Louvre
Louvre
1 History
The Louvre or the Louvre Museum (French: Muse 1.1.1 Medieval, Renaissance, and Bourbon palace
du Louvre, pronounced: [myze dy luv]) is one of the
worlds largest museums and a historic monument in
Paris, France. A central landmark of the city, it is located
on the Right Bank of the Seine in the 1st arrondissement
(district). Nearly 35,000 objects from prehistory to the
21st century are exhibited over an area of 60,600 square
metres (652,300 square feet). The Louvre is the worlds
most visited museum, and received more than 9.7 million
visitors in 2012.[1]
The museum is housed in the Louvre Palace, originally
built as a fortress in the late 12th century under Philip II.
Remnants of the fortress are visible in the basement of the
museum. The building was extended many times to form
the present Louvre Palace. In 1682, Louis XIV chose the
Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection,
including, from 1692, a collection of ancient Greek and
Roman sculpture.[2] In 1692, the building was occupied
by the Acadmie des Inscriptions et Belles Lettres and the
Acadmie Royale de Peinture et de Sculpture, which in
1699 held the rst of a series of salons. The Acadmie remained at the Louvre for 100 years.[3] During the French
Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations
masterpieces.
The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being
royal and conscated church property. Because of structural problems with the building, the museum was closed
in 1796 until 1801. The collection was increased under
Napoleon and the museum renamed the Muse Napolon,
but after Napoleons abdication many works seized by his
armies were returned to their original owners. The collection was further increased during the reigns of Louis
XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have
grown steadily through donations and gifts since the Third
Republic. The collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern
Antiquities; Greek, Etruscan, and Roman Antiquities;
Islamic Art; Sculpture; Decorative Arts; Paintings; Prints
and Drawings.
1.1.2
HISTORY
French Revolution
1.1.3 Napoleon
During the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences and arts.[13]
On 10 August 1792, Louis XVI was imprisoned and the
royal collection in the Louvre became national property.
Because of fear of vandalism or theft, on 19 August, the
National Assembly pronounced the museums preparation as urgent. In October, a committee to preserve
the national memory began assembling the collection for
display.[14]
Antonio Canova's Psyche Revived by Cupids Kiss was commissioned in 1787, donated in 1824.[15]
1.1
12th20th centuries
two million francs for repair work and ordered the completion of the Galerie d'Apollon, the Salon Carr, and
the Grande Galrie.[33] In 1861, Louis-Napolon Bonaparte bought 11,835 artworks including 641 paintings,
Greek gold and other antiquities of the Campana collection. During the Second French Empire, between 1852
and 1870, the French economy grew; by 1870 the museum had added 20,000 new pieces to its collections, and
the Pavillon de Flore and the Grande Galrie were reunder architects Louis Visconti and Hector LeAfter the French defeat at Waterloo, the works former modelled
[33]
fuel.
owners sought their return. The Louvres administrators
were loath to comply and hid many works in their private
collections. In response, foreign states sent emissaries
to London to seek help, and many pieces were returned, 1.1.5 Third Republic and World Wars
even some that had been restored by the Louvre.[21][32] In
1815 Louis XVIII nally concluded agreements with Italy During the Third Republic (1870-1940) the Louvre acfor the keeping of pieces such as Veroneses Wedding at quired new pieces mainly via donations and gifts. The SoCana which was exchanged for a large Le Brun or the cit des Amis du Louvre donated the Piet of Villeneuvels-Avignon, and in 1863 an expedition uncovered the
repurchase of the Albani collection.
