Toonz TW Tutorial Workbook

Traditional Workflow
Tutorial Workbook
.1
Toonz
harlequin
Toonzharlequin7.1
Traditional Workflow
Tutorial Workbook
1992-2014 Digital Video S.p.A.

All rights reserved.
Intuitive vector handling technique using adaptive dynamic control
points and adaptive fill feature are patent-protected.
Toonz, and Toonz Harlequin are a trademark of Digital Video S.p.A.
JPG support: this software is based in part on the work of the
Independent JPEG Group.
PNG library: libpng version 1.2.4 - July 8, 2002. Copyright 1998-2002
Glenn Randers-Pehrson. Copyright 1996-1997 Andreas Dilger.
Copyright 1995-1996 Guy Eric Schalnat, Group 42, Inc.
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1991-1997 Silicon Graphics, Inc.
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trademarks of Adobe Systems Incorporated in the U. S. and/or other
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The QuickTime logo is registered in the U.S. and other countries.
All other product names mentioned in this guide may be trademarks or
registered trademarks of their respective companies and are hereby
acknowledged.
This document is protected under copyright law. The contents of this
document may not be copied or duplicated in any form, in whole or in
part, without the express written permission of Digital Video S.p.A. This
document is supplied as a guide for the Toonz product. Reasonable care
has been taken in preparing the information it contains. However, this
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typographical errors. Digital Video S.p.A. do not accept responsibility of
any kind for customers losses due to the use of this document.
Special thanks to Callum Hepburn.
Printed in Italy.
Rev 7.1
Contents
Introduction
Before You Start ........................................................................................ 1
Extracting the Tutorial Files ..................................................................... 1
Setting up a Project
Creating a New Project ............................................................................. 3
Defining Project Default Settings ............................................................. 4
Choosing the Working Unit .................................................................. 4
Defining Camera Settings.................................................................... 5
Saving the Current Scene Settings as Project Default Settings ......... 5
Scanning Animation Levels

Before You Start ........................................................................................ 7
Defining Animation Levels to Scan ........................................................... 7
Scanning Animation Levels....................................................................... 8
Cleaning up Animation Levels

Before You Start ...................................................................................... 13
Defining Cleanup Settings....................................................................... 14
Cleaning up Levels .................................................................................. 19
Painting Animation Levels

Before You Start ...................................................................................... 21
Defining Palette Styles ............................................................................ 22
Adding and Defining Palette Styles ................................................... 22
Loading a Color Model ....................................................................... 23
Arranging Styles................................................................................. 24
Filling Areas ............................................................................................ 26
Using the Color Model ....................................................................... 27
Using the Onion Skin Option .............................................................. 28
Using the Frame Range Option.......................................................... 29
Using Different Fill Types .................................................................. 30
Using the Selective Option ................................................................. 32
Closing Gaps in a Drawing Outline .................................................... 34
Checking Painted Drawings............................................................... 35
Using the Studio Palette.......................................................................... 36
Contents
Composing the Scene

Before You Start ......................................................................................39
Loading and Exposing Animation Levels ................................................40
Animating Elements ................................................................................45
Moving the Character Level ...............................................................45
Linking the Shadow Level ..................................................................48
Using Hooks........................................................................................49
Animating the Camera .......................................................................53
Applying Special FX
Before You Start ......................................................................................57
Applying Special FX to the Main Character.............................................57
Adding Light FX to the Background.........................................................61
Rendering the Animation

Before You Start ......................................................................................67
Rendering the Animation.........................................................................67
Defining the Output Settings ..............................................................67
Rendering the Loaded Scene .............................................................68
Rendering the Scene in Batch Mode..................................................68
II
Toonz Harlequin 7.0- Traditional Workflow Tutorial Workbook
Introduction
Before You Start

The Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook will
guide you through the following steps of the traditional animation
workflow:
Cleaning Up Animation Levels
Composing the Scene
Applying Special FX
For more information about the software features used in this tutorial,
please refer to the relevant chapters and paragraphs in the Toonz 7.1
Harlequin User Guide.
Extracting the Tutorial Files

The Toonz Traditional Workflow tutorial requires the material included in
the Toonz TW Tutorial Material.zip archive.
The archive contains the following folders and files:
The Backgrounds folder contains the bkg00.tif and overlay00.tif files.
The Scanned Drawings folder contains the b..tif and bsh..tif files
resulting from the scanning process.
The Cleaned Up Drawings folder contains the b.tlv and bsh.tlv files
resulting from the cleanup process.
The Painted Drawings folder contains the b.tlv and bsh.tlv files
resulting from the painting process.
The Color Models folder contains the color_model.tif file.
Introduction
The Final Scenes folder contains the scene files resulting from the
composing and special FX editing sessions.
Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook
Creating a New Project

When starting a new production you should define a new project by
specifying its default folders and its default settings.
To create a new project:

1. Choose File > New Project.
2. In the dialog that opens type Toonz TW Tutorial as the name of the
project and set the following default folders:
+ inputs > My scanned images.
+drawings > My drawings.
+scenes > My scenes.
+extras > My backgrounds.
+outputs > My renderings.

+palettes > My palettes.
3. Click the OK button: the project Toonz TW Tutorial will be created in the
Project Root folder of the Toonz browser.
Defining Project Default Settings

Choosing the Working Unit
Positions, distances and sizes in a scene can be expressed in several
units of measure: inches, millimeters, centimeters and fields.
In the Files > Preferences > Interface dialog you can set the following
default unit:
The default Unit used to display all measures in text fields, and applied
when moving or changing the size of stage objects.
The default Camera Unit used to display and define the camera size in
the Xsheet > Camera Settings dialog. You can also express measures in
an unit different from the default one by entering after the value any of
the following units and abbreviations: in, inch,, (double apostrophe),
cm, mm, fld and field. As soon as the value is entered, it is converted into
the default unit.
If a value without a specific unit is used, it is supposed to be expressed in

the default unit.
To set the default working units:
1. Choose File > Preferences > Interface.
2. Do the following:
In the Unit option menu choose Inch as the unit to be used as default.
In the Camera Unit option menu choose Field as the unit to express
the camera size.
Defining Camera Settings

Start to create the scene defining the Camera Settings.
The Camera Settings dialog contains parameters for defining the current
camera size and resolution.
The camera size can be expressed in any unit, but will be visualized in
the default one chosen in the Preferences
Once you define one of the dimension of the camera, Width or Height, the
other is computed according to the resolution A/R value. A button at the
bottom of the size text fields lets you mark which value is preserved
when the A/R value is changed.
To define the camera settings:

