Zapf 1999
Zapf 1999
Zapf 1999
European Journal
of Work and
Organizational
Psychology
Publication details, including
instructions for authors and
subscription information:
http://www.tandfonline.com/loi/
pewo20
Emotion Work as a
Source of Stress:
The Concept and
Development of an
Instrument
Dieter Zapf , Christoph Vogt , Claudia
Seifert , Heidrun Mertini & Amela Isic
Published online: 10 Sep 2010.
EMOTION
371
EUROPEAN JOURNAL OF WORK AND ORGANIZATIONAL PSYCHOLOGY,
1999,WORK
8 (3), 371400
372
ZAPF ET AL.
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EMOTION WORK
375
the case where an employee has to spend effort to regulate emotions. In other
cases, an employee may automatically feel the emotion required in a particular
situation. Hochschild called such forms passive deep acting.
Most studies of emotion work include the concept of emotional dissonance
(e.g. Abraham, 1998; Brotheridge & Lee, 1998; Grandey, 1998; Morris &
Feldman, 1996, 1997). Emotional dissonance occurs when an employee is
required to express emotions that are not genuinely felt in the particular situation.
A person may feel nothing when a certain emotion display is required, or the
display rule may require the suppression of undesired emotions and the
expression of neutrality or a positive emotion instead of a negative one.
Emotional dissonance may originate from faking in good faith when the
employee accepts the underlying display rule or from faking in bad faith when
the feeling rule is not accepted (Hochschild. 1983; Rafaeli & Sutton, 1987).
Various authors (e.g. Abraham, 1998; Adelmann, 1995) propose that faking in
bad faith has the most negative consequences.
Based on this, Grandey (1998) and Kruml and Geddes (1998) identified two
dimensions: emotional dissonance and emotional effort. Emotional dissonance
refers to Hochschilds concept of surface acting and passive deep acting
(automatic emotion regulation), which are considered to be the opposite ends of a
continuum. If an employee spontaneously feels the emotion, emotional
dissonance is low; if he or she feels nothing or the opposite emotion, emotional
dissonance is high. Emotional effort refers to the degree to which employees
actively try to change their inner feelings to match the feelings they are expected
to express. According to Kruml and Geddes, this dimension incorporates
Hochschilds (1983) active deep acting. Both dimensions showed a high
correlation in the studies of Grandey.
In conceptualizing emotion work as the behavioural response to variations in
the frequency, variety, intensity, and duration of interactions, Brotheridge and
Lee (1998, p. 7) used the term emotional labour to refer to actions undertaken
as a means of addressing role demands. In this sense, operationalizations of
emotion work come close to the concept of coping in stress research (Lazarus &
Folkman,1984; Semmer, 1996). The authors operationalized surface acting and
deep acting as the key constructs for emotion work. Deep acting refers to the
active attempts to align ones felt and displayed emotion, which means that the
inner feelings have to be adapted to the emotions that have to be displayed. In
contrast, surface acting means pretending to have the emotions expected to be
displayed. In this case, employees do not try to feel the emotions they have to
display. Brotheridge and Lee considered surface acting as the manifestation and
even a proxy for emotional dissonance.
Morris and Feldman (1996) concentrated on what they called dimensions of
emotion work: the frequency of emotion display, the attentiveness to display
rules required (referring to the intensity and duration of emotion display), the
variety of emotions to be expressed, and emotional dissonance. They argued that
376
ZAPF ET AL.
all these dimensions of emotion work would increase emotional exhaustion, the
core variable of burnout.
To conclude: Most authors consider the frequency, variety, duration, and
attentiveness of emotions as dimensions of emotion work. Emotional dissonance
is viewed somewhat differently. Several authors consider it to be a result of the
determinants of emotion work (e.g. Adelmann, 1995); some authors even place it
close to the dependent variables (e.g. Ashforth & Humphrey, 1993). However,
there is some agreement to define emotional dissonance as the discrepancy
between displayed and felt emotions (Brotheridge & Lee, 1998; Morris &
Feldman, 1996, 1997) and to consider it as one of the key predictors of emotional
exhaustion. Brotheridge and Lee (1998) proposed that the emotional
requirements at work do not directly lead to emotional exhaustion but may do so
through their relation with emotional dissonance.
Several attempts have been made to operationalize aspects of emotion work.