sculpture Winged Victory of Samothrace in the Aegean
Sea. This piece, though heavily damaged, has been
1.1.4 Restoration and Second Empire
prominently displayed since 1884.[34] The 583-item Collection La Caze donated in 1869, included works by
During the Restoration (181430), Louis XVIII and Chardin; Fragonard; Rembrandt such as Bathsheba at
Charles X between them added 135 pieces at a cost of Her Bath and Gilles by Watteau.[34] Museum expan720,000 francs and created the department of Egyptian sion slowed after World War I, and the collection did
antiquities curated by Champollion, increased by more not acquire many signicant new works; exceptions were
than 7,000 works with the acquisition of antiquities in Georges de La Tour's Saint Thomas and Baron Edmond
the Edm-Antoine Durand, the Egyptian collection of de Rothschilds (18451934) 1935 donation of 4,000 enHenry Salt or the second collection former by Bernardino gravings, 3,000 drawings, and 500 illustrated books.[18]
Drovetti. This was less than the amount given for re- During World War II the museum removed most of the
habilitation of Versailles, and the Louvre suered rela- art and hid valuable pieces. When Germany occupied the
tive to the rest of Paris. After the creation of the French Sudetenland, many important artworks such as the Mona
Second Republic in 1848, the new government allocated Lisa were temporarily moved to the Chteau de Cham-
HISTORY
court, the Cour Napolon.[39] The pyramid and its underground lobby were inaugurated on 15 October 1988; the
pyramid was completed in 1989. The second phase of
the Grand Louvre plan, La Pyramide Inverse (The Inverted Pyramid), was completed in 1993. As of 2002,
attendance had doubled since completion.[40]
1.1.6
1.3
Administration
Lens
In 2004, French ocials decided to build a satellite museum on the site of an abandoned coal pit in the former
mining town of Lens to relieve the crowded Paris Louvre, increase total museum visits, and improve the industrial norths economy.[55] Six cities were considered for
the project: Amiens, Arras, Boulogne-sur-Mer, Calais,
Lens, and Valenciennes. In 2004, French Prime Minister Jean-Pierre Raarin chose Lens to be the site of the
new building, called Le Louvre-Lens. Japanese architects
SANAA were selected to design the Lens project in 2005.
HISTORY
Museum ocials predicted that the new building, capa- Stirk Harbour + Partners was selected to design the comble of receiving about 600 works of art, would attract up plex, which will have light-lled work spaces under one
to 500,000 visitors a year when it opened in 2012.[55]
vast, green roof.[60]
Abu Dhabi Main article: Louvre Abu Dhabi
1.4 Controversies
In March 2007, the Louvre announced that a Louvre museum would be completed by 2012 in Abu Dhabi. A
30-year agreement, signed by French Culture Minister
Renaud Donnedieu de Vabres and Sheik Sultan bin Tahnoon Al Nahyan, will establish the museum on Saadiyat
Island in Abu Dhabi in exchange for 832,000,000
(US$1.3 billion). The Louvre Abu Dhabi, designed by
the French architect Jean Nouvel and the engineering
rm of Buro Happold, will occupy 24,000 square metres
(260,000 sq ft) and will be covered by a roof shaped like
a ying saucer. France agreed to rotate between 200 and
300 artworks during a 10-year period; to provide management expertise; and to provide four temporary exhibitions a year for 15 years. The art will come from
multiple museums, including the Louvre, the Georges
Pompidou Centre, the Muse d'Orsay, Versailles, the
Muse Guimet, the Muse Rodin, and the Muse du quai
Branly.[56]
The Louvre is involved in controversies that surround cultural property seized under Napoleon I, as well as during World War II by the Nazis. During Nazi occupation,
thousands of artworks were stolen. But after the war,
61,233 articles of more than 150,000 seized artworks returned to France and were assigned to the Louvres Oce
des Biens Privs. In 1949, it entrusted 2,130 unclaimed
pieces (including 1.001 paintings) to the Direction des
Muses de France in order to keep them under appropriate conditions of conservation until their restitution and
meanwhile classied them as MNRs (Musees Nationaux
Recuperation or, in English, the National Museums of Recovered Artwork). Some 10% to 35% of the pieces are
believed to come from Jewish spoliations[61] and until the
identication of their rightful owners, which declined at
the end of the 1960s, they are registered indenitely on
separate inventories from the museums collections.
2.2
On June 2015, the Louvre had been accused of discrim- abaster, circa 2600 and 2350 BC[69]
inating against Israeli students.[65][66][67]
2 COLLECTIONS
2.3
representative of that genre; examples include the portraits of Agrippa and Annius Verus; among the bronzes
The Greek, Etruscan, and Roman department displays is the Greek Apollo of Piombino.
pieces from the Mediterranean Basin dating from the
Neolithic to the 6th century.[76] The collection spans from
the Cycladic period to the decline of the Roman Em- 2.4 Islamic art
pire. This department is one of the museums oldest; it
began with appropriated royal art, some of which was acquired under Francis I.[71][77] Initially, the collection focused on marble sculptures, such as the Venus de Milo.
