The Running Back Diaries: RIFF: Research Into Fiction
The Running Back Diaries: RIFF: Research Into Fiction
The Running Back Diaries: RIFF: Research Into Fiction
The RUNNING
BACK DIARIES
Literature for Young Adults
English 385:01
December 1st, 2014
TABLE OF CONTENTS
Questionnaire Samples2
Questionnaire Summary12
Chapter Sample.16
Page 1 of 24
Questionnaire Samples
Please answer these questions fully and honestly. This information will be used to
generate ideas for writing a young adults novel for Literature for Young Adults.
1. What hobbies (sports teams, clubs, activities, etc.) do you participate in?
2. What genre (fantasy, science fiction, mystery, romance, tragedy, sports, fiction,
nonfiction, etc.) of reading do you most enjoy?
3. What is the last book you read outside of school? Why did you enjoy this book?
4. What is the last book you read in school? Did you enjoy it?
Page 2 of 24
Page 3 of 24
Page 4 of 24
Page 5 of 24
Page 6 of 24
Page 7 of 24
Page 8 of 24
Page 9 of 24
Page 10 of 24
Page 11 of 24
Questionnaire Summary:
Books
QB1: Mike Lupica
Crash: Jerry
Spinelli
Back-up
Quarterback:
Eleanor Robins
Content
Lots of narration, very little
dialog, mostly about the
football field, very little
outside of the field
Organization
Chapters following
a sequence of
events, makes
logical sense.
Style
Third person point of
view, a bystander was
looking in but they
knows what everyone
is thinking
Chapters with
Dates, follow
logical sequence of
events
Chapters with a
sequence, follows
logical order
Similarities:
These books all have a major focus on the aspect of sports. Each book
focuses on characters that are facing some sort of adversity in the sports realm.
These characters are all relatable to children who read them. They all face the
same type of situations in their lives. The books all follow a similar sequence. Each
text is organized in chapters that follow a logical sequence from the beginning of
Page 12 of 24
the story to the end. They do not jump around a lot and stay very organized
throughout. Each book also used dialog to tell a big part of the story. The
characters have conversations with their friends and enemies. Seeing the
interaction of the characters is important to each book. I would like to capture
these aspects in my young adult chapter. They will allow me to properly focus on
formulating a well written sports book.
Differences:
Each book and author uses their own stance on how to go about writing a
sports novel. Crash used a technique that makes the main character seem like a
misfit kid. As opposed to the other books, Crash utilizes this technique, which
allows young adults to connect to the main character. As they grow, young adults
often feel like a misfit and dont fit in with the other kids. Seeing character
overcome obstacles is exciting to young adults. I would like to try to capture that
in my own writing. In QB1, the book is told from the third-person view. The story
takes the reader as a by-stander to all the action, as if you are watching the
scenes take place. This works well for this book, but is something I dont want to
do in my writing. I want to write my chapter from the stance of a main character
telling the story. In the book Back-Up Quarterback, the writing is in the same
Page 13 of 24
Page 14 of 24
Page 15 of 24
Ch.1
The Decision
What the heck you doing over there? You wanted on varsity, you cant be goin off
whenever you want like this is JV. You dont practice you dont play and its back to
JV. Dont make me disappointed I let you on Varsity.
Coach, I know. I just needed some water.
You see these boys drinkin water? Nope. Cause they are tough. Those are some
big boys and they are sweating like a rat trapped in a wool sock in July, but they
aint stopping to drink water.
I know, I know, sorry Coach.
Ahh its alright. You are a freshy and girl. How much could I expect?
****
Coming Scott!
Page 16 of 24
Ready to run these drills? Coach said we need to practice a bunch because you are
gonna start this week.
Yeah I am ready.
Page 17 of 24
sometime and think. It makes sense, and it is for your best. You dont want to
embarrass yourself.
Let me take you out, I will ask coach if I can leave practice early.
Page 21 of 24
Thanks Scott.
Youre welcome. I figured you need some pizza.
Well, and for taking me out here. It is very sweet of you. It takes my mind off
getting thrown off the team.
You are still on the team. Dont worry; we will get you back on. I promise.
How can you promise that? You dont know what the district is going to do. Plus you
heard him; I wont be allowed to play no matter what.
Just wait and see. Wait until the paper gets this. They will blow this up. It is
2014, not the 1950s. Remember that equality stuff they did the assembly the
first day of school?
Yeah, I am just worried. I dont want to be all over the news.
You wont be. The district is the ones that will get hated on. Everyone will rally
behind you.
I dont want this to be a big deal. I just want to play football.
I know Kristin, but dont worry. I will be by your side through this.
Im okay.
Whats wrong? You look upset. Practice go okay today?
Practice was good. For a little. But then a man from the district came to talk to
Coach.
About?
He said I am not allowed to play because I am a girl. That it would ruin the
reputation of the district if they let me play a game on Varsity. Dad, what do I
do?
Comment [N15]: CONTENT: The tough exterior
girl still cries. Something I used from the texts I
studied to show the emotional side of all the big,
bad football players. The romantic relationship also
builds this emotional side.
Page 23 of 24
Page 24 of 24