Deep Structure
Deep Structure
(transformational
grammar)
By Richard Nordquist
Grammar & Composition Expert
Linguistics
Grammar
Noam Chomsky
English Language Grammar
Sentence Grammar Checker
Language
Theory
Sentence Structure
Definition:
In transformational grammar, the underlying syntactic structure (or level) of a
sentence. In contrast to surface structure (the outward form of a sentence),
public, concerned the notion of Deep Structure. A basic claim of the 1965 version of
generative grammar was that in addition to the surface form of sentences (the form we
hear), there is another level of syntactic structure, called Deep Structure, which expresses
underlying syntactic regularities of sentences. For instance, a passive sentence like (1a)
was claimed to have a Deep Structure in which the noun phrases are in the order of the
corresponding active (1b):
(1a) The bear was chased by the lion.
(1b) The lion chased the bear.
Similarly, a question such as (2a) was claimed to have a Deep Structure closely
resembling that of the corresponding declarative (2b):
(2a) Which martini did Harry drink?
(2b) Harry drank that martini.
. . . Following a hypothesis first proposed by Katz and Postal (1964), Aspects made
the striking claim that the relevant level of syntax for determining meaning is
Deep Structure.
"In its weakest version, this claim was only that regularities of meaning are most
directly encoded in Deep Structure, and this can be seen in (1) and (2).
However, the claim was sometimes taken to imply much more: that Deep
Structure is meaning, an interpretation that Chomsky did not at first discourage.
And this was the part of generative linguistics that got everyone really excited-for if the techniques of transformational grammar could lead us to meaning, we
would be in a position to uncover the nature of human thought. . . .
"When the dust of the ensuing 'linguistic wars' cleared around 1973 . . .,
Chomsky had won (as usual)--but with a twist: he no longer claimed that Deep
Structure was the sole level that determines meaning (Chomsky 1972). Then,
with the battle over, he turned his attention, not to meaning, but to relatively
technical constraints on movement transformations (e.g. Chomsky 1973,
1977)."
(Ray Jackendoff, Language, Consciousness, Culture: Essays on Mental
Structure. MIT Press, 2007)
were my second self, had lowered himself into the water to take his punishment:
a free man, a proud swimmer striking out for a new destiny.
I hope others will agree that the sentence justly represents its author: that it
portrays a mind energetically stretching to subdue a dazzling
experience outside the self, in a way that has innumerable counterparts
elsewhere. How does scrutiny of the deep structuresupport this intuition? First,
notice a matter of emphasis, of rhetoric. The matrix sentence, which lends a
surface form to the whole, is '# S # I was in time # S #' (repeated twice).
The embedded sentences that complete it are 'I walked to the taffrail,' 'I made
out + NP,' and 'I caught + NP.' The point of departure, then, is
the narrator himself: where he was, what he did, what he saw. But a glance at
the deep structure will explain why one feels a quite different emphasis in the
sentence as a whole: seven of the embedded sentences have 'sharer' as
grammatical subjects; in another three the subject is a noun linked to 'sharer' by
the copula; in two 'sharer' is direct object; and in two more 'share' is the verb.
Thus thirteen sentences go to the semantic development of 'sharer' as follows:
1. The secret sharer had lowered the secret sharer into the water.
2. The secret sharer took his punishment.
3. The secret sharer swam.
4. The secret sharer was a swimmer.
5. The swimmer was proud.
6. The swimmer struck out for a new destiny.
7. The secret sharer was a man.
8. The man was free.
9. The secret sharer was my secret self.
10. The secret sharer had (it).
11. (Someone) punished the secret sharer.
12. (Someone) shared my cabin.
13. (Someone) shared my thoughts.
In a fundamental way, the sentence is mainly about Leggatt, although the
surface structure indicates otherwise. . . .
"[The] progression in the deep structure rather precisely mirrors both the
rhetorical movement of the sentence from the narrator to Leggatt via the hat that
links them, and the thematic effect of the sentence, which is to transfer Leggatt's
experience to the narrator via the narrator's vicarious and actual participation in
it. Here I shall leave this abbreviatedrhetorical analysis, with a cautionary word: I
do not mean to suggest that only an examination of deep structure reveals
Conrad's skillful emphasis--on the contrary, such an examination supports and
in a sense explains what any careful reader of the story notices."
noun (person or thing) that is affected by the action of a verb or (O) involved in the
result of an action that is done by a subject. Adjunct A word used as modifier in a
sentence. (A)Complement A word or word group that completes the predicate in a
sentence. (C)
24. The following example will show how the previous pattern works: The man
called the boy suddenly (Noun Part) (Verb Part) (Noun Part) (Adverb Part) S P O
A We call the noun part a subject (S), the verb part a predicate (P), the other
noun part an object (O), and the adverb part an adjunct (A).
25. As mentioned before that an adjunct (A) is usually mobile. See the following
examples:The man called the boy suddenly.The man suddenly called the
boy.Suddenly the man called the boy.
26. EXAMPLES of COMPLEMENT: She is beautiful. She becomes a doctor.
He was in the bus. Your perfume smells very good. Before the show, she
seemed nervous.A word or a group of words that involve linking verbs (such
asAPPEAR, BECOME, BE, SEEM,GROW, LOOK, TASTE, SMELL,SOUND, FEEL,
etc.) to complete the predicate in a sentence, is calleda Complement (C).Thus, the
words: beautiful, a doctor, in the bus, very good, andnervous in the sentences
above are all complements.
27. There are two kinds of Complement: Subject Complement Object
Complement
28. (1) Subject complement is the complement that provides information on the
subject (like in the previous examples), such as: He was in the bus. S P C (in
the bus provides the information about the subject he).(2) Object complement is
the complement that provides information on the object, for examples: The man
called his brother a fool. S P O C (a fool provides the information about the object
his brother) Susan found the assignment difcult. S P O C (difcult provides
the information about the object assignment)
29. Example of the complete basic pattern of simple English sentence:John often
called his brother a fool S A P O C
30. Word Order Typology of English PATTERNS: EXAMPLES: P Go PA Go quietly
SP John slept SPA John slept quietly PO Eat your breakfast SPO John ate his
breakfast SPOA John ate his breakfast quickly SPC John is a fool ASPC At times
John is a fool SPOC John called his brother a fool SAPOC John often called his
brother a fool
31. Dealing with the sentence patterns, there are four kind of operations that can
be used to examine a sentence variation without changing its semantic aspect.
They are: 1 Insertion (Addition) 2 Deletion 3 Substitution 4 Transposition
(Permutation)
32. 1. Insertion (Addition) Insertion is the process of putting one or more
constituents inside a sentence. Example: The boy is clever. The handsome
boy is very clever. insertion insertion
33. 2. Deletion Deletion is the process of removing one or more constituents of a
sentence. Example: The handsome boy is very clever. The boy is clever.
deletion deletion