1. Choose Xsheet > Camera Settings.
2. Do the following:
Select the HD 720 camera from the list of predefined cameras
available in the dialog.
Set the Width to 12 fld.
Saving the Current Scene Settings as Project Default

Settings
When you work on a scene you can save the settings you define for it as
the project default settings. In this way all the scenes belonging to a
project are created with the same settings, assuring the consistency of
the production.
To save current scene settings as project default settings:
Select File > Save Default Settings: all the settings from the current
scene will become the project default.
Before You Start

For this tutorial you can print the two TIF sequences available in the
Toonz TW Tutorial Material\Scanned Drawings folder: b is the main
character, and bsh is the shadow of the character.
Note: The size of the drawing image files is 297 mm x 210 mm at 250
DPI, and should be printed on A4 paper without resizing them.
After scanning the drawings you can either save the scene file with the
scanned drawings, or proceed to the next tutorial chapter Cleaning up
Animation Levels on page 13.
To save the scene:
1. Choose File > Save Scene As.
2. In the browser that opens select the My scenes folder of the current
project.
3. Assign a name to the scene and click the Save button.
Defining Animation Levels to Scan

Hand-drawn images must be defined first in the Toonz xsheet, and then
acquired. Animation levels, made up of sequences of drawings
considered as a whole, can be scanned, as well as other elements of the
scene, such as backgrounds and overlays.
To define the character animation level to scan:

1. Right-click the first cell of the first column in the xsheet and choose
File > New Level from the menu that opens.
2. In the New Level dialog choose the following:
Name > b.
From > 1, To > 35.
Type > Scan Level, as the level being defined here is to be scanned.
3. Click the OK button: an animation level named b and made of 35

frames is created in the xsheet.
To define the character shadow animation level to scan:
1. Right-click the first cell of the second column in the xsheet and
choose File > New Level from the menu that opens.
2. In the New Level dialog choose the following:
Name > bsh.
From > 1, To > 35.
Type > Scan Level, as the level being defined here is to be scanned.
3. Click the OK button: an animation level named bsh and made of 35

frames is created in the xsheet.

Toonz supports directly some specific scanners via a USB connection by
using Toonz internal drivers; all the other scanners are supported via
any type of connection by using TWAIN drivers.
Note: For an updated list of directly supported scanners, please visit
the Toonz Web site www.toonz.com.
On Windows, in any case you need to install the TWAIN drivers provided
with the scanner. Note that if you decide to use internal drivers, you have
to disable the Windows Image Acquisition (WIA) service on your
computer; if you want to use TWAIN drivers, you have to enable it.
On Macintosh, you need to install the TWAIN drivers only if you are going
to use them. Note that if you decide to use internal drivers, any TWAIN
driver referring to that scanner has to be removed.
Images are saved as compressed TIF or PNG files (you can choose the
file format from the Scan File Format menu, in the Drawing tab of the
Preferences dialog), with a progressive four-digits number written
between the file name and the file extension, e.g. b.0001.tif, b.0002.tif,
etc. During the scanning process image files are automatically saved in
the +inputs folder, i.e. the My scanned images folder as defined in the
project settings (see Creating a New Project on page 3 for details).
Note: Sequences of files with a four-digits number written between
the file name and the file extension are displayed in the Toonz
browser with a double dot before the file extension, e.g. b..tif and
bsh..tif.
To define the scanner:
1. Choose Scan & Cleanup > Define Scanner.
2. Do one of the following:
If your scanner is directly supported, choose Scanner Driver >
Internal, and click the OK button.
If your scanner is not directly supported, be sure that the necessary
TWAIN drivers are installed, and choose Scanner Driver > TWAIN, and
click the OK button: in the dialog that opens, select the TWAIN driver
related to your scanner.
To scan an animation level by using a directly supported scanner:

1. Choose Scan & Cleanup > Scan Settings.
2. In the Scan Settings dialog choose the following scanning
parameters:
Paper Format > A4 paper.
Activate the Paper Feeder option in case your scanner has a paper
feeder.
DPI > 250.
Mode > Graytones.
Brightness > 128.
3. Place the first drawing of the b.tlv level on the scanner flatbed, or in
the paper feeder, choose the first frame of the b.tlv level in the xsheet,
and choose Scan & Cleanup > Scan to scan it.
4. If the scanned image is OK, place the second drawing on the scanner
flatbed, or all the remaining drawings on the scanner paper feeder,
select all the other frames of the level b in the xsheet, and choose Scan
& Cleanup > Scan to scan them. If you are using the scanner flatbed you
will be prompted to replace the scanned drawing with the next one to be
scanned.
5. Follow the same steps to scan the bsh level.
To scan an animation level by using a scanner supported via TWAIN:

1. Choose Scan & Cleanup > Scan.
2. In the TWAIN interface that opens choose the following scanning
parameters:
Paper format > A4 paper.
Activate the paper feeder option in case your scanner has a paper
feeder.
DPI > 250.
Mode > Graytones.
3. Place the first drawing of the b.tlv level on the scanner flatbed, or in
the paper feeder, choose the first frame of the b.tlv level in the xsheet,
and choose the TWAIN preview command to check the result. If the
previewed image is OK, choose the TWAIN scan command to scan it,
otherwise change the parameters and run a preview again.
10
4. Place the second drawing on the scanner flatbed, or all the

remaining drawings on the scanner paper feeder, select all the other
frames of the level b in the xsheet, and choose the TWAIN scan
command to scan them. If you are using the scanner flatbed you will be
prompted to replace the scanned drawing with the next one to be
scanned.
5. Follow the same steps to scan the bsh level.
11
12
Before You Start

For this tutorial you can use the drawings scanned in the previous
tutorial Scanning Animation Levels on page 7: you can either proceed
directly from the scanning session, or load the scene file if you saved it,
or load the scanned drawings in a new empty scene.
After cleaning up the drawings you can either save the scene file with the
cleaned up drawings, or proceed to the next tutorial chapter Painting
Animation Levels on page 21.
Note: If you did not print and scan images provided with the tutorial
material, you can retrieve the scanned images in the Toonz TW
Tutorial Material/Scanned Drawings folder.
To load the previously saved scene:
1. Choose File > Load Scene.
2. In the browser that opens retrieve in the My scenes folder of the
current project the scene you want to load.
3. Click the Load button.
To load the scanned drawings in a new scene:
1. Select the xsheet cell where you want to start exposing the level.
2. Choose File > Load Level.
3. In the browser that opens retrieve and select the scanned drawing
sequences b..tif and bsh..tif.
To save the scene:
project.
13
Defining Cleanup Settings

