-
stead, loosen one a couple of turns, then loosen another a couple, and so
on. This will keep you from damaging the section.
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As you get the fasteners loose, talk to your helpers and get them to keep
their section level. This is where you can really hurt the boat, when the
fasteners are loose but still connected—so be careful. You’re trying to
keep both parts level to prevent damaging the wood or bolts.
As your helpers hold the boat level, you will have to talk to them; they
won’t be able to tell if it’s level from where they are. As they work to
level it, remove the fasteners and any washers. I usually keep a coffee can
handy and put all metal goodies inside, then splash a little solvent in to
get the grunge off.
You’ve got all the fasteners free, right? Have each helper gently pull and
separate the sections by about two feet. They should come easily apart. If
it’s a battle to split the boat, you’ve probably forgotten a fastener or the
sound system/speed system wiring. When the sections are free, have the
helpers steady their pieces and place something soft, like a towel or blan-
ket, on the ground. Now place the sections down on the blanket and stabi-
lize the pieces by moving each sling about a stateroom closer to the ends
of the boat. See figure 18.3.
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Clean the faces of each section well. What should you do with all the
nuts, bolts, and washers? After cleaning, put the bolts back through one
section and put the washers and nuts back on them. Give them a couple of
finger turns and you are ready to transport. Your other option is to carry
the nuts, bolts, and washers separately. In many years of doing it my way
I’ve only lost one bolt, yet I know of several people who have left all
their section bolts at home because they did not put them back in when
transporting the boat.
Petroleum jelly will dry out in time, and if your boat has been in the
racks for a long spell, your watertight seal may begin to leak. If that’s
the case, section your boat and reapply the jelly.
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I
f you are one of the lucky sorts who can keep rowing all year long,
then read no further and just keep rowing—this chapter is not for you.
But if you are like many of us, then winter’s approach means its time
for your rowing equipment to hibernate inside while things get nasty
outside.
Rowing equipment usually spends much more time in storage than in ac-
tive use. Sometimes the way it is stored is a lot harder on the equipment
than rowing itself. A lot of equipment is damaged or destroyed while it’s
not being rowed. When considering storage there are several prime
“equipment-killing” villains, and a few evils, you need to know about and
to try to avoid.
I’ll discuss the villains and evils first, then get to some specifics about
your equipment.
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If you store oars in the attic or rafters of a boathouse, the heat may cause
permanent deformation. To avoid these extremes, store your equipment in
areas that keep normal house temperatures. Make sure your boathouse has
vents to avoid overheating. Be careful where you store your boat and
think about heat, especially when traveling to summer races. I once wit-
nessed a fiberglass shell get so hot that the hull actually collapsed around
the slings it was sitting in. A very ugly sight.
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The third villain of storage is the position in which you store your stuff.
Your shells should be stored seats-down, on their gunwales, on a solid set
of racks. A good rule of thumb is to have one rack for approximately
every twenty feet of shell (three racks for an eight, two racks for a four).
Make sure the racks are level and padded to reduce gunwale damage.
Some people store their boats long-term in slings—a bad idea. This can
cause hull problems, especially if it gets hot.
Because of a lack of space, shells may get shuffled outside. If this is the
case, try to find a protected area. A seats-up boat could easily hold a cou-
ple thousand pounds of water, which would collapse any slings, so store
boats seats-down! Also, make sure they’re strapped down. Falling off of
racks is one of the leading causes of damage to boats. If you’re storing a
fiberglass hull long-term outside, it might help to cover the outer hull
with a good wax (like car wax) that has ultraviolet inhibitors. This will
help the glass survive longer, especially those non-white colors.
On or off? Should you leave the riggers on a boat during the off-
season? I’ve had people tell me to leave them on, and others tell me to
take them off. I’m not sure if leaving riggers on the boat long-term
will cause damage, but I often take them off and stash them in a nice
protected place because I don’t want anyone rowing the shell while
I’m not around.
You also need to think about oar storage. There are two major types of
oars: wooden and synthetic. About the only care necessary for the latter is
to store them out of the sun, standing vertical—so the water can drain
away from the handles. A wooden oar, on the other hand, can absorb tons
of tender loving care. A good rule of thumb with wooden oars is to never
let anything sharper than water touch them. If they do get scraped or
dinged, you’ll need to give first aid in order to avoid dry rot, which I’ll
discuss in the next section.
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Besides its unpleasant smell, mildew causes discoloring, and if left long
enough, it will eat into natural fibers so severely things will fall to pieces.
The best way to avoid mildew is to wash everything clean. Dirt on shells
can supply enough food for mildew to grow. Oily films such as those
from perspiration on sneakers can also contain food for mildew. It’s
moisture mildew loves, so try to make sure your storage area is as dry as
you can get it.
Not to sound paranoid, but insects are another evil just waiting for you to
store your equipment. They will eat it, live in it, and pop out at the worst
time to scare the shorts off some unsuspecting rower. Although most
man-made materials (plastics, nylon) are not on the menu of insects, the
natural materials, like wood, are open to insect abuse. Several insects
such as the furniture beetle and powder post beetle actually love to eat
wood.
When storing wooden equipment, make sure the wood is well varnished,
and try to cover over inspection-port openings if you’re worried about
insects (normally you should leave them open), preferably with a breath-
able material that will keep bugs out. If you’re really worried about in-
sects, you might try an insecticide, but check the label thoroughly because
some will damage synthetics and are downright toxic.
Dry rot is neither dry, nor a rot, but a deterioration of wood caused by
fungus. It can devastate wooden boats and oars so thoroughly people be-
lieved it was invented by a boat maker as a form of job security. Like
most fungi, dry rot thrives in moist, warm areas. Spores attach to the
wood and produce a powdery mess, spreading if not stopped.
One of the favorite spots for dry rot is the areas of wood whose surfaces
have been bruised, allowing moisture to enter through the protective coat-
ing (varnish). These places will soon form dry rot, and if the rot is not
removed, it will cause soft spots in the wood that are prone to breakage.
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The best prevention against dry rot is to varnish your wooden equipment
and store the stuff in dry areas that have plenty of ventilation. Be careful
of your oar handles; don’t varnish them but keep them dry!
While using your wooden equipment, be sure you have several good
coats of varnish applied, preferably the type with ultraviolet inhibitors. If
cracks or bruises in the surface happen, apply new coats as soon as possi-
ble. If you wait, dry rot might form and then it must be removed and
treated.
And finally, the nastiest of storage evils, rust, which never truly sleeps. A
brownish substance that appears on the surface of iron and steel, rust is
formed by oxidation—the mixing of oxygen from the air with iron. Luck-
ily, we don’t have to worry about rust because most metal parts are either
anodized (a protective coating), have been replaced with plastic, or made
of stainless steel—which resists rust.
