The Psychedelic Review, Vol. 1, No. 7 (1966)
The Psychedelic Review, Vol. 1, No. 7 (1966)
The Psychedelic Review, Vol. 1, No. 7 (1966)
REV I
Alain Danhilou
John Blofeld
Gerald Oster
Timothy Leary
Abram Hoffer
& Humphry Osmond
Psychedelic Pna1rrl!
NUMBER 7
1966 / $2.00
from the Tao Te Chi1rlg<;i
Influence of Sound
on Consciousness
Yogic Experience
with Mescaline
Moire Patterns
and Hallucinations
Experiential Typewriter
How to live
with Schizophrenia
PSYCHEDEliC REVIEW. Published quarterly at 1615 Hillside Ave., New
Hyde Parle, N. Y. 11041. Phone: 212 Fl 31130. Single copy, $2.00. Yeor
ly subscription, $7.50. Foreign, $8.50. Send all remittances and corre-
spondence about subscriptions, undelivered copies and changes of ad
dress to: Subscription Department, Psychedelic Review, Box 171, New
Hyde Porte, N. Y. 11041. 0 1965 Psychedelic Review
BOARD 0# I O I T O ~ :
Timothy Leory, Rolph Metzner, Felix Morrow, Gunther M. Well
CONSULTING EDITORS:
Allen Atwell, Cornell University
Joe K. Adams, Ph.D., Palo Alto, California
Joseph Berke, M.D., Langham Clinic, london
Joseph J. Downlnc, M.D., San Mateo, Californi a
Lawrence Ferlfnghetti, San Francisco
Gary M. Fisher, Ph.D., Los Angeles
Stanley Krippner, Ph.D., Maimonldes Hospital, Brooklyn, N. Y.
William H. McGlothlin, Ph.D .. RAND Corporation
Huoton Smith, Ph.D .. Massachusetts Institute of Technoloey
S.nford M. Unger, Ph.D., National Institute of Mental Health
Alan Watts, Sausalito, califomla
Send all edl toriol correspondence to: Box 175, Millbrook, N. Y. 12545
Advertising Representative and Businen Management':
UnlvenltY Books
New Hyde Parle, N. Y. 11041
PSYCHEDELIC
REV I
NUMBER 7 I 1966
CONT ENTS
EDITORIAl 2
TWO NEW lAWS RELATING TO PSYCHEDELICS 3
FIVE PSYCHEDELIC PRAYERS ADAPTED FROM
THE TAO TE CHING Timothy leary 11
THE INFLUENCE OF SOUND PHENOMENA ON
HUMAN CONSCIOUSNESS Alain Daniolou 20
A HIGH YOGIC EXPERIENCE ACHIEVED WITH
MESCALINE John Blofeld 27
MOIU PATTERNS AND
VISUAl HALLUCINATIONS
MECHANISMS OF HALLUCINATIONS
THE EXPERIENTIAl TYPEWRITER
WHAT IS SCHIZOPHRENIA?
BOOK REVIEWS
BOOKS RECEIVED
CORRESPONDENCE
Gerald Oster
Heinrich KIGvor
Timothy Leary
Abram Ho"or and
Humphry Osmond
33
41
70
86
117
126
127
EDITORIAL
TH usE o( LSD and other psychedelics is increasing among a
variety of people, mostly laymen. Sidney Cohen estimates that
about 40 doctors use it and about 40,000 laymen. Newspaper
writers sens.ationalite the "teenage drug scene" and give lurid
reports o( LSD "parties." However. the best available datit indicate
that teen-agers are not a major group of LSDmcrs. Rebelliousness
may be one motive for i nvolvement whh psychedelics blll it docs
not seem to be the major one. As the well-known sociologist
Howard Becker points out in a recent article in The Nation (IOOth
Anniversary Jssue) on "Deviance and Deviate.s.''- "the LSD rr\ove
ment differs from other organizations ... in being composed of
people who were not, prior to their involvement with LSD, de\iant
in any sense .... They exemplify the increasing militancy, organi
zation and self<onsciousnc.ss of deviant worlds and 1hcir growing
unwillingness to let respectable society have its own '"''ay \\'ith them
unchallenged.'" In Charloue, N. C., a newspaper published an
extensive series or articles about a group of businessmen and pro
(essionals who meet regularly 10 have psychedelic sessions and
make no secret of it. In other words, we may speak of a white
collar black market, composed of groups of serious men ancl
\\.'Omen, who have in general made satisfactory "adjusunents" to
society, but sense that something has been left n(tt. The two m;!in
goals pursued by these psycl>eclelic "cells are ( I) sell-development
in the sense of greater awareness, consciousness expamiO!" and (2)
improved marital relations. T he latter is an extremely important
potential application, in view of the growing body of evidence
that LSD and other psychedelics arc extraordinarily potent aphro-
disiacs (actually heightening all forms of sensory awareness, includ
ing the sexual), when taken in the appropriate set and setting. ln
ill-prepared subjects who are given LSD in "'cold" surroundings
the release of sexual energies will o course only cause confusion,
rear and paranoia.
Some of the many varied applications of psychedelics which
are interesting professional people are illunrated by the articles
in this issue: Hoffer and Osmond, two pioneers in psychiatric re
search with LSD, advocate i u "'idespre-ad use in psychiatric lrain-
ing; Cer31ll O"ter, a professor or chemistry. r p o r t ~ on its use in
Ediloti ol
3
11udying the structure anti functioning of the rctin:o: John lllofcld
finds mescaline confirming the teachings of Vajra)n lludclhism:
T imothy Lear) repons on a new dc,iee co record empirical!) the
Row o f con5ciousness in LSD and ESI' researd1.
Meanwhi le, Senator Thomas J. OOtid, in a tatemenc regard
ing consideration of the Drug .\bwe Control Amendments of 1965
before the United States Senate, refers to " psemlo-intellectuals who
ad,ocate the use of drugs in the search for .ome imaginal')' free-
doms of the mind and in the search for higher ps)chic experiences."
The outcome of the federol lawmaken' deliberations is IJUOted
below, along with another sec of restrictiom imposed h) the State
of New Yorlr..
Thus the creative tension increases between those who wish to
realize the pocenciols of their nervous systems more fully and chose
who regard such activities os dangerous. The American S)stem, for
all its faults, is an odmirable field for chis kind of constructi,e
conftict since, :as Howard Becker point.s out: "Our in.nitutions can,
when the) are spurred into action by determined men, protect
minorities of whatever kind from the restrainiS of cultural tradi
tion and local prejudice."
R.M.
TWO NEW LAWS RELATING TO PSYCHEDEliCS
I . FEDERAL LAW
President Johnson signed into law on July 15, 1965, a bill known
as the "Drug Auuse Control Amendments o[ 1965," originally
sponsored by Senator Thomas J. Dodd. This law is effective from
February I, 1966. Relevant sections are quoted verbatim from the
law below:
fiKDINCJ A:O.D DtGLAIUTION
Sr.c. 2. The Congr<ss hereby 6nds and doclues that thue is a wideo-
sprn.d illicit tnffic in dtprnsant and uimulant drugs mo\ing in or other
wa.Jot affunl amt-ntlte commerce: that the u.tt of iuch when not
undtf' cht bion of a lictniotd pnctitioner, ohen cncbfl.Rcn uftty
on the hRhWl)"l (wathout diuincuon of intt.nt.Jte and intr.uLltt traffic
l.hcnon) and othtn.1.w haJ bon\e a thrc1t to the public health and
urtt). makln adduionJI rtguln1on of 1uch drugt
of the inU<UUtt' or lnttntJtc on,Ran of tu<h th11 an ordu to makt
rqui1U0n rtd protUon ol intrnu:tr tommercc an tuch dNJ
of .ntr.Ut.ltt uwnmf'rCe " ;abo nnury bn:.itu.K .;,mong other
lhHI:l\. tuth " htn htld for 1lllcu ult, ohtn dn not llif'n labttinJ::
t.h,....n thru plu ol mJen .wet I*<'OUK' 1n thr fonn 111 "hlth the) arc
t O htkl Of Ill "huh thf'\ .-J(' -fUl\Unltd .t tlftttUIIIMIIHU nf thf'll f)(,t(f' nf
4 THE PSYCHEDELIC REVIEW
Origiu is Ohtn l'XIrCtnCJ)' difficuh or impossible; :md llwt regula tion 0
intcrtt:ttc couuncrcc without the regubtion or incr::ut:tlc ronuncrce in
drugs, :13 providt'(l in this Act. \\' otaltl cliM":r imin.t<' and ad
' '<'N.Ciy :tflcu C(unmcrce in such dmg1.
(21
SEc. (a) Section 201 o the Ft"<leral Food. Drug, ;md Cosmetic Act
U.S.C. 321) i.s amended by :tddinQ :u the e nd thereof t.he following:
"(v) The term 'depressam or sumulant drug' mcans-
"(1) any drug which contains :any qu:uuity of (A) bar
bituric :1cid or any or the s:1IL\ of barbituric ::tcid: or (B) :my
dc ri, :ttivc or barbituric acid which has been d t"Sign:ttcd by the
Secretary unde r sc.."Q,ion 502(d) :lS habi t fom1i ng:
"{2) a ny dnag wh!ch contaim :my qu:111tity o (A) .am
phccammc or any o f its o ptic:t l isomers; {8 ) :tny salt of am-
phcuuninc or a ny s . .-11t of a n optical isomer of ::nnphetamine;
o r (C) a ny subst;mce which chc: Secrct:ry. ah er irwenigalion.
hn.s found tO he, a nd by regula tion d t'Sig uau:d ns, habit fonn
ing bccau.w of its tffcn on ch<' <'Cutr.t l nen;ous Sys-
tem: or
"(5) any drug which :my CJU:liHit)' or a substance
which the Secrecary, aher has found to ha\'C,
and by rcgui;Hjon dc.signa tcs ;.,$ h:,ing, : potential for al.mse
beca use or its de pressant o r stimulant effect on the central
nervo us ,system or its hallucinogenic c:ffccc: except tha t the
Sccrcwry sh;all no t d esignate ur1iler this puagr.ph. o r under
clause (C) of subparagraph (2), :my suhst:utce chat is now
included. or is hereaft er included, within the dassific;ujons
SL1C.ed in section 4751. a nd ma rihu:111a :1s defined in section
4761. of chc lntrrna l Re, enue ( .Alcl ( (f 19M (26 tJ.S .. C.
4761 ).
OE:Pil.F.SSAST A ND DkUG$
Sec. 511. (:1) No penon shall m:mufacturc, comppund, o r process
:any deprcwnt or stimula nt drug, th:u this prohibition shall not
apply to the following pcnon.s whose acti,itics in connection wilh ;an y
such drug :u e solely as specified in this .subscc1ion: .