Scanned lineart images have to pass through the cleanup process in
order to be autocentered, i.e. to be set to the correct orientation and
position according to pegbar holes, and to be prepared for the painting
process.
You have also to set the cleanup camera size and resolution that is used
to crop and resize drawings during the cleanup process, in order to
prepare and optimize them for the scene.
To define cleanup settings:

1. Choose Scan & Cleanup > Cleanup Settings.
2. In the Cleanup Settings dialog that opens set the following:
Activate the Autocenter option, to automatically center drawings
according to the set pegbar holes position and reference field guide (see
below).
Pegbar Holes > Bottom.
Field Guide > fld_12_4mm_acme.
14
To set processing parameters:

In the bottom section of the Cleanup Settings dialog you have a preview
area: on the left side you can see the original drawing, on the right side
there is a preview of the cleanup process. Activate the preview area
pressing on the small eye icon at the bottom left corner, it becomes
yellow ( ), and you can check in real time the effects of changing the
cleanup parameters on your drawing.
In the Processing page of the Cleanup Settings set the following
parameters:
Brightness to 5.
Contrast to 55.
Next to the Preview toggle there is another icon: the Opacity Check
toggle, activate the toggle ( ).
By activating the Opacity Check fully solid pixels are displayed in black
and semi-transparent pixels belonging to the line antialiasing in red: this
15
may helps you to decide the amount of antialiasing you want the drawing
lines to have in order to be smoother or sharper.
Later on in this section is explained how to do this check visualizing the

result of the cleanup process in the main Viewer.
16
To set the cleanup camera:

In the Camera page of the Cleanup settings set the following camera:
Width > 10 fld.

Height > 7.5 fld.
Closest > 10 fld.
XPx > 1280.
YPx > 960.
A/R > 4/3.
To control the line quality and antialiasing in Scene viewer:

1. In Cleanup Settings dialog activate the Opacity Check toggle (
).
2. In the xsheet hide the bsh column (column 2) from the work area by
clicking the camera stand toggle ( ) in the column header, so that the b
level hidden behind the bsh column becomes visible.
3. In the xsheet select the first frame of the b level.
17
4. Choose Scan & Cleanup > Preview Cleanup to preview the process
in the work area.
18
Cleaning up Levels
The result of the cleanup process are TLV files, one file for each
sequence of drawings (i.e. b.tlv and bsh.tlv) and TPL files for the related
palettes. During the cleanup process TLV files are automatically saved in
the +drawings folder, which was defined in the project settings as My
drawings folder (see Creating a New Project on page 3 for details).
To cleanup the level drawings using the defined settings:
1. In the xsheet select all of the level frames, in both the b animation
level and the bsh one.
2. Choose Scan & Cleanup > Cleanup.
3. Press the Cleanup All button to execute the cleanup process on all
the selected frames.
Note: It is also possible to save and load the defined cleanup settings
by using the related buttons in the Cleanup Settings bottom bar: the
settings will be saved as a CLN file.
At the end of the Cleanup process check your drawings: if you see
scratches, marks or writings that were on the paper but are not part of
the drawing itself, then you can refine the cleanup.
To refine the cleanup process:
1. Choose the Selection tool ( ) and activate the Modify Savebox option.
The Savebox of the selected cell will display as a rectangle enclosing all
the elements processed as ink by the cleanup, so even dot, scratches or
marks that are not really part of the drawing.
2. Click and drag on the handles of the Savebox to resize it enclosig just
the character and leaving out all the elements that are not relevant.
3. Select the next frame and repeat step 4. Do this for each frame until
you reach the last frame.
4. Save the scene.
19
20
Before You Start

For this tutorial you can use the animation levels cleaned up in the
previous tutorial Cleaning up Animation Levels on page 13: you can
either proceed directly from the cleanup session, or load the scene file if
you saved it, or load the cleaned up drawings in a new empty scene.
After painting the animation levels you can save the painted levels or the
scene file containing the painted levels, or proceed to the next tutorial
chapter Composing the Scene on page 39.
Note: If you did not cleanup images in the previous tutorial, you can
retrieve the cleaned up images in the Toonz TW Tutorial
Material/Cleaned Up Drawings folder.
To load the cleaned up levels in a new scene:
3. In the browser that opens retrieve and select the cleaned up
animation levels b.tlv and bsh.tlv.
To save the painted levels:
1. Select any xsheet cell where the level you want to save is exposed.
2. Choose File > Save Level As.
3. In the browser that opens select the folder where you want to save
the painted level.
4. Assign a name to the level and click the Save button.
21
To save the scene with the painted levels:

project.
Defining Palette Styles

Toonz animation levels can be painted by using the styles stored in the
palette that is automatically created when levels are cleaned up, or
drawn directly in Toonz.
Styles can be added and edited manually, or can be defined
automatically by loading a color model.
Note: All the modifications performed in the palettes and styles are
not saved until you save the related Toonz level, or the palette, or the
scene.
To change the palette display mode:
Click the option button ( ) at the bottom of the palette, and choose a
display mode from the menu that opens among Small Thumbnail View,
that displays styles as small squares, Large Thumbnail View, that
displays styles on top of their name, and List View, that displays style
thumbnails next to their names in a list.
Adding and Defining Palette Styles

Palette styles can be manually added to the palette; once added they can
be edited by using the style editor.
To add a new style:
Click the New Style button (
22
) at the bottom of the palette.
To edit a palette style:

Select it and use the Style Editor to edit the style.
Loading a Color Model

Color models can be used to automatically define palette styles and
paint the animation level.
If the color model is a Toonz raster or vector level (TLV or PLI file), it
already comes with a palette, whose style names and page configuration
will be preserved.
If the color model is a full-color image or animation level, the palette is
automatically generated by extracting colors from the image, or the first
image of the level. If the full-color image contains many shaded colors,
the palette will be optimized to reduce the number of colors; best results
can be achieved by preparing models painted with flat colors and whose
outline has no anti-alias.
To load the color model for the b.tlv animation level:
1. Select any xsheet cell where the b.tlv level is exposed.
Choose File > Load Color Model.
In the Pltedit room Right-Click in the color model viewer and choose
Load Color Model from the menu that opens.
3. In the browser that opens load the color_model.tif image you can find
in the Toonz TW Tutorial Material/Color Models folder.
23
4. In the dialog that opens choose to overwrite the destination palette:

the palette of the b.tlv level will be replaced by the palette extracted
from the color model.
Arranging Styles
Palette styles can be easily named, reordered and arranged in pages.
For the b.tlv animation level you will name some styles, create new
pages and move styles into them.
To name styles in the b.tlv level palette:
1. Click the option button ( ) at the bottom of the palette, and choose
the Large Thumbnail View display mode that displays styles on top of
their name.
24
2. Double-click the style name to edit it.
To create pages in the b.tlv level palette:

1. Click the New Page button ( ) at the bottom of the palette three
times to add three more pages.
2. Rename the pages to head, bust and legs by double-clicking the page
name.
To move styles to the relevant page:

1. In the palette select all the styles used for the head areas by doing
any of the following:
Click a style to select it.
Shift-click to extend the selection.
Ctrl-click (PC) or Cmd-click (Mac) to add a style to, or remove it from
the selection.
2. Ctrl-click (PC) or Cmd-click (Mac) and drag the selection to the tab of
the head page.
3. Do the same for the bust and legs styles.
25
Filling Areas
All Toonz drawings are made of outlines, and areas defined by outlines.
Areas can be filled with styles as long as their outline is well-defined,
having no gaps that occur along it.
Options available for the Fill tool can help you to speed up the painting
job. You can decide which options are the most suitable for your task, but
for this tutorial the Color Model will be used to paint the first level
drawing, the Onion Skin option to paint drawings from 2 to 5, the Frame
Range option to paint drawings from 6 to 35, and the Selective option to
paint all of the remaining areas of the characters coat.
To fill an area:
1. Select the Fill tool ( ), set the fill type to Normal and the mode to
Areas, and select a style in the palette.
Click in the area you want to fill.
26
Click & drag crossing contiguous areas if you want to paint them with
the same color.
Note: If the filling color doesnt flood the narrowest areas because of
semitransparent pixels, try to increase the minimum Fill Depth value,
or shift-click to use the maximum value.
Note: Use the arrow keys to navigate between the level frames while
you are painting.
Using the Color Model

The color model can be used not only as a visual reference, but also for
picking styles with no need to retrieve styles in the palette or to use the
Style Picker tool ( ).
Note: The color model can also be panned and zoomed in or out by
using standard shortcuts.
To use the color model to fill the first drawing of the b.tlv level:
1. Select the Fill Tool, set the fill type to Normal and the mode to Areas.
2. In the color model click the area whose style you want to pick: the
style is automatically selected.
3. Click in the drawing area you want to fill.
4. Go on until the first drawing is completely painted.
Note: Activate the View > Transparency Check to make sure all of
the drawings areas are properly painted. This check displays all of
the painted areas in grey, all of the lines in black, and the background
in white.
27
Using the Onion Skin Option

The Onion Skin option available for the Fill tool ( ) lets you pick the
style from other drawings visible in the onion skin mode, and apply it to
the current drawing.
To display the first painted drawing in onion skin mode:

1. In the level strip select the second drawing of the b.tlv level.
2. Click the small squared markers available on the left of the current
frame cursor, and drag it up to the first painted drawing: the drawing
will be displayed behind the current one.
Note: As the onion skin is related to the current frame cursor, from
now on every time you change the current frame, the previous frame
will be displayed in onion skin mode.
To deactivate or activate again the onion skin mode:
Click in the area on the left of the current frame cursor; click again in the
same area to display again the onion skin.
28
To automatically fill a drawing using the drawing visible in onion skin

mode as a reference:
1. Select the Fill tool ( ), set the type to Rectangular, the mode to
Areas, and activate the Onion Skin option.
2. Check that the second drawing is selected in the level strip, then click
and drag to define a box including the whole drawing to be painted: all
the areas completely included in the box will be filled with the styles
picked from the painted areas of the drawing displayed in onion skin
mode.
3. Repeat the operation for drawings from 3 to 5.
Using the Frame Range Option

The Frame Range option available for the Fill tool ( ) allows you to
perform the filling on a range of frames by clicking in the first and then
in the last frame of the range. You can also shift-click to define the filling
position for intermediate frames.
29
To fill the same area in drawings 6-35 of the b.tlv level:

1. Select the Fill tool ( ), set the type to Normal, the mode to Areas,
deactivate the Onion Skin option and activate only the Frame Range one.
2. Select the hair color and click in the hair area of drawing 6: a red
cross marker is displayed.
3. Shift-click in the hair area of drawing14: all the hair areas in the
drawings 6-14 range will be painted at once.
4. Shift-click in the hair area of drawing 23: all the hair areas in the
5. Shift-click in the hair area of drawing 35: all the hair areas in the
6. Repeat the same procedure to paint the face, the trousers, the scarf
and the hat.
Using Different Fill Types

The Fill tool ( ) has different Type options: Rectangular can be used to
fill all the areas included in the box you define; Freehand, to fill all the
areas included in the area you outline by clicking and dragging; and
Polyline, to fill all the areas included in the area you outline by defining a
series of lines.
These options can be useful to paint small or clustered areas precisely
with a single operation.
To paint small areas in the b.tlv level drawings:
1. Select the Fill tool ( ), set the type to Rectangular, the mode to
Areas, and deactivate all of the other options.
2. Select the styles used for painting the shoes, and select drawing 6.
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3. Click and drag to define a box including the shoe areas: all the areas
will be painted.
4. Select the next drawing and go on painting the shoes.

5. Select the style used for painting the eyebrows, and select drawing 6.
31
6. Set the fill type to Freehand and click and drag to define an outline
including the eyebrow area: the eyebrow will be painted.
7. Select the next drawing and go on painting the eyebrows.