Step 1. Store The Shells: When placed in the water with their seats up,
rowing shells make pretty good boats. When placed in the boathouse with
their seats down, rowing shells make much better homes. Homes, specifi-
cally to critters, big and small, who are looking to get out of winter’s
chill.
You may be an environmental type who is sighing, “Oh, now what’s the
harm if a few little bugs and such find shelter inside my shell?” Not
much, I would say, but I’m not talking about a few bugs. I am talking
about some big things, like a six-foot black snake. Or a nest of bats. Or a
raccoon who thinks the bow compartment makes a wonderful winter
hide-out.
What’s the harm? Well, getting in a shell and having a sleepy, and proba-
bly grumpy, big snake slither out from under the decking may send more
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than a few rowers (or coaches) scurrying for a different sport. And bats,
which are quickly becoming welcomed in many yards because of their
beneficial nature, have a habit of leaving deposits of . . . well . . . bat stuff,
which is a real pain to clean up. And we won’t even get into what damage
a raccoon can do to a shell with those sharp claws when it is having a
restless winter’s sleep.
How do you keep the critters out? I have found two successful ways.
One, of course, is to make sure that your boathouse is closed up tight, re-
ducing the access points that animals can use. The second method in-
volves taking a leap into the kingdom of technology. Wheel in a VCR and
begin playing that world-famous rowing movie Oxford Blues. All of the
critters in your boathouse will go into such a sound, coma-like sleep from
the movie that you will be able to come in, swoop them up, and deposit
them in a much better home without them ever arousing.
Step 2. Store The Oars: You may not have given this much thought, but
when you store oars, you really need to ask yourself this question, “Ex-
actly where are the bathrooms located?” How come, you ask? Well, let
me tell you why.
When it came time to row, the oars were grabbed, shells launched, and
rowing began. It wasn’t until the crew was several miles away from the
dock that someone noticed the rather strong odors the handles were emit-
ting. What to do? Well, they notified their coach, who promptly fell to the
bottom of his launch laughing, then they turned around, rowed home, and
spent quite a bit of time in the bathroom washing their hands.
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So, when storing your oars, be aware of the surroundings. And usually, if
you keep them in their racks, they will be fine.
Step 3. Store The Electronics: I have found over the years that there is
not to much to worry about when you store your electronic stuff (mega-
phones, stroke watches, amplifier systems). As long as you unplug them,
keep them warm and dry, and don’t stick them underneath the bottom of a
woodpile, then I’ve found they survive storage pretty well.
Actually, though, there is one problem that I have found. Mice, and their
ratty big cousins, seem to have a fondness for chewing on electronic
things. In particular, they are attracted to the wires and headbands. The
current theory (oh, yes, pun intended) is that they are drawn to salt that
may be on the wires—put there either from the water you row in or from
perspiration.
The solution here would be to wash the items off before you store them,
and try to store the stuff out of Mickey’s reach (which might be nearly
impossible).
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There are two things to consider here. First, most boathouses are not insu-
lated. That means when it gets cold outside, it gets cold inside. Conse-
quently, liquids, like water and gas inside the motor, could freeze. When
liquids freeze, they expand, and this expansion can cause damage to your
motor’s tender parts. It is best to drain the motor of both water and gas
before you tuck it away.
Next, I suggest you do you a yearly motor maintenance before you store
it. That way, you beat the spring rush to the motor-shop to get your motor
ready. In addition, if the weather suddenly turns nice before you expect it
to, then your horsepower is ready to go.
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Y our stars are aligned, your karma is hot, and it’s time to buy a
new piece of equipment. If you know what you want, I mean you
really, absolutely, fur shur know what you want, then read no fur-
ther. Your mind is made up, so go bolster that economy.
From an equipment standpoint, there are two ways to look at the future of
your rowing: either you are happy with the state of your rowing equip-
ment and you don’t plan on buying any soon, or you are getting ready to
make some equipment-maker smile because you are about to shell out
some of your hard-earned money.
If it looks like your future has a few purchases upcoming, then let’s dis-
cuss how both you and the equipment-maker can end up smiling after you
have spent your money. Specifically, let’s talk about how to make a suc-
cessful purchase.
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Making a successful purchase is not that hard; you just need to organize
your thoughts. With that said, the following seven steps can help you
make a successful purchase, and they should only take about sixty min-
utes of your time.
Step 1. Establish What Your Needs Are: Before you go digging for
your checkbook, the very first thing to do is to figure out exactly what
rowing equipment you need, and in fact, if you really need it. Now don’t
panic, this is a lot easier than it sounds—especially because you know
most of the answers already. For instance, even with a minimum amount
of rowing experience, you know: what type of rowing you are going to
do, what doesn’t feel right to you, and what your limitations are (space,
money, etc.).
There are two very important things to keep in mind. First, let the emo-
tions go and try to be as objective as possible. In an activity like rowing,
where we invest so much of our time, effort, and energy, it is often very
difficult to be objective. But we need to be, because if we are not, we can
end up doing some pretty silly stuff—like a fellow I rowed with.
One day, he went out and bought a new boat. What is silly is that he had
just bought a new boat the month before. He bought the second boat be-
cause he could never feel quite comfortable in the first one. He never
spent the time to adjust the first boat properly, so of course it didn’t row
right. If he had just been objective and adjusted his boat correctly, he
could have had a boat that rowed well and saved himself a big dent in his
checkbook—and I’m sure some nasty conversations on the home front.
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in the deepest, darkest recesses of your boathouse, you may already have
what you need.
Ah . . . but what if you are new to rowing, and you have just started scull-
ing? You need to keep this in mind: your rowing equipment needs will
change as you become a more skilled rower. There is a progression that
you should follow in equipment; the more skilled you become, the more
precise your equipment should be. This is a very important part of the big
picture.
Step 2. Prioritize Your Needs: How are you going to prioritize this in-
formation, you ask? Good question. First, take the information you now
have and make like Santa Claus—make a list and check it twice. List all
the items you came up with, and then double-check them to make sure
that you in fact really need them.
Second, and this is the fun part, be judgmental. Just like Ms. Thornbush
did to your tests in elementary school, grade your list. Look at each item
and assign it a grade.
If you’re having a difficult time grading, here are the criteria I use:
Many people have bought rowing equipment and have gotten themselves
into hot water (actually boiling water) because they didn’t know the bot-
tom line. The bottom line is how much money can you spend without
sending yourself into a stressful financial state that has a negative im-
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pact—especially on the home front. Yes, it might make you a little faster
to get that spiffy looking, state-of-the-art, whiz-bang boat (might, but
probably not). However, if you don’t have time to row it because you had
to get a second job to pay for it, what good does it do for you?