"(I) (A) Manuf:octurcl'l, compounders. and processol'l
registered under section 510 who :ne rcgu l:lrly c ng;ged. and
are otherwise qualified, in conform:mcc with local laws, in
prcp:tring phann:ceutical chemicals or prescription drugs for
distributio n through branch oUIIets:, through wholesale dru_g
gisu, o r by direct shipment. (i) to phannaciC$ o r to hospit.1ls,
clinia, public hcahl1 agencies, or phrsici:ms. for dispensing
by pham1adsu lii>On prcscrip1ions, or for use by o r
under 1hc o f pr.tctilioners licensed by b w 10 ad-
minister n ach dngs in the counc of their professional practice.
or (ii) tO bbor:atories or research or educational inslitution.s
for their use in rcscardt, ttadting. or chemical analysis.
"(1.\) Snpplien (othcno.i.se Clu:'l liried in confonnance with
loc:d or man ufacturers. :tnd processors
refcrn"<l en in (A).
\ Vhok'i.t c .. lcrc.'t l uuclcr 510
Editorial
who mairn:in cst:tblishmcnu in cunfonnancc wi th loca l l:th"$
and arc rtgul:arly in supplying prescription drugs
(A) to phum:ecit:S. or 10 hO)f>itall, dinio. public hc.-hh
cies. or phy.&ida ns. for dispttl\ing by rq;;st<'rt'd ph:.nn:ichiS
upon pr(';KI'iptions, or for u'C! hy or under the !IUJW:n<i,ion of
p r.tClitionc:n lic<"nS('(l by law 10 admini.nc:r sud drugs in 1hc
course of thtir profo)ional JU':tcliCC. or (11) to lahonuorit"S or
research or t'(tuc:Lion:,l in.suwtions for 1heir uM: in
tt:.tching. o r d iuic;.l :111:alysis..
Ph:mnacics. hospitals, clinics. :md puhlic::
agenci<:s. whid l m:irtt:1in cswhli.shmcnts in c.:onfonmwcc with
any applicable loot Jaws 1he pr..ctict or phann:.1C)'
:md medicine :u1d which :trc regul:uly in dispcnsinJ;;
prescription drugs ul)()" prescriptions of practitioners licensed
to :admini-5-ter such c. rugs for jl:tticnu undtr the c ue of such
pnctitioners in the roursc o their profession:!! pr:.r tict .
.. (4) Prnctilioncn licen.s(tl by law to prauibc or admi n
" tcr deprt:S13nt or uimul:mt drugs. while aoinJ,: in the rourse
or their profmional pranicc.
"(5) Penons who usc or stimul:uu drugs in
resc;arc.h. teaching. or <'htmio a nd not for c.
"(6) Offittn ond rrnplo)'ce< nl the Unite(! St>tcs. " St>te
or a. polidc:d sul)(li\ision o f a while
m the course of their officia l duties.
(7) An employ or ag<: nt or any ck""Scrihcd in
pa.ragraph ( I) . through pnragr:aph (5}, and a nurse or other
nuxlicoal tcdwidan under the .supcnision or :a p r:acti tion('r
licensed by law to :u lmini.stcr dcprc.s:s:tnt o r nimukun drugs,
while s uch employee. nunc, or medical technicia n i.s actin)t
in the couhe of hi.s emplo)ntcnt or occup:uion :.nd not on
his own ::.ccourlt.
.. (b) No penon. other than-
.. ( 1) a penon c1(1(T]OO:l in substion (a). whilt such
pe:non i.s :.cling in the ordin:tt)' and :tuthorit(."(l course of his
businc:u. profcuion. occur.:uion. or cmplo)mcm. or
"(2) :. common o r contr.an carrier or warclwusnn:m, or
an thereor. whose JX>SSeSsion of any dcpra.s:uH or
s.cimulaut dng i.s in the U5lml colrse of his bmincss or em
ploymcnt as such, shall stll. dtli,cr. or otherwise clispost o
:my depress.ull or stimul:arll tlntg to any other person.
5
"(c) No penon. Other than :a tlCI"$011 described in subsection (:1) or
(b) (2). s.fm11 possc.s anr deprt-SS.1nl or stimukmt drug other
than ( I) for the t>crsonal usc or hin1.$tl{ or of :1 member of his
hou1ehold, or (2) for :1dminbtr.uio n to owned hy him or a
of hi.J hou1ehold. In .ill)' crimin.al J>rosccution for of
a dc-prn.\oiiH or stinwl.uu drug in \' iobtion of this 'uhscclion (which
it m:.dc .. t)rohibitnl .. rt hy w.-ction :\01 (I) (3)). the United St:tt(J $hall
haH lht' burc.IC'n of proof chat lh<' ll()S.\C."1.Si on imuh("CI clot" not cume
wllhrn chc C'XCt'pti ulh (tJIH.unl"<l in d.tU.M. "S (I) .uuJ fl) of the llrl'CIing
M'llt('U(t'.
"(d) ( J) J- \CI) ltti.._..Jil C.HJ; .I).tnl Ill III_..IIUI.uiUIHIJ;_. JHUC
l tltto .. t .. t _..1111 ,., \Ioiii lt.UC" h t hr uhtm,.tC" h tl,uthnl It) lhr
( VUI U
6 THE PSYCHEDELIC REVIEW
selling. deli\' ering, or otherwise disposing o( ::my dcprcss;mt or
drug Sh <I JJ, upon the CfiC.."Clhc d 4HC of tJ1is SC(:LiOn, prc p:tTC :1
curnplctc :md accur .. tc record of :&II stocks of each such drug on hand
a nd sh:ell keep such record fo r three yean. On :md a her the eft ecti,c cb te
o r this M.-ct ion. t'\' cry ' pcrson m:mubcturing, compounding. or procu)i ng
:nl)' dcpres.s.am o r stimulant d nrg sh:ll prepa re :md keep, lor not leu
th:m three yean. ;1 complete and :c<ur-dtC re<:ord ol tJ1e kind ;md tau:uuity
o C:te; h drug lllallU3ClUTCd, COil1(>0UIU1C..'d, OT procaset_l :md the
date ol such manuCacwrc, comJ)()unding. or processing: and c\'CT)' per
scm )tiling, d elivering, o r otherwise d.iSJHing o :my dcpress;utt or stiuw
J: un tlrug .shall prcp. 1rc or obtain, .and keep for not less than t hree ye.ars.
a complete and ::u;cur.ne record o the kind :md <tu:uttity of c:tch such
drug rcc::civctl, .sold, delivered, o r o therwise <li.sposed ()f, the n:uue :tthl
:tddre.u of the person. :md the rc.:gistr::ttion numbe r. if :Ill y, :ts.."iKncd tn
suclt pt.:no by the Sec::retal)' pursuant to secllon SIO(e), f rom . whom it
w:ts rc<..'Ci\'ed to whom 1t w:u sold. de livered , or otherwise dist>ost'tl
of. and the date of such tran s;;lctio n. No sep:trate records, nor 1ct form or
fonns or a ny O( the fo regoing TC.."('Ords, sha ll be n quircd :15 :t"i
records lont:tiniug the rC(tuirt'tl informatiot'a -.rc :w:tilahlc.
"(2) (A) t:vcry person required paragraph ( I) of this suleetion
to prep are or obuin, ;md keel> rccord.s, ;md :my carrier maint.1ining
records with respect to any shipmcut conta ining any dcpress:mt o r n iinu
l:un drug, :md every person in ch:ugc, or having c;uSlotly. of such records.
slwll. upo n request o f :m officer or t.>anployee design:ucd by the Sccrcwry
t)(:rmit such ofl"icer or employee :1t rCil50n<lblc times to h:He to :lnd
oopy s uch rc:conls. Fo r the pur1X>M:s or vcrific n ion o f such n:cnn.ls :lfld
of enrorccmcnt ol this sect ion, oRiccn or cmployet-s clesign:Hccl lly the
Secr etary authorited, upo n presenting appropri:uc: crcclcnti:tls :111cl
a wrincn no tice to the owner, o pcr:tor, or in to enter, :1t
TCOISOIIOt hlc times, :uty ractor y, warehouse. establishn' Cnt, nr ve hicle in
which any dcprcss.;lllt or s timulant drug is hcltl. manufacturl'CI. com
pounded. pron .'5St-d, .soltl, clelivcrcd , en u therwise dispost'tl nf :tntl to in
spcct. within rcasuna l>le limi ts :md in a rcsonahlc Ju:mner. sueh f:tctory.
warehouse, establishment, or vehicle. :nul :til pen int nt t-q uil)mcnt, fin
ishc<1 :md unfinished m:ucri:,l. :md therean, :u1d :til
things 1herein (includ ing records. fil es. cmu roh, :mel
facilities) lx:1ring on ' iol:uion of this Kction or t.ec::1io"n ;u1d to
in\'cntor) :t ny stock o ( any such d nK therein and oiHain s:-unplt$ of :my
.sud 1 d rug. If :1 J.;t mple is thus oiJra ined . the officer or etnplc)yte m:kins:
the in.spcctirm sh:tll. u pon com t>lction or the inspec:t ion :mel before tr:w
ing 1he premises, gi"c to the owner, op<:r:uor. o r :gent in : receip t
descri bing the s:unple ohtained .
"(8 ) No inspection authorl1ccl h y suhpar.tgr:1ph (A) cx1c nd
10 (i) finand:l cl ara. (ii) s:tles cl:ua other than shipment da t:1. (iii) pricing
data, (iv) dat:, o r (v) rcsc:trch cktta. which :lTC cxempt<.'<l from
inspec1iu n under the third SCillt' nCC o section 704(;t) o( this Act.
pm\' isio ns of p:aragnphs ( I) :1nd (2) of this subsection sh:.ll
no1 :tpply to a liccns(. 'fl practitioner described in suhsec1ion (:1) (4) with
rl"SJ>CCl 10 :my clcpressa m o r s1imul:mt dru).t rcceiv('(), prepared . processed.
:ulministcrcd. or cliSJ)Cnsecl hy him in the course of his proh."Ssiou:tl prac
ticc. unlt.'!oS such pr.lCtit iontr rq.:ul:rly in clisJ:,euing :tny such
tlrug or d rug'S w his patients for which thty :.re dargcd. ei ther
r with fnr nll1n pmrt ..... o;;ion::..l
"(t) Not l.don or dtt' tffc.-c tiH d.ttc of
tlti .. wtlinll) fr '") tltpr.-.. .... 111 ur .. limul .llll IM r.llnl nr tdillt"CI
fdlloria/ 7
more tb;m six months the dau: on whid $Udl pre5<::ription was
issued :and no $uch prescription which is :uuhoritl'tl to he re611<:d be
rffilled more than fhe times. except th<t :111y prescription for such a
drug after six months aher the date of issue or a her refilled fiq
times may be renewed by the practitioner issuing it either in writing. or
orlly (if promptly reduced to writing :t!'d filed by the phannadst it) .