8. Repeat the same procedure to paint the eyes, the coat button, the
teeth and the hands.
Note: You can use keyboard shortcuts to switch from one filling type
to another during the painting process.
Using the Selective Option

The Selective option available for the Fill tool ( ) prevents the fill
operation to be performed on already filled areas.
The option can be useful to quickly fill all remaining areas in a drawing
with the same style, such as the coat areas in the b.tlv level drawings,
leaving the already painted areas as they are.
To fill all remaining coat areas in the b.tlv level drawings:
1. Select the Fill tool ( ), set the type to Rectangular and the mode to
Areas, and activate the Selective and Frame Range options.
32
2. Select the styles used for painting the coat, and select drawing 6.
3. Click and drag to define a box including all of the coat areas.
4. Select drawing 35 and click and drag to define a second box: all the
coat areas in all of the drawings will be filled with the coat style.
Filling the Shadow Level

As all of the areas in the bsh level drawings have to be painted black, you
can paint them at once by using the Fill tool ( ) with the appropriate
options.
To fill the bsh shadow level:
1. Select the Fill tool ( ), set the type to Rectangular and the mode to
Areas, and activate the Frame Range option.
2. Select the first drawing of the bsh level, and select the default black
style.
3. Click and drag to define a box including all the shadow areas.
33
4. Select drawing 35 and click and drag to define a second box: all the
shadow areas in all the drawings will be filled with the black style.
Closing Gaps in a Drawing Outline

If you are not able to fill an area, it is very likely that the area outline is
not perfectly defined. The gap can be closed by adding a line with the
Brush ( ) or Geometric tool ( ), or by using the Tape tool ( ) that
automatically joins the open ends detected in the drawing according to
the tool settings.
To close a gap manually:
1. Select the Brush ( ) or Geometric tool (
brush thickness and other options.
), set the appropriate
2. Click and drag to draw a line or the selected shape closing the gap.
To close automatically a specific gap in a drawing outline:
1. Select the Tape tool ( ), activate the Rectangular option, and set a
distance and an angle to detect the gap.
2. Click and drag to define an area: all the gaps detected in the area
according to the set distance and angle will be closed.
34
Checking Painted Drawings

To check if all the drawing areas were properly painted, if you left some
area unpainted, or to see if the filling left small gaps along the line
anti-aliasing, it is useful to check the level drawings one by one.
To check if you left some areas unpainted:
Choose View > Transparency Check to highlight all the unpainted areas.
Note: The Transparency Check displays all the painted areas in grey,
all the lines in black, and the background in white.
To fix an area left unpainted or painted with the wrong color:

Select the appropriate style and options for the Fill tool ( ) and paint
the area that needs to be fixed.
Note: To completely remove a stye from an area leaving it unpainted
you can use the first palette style.
35
Using the Studio Palette

The studio palette allows you to store and manage an unlimited number
of palettes. It is intended as a library of character and prop palettes
related to one or more specific productions.
Any level palette can be added to the studio palette; if a color model is
defined for that level, it will be saved along with the palette and will be
retrieved everytime that palette is assigned to a level.
Palettes added to the Toonz Palettes folder will be available in the studio
palette in any Toonz session, regardless of the current project.
Palettes added to the Project Palettes folder will be available only when
the current project is the relevant one.
To save the b.tlv level palette in the studio palette:
1. Select the b.tlv level to display its palette.
Click the Palette button ( ) at the bottom of the palette and drag the
current palette to the studio palette folder where you want to locate it.
Add an empty palette in the studio palette browser, right-click it and
select Replace with Level Palette from the menu that opens.
To rename the palette:

Double click its name and type a new name.
To load back the palette from the studio palette to another level palette:
1. Select the destination level to display its palette.
36

Click and drag the palette from the studio palette tree to the Palette
button ( ) at the bottom of the palette.
Right-click the palette you want to use and select Load as Level
Palette from the menu that opens.
To merge a palette from the studio palette to another level palette:

1. Select the destination level to display its palette.
Click and drag the palette from the studio palette tree to the level
palette.
Right-click the palette you want to use and select Merge to Level
Palette from the menu that opens.
37
38
Composing the Scene
Before You Start

For this tutorial you can use the animation levels painted in the previous
tutorial Painting Animation Levels on page 21: you can either proceed
directly from the painting session, or load the scene file if you saved it, or
load the painted drawings in a new empty scene.
While you work on this tutorial we suggest you to save the scene from
time to time. After you finish composing the scene you can proceed to
the next tutorial chapter Applying Special FX on page 57.
Note: If you did not paint images in the previous tutorial, you can
retrieve the painted images in the Toonz TW Tutorial
Material/Painted Drawings folder.
To load the painted levels in a new scene:
3. In the browser that opens retrieve and select the painted animation
levels b.tlv and bsh.tlv.
To save the scene:
Do one of the following:
Choose File > Save Scene to overwrite the previous version of the
scene file.
Composing the Scene
39
Choose File > Save Scene As and use the browser that opens to save
the scene in the My scenes folder of the current project as a different
scene file with a different name.
Loading and Exposing Animation Levels

The first step when composing a scene is to load the required element.
For this tutorial, the main character (b.tlv), his shadow (bsh.tlv), a
background (bkg00.tif) and an overlay (overlay00.tif) have to be loaded.
By default when levels are loaded they are automatically exposed in the
xsheet, one column for each level.
While the background and the overlay will be exposed as they are for the
whole scene, the levels of the character and his shadow has to be
exposed in the following way:
They have to be exposed starting from frame 16, as they will not be
visible at the beginning of the scene because of a camera movement (see
below).
Some drawings have to be exposed for several frames, when the
character is standing still.
All the other drawings have to be exposed at step 2, as the animation
was planned as a step 2 animation.
The walking cycle (drawings 26-35) has to be repeated to have the
character walking for the final part of the scene.
To load the scene elements:

1. In a file browser, for example in the Browser room, select the Toonz
TW Tutorial Material/Backgrounds folder: its contents are displayed on
the right of the window.
2. Click the bkg00.tif file to select it and Ctrl-click (PC) or Cmd-click
(Mac) the overlay00.tif file to add it to the selection.
3. Right-click any of the two selected files, choose Load from the menu
that opens, and choose Import in the dialog box that opens: the images
will be copied into the +extras folder of the current project, i.e. the My
backgrounds folder, and they will be exposed in the xsheet.
4. If the b.tlv and bsh.tlv levels are not exposed in the xsheet because of
the previous tutorial, retrieve them in the browser and load them in the
same way you loaded the background and overlay images.
To reorder the scene elements in the xsheet:
Click and drag the area displaying the name of the column, directly
above the column thumbnail, to reorder them bringing the background
40
to the first column, the main level to the second one, the shadow level to
the third one and the overlay to the forth one.
To extend the exposure of the background and overlay:

1. Select the xsheet cell where the background is exposed.
2. Click and drag the fill handle, i.e. the small tab appearing at the
bottom of the cell selection, to repeat the background up to frame 266.
Composing the Scene
41
3. Do the same for the overlay.
Note: Use the Page Down key while dragging the fill handle to scroll
the visible frames down and fill the column in a faster way.
To edit the exposure of the b.tlv and bsh.tlv animation levels:
1. To move the exposed animation levels, click and drag to select all the
cells where the b.tlv and bsh.tlv animation levels are exposed; then click
42
the dark vertical strip available on the left of the cells, and drag them
down so that the drawings are first exposed at frame 16.
2. To repeat the first drawing so that the character is standing still

before he blinks, select the two cells where the first drawing of the b.tlv
and bsh.tlv animation levels are exposed, then click and drag the fill
handle, i.e. the small tab appearing at the bottom of the cell selection, to
repeat the first drawing of each column up to frame 51.
Composing the Scene
43
3. To expose all of the remaining drawings with a step 2, select all the
cells where drawings from 2 to 35 are exposed; then choose Cells> Step
2.
4. To expose the drawing where the character is blinking for four

frames, select the cells where drawing 3 is exposed; then choose
Cells> Step 2.
5. To repeat the drawing 5 so that the character is standing still before
the animation begins, select the cells where drawing 5 is exposed, then
click and drag the fill handle, i.e. the small tab appearing at the bottom
of the cell selection, to repeat the drawing 5 in each of the columns up to
frame 80.
44
6. To repeat the walking cycle, select the cells where drawings from 26
to 35 are exposed, choose Edit > Copy; then select the first empty cell at
the bottom of the column, and choose Edit > Paste for seven times.
7. To remove drawings exposed in cells from frame 267 on, select them
and choose Edit > Delete.
Animating Elements
The first element to be animated is the main character (b.tlv), that has to
move to the left once he turns around. His shadow (bsh.tlv) will be
moved along by linking it to the character.
Then the characters walk will be refined by using the hook feature.
The camera will be animated as well, creating a tracking out movement
at the beginning of the scene.
Moving the Character Level

The character level (b.tlv) has to stand still up to frame 118, until the
turn around movement is over and the character starts to walk.
Composing the Scene
45
For this reason two key positions will be created, one at frame 119, and
another at frame 266.
Moreover the speed of the interpolation between the two keys, that by
default is a speed in/speed out interpolation, will be set to linear and
with a step 2 value in order to keep it constant and to make it match the
step of the animation.
Note: The result of this tutorial session is available in the Toonz TW
Tutorial Material/Final Scenes project, in the scenes folder, and is
named Composing Animation.tnz.
To set the first key position for the main character level:
1. Select the cell of the main characters column (column) at frame 119.
2. Choose the Edit tool (
).
3. In the tool option bar do the following:

Deactivate the Global Key option in order to create key values only for
the transformations you will edit.
Click in the E/W field and press Enter to confirm the current horizontal
position.
Click in the N/S field and press Enter to confirm the current vertical
position.
To set the second key position for the main character level:
1. Select the cell of the main characters column (column 2) at frame
266.
In the E/W field enter the value -7.8.
In the N/S field enter the value -0.5.
46
3. Use the framebar and the playback controls in the viewer bottom bar
to check the result.
To control the speed of the interpolation between the two keys:

1. Choose Windows > Function Editor to open the function editor.
2. In the object tree on the left open the Stage > b (Col 2) folder, where
the transformation curves of the column 2 are available.
3. Select the E/W item to display the related curve in the area on the
right; click in the area and press the 0 key to fit the selected curve to the
area.
4. Click the curve to select it.
Composing the Scene
47
5. At the bottom of the curve area change the Interpolation from Speed
In / Speed Out to Linear, and set the Step to 2.
6. Do the same for the N/S curve.

Note: If the right area of the function editor is displaying numerical
columns, click the Function Editor Toggle button ( ) at the bottom of
the area to display curves.
Linking the Shadow Level

To move the shadow level (bsh.tlv) along with the character, the related
columns will be linked in the Schematic window. This way any editing on
the movement of the main character column will affect the shadow as
well.
To link the shadow column to the character column:
1. Choose Windows > Schematic to open the stage schematic.
48
2. In the stage, click and drag the left port of the bsh column node to the
right port of the b column node.
Note: If the schematic is displaying FX nodes, click the Schematic
Toggle button ( ) at the bottom of the window to display the stage.
Using Hooks
When animating a walking animation cycle it is likely that the character
is going to glide on the background while moving from one key position
to another.
To prevent this effect it is possible to use the Hook tool ( ) to create a
reference point (i.e. a hook) that tracks the feet position, passing from
one foot to the other, and make the level move according to it.
Composing the Scene
49
In this section of the tutorial the previously defined animation will be

deleted, and a hook set will be created for the b.tlv animation level. Later
on this hook set will be used to move the character.
named Composing Hook.tnz.
To remove the previously defined animation for the b.tlv level:
1. Click the key icon that is visible at frame 119 in column 2 to select it.
2. Shift-click the key icon that is visible at frame 266 in column 2 to add
it to the selection.
3. Choose Edit > Delete.
To define a hook set for the b.tlv level:
1. Select any xsheet cell where the b.tlv level is exposed.
1. Select the first frame of the level in the level strip.
2. Choose the Hook tool (
50
).
3. In the work area click to create a hook set and drag it to place it at the
tip of the heel of the characters right foot.
4. As for the first 25 frames the character is turning, in all those frames
leave the hook as it is, so that at frame 25 the hook is placed under the
heel of the characters left foot.
5. At frame 26 Shift-drag the hook to reposition it under the heel of the
characters left foot, while constraining the movement horizontally.
6. From frame 27 to 30 continue to reposition the hook by shifting it
horizontally according to the heel of the characters left foot.
Note: When the foot leaves the ground, place the hook as if it was a
footprint left on the ground
7. At frame 30 pass the hook from one foot to the other by Alt-clicking
the hook and splitting it in two; then leave the circle under the heel of
Composing the Scene
51
the characters left foot, and place the cross under the heel of the
characters right foot.
8. From frame 31 to 34 continue to reposition the hook by shifting it

horizontally according to the heel of the characters right foot.
9. At frame 34 pass again the hook from one foot to the other by
Alt-clicking the hook and splitting it in two; then leave the circle under
the heel of the characters right foot, and place the cross under the heel
of the characters left foot.
10.At frame 35 Shift-drag the hook to reposition it under the heel of the
characters left foot, while constraining the movement horizontally.
Note: You can click on the vertical ruler to set a horizontal guide as a
reference for repositioning the hook.
To move the character by using the defined hook:
1. Choose Windows > Schematic to open the stage schematic.
52
2. Place the pointer on the left port of the b column node and wait for
the double-arrow button to appear.
3. Click and drag up the double-arrow button to replace the B with 1,
which is the hook set 1: in the viewer the b.tlv level will shift so that hook
1 is placed at the center of the work area.

