Preparing PDF Files For High Resolution Printing Using Adobe Acrobat 4.0
Preparing PDF Files For High Resolution Printing Using Adobe Acrobat 4.0
1. You develop your illustrations and/or publications using your favorite software.
2. Before handing off your final document to your commercial printer or service provider, you use
Adobe Acrobat Distiller 4.0 to create a composite color or black-and-white PDF file. This PDF file
contains all of the fonts, graphics, and other layout information necessary to print a high-resolution
version of your document.
3. You deliver a single-file PDF to your service provider electronically or using traditional delivery
methods.
This document guides you through the basic steps of producing high-quality PDF files for high-resolution output. It focuses mainly on the composite PDF workflow, but it also provides some basic information
about the pros and cons of a preseparated PostScript workflow. It explains the importance of producing
good PostScript files for distilling (the step that creates PDF files) and describes the processes thatll get you
there. The document also walks you through the following:
Complete. They contain all of the fonts, graphics, and page-layout information necessary to display
and print the file exactly as you laid it out.
Compact. The PDF standard supports a variety of lossy and lossless compression methods, creating smaller files that are easier to transmit and faster to print than native application files.
Portable. One of the key benefits of a PDF file is its page, platform, application, and device independence. You can print high-resolution PDF files on any Adobe PostScript Level 2 or PostScript 3 output
device with the same high-quality results from each. This gives you greater flexibility than in a
PostScript workflow.
Reliable. Acrobat Distiller interprets your PostScript or EPS file, creating cleaner, more reliable
PostScript for final output.
Editable. If you create composite PDF files, you maintain editing control over the final file. You or
your service provider can do simple, late-stage text and image editing in Acrobat software using the
improved TouchUp tool or a third-party plug-in. PDF files are page independentallowing you to
sort, extract, or insert pages without returning to the native application file.
Extensible. You can add third-party plug-ins to your Acrobat toolkit to perform a number of supplementary tasks. (For details, visit the Adobe Web site at: http://www.adobe.com/products/plugins.)
Direct PDF Printing. Some PostScript 3 printing devices support Direct PDF Printing, which
means that a prepress operator can print PDF files without selecting the print command in the
native application file. This capability increases productivity and decreases operator errors because
it uses drop or hot folders defined with specific printing parameters and job specifications. Check
with your service provider or printer manufacturer for details about whether they support direct
PDF printing.
We recommend working closely with your service provider to develop a smooth PDF-based workflow that
works for both of you. Producing quality PostScript files, and therefore quality PDF files, involves planning.
A complete workflow for creating high-resolution PDF files is a five-step process:
Step 1
Step 2
Determine
whether to use
composite PDF
or preseparated PostScript
Preflight
your native
application file
Step 3
Create
efficient
composite
PostScript
Step 4
Select or
customize
Acrobat
Distiller job
options
Step 5
View, proof,
annotate, and
print the PDF
file
On-screen viewing (or soft proofing). You can review the file in its final form before its printed.
You can double-check graphic placement, wording, and other file details. That way, you can catch
problems before going to press, and avoid costly rework.
Simple text and graphics editing. You can edit the PDF file if you find a problem or have an
eleventh-hour change.
Device-independent color. In Acrobat 4.0, you can preserve device-independent CMYK color
information, allowing to print your document to a variety of output devices.
Faster, more efficient file transfers. Composite PDF files are tiny by comparison to typical, highresolution PostScript files. A typical PostScript file with an 8-up imposition and embedded highresolution images can consume anywhere from 600 MB to 1 GB of disk space. In addition, your
service provider has to transfer it over their network multiple times, once for each separation. A
PDF file offers a compact, one-shot transfer, making it simpler for everyone.
The right use of in-RIP functionality. Your service provider can perform trapping, separations,
and late binding and file editing, all at the RIP. Furthermore, page independence in PDF files supports the Adobe PostScript Extreme workflow. (For details about Adobe PostScript Extreme, see the
Adobe Web site at: http://www.adobe.com/print/.)