.. (f) ( I) The Secrc:tary may by regula1ion exempt ;my depressant or
uimul:mt drug {rom the applicatio n o all or p:art or 1has section when
he fi nds that rc.tulatiOil of its m:tnu(aCt UT(' , COUlJ)()Uilding, J>WCCSJi ng.
J)()SSession, and dasposition, as pro"ided in this stction or in surh p:an
thc:n:of, b not nccess.:ary for the protection or the public: hc;alth.
''(2) The Secretary shall by rcgu latiOI\ exempt any deprC$5.o1nt or
nimulant dnag from the application of this section, if-
"(A) such drug may. under the provisions of this Act, be
sold O\'Cr the coumer \\' ithout a prescription: or
"(B) finds that such drug includa o ne Or more 1ub
stances not lmving :a depre:HH or stimul:ln t effect on the
C('mn l nervous system or a hallucinogenic effect :and sud t
substance or substances are present therein in sud1 combina.
tion, proportion, or concentration :1s to prevent the
subst3nce or sultanccs therein which tlo have such a n cff:t
from heing ingo;ted or :.hsorhcd in .sufficient a moums or COil
ccntrations as, within the mc;aning of section 201(v), to-
"(i) be habit fonning because of their stimulant effect on
th<' C<'ntn l nenous system, or
"(ii) have a potential or abuse because of their d epressant
or stimulant effect on the central nenous system or then hallu
cinogenic cfftct.
PJ.0HTBITD ACT$
St:e. 5. Section 301 of the Federal Food, Drug, and Cosmetic Act
(21 U.S.C. b amended by adding at the end thcrcol the following
new
"(q) (I) The manufacture, compounding. o r processing o
a drug Ill violatiOn o M."Ct ion 5 ll (a); (2) the sale, delivery, or
other disposition o( a drug in \iola tion o( section 5 ll (b): (3)
th<' possesion of it drug in viol:uion of section 5ll(c); (4) the
failure to prepare or obtain, or the failure to keep. a complete
and accur.ue record with respect to any d n1g as rJuired by
teetion 511(d): (5) the rcfu.sal to pcnnit access tO or copying
of any record M required by st"Ction Sl l (d): (6) the refu,.tl to
pcrmn (' lllry or in.spcc:tion as :. uthori1ed by section 5ll(d): or
(7) the filling or refilling or pre.scripuon in viol;nion of
section 511 (c)."
C" OUNDJ ANil JUIU.SI)Ic:'fi()N JUDICIAl . AND COI"DOINATION
Sr..c. 6. (:) Sultion (a) of section !UH o ( the Federal Food, Ong.
and Coltntuc Act (21 U.S.C. 334) is :nncmled by in5<'ning "(I)'' :ther
' ' ()" 1md r('d.c,i,; n:ttiu,K ( I) :111d (2) uf the pmviso 1hcrcto as
"(Aj" "(U)," r ctpc. "<li,t l y: a nc.l by :u the cud or 5uch .s ub
wet on tht folfm,iuK new l'u-.tgr.tph:
"(2) ' I hC" fullowing , h. II ht li:d,lc I n II( proccc_clt-.1 :l)l.tin1t
:u :an y lime un lihrl uf infnnn.uinn .uul tnmkmllt'tl iu :my
tlhttiu 'HI" n( llw l11111nl \l .tn "illuu lht juti\4linimt n (
8
THE PSYCHEDELIC REVIEW
which they arc found: (A) Any depressant or stimulant drug
with respect to which :t prohibitc.xl :1ct within the meaning of
st'Ction (p) or (q) by any person has occurred, (B) Any
drug th;n is :1 counterfeit dng. (C) Any container of such de-
press:mt or . stimul:uu drug or or a rounterfcit drug, (D) Any
<.:quipment used in m;:uuf;acwring, compounding, or proc-
t'SSing a depressant or stimulant drug with respect to whid1
drug :1 prohibited act within the meaning of section 501 (p)
or (q), by the manufacwrer. conpounder, or proe<.'$50r thcrt'Of,
has occ.urrcd, ;md (E) Any punch, die, pl:ne. stone. labeling.
container, or other thing used or dt-signt.'(l for usc in making :1
counterfeit drug or drugs.''
(b) (I) The fi rst sentence of subsection {b) ol such section '04 is
amendt:d by inserting, or other thing proceedec.l :tg;linn"
ah er "artic.le."
(2) Subsection (d) or sudl section 304 is :tmended by inserting "(I)"
a h er "(d)" and redesignating clauses (I) and (2) of the second semence
of such subseCLion as "(A)" and "{B).' ' respectively; :tnd by :td<l ing :1t
the end o( such subsection the following n ew paragraphs:
"(2) The provisions of par:.gr:tph ( I) or this subsection
shall, to the extent deemed appropriate by the court., apply
to any e<Juipment or other thing which is not otherwise within
the scope o[ such paragraph and which is referred to in para
g-raph (2) of subsection (;1).
"(3) Whene\'er in any proceeding under this section, in
volving par:lgr.tph (2) or sulcction (a), the condemnation or
any eqUJpment or tl1ing (other than a drug) is decreed, the
court sha ll allow the daim o any ciOtim:tnt, to the extent of
such claimant's interest, for renussion or of such
forfeiture i .such cl:timant proves to the o f the
court (i) that he has not committed or caused to he oommilted
any prohibitt-d act referred to in such par;graph (2) ;md h;s
no interest in any drug referred to therein, (ii) that he has an
intc r<.'Sl in such equipment or other thin'f owner or Jicno
or otherwise, ;1c<pired by him in gOO<l f:Hth, :ulCJ (iii) that he
at no time had any knowledge or reasun 10 ht::+ic, ,c th:n ! uc:h
equipment or other thing w:ts being or woul(rhc used in, or
to facilitate, the viol::uion of l:tws of the United States rei:Hirlg
to depress;mt or stimul:mt drugs or counterfeit drugs.''
Stc. 7. (a) Se<tiou SOS(a) of the Federal Food, Drug, and Cosmetic
Act (21 lJ.S.C. 333(;)) is ;tmendcd by inscning 01her the fi nal word "fine"
and before the period the following: .. Providt!d, howt!Vt!r, That any
person who. h:1vmg attained his eightt't!nth birtllday, ' ' iolates section
(2) hy selling, delivering, or otherwise disposing of :my depressa nt
or sumulam drug to a person who ha.s not att.'lined his twentyfirst birth
day shall , i f there be no previous conviction o such person uudcr this
.section which h:1s hecome final. he .subject to imprisonment for not more
than two yc.ars, or a fine of not more th;w $5,000. or both such imprison
mcn1 :tnd fine, arHI for the second ur :my Mthscqucm com inion ror such
a viola1ion sh:-.11 he suhjcct to imprisonmcm ror not murc than six years,
ur :t fint or II(H lll(lf(' tlt:m Sl5,000, u .. hnch SUI h impri'i0111lH'IIt :lml fine."
Editorial 9
(b) Section 303(b) ol such Act (21 U.S.C. 35' (b)) is amended hy
inserting after the word "shall" the rollowing: "(except in the case or
an offense which is subject to the pro,i.sioru of the prO\' i.SO to subsection
(a) relating to second or offens<."S)."
POWDlS AND PI\O"ff:.CTION OF t!N'FOJI.CM ENT Pf'ASOS!IIt:L
Sec. 8. () Section 702 ol the Fcder>l Food. Drug. and Cosmetic Act
(21 U.S.C. 372) is mended by ndding nt the end thcreol the lollowing
ne-w subsection:
"(e) Any officer or emplo)'e<: or the Dep;lruucnt designa u:d
by the Secretary to conduct ex:uninations. irwestig:ations, or
inspec,tions under this Act relating 10 or
drugs or to counterfeit druf,_'l may, when so :ullhOri1cd by the
Secretory-
"( I ) carry firC>nns;
"(2) execute and serve search w:unntS and :rrt'Sl
"(5) execute se.h,ure by proc<.'SS iYued pursuant w libel
under section 504;
"(4) make arresu witllOUl warrant for offenses under this
Act With to sudt drug$ if the offtn.se is coounitted in
his presence or, in the case o a felony. i he ha$ prob."lble
CIU$C to belie,,e th:tt the penon so arrt:ned h as commiued,
or is committing .. $UCh offense; and
"(5) make, prior to tlte institution of libel prooeroings
under section (2). sei1ures or drugs or conta iners or of
equipment, punches, dia, plates, stones. labeling. or other
things, if they are, or he has n:asonable J..'TO\Iflds to belic"e
th:u they arc, subject to sci:mrc and condemnation under such
aection SO<I(a) (2). In dtc C\' t iH of .seizure pursuant to this
por.ognph (5). lil>cl proceedings under section 5Q.I(a) (2) shall
be iruutme<( promptly :md the property scitec-1 be pbccd
under the jurisdiction of the coun."
(b). Slion lll'i of title 18 of the United States Code i.s amcudcd
by unking out "or :my security officer or the Dep;lrtment o f State or
the foreign Stnicc" 3nd by inKrting in lieu thereof the roiiO\\'inJ,t: :my
tllrily offir of DeJXInment of State or the Foreign Sci'\ ice. ()f a ny
offictr or emplo). of the Oep<trtmtnt of .Eduction. :md \ Velrarc
by the Secretary or tl ealth, f.duGttion. :wd \Vclbrc tO con
rluu ln,cst_ig;uions or iruptioru under the Feder.1l f OC"WI.
C'.oometlc Aet."
II , NEW YORK STATE LAW
' I he New York Sla te scna1e and assembl y approved a new law
s:o lc :md possession of psychedel ic dru!($ on .June 7,
1005. rffcc1ivc July I. 1965. foll owi nK quotation i> lrom l.nws
uf Nrw Yo h. 19M, Chapter 332:
177 tl or fH'JJI"Umn of lwllm iiiOJ!t'tlir dn1XJ m The
INlo\.M umn, .tl. (''4 h.utJ,t4' 1 r ul h.tlluc tlntj:::\ nr
pt f' p.te ,uiom h[' mlu 1 1h.11t H'J.;"tch l m.utul .t( 1111'(' 1'- ot licttt\t'tl ph\'\\i
t l HI\ WfiH h nl4 ,, Ju ttn 1\\111 t l tlu t Ullllllj,\jOIIC't or 1114' tll,tf h\).:H' IU
ru ff"(t(''" \Hfh .. h .tll 11\ ttluh- ,, '"''Hn I ''''' \4.'t ltnu
10
THE PSYCHEDELI C REVIEW
The provisions o( this secLion n.>stricting the distribution and possessiorl
of hallucinogenic drugs or preparations shall not apply to common
carriers or to wuehousemen wh1le engaged in law(ully tr.msporting or
storing such <lrugs or prel)<traLions, or to :tny employee or the same
;tcting within the scope o tis employment; or to public officers or their
employees in the pe rfonnance o( their officia l ducies requiring J>OSSC$5iOn
or control o hallucinogenic drugs or preparations: or to tempor:lry in
cidcntal J.>OSSCS.\ion by employees or :1gents o persons lawfully entitled
lO posseSSlOll, Of \ 0 J>CTSOOS whose J>OSSCSSiOO is for the purpose Of :licling
public officc. n in pcronning their offici:.! duties.
for the purposes of this st.'Ction, the tenn "haJJucinogenic drugs" sha ll
mea n :mtl include stramonium, mescaline or peyote, lysergic acid diethyl-
amide <tnd psilocybin, or any salts or derivatives or compounds o( any
prepoarations or mixtures theroor. except such prepoarnions ;1s the com-
missioner of mental hygiene has. hy reguhuiorl. cxc:lndNI from 1hc rr
nrictions of this p<mtgraph.