Morris and Feldman (1997) operationalized three aspects of emotion work: the
frequency of emotion work, the duration of emotion work, and emotional
dissonance. For the frequency and duration scales they did not directly refer to
emotion display but referred to the frequency and time interacting with clients,
whereas emotional dissonance items directly referred to the match between
displayed behaviour and felt emotions. Brotheridge and Lee (1998) and Grandey
(1998) followed the model proposed by Morris and Feldman (1996) and
operationalized scales for the dimensions of emotion work as frequency, variety,
attentiveness, and duration (single item), and emotional dissonance, surface
acting, and deep acting as the core variables of emotion work. In the first study of
Brotheridge and Lee (1998), a factor analysis produced four factors collapsing
emotional dissonance and surface acting into one factor, and intensity, variety,
and duration into another. The two other factors were deep acting and frequency
of emotional display. In a second study, the authors were able to distinguish
frequency, variety, intensity, and duration, and surface acting and deep acting.
Best, Downey, and Jones (1997) measured how often different emotions were
expected on the job. Using factor analyses, they found three factors representing
the expression of positive emotions, suppressing negative emotions and
expressing negative emotions, whereby the latter showed a low reliability and a
low response frequency. Abraham (1998) operationalized emotional dissonance
using items from Adelmann (1995) that referred to display rules in the
organization. She then developed identical items rephrased to reflect the degree
to which the respondents would actually show the corresponding emotions.
Difference scores of the respective items were then computed to reflect
emotional dissonance.
For the present studies we combined the literature on emotion work described
previously with action theory-based approaches in stress research (Frese & Zapf,
1994; Greiner & Leitner, 1989; Zapf, 1993). Work or labour is a
multidisciplinary concept. Hacker (1973, 1998) and Volpert (1974) argued that
EMOTION WORK
377
the psychological component of work is the work activity and from the
perspective of action theory it is the psychic regulation of work actions. Through
various cognitive processes, action theory links the objective work environment
to behaviour. To describe job requirements, three aspects are distinguished: the
regulation requirements of a task, regulation possibilities, and regulation
problems (for details, see Frese & Zapf, 1994; Zapf, 1993).
From an action-oriented perspective, regulation requirements are related to
properties of the hierarchic-sequential organization of action and comprise the
complexity of decisions, the number and connectedness of goals and sub-goals,
and the extent of conscious vs. automatic regulation processes. Regulation
possibilities refer to the concept of control. Control means having an impact on
ones conditions and on ones activities in correspondence with some goal.
Decision possibilities exist with regard to the sequence of the action steps, the
timeframe, and the content of goals and plans (Frese, 1987). Several authors have
operationalized various aspects of control, such as task control referring to
decision possibilities regarding the goals to be carried out, the sequence of plans
to be performed, and the sequence of feedback information processing. Time
control, for example, refers to both when and for how long a certain task is
performed (e.g. Frese & Zapf, 1994, Semmer, et al. 1995; Wall, Jackson,
Mullarkey, & Parker, 1996; Zapf, 1993). Regulation problems are an action
theory conceptualization of work stressors. The stressors are differentiated
according to how they disturb the regulation of actions (Frese & Zapf, 1994;
Greiner & Leitner, 1989; Semmer, 1984).
There is evidence that regulation requirements, regulation possibilities, and
regulation problems are differentially related to health and well-being and that
this differentiation helps to overcome a stimulus-response framework where
every characteristic of the job has negative consequences and where doing
nothing would be the best concept to avoid stress at work. In contrast, action
theory proposes that human beings usually try to actively cope with their
environment. In this sense, job design should support this active approach by
providing challenging (i.e. sufficiently complex) tasks (regulation requirements)
and control (regulation possibilities), but at the same time, reducing the stressors
(regulation problems). Regulation requirements are relevant to the concept of
personality enhancement (Hacker, 1973, 1998; see also Frese & Zapf, 1994).
This means that they enable one to develop cognitive and social skills, and further
satisfaction and self-esteem. They follow the personenvironment fit model
(Edwards & van Harrison, 1993): They are positive as long as they are matched
by personal prerequisites and they become negative when they exceed them.
Research shows that regulation possibilities (control) typically show a direct
positive effect as well as a moderating effect between stressors and strains (e.g.
Kahn & Byosiere, 1992). In contrast, regulation problems (stressors) have
negative health effects. Stressors are in a sense independent of the person
environment fit, because people want challenging tasks, but they do not need a
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ZAPF ET AL.