If your service provider uses a PostScript Level 2 RIP to color separate in-RIP, then you must use a
preseparated PostScript workflow for documents that contain certain graphics file formats or features;
such as duotone EPS files, colorized TIFF files, and spot-color-to-spot-color gradients. In addition, DCS
images were designed to support a preseparated PostScript workflow, and dont include the information
necessary to color separate them from a composite PostScript file.
Adobe Photoshop 5.0.2 resolves the multitoned image (duotone EPS) issue, as long as you use Distiller 4.0/
PDF 1.3 file format and an Adobe PostScript 3 RIP to correctly interpret and color separate (in-RIP) the
duotone EPS. These provisions are necessary because this version of Photoshop uses the DeviceN colorspace
operator (a PostScript 3 construct) to define the multitoned color information. Adobe is continuing to work
with its industry partners to resolve the remaining issues in the near future. For details on creating preseparated
PostScript files, see Appendix A, Using a preseparated PostScript workflow, on page 12.
Preserving high-quality printing information in Adobe PDF files
One of the challenges you faced with earlier versions of Acrobat was understanding how to consistently
create PDF files that retain the necessary information (e.g., fonts, color, links to high-resolution images, and
overprint settings) for high-resolution printing. In Acrobat 4.0, weve made this process much easier by
including predefined Job Option Settings and by providing the ability to create, name, and save customized
settings. If youre going to create a custom set of job options, understanding the relationship between
PostScript and Acrobat Distiller, and how this relationship affects the resulting PDF file, is important. The
PostScript imaging model is at the heart of PDF files. In fact, Acrobat Distiller 4.0 and earlier only accepts
PostScript or Encapsulated PostScript (EPS) files. You need to know what variables affect this relationship
and how to handle them quickly and efficiently.
Like a PostScript printing device, Acrobat Distiller interprets PostScript code. However, instead of
creating printed output on paper, film, or a printing plate, as a PostScript printing device would, Distiller
creates a PDF 1.3 file. Just as a document printed from a PostScript printing device is an exact representation of the original electronic document, so too is a PDF file. While Acrobat Distiller 4.0 is an Adobe
PostScript 3 interpreter, Distiller does not actually rasterize the file, and it isnt a PostScript RIP (raster
image processor).
PDF files represent text and graphics using the imaging model of the PostScript language. Like a
PostScript language program, a PDF page description draws a page by placing paint on selected areas.
The quality of the page description drawing process is directly related to the quality of the PostScript file
that Distiller interprets. If, for example, the PostScript does not include required fonts, proper paper sizes,
or custom/spot color information, neither will the resulting PDF file. The next few sections detail how to
ensure efficient, high-quality PostScript and PDF files.
Step 2: Preflighting your native application file
Before creating a PostScript file for distilling, you must start with a print-ready native application file.
What do we mean by print-ready? This is a file that adheres to your service providers specifications for
high-resolution printing. For example, the file:
doesnt include any RGB images or RGB colors in a four-color process printing job
maintains links to placed graphics and images
includes all document fonts
contains only high-resolution image data (no 72 dpi images)
Preflighting is the industry-standard name for this process. Ignoring this step in the process can result in
missed deadlines or unexpected charges for rework. We recommend asking your service provider which
software they recommend for preflighting files. This will ensure consistency throughout the production
process. Make sure the recommended software opens your native application files, as well as PostScript, EPS,
and PDF files. Youll find the initial investment worthwhile as it will save you valuable time and money.
Spot-color information
Some page layout applications, such as Adobe PageMaker and QuarkXPress, preserve spot colors applied to their
native elements when you output composite PostScript files. However, files from other page layout applications or
certain graphic files containing spot colors may not color separate properly from a resulting composite PDF file.
For additional information, see Appendix A Using a preseparated PostScript workflow, on page 12.
Note: Some raster-based
prepress workflows
ignore application trapping information, so check
with your service provider
about which of you
should handle trapping.