Any person wh<.l viobtcs any o( the provisions of this section shall be
0'1ilty o{ a misdemeanor and 5hall. on c;onviction thereof. he subject
to impri5(mmcnt for not more than one year, or a fine of not more than
fi ve hundred dollars, or both sud1 imprisonment and fine; hut if the
vjolation is committed after a conviction o( such person under this 'sec
uon has become final such ptrson shall be subject to impriwnment or
not more.: than two years or a fine or nnt more t Htn one thnu.sa nct doll an
or both such impriM)nmcnt and fine.
3. Subdivision three or senion sixty-eight hundred four or the education
law is hereby amended by thereto a new paragraph, to be pari
gr;ph r, to read as follows: r. Any person to sell or dispense any hallu
cinogenic drug; provided, howe\er. that a registered manufacwrer of
nmy supply to licensed physicians who_ hold a
hcense u.sued by the connntsslone.r of mental hyg1ene to recea\'e surh
drugs and a holder or such a license may sell or dispense such drugs in
accordance with the regulations or the commissioner of ment.itl hygiene.
For the purpose or this section, the u:nn "hallucinogenic dnags" shall
me<tn :tnd include stramonium. mescaline or peyote. lyscn;:ic :tc:id cJic.thyl
amide and psilocybin, or any salt.' or dcrivativt.'$ or CQ111pounds of any
prepu::u-ions or mixtures thereof. The commiuioner of mental hygiene
may. by regulation, exclude any such as lw m:w c1rtf'nninC'
to be desirable from the rcstrkliom: o th.s p:uagraph. .
229. Hnllucinogenir dntgl
No person, except a registered manufacturer as penniucd by sulxlivision
r of subdivision three of section sixty-eight hundred four or the educa-
tion law, may receive, sell or dispense a hallucinogenic dng without
first olnaining a license thereore from the Surh license. if
issued, may be issued only to licensed physicians. may be is.mcd for a
definite period :llld shall be issued only for such sc:-icn1ific :mc.l medical
reasons and under such conditions regarding receipt. possession, sale or
:lS the commissioner rnay, by regulation. prescribe. For the
purpose of this section. the tcnn "hallucmogenir <lngs shall mean and
tnclude stramonium, mescaline or peyote. lysergic ;add cliethybmicle and
psilocybirt. or any 1.1lu or derivatives or compounds o( cmy preparations
or mixtures thereof. The connni'isioncr may. hy regulation, exclude art)'
such prepar.uion as he may determine w he dcsin1hle from the restrictions
of paragra ph.
FIVE PSYCHEDELIC PRAYERS
ADAPTED FROM THE TAO TE
CHING
TIMOTHY LEARY
Tug PSYCHEDELIC or vasaonary experience releases an c nom1o us
amount or awareness-of-energy and tunes us in to pauerns of
neurological signals which :ore usually censored from memal life.
Understanding, description, and intelligent use of these re
ka.ed energies have puzzled scholars for thousands of years. Today,
LSD sessions puzzle. enrapture, awe, and conCusc.
Mainly they confuse.
During the last five years, 1960-65, we have witnessed a
psychedelic revolution. It is estimated that well over a hundred
thousand Americans have taken the timeless voyage through their
nervous systems- have had the veil of symbolic illusion lifted for
a few hours.
And what is the net effect?
A chaos or potentiality.
A confusion of promise.
Most of these psychedelic voyagers are now aware or the limit
loJ rtalities stored in tl1e nervous systems, but there is no concep
tlon ol the meaning and usc o[ these potemials.
There are o course no 1>at solutions. no easy answers provided
by LSD. On the contrary, every paradox, every ambiguity, every
problem of static-symbolic life is intensified, raised to exponential
l)l)" ers. Where there once w>s a blind robot symbolic uncertainty
Uohruon or Coldwater?), there is now an uncertainty compounded
and multiplied by the knowledge ol the illu.ory nauue ol routine
t('alhy r.nd lhc existence or rcalilics .
.. om the lx-ginni ng o lhc llav.ud-IFIFCa)lalia exploration
hun cunw_iothtlt'" 1\\'U f.tch ,,.,.,,. app.ue ut. Fi hl, that there were
fH) f )(I ,UH 111.1 )" ltlotl tl\, IU)flh, dwmi('\, l .t ll J.:II.t,(.:('' In tlt''\(l iiJt lhl'
r'ptitJtc.t 'c.'t tuul, lh.tl the ltutpl.ttieu iutt"'..C' e1ld
ttHHirh, Jll<'lll.tlutc IIU'HI in 11111\1 l w l t, j,lttl
II
12
THE PSYCHEDELIC REVIEW
No current philosophic or scientific theory was broad enough
to handle the potential of the 15 billion-cell computer.
Our decision then was to maintain an open posture, to collect
data o n psychcdcl;c sessions from a wide variety of subjects, in a
wide variety of settings, and to continue to look for better models
and theories to explain the psydedelic experience.
It became apparent that, in order to run exploratory sessions,
manuals and programs were ncc(,;sary to guide subjects through
transcendental experiences with a minimum or rear and confusion.
Rather than s1art de novo using our own minds and limited ex
periences to map out tbe voyage, we turned to the only available
psychological texts which dealt with consciousness and its altera
tions-the anciem books of the East. .
The T ibetan Book of the Dead is a psychedelic manual-in
credibly specific about the sequence ;mtl nature o experiences
encountered in the exstatic state. A revision of this text published
under the title The Psychedelic Exf>CJiCIICC was our first u ~ m p t
at session programming.
For the last two years we have been working with another
old, timetested psychedelic manu;,l- thc Chinese text, Trw T c
Ching, sometimt,; translated as The Way of Life.
Written some 2600 yeats ago by one or several philosophers
known to us now as ""the old fellow"' (Lao T se), this text is still
timelessly modern and will remain so for thousands or years to
come-as long as man has the s..une son o nervous system anc.l c.lcal.s
with the range of energies he now encoUnters.
The Tao T c Chi11g deals with energy. Tao is best translated
as "energy," as energy process. Energy in its pure unstructured
state (the E of Einstein"s equation) and energy. tn its countless,
temporary Slates or structure (the M or Einstein"s C<JUation).
The Tao is an ode to nuclear physics, to Jie, to the genetic
code, to that form or transiem energy structure we call "'man; to
those most static, lifeless forms or energy we call man's artifacL<
and symbols.
The message o the Tao T e Chi11g is that all is energy, all
energy Rows, all things are continually transforming.
The Tao T e Ching is a series o 81 verses which celebrate the
flow of energy, its manifestation and, on tbe practical side, the
implications o this philosophy lor man"s endeavors. Most of the
pragmatic sutras o f the Tao were directed towards the ruler of a
state. How can the King and his ministers use this knowledge of
the energy powers to govern harmoniously?
Like all great biblical texts, the Tao has been rewritten and
re-interpreted in every century and this is as it should be. T he
1crrns for Tno change in each ccnwry. In our 1i n1cs Ei nstein rc
Five Psychedelic Prayers 13
phrases it, quantum theory revises it, Lhc gcncticisiS 1ranslate it in
terms of DNA and RNA, but the message is the s;une.
The practical aspts of the tao must also be rewritten and
adapted to the everyday situation. The advice given by the smi ling
philosophers of China to their emperor can be applie<l to how to
run your home, your office, and how to conduct a psychedelic
session.
The five sutras or prayers presented in the following pages are
selected from a psychedelic translation of the Tno Tc Chi11g to be
published by University Books.
The forty-nine sutras in this volume arc divided into five
groups:
I. Preparatory Prayers to be read before the session.
II. Prayers Conceming Pure Energy Flow which are to be
read, slow I)' and ethereally during the early "high" points
of the session.
Ill. Prayers Conceming Biological Flow and seed energy.
IV. Prayers Relating to Experience of Bodily J>rocesses, aware
ness of caltras or nerve centers of the body.
V. Re-imprinthrg Prayers which concern the later parts of a
psychedelic session (from eight 10 twenty-four hours after
the session begins), when the subject is re-entering the
routine world and selecting a poSl-session personality.
Each of the five prayers which follow has been selected from
one of these five sections- preparation, pure energy flow, seerl
energy, cakra energy, and rc-imprinting.
The Tao manual, like all other psychedelic texu, must be
studied intensively, the detailed theory of energy tr.msfonnations
thoroughly learned, and the commentary notes for those sutras
selected for the session re-read se, cral times.
Psychedelic poetry, like all psychedelic art, is crucially con
cerned with flow. Each psychedelic poem is carefully tailored for
a cenain time in the sequence o( the session. Simplicity nnd dia-
mond purity arc important. Intellectual flourishes and verbal pyro
technics are painully ob,,ious to the "turned on" nen'OU) :):ttcm.
Psychedelic poetry should be read aloud (or taped) at a slow
tempo, in a low natural voice. The pra)Crs arc best read or taped
by one who is "high" :u the lime. Any tension, artificial ity, or
game-phlying on the pan or the reader stancls out in embanassing
relief.
Rcotd by the static intellect, jmpri111cd to symbols, :m(l imm
daacc.l b)' the vcrbosi1y o our cuhu1c lltc'-C )tlttas arc simply
anothtt )('<rucnn_ u( lifch:'' wmtk Btll to the lHihci(HI\IlCSS I C
Jc.a:d rom implilllt'(l \Lit it' thc<iiC' pt.t)t-'1'\ c.,tll lx<nlllt' j)l\'4 i<iit'
bltt\U of ncmhling c-uc'l).t\ .uul hu.uhk'' uH . nilt)(.
14
THE PSYCHEDELIC REVIEW
You will wonder, perhaps, at the use or the temt "prayer" to
label these smras.
Prayer is ecstatic poetry. Psyc.hcdclic communication.
Ordinary, stat.ic communication in terms of prose symbols,
game. Mind addressing mind.
You cannot describe the ecstatic moment in static tenns.
You cannot (without regret) communicate during the ecstatic
moment in static prose.