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ZAPF ET AL.
that, given a certain requirement for frequency and content (positive or negative
emotion), it should then depend on the employee and his or her personality to
what extent he or she feels in line with the required emotions. In this sense,
emotional dissonance would be a stress reaction and a first sign of emotional
exhaustion. However, there are qualitative differences in social situations that are
not sufficiently described by the parameters for display rules. This is because the
display rules describe the desired state of emotion display, but they do not
comprise anything about how often individuals are exposed to situations where
they have to show the required emotions. Moreover, they do not reflect other
factors, namely how positive or negative the social interaction is, which may
influence what people feel and whether this fits to the emotion required by the
display rule for this particular situation. Compare, for example, a nurse in a
childrens hospital and a nurse in a retirement home. The display rules of
showing friendliness and empathy may be the same, and frequency and duration
of interactions may be similar, leading to similar required display rates of
positive emotions, but the nurse in the retirement home may encounter many
more situations where an average person feels disgust or anger. Similarly,
cashiers of a supermarket chain may all have the same requirements to display
positive emotions to customers, and the number of customers determining the
frequency of emotional requirements may be similar. However, depending on
where a supermarket is located, there may be differing frequencies of encounters
with complaining or otherwise negatively behaving customers, which is a good
predictor of negative emotions of the employee (Doucet, 1998). Consequently,
the number of situations where gaps between felt and desired emotions appear
may differ considerably. The discrepancy between what an average person is
likely to feel and what the respective display rule is, varies from situation to
situation. Therefore, the aspects covered by the concept of emotional dissonance
are not covered by the frequency and other parameters of emotional requirements
because they all refer to the display rules and to more formal characteristics of
social interaction, such as frequency and duration, and not to the quality of the
actual situations and the resulting differing discrepancies between display rules
and average emotions in a given situation.
Two more issues should be mentioned with regard to emotional dissonance.
First, some authors focus on the display of emotions required by the organization,
no matter what a person feels (e.g. Ashforth & Humphrey, 1993). Display of
emotion refers to facial expression, bodily behaviour, and voice. These are the
visible aspects of the emotional system (Scherer, 1997; Scherer & Wallbott,
1990). If this is so, could then the display of emotions not be described by
sensorimotor processes? The regulation of sensorimotor processes is, for
example, a part of the action theory approach mentioned previously (Frese &
Zapf, 1994; Hacker, 1998). According to action theory, sensorimotor processes
are highly automatized. They are usually carried out in the automatic mode, that
EMOTION WORK
381
is, without conscious attention. This is also so with respect to the sensorimotor
processes in the expression of emotion (Ekman, 1984; Izard, 1977; Scherer &
Wallbott, 1990). If a certain emotion is felt, then the expression of this emotion
automatically occurs whereby social competence may play a moderator role. If
an emotion that has to be displayed, is not felt, then problems occur. In highly
standardized situations it may be easy to fake. If this is not the case, then the true
feelings may show through and may be recognized by other people (cf. Ekman &
Friesen, 1982 who investigated the differences between true and faked smiling).
In some cases, authenticity, that is not faking, may even be a key variable, for
example, for therapists in encounter therapy (Rogers, 1951). Hochschild (1983)
also raised the problems of surface acting and discussed that even in services
such as airlines deep acting is required. Employees are required to feel the
emotions they should feel because otherwise there is the danger that it would not
work. Findings in social psychology showed that people can sometimes tell when
someone is faking a friendly face (Ekman & Friesen, 1982). Therefore,
emotional dissonance as a job stressor should lead to both surface acting and deep
acting as a reaction, implying that emotion work cannot be reduced to the
sensorimotor regulation of emotional expression. This also shows the difference
between emotional dissonance as a stressor and as a reaction. If deep acting was
successful there is no internal state of emotional dissonance (emotional
dissonance as a reaction or dimension of emotion work). However, deep acting
can be a strategy to deal with the job stressor of emotional dissonance.
Finally, emotional dissonance has to be discussed with reference to the
differentiation of use value and exchange value of work (Hochschild, 1983;
Marx, 1867/1977; Nerdinger, 1994). Hochschild (1983), who coined the term
emotional labour, pointed out that emotional labour is sold for a wage and
therefore has exchange value (p. 7). Nerdinger discussed in detail that, from the
economic point of view, the work of the service provider is exchanged for
money. However, in many cases the full service requires an interaction as if there
were not an economic but a family-like relation. A therapist is expected to be
truly interested in the client and not just because he or she is paid for it. Similarly,
parents know that child nursing is a job and that the nurses work for money.
Nevertheless they wish that the nurses really love their children. Nerdinger
pointed out that the social interaction is not only a means to deliver the service but
is part of the service product. Thus, a service employee may face contradictory
expectations given by the personal interaction with the client (who, for example,
may want advice) and the economic interests of his or her employer (who may
insist on high sales). Moreover, the requirements of the organization itself may
be ambiguous. A computer hot-liner may be required to be customer friendly,
but, at the same time limit talks with customers to 5 minutes. One can
hypothesize that such contradictory job requirements are a source of emotional
dissonance in any kind of person-related work.
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ZAPF ET AL.
In sum, applying the concept of action theory to emotion work first leads to
integrating the special control concepts described earlier. Second, it helps to
understand that emotion work is not necessarily negative but has also positive
implications. To explore the construct validity of the instruments developed for
the present studies, we developed several hypotheses.