Works such as the Apollo Belvedere arrived during the
Napoleonic Wars, but these pieces were returned after Napoleon Is fall in 1815. In the 19th century, the
Louvre acquired works including vases from the Durand
collection, bronzes such as the Borghese Vase from the
Bibliothque nationale.[69][76]
The archaic is demonstrated by jewellery and pieces such
as the limestone Lady of Auxerre, from 640 BC; and the
cylindrical Hera of Samos, circa 570560 BC.[71][78] After the 4th century BC, focus on the human form increased, exemplied by the Borghese Gladiator. The
Louvre holds masterpieces from the Hellenistic era, including The Winged Victory of Samothrace (190 BC) and
the Venus de Milo, symbolic of classical art.[77] The long
Galerie Campana displays an outstanding collection of
more than one thousand Greek potteries. In the galleries paralleling the Seine, much of the museums Roman sculpture is displayed.[76] The Roman portraiture is
2.6
Decorative arts
decorative arts department, the holdings became separate in 2003. Among the works are the Pyxide d'alMughira, a 10th century ivory box from Andalusia; the
Baptistery of Saint-Louis, an engraved brass basin from
the 13th or 14th century Mamluk period; and the 10th
century Shroud of Saint-Josse from Iran.[73][79] The collection contains three pages of the Shahnameh, an epic
book of poems by Ferdowsi in Persian, and a Syrian metalwork named the Barberini Vase.[80]
2.5
Sculpture
10
2 COLLECTIONS
2.7
Painting
11
with St. Anne, St. John the Baptist, and Madonna of the
Rocks. Caravaggio is represented by The Fortune Teller
and Death of the Virgin. From 16th century Venice, the
Louvre displays Titian's Le Concert Champetre, The Entombment and The Crowning with Thorns.[94][95]
The La Caze Collection, a bequest to the Muse du Louvre in 1869 by Louis La Caze, was the largest contribution
of a person in the history of the Louvre. La Caze gave 584
paintings of his personal collection to the museum. The
bequest included Antoine Watteau's Commedia dell'arte
player of Pierrot (Gilles). In 2007, this bequest was the The Louvre is slightly askew of the Historic Axis (Axe
topic of the exhibition 1869: Watteau, Chardin... en- historique), a roughly eight-kilometer (ve-mile) architectural line bisecting the city. It begins on the east in
trent au Louvre. La collection La Caze.[96]
the Louvre courtyard and runs west along the ChampsSome of the best known paintings of the museum have
lyses. In 1871, the burning of the Tuileries Palace
been digitized by the French Center for Research and
by the Paris Commune revealed that the Louvre was
Restoration of the Museums of France.[97]
slightly askew of the Axe despite past appearances to the
contrary.[101] The Louvre can be reached by the Palais
Royal Muse du Louvre Mtro or the Louvre-Rivoli
2.8 Prints and drawings
stations.[102]
The prints and drawings department encompasses works
on paper.[98] The origins of the collection were the 8,600
works in the Royal Collection (Cabinet du Roi), which
were increased via state appropriation, purchases such as
the 1,200 works from Fillipo Baldinuccis collection in
1806, and donations.[69][99] The department opened on
5 August 1797, with 415 pieces displayed in the Galerie d'Apollon. The collection is organized into three
sections: the core Cabinet du Roi, 14,000 royal copper
printing-plates, and the donations of Edmond de Rothschild, which include 40,000 prints, 3,000 drawings, and
5,000 illustrated books. The holdings are displayed in
the Pavillon de Flore; due to the fragility of the paper
medium, only a portion are displayed at one time.[98]
4 Gallery
Giambattista Pittoni, Tombe allgorique de Lord
Dorsetca, ca. 1733
Cycladic, a votive head, 27002300 BC
Egyptian, stele, Priest burning incense before Ra-
12
6
Horakhty-Atum, ca. 900 BC
5 See also
[1] http://www.aecom.com/deployedfiles/Internet/
Capabilities/Economics/_documents/2012%20Theme%
20Index%20Combined_1-1_online.pdf
[4] Mignot, p. 32
[6] In Larousse Nouveau Dictionnaire tymologique et historique, Librairie Larousse, Paris, 1971, p. 430: ***loup
1080, Roland (leu, forme conserve dans la queue leu
leu, Saint Leu, etc.); du lat. lupus; loup est refait sur le
fm. louve, o le *v* a empch le passage du *ou*
*eu* (cf. Louvre, du lat. pop. lupara)*** the etymology
of the word louvre is from lupara, feminine (pop. Latin)
form of lupus.