You cannot produce ecstasy with static symbol sequences.
When you are in a psychedelic state-out beyond symbols-
game communication seems pointless. Irrelevant. Inappropriate.
Inadequate.
There is no need to communicate-because everything is al-
ready in communication. You are plugged into the multiplex
network of energy exchanges.
But there are those transition JllOlilCULS or terror. o jsolation,
of reverence, of gratitude ... when there comes that need to
cotnmunicate.
That need to communicate with the non-game energy
that you sense in yourseH and around you.
And there is the need, at exact! y that moment, for a language
which is not mental, A slrot igfu, pure, "right"
language.
This is prayer.
Mantra.
Ejaculation.
There are moments in every psychedelic session when there
comes that need to communicate- at the highest an<l best level yon
are capable o. '
This need has been known and sensed for thousands o[ years.
All prayers are originally psychedelic communications with higher
freer energies-tuning yourself into the billionyear-old energy
dance.
Conventional prayers, for the most part, have degenerated into
game rituals. Slogans. Meaningless verbali1.ations. Appeals [or
game help.
But that crucial nongame terror-reverence awefull moment
comes ....
There comes that time when the ecstatic cry is called or.
At that time, you must be ready to pray.
To go beyond yourself. To contact energy beyond your game.
At that time you must be ready to pray.
When you have lost the to pray ...
You are dead.
Five Psychedelic l'rayers
1-1*
The Session Gulde
In the greatest sessions
One does not know that
there is a guide
In the next best $CSSions
One praises the guide
In the good session
One admires the guide
It is worse when
One rears the guide
The worst is that
One pays him
If the guide lacks trust
in the people
Then
The trust or the people
will be lacking
The wise guide guards his words
The wise guide sits
When the greatest session over
The people will $3y-
" It all happened naturally"
Or
"It "''as so simple. we did it
:oil oursehes"
(AhiJJit"ll fru111 ) ,, .. 17)
15
I hi -'tilt A \hnullt hr u,., l luul hdnu 1h.- ""-'"uu '1,(1 111.11 hutl1 tlw
1ru \II)A){t'l 'l oil I I '-llf lf l lh oltolo .UI' Il l 1111' )tllllll llj.t llillll,h I
16 THE PSYCHEDELIC REVIEW
11-1
That Which Is Called the Tao
Is Not the Tao
The Dow of energy . . ...... .
Here ..... .. ..
It . . . ... .
Is .... .. . . .
Nameless . . .. . . . .
Timeless .. .. . . . . .
Speed of light ... ... . . .
Float beyond fear
Float beyond desire ..... .. . .
Into this Mystery of Mysteries
Through thi< C.a1e of i\11 Wonder
(t\cla ptL'<I Crom 'l 'ao Sutra 1)
This stllr.l c':eu IM,; l'l':ill, : I t \ 'C' ry !' lnw. IIIC";I 'l ll n-.1. hu .. hc-.1 umpn. in llw ri . .. l lmur
nr 1lw hn ldi1
five Psychedelic Prayers
111- s
Laa Tse's Mind Becomes Preoccupied
With a Very Ditllcult Subject-To
Describe the Production of
Material forms by the Tao
Is it a dream?
Shadowy
Invisible
All thing.,
All images
Move slowly
Within
Shimmering nets
Here
Essence endures
From here
Ail lorms eme.rgc
All lorms
Emerge
From this second
Baclr. to the ancient beginning
(Abltlfl hnm I .... Su cu ::I)
17
I ht' 11111,. t.otll Iff" .ul ltt'lkt"ll ch .. fu,t ,11101 IIi'' hl th h1 0i ll '\ ul tlw I ~ ,,.,,jun.
11 THE PSYCHEDELIC IEVIEW
IV-2*
The Water Calera
Can you fl oat through the universe of your hocly
and not lose your way?
Can you lie quietly
engulfed
in the slippery union
of male and female?
Warm wet dance o generation?
Endless ecstncies of couples?
Can you offer your stamen trembling in the me.adow
for the electric penetration nf pollen
While birds sing?
Twist sinuously on the river hank
While birds sing?
Wait soft-feathered, quivering. in thicket
While birds sing?
Can you coil serpent writ hing
While birds sing?
Become two cells merging
Slide together in molecule embrace?
Can you, murmuring
Lose
All
Fusing
(BiU<d on T ao Sutra # 1!1)
This sucra seeks co '"break through" co the I cnltrn and i5 10 he u5ecl in
programmed seMiont which auempc to explore the sequence of
ra.\rn.t Or somatic n(t\'C: ..
Fi ve Pychedelic Prayers
V-9
How to Recognize the TAO Imprint
He who returns in the fl ow ol tao
Brings back a mysterious penetration
So subtle
T hat it is misunderstood
Here is his appearance
Hesitant Hke one who wades in
a stream at winter
Wary as a man in ambush
Considerate as a welcome guest
Fluid like a mountain stream
Natural as uncarved wood
Floating high like a gull
Unlatl1omable like muddy water
How can we lathom his muddiness?
Water becomes clear through stillness
How can we become still?
By moving with the stream
(fta.,.d un Tau Snt111 # 15)
19
I IIi mll..a \huul.l I.e 1r..a1l thuintc thr b \1 tltiul f Cht" P-')Cht'tiC"Ik ' ~ i n n 10
ttu..,. whtt h.n r- '-'' lrtlf"ol thr l m llhooltl I llto\Oo' I tltrh t f" 1111ptinl .
THE INFLUENCE
OF SOUND PHENOMENA
ON HUMAN CONSCIOUSNESS.
ALAIN DANIUOU
OuR KNOWLEDGE Ot' THE EXTERNAL world is conditioned by our
possibilities of perception. T he phenofllenal aspect of t hings, which
we tend to take for their reality, is an effect of t he limits o( our
sense perceptions. Senses more refine.-'(( than ours woultl show us
worlds o atoms, of light, of e nergy, where now we think we see
tables, buildings, individuals. Subtle beings, whose substance es
capes our perception, can exist around us, penetrate us, play "tith
us, act on our t houghts and our senses, withou t our having the
least awareness o f it. The number of senses which are thoorctically
possible cannot be determined. We probably have within us latent
senses o which the organs arc unde\reloped, and which we cannot
consciously use, although sometimes a vague and uncontrolled
perception may result in paniot l mhrrwisc
inexplicable "inwition."
f or man, the spheres or sensory perception arc limi ted to five
- this is not necessaril y true for other spcdes. Thereore, we knov.
five aspecu o the worltl, which do not nerc5saril y coincide
exactly.
Hindu phi losophers c:o ll these spheres "forms of existence"
(blruta). a term translated approximately by the term "clements."
This is inexact unless we understand it not in the sense or elementary
mauers, or substances or states of mauer of which the universe is
formed, bnt rather take it I n mc;m t he subjec1ivc elements by
means of which we construct, for want of better infonnation, the
idea which we have of t he external worl d.
the Hindus think that if we can orient the per
ceptual cen1ers, to whid1 our sense organs are connected, towards
the internal, we can escape the limitations o f these sense organs
and percei ve aspects or the sensible worhl which are deeper and
larger and more profound.
The spheres or the five senses are symbolically represented
by five aspects or the perceptible world, but these aspects should
only be understood ;as lmagcs which help us to understand their
hierarchy. These images are earth, wa ter, fire. a ir, and ether. Earth
The orlgin:al of chis article fint in Notwe4U ( # 111, Nov. 1961).
20
I II.UOII<O of Sound 011 C011sclous11011
21
or the state of ''cohesion" of things, which corresponds In 1hc sphere
of smell., is also perceietl br 1he other sen><.'1. We can taste it,
touch it, see it. and it. \Vater. or the state of "formation" of
1hings. represents 1hc spheo c of taste. We can hear i1, sec i1, touch
il, taste it, but never smell iL Fire, or the s1:a1 e of "tmnsrormation"
of 1hings, represenu 1he sphcc of vision. We can hear i1. touch
il. see il, bu1 neer 1as1e it or smell it. Air, or 1he of "con
ception" o f 1hings, rcpresenu the sphere of 1ouch. We can hear
i1, touch it, but we cannm :. i1. taste i1 or smtll it. Finallr. e1her,
or the "vibra<ory" s1a1e of 1hings, represems 1he sphere of hear
ing. <he most subtle since il <>eapes all 01her sense>.
It goes withoul saying 1ha1 we neer perceie 1he spheres of
pure ekmenu, and thai all our perceptions apply 10 the nates
o( .. mauer" in which one without the othe.n
being comple1ely absem. The fact 1ha1 in prac<ice we clo not per
ceive ex1ernal sounds excc1Jt 1hrough vibra1ions of o1her elemenu,
is merely a deficiency of our cx1ernal organs ami doesn't change
the fact that, een 1hus limited. hearinv; remains the only direct
percep1ion we hae of a pure vibratory stale. The 01her senses
produce perce;>tions of vibrAiory Slales whido are more and more
comple.x and thertfore more difficult to unders1and and <o an>lyze.
The ibrations of sound are the forms of pereep1ion close.t to the
primary n ate of cosmic manifestation. The vibraiOI) Slalcs which
give birth to the world cannot be dilferen1ia1etl from 1hought.
Crea1ion is conceived as a menial vibra1ion, which is the 1houg,ht
of 1he universal beinl( :ond which composes a world which is
nothing bu1 a manifes1:11ion of menial cne<l(y; a 1hougln which
appears as a reali1y precisely or the limiiS of sensor)' pcr-
ceplion o f lhe indivitlu:ol consciousness or livinjt beinv;s. Sound,
even in iu grosses. most limilcd fom1, is no1 only the vehicle of
1hought but the image of iu in1rinsic nature. For 1his reason
1hrough 1he .inlenne<li>r)' of sound, 1hroujth the Word, 1he uuer-
ance, knodedge is exprc:..e.l. reveluions are made manifes1. And
b)' sound also, all is conditioned, fonned, anti faJhioned.
Sound is the ins1rumcn1 of all deelopmenl. The effect of sound
upon human consciousnw is therefore fundamen1al.
Pure vibration, organized exprwion and vehicle or thought,
is percched by us in 1wo fornu; <he musical languav;e and the
spoken language. These 1wo forms of langu:ge, c.losely linked wilh
each other. are not arbitrary. Ceruin sound rela1ions, cenain
syllabic uniu, are 1he ibr-tory expressions of certain eoncepls.
The more music anti langu:.ge approach these forms of the true
lngua.gc, the more imrnediale and profound is <heir ellec1. When
lhe .ound or words or or chords deviates from the form or the
l:uogu:.ge, &heir eflect becomes weaker and is 1hen perceived
only by a menial mechanism which reconstrucu, occonling to
22
THE PSYCHEDELIC REVIEW
thc:M: )) lllbuls which have now become oubitrary, the genuine n:
huion.s which con.nitute the idea.