EMOTION WORK
383
addition, Morris and Feldman (1996) proposed that the higher the frequency of
emotion display, the higher is the chance that emotions have to be displayed that
do not fit the emotions felt. A similar argument applies for the variety of
emotions. For variety of emotions it can be added that it is more likely that
employees have problems with negative emotions compared to positive
emotions. With regard to the correlation between emotional requirement
variables and emotional dissonance, the empirical findings are mixed. Grandey
(1998) found a correlation between suppressing negative emotions and
emotional dissonance, but not between expressing positive emotions and
emotional dissonance. Also, Brotheridge and Lee (1998) found a correlation
between frequency of emotion display and emotional dissonance.
There is evidence in the stress literature that control is negatively related to job
stressors. Abraham (1998) was able to demonstrate such a relationship for job
autonomy and emotional dissonance. This negative relation should also occur for
specific control measures such as emotion work control and interaction control,
especially if the specific control variables match the specific kinds of stressors,
which should be the case in the present study.
Much of the literature addressed the negative effects of emotion work (e.g
Adelmann, 1995; Hochschild, 1983). Most often scholars cited the negative
relations with burnout, hypothesizing that emotion work would increase
emotional exhaustion and depersonalization and would reduce personal
accomplishment. Some authors discussed relationships with poor self-esteem
and depression. Hochschild, in particular, referred to the problem of alienation
from ones true feelings. A few authors, however, also referred to potential
positive effects such as job satisfaction, self-esteem, and self-efficacy (e.g.
Ashforth & Humphrey, 1993; Morris & Feldman, 1997; Stenross & Kleinman,
1989; Tolich, 1993; Wharton, 1993).
Drawing parallels with action theory-based concepts of work characteristics
(Frese & Zapf, 1994; Hacker, 1998), it can be assumed that work in general is not
either positive or negative. Rather, a challenging job may comprise positive job
content variables such as job control, complexity, or variety at work, but
challenging jobs often go along with high quantitative workload and uncertainty
at work. Similarly, it is not assumed that emotion work is generally either
negative or positive. On the one hand, emotion work is laborious and effortful.
Therefore, if a high frequency of emotional display and a variety of emotions are
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EMOTION WORK
385
played a central role for goal achievement, namely, solving a case. Wharton
(1993) found a positive relation with job satisfaction and Grandey (1998)
reported a positive correlation between expressing positive emotions and job
satisfaction. Based on these considerations and empirical findings it was
expected that emotional requirement variables are positively correlated with
personal accomplishment, self-esteem, and job satisfaction.
Hochschild (1983) was the first who described the negative effects when positive
emotions have to be displayed when either nothing is felt or if the felt emotions
are even in contrast to the displayed emotions. Hochschild asserted that if
employees do not feel what they ought to feel, they may blame themselves and
feel phony and hypocritical. This may result in low self-esteem (Kruml &
Geddes, 1998). In such cases, they may also start to blame the company, which is
likely to go along with decreased job satisfaction. Rafaeli and Sutton (1987)
argued that emotional dissonance is a form of personrole conflict (Kahn et al.,
1964), which means that one has to do things that are against ones better
judgement. Because role conflict is a strong predictor of emotional exhaustion
(cf. the meta-analysis of Lee & Ashforth, 1996), it was hypothesized that
emotional dissonance is also a strong predictor of exhaustion. All in all, the
clearest empirical relation between emotion work variables and psychological
strain occurred for emotional dissonance and emotional exhaustion (Abraham,
1998; Brotheridge & Lee, 1998; Grandey, 1998; Morris & Feldman, 1997) and
depersonalization (Grandey, 1998). Mostly, no relationship was found for
relations with personal accomplishment (Grandey, 1998). Empirical evidence on
the relation between emotional dissonance and job satisfaction is mixed. Morris
and Feldman found a negative relation between emotional dissonance and job
satisfaction, whereas Grandey (1998) did not.
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ZAPF ET AL.
METHOD
Samples
The following analyses were based on three samples. The first sample consisted
of employees working in a home for handicapped children and other social
service institutions (N=83) in South Germany: 80% were women, which is
typical for the human services; average age was 38 years; 58% worked in the
childrens home and had direct client contact (nurses, team leaders, social
workers), 19% worked also in the childrens home, but had no direct client
contact (administration, technical staff). Moreover, 24% were employees with
direct client contact in a hospital, and in other homes for problem children and
handicapped children. As in the other studies, participation was voluntary.