Compatibility. Select Acrobat 4.0 from the Compatibility popup menu, so your PDF file can support these
new Acrobat 4.0 features:
Adobe PostScript 3 operators like DeviceN, smooth shading, and masked images
Page sizes up to 200 inches (Windows 95/98 has a maximum page size of 129 inches because of a
16-bit addressing limitation.)
When you select Acrobat 4.0 Compatibility, ask your service provider what level of PostScript device they
use for your job. In some cases, your composite PDF file will properly color separate in-RIP to a PostScript
3 RIP, but not to a PostScript Level 2 RIP. For example, if your composite PostScript or EPS file contains a
duotone EPS file from Photoshop 5.0.2 and youve selected Acrobat 4.0 Compatibility, then a Level 2 RIP
will not correctly separate the duotone.
ASCII Format. Leave the ASCII format option deselected so that Distiller saves the PDF file in binary format,
creating a smaller file.
Optimize PDF. Select this setting to reduce the PDF file size by removing repeated background text, line art,
and images and replacing them with pointers to the first occurrences of those objects.
Generate Thumbnails. Select this option to create a thumbnail preview of each page. Then use the thumbnails
to easily preview the resulting PDF file.
Default Resolution. Enter the resolution (dpi) of the PDF files final output device in the Default Resolution text box. The value you enter here affects only vector (object-oriented) EPS files. For example, Distiller
may use this value to determine the appropriate number of steps for a blend in an EPS file.
Binding. Select Left or Right from the popup menu depending on your final binding method.
Compress Text and Line Art. Make sure the Compress Text And Line Art option is selected (its selected by
default). The compression method Distiller uses for text and line art, such as vector EPS graphics, is lossless,
so it doesnt affect the quality of these elements in your PDF file.
Color Bitmap Images. If you want Distiller to downsample color images, select the Bicubic Downsampling At
option and specify the appropriate dpi value. If you enter a value such as 300 dpi, Distiller only downsamples
the image when its resolution exceeds one and half times the value specified here. If all your images contain the
appropriate amount of image data and the images have not been scaled smaller, deselect the downsampling
option. For compression, we recommend choosing Automatic, and setting Quality to Maximum.
Grayscale Bitmap Images. If you want Distiller to downsample grayscale images, select the Bicubic Downsampling At option and specify the appropriate dpi value. If you enter a value such as 300 dpi, Distiller only
downsamples the image when its resolution exceeds one-and-a-half times the value specified here. If all your
images contain the appropriate amount of image data and the images have not been scaled smaller, deselect the
downsampling option. For compression, we recommend choosing Automatic, and setting Quality to Maximum.
Monochrome Bitmap Images. Select the Bicubic Downsampling At option and enter the resolution of the
final output device. Then, select CCITT Group 4 for the greatest lossless compression.
Acrobat Distiller 4.0 provides CCITT Group 3 and Group 4 compression options. CCITT Group 3, which is
used by most fax machines, compresses monochrome bitmaps one row at a time. Another option, Run
Length, is a lossless compression option that produces the best results for images that contain large areas of
solid white or black.
If you want to control the downsample threshold for Acrobat Distiller you can create a custom
Prologue.ps file that overrides the Distiller 4.0 default at one-and-a-half times the specified sampling value.
To override this default do the following:
1. Open the PressOptimized file or your custom job option settings file in a text editor.
2. Locate the lines of text that read:
/ColorImageDownsampleThreshold 1.50
/GrayImageDownsampleThreshold 1.50
/MonoImageDownsampleThreshold 1.50
3. Edit the value 1.50 to be the desired ratio. For example, enter 1.0 to set your downsampling threshold to a 1:1 ratio with your downsampling resolution.
The value you enter for the Subset Fonts Below option determines the point at which Distiller will
include the entire font. For example, if you specify Subset Fonts Below 25%, and more than 25% of a fonts
characters are used in the document, Distiller will embed the entire font. If you always want to subset fonts,
enter a higher value, such as 100%.
