The Curious Digital Marketer 2.0
The Curious Digital Marketer 2.0
The Curious Digital Marketer 2.0
The Curious Digital Marketer opened up the world of digital media marketing for marketers. This book will
help you stay abreast of the fast pace of changes in the sector, and get acquainted with the latest innovations
that are making an impact.
Look forward to a better understanding of online and mobile media, and in doing that, if you crack your next
job interview, drive record sales in your next digital campaign, or become the next social media star dont
thank us; thank yourself for buying this book. Happy learning!
Manish Kalra
Marketing Head, MakeMyTrip
Anant Rangaswami
Editor, Storyboard (CNBC)
Dippak Khurana
CEO & Co-Founder, Vserv.mobi
DIGITAL
MRP: ` 350
afaqscampus.com
Today, with the audience for digital media heading towards the 150 million mark, chief marketing officers of
the biggest as well as the youngest entrepreneur-driven firms have embraced digital marketing. Spends across
the biggest firms are effectively doubling every year. Used well, digital is proving to be a game changer for
marketers, and an equally grave threat if left out. In fact, leading industry experts predict a share of over 20
per cent for digital media as early as 2015 in India, from less than 5 per cent in 2010.
Twelve of Indias leading digital marketing practitioners provide you with the answers to
key questions around digital marketing. This is your quick and interactive guide to stay ahead.
The
Curious
Digital
Marketer 2.0
Digital marketing is finally an integral
part of the marketing mix and this book
will help marketers keep pace. Twelve
of Indias leading digital marketing
practitioners answer more than 101 of
the most commonly asked questions.
The Curious Digital Marketer 2.0 is
your quick and interactive guide to stay
ahead.
#Disclaimer
The publication contains the opinions and ideas of its authors and is intended to provide
informative material on the subject matter covered. However the authors make no warranties
regarding the accuracy and completeness of the contents of this publication. Also, the authors
do not guarantee that a readers reliance on the content of this publication will produce specific
results.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by
any means, electronic or mechanical, including photocopying, recording or by any information
storage and retrieval system, without written permission from the publisher.
Published by: Banyan Netfaqs Private Limited (B-3, First Floor, Sector 4, Noida, U.P-201301).
Phone: 0120-4077800; E-mail: [email protected]
ISBN: 978-81-926649-0-3
Second Edition: May 2013
Concept: Kapil Ohri
Editorial Support: Jaba Bhattacharya and Anshupriya Sharma
Book Design: Vinay Dominic
Infographics: Vidit Sachdeva and Supriya Sahani (Decyclebin)
Cover Design: Rakshita Kapoor and Arti Rohatgi
Design Support: Joginder Poswal and Ravi Sangal
Ad Sales: Arunima Bhattacharya, Rahul Puri and Madhur Anand
Technology Support: Anurag Dixit and Sushil Kumar Singh
Photo Credit: Sushil Kumar and Fotocorp
Publishing Support: Andrias Kisku
iv
#Contributors
Author
1.
Co-authors
2.
3.
4.
5.
6.
7.
8.
Karan Anand [Group Head, Strategy Planning & Mobile, Interactive Avenues]
9.
Mentors
#Foreword
Deer in the headlights.
Round up a bunch of Indian marketers of my vintage.
Look closely into their eyes, and I predict that you will
see the same cocktail of fear, shock, incomprehension
and ignorance that the proverbial herbivore displays
when staring at a speeding automobile on a pitch dark
rural highway.
I find this idiom particularly evocative because, much
like the poor animal in the picture above, the marketer
is typically a fully grown, mature and experienced
individual in his sphere of life, believing he can deal
with most of the stuff being thrown at him. And as it
happens, the situation he is placed in when discussing
digital marketing is not without information, in fact there
is a surfeit of it.
Trouble is, its all coming too fast, its mostly alien stuff
and it is a huge challenge to process it all in real time
to take decisions that will save the brands life. If I may
mix metaphors now, us old dogs are being asked to
learn new tricks, which is tough enough at the best of
times, but is compounded by our egos coming in the
way of asking the right questions that could educate and
empower us to forge ahead in this brave new world.
