By Gracie Lee (B94705011), Jennifer Huang (B94705035), Charles Virgile (A97749219), Nicolas Valaize (A97749221), Vincent Montmoreau, Fabien Palmero
By Gracie Lee (B94705011), Jennifer Huang (B94705035), Charles Virgile (A97749219), Nicolas Valaize (A97749221), Vincent Montmoreau, Fabien Palmero
(Netflix Case)
By Gracie Lee (B94705011 ), Jennifer Huang (B94705035), Charles
Virgile (97749!19), "ic#las Valai$e (97749!!1), Vincen%
&#n%'#reau, (a)ien *al'er#
1) Would you buy Blocbuste! stoc o! s"o!t it at t"e ti#e of t"e case$ %o&
about Netflix$ W"y$
We would rather short stock of Blockbuster, since we conjecture that the price
of it will decline. Our conjecture is based on the following reasons:
A. Competitors: This is the main reason of our inference. Blockbuster is facing
challenges from both ! rental companies, such as "etfli#, and !O
industr$. We conclude profit of Blockbuster will shrink because of them.
B. %ource of !: According to the practice, mo&ie suppliers will authori'e !O
downloads or cable T! a few months after ! hit the market. (owe&er, it)s
not for sure that mo&ie suppliers will alwa$s follow this practice, thus, this
might be a potential threat to Blockbuster.
C. Canceling late fees: Originall$, this is strateg$ is adopted b$ "etfli#. *n order
to remain competenc$, Blockbuster did it as well. But this decision soon
turned out causing +., billion -% dollars loss, we conclude this ma$ lead to a
decline of Blockbuster stock price.
.or "etfli# part, we would prefer bu$ing its stock.
A. !/b$/mail ser&ice as a pilot: Be$ond the traditional ! rentals, "etfli#
pro&ided a more rapid and con&eniet wa$ to deli&er goods and can respond
instantl$ both in ordering and unsubscribing. ue to being the first compan$
pro&iding such ser&ice, "etfli# has alread$ hold the most marketshare.
B. 0All $ou can eat 1 model: *f customers want to see more mo&ies, the$ would
return the pre&ious !s soon and "etfli# could keep more !s in hand.
Or if a customer possesses one ! a long time , then the cost of sending
another ! is reduced. This model also beat "etfli#)s competitors and
force them to follow such rules since most subscribers prefer no e#piration
date of a rental .
C. 2ong/tail strateg$: The recommendation s$stem will recommend a
customi'ed mo&ie list and won)t recommend the ! "etfli# doesn)t ha&e in
hand. This satifies customers with films in stock and let the 0old1 ones be
rented again and again. Compared to traditional &ideo rental spots where
new releases make up o&er 3+4 of total rentals, new released represented
less than 5+4 of "etfli#)s.
The abo&e are the reasons we belie&e in resulting in the increase of "etfli#)s stock.
')(id Netflix offe! sa#e )alues fo! co*su#e!s t"at Blocbuste! did$
%o& did t"is e)ol)e o)e! ti#e$
6hjfhlrghuin iui,hfken iui,ui enhiu$r,7 r fejfri,ur njfh,eiu,7 t iri,ur ,tiu rh,ut,i t
When "etfli# decided to enter the &ideo rental market in 8993, it was dominated so
far b$ big companies such as Blockbuster. Before 8993 a customer who wanted rent
a &ideo had to go into a retail store and paid from : to ,; for a couple of da$s rental.
One of the particularities of this t$pe of rental s$stem was the 0late fees1 one had to
pa$ if the !(%<! was not brought back on time.
At the beginning "etfli# offered e#actl$ the same &alues for customers that
Blockbuster did, but this model was not successful. The added &alue =con&enience
offered b$ internet and larger selection> was not enough to o&ercome the deli&er$
waiting time.
Then the$ decided to mo&e to a monthl$ prepaid subscription ser&ice which enabled
customers to ha&e unlimited rentals. This new pricing s$stem appealed fre?uent
&iewers and was a real competiti&e ad&antage for "etfli#.