Embed All Fonts. Select this option to prevent font substitution at print time. (Distiller embeds all
PostScript fonts used in the document and all TrueType fonts included in the PostScript file.) This option
also enables Distiller to subset fonts.
Subset Fonts Below. Select the Subset Fonts Below option and specify 100% so that Distiller will embed only
the font characters used in the document. Distiller also renames the subsetted fonts in the PDF file to prevent
an available font with the same name from being used for viewing or printing.
When Embedding Fails. Select Cancel from the popup menu to ensure that a PDF file will not be created
when distilling a PostScript or EPS file with one or more missing document fonts. A log file is created indicating which fonts are missing.
With earlier versions of Acrobat Distiller, we instructed you to rename the font database (Superatm.db
for the Macintosh and Distsadb.dos for Windows) to avoid the possibility of font substitution. In Acrobat
4.0, you no longer need to rename these files: simply select Cancel from the When Embedding Fails popup
menu, and rest assured that Distiller 4.0 wont substitute missing fonts.
If you are color managing and embedding device profiles when you save color images in Photoshop
5.0x, then Acrobat Distiller 4.0 will use your images color source information when it distills the
PostScript or EPS file.
If youre not embedding device profiles when you save your color images, you can still color-manage
images that are produced from one, consistent color space. Simply select the device profile that
characterizes the color space in the Assumed Profiles section for RGB or CMYK in Photoshop 5.0x.
This will tag the untagged images or the entire document with a source profile, which Distiller can
use for color management.
If your images were not saved with embedded device profiles and they come from a variety of color
sources (different RGB monitor color spaces or Separation Tables for CMYK images), then we recommend not tagging or converting your color images or documents.
Conversion. Select Leave Color Unchanged for conversion so no color conversion takes place when youre in
a non color-managed workflow. If youre choosing to tag your images or entire document, we recommend
checking with your service provider.
Preserve Overprint Settings. If the PostScript or EPS file includes overprint settings and you want Distiller to
include them in the PDF file, select this option. This option will override any overprint settings your service
provider may specify at print time. If you want to specify overprint settings at print time, deselect this option.
Under Color Removal/Black Generation. If the PostScript or EPS file includes Under Color Removal (UCR)
or Black Generation information, select this option. This option will override any Under Color Removal/Black
Generation settings your service provider may specify at print time. If you want to specify Under Color Removal/Black Generation settings at print time, deselect this option.
Transfer Function. If the PostScript or EPS file includes transfer functions, select this option. This option will
override any transfer functions your service provider may specify at print time. If you want to specify a transfer
function at print time, deselect this option.
Preserve Halftone Screen Information. If the PostScript or EPS file includes custom halftone screen information and you want Distiller to include it in the PDF file, select the Preserve Halftone Screen Information
option. The halftone screen information will override any halftone screens you specify at print time. If you
want to specify halftone screens at print time, deselect this option.
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Use Prologue.ps and Epilogue.ps. Select this option to send a prologue and epilogue file with each job. These
files have many purposes. For example, prologue files can be edited to specify cover pages or custom watermarks;
epilogue files can be edited to resolve a series of procedures in a PostScript file. Acrobat Distiller 4.0 does not require you to select this option to preserve spot or custom colorstheyre preserved automatically. A sample
Prologue.ps and Epilogue.ps file is located in the Distillr/Data (Windows) or Distiller/Data (Mac OS) folder.
Be sure to place your prologue and epilogue files in the appropriate location for your workflow. If youre
using a Watched-folder workflow, place these files in the Watched folder at the same level as the In and Out
folders. If youre doing a non-Watched-folder workflow, put the prologue and epilogue files in the same
folder as the Distiller application.
Note: We recommend
checking with your service
provider before using
Allow PostScript File to
Override Job Options.
That way, you can make
sure that the resulting PDF
files do not override key
settings that the service
provider needs to process
and image your PDF files.