H in certain rile) we usc rormulas articulated to correspond
to certain <..'OSrnit C: nlilics, we immC1.1iatcly enter into contact with
them. T his is why uuwtrns or magiral rnnnulas are an essential
dement or all rites.
Simil:1rly. ir we set up in music hannonia which
with sufficienr exactness )Cntiment.s or emotions. we are
immediately with tha.c M!IHimcms ur emotions. T his
is the first role or IIUI'ii C. The U.;c or inexact or arbitrary sound
formulas is mere ply. which is perh:tps hannless, but whidt may
be penetrttting us with intluenccs which we cannot master, and
\'thich may be injurious to our intern31 l'tluilihrium, ancl to the
harmonious tlevclnpmem ur our thinki ng.
The true lnnguage. the original language, is syllabic, formed
in man or mon<>Syllables cmresponding to the different pos.ibilities
or articulation. These :tre: relative pitdt (five steps of sou!'d, re
duce<l to three in nt(>St l:tnguagcs in w1c today); the sourul shapes
of vowels determined by the five plac<'S o( vocal emissions above
and in combination; :uul the interruptions o[ sound or consonants,
which permit us to :uac:k ur to lca\'C the vowels in the five steps
or articulation. Ccrt:ain consonants may combine, the syllables may
be naoali>.ed or aspir:ttccl. T he number of monosyllables Conning
the vocabulary or the lnnguagc is almost indefinite.
One 111antra like STRI NG, l"or ex:unplc, representing the feminine
principle, is COmposed of lK! VCn clements o( articul<ttion.
The effect or thew syllables upon our inner being is COO
siderable H they arc frequently repeated. They let penetrate into
us, little by little, the princi ple that 1hey rcpoesen1, and conse-
quently rctr:ansforrn our personal ity. The practitc of mmrtm rcpeti
tion is one or the major exercises in yog:t.
The music.1l language presents divisions parallel comple
mentary to those or spoken language. It represents a more abstract
fonn of language, in which we perceive the sound manifestation
or numerical relationships, conesponcling to ideas or sentiments.
Music, therefore. plays an imponant role in the knowledge and
perception we can have or the mechanisms of thought and of
seruation, since it permiu us to realize clirectly that thought and
sensation are probably mathematical operations. In fact we only
perceive rela1ioru between luminous frequendeJ, auditory or other,
but we percehe them as if there were distinct clements whidt we
call colors, substances, forms or chords. It is through music !hat
we rctti\'C the most tJircc1 -rhe.)(! relarions e,oke
sem.imems in us, but we r.w , w :. ccr1ain cxlern,
their Uf IIICIH3J t::UCU, :mtJ WC t.an t:Hflsidcr lhCI'll
tht'llht hn iu tilt ,d,,ll,u t
lnlfvence of Sound on Consdovsnen
23
There cxiSL, therefore, two types o( musical theories and analy-
oc. Those which start from the psychologica l effect of intervals
and of rhythms, according to the sentiment which it provokes in
w ; and those which start from their purely physical relation, their
numerical relation, anti their harmony phenomena. In the first
case, we would speak or sad or gay chords, exalting, depressing.
lender or cruel, harmonies; in the other case, of consonance or
diuonance, harmony, equilibrium, of form, etc. These two ap-
l>roaches lead to different musical systtms. The first makes of music
an instrument or psychological action, capable of modifying our
Internal equilibrium. The other tends to make an abstract art,
an architecw.re o sound, which may have high aestheric or evoc
ltive value, but in which the psychol<lj(ical :action is weak and
without lasting va lue.
The principal system conceived as a means of psychological
letion capable or bringing important modifications in our intemal
equilibrium, our sentiments, our ideas, is constituted by music
which we may ca.ll modal, in the scrue we give to this word when
we tali'. about Greek, Pcn;ian, or Hindu music. T his system is
b.ued upon the fact, easi ly verifiable, that certai n very definite
aound relations arc perceived by us as having a certain emotional
color. At fin;t, this perception may be very vague, especially if
our musical habits iruervene with all sorts of purel y mental artistic
conventions. But it is undeniable that this perception exists. Jn.
tervals we classify at first roughly, into gay or sad. active or
pat.Sive, soft or hard, calm or restless, etc. It is onl y through re-
peated and systematic use of very precise intervals that we will
begin to distinguish the psychological effect of intervals, which
may be very close to each other, but which have in the long run
1 definite and tli.stinct act ion upon our sensibili1y, crcaring in us
the most diverse "states or the soul."
In modal music one establishes fi rst a base, a point or reference
absolutely fixed, represented by a continuing or a frequentl y re-
peated sound, which is called the Tonic. All the intervals of a
mode are <-stablishcd with reference to this Tonic. After this one
looks in the scale of sound frequencies for certain perceptible
points which form with the Tonic easily anal)'lable relationships.
These points will be the notes or the mode. We will see that these
pC!'rceptible points are quite numerous and have very distinct effects
upon uur perception. Ucpcn<.ling on th\= tlesirctl clfect. the relative
f'lllh ul tlu: nol c) of the 1n<xlc:, :thould therdore be :at.ljus1ed.
:ulju)tmcms may be C)tahli:,lu.>tl litdc hy liule ahrough ex-
JH! Iicucc.:. but they 111ay alw Uc :tnalytcd in MICh :1 way that they
c.w 1"'-" ddlllnl.uitlllllclicall) .. uulrcptt)4hH .. l'tl :tl will.
I u .1 IIIU\it .tl 1"-'dUIIH.IIIH'. mtl.,.dit u1 h.tt nwn it In I HI\ :1 1 c
It) lllu\ hom u 1u pui111 to .t l utllu r un llw '' .dt
24
THE PSYCHEDELIC REVIEW
chosen for the mode. Since the Tonic is fixed, the same note will
always correspond to the same sound, the same sound frequencies
will evoke the same relations, and hence, the same senriment. This
consistency is very important ror the action to be effecti,c. It is
then that the )>S)'Chological aclion begins. No mauer wh:u music
it is, we can recognize, more or less vaguely, the emotional color
of an inrerval. but in mo<lal music this i ntCI'Val. repl't'Scnted
by the same frequency, the same sound, is constantly repeated.
\ Ve rhus becon1c more ;md more sensitive to il. Like the drop of
water of the Chinese torture, this sound always hiu the same point
of our auditory system. We become conS<: ious of its precision, of its
color, of i ts meaning. i n an extraordinary way, and aher a certain
time, we are emotionally conditioned by the sound complex which
the differem notes of the mode represent. The idea, generally ac-
cepted in the Oricm, but also supported by Plato :ond AriSIOtle,
that ccnain modes i ncite vinuc others debauchery. is not at
oall imaginctry. To convince on(:sclf or chis it is suffiCient to sec
even coday the audience o an lndi;m ur Persian concen being
shaped by the pcrfom1c1, assuming murc :mc.l more the s.:unc ex
pression, the s;nne a<..-c, mo\ing as if hypnotized by the
musician, who canies them away in the direction in which he
throws himself. toward a veq intense CIHf)tional state, in which
he himself is completely immersed.
We can sec that slight between imenals. which i n
other systems may appear negligible, play a considerable role in
those musical ronns whose aim it is to act systematically on the
J>s)chc, and nor to construcc vague struct ures whid1, follo\\ing
convcncion
1
we rcg;trd as aesthetic, btu which complecely lack any
marked psychological effect. One can, moreover, determi ne certai n
laws of frequency relationships which act strongl y on our
sensibility, :nul classify them accordi ng to categories i n which
The rc.-l:uions between musical sounds are detenniried by ratios
bct"ccn aheir rrtquencies. Thus. an octa\'C represents :. double (requenq,
a fifth corresponds to a ratio o( 2 to 3, etc. These ratios between 10und
lrequencies arc percehcd directly. juu as we percti\' e :1 square or a tri
angle, providtd the numbers imohed in the ratios do not go beyond the
6 (limit ol non\'t f bal couming) and the 1impte o(
the fint four prime numben.
According to the prime numbers used in the structure ol intervals,
different basic u:alc:1 can be built which have distinct psycho-semantic
contents. i.e . crt-ate differenc emotional reactions.
A t)pical example of thac difftrt-nces apJ>ean in the ma,ior third.
The major third can be "Pythgorean," i.e., built on muhiplt'S or 5/2.
It is chen a p;art of the cycle o( 6hhs used in tuning instruments
(C C I) A E). Rut the m:ajor third c;.n abo be "harmonic," that is. huih
on the r.uio Sj 2. '11e intcn31 lxtween 1hoc t"' O m:.jor thinls is c:tll(.d
" c.) UIHII.I tfit)is." It COI'ft'SpmuJs In or :!1.5 ({'Ill" ( 10() LCII h maJ.a :t
lnlluonco of Sound on Consclousnou
25
certain prime numb(,n sttm to play a major role. b(,comes
then a very powerful psychothe ra pclllic method. :uul we will ob-
senc COn\'CC'SCI)' that musical systems in which the interval is
imprecise, badly defined or on erroneous basc:s, may
create strange nervous disorders, :uul in an)' case atrophy our
sensithily to sound stimuli, wi1h c:tsil y obsevablc physical, psy-
chological, a nd re.uh<. On the other hand. musical
rmlucation using the repetition of precise intcrnls has an effect
with appreciable medical applications. Moreover, this effect is
not peculiar to man. Experimerus which have h<. -en made \\'ith
plants and animal have appa rentl y yielded very interesting resuhs.
The precision of the interval is essential for its efficacy. This
can !>(, recogni>.cd today through technical means which greatly
facilitate experimcntouion. It is unly when the lx-comes
ClOtnplctely iowohed and taken by the sentiment of the mode, that
he can de\tlop ,:uffie:ient prcchion :u the end o{ a certain amount
of playing. Thi explai ns the i ntcnninable preludes of the Indo-
Iranian music. The mu>ician plays at the outset with a very ap
proximate precision. h is only little by little when he is seized
by the sentiment of the mode that his play !>(,comes precise, in a
way that seemo incoediblc if one '"" not yet hd the experience.
The audience, whid1, until now, only listened ' 'ague!). was agitated,
talked, appears all of a >Uddcn to !>(, ubjugatt'tl, magnetited, by
a aort of magic abilil)' or .souncls. According to mtasurc-rncnu which
1 was able to make, the intervals :ore exact to a hundredth of a
comma. Measures made i n monthly intervals gave absolutely
identical results. We will understand the importance of this pre
c:ision if we consi<ler. for example, that the so-callt,J l'ythagorean
third, obtained by the C)'cle of fifths, and corresponding. there
fore. to a frequenc)' ration of 3'/ 2" or 81/ 64 is an :octi\-e intcnal,
brilliant , enterprising, glorious, intrepid, cxahing; whereas the
The :artificial "tcmpc:red" m:a jor third of the piano 1e2le is
about halfway between the two "n:uurnl" thirds.