Whats more, truth be told, we are all more than a little
suspicious of the hordes of snake-oil salesmen who
are all trying to peddle their wares to us as miracle cures
for the age old problems of RoI from marketing et al.
Everything is illuminated.
Fortunately, help is at hand. This useful tome delivers
on its succinct promise of making everything clear to us.
vi
vii
#Table of Content
Display Advertising
1.
What tools do digital media planners use to get data for media planning?
2.
What are rich media ads? How is a rich media ad different from a standard display ad
(whether static or flash animated banner)?
3.
4.
How can I get 100 per cent share of voice (SOV) via online display ads?
5.
What are the different buying options available under e-mail advertising?
11
6.
Why should we pay for e-mailers if the recipient has not opened the mail for EDM
(electronic direct mail) campaigns?
12
7.
How can I find out the unduplicated audience reach between two sites?
13
8.
How can I find out the audience duplication between a traditional channel, say NDTV,
and the digital channel, say NDTV.com?
14
9.
I would like to promote my products to the existing customers who already visited
my website. How can I reach them? Is it possible to promote products to the
same user across online sites?
14
10.
15
11.
16
12.
17
13.
19
14.
19
15.
23
All digital media plans look same. I see same portals again and again in most
media plans. On which basis you decide portals to be used for the campaign?
24
16.
xi
17.
18.
19.
24
25
25
26
21.
28
22. Is there any tool available which can be used to optimise a certain ad network?
28
23. There are more than 20 ad creatives for a single campaign. How do I know which
creative is performing better and how can I utilise it more for other placements?
30
31
32
33
33
34
39
2.
40
3.
40
4.
44
xii
5.
48
6.
If my website is visible among the first three places in search, why must I do SEM?
49
7.
49
8.
50
9.
53
10.
53
11.
54
12.
54
13.
If I keep doing only SEO/SEM, do I need to use other formats like display and mobile?
55
14.
55
FACEBOOK marketing
1.
59
2.
59
3.
Why should I invest in Facebook pages when less than 20 per cent of fans
typically see the posts?
61
4.
63
5.
63
6.
65
7.
65
8.
69
xiii
9.
70
10.
72
11.
74
12.
What is Web of Trust and why is it important for me to know about it before
creating a Facebook Ad?
74
13.
79
14.
Whats the conversion rate for Facebook ads sent to the website?
79
15.
Is it possible to track sales for each and every Facebook campaign that
we execute? Are there any tools available for this?
80
16.
Last month, we routed heavy money on Facebook ads and there was no
Google AdWords campaign on at that time.Surprisingly, our website visits from
Google Search went up. Why?
81
17.
81
18.
How do I know that I am not being charged for fans that like my page because
they got to know about my business from other campaigns?
82
19.
82
20. What is Graph Search? What can users search using Graph Search?
83
21.
83
83
23. Can I calculate the value of my Facebook Page fan? Is the value of my fan
equal to the cost of acquisition of that fan?
84
24. What are the advantages of Facebook applications, both from a branding
perspective and from an ROI perspective?
84
xiv
Mobile Marketing
1.
What is the difference between Native apps and Mobile Web apps?
89
2.
90
3.
91
4.
I have created an app, now how can I get enough users for it?
91
5.
Is it right to build a Mobile app for a campaign or should I build an app which
is generic and of use on a long term basis?
93
6.
93
7.
Why should I have a mobile site when I already have an online site?
94
8.
99
9.
99
10.
101
11.
102
12.
105
13.
Why should we do SMS and Voice campaigns? These are spam, right?
105
14.
Can I integrate TV advertising with the Mobile platform, apart from displaying a
URL or SMS short code?
107
15.
Do users in Tier II and III towns and rural markets show heavy mobile usage
patterns like their urban counterparts?
108
16.
Why is CTR of mobile ads higher as compared to online standard banner ads?
