Fictional Adaptation Screenplay
Fictional Adaptation Screenplay
Written by
SAM MCKEOWN
Draft Date: November 11th 2014
Maidstone Studios
New Cut Road
Maidstone
ME14 5NZ
020 8460 4351
2.
We see a brief shot of a CANDLE faded into a M/S shot of him
looking down on the grave.
(V.O.)
Not in the hands of boys but in
their eyes
He solemnly looks up from the grave and notices a shadow in
the distance. (C/U/L/S)
(V.O.)
Shall shine the holy glimmers of
goodbyes.
L/S looks ahead and he sees his grandfather, who we see from
the back wearing a dark suit, a long black COAT and military
HEADGEAR. He is BLURRY in vision. (*an indication he is not
really there*)
(V.O.)
The pallor of girls' brows shall
be their pall
L/S The camera fades into a sepia tone of the fields. Flowers
change COLOUR...
(V.O.)
Their flowers the tenderness of
patient minds
M/S L/S There is a tracking shot of the unmarked graves,
fading into...
(V.O.)
and each slow dusk a drawing-down
of blinds.
A C/U L/S of the church TOWER, this is looped as the camera
slowly zooms in. Church bells echo through LOUDLY before
stopping suddenly.
It cuts to a C/U of the young man reading the last line of
the book. Leading to him looking SOLEMN. The choir fades out
into...
The choir fades out into...
...An EERY piano note subtly increasing in volume.
Archive footage is imposed over footage of a POPPY
ROSE...this is followed by the sights of graves....
Cont. of tracking shot of graves and MONUMENTS whilst the
vintage footage. As well as the sound of gun shots being
fired. Jump cuts to...
...M/CU of the young man closing the book shut tight. He then
places it back in the BOX and walks to the door exit.
3.
M/S of young man stopping for a second, he then switches the
LIGHT off. We then hear it being switched off.
Fade into a M/SL/S of the young man placing a poppy and
flowers next to the unmarked grave as seen previously.
Cut to Black. Credits. We hear Duke Ellingtons Solitude
playing in the background.
END.