Haircutting Workbook
Haircutting Workbook
Haircutting Workbook
BLUNT HAIRCUT
This is also known as a
______________ haircut,
_______________ cut, or
________________cut.
level__________________.
_______________ guide is
used.
used
Figure 11-61
_______________________
hair.
GRADUATED HAIRCUT
There is a
_________________
______of weight.
Ends appear to be
_____________.
__________ guide is
used.
Figure 11-62
LAYERED HAIRCUT
Is usually cut at a
__________________
elevation
Has
______________than
graduated cuts
Creates ____________
and ____________
_________ and
Figure 11-63
_____-degree elevation.
other cuts.
___________________
____________ toward the
____________.
Figure 11-64
partings.
partings
Take care with ______ and ________.
Take care _______ ears.
Use consistent ______.
Pay attention to ______ position.
position
Maintain even _______.
Always work with the _________.
________inches.
inches
_________________
_________line is used.
Figure 11-86
________________
________________
________________
____________.
Figure 11-87
BLUNT CUTS
_________________
_______ itself when
dry.
Figure 11-88
BLUNT CUTS
Classic Pageboy
Perimeter is __________,
using a combination of
__________ and
________________ lines.
Figure 11-89
_____________..
Work with
___________________patterns.
______________.
SUMMARY
We have learned about one of the simplest and most
opposite
it way ffrom which
hi h you cutt it tto check
h k ffor precision
i i off
line and shape.
Also known
Al
k
as the
th
________________________
elevation
Preparation:
Perform consultation
Drape for shampooing
Shampoo and condition
hair
Towel-dry hair
___________________
___________________
___________________
___________________
_________________
___-degree
degree elevation
throughout and _________
incorporate the sides and
top.
If hairline grows up, use the
____________________
_______ technique to blend
it.
Figure 11-91
Figure 11-123
_____________ partings
that connect at the back of the
ear.
In front of the ear, the
diagonal partings point
down_________________
______.
Behind
B hi d the
th ear, th
the di
diagonall
partings point
down_________________
______.
________________ to
the back of the ear,
producing more
________________
toward the face.
The back is cut using a
__________________
_______, with each
section overdirected to the
previous section.
Figure 11-124
_____________ line.
Check neckline; if hair grows up,
up leave
_______________________________________________
__; use shears-over-comb technique for __________________.
Always use fine teeth of comb and
_________________________________to ensure a precise
line.
90-DEGREE HAIRCUT
This cut is created with ______________ layers.
All the hair is _________ to 90 degrees and cut at the
___________________.
Your guide for the haircut is an ______________________.
An interior guideline _________________rather than on the
____________.
The resulting shape will appear
______________________________________________
_________weight or corners.
The perimeter of the hair will fall softly because of the
______________________________________________
____________________________________________.
10
to _________________.
MENS SQUARE
Keep the _________
by keeping fingers
vertical and _______
following the
_____________,
thereby you create a
square shape.
Figure 11-154
This is common in a
Figure 11-155
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THE SHAG
_________________________lengths by
cutting the top area the same as for uniform layers.
_____________the side and back sections straight
down.
Do not cut top layers too short; it may take too much hair away from the
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up to ________when dry.
Too much tension will _______________and cause more
_______________.
Curly hair naturally ______________ itself.
Leave __________, which ultimately helps weigh the hair
to _____________.
Choose _______________ techniques carefully.
_________________
_________________
_______.
Figure 11-161
A ________________
Elevate hair to 90
Figure 11-162
13
SHORT FRINGE
It makes a _________
state e t.
statement.
It can be combined with a
Figure 11-164
Figure 11-165
Used _______________,
it will create a
___________________
_that blends with long
layers.
Figure 11-166
Figure 11-167
14
Figure 11-168
face.
You might even use a
__________.
Figure 11-169
Figure 11-170
Figure 11-171
15
RAZOR CUTTING
A softer appearance is created
Figure 11-172
RAZOR CUTTING
Razor
R
cutting
tti
_________ to
subsection
Figure 11-173
a ___________ section
Figure 11-176
16
SLIDE CUTTING
This is a method of cutting or
________________edge of
hair to remove length.
It blends ___________to
longer lengths.
It is useful in
_______________.
17
SHEARS-OVER-COMB
Hair is held in _____________.