4. Select the b column at frame 16, then choose the Edit tool ( ) and
set the starting position for the b column by doing one of the following:
Click in the work area and drag the column to its starting position.
In tool option bar enter the value -3.2 in the N/S field.
Animating the Camera

The camera can be animated like any other element of the scene, with a
truck out movement in the first section of the scene.
Composing the Scene
53
The speed of the movement will be controlled by using the function

editor, where all the transformations involved in the camera truck out
(horizontal movement, vertical movement and global scale) will be
edited at the same time.
To check the final result you will also switch to camera view mode, which
keeps the box representing the camera still, while all the other elements
move in relation to its position.
named Composing.tnz.
To animate the camera:
1. Choose Windows > Schematic to open the stage schematic, and
select the camera node.
2. In the xsheet frame column select frame 16: this is the first frame
where the camera will have a key position.
3. Choose the Edit tool (
) and in the tool option bar do the following:
In the E/W field enter the value 3.

In the N/S field enter the value -0.3.
54
4. In the scale Global field enter the value 30%.
5. In the xsheet frame column select frame 46: this is the second frame
where the camera will have a key position.
In the E/W field enter the value 0.
In the N/S field enter the value 0.
In the Scale Global field enter the value 100%.
To set the speed of the camera movement:

2. In the object tree on the left open the Stage > Camera folder, where
the transformation curves of the camera are available.
3. Select the E/W, N/S and Scale items to display the related curves in
the area on the right; click in the area and press the 0 key to fit the
selected curve to the area.
Composing the Scene
55
4. In the strip at the top of the window, below the frame ruler, do the
following:
Click and drag the marker available on the right of the first key point
and set the Speed In value to 4.
Click and drag the marker available on the left of the first key point
and set the Speed Out value to -20.

To check the final animation in camera view mode:

1. Click the Camera View button ( ) in the viewer title bar.
56
Applying Special FX
Before You Start

For this tutorial you can use the scene created in the previous tutorial
Composing the Scene on page 39: you can either proceed directly from
the composing session, or load the scene file you saved.
While you work on this tutorial we suggest you to save the scene from
time to time. After you finish applying special FX you can proceed to the
next tutorial chapter Rendering the Animation on page 67.
Note: If you did not complete the previous tutorial, you can retrieve
the final scene file in the Toonz TW Tutorial Material/Final Scenes
project, in the scenes folder, named as Composing.tnz.
To save the scene:
Do one of the following:
Choose File > Save Scene to overwrite the previous version of the
scene file.
Choose File > Save Scene As and use the browser that opens to save
the scene in the My scenes folder of the current project as a different
scene file with a different name.
Applying Special FX to the Main Character

To improve the appearance of the main character and integrate it better
with the background, some special FX will be added.
The characters colors will be darkened with a Brightness Contrast
effect, and a yellow highlight will be added along the upper outline with a
Body Highlight effect.
Applying Special FX
57
The shadow level will be softened by using a Transparency and a Blur

effect.
The special FX will not change during the animation: this means that the
values you set will be valid throughout the scene.
named Special FX.tnz.
To darken the characters colors:
1. In the xsheet frame column select a frame where the main character
is visible (from frame 16 on).
2. Choose Windows > Schematic to open the stage schematic, and
click the Schematic Toggle button ( ) at the bottom of the window to
display the FX schematic.
3. Right-click the b column node and choose Insert FX > Image Adjust
> Brightness Contrast from the menu that opens: a Brightness
Contrast effect node in inserted between the column node and the
xsheet one.
4. Double-click the Brightness Contrast effect node: the FX Settings

window opens.
58
5. In the FX Settings window click the Preview button ( ) available in

the bottom bar to activate the preview area, and set the Brightness value
to -55 and leave the Contrast to 0.
6. Click the Preview button ( ) in the viewer title bar to activate the
preview mode and use the framebar and the playback controls in the
viewer bottom bar to check the result within the full scene.
To create the characters body highlight:
1. In the schematic right-click the Brightness Contrast effect node and
choose Insert FX > Light > Body Highlight from the menu that opens: a
Body Highlight effect node in inserted between the Brightness Contrast
effect node and the xsheet one.
2. Click the Body Highlight effect node: the FX Settings window displays
the related settings.
3. Set the following values:
Offset X > 0.
Offset Y > 4.2.
Transparency > 0.5.
Blur > 2.
Applying Special FX
59
Color > R 255, G 232, B 128.
viewer bottom bar to check the result in the full scene.
To soften the shadow level:
1. In the FX Schematic right-click the bsh column node and choose
Insert FX > Layer Blending > Transparency from the menu that opens:
a Transparency effect node in inserted between the column node and the
xsheet one.
2. In the FX Settings window set the transparency intensity value to 40.
3. In the FX Schematic right-click the Transparency effect node and
choose Insert FX > Blur > Blur from the menu that opens: a Blur effect
60
node is inserted between the Transparency effect node and the xsheet
one.
4. In the FX Settings window set the blur value to 2.