110
17.
110
18.
113
xv
19.
115
115
21.
116
Web Analytics
1.
What is the difference between page views, visits and unique visitors?
122
2.
124
3.
126
4.
127
5.
My website home page has 1 million visitors per month but my registrations
page has only 5,000 visitors. How do I know why people drop from my website?
130
6.
130
7.
In my traffic referral sources data (on Google Analytics), I see Not provided
mentioned as a keyword. Why and what does it mean?
131
8.
132
9.
What is tagging? What is the difference between page tagging and event tagging?
132
10.
What is link tagging and how can it be used to track performance of ads for a digital
marketing campaign? How can I track its performance using Google Analytics?
133
11.
How can I track my offline marketing campaigns (print, TV, radio ads or
on-ground activation) and find out their impact on my website?
135
12.
136
13.
What happens if I do not tag or use wrong tags for incoming traffic?
136
14.
138
xvi
15.
138
16.
There are sudden peaks in my visitor traffic. How do I know what causes these?
139
17.
140
18.
I have multiple creative ad units prepared for a new campaign. Is there a way
to know which one will perform better before the launch of the campaign?
140
19.
Where can I get overall reach performance data for my digital brand campaign?
141
142
143
22. Should I follow the same metrics to measure my online marketing campaigns
and mobile marketing campaigns?
145
145
xvii
Display
Advertising
Online display advertising
broadly consists of banner ads,
image ads and video ads.
2938
FY2013-2014
2260
FY2012-2013
FY2011-2012
FY2010-2011
1140
1750
DIGITAL AD SPENDS
AUTO
BFSI
Consumer Durables
E-Commerce Players
Education
Electronic Media
FMCG
IT
Online Publishers
Others
Print Media
Telecom
Travel
13%
12%
7%
5%
7%
2%
9%
8%
9%
1%
1%
14%
12%
display advertising
SEARCH (41%)
DISPLAY (34%)
41%
SOCIAL (10%)
34%
7%
5%
10%
Rich Media
with Video
SEO
15%
IMAGE
20%
20%
30%
30%
Rich Media
without VIDEO
Search Ad Spends
FY(2012-2013)
INR 850cr
In App Adv
40%
40%
20%
SIMPLE
FLASH
Display Ad Spends
FY(2012-2013)
INR 662cr
Mobile Ad Spends
FY(2012-2013)
INR 230cr
True View Ads by Google
Text Links
Video
E-MAIL (3%)
7%
3%
Sponsored/Promoted
Tweets & Posts
MOBILE (10%)
VIDEO (7%)
13%
E-MAIL (3%)
3%
SOCIAL (13%)
29%
MOBILE (7%)
VIDEO (5%)
10%
SEM
85%
DISPLAY (29%)
38%
12% 5%
8%
75%
12%
24%
64%
Display
In Video Ads
(overlays)
Video Ad Spends
FY(2012-2013)
INR 150cr
display advertising
display advertising
Rich media ads offer multiple interaction options to users. For instance -- click to
expand the banner or expand on mouse rollover. It also enables the advertiser to
embed video films, Facebook Like button and Call facility inside the banner. A
user can click on the video to play it inside the banner, click to make a phone call,
and also click Facebook Like button. Thus, various interactions -- between the user
and the ad can occur within the ad unit itself. One of the clickable options could
lead the user to another destination or landing page.
Every interaction with a rich media ad unit can be tracked. For instance, the
advertiser can pull data on the number of clicks used to expand the banner ad,
number of times the embedded video played/viewed, time spent on video viewing,
the total amount of time spent on the creative or ad unit and the number of users
who clicked on the Facebook Like button etc.
Another important distinction between a standard display ad unit and a rich media
ad is the size of the creative. Usually, rich media ad units are much heavier (more
than 40KB) than standard ads and are generally served through third party ad
servers as publishers (website owner) cannot serve them through their own servers.