Many consumers think that price is the most important reason to buy an
item. Those are the same folks that own an Edsel and have a chunk of
swampland in Florida. Quality is what counts. Get the best quality that
you can within your price range. Quality lasts, sub-quality annoys—and
breaks. How do you determine quality? A few tips are included in JOB
20.2.
The second item to consider is service. Are you buying just an item, or
are you buying a company?
Try this: if you have some time before you make your purchase, call up
the manufacturer, or dealer, at their place of business. Ask some ques-
tions about their product. How are you treated on the phone? What type
of responses do you get to the questions? Then talk to some of their cus-
tomers and ask them how pleased or displeased they are with their pur-
chase and with the dealer.
Some dealers will have test equipment they lend out. This is a great serv-
ice that can really help you decide what to purchase. It is refreshing to
know that the dealer believes in the equipment enough that it will sell it-
self. If you do take advantage of test equipment make sure that the
equipment is insured, because as we all know, mistakes happen.
Lastly, go ahead and look at the price tag. If the first two things are equal
(quality and service), then price is probably your determining factor on
what to buy.
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Step 5. Pick Your Options: One thing you will notice is that most row-
ing equipment comes with options. The days of “making the man fit the
boat,” as George Pocock used to say, are long gone. Now the boat and
most other equipment is made to fit the person rowing it, which means
plenty of choices.
When you start looking at the options available, you may get over-
whelmed. Where do you put the coxswain, in the bow or in the stern?
What pitch do you want on the oars? What height range do you want on
your riggers? What shoe sizes? What color? The list goes on and on.
Step 6. How Much Is It Going To Cost You?: By now you are probably
getting the urge to write that check, but hold off one more moment. Look
at all the costs involved with your purchase. How about insurance, ship-
ping, taxes? These all need to be added into the total cost. Are there any
other parts that you need? Do you need slings for your boat? An amplifier
system? If the purchase is coming from overseas, do you have to pay im-
port fees or a duty?
Review and research all these questions to make sure there isn’t some
hidden charge that is going to bust your budget.
Step 7. Buy It: Finally, the time is here to grab your wallet and go out
and give the economy a big boost. Just remember what you are after: a
successful purchase. If at any time you get the feeling that you are mak-
ing a mistake with the purchase, even though you’ve thought it out well,
put it off until you can determine why you’re getting the internal warn-
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ings. It will be darn hard for you to smile in your new boat if you’ve got a
great big dose of buyer’s remorse.
All rowing equipment is not created the same. Unfortunately for us con-
sumers, rowing equipment is not an area that any of the consumer maga-
zines have turned their attention towards. That means when we are decid-
ing what to buy, you and I are pretty much on our own. Here are a few
suggestions that might help you in your quest for a quality piece of
equipment.
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If your funds or time frame won’t accommodate buying a new boat, you
may want to consider a used shell. The used shell market is a funky
place; it’s like buying a used car, except there isn’t a used boat lot.
There’s no Blue Book to help you on prices, and sometimes a decent used
boat is very tricky to locate.
If you’re in the market, you’ll find some good deals and some truly hor-
rendous ones. Be cautious. It amazes me the lack of effort some people
put into buying a used shell. Here’s a couple of things I’ve learned from
the School of Hard Knocks.
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Step 1. Locate It: Once you get an idea of what boat you’re after, call the
builder to see if they have any refurbished ones for sale. It’s usually a
good place to find a good used shell. If they don’t have one, ask if they
know of any used ones for sale. If you strike out here, you’ll need to
make some phone calls and check the Web. For leads, try some of the
major rowing programs in your locale, and call USRowing— they often
have used equipment information—or call a few friends.
Step 2. Eyeball It: When you’ve finally found a potential boat, it’s time
to check it out. You need to give it a thorough visual inspection. Start
with the area it’s stored in; this should give you some idea of how it has
been treated. Now look at the boat: watch for signs of accidents, wear and
tear, torture, and abuse. Are the bow and stern original, or have they been
replaced? Write down anything of note on your paper.
Put the boat in slings and go through it. Turn it seats-down and run your
hands along the hull. All hulls get dings and dents, but you’re looking for
signs of major repair work. If you find some, that should be a warning
sign to be cautious. Look at the paint: is it chipped, peeling, or good as
new? How well has the boat been cared for? Boats in programs with full
time Riggers will be in better shape than those with no Riggers.
To get a quick idea how well a shell has been maintained, I look at two
places; the sneakers and the oarlocks. If either is beaten up or worn, it’s a
sign of poor maintenance. Look at the fasteners. Have the bolt heads and
nuts been rounded? A small sign of possible bigger problems. How often
has it been rowed? Twice a day for the whole year, or saved just for those
Sunday morning rows. It makes a difference. How old is it?
While on your visual search, look for the boat’s serial number. It could be
about anywhere so you might have to dig, but the number will give you
some valuable info. At my Web site, <http://www.MaxRigging.com>, I
have a short worksheet on how to find a serial number.
Step 3. Hands On: Do a quick vibe check. How do you feel about things
so far? Is the boat something you’d like to have at home, or do you have a
feeling you’re wasting your time? Be honest with yourself. If things are
groovy, let’s keep checking.
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Put the boat seats-up and do a stiffness check (see JOB 13.4, Measuring
Shell Stiffness). This is important feedback, so make sure you do it. Write
down the quality of the stiffness. Start at one end and look at the nitty
gritty: check out the decking, the tracks, seat assemblies, foot stretchers
and their tracks, the bracing, and anything else you can. Grab hold of
things and give a good wiggle. Write down any parts that will need repair
or replacement.
See if you can rig the boat and have your crew row it—would you buy a
car without driving it? When rowing the shell, try different pressures and
different ratings. Give it a good test. Apply the brakes—have the rowers
stop the boat suddenly and watch what happens. Any signs of weakness?
How does it steer? Listen for any funky noises. What feedback does the
crew have? How about from the coxswain?
An important part of this whole process is what sort of karma does the
boat have? Does it call out to you and say, “Hey, I’m a winner; take me
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home with you”? Or does it say, “I’m really tired; leave me alone.” Has it
won any races? Does it look cool? All things for you to consider.
Step 4. How Much? If you’re still high on the boat, now is the time to
talk price. Tell the seller you need a couple of minutes, then head to a
phone.
Call the maker of the boat and see if you can get a suggested price. If
that’s a no-go, at least get an estimate for the parts you noted that need
repair or replacement. For a ballpark idea on the price of the boat, take
about five to ten percent off of the new purchase price for each year the
boat has been rowed. So a five-year-old boat that originally sold for
$20,000 may be worth $17,500 to $15,000, depending on its condition.
From there I subtract the price of parts and any labor to get the boat in
good, safe condition.