Allow PostScript File to Override Job Options. Select this option to use settings stored in a PostScript file
rather than your current job options. Before processing a PostScript file, you can place Distiller parameters in
the file to control compression of text and graphics, downsampling and encoding of sampled images, and
embedding of Type 1 fonts and instances of Type 1 multiple master fonts. For additional information, see the
Acrobat Distiller Parameters, Technical Note 5151 (DST_PRM.PDF) on the Acrobat 4.0 CD.
Preserve Level 2 Copypage Semantics. Select this option when printing to a PostScript Level 2 device if you
want to use the copypage operator defined in PostScript Level 2 rather than in PostScript 3. The copypage
operator has been redefined in Postscript 3. Now you can use this operator to copy page elements for personalized or forms printing. If you have a custom PostScript 3 file and select this option, Distiller will make
the copypage a showpage to ensure Level 2 compatibility; otherwise the copypage elements will image on top
of one another.
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Save Portable Job Ticket Inside PDF File. Select this option to create a portable job ticket placeholder in
your PDF file. A portable job ticket contains document-specific information, such as page size, resolution,
and trapping information, rather than content. For example, you must select this option to preserve trapping
information in your composite PostScript or EPS file for post-processing. Then the trapping information is
stored in a portable job ticket placeholder. (Remember that you can only include trapping information when
using the Adobe in-RIP Trapping plug-in with Adobe PageMaker 6.52. For details, see page 5.)
Process DSC Comments (Windows) or Process DSC (Mac OS). Select this option to maintain particular
document structuring information from a PostScript or EPS file, along with these related options:
Log DSC Warnings. Select this option to display warning messages about problematic DSC comments
in a PostScript or EPS file during the distilling process and then add that information to a log file for
further reviewing.
Note: The Resize Page
and Center Artwork for
EPS Files option applies
only to jobs that consist
of a single page EPS file.
Resize Page and Center Artwork for EPS Files. Select this option to center an EPS file and subsequently resize the PDF page to closely fit the original bounding box dimensions of the EPS file. If you
deselect this option, the EPS page is sized and centered based on the top-left corner of the top-left
object and bottom-right corner of the bottom-right object on the page.
Preserve EPS Information from DSC (Windows) and Preserve EPS Info from DSC (Mac OS). Select
this option to retain information such as the native application and creation date for an EPS file.
Preserve OPI Comments. Select this option to retain OPI version 1.3 and 2.0 comments needed to replace
low-resolution proxy files (FPO images) with the high-resolution images located on an OPI server.
Preserve Document Information from DSC (Windows) and Preserve Document Info (Mac OS). Select this
option to retain information such as the title, creation date, and time in the resulting PDF file. When you
open a PDF file in Acrobat, this information appears in the General Info dialog box (through File > Document Info > General).
Default Page Size. If the PostScript file youre distilling includes paper size information (and most do), you
can ignore the Default Page Size option. On the other hand, if youre distilling an EPS file, enter a page size
for the EPS file. (EPS files include a bounding box size, but not a paper size.) Distiller uses the values you
enter in these text boxes when a PostScript file, such as an EPS file, doesnt include a paper size.
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Create a preseparated fat PostScript file that contains all the image data separated into the four
process-color channels.
Or:
If you want to use a composite PostScript/PDF workflow with your DCS images, do one or more of the
following:
Open the DCS file in an image-editing program such as Adobe Photoshop and save it as a CMYK
TIFF or EPS file. Then, link the new image to your document. This will allow you to maintain a
composite PostScript workflow.
In QuarkXPress 4.0x and earlier, use the SmartXT Xtension from Total Integration (http://
www.totalint.com) to recombine the DCS file into a single file when creating a composite
PostScript file. You can then maintain a composite PostScript workflow. No similar plug-in is
available for PageMaker at this time.
Check with your service provider to see if their OPI server software can handle the picture replacement of a five-file DCS 1.0 image in a composite PostScript workflow. (No information is currently
available about whether these OPI vendors have a similar solution for DCS 2.0 files.)