Whereas it was difficult for a customer to get accurate ad&ice in a retail store, "etfli#
made ratings and re&iews of millions of similar customers a&ailable. The$ could enjo$
personal recommendations of mo&ies that were more likel$ to appeal to them.
This wa$, people could disco&er less famous and recent mo&ies, which would not
ha&e been a&ailable in a classical store like Blockbuster.
@oreo&er, the centrali'ed storage s$stem allowed "etfli# to keep a greater selection
of mo&ies with a limited number of copies. Aet, some geographical areas took a
longer time to reach &ia postal ser&ices, especiall$ on the Bast Coast. "etfli#
therefore decided to open new distribution centers =,, total in :++3> in man$ different
places to be able to deli&er almost an$ place in America o&ernight and impro&e
customer satisfaction.
+)Co#,a!e Blocbuste!-s a*d Netflix-s ,!ofit #odels. %o& #i/"t t"e
diffe!e*ces affect t"e !es,ecti)e co#,a*y-s st!ate/ies$
Blockbuster)s strateg$ relies on touching the greatest number of persons possible, b$
opening 0high &isible stores in high/traffic areas1. As a matter of fact, in :++C, 3+4 of
the population li&ed within a 8+/minute dri&e of one of the D89, Blockbuster stores.
Ee&enue is generated through rentals, with a pa$ as $ou rent pricing model, and
therefore largel$ depends on customer impulse. Another source of income used to be
late fees =which represented up to 8+4 of the income> but the$ were abandoned
because of their unpopularit$ among customers.
The$ own most of the stores, therefore occupanc$ and pa$roll represent a big part of
their e#pense =8+ part/time workers and one manager per store>. .i#ed costs are
much greater than with "etfli#)s profit model.
"etfli#)s strateg$ of centrali'ing storage in a few places =about one per state> reduces
fi#ed costs, since fewer copies of a film need to be bought to satisf$ customers. And
the fact that almost e&er$thing is done online of course reduces occupanc$ and
pa$roll e#penditure. Agreements with postal ser&ices allow "etfli# to manage e#press
deli&er$ at a reduced cost. The pricing s$stem of monthl$ subscriptions makes the
income easier to appraise, more constant. The absence of late fees, the fact that it is
&er$ eas$ to subscribe or unsubscribe embod$ the firm)s strateg$ of fle#ibilit$ and
tight customer care.
Fjr,ut hrj,ut knfeju, fnjehtiu,t jdkejiue hjehfoiru kndj,ejfi,kneejfirj fjejfir ugi jikifj fur
fi
+) As you exa#i*e eac" #a0o! s"ift i* Netflix-s st!ate/y1 &"at #i/"t "a)e bee*
t"e assu#,tio*s t"at t"ey #i/"t "a)e at eac" sta/e$ W"at assu#,tio*s &ill
you #ae u,o* e)aluati*/ 2O($
/ shift from a mo&ie/enthusiast focus to a ! rental focus : "etfli# had no choice
due to the lack of rentabilit$ of its earl$ model : it was a cash/induced strategic
focusing
/ shift from a 0pa$ as $ou rent1 to an 0all $ou can eat1 model with no late fees : "etfli#
needed to find a competiti&e ad&antage to o&ercome the deli&er$ waiting time. B$
doing so the$ targeted fre?uent &iewers rather than one/time &iewers.
/ shift from a ! b$ mail compan$ to a much broader ser&ice of !
recommendation : "etfli# thought that people would appreciate a tighter customer
care and pa$ to ha&e a broader selection of mo&ies
/shift from a centrali'ed storage s$stem with just 8 distribution center to a s$stem with
multiple distribution center =,, as of now>: "etfli# wanted to address the deli&er$
waiting time issue to impro&e customer satisfaction all o&er the -%
With the rate of technical impro&ements, it appears that &ideo on demand =!O> will
become big in the future $ears thanks to the impro&ed compatibilit$ between
tele&isions and computers. Aet, the reluctance of majors to cooperate to get their
films ?uickl$ a&ailable on !O might dela$ such a re&olution. *t therefore seems that
the democrati'ation of !O will take much longer than it did for !s.