Image 1: Basic difference between text, standard and rich media ads
display advertising
Ad Server
Ad server is a computer system that stores, maintains and
serves ads to one or more websites. Local Ad server usually
serves ads to single website. Third party ad servers can
serve ads across multiple websites. Third party ad serving
companies for advertisers in India include MediaMind.
com and Google DoubleClick.
Dwell time is the average time spent (intentionally) by the user interacting with the
online ad unit.
Dwell time is now becoming a more popular metric to measure the impact of rich
media ad creatives. It is a valid metric only for rich media ads. Time spent is not
measured in the case of standard (jpeg) banner ads. Standard banners are mainly
a communication which the user reads and clicks. So time spent is nearly zero.
4. How can I get 100 per cent share of voice (SOV) via
online display ads?
You can either opt for sponsorship or special advertising options like Roadblock to
break through the clutter and get maximum share of voice.
Roadblock will allow you to serve your ads across multiple placements (all slots) on
9
the same web page for a specific time period on a website. For instance, homepage
takeover of sites like Yahoo!, MSN and Indiatimes can be used for Roadblock.
Roadblock and sponsorship are useful for brands especially at the time of launching
a new product or making an announcement about a product or company. These
advertising options ensure that the user doesnt miss the brand communication and
the brand gets the maximum SOV compared to other brands in its category. Higher
SOV could lead to high recall and more sales.
In January, 2013, the Mahindra group announced its new visual identity and logo. In order
to make sure that a large number of users on digital media could notice the new identity of
Mahindra, the group opted for a roadblock (for nine hours) on the Yahoo! homepage -- which
offers a reach of 3 million unique users1 (approximately)instead of a standard banner ad. To
get high impact from the roadblock, Mahindras logo was put up above the Yahoo! masthead,
thus increasing the chances of attention.
Digital agency Interactive Avenues, which managed this campaign, claims that 14 per cent of
all users who saw this ad unit interacted with the ad and chose to find out details of not only
the new logo but also the Mahindra ideology behind it. For this campaign, Mahindra also
bought regular ad inventory (banner ads of 728X90 pixels; 300X250 pixels) but the results
were strikingly different and performance of regular banners was below par.
1. Read more about unique users on page number122 in the Web Analytics section
10
display advertising
Per-day based pricing: This is the most common type of roadblock sold in the industry.
Some publishers charge on a per-day basis. The advertiser can buy a particular ad slot
or all the slots on a particular page or section on the basis of the number of days. For
example, Yahoo! News page roadblock for two days, or the MoneyControl.com jacket ad
for one day. The cost will remain constant without any prior commitment on the inventory
consumption. This can range from Rs 1 lakh to Rs 10 lakh per day, depending on the type
of ad units included in roadblock.
Sponsorship Model
Sponsorship opportunities are usually available for a fixed duration or for a specific event. For
instance, sponsorship of a cricket series, sponsorship for the Union Budget or sponsorship for
any other sporting event.
Usually, publishers have various kinds of sponsorship options available for a particular event Main sponsor, Associate sponsor, Co-Sponsor etc. For instance, a leading cricket website sells
the main sponsorship for the entire cricket series on a yearly basis and the cost for this could
run into many crores. However, the same website also sells other sponsorships such as Cosponsorship or Associate sponsorship on a series to series basis as well. Similarly, sponsorship
for a Union Budget is a one-time occurrence in a year and is sold for duration of 15-30 days.
Advertisers get huge coverage during such events as the banner/ logo is fixed on the webpage
for a particular duration.
As a marketer, you can purchase e-mail advertising inventory in the following ways:
Fixed: Fixed mailer, also known as mail shot. There is a fixed cost for sending out a
mail shot to a registered database. The publisher charges a fixed cost for using its
database irrespective of open rate, click-through rate (CTR) or leads generated.
CPM: Cost-per mailer. Most publishers follow the CPM model wherein you pay
for the numbers of e-mailers sent out to users, irrespective of open rate and clickthrough rate generated.