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Note: Downsampling
images creates a baselinecatching those
bitmap image files that
have been scanned at a
specific resolution, and
then scaled smaller in a
layout or graphic application, which unnecessarily increases the image resolution and
sometimes causes printing problems.
Downsampling reduces the amount of information in the image so that only the image data that the
printer can use is included (Distiller never resamples images to a higher resolution, only to a lower one).
There are two methods for downsampling: average and bicubic. When you select average downsampling, it
averages the pixels in a sample area and replaces the entire area with the average pixel color at the specified
resolution. When you select bicubic downsampling, it uses a weighted average to determine pixel color
and usually yields better results than average downsampling. We recommend using bicubic downsampling
because its a more precisethough slowermethod, which results in the smoothest tonal gradations.
You should downsample your images when they contain more image data than your service providers
final output device can use. Higher image resolution is not always the better choice when youre working
with images. If their printing device cant use the information, the extra resolution only increases the time
it takes the printer to process the image. Smaller PDF files are easier to transmit, take less time to RIP, and
less space to archive.
To help you determine a value to downsample to, weve provided a table that includes common
printer types and their resolution measured in dots per inch (dpi), their default screen ruling measured in
lines per inch (lpi), and a downsampling resolution for color or grayscale images measured in pixels per
inch (ppi). For example, if your service provider will image your file at 2400 dpi /150 lpi, you should enter
300 for downsampling.
Printer resolution
300 dpi (laser printer)
Image resolution
120 ppi
85 lpi
170 ppi
125 lpi
240 ppi
150 lpi
300 ppi
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Place the ScitexDistillerStartup.ps file in the Distiller Startup folder (right next to the
Example.ps file)
Launch the Distiller application. You should see the line (Loaded Scitex Distiller Startup) in the
Distillers messages window.
Once these steps are complete, youll be able to distill PostScript files containing Scitex PSImages. The resulting PDFs can be output directly on a Scitex RIP that supports PDF or they can be exported back to
PostScript and ripped on any Scitex PostScript RIP.
Known Limitations:
If the PDF file contains Spot CT, it cannot be output directly. You must first export the PDF back
to PostScript through the Adobe Acrobat ExportPS plug-in.
Direct Rip of a file with LW APR (LowRes created by the Brisque translator pointing at a LW high
Res) is not supported. You must first export the PDF back to PostScript through the Adobe
Acrobat ExportPS plug-in.
A PostScript file containing both OPI comments printed with Omit Tiff or Omit Tiff&EPSF in
QuarkXpress and a PSImage file (.e) is not supported.
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Conclusion
This document has presented detailed information to help you produce efficient, high-quality, composite
PostScript files for converting to PDF. A composite PDF workflow offers numerous benefits that a native
application, preseparated PostScript workflow cant match. Many designers and service providers are creating and receiving PDF files for high-resolution printing. These Adobe technologies are saving time and
money while adding flexibility to an often inflexible process.
Weve also provided a baseline set of Acrobat Distiller 4.0 settings for a typical high-resolution printproduction workflow. Remember that these settings are only recommendations and may actually differ
slightly from the job options settings your service provider uses. Therefore, we encourage you to contact
your service provider to ensure you follow their recommendations.
While composite PostScript files create smaller PDF files than preseparated PostScript files, not all
graphic file formats will color separate properly from a composite PostScript/PDF workflow. This is
something Adobe Systems is working hard with industry partners to correct. Adobe PostScript 3 and
Adobe PostScript Extreme Printing Systems will help solve some of these problems, while others need to
be addressed on an application level. As new information becomes available, well keep you up-to-date.
This document was created with Adobe PageMaker software and font software from the Adobe Type Library.
Adobe, the Adobe logo, Acrobat, Acrobat Exchange, Adobe Garamond, AdobePS, Distiller, Extreme, PageMaker, Photoshop, PostScript, and PostScript 3 are trademarks of Adobe
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1999 Adobe Systems Incorporated. All rights reserved. Printed in the USA. 2/99