Now you have a number to work from. Remember, leave your emotions
out of the process. You know how much you have to spend and what the
boat is worth. If you don’t know yet, you need to see what the price tag is.
Go up to the owner, look right in his/her eyes, and get the price. Get any
feeling that there’s room to haggle, or is the price firm? Can you make
your budget and the sellers price meet? If so, shake hands and you’ve got
a deal. If not, keep looking; the right boat is out there.
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And we talked, and I listened. And after those discussions where I ex-
plained that the nature of this book is all about rigging (for both sweep
and sculling) those folks informed me that it was okay to have specific
sculling stuff in the back of the book . . .
“But for crying out loud at least make it a chapter, and just not an
appendix.”
So done.
And apologies to any scullers who feel that I have demeaned the sport
(especially to my wife, who is an avid sculler).
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knowledge about sweep rigging will allow you to do a very good job in
sculling rigging (and those folks comfortable rigging sculling stuff should
be able to do a good job rigging sweep stuff).
If you can rig sweep, you can rig sculls, and vice versa.
But . . . (yup, there is always a but) . . . the level of skills for one type of
rigging is usually not the same as the level of skills for another.
I spent my younger days rowing with a sweep oar. Back then, I had this
stereotypical vision of sculling as an activity that attracted two types of
people: those folks who weren’t good enough to row sweep and those
with whom no one else would row. One summer day, I was lounging on
the dock at our boathouse when I struck up a conversation with a sculler.
Now there are some very strong similarities between rowing and sculling
and in the Karma of how you rig for them. I approach sculling rigging
with the same mental and physical attitude as I would sweep rigging. The
thoughts whirling through my mind and the end goal of my rigging are
the same—rig for comfort and efficiency, and do a good job.
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However there are some distinct differences in the karma of the rigging
we need to discuss.
Way, way back when rowing was just becoming the “in” thing with hu-
man beings, sweep rowers were nothing more than slaves stuck in a seat
and literally rowing for their lives. One day, a Roman named Ull was
standing on the shore watching one of the Caesars water ski behind a gal-
ley. Ull thought to himself, “Wow, that’s for me! I want to try this rowing
thing. But I’d rather do it by myself, without all those other guys, espe-
cially that one big dude with the whip.”
So old Ull went home, built himself a boat, put his one oar in, and tried to
row. He spent the next hour going around and around in circles. His
buddy, Scu, watched all this, and noticed a problem—mainly Ull was
making himself dizzy. So he hollered, “Hey, Ull, something’s wrong.
Why don’t you and I put our heads together and fix your problem?”
That they did, and after many long hours of trial and error, our friends
finally came upon a workable solution: to try two oars instead of one.
You know the rest of the story. Their experiment worked, they went on to
become famous boat makers, and had a boat named after them, the Scu-
Ull—which, of course, is nowadays known as the Scull.
Since those early days, the mental difference between sweeping and scull-
ing hasn’t changed much. Sweepers tend to row in groups under the guid-
ance of someone (the guy with the whip has been replaced by a coach—
told you things hadn’t changed much). Whereas scullers tend to putter
around on their own, asserting their independence.
And there lies one important reason rigging sculling equipment is differ-
ent from sweep stuff. A vast majority of scullers, because of their inde-
pendence, receive very little coaching, and very little rigging help. Scul-
lers usually take responsibility for their own rigging, which can make the
task harder and sometimes less productive.
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Second, I spend more time rigging the sculling equipment than rigging
the sweep equipment. Actually, I guess I should say I spend more time
fine-tuning the rigging. I tend to think of rigging like a piece of clothing.
The rigging in an eight should fit someone like an old, comfortable pair
of pants, with room to move around in. But the rig in a scull needs to fit
better, more like a pair of expensive skintight gloves. To get this fit, I find
I need to fine-tune quite often and double-check my work carefully. So be
prepared to be very picky with your sculling rigging.
Also, be aware that novice rowers tend to be very hard on the equipment,
and sculling equipment is somewhat more fragile than sweep stuff. If you
have novice scullers, get ready to put more time into your maintenance
rigging than you would with experienced people.
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In sculling, there are two oars per rower, unlike in sweep rowing. Sculling
oars, or sculls as they are called, are smaller than sweep oars—both in
blade surface area and total oar length. Their oar handles are small and
they are usually covered by a rubber tube, called a grip. Since there is
only one hand per oar, this grip helps the rower hold onto the handle and
greatly assists in the feather and squaring motion.
Like the oars, sculling riggers are smaller in dimensions than their sweep
counterpart, and again, there are two per person. The forces generated in a
sculling rigger are not as great as those in a sweep; therefore they do not
need to be as sturdy as their counterparts.
The steering of a sculling boat is another critical item. You will find a
skeg sticking out from the hull of all sculling boats (unless it’s been
bopped off on the dock or while rowing), but you may or may not find a
rudder.
Singles are steered by the oarsman varying the pressure during the stroke,
primarily at the catch, where one leg will attack the drive just a whisker
sooner, moving the shell to one side or the other. Therefore, there is no
need for a rudder. Doubles may also use this system, or they may, like
most quads, have a rudder. Without a coxswain, like 99.9% of all sculling
boats, the steering is left up to one of the rowers. The rudder is attached to
one of the foot stretchers and is activated when the rower moves their foot
to one side or the other. This is called toe-steering, toe-ruddering, or
just a toe for short.
With all that said and out of the way, here’s how to use this book for
sculling rigging . . .
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If you’ve just flipped to this section as you were reading Chapter One
make sure you return there after you read this or you’ll be getting ahead
of the game. It is very important you read Chapters One through Five. In
Chapter Two you will find a short quiz that’s critical. This book is ar-
ranged for different levels of knowledge (which I call Dimensions), and
how comfortable you are with your knowledge will affect the way you
rig. The quiz tells you what Dimension you are in, so make sure you take
it.
Once you have that knowledge, you’re ready to begin, so turn to JOB 2,
this chapter. When you’re ready to start a JOB, allow yourself extra time,
about twice as much as you think you’ll need. Read the JOB all the way
through once, go back to the beginning, and start the task, going step by
step. You may find you’ll have to read between the lines and experiment a
little because of the format (for reasons I explained above I didn’t outline
all the steps for sculling equipment). If you get stuck, turn to Chapter Six-
teen, JOB 16.1, for help. When your work is done, double-check it, put
away your tools, clean up, and head on to other things like that big slice of
cheesecake in the fridge.
Step 1. Read: Before you start, read all of Chapter Six to get acquainted
with the rigging basics and procedures. Then . . .
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Step 2. What’s Wrong? Identify the problem with your rigging. If you
see poor rowing and think the cause is a rigging problem, turn to the in-
dex and look up technique problems. Then turn to those pages and see if
that info helps you pin down the troubles. Once you know what’s wrong,
turn to the list of all JOBs in the front of the book. Then . . .