The second sample was collected in the hotel business. With the help of the
Berufsgenossenschaft Nahrung (professional food association), 27 hotels were
contacted and 867 questionnaires were sent off. We received 175 questionnaires,
which corresponded to a response rate of 20.3%. Discussion with our personal
contacts with hotel representatives revealed that the low response rate was
mostly due to heavy workload of the hotel employees. Most of the participants
were employed in hotels as front-line officers, waiters, or waitresses and other
hotel professions; 71% were women and 80% of the sample were between 18
and 32 years old (25% between 18 and 22, 32% between 23 and 27, and 24%
between 28 and 32 years); 15% had a general secondary school degree
(Hauptschule), 29% had a lower school-leaving certificate (mittlere Reife), 44%
had a high school diploma (Abitur), and 11% some type of university degree.
Only a minority of 18% did not have a special occupational education related to
the hotel business.
The third sample consisted of 250 participants employed in 14 call centres of
various firms with an overall response rate of 50%. This sample consisted of
employees who all had voice-to-voice contacts with clients: 75% were female;
the average age was 31 years; 74% had a high school diploma (Abitur) or some
kind of university degree; 76% received calls but did not call clients themselves
(inbound), the others mostly both called clients and received calls (inbound and
outbound; details in Isic, Dormann, & Zapf, in press).
Procedure
EMOTION WORK
387
part of the developed items were domain specific, whereas another part seemed
to be applicable for a variety of professions. In the hotel business, the first draft of
the questionnaire was discussed with 10 persons from various service branches.
They received the questionnaire and were also interviewed. A revised version
was then applied to a sample of hotel service students (n=26). These students
were asked to fill in the questionnaire and to comment on the applicability and
comprehensibility of the items. These comments and the psychometric results led
to the final version used for the hotel sample. This version consisted of domain
specific and general items. The general items of Sample 2 and some newly
developed general items were applied in the third sample. Here, the questionnaire
was much shorter than in the previous versions, because it was intended to
develop a short instrument which can be applied in all areas with person-related
work and which can be used as a supplement to other job stress instruments.
Instruments
To assess the construct validity of emotion work, several other variables were
included in the study.
Job satisfaction was measured by the Kunin-item in Study 2. According to
Wanous, Reichers, and Hudy (1997), a reliability of 0.57 was assumed for this
single-item measure. In the other studies a job satisfaction scale developed by
Semmer and Baillod, (1991) was used. It consisted of the Kunin item and various
other items which were developed on the background of the job satisfaction
model of Bruggemann (1974). High scores mean satisfaction, low scores mean
dissatisfaction including a resigned attitude towards ones job.
Psychosomatic complaints, irritation, and self-esteem were measured using
scales developed by Mohr (1986, 1991). The psychosomatic complaints scale
consisted of a list of 20 psychosomatic symptoms such as nervousness,
headaches, tension, high blood pressure, and insomnia. Irritation consisted of
items referring to anger and not being able to stop thinking about ones work.
Finally, self-esteem was measured with items like I am proud of my
achievements. The pychosomatic complaints and self-esteem items were
answered on a 5-point scale, whereas a 7-point scale was used for irritation.
Burnout (emotional exhaustion, depersonalization, and personal accomplishment) was measured using the Maslach Burnout InventoryGerman
version of Bssing and Perrar (1992). Emotional exhaustion measures ones
feeling of being burnt out, frustrated, and perceiving working with people to be
very demanding. Depersonalization comprises the tendency to treat clients like
objects and to become indifferent and apathetic with regard to clients. Reduced
Personal Accomplishment includes the feeling of having reduced energy to do
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ZAPF ET AL.
things and of not being able to meet ones aspirations. The burnout items were
answered on a 7-point scale. The descriptive data of the scales used for validation
purposes are summarized in Table 1.
RESULTS
In the first study, because of sample size, we used exploratory factor analyses
EFA (principal components analyses and varimax rotation) to test whether the
items behaved as predicted by the theoretical concept. In the second and third
study we applied confirmatory factor analyses CFA using LISREL 8.3 of
Jreskog and Srbom (1993), however, also in an exploratory manner. The
results of Study 1 were used as starting models.
For Study 1, EFA showed that the items for emotional requirements loaded on
three factors. The first factor referred to the display of positive emotions
(example item: How often does it occur in your job that you have to express
pleasant emotions towards your clients?). The second factor comprised items
referring to the variety of emotion display and the need to deal with negative
emotions of clients (example items: How often does it occur in your job that you
have to express unpleasant emotions towards your clients? How often does it
occur in your job that you have to consider negative moods of your clients?). As
expected, sensitivity requirements also led to a separate factor (example item:
(Does your job require you to pay attention to the feelings of your clients?).