Adding Light FX to the Background

To add some light halos around the moon and the lanterns of the
background image, you will add some radial gradients.
For the lanterns the gradients will be animated using an expression in
the function editor in order to simulate a vibrating light. The expression
will be a periodic function using in one case the sine value and the other
the cosine one in order to have two unsynchronized lights.
Note: Gradient FX are computer-generated images that are exposed
in xsheet columns and therefore are similar to columns.
named Special FX.tnz.
To add a light halo to the moon:
1. Select column 2 in the xsheet at frame 1, as the gradient has to be
inserted between the background and the character columns starting
from frame 1.
Applying Special FX
61
2. Right-click anywhere in the FX Schematic and choose Add FX >

Gradient > Radial Gradient from the menu that opens: a Radial Gradient
effect node is added in the schematic and a column containing the
gradient is inserted in the xsheet.
3. In the FX Settings window set the following values for the gradient
colors:
Color 1 > R 255, G 255, B 255, A 200;
Color 2 > R 255, G 255, B 255, A 0.
4. To set the gradient position and size choose the Edit tool (
the following:
) and do
Click and drag anywhere in the work area to center the gradient on the
moon.
Click and drag the blue circle to set the outer size of the gradient.
62
Click and drag the blue dot close to the center to set the inner size of
the gradient.
viewer bottom bar to check the result in the full scene.
To add a light halo to each of the lanterns:
1. Add two more radial gradients in the FX Schematic, and set for both
of them the following colors:
Color 1 > R 255, G 220, B 0, A 200;
Applying Special FX
63
Color 2 > R 255, G 220, B 0, A 0.
2. Select the gradient nodes and use the Edit tool (

gradient position and size.
64
) to set the
To animate the halo of the lanterns by using an expression:

2. In the FX tree on the left open the FX > Radial Gradient 2 > Color 1
folder, where the transformation curves for the red, green, blue and
alpha components of the color 1 are available.
3. Click the Alpha item label to display and select the related curve in
the area on the right: the curve is a dotted line at the value 200 as no
transformation is defined yet.
4. Move the framebar to frame 1, and define a key value by clicking the
Set Key button ( ) at the bottom of the window; then move the
framebar to frame 266 and define another key.
5. Click the segment between the keys you just defined to select it, and
at the bottom of the curve area change the Interpolation from Speed In /
Speed Out to Expression.
Applying Special FX
65
6. In the Expression field type the following expression:

200+10*sin(f*30)
where 200 is the basic value of the periodic function, 10 sets the period
amplitude, 30 sets its frequency, and f is the frame variable.
7. Follow the same procedure for the Radial Gradient 3 > Color 1 >
Alpha curve, but this time use the following expression.
200+10*cos(f*30)
66
Before You Start

For this tutorial you can use the scene created in the previous tutorial
Applying Special FX on page 57: you can either proceed directly from the
FX session, or load the scene file you saved.
Note: If you did not complete the previous tutorial, you can retrieve
the final scene file in the Toonz TW Tutorial Material/Final Scenes
project, in the scenes folder, named as Special FX.tnz.

In order to generate the final animation including all the transformations
and special FX applied to the scene elements, the scene has to be
rendered.
Renderings can be run directly from a loaded scene, or in batch mode. In
both cases the rendering properties are defined in the Output Settings
dialog.
Defining the Output Settings

The Output Settings dialog lets you define the file format, location and
properties for the final rendering.
To set the output format for the loaded scene:
1. Choose File > Output Settings: the Output Settings window opens.
2. Check that the Save in value is +outputs, that is to say the default
folder you defined for the current project, i.e. the My renderings folder
(see Creating a New Project on page 3 for details).
67
3. In the File Format option menu choose the MOV format; click the
Options button to open a dialog to set format properties, such as the
codec to be used.
4. Save the scene.
Rendering the Loaded Scene

The current scene can be rendered directly while being loaded in Toonz
according to the defined output settings.
To render the currently loaded scene:
Choose File > Render: a progress bar opens, and at the end of the
process the rendered animation will be automatically displayed in a
Toonz flipbook.
Rendering the Scene in Batch Mode

The rendering of a scene can be added to a task list and performed in
batch mode in order to run it in the background while you perform other
works on your computer.
Render tasks are submitted, managed and executed in the Tasks pane.
When the tasks are executed, the icon color tells the status of the task
according to the following color code:
Grey when the task is waiting or is not executed yet.
Yellow when the task is being executed.
Green when the task is successfully executed.
68
Orange when the task is submitted and in queue.

Red when the task execution is failed.
To add scenes to render in the task list:

Click the Add Render Task button ( ) at the bottom of the Tasks pane
and use the browser to retrieve the scene file in the My scenes folder.
To execute the rendering:

1. Click the scene in the task list to select it.
2. Click the Start button ( ) at the bottom of the pane: the scene starts
being rendered in the format and in the folder specified in the output
settings.
69
70
Digital Video S.p.A.

4, Via Sante Bargellini
00157 Roma (Italy)
www.toonz.com
h7
.1
1992-2014 Digital Video S.p.A. All rights reserved.

Intuitive vector handling technique using adaptive dynamic control points and
adaptive fill feature are Patent protected.
Toonz, and Toonz Harlequin are trademarks of Digital Video S.p.A.
Adobe, Flash, and Macromedia Flash are trademarks or registered

trademarks of Adobe Systems Incorporated in the U. S. and/or other countries.
QuickTime and the QuickTime logo are trademarks used under license. The
QuickTime logo is registered in the U.S. and other countries.

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Traditional Workflow

1992-2014 Digital Video S.p.A.

Scanning Animation Levels

Cleaning up Animation Levels

Painting Animation Levels

Composing the Scene

Rendering the Animation

Toonz Harlequin 7.0- Traditional Workflow Tutorial Workbook

Before You Start

Extracting the Tutorial Files

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

Creating a New Project

To create a new project:

+outputs > My renderings.

Defining Project Default Settings

If a value without a specific unit is used, it is supposed to be expressed in

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

Defining Camera Settings

To define the camera settings:

Saving the Current Scene Settings as Project Default

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

Scanning Animation Levels

Before You Start

Defining Animation Levels to Scan

Scanning Animation Levels

To define the character animation level to scan:

3. Click the OK button: an animation level named b and made of 35

3. Click the OK button: an animation level named bsh and made of 35

Scanning Animation Levels

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

To scan an animation level by using a directly supported scanner:

Scanning Animation Levels

To scan an animation level by using a scanner supported via TWAIN:

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

4. Place the second drawing on the scanner flatbed, or all the

Scanning Animation Levels

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

Cleaning up Animation Levels

Before You Start

Cleaning up Animation Levels

Defining Cleanup Settings

To define cleanup settings:

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

To set processing parameters:

Cleaning up Animation Levels

Later on in this section is explained how to do this check visualizing the

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

To set the cleanup camera:

Width > 10 fld.

To control the line quality and antialiasing in Scene viewer:

Cleaning up Animation Levels

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

Cleaning up Animation Levels

Toonz 7.1 Harlequin - Traditional Workflow Tutorial Workbook

Painting Animation Levels

Before You Start

Painting Animation Levels

To save the scene with the painted levels:

Defining Palette Styles

Adding and Defining Palette Styles