Step 3. Read Again: Read the appropriate chapter for your troubles and
read this chapter to see if there is anything here you need to know. You’re
armed with the info, so now for the nitty-gritty . . .
Step 4. Rig Away: Follow the steps in Chapter Six and the ones outlined
in each JOB. I’ve mentioned you may need to read between the lines and
experiment when rigging for sculling. If you find yourself stuck, JOB 16.1
is there to help. You may also want to check my Web site for any Special
Reports or articles that might help. When you’re done . . .
Step 5. Finish Up: Finish off by cleaning up, recording your information,
double-checking your work, and watching the rowers to see if you’ve
solved the problem.
Everything you read in Chapter Seven holds true for both sweep rowing
and sculling, but there are two notable differences you’ll face with scull-
ing rigging. First, the arcs (inside and outside) are larger for scullers. A
sweep rower is limited in the extension of the outside arc by their outside
shoulder. This is not so in sculling and the outside arc can be significantly
larger. In fact, a problem with some novice scullers is extending their out-
side arc too far.
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— Chapter Twenty-One: Rigging For Sculling —
Second, there are two inside arcs per person instead of just one as in
sweep. The reason this is a concern is that there is not much room be-
tween gunwales in sculling boats, therefore, these two inside arcs tend to
bump into each other. Actually, they cross over. This cross over means
the oar handles will overlap both during the drive and the recovery parts
of the stroke. It’s critical this overlap of the inside arcs is set just right so
the rower can find the proper body positions at the catch and at the re-
lease. The normal range for the overlap, when the oars are at the mid-
drive position, is 18 cm–22 cm.
In sweep rigging, we use the work-thru the pin as the major adjustment
for locating the arc with fine-tuned adjustments done by moving the foot
stretcher, the catch length, or the catch angle. Well, in sculling, work-thru
is not nearly as critical to the arc location, so we locate the arcs a little
differently, but we can still get good results. There are three simple steps:
Step 1. Check The style: Before we do any rigging, the rower(s) should
have a comfortable and efficient style, regardless of experience level. If
you’re dealing with a beginner, don’t worry about the arcs yet. Instead,
focus on teaching good rowing and instilling good habits. Once the basic
technique is down you can start fine-tuning the rigging by . . .
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— Chapter Twenty-One: Rigging For Sculling —
Step 2. Average Numbers: Set the work-thru, span, inboard, and oar
length at reasonable lengths. Check the rigging charts in Chapter Fifteen
and make sure that you’re using numbers within the acceptable ranges.
Remember, the faster the shell, the greater work-thru. So a quad will
have a larger work-thru than a double, which will be greater than a single.
Then . . .
You can accomplish this by moving the foot stretchers so the hands are in
the right spot. It may take several attempts to get the hands right, but once
they’re in the correct spot, all your angles (catch angle, finish angle)
should be properly located for the person rowing that shell.
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— Chapter Twenty-One: Rigging For Sculling —
Span, like spread, is one of the critical ingredients of the gearing, and we
must know the exact size of it to row well. Measuring span is easier than
spread.
Step 1. Tighten Riggers: All types: Be positive all the riggers are tight-
ened down and that there are no washers in the wrong place (see JOBs 7.5
and 16.2 for help on tightening).
Step 2. Measure: We don’t need to use the centerline; instead, take your
tape measure and, at the seat position where you need to know the span,
measure directly across from the center of one oarlock pin to the center of
the other. That’s your span.
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— Chapter Twenty-One: Rigging For Sculling —
Step 3. Enter The Data: Record the spans even if you’re going to
change them. If the new dimensions don’t work, you’ll have the numbers
to come back to. If it’s time to change, then . . .
So the span is off and you want to adjust it. Remember, the span is the
distance from the center of one sculling pin to the center of the other.
When it’s time to adjust a sculling rigger, span isn’t much of a help since
there’s no reference point to tell how far you’ve moved the pin from the
middle of the boat. So how do you make sure the riggers are adjusted
equally on both sides? You use spread.
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— Chapter Twenty-One: Rigging For Sculling —
But you thought spread was just for those silly sweepers? Not so, not so!
For your spread number, just divide the span number in two. Then for ad-
justments, follow the steps in JOB 9.4.
Step 1. What Numbers: To find your rigging numbers, follow the steps
in Chapter Fifteen.
Step 2. Make The Changes: Adjusting the span is just like adjusting the
spread, so follow the steps in JOB 9.4. Use the centerline; you need it as a
reference point. If your oarlock is a pinless type, check my Web site for a
resource to help.
Step 3. Open Your Eyes And Ears: Once you’ve made the changes, fol-
low the advice in Chapter Fifteen. First- and Second-Dimensionals, leave
your rigging alone and watch what the effect is of what you’ve done.
Scullers basically handle (pun intended) the overlap in one of two ways.
One solution is that they avoid the situation altogether by rowing a style
where one hand leads the other on the drive and recovery. This means
both hands are in the same vertical plane with one slightly in front of the
other. This usually causes no problems with the height, if the riggers are
set okay.
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— Chapter Twenty-One: Rigging For Sculling —
The other solution is rowing in a style where both the hands pull equally.
This means one hand will need to be right on top of the other during the
drive and the recovery. I call this the scratch method because of the
abuse the lower hand usually takes. In the U.S., where this style is popu-
lar, the left hand is usually the upper hand, and we say “left-over-right.”
Feel: When you row, where do the handles come at the release? Are they
at your mid-rib area? They should be. Does the height feel okay?
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— Chapter Twenty-One: Rigging For Sculling —
Look: Check out at your knuckles after a practice. Are they bloodied and
banged up? They shouldn’t be. Also, look at your oars as you drive. Are
they going deep in the water, or washing out? Again, they shouldn’t be.
Listen: Is your body giving you warning signals (loud and clear) about
incorrect height? Are your shoulders or your lower back hurting?
If you sense something is off, then try the next method to double-check. I
would also have someone either videotape or observe you row (someone
who knows sculling) to see if they sense something that you might be
missing.
Step 3. The Next Best Method: The next best method to determine your
sculling height is to measure it. Turn to JOB 11.1, and use the steps there
to measure your rigger heights. Just do the exact same steps for each rig-
ger.
Why is this not the best method? Those steps can be difficult to do, since
they require being comfortable with a rigging stick and having a secure
boat, and because the freeboard in a scull is usually so small that it may
be awkward, or even impossible, to work your rigging stick around so
you can get it where you need it.
In response to that issue, one solution I have used is to tape small blocks
of wood to the base of my rigging stick at the spots where it sits on the
gunwales. These allow us to extend the stick up high enough so we can
measure the seat top, yet not so high that we can’t measure the rigger. It
may be a solution to your problem.