This factor consisted of items that asked whether sensitivity or knowledge about
the clients current feelings is a job requirement. Moreover, a factor for
emotional dissonance appeared consisting of items referring to displaying
emotions not felt as well as to the suppression of felt emotions (example item:
A can openly display his/her feelings towards clientsB has to display
feelings towards clients which do not match his/her true feelings. What is your
job like?). Finally, a factor comprising items referring to control with regard to
social situations where emotion work is taking place was developed (example
item: Is it up to you how long you pay attention to a client?). Contrary to our
intention it was not possible to develop a scale for emotion work control. The
items of this scale loaded on other factors as well, particularly on the emotional
dissonance and the interaction control factor.
In Study 2, we used CFA for scale development. We started with the solution
of Study 1 and tried to model a positive emotion display factor and a negative
emotion/variety factor. Moreover, we again tried to model a factor for emotion
work control. The first attempts showed a low fit. Again, it was not possible to
develop a factor for emotion work control, but for interaction control. Second, it
turned out that the emotional requirement items fell into four groups: positive
emotions display, negative/variety of emotions, sensitivity requirements, and
items which referred to showing sympathy as a job requirement. The inspection
of the sympathy items showed that these items were difficult to locate on a
2.17
2.13
2.46
5.18
5.17
4.36
Job satisfaction
4.37
4.40
4.37
0.85
1.03
1.28
0.42
0.41
0.44
0.73
0.64
0.75
1.09
1.17
1.20
0.82
1.07
0.98
0.57
0.95
0.98
0.84
0.85
1.24
SD
0.46**
0.50**
0.72**
0.21
0.12
0.25**
0.49**
0.70**
0.64**
0.43**
0.52**
0.56**
0.06
0.05
0.30**
0.50**
0 .65**
0.58**
(0.87)
(0.85)
(0.92)
0.51**
0.40**
0.53**
0.25*
0.04
0.14**
0.36**
0.39 **
0.33**
0.37**
0.37**
0.30**
0.02
0.05
0.13*
(0.43)
(0.67)
(0.65)
0.12
0.22*
0.34**
0.17
0.23
0.39
0.26*
0.06
0.30**
0.15
0.07
0.15*
(0.79)
(0.80)
(0.78)
0.21
0.23**
0.40**
0.50**
0.25**
0.29**
0.56**
0.58**
0.62**
(0.81)
(0.88)
(0.89)
0.33**
0.30**
0.50**
0.28**
0.18*
0.22*
(0.91)
(0.91)
(0.92)
0.02
0.26**
0.19**
(0.87)
(0.71)
(0.69)
Selfesteem
(0.75)
a
(0.86)
Job
Satisfaction
Cronbachs alpha in parentheses; *P < .05, **P < .01. For each set of 3 rows, row I: childrens home (N=83); row II: hotel business (N=175); row III: call
centre (N=250); a single Kunin-item; according to Wanous et al. (1997), estimated reliability = .57.
Self-esteem
2.97
2.89
2.71
Psychosomatic complaints
Irritation
4.97
4.57
4.75
1.56
2.14
2.32
2.38
2.20
2.57
Personal accomplishment
Depersonalization
Burnout:
Emotional exhaustion
Mean
TABLE 1
Descriptive data of study variables
EMOTION WORK
389
389
390
0.61
0.47
0.58
Negative
Emotions
0.68
0.62
0.78
0.81
0.43
Emotional
Dissonance
0.66
0.78
0.85
0.23
Sensitivity
Requirements
0.59
0.63
0.23
0.33
Routineness
0.34
0.18
0.49
0.95
0.15
0.17
Interaction
Control
Chi2 (df = 148) = 215.03 (P < .01), RMSEA (Root mean square error of approximation) = 0.046, GFI (Goodness of fit) = 0.91, AGFI (adjusted goodness
of fit) = 0.87, NFI (normed fit index) = 0.82,NNFI (non-normed fit index) = 0.91.
Positive
Emotions
TABLE 2
Result of the confirmatory factor analysis of Study 3 (call centre)
0.59
0.92
0.63
0.95
0.54
0.87
0.74
0.69
0.97
1.04
0.85
0.73
0.6
0.92
0.73
0.79
0.82
SD
0.27*
0.00
0.15*
0.25**
0.18
0.47**
0.31**
0.58**
0.60**
0.36**
0.40**
0.59**
0.20
0.28**
(0.90)
(0.81)
(0.52)
Positive
Emotions
0.21a
0.32**
0.06
0.24**
0.19
0.41**
0.17**
0.63**
0.36**
0.22**
0.57**
(0.81)
(0.65)
(0.56)
Negative
Emotions
0.23**
0.44**
0.59**
(0.69)
0.30**
0.19**
0.16*
0.34**
0.10
0.52**
0.38**
(0.92)
(0.80)
(0.82)
0.21a
0.07
0.30**
0.14*
(0.90)
(0.78)
(0.79)
0.03
(0.54)
(0.90)
(0.70)
(0.51)
Showing
Sensitivity Emotional Routineness Interaction
Sympathy Requirements Dissonance
Control
Cronbachs alpha in parentheses; *P < .05, **P < .01. a P = .06. For each set of 3 rows, row I: childrens home (N=83); row II: hotel business (N=175);
row III: call centre (N=250).