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CPO: Cost-per open-up is a response driven model where you pay only for the
number of open-ups generated. This is the best model to opt for if you want to
generate leads.
CPL: Cost-per lead is generating leads using e-mailers. Metrics are calculated
keeping in mind the operating CPL.
Click-through rate is derived by dividing the total number of clicks (the ad unit gets) by the
total number of times the ad is shown (impressions) and is expressed as a percentage.
Open rate is linked to e-mail marketing and represents the total number of people who
opened an email. It is expressed in percentage. In order to track an open rate, the recipient
must allow HTML to be displayed, as well as images to be displayed in the email message.
Click-to-open rate (CTOR) is the ratio of unique clicks as a percentage of unique opens and
represents the percentage of people who clicked the links provided in the mail out of the total
number of people who opened the e-mailer.
This question arises when the e-mailer inventory is purchased using CPM (cost-per
mailer) or fixed mailer method. In these cases, you have to pay for every mailer
sent out to users, irrespective of open rate and number of clicks generated. This is
the most widely used method of selling e-mailer inventory by publishers. Even if a
user has not opened a mailer, you will have to pay for it as it has reached the users
inbox; and, it is up to the user to open it.
However, you can improve the open-up rate by tweaking factors such as the senders
name and subject line, visible to the user. Senders name should be relevant and
small. Subject line should ideally be very catchy and crisp to grab attention.
12
display advertising
Keep it short and simple: Clearly state subject line to indicate whats inside the e-mail.
Studies have indicated that shorter subject lines lead to higher open rates.
Use a call-to-action (CTA) by asking a question. Subject lines framed as questions perform
better.
Test which subject lines works best with your target audience so that you can use it again.
Dont include words and symbols which may get filtered in spam of e-mail service provider.
Avoid using words relating to sex or pornography, free, cash and references to drugs
like Viagra. Avoid using symbols like @, #, % etc.
Dont use FW: in your subject to indicate that e-mail has come from a trusted source.
13
You can use comScores Audience Duplication tool to find out how many users are
duplicated between two sites. This tool will give you a snapshot of unique visitors
of various sites, as well as the overlap of unique visitors between the specified sites.
Image 2 shows that 10.270 million people visit xyz.com, while 4.022 million
people visit abcd.com. There are 1.782 million users who visit both sites. So the
unduplicated reach is 12.509 Million (comScore).
When you compare print and digital versions of The Times of India (TOI), you could
find that TOIs reach is way higher on the digital medium than the print version.
Does this mean all TOI print readers are also online? Not necessarily.
Likewise, NDTVs reach could be much higher on television compared to the digital
medium, and this doesnt imply that all NDTV digital users also watch the TV
channel.
From the audience duplication perspective, its not just important to know the
common viewership between two platforms of same company (NDTV and NDTV.
com) but also consider duplication between two different platforms of two different
companies (like NDTV.com and BBC TV) to create effective media plan. Without a
rigorous, statistically valid survey of audience habits across TV, print and digital (or
unified single source audience data), we will never know the correct answer.
14
Have you ever noticed that often when you visit a website (say xyz.com) and move out
to another site (say abc.com), you start seeing xyz.com ads on abc.com. Similarly,
if you visit an air ticket booking site (say OMGTravel.com), fill some details into the
ticket booking page (say from Bengaluru to New Delhi) but exit the site without
completing the transaction to go to another site (say LMNOP.com), then you see an
display advertising
Re-targeting works on the hypothesis that it is easier to convert a user who has
visited the website before (assuming that user is interested and is in preference/
consideration stage) rather than converting someone who has never visited your
site.
It is important to note that re-targeting is a way in which you can easily target users
(with ads on other sites) based on some action the user has taken in the recent
past. This is not only confined to users actions that occur on your website. You can
also target users who have taken the desired action (first) on other web destinations
(like search engine) other than actions on your website. Read more about search
re-targeting in the Search section and Facebook re-targeting in the Social Media
section.
Image 3
2. Read more about ad-networks on page number 20 and Google Display Network on page number 44
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