___________ of shears ________
length.
length
___________________________.
Do _________________________.
Let shears and comb move
Figure 11-180
_______________________motion.
SHEARS-OVER-COMB STEPS
Stand directly
_________________.
placement.
_______________ hair.
18
TEXTURIZING
The process of ________________________________the length
To cut for effect within the hair length, causing
_____________________effects
Can be used to add _______, ________ volume, make hair move,
and _________ one area into another
Used to compensate for _________________that exist within the
same head of hair
Can be done with __________, ________ shears, or razor
POINT CUTTING
This is a technique performed
g the
on the ends of the hair using
______________________
__ of the shears.
It can be done on
___________________hair.
Hold hair
_____________________
from ends.
ends
Point tips into ends with palm
__________________from
you.
Figure 11-183
19
NOTCHING
This is ____________of
pointcutting.
It iis more aggressive
i and
d
_______________than
point cutting.
Hold section about
_____________________
__from ends.
Place ________________
about two inches from ends.
_____________________
___toward ends.
Figure 11-186
FREE-HAND NOTCHING
Also uses _____________
Shears _____ slid
Pieces snipped out
___________
Generally used throughout
____________ of haircut
Works well on
_____________ hair
Figure 11-187
20
SLITHERING OR EFFILATING
This process ________to
______________ lengths
with
ith shears.
h
_____________movement
of the shears, with blades
________________.
It ______________and
and
_____________________
___.
Figure 11-188
SLICING
This removes bulk and
___________________
through the lengths of the
hair.
Shears are
___________________
completely.
___________________
_________.
Figure 11-191
21
CARVING
This creates a visual
Works best on
____________________ hair.
________________________
________________________
______shears as you move.
Figure 11-193
___________________________toward your
fingers.
22
___________________
from scalp.
Avoid
___________________
_for blunt cuts.
Technique can be done on
thin and thick hair; it helps
___________________
___.
Figure 11-194
Thinning shears-over-
Any texturizing
Figure 11-195
23
___________________.
Can use
_____________________th
roughout the section or at the
ends, and should do so on wet
hair.
movement, the
_______________________
__.
Figure 11-198
RAZOR-OVER-COMB
Both
_____________________
___used on hair surface
Softens
Figure 11-199
_____________________
__and causes the area to lie
_________________to the
h d
head
Used mainly on
Figure 11-200
_____________________
_ haircuts
24
CLIPPERS
Electric
_______________________
_______by using two moving
blades held in place by a metal
plate with teeth
_______________________
__________________
Cli
Clipper
uses:
To remove hair
_______________
With
Wi h length
l
h guards,
d to cut all
ll
hair to ________________
______________
CLIPPERS
Available in different sizes and shapes
Used
_______________________attach
h
ments
brush
Figure. 11-211
25
great for removing excess bulk and for blending one area with
another
Combs: wider-spaced teeth for combing and cutting; finer-
CLIPPER-OVER-COMB TECHNIQUE
Be at _____________with the area
Place comb,,
Always work
__________________________
________cutting.
Hold _________________.
Stop
p ______________;;
movements should be
__________________________
__________________________
______.
Figure 11-219
26
______________________________to
t create
t
short haircuts.
sides.
Switch
S it h tto 2
2-inch
i h guide
id as you reach
h th
the
_________________________
________sideways.
_________________________
______the ear.
_________________________
________________at the
perimeter.
Figure 11-209
27
Work ______________________pattern.
Work with ____________________, no more than
3 inches wide.
________________________the cutting angle
_______________________.
shears/clippers-over-comb.
used.
and______________________
____________.
_________________________
_________________________
_______with caution.
Figure. 11-223
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SUMMARY
You should now be aware that your tools as a haircutter are
___________________________________as the
tools of a great chef or even a surgeon.
Each tool has
_________________________________.
Learning how
ho to use
se these tools effectively
effecti el and efficientl
efficiently
will
_________________________________________
___________in designing new looks for your clients.
SUMMARY
h
hours
off _____________________.
____________________________.
_________________________________ to build
your confidence.
________________________________________
________________________________________
_____________________________comfortable.
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SUMMARY
Begin observing people and pictures, and try to
________________________________what
h
type of elevation was used to create the style.
____________________________will be
essential to your
__________________________.
__________________________.
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