There is :another comma spoken of in cechnical litcratur<' . It is the
tytJtagore-.m cnmm:t" which rcprCKnts the difference bct"'cen an octave
and the 12ah of tch-c w cca si\'t: fihhs . .. n1i1 comma rorrOJ>Onds to
S"/2' or 2S .. S rtnU.. The Pythagornn c-omma. h0'4' C\"t T, i1 lJIC)ond the
limits of our of analyt ir:.l :md lun no r(:ality
In mwic, th(' comma din l.s h :.u 1 r1 o( tht mt nt.:al
1hrough which we a n:lyte. cla.uify ::. nd intc:rprt' C mta.."ica l
a nd i.s therefore the only Jo,:;ic::t l h:..5is fo r the t-st:. hlislunc:nt of
mut.ic.:l sc:lcs :wd of a musica l nw<:buluy. The tC':mJK' rtcl sca le
i.t. h)' the (2/ 1) inw 1wtlw t'(JU.d
or c.ult h.11f COIW is i ll IC' I.Hin n tu Cit(' pn, iuu\ t'UU' , \\Tc
h .lhC' lit' IIU' III.! I II tC't l ld ll hHI Ill i t ltuti l y \ tu h .1 II UIIIC' I i(.t ) l ' lll i l\ \\
1
(' tltr l r
l 111 r i lltf' lftl t I rlu h tll)"' t n l lt.t ll li!ll t ' ' . t 11111 .. l t u n r fun tt
ul tl u l lt".t lt '' t u ltu.tl 111 h 1\..t l
26 THE PSYCHEDELIC REVIEW
SQ-cdlcd harmonic major third corrt'$()()1lc.ling to a frc(tucncy ratio
of 5/ 2
2
or 5/ 4 i5 a tender interva l, affcclionatc, peaceful. c;1lming.
pas.she, relaxing. T he difference between these two intervals is
only one conuno. a cliff,rrr1C"'t' \,hir h may .st('m a lmos1
to us. If we then li.SC the theoretical interval or the so-called l CID
pcrcd major third, corresponding to a lr<'<lue nC)' ratio ol 4./.;2.
which is irucrmcdiatc between the other two, it can only have a
very vague cf'lcct. Ol' cvcu create a sort of fluctu:uion, a ncnous
dhnarbanee, as we try unconsciously to identify it with one or the
other o the two real interval.; which surround ic. The tempered
intCr\'als will moreo\er always remain very approximate because
we aPintrcmly tin not ha\'C an audiomcmal :app;aratus which
would pcn11it us to anal)'lC multiples of \12. To make the in
cxactitutlc a nti the painful effect ur the M.><allctl tempered intcnai!O
hc:trablc one has to mask llacm with the :1id uf )(ntnd clouds, ob
t:tined by adding to the wwut, thc fund:unent :al muhiplcs ,cry
dose one w :mother: (the three s1rings nf the piano, the double
reed stopi of the hannnnium, etc.) Ot' b) the means or string
,ibr.uos. ThtM" weaken 1hc emotional color o the
intcna ls 10 surh :1 that o ne cncoun1ers today musici:ms and
musicologists who deny that musical imcrvals have by 1hem.selves
any other than ;1 purely con\'cntion:tl meaning. Thus, we attribute
10 the Minor mode a more mclandmly ch;aracter than to the Major
modc- a.s limited a:. thi) char.u_tcr may be- because we hear the
fonncr used more in runcr.il and the Iauer more for
maniages. It gvcs without saying that it is sufficient for any one
In hear an instrument onlr once '",. hich giv('S precise 10
realize the expressive rc:dit )' u[ the intervals :ucnnling-
t o certain very defi nite ari1hmc1iral relations . Moreover, we find
ag;ain t he same i nterv:als in :dl of music in the instrumentalist
as '''ell as in the singer. when the performer feels emotion.
\ Ve can 10ee. thcrcrorc, that the of auditory per
rcp1ion an<l r th( anal y1ir mcttl :tl JH' rccrui,n wlt id, t' nt rf''J:wtul,
to it, permits snurHis to act throuJ(h rcpcr ition upon our incernal
personality. to transform our scnsibil it )'. nur w:\y of thinkin)t, the
stat e or our soul, :t tatl even our mora l rh:trartcr. is ttue of
music, where arithmetic (or rather, h armonic) Crequcncy r:nios,
b:uctl on the cnmbinatiurh nf ccn:tin spedfi r numbers, which our
ncmal mechanism permits lb tu rcco$tnitc and w an:tl)te. produce
considerable effects o n our psycho-physiolcl-Rical condition. This is
also true, although less directly, lor language, where the repetition
of certain S) llablcs corresponding 10 specific idea'\, produces a
lliCntal uti)iJCcl :1S o ne o the (undantCIII:tl met hod"
or yoga.
Tran'\ btt,( b) P:w l ll uclmt'r :uhl R:dph
A HIGH YOGIC EXPERIENCE
ACHIEVED WITH MESCALINE
JOHN BLOFELD
PRIOR TO THE XPRIMNT described here, 1 had entertained some
doubts as to the claims of Aldous Huxley and others, which imply
that mescaline can induce yogic experiences of a high order. The
experiment took place on 25 May, 1964 (Visaka Puja) at my
Bangkok house under the supenision of Mr. Jonathan Stoker,
who had had previous experience (direct and as an observer) of
the cllccu of mescaline.
At 9.50 a.m., I took a half-dose (0.25 gr.). For some time there
were no remarkable ellects- nothing but a slightly heightened
sense of color and fonn, as exemplified by the vividness of the
patterns seen upon my eyelids when I closed my eyes after gazing
through the open slats of a Venetian blind. At 10.40, an unpleasant
ll:Hc of mental tension supervened. I found myself involved in a
nruggle to preserve a hold on my "1," which seemed to be in
process or disintegration. This schizophrenic effect was accom-
panied by a sensation of cold (although the temperature in the
room must have been about 90 F.) and by an increasing lethargy
which discouraged the smallest action. After awhile. these un
pleasant symp10ms abated anti I was able to enjoy attending to
what was happening to me.
At 11.10 a.m., I took the second half-dose (0.25 gr.). Shifting
colors and forms danced upon my closed eyelids. Some of these
were patterns of great intricacy, such as those which embellish
certain partS o f sacred buildings- mosques, temples, etc.-or sacred
objects of various kinds. These elaborate patterns were abstract,
lloral, ClC.; figures of deities, humans or animals formed no part
of them. I recognized each one for wh:u it was- Islamic, Tibetan,
Indian, Siamese; but now, for the fi rst time, I s..w.: them not 3J
~ r b i t r r y decorations but as profoundly mea ningful. I felt that,
in spi te of belonging to widely varied traditions, they were all
equally "valid" and all derived from a single source.
Presently, I tried to visualize the Tibetan Mandala o the
l'eaceful Deities, but succeeded only in conjuring up some ratl>e.r
metallic-looking demons; although they were far from frightening
and not even very life-like or realistic (being something of a cross
l>ctwtt n mcral srawcs and living bei ngs), they did convey to me
(as thouJ.!:h nHKkingly) th:u to expect a profound religious ex
pC'rkmc: :1ti a rc,ull of t.tking nw)>ral inc w::.s too presumptuous.
27
28
THE PSYCHEDELIC REVIEW
Soon after that, the sensation of a rapidly fragmenting per
sonality returned to me with frightening force. I grew alarmed
for my sanity and should ha,e hastened to take an antidote for
the mescaline had one been available. T hough J. S. persuaded me
to eat some lunch, I was in no condition to enjoy it. By then,
things seen and heard presemcd themselves as independent visual
and aural experiences with no seer and hearer to link them into
one of those single compositions which, at any given moment, form
the content of normal consciousness. The food went down my
throat as usual, but it seemed to be disappearing into a receptacle
connected with me only to the extent that it was too near to
visible. The mental stress grew agonizing. My fear ol permanent
madness increased and I suffered especially from the feeling of
having no inner self or center u consciousness into which to
retreat lrom the tension and take rest. An additional discomlort
was the sensation of bright ligfus shining now and then from
behind me, as though someone were standing there fticldng a
Hashlight off ami on. The movements of my man-scr\ant, who
came in several limes with dishes of food, sweets and coffee, oc
casioned great uneasiness. Whenever he was out of sight, I felt
he might be standing behind me for some vaguely sinister purpose;
and, since he knew nothing of the experiment, I was alraid he
would suppose that I w;os mad. Doubtless anyone else's uninvited
presence would have made me e<1ually distntstlul and uneasy-
though I was not bothered at all by the company of J. S., because
he was "in the know" and I felt the need of a nurse or guard.
No words can describe the appalling mental torment that
continued for well over an hour. All my organs and sensory. ex
periences seemed to be separate uni ts. Theile was nothing left of
me at all. except a sort of disembodied sufferer, conscious of being
mad and racked by unprecedented tension. There seemed no hope
of being able to escape this tormre-certainly for many hours. per-
haps forever. Hell itself could hardly be more terrifying.
At about I p.m .. I dragged myself to my bedroom, shut myself
away from everyone like a sick animal ami fell on my bed.
In my extremity, I suddenly made a total surrender and called
upon my ldam.
1
Come madness or death Ol' anything whatever, I
would accept it without resef\ation il onl y I could be freed from
the tension. For the first time in my life I ceased to cling- to cling
to self, loved ones. sanity, madness, li fe or death. My renunciation
lin the Vajrayana it is taught that nil "deities," and therefore a man's own
!dam (in-dwelling deity). arc products of his and that when
tonsciousness i :s, unimpcdcrl hy the karmic: incnnt<at ious ldt by a he SC"nsory
t'Xpt"ricnces t"nrount<"rt'tl during a long succcs.-.ion o f l ives. it is S('('n to
he not the pmpcrl)' of the irulhi(holl hut ('c,unmuu to :dl IK the sole
ff':t licy in all uni\crsc. (Cf. C. C: .. \\' i lliam .J:IIH('l'l :111d o-1tiH'r.;. wh05<'
md usions S("' IU HJ 14'ntl in rhi:\ tl in'f'liun .) lh'utt' 'i, l lv:uiun
:uul "ollln 1uwn (t ;,"I. kit its. , .,,.. ) : ,. in l :u 1 ikn1 j, .,I Tl " " :1 tutal
Yoslc Experie nce W/1/t MescaliM 29
,., myM:If ;mtl its components w:e) \.41 cumplete as w conslitulc :an
aa ul unaii'))'Cd t rust i n Ill)' ltltuu.