2.79
2.80
1.92
Interaction control
3.09
Routineness
3.65
2.89
3.64
Emotional dissonance
4.01
2.78
3.43
2.08
3.06
1.85
2.67
3.61
3.99
3.58
Mean
Sensitivity requirements
Showing sympathy
Negative emotions
Display of:
Positive emotions
Variable
TABLE 3
Mean, standard deviation, and correlations of emotion work variables
EMOTION WORK
391
391
392
ZAPF ET AL.
.10
.05
.08
.05
.08
.07
.04
.05
.20*
.03
.09
.18*
.12
.10
.08
.43**
.11
.09
.18
.41**
.19**
.37**
.21**
.15*
Negative
Emotions
.05
.11
.14
.09
.27**
.24 **
.17 *
Showing
Sympathy
.02
.02
.19**
.02
.03
.07
.05
.23**
.22**
.05
.18*
.21**
.39**
.44**
.16 **
.02
.19*
.17**
.24*
.27**
.22**
Sensitivity
Requirements
.30**
.12
.47**
.24*
.01
.03
.35**
.36**
.40**
.45**
.27**
.26**
.11
.26**
.10
.31*
.37*
.40**
.42**
.33**
.48**
Emotional
Dissonance
.02
.08
_
.16*
.09
.09
.03
.11
Routineness
.04
.05
.24**
.01
.12
.01
.09
.09
.16*
.25*
.04
.19**
.00
.02
.03
.01
.06
.14*
.14
.02
.19**
Interaction
Control
* P < .05, **P < .0. For each set of 3 rows, row I: childrens home (N = 83); row II: hotel business (N = 175); row III: call centre (N = 250).
.04
.06
.08
Job satisfaction
Self-esteem
.02
.14
.05
.10
.05
.17*
.38**
.44**
.28**
.12
.07
.13*
25*
.09
.15*
Psychosomatic complaints
Irritation
Personal accomplishment
Depersonalization
Emotional exhaustion
Positive
Emotions
TABLE 4
Correlations between emotion work and psychological strain and well-being
EMOTION WORK
393
393
394
ZAPF ET AL.
was the case in three of four cases. For Studies 2 and 3, sensitivity requirements
were positively correlated with irritation and psychosomatic complaints. In
addition, display of positive emotions and sensitivity requirements were
positively correlated with personal accomplishment, indicating the positive
effects of emotion work. However, most of the correlations with self-esteem and
job satisfaction were not significant.
In Hypothesis 4 we assumed negative relations between control and
psychological strain. This hypothesis was mostly rejected because it was not
possible to develop a scale for emotion work control. For interaction control, 6
out of 21 correlations were significant and in the expected direction.
Finally, as expected, emotional dissonance showed the clearest effects on
psychological strain. In all three samples, high correlations appeared with
emotional exhaustion, depersonalization, irritation, and psychosomatic
complaints. In addition, in two of the three samples, the expected negative
correlation with job satisfaction appeared.
DISCUSSION
In this article we argued that traditional job stress analysis instruments are
not able to cover the full range of job stressors frequent in work where interaction
with clients is a central part. We described the concept of emotion work,
first introduced by Hochschild (1983), as the job requirement to display
organizationally desired emotions. Following action theory-based conceptions
of job analysis, we differentiated between emotional regulation requirements,
emotional regulation possibilities, and emotional regulation problems. Based
on three empirical studies in a handicapped childrens home, in the hotel
business, and in call centres, we were able to develop scales for the requirement
to display positive emotions, the requirement to display negative emotions
including also a high variety of emotions, and sensitivity requirements. In
one study, a factor requirement to show sympathy was found. In all three
studies we were able to develop scales for interaction control, but not for emotion
work control. Finally, a scale for emotional dissonance could be developed. The
scales showed satisfactory reliabilities. Discriminant validity could be
demonstrated, although some items showed cross-loadings on other factors. This
should be improved in future studies. Most of the hypotheses regarding construct
validity were supported by the data. Emotional regulation requirement scales
were both positively and negatively related to various variables of psychological
strain and well-being, supporting the view that person-related work isas is
object-related worknot negative per se. As in most of the other empirical
studies, emotional dissonance has proven to be a stressor that shows negative
relationships with health. Finally, interaction control partly showed the expected
negative correlations with psychological strain and positive relations with job
satisfaction.