13
[16] Oliver, p. 35
[17] Alderson, p.24, 25
[18] Mignot, pp. 68, 69
[19] McClellan, p. 7
[20] Mignot, p. 52
[21] Alderson, p.25
[22] Plant, p. 36
[23] Popkin, p.88
[24] Swetnam-Burland, Molly (2009). Egypt Embodied: The
Vatican Nile. American Journal of Archaeology. http:
//www.jstor.org/stable/20627596 p. 440
[25] Popkin, p. 89
[26] Bierman, p. 41
[27] Bierman, p.42
[28] Strathern, p. 305
[29] Quynn, Dorothy (1945) The Art Conscations of the
Napoleonic Wars. The American Historical Review. http:
//www.jstor.org/stable/1843116 p. 442
[30] Parkinson, Pg. 28
[31] Bierman, p. 161
[32] Mignot, p. 69. According to Mignot, Mantegna's Calvary, Veronese's The Wedding at Cana|The Marriage of
Cana, and Rogier van der Weydens Annunciation were
not returned.
[33] Mignot, pp. 5254
[34] Mignot, pp. 7071
[35] Alan Riding, And the Show Went On: Cultural Life in NaziOccupied Paris. Alfred A Knopf, New York: 2010. p34.
[36] Matila Simon, The battle of the Louvre;: The struggle to
save French art in World War II. Hawthorn Books, 1971.
p. 23.
[37] Simon, p. 177
[38] Mignot, p. 13
[39] Mignot, p. 66
[40] Online Extra: Q&A with the Louvres Henri Loyrette.
Business Week Online. 17 June 2002. Archived from the
original on 10 December 2013. Retrieved 26 April 2015.
[41] "uvres. Muse du Louvre. Retrieved 27 April 2008.
[42] New Boss at Louvres helm. BBC News. 17 June 2002.
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[43] Gareth Harris (13 September 2012), Islamic art, covered
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[44] Carol Vogel (19 September 2012), The Louvres New Islamic Galleries Bring Riches to Light New York Times.
[45] http://www.academia.edu/2781939/Structural_
Innovation_and_the_Stakes_of_Heritage_The_
Bellini-Ricciotti_Louvre_Dpt_of_Islamic_Arts
[46] Free entry at Louvre due to angry archaeologists. The
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[48] Baum, Geraldine (14 May 2006). Cracking the Louvres
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[50] Farah Nayeri (January 20, 2009), Banks compete to manage Louvres endowment International Herald Tribune.
[51] Matlack, Carol (28 July 2008). The Business of Art:
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[52] Lunn, p. 137
[53] (French)Un archologue prend la direction du Louvre, Le
Monde du 03/04/2013.
[54] Scarlet Cheng (15 November 2012), Louvre and San
Francisco museums sign ve-year deal The Art Newspaper.
[55] Gentleman, Amelia (1 December 2004). Lens puts new
angle on the Louvre. Guardian (UK). Retrieved 27
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[56] Riding, Alan (6 March 2007). The Louvres Art: Priceless. The Louvres Name: Expensive.. The New York
Times. Retrieved 24 April 2008.
[57] Vincent Noce (July 13, 2015), Louvres superstore to go
ahead despite protests The Art Newspaper.
[58] Victoria Stapley-Brown (November 10, 2014), Designers
chosen for Louvres 60m storage outpost The Art Newspaper.
[59] Vincent Noce (July 13, 2015), Louvres superstore to go
ahead despite protests The Art Newspaper.
[60] Vincent Noce (July 13, 2015), Louvres superstore to go
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[61] Rapport Matteoli, Le pillage de l'art en France pendant
l'occupation et la situation des 2000 oeuvres cones aux
Muses nationaux, p. 50, 60, 69 (PDF). Retrieved 21
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[62] Rickman, p. 294
[63] Merryman, abstract
[64] Le Louvre se dit satisfait de la restitution des
fresques gyptiennes - Culture - Nouvelobs.com. Tempsreel.nouvelobs.com. Retrieved 21 August 2011.
[65] http://www.liberation.fr/societe/2015/06/15/
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[66] http://www.jta.org/2015/06/15/
[96] www.louvre.fr Muse du Louvre Exhibitions Past
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[97]
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[98]
[68] The fabulous collections of the Louvre Museum.
[99]
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Plant, Margaret (2002). Venice Fragile City. Yale
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External links
Ocial website
16
8.1
Text
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8.3
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