If you cannot get this method to work for you, and some scullers/Riggers
cannot, just go back to Step 2, and trust your senses.
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— Chapter Twenty-One: Rigging For Sculling —
Needed: Basic rigging kit, height numbers, clean rag, shell seats-up (this
can be done upside-down, but why kill yourself?), access to the Web.
At this point, things are not right with your height. It is time for some se-
rious surgery on your rigger.
Step 1. Change the Spacers: A great many sculling riggers today use
spacers to change the rigging height. Look at your rigger. Are there spac-
ers? Are they easy to get too? If you have a Euro-style rigger, you’re
golden with this step. (If not, off to Step 3.)
If so, then remove the top nut/bolt and shift your spacers around. Then
put things back together correctly, with a three-finger-tightened top
nut/bolt.
Step 4. No Luck: If experimenting isn’t for you and you cannot find a
resource on my Web site, pick up the old telly-phone and give your men-
tor or the builder a call. Ask for help, adjust the rigger, and you’re off to
bigger and better things.
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— Chapter Twenty-One: Rigging For Sculling —
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— Chapter Twenty-One: Rigging For Sculling —
A PARTING THOUGHT
T
housands of pages and ten years ago, I started an effort to make the
part of rowing known as rigging a little less mysterious, a little
more comfortable, and little more doable for the average
coach/rower. It seems like it is working. I certainly hope so. Please
let me know if it is, or isn’t, working for you.
And that brings me to a point that I would like to leave you with—there
are many other parts of our sport where similar efforts need to be made.
One answer to that question is that the efforts are happening at the grass-
roots and boathouse level. But what about at a national level? Where is
the league of concerned rowers fighting hard for the environment? A
handful of rowers cannot do it all.
Another part is safety . . . what about making rowing safer? Okay, rowing
is not classified as a hazardous sport; however, there certainly are dan-
gers inherent in our sport. And sometimes people are severely injured and
even killed while involved in rowing. Where are the efforts to make it
safer?
Well, one answer to that specific question is the Kippy Little Foundation.
Here are folks who are putting their own time, money, and energy into
making rowing safer for all involved. Bravo to them. We need more peo-
ple and more efforts like them.
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— Chapter Twenty-One: Rigging For Sculling —
Time and time again, I see athletes (at all levels) throw down their oars in
disgust after the very last stroke of the season, vowing never to row an-
other stroke for the rest of their life. And coaches are not immune ei-
ther—a multitude of good coaches leave rowing, burned out.
Peace!
Church Hill, MD
September, 2002
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— Appendix One: Rigger Talk —
F
ollowing are terms you may happen upon in your rigging:
Back stop: small blocks on the fore part of the slide that prevent seat as-
sembly from rolling off the slide
Beam: width at the widest part of a boat, usually measured from inside of
gunwales
Button: a ring around the shaft of an oar; when the oar is in the oarlock,
the button sits flush against the oarlock and keeps the oar from sliding
outward
Carbon fiber: whiz-bang space-age material used in shells, a lot like fi-
berglass except it’s made with carbon pieces
Catch: part of the rowing stroke where blade is placed into water
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— Appendix One: Rigger Talk —
Catch angle: angle between oar handle and oarlock perpendicular when
the oar is at the catch
Centerline: a very important yet imaginary line that bisects a shell from
the bow to stern
Check: (a) ding or dent in the hull of a boat; (b) backwards motion of
shell caused by rowers transferring their body mass aft to fore
Designed water line: depth of the hull to which the builder designed the
boat to sit in the water when the proper weight is in the boat
Dimension: (a) number used for rigging adjustments; (b) a label for your
level of knowledge
Drive: part of rowing stroke from catch to release when oar is in water
Fastener: nuts, bolts, and all the other little goodies that hold the rowing
equipment together
Fin: piece that extends from hull, below water line, used for longitudinal
stability, usually located near rudder
Four: shell with four rowers and a coxswain (called four with) or shell
with four rowers and no coxswain (called four without or straight
four)
Front stops: small blocks on aft part of slide, keep seat from derailing and
protect rowers’ legs from sharp end of slide
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— Appendix One: Rigger Talk —
Gunwale: top part of hull (when boat is seats-up) where the riggers at-
tach; may or may not be made of same material as rest of hull
Height: distance from the oarlock sill (horizontal flat) to the water’s sur-
face, usually measured from sill to top of seat
Horizontal flat: one of the flat parts of the oarlock that supports the oar,
important for oarlock height
Hull: part of the boat that keeps the inside in and the outside out
Inboard: distance from butt of oar handle to the blade side of the button
Keel: one of the main parts of the shell structure, runs from bow to stern
along inside of bottom of the boat following the centerline
Knee: bracing that runs vertically from the keel to the gunwale
Leverage: the mechanical advantage of a lever—in our case, the oar and
rigger
Loom: part of oar from the oar handle to the beginning of the blade
Monocoque: type of bracing system inside a shell that uses a flat deck
that runs the length of the shell
Oar: long, skinny thing used to propel boats; different from a paddle be-
cause oars are attached to the boat and paddles are not
Outboard: distance from the blade side of button to tip of the blade
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— Appendix One: Rigger Talk —
Outward pitch: slight slant on oarlock pin away from centerline of shell
Pair: shell with two rowers and a coxswain (called a pair with) or shell
with two rowers and no coxswain (called a pair without or straight
pair)
Puddle: depression in the water left after blade is removed; the harder the
oar is pulled, the bigger the puddle, assuming good rowing is happen-
ing
Recovery: part of rowing stroke from the release to the catch, blade is out
of water
Rigger: (with capital r) person who adjusts the mechanics of the boats to
suit the needs of the rowers
rigger: (with small r) funky metal thing hanging off of the shell, officially
called an outrigger, but that has been shortened to rigger
Rudder: part of hull extending below water line and used to steer boat
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— Appendix One: Rigger Talk —
Shell: name used for racing boats powered by rowers, came about be-
cause early shells were made with thin hulls and were literally as frag-
ile as an egg shell
Sleeve flat: the flat part of the sleeve, critical to the pitch
Sleeve: tube of material that surrounds oar, under the button, that protects
the loom from damage
Span: distance from the center of one sculling oarlock pin to the center of
another at the same position
Spread: shortest distance from the centerline of the shell to the center of
the oarlock pin
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— Appendix One: Rigger Talk —
Stern pitch: aft slant on blade when oar is square in the water
Stroke: one complete cycle of the oar from the catch to the release and
back to the catch again
Undercarriage: the lower part of a seat that allows it to move, includes the
wheels, axles, etc.