EMOTION WORK
395
Several issues are noticeable in the present studies. First, the studies support
the proposition that emotion work is a multidimensional phenomenon (e.g.
Morris & Feldman, 1996). They show that sub-constructs of emotion work have
partly contradictory relations with health and well-being, thus explaining the
failure to find correlations with dependent variables when overall scales for
emotion work were used (e.g. Adelmann, 1995).
Expressing positive emotions showed both positive and negative relations
with health variables. The positive correlations of the requirement to express
positive emotions with personal accomplishment supports the view that
Hochschilds proposition of emotion work to be alienating and stressful is onesided (cf. Stenross & Kleinman, 1989; Tolich, 1993; Wharton, 1993). It is likely
that the expression of positive emotions is reinforced by positive customer
reactions and is generally valued both by the customers and the management
(Doucet, 1998). On the other hand, the failure to find consistent correlations with
job satisfaction and self-esteem obviously requires further research. It could
either be because of methodological problems or because the emotional
components of social interactions are of significantly less importance compared
to cognitive task aspects. Variety/negative emotions showed more negative
relations compared to the display of positive emotions. This supports the
qualitative findings of Stenross and Kleinman (1989), who found that showing
sympathy and dealing with negative emotions of others was a stressful
experience for detectives. On the other hand, it can be assumed that dealing with
complicated interactions where negative emotions have to be handled can also be
a source of feelings of personal accomplishment when this is considered to be a
genuine part of ones job, as in the case of employees of the handicapped
childrens home.
In all, it is remarkable that all our studies differentiated between the display of
positive emotions and a factor either referring to the variety of emotions or to
displaying or treating negative emotions. Obviously, variety of emotions
becomes relevant when both positive and negative emotions have to be displayed
in contrast to having to display only positive emotions. For the samples analysed
in this article, it can be excluded that some of our participants are only required to
show negative emotions in their jobs. Rather, practically all participants had to
show positive emotions, which is demonstrated by the higher means of the
positive emotions scales compared to the negative emotions scales. If the display
of positive emotions is the starting point, then the requirement to display a high
variety of emotions means to have to display negative emotions as well.
Therefore, this scale can both be interpreted as the display of negative emotions
or the display of a high variety of emotions. The data also show that the
requirement to show a high variety of emotions does not guarantee that they can
more easily be matched than more homogeneous display requirements, as
implied by Morris and Feldman (1996). Rather, this scale obviously refers to
three problems: First, it seems to be more difficult to feel the emotion if a high
396
ZAPF ET AL.
variety of emotion display is required than if only one type of emotion should be
shown. Second, adaptation processes to show the various emotions may be
effortful, and third and most likely, in most cases the display of negative
emotions may be negative per se because they often indicate unpleasant social
interactions.
Against expectations, it was not possible to develop an emotion work control
scale. Actually, it was possible to develop scales with sufficient internal
consistency in the various samples, but the scale lacked discriminant validity.
The items for this scale also loaded on the interaction control factor and on the
emotional dissonance factor. In further research the item wording should be
improved to make the scale methodologically more sound. However, there
remains the problem of theoretical overlap, which makes achieving discriminant
validity difficult. This is necessarily so between interaction control and emotion
work control because they both were conceptualized to be sub-concepts of the
general control concept. However, the main problem lies in the discriminant
validity between emotion work control and emotional dissonance. Emotional
dissonance, as do all job stressors, implies a minimum of non-control. Otherwise
the stressor would simply be avoided. These conceptual reasons may make it
difficult to develop a scale with sufficient discriminant validity.
As in most of the other studies, it was possible to develop measures for
emotional dissonance with good scale properties and the expected correlations
with other emotion work and health variables. However, further research should
investigate the conceptualization of emotional dissonance as an objective
stressor, which could be supported by observation and peer evaluation.
The data suggest that the analysis of emotion work is a neglected area in
organizational stress research which should be given more attention in the future.
Based on the data, it can be suggested that emotion work is not per se either
positive or negative. Rather, emotion display and sensitivity requirements are
related to emotional exhaustion but also to personal accomplishment. In line with
Hochschilds (1983) qualitative findings, it is emotional dissonance that is the
mismatch between the emotions that have to be displayed and the emotions that
one would like to display in a certain situation that is a stressor and that can lead
to psychological strain in the long run. Finally, it can be concluded that in jobs
where interacting with clients is a substantial part of the work, traditional
concepts of job stress do not suffice but should be complemented by concepts
measuring emotional requirements and emotional dissonance at work.
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