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Terms and Symbols

The document defines various musical terms and symbols organized by skill level of the musician. It provides definitions for basic elements like dynamics, time signatures, and note values for early levels. More advanced terms like key signatures, scales, and musical forms are defined for intermediate and advanced levels. The glossary covers a wide range of terminology useful for musicians to understand musical notation and performance.
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0% found this document useful (0 votes)
236 views3 pages

Terms and Symbols

The document defines various musical terms and symbols organized by skill level of the musician. It provides definitions for basic elements like dynamics, time signatures, and note values for early levels. More advanced terms like key signatures, scales, and musical forms are defined for intermediate and advanced levels. The glossary covers a wide range of terminology useful for musicians to understand musical notation and performance.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Terms and Symbols

Most definitions are taken from The Norton/Grove Concise Encyclopedia of Music.

Early Elementary
p: soft. mp: medium-soft. mf: medium-loud. f: loud.

Late Elementary
common time ( ): 4/4 time (a time signature indicating four quarter note beats per measure). crescendo: (getting louder). decrescendo or diminuendo: (getting softer). dynamics: instructions that indicate the volume of sound. interval: the distance between two notes. legato: connected smoothly. pickup/upbeat: a beat coming before the downbeat (first beat of the measure), sometimes found in an incomplete measure at the beginning of a piece. slur: a curved line extending over a group of notes, indicating a legato touch. staccato: short, not connected. tie: a curved line between two notes of the same pitch indicating that they should be performed as a single note with their values combined. triad: a three-note chord consisting of two intervals of a third. : sharp (raise the pitch one half-step). : flat (lower the pitch one half-step).

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: double bar (signals the end of a piece). : repeat sign.

Early Intermediate
cut time ( ): 2/2 time (a time signature indicating two half note beats per measure). 8va: play an octave higher or lower than the indicated pitch. loco: back to the original octave after an 8va indication. (Italian for in its place.) key signature: the sharp or flat signs placed at the beginning of a composition or after a double bar which indicate the key of a piece. time signature: two numbers, one above the other, or a sign placed at the beginning of a composition to indicate its meter. ritardando: holding back, becoming slower. fermata: hold note or rest longer than its usual value. (Italian for pause.) a tempo: return to the original tempo. pp: very soft (pianissimo). ff: very loud (fortissimo).

Late Intermediate
AB form: form consisting of two contrasting parts. ABA form: form consisting of three parts, the second one contrasting with the first and third, which are identical or very similar. accent: emphasis given to a note by an increase in volume. allegro: quick and lively. andante: moderately slow, walking pace. D.C. al fine (Da capo al fine): play from the beginning to the word fine. (Italian for from the head to the end.) damper pedal: the right pedal on the piano, which raises the dampers on the strings so that all notes that are played continue to sound. moderato: moderate. natural: symbol placed before a note canceling a sharp or flat that would otherwise affect it. ostinato: the repetition of a musical pattern many times in succession. tempo: the speed of a composition. tenuto: a line placed above or below a note which indicates to hold the note its full value. whole-tone scale: a six-note scale consisting entirely of whole steps.

Early Advanced
accelerando: accelerating. adagio: slow. (Italian for at ease, leisurely.) cantabile: in a singing style.

chromatic: based on an octave of twelve half-steps. coda: the last part of a piece or melody. (Italian for tail.) D.S. al fine (Dal segno al fine): return to the sign and play until the fine. (Italian for from the sign to the end.) diatonic: based on an octave divided into seven tones (five whole-steps and two half-steps); for example, major and natural minor scales. dolce: sweet. dominant: the fifth step or degree of the major or minor scale. The dominant is V in Roman numeral notation. marcato: marked, stressed, accented. opus: a term used with a number to identify a work or group of works in a composers output. (Latin for work.) pentatonic: a scale with five different notes to the octave. poco: a little. primo: the first part in a piano duet. (Italian for first.) rallentando: becoming slower. ritenuto: an immediate reduction in speed (a more sudden, extreme slowing down than rallentando or ritardando). rondo form: a musical form in which the first or main section recurs between subsidiary sections and to conclude the composition. (ABACABA is an example.) secondo: the second part in a piano duet. (Italian for second.) sfz (sforzando): a strong accent. (Italian for forcing, compelling.) sostenuto pedal: the middle pedal on a grand piano which sustains only the notes being held at the time that the pedal is pressed.

sotto voce: an indication that a passage is to be played in a undertone, i.e., without emphasis.

(Italian for under the voice.) subdominant: the fourth step or degree of the major or minor scale. The subdominant is IV in Roman numeral notation. tonic: the main note of a key (its key note), after which the key is named. The tonic is I in Roman numeral notation. tre corda: indication to release the una corda pedal so that the hammers strike all the available strings. (Italian for three strings.) una corda pedal: the left pedal, or soft pedal, which shifts the hammers sideways on a grand piano or closer to the strings on a upright piano to produce a softer tone color. (Italian for one string.) vivace: vivacious, lively.

Late Advanced
con: with a piacere: an indication that the performer may use his discretion in the manner of performance, allargando: broadening. allegretto: a little slower than allegro. cadence: the conclusion or punctuation point in a musical phrase. cadenza: a virtuoso passage near the end of a concerto movement or aria. concerto: a work for a solo instrument and orchestra. (For example, a piano concerto.)
especially in the manner of tempo. (Italian for at pleasure.)

enharmonic: different ways of spelling the name of a note (e.g., C-sharp and D-flat). espressivo: expressive. largo: broad, slow. leading tone: the seventh step or degree of the major or minor scale. leggiero: light. maestoso: majestic. mediant: the third step or degree of the major or minor scale. meno mosso: slower (less motion). molto: much, very. morendo: dying away. pi mosso: faster (more motion). presto: quick, fast. (Faster than allegro.) rubato: slowing down, stretching or broadening of time for expressive effect. (Italian for stolen.) sempre: always. senza: without. sequence: pattern in which a phrase is repeated using the same intervals but at a different pitch level. simile: play as before. (Italian for similar.) sonata: a piece of music, almost always instrumental and usually in several movements, for a soloist or a small ensemble. (Different from sonata form.) subito: suddenly. submediant: the sixth step or degree of the major or minor scale. supertonic: the second step or degree of the major or minor scale.

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