Vertical flat: vertical part of the oarlock that is flat and about parallel to
the oarlock pin, critical to the pitch
Washout: problem with rowing stroke where the blade slips too much
through water and causes an inefficient stroke
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— Appendix One: Rigger Talk —
F
ollowing is a list of documents available for download at my Web
site <http://www.MaxRigging.com>. Delivered right to your com-
puter, these downloads are designed to help you make the most of
your rigging and your rowing. Please note, this list may frequently
change.
Special Reports
Special Reports, are in essence, short e-books. Each covers a broad area
of rigging. Here are some of the current titles:
Absolutely Maximize Your Rigging Numbers: Getting The Most From The
Numbers You Use For Rigging Your Rowing Equipment
Get It There In One Piece: Safe Traveling With Your Rowing Team And
Rowing Equipment
Worksheets
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— Appendix One: Rigger Talk —
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— Appendix Three: Resources —
BOOKS
Here are a few other books to go along with the ones already mentioned.
All of these books have been helpful to me—in one way or another.
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— Appendix Three: Resources —
http://www.MaxRigging.com
Page 417 of 440
— Appendix Three: Resources —
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— Appendix Three: Resources —
SUPPLIERS
Following are many of the suppliers/makers of equipment that I use for
my rigging and for this book. These folks are the ones I mostly deal with,
but there are many, many others in the world of rowing.
Dirigo USA
596 Elm Street, Biddeford, ME 04005
(207) 283–3026 (phone), (207) 985–6814 (fax)
<http://www.dirigousa.com>
Empacher Bootswerft
6930 Eberach A. N., Germany
(011) 49–6271–80000 (phone), (011) 49–6271–800099 (fax)
<http://www.empacher.com>
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— Appendix Three: Resources —
Nielsen–Kellerman
201 East 10th Street, Marcus Hook, PA 19061
(800) 462–7731 (phone), (215) 494–9537 (fax)
<http://www.nkhome.com>
Potomac Company
29908 S. Stockton, Farmington Hills, MI 48336
(800) 477–0440 (phone)
<http://www.potomacrowing.com>
SportWork
Main Street, P.O. Box 192, Church Hill, MD 21623
(410) 556–6030 (phone/fax)
<http://www.helpingcoaches.com>
Tapco, Inc.
225 Rock Industrial Park Drive, Bridgeton, MO 63044
(Elevator bolts, great for sneaker attachment. I use their number 1
flat counter shank head bolts, 1/4 –20 x 1 1/2 inch)
USRowing
201 S. Capitol Avenue, Suite #400, Indianapolis, IN 46225
(317) 237–5656 (phone)
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— Appendix Three: Resources —
<http://www.usrowing.org>
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— Appendix Four: Travel List Check-Off —
DID YOU?
❒ check all fluids in vehicle(s)
❒ check all lights
❒ check all tire pressures
❒ check hitch for trailer
❒ clean all equipment
❒ close bow and stern hatches
❒ gas vehicle before loading
❒ label all equipment
❒ load and secure shells
❒ put covers on boats
❒ put flags on boats
❒ secure foot stretchers
❒ secure seats
❒ tie down loose equipment
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— Appendix Four: Travel List Check-Off —
Tools:
❒ tool box(es)
❒ basic rigging kit
❒ travel tool kit
❒ tape
❒ duct
❒ adhesive
❒ electrical
❒ packing
❒ masking
❒ height stick
❒ pitch meter
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— Appendix Four: Travel List Check-Off —
DO YOU HAVE?
❒ directions
❒ money for gas and tolls
❒ waivers for regatta
❒ hotel information
❒ extra set of vehicle keys
❒ tax exempt form
❒ U.S.R.A. numbers for regatta
❒ bow number(s) for shells
❒ video:
❒ camera
❒ battery(s)
❒ recharger
❒ tape
❒ binoculars
❒ stroke watch
❒ walkie-talkie
❒ rain gear
IMPORTANT EXTRAS:
❒ did you really check flags on boats?
❒ did you really check the lights on the trailer?
❒ did you really check the tie downs on the trailer?
❒ do you really have a spare set of vehicle keys?
❒ emergency kit
❒ flashlight
❒ spare tire(s) and changing tools
❒ water bottles for athletes
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— Appendix Four: Travel List Check-Off —
______’ ______”
Gas Tank is on which side
↔
(tape to dash board)
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— Appendix Four: Travel List Check-Off —
CREDITS
Right up front, I need to thank my family, for all their support and for
putting up with all my writing at 4 AM—and all the other weirdness that
goes with being an obsessed writer—especially one writing about
rowing and rigging . . .
Thanks to every darn person in the rowing community, who for the past
ten years has put up with my questions, theories, and thoughts; lent me
equipment; and helped me when so often it would be easy to tell me to
take a long hike on a short dock. And this goes especially for all the
equipment manufacturers . . .
Thanks to all the folks who have been selling this book for the past ten
years . . . especially to Potomac Rowing and to Alden for their input and
assistance. . . .
Thanks to every assistant coach I’ve had for the past ten years, for being
cool when asked to read the tenth version of the fifth draft of the eighth
account of how to adjust the pitch in an oarlock. I know it was sooooo
exciting. . . .
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— Appendix Four: Travel List Check-Off —
Thanks to Peter Martin for being educational and patient, and for helping
put fun into our sport through his great drawings. . . .
Thanks to my Web czars, Kari Hughes and Shane Brill, for keeping the
Web site going and for making sure that I don’t bring down the entire
World Wide Web with one key stroke. . . .
I want to thank all the instructors at my alma mater where I learned most
of my rigging—the School of Hard Knocks. It’s a great school, they ac-
cept students all year round, tuition is free, and it’s located at the boat-
house nearest you. . . .
Finally, I want to again thank my folks, Dot and George, for never asking
that one question . . . “When are you going to get a real job?”
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— Appendix Four: Travel List Check-Off —
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— INDEX —
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— INDEX —
Outrigger, 89
History, 90
M Outward Pitch. (See Pitch)
M.C.I.H. (Might Come In Handy), 55
Maintenance
Of Shell, 392
P
Tune Ups, 363 Perpendicular, 258
Bi-Weekly, 365 Photodegration, 378
Daily, 364 Pitch, 144, 323, 324, 326, 329, 330
Seasonal, 369 About, 78–81
Manufacturers Of Equipment, 28 Adjusting, 82–85
Measured Course, 310 As Part Of Complete Rig Job, 295
Measuring System Definitions, 207
Converting Between Systems, 341 Finding Your Numbers, 226
International System, 61 Importance Of, 211
Metric System In Oar, 209
Definition, 61 In Oarlock, 208
Introduction, 26 In Oarlock Pin, 211
U.S. Customary System Measuring In Oarlock, 219
Definition, 61 Measuring In Oars, 217
Introduction, 26 Measuring Outward Pitch, 224
Mildew, 379 Measuring Stern Pitch, 216
Minor Adjustments, 275 Outward, 208
As Part Of Complete Rig Job, 296 A Quick Way To Measure, 224
Miscellaneous Numbers, 148 Layout Charts Reference, 224
Problems, 212
Stern, 208
O Stern Pitch
Oar Adjusting On Water, 226
Balance Point, 277 Types, 207
Deflection, 277 Pitch Meter
Measuring It, 286 Definition, 74
Diagram, 98 How To Use, 213
Length, 179 Measuring Oars With, 221
Adjusting, 200 Reference Surface, 214
Effect Of Adjusting, 184 Zeroing, 215
Measuring Length, 195 Port
Measuring Parts, 153 Vs Starboard, 93
Minor Dimensions Of, 277 Position Number, 144
Parts, 98, 209 Practice-Rigging, 40, 302
Type, 154 Pressure
Oar Balance Point, 143 Peer, 111
Oar Length, 323, 324, 326 Performance, 111
Oarlock Prevalent Environmental Conditions, 148
History, 90 Purchasing-Rigging, 40, 302
Parts, 97, 209
Spacers, 232
Oarlock Perpendicular, 146
Q
Oarlock Pin Quality Control, 296
Working Model Of, 183 Quote
Opening Angle, 142, 324, 326, 330 Barry Lepanter, 107
Outboard, 143 E. C. Mckenzie, 112
Definition, 180
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— INDEX —
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— INDEX —
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— INDEX —
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— INDEX —
Mike has been involved in the sport of rowing since 1975. He started
rowing at Florida Institute of Technology as a novice, where he didn’t
know a port from a starboard. Now he is the head rowing coach at Wash-
ington College, in Chestertown, MD.
For several years Mike was lucky enough to be involved with the U.S.
National Team, as their Boatman. And in 1996 he was the Boatman for
the U.S. Olympic Rowing Team. Currently, his company, SportWork, is
the leading educational consultancy for USRowing and their Coaching
Education Program.
This is Mike’s tenth book, seven of which are about rowing. His Web site
<http://www.maxrigging.com> and his monthly e-zine MaxRigging strive
to supply the latest and greatest information about the rigging of rowing
equipment.
Mike currently lives in Maryland with his wife and two sons.
Peter’s life has been one full of strokes. He started stroking at Cornell
University. Then he started to build wooden boats in Albany, New York.
By some stroke of luck, he met Mike and began to try a little coaching.
After two years behind the megaphone his true love led him to the stroke
of the pen, and he began to illustrate illustrious rowing books. Then he
became an art director for an ad agency in the big city. When he had
enough of stroking other people’s backs in the corporate world he decided
it was time for graduate school. After grad school, Peter and his wife
moved to Qatar, where he is currently teaching.
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Page 434 of 440
FINDING HAPPINESS SITTING ON YOUR BUTT
GOING BACKWARDS
Fun and enjoyment don’t just appear—you must work to find them. This
book assists you in doing just that by providing tips, insights, tasks, and
paths to help you get to the place where fun, enjoyment, and happiness
exist in the world of rowing.
It is the first and only book written on how to get the most fun and en-
joyment out of your rowing
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Page 435 of 440
Whaddaya Think?
How did you like this book? Was it helpful? Want to tell others about it?
We’re look for endorsements. If you have any you would like to share, let
me know. Loud and clear.
Just fill out the info below, and send off to:
SportWork
Main Street
PO Box 102
Church Hill, MD 21623
(410) 556-6030 (p/f)
[email protected]
Name : ___________________________________________________
Address: _________________________________________________
E-mail: _______________________________________
Comments: _______________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
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Page 436 of 440
Information Update Form
Your feedback is very important to help make this book a better product.
If you have information you would like to share, or notice areas of this
book that can be improved, let me know. Loud and clear.
Just fill out the info below, and send off to:
SportWork
PO Box 102
Main Street
Church Hill, MD 21623
(410) 556-6030 (p/f)
[email protected]
Name :___________________________________________________
Address:__________________________________________________
E-mail: _______________________________________
Comments: _______________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
http://www.MaxRigging.com
Page 437 of 440
Quick Order Form
STEP 1: Grab a Pen/Pencil
STEP 2: Complete All Information Below
STEP 3: Mail This Form and Payment (Check / Purchase Order) To:
Shipping Information
Name:
Organization:
Address:
Address:
Phone: E-mail:
Ordering Information
Quantity Price Total
Guide To Rigging
@ $29.95
Nuts and Bolts
Quantity Dis-
1
count
2
Shipping
3
Tax
4
Total enclosed
1
Discounts:
3–11 books: 20% off retail price
12–36 books: 40% off retail price
37 books and up: 55% off retail price
2
Shipping: Books are shipped via UPS ground unless other arrangements are
made. Price is $6.50 within continental U.S. If shipment is required to other ar-
eas than continental U.S, please call SportWork at 410-556-6030.
3
Tax: Maryland residents are required to add 5% sales tax per book ordered.
4
Payment: Prepayment is required on all orders prior to shipping. Checks and
institutional purchase orders are accepted. To pay by credit card, please use our
Web site, <http://www.MaxRigging.com>.
http://www.MaxRigging.com
Page 438 of 440
Quick Order Form
STEP 1: Grab a Pen/Pencil
STEP 2: Complete All Information Below
STEP 3: Mail This Form and Payment (Check / Purchase Order) to:
Shipping Information
Name:
Organization:
Address:
Address:
Phone: E-mail:
Ordering Information
Quantity Price Total
Guide To Rigging
@ $29.95
Nuts and Bolts
Quantity Dis-
1
count
2
Shipping
3
Tax
4
Total enclosed
1
Discounts:
3–11 books: 20% off retail price
12–36 books: 40% off retail price
37 books and up: 55% off retail price
2
Shipping: Books are shipped via UPS ground unless other arrangements are
made. Price is $6.50 within continental U.S. If shipment is required to other ar-
eas than continental U.S., please call SportWork at 410-556-6030.
3
Tax: Maryland residents are required to add 5% sales tax per book ordered.
4
Payment: Prepayment is required on all orders prior to shipping. Checks and
institutional purchase orders are accepted. To pay by credit card please use our
Web site <http://www.MaxRigging.com>.
http://www.MaxRigging.com
Page 439 of 440
(continued from the back cover) . . .
Nuts and Bolts explains the technology of rigging, along with the basics.
Perhaps you’ve heard that rigging is hard? Many coaches and rowers are
told that, but they are never told what they can do to make it easier for
themselves. That is, until now.
This book contains many useful tips and tricks, and is full of common-
sense advice. Between these pages, you will discover:
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Page 440 of 440