\Vi 1hin a llash, my state was uucrl)' tr;msfonnet.l. From hellish
torment, I pl ung.:'l i nto l'ut:")- :W corasy infi nitely exceeding
anything \lcM.-ribablc ur :anytlling I h;.H.l imagiuc...-d from "'hat the
World' OJC<VIllplishcd lll)Sti<> ha\'C struggled lO describe. Su1ld<nly
lh<:r< full awarcm.- of three great truths which I had
Ions acc:epted intellectually but ne,er, unt il that moment, ex
a being fully >"If-evident. 1'nw they had burst upon
not ju)t a.s imellectual COn\ictions, but as cxprricncn no less
vlitl and t:ongiblc than OJ rc hc:H :o ml light to a man clo.cly sur-
roundl11 by :o forest fire.
I. There was awarenl'$S of urulilfcremiatetl uni ty, embracing the
prrlec:l identi ty ol subject anti nbjcct, of singleness and plurality,
ol the One an<l the M:my. T hus I found myself (il indeed the
wont. " I" and "my>"lf" h:I\'C :ott)' meaning i n such a context) at
once the audience, the actors :m<l the play! Logic:olly the One can
1lve birth tu the :lhny :nul the M:ony c:nt merge into the One or
be furt<lamcntalfy bUl not appao'eutf) identical with it; they cannot
be itt all rcsf>et:IJ one anti n>;nly simultaneously. But now logic
w .. lran>eended. I beheld (ancl m)sel was) a whi rling maS$ of
llrllllam colors and lomu which. being ..,,cral colors ami SC!\'Cnl
forml, were dilfercnt from uuc another- and yet altngethcr the
M"' e at the ' 'ery moment ul dilftrcm! I tluubt if t his state
Matt can be made 10 seem meani ngful a t the nrdin:rr lc\'cl or
No wmulcr the o all aiths teach that
COill(."S only when lugic an' I imellcc1 ;uc uansc:cmlcd l
I any case, this t ruth, e\'t'n i at ;111 ordinary Je,cl of cnnsdousncss
k cannot be unde-rstood, can, in a higher state o cora.scinusncss.
dlr""tly cxp.oicncnl as sclkviolem. Logic also boggles at trying
10 n plain how I could at once pnuii!C and yet be those colors
alkl t hose lonns, how the the Jeeing and the seen, the feeler,
tile fulittg and the felt couhl a ll be one; but, to me, all this was
oo dearl y >"If-evident as to >uggc>t the words "childishly simple!''
2. Simuh:o neously, there w:u awareness of unuuerablc bliss,
coupled "'ith the conviction that this was the ouly real ;uul eternal
11a1e of being. all othcos (including nur entite experience i n
1he claytc>chy worlcl) being no more than p:ossing clrcams. This
bUn , I ;un cun,inct'tl. aw;tits all beings \\'hen the last \'(!)tigts of
thrir 'l'ltlu"Ml ha\'c lxl'll tk .. trn)l"<l -ur. <t) in this case, l l'I'II] Xtrarily
...-rnwlf't of f'U'I-, ,-nriltt' of tht" 'ir1f f'"An t:lt" tht" of to ""hal
.. "' ln.J.k-'' 111 /n1, fur '':ttutl.-). u1 111 h a l - Q'Iu,H:k'' ( a' 111 \ tnidiMn
..,. ) I hf' ld'"" 111 " iuhff'lhuK '"''"; i' "nnu\lnuu" with tl1r Udaiu:al
fli hur ul / rtl f ,mol "-'llh thr llnh C:huol o f ( ,llli\HJIIII\\, 1\ J Hltl
t"l" hil h I tn\ uuml _ .tolmu.tl oh 111\ij k .u 11l ttlll 'llt .. , 1t1r> "'' If
...,,.,ltf 1hr ..,It 11 l!#'\ullol ,til Inti , \ir\<lt'ot llw 1r.1 l
.. ,.,._ I ll lllf ,' 11 1\ 11"11 ''"' \If' \<! I ol , 1\ 11111\l' l'.tl," I I 1\ I ll ,. ""' ll'lf'
IIUi ololl' Ill IOOol!\ tt lu,ll
30
THE I'SYCHEDELIC IEVIEW
diJcarded. It was so intense as to make it seem likely that body
and mind would be burnt up ir1 a nash. (Yet, though the state of
bliss continued for what I later knew to be three or four houn,
I emerged. from it unscathed.)
8. At the same time came awareness of all that is implied by
the Buddhist docuine ol' ''tlhanuas; namely, that all things,
whether objects of mental or of sensory perception, arc alike devoid
of own-being, mere l.ransitory oombinations of an infinite number
of impulses. T his was as fully apparent as are the individual
bricks to someone staring at an unpla5tered wall. I actually ex-
perienced the momemary rising of each impulse ami the thrill of
culmination with which it immediately ceased to be.
I shall now attempt to describe the emire experience in terms
of sensory perception, though not without fear that this will cloud
rather than illumine what has been said; for the content of my
experience, being suprasensory and can hardly
be made understandable in terms originally coined to describe
the mental and physical content of ordinary perception.
Reality, it stems to me in retrospect, can be \'ieweU as a
"plasma" of no intrinsic color or form that is ne,ertheless the
"substance" of all colors and all forms. Highly charged with ' hid
consciousness, energy and bliss, it is engaged in eternal play. Or
it can be viewed not as plasma but as an endless succession of
myriads of simultaneou impulses, each of which ari""" like a
wave, mounts and t.lissolves in bliss within an instant. The whirling
colors and shapes which result produce certain effects that recall
fl ashes of rare beauty seen in pictures, dreams, or in the world of
normal everyday consciousness; it can be dcclucc<l 1 hat the latter
are in fact faint reflections of this eterni l beauty. (I remember
recognizing a well-loved smile, a wellremembere<l gesture of un-
common beauty, etc., though I percehed no lips to smile, no arm
to mo\'e. It wa as though I bebeld and recognized the e\'erlasting
abstract quality to which such tr.lllsient smiles and gestures had
owed their charm.) Again, Reality can be viewed as a god dancing
with marvelous vigor, playfull y, his every movement producing
waves of bliss. From time to time he makes stabbing movements
with a curved knife. At every stroke, the bliss becomes intense. (I
remember that the plunging knife made me cry aloud: "That's
itt That's rightl Yes, yes, YESIII"). Or else Reality can be viewed
as a whirling mass of light, brilliant color, movement and gaiety
coupled with unuuerdble bliss; those who experience it cannot
refrain from laughing cries of "Yes. yes, YES! Ji a ha hal That's
how it is! Of course, of course!'' (1 !eh as though, after many
years of anxious search for the answer to some momentous prob-
lem, I "'as suddenly confronted with a solution so wholl y satisf)'
t Analogou.s lO eleclrical chargct.
:I" Ondti
Yo11ic Experience Wi th Mescaline 31
"C anti so entirely simple that I h a.t to burst o ut laughing. I
WAJ consci ous of imrncnsc joy ami of i ncredulous amazement at my
uwn stupidit y in having taken so long to discover the simple truth.)
\ Yithin 1his ''play o the there is endless ghring ancl
receivi ng- though giver, gift and receiver arc o coul'se the same.
It lo '" though two deities (who are ')et o ne) are locke.t in ecstatic
t:mbrucc. giving: and recei ving with the bandon or adoration. (The
Tibetan YabYum representations of d eities hint at this. The artists
who pa int them must be forgi ven for their inability to indicate
thlt gi,.er ami receiver arc not onl y one but lom1less; though,
lo,1ec."tl , some artists manage w suggest the oneness by blending
the figures so well that the Yum is not seen unless the picture is
prolonged ami careful scrutiny.) Durin!( the experience, I
Wh identical with 1he giver, the r ecei ver and the incl'ed iblc
1&vcn and received. There is no1hing sexual about this union:
It lo formless, the bliss is all per,.;u.ling, ami p:i ver and receiver,
a lvlng :mt l receiving arc nm two but one. It is Hnly in attempting
IH tottuey the experience that the imagery of sexual joy suggests
rn perhaps coming a little closer tha n other imagery to Lhc
Mta or an ccstouic union in whirh two :trc one.
Some of the concl usions I tlrcu frnm the whnlc experience
1e follows:
u. Feur and anxiet y as to our ultimate destiny are setr
I11Hictecl tonncnt>. By energetic:ally brcakinp: <lown the karmic
which give rise to the illusion o f an ego ami of in
lllwldual sep:arateness, we shall hast en the time when Reality is
ami all hindrances to ecst a tic bliss remo,ed - unl<:$5 Bod
... tva\tt'isc, we compassionatel y prolong our wanderings in Sam
110 to lead other beings to that goal.
b. The world around us- so often gray-is the product of our
11 d istorted vision, of our t'gOconsciousncss and egoclinging.
y OJt lng :away our selves t ogethe r with all longings. desires,
ll"llhln a nd properties that pen ai n to them, we c;m utterly de
uoy the illusory egos which alone bar us from the ecstatic bliss
ol u niversal consciousness. The key is total renunciation; but this,
,I cannot oft en be achie,cd by a single effort of will because
ch of us is hemmed in by a hard shell or karmic propensities. the
lruh of rn:tn y, ma ny misspe nt li ves. T he three fires o desire,
Pl"lon and ignor.mce are hard to quench-and yet they would
be qutnchcd in ::Ill inst am could we bu t make and sust ain an act
of totnl rt nu ncia tion. Such an act eannot result from effort or
because t hese ,,ould i nvoh e our egos and t hus ot cwally
\tiC!IIgt htn them. Thus, in the ultimate st age. C\' Cil effort and
for Nin:-1na rnu!ii t l>t: alxmlonltl together \\' ith e,cr) t hiriK
f'IW' Thit ;, ;1 ll u t h h;ud 10 umlehl ;nHI.
r Thr Htuld h:, CX(lC'I ituc c indic .th''l 11.:.1 , wlwu EnlighH.' II
32 THE PSYCHEDELIC REVIEW
ment (i.e., full awarCil(,.,; or that blissful Re;olity whose attributes
include inconceivable wisdom, compassion, light. beaut)' energy
and gaiety) is obtained in this lire, it is possible to continue carry-
ing out human responsibilities, as required, responding
to circumstances as they arise and yet be lrcc of them all . So it
is wilh a tcdcntcd actor who, in the pan of Romeo, weeps real
tears; when his grief for Juliet threatens to O\'erwhelm him, he
can withdraw inwardly from his role long enough to recollect the
unreality of Juliet and her death, and yet continue to give the
same fine performance as before.
d. A single glimpse of what I s;ow should be enough to call
fort h unbounded affection for all living beings: for, however ugly,
smelly or tiresome they may seem, all that is real about them is
that gloriously blissful shining consciousne-.s which formed the
center of ffi)' experiencr. Hatretl , dislike, disdain, aversion for
any being sharing that C.onscwusness (i.e., any being at all) muot
amount to blasphemy in one who has seen 1\c ing itself.
It may be objected th;ot my description of the txperience is
too closely reminiscent of Vajrayana imagery and that wh;ot I
perceived was not Reality ;11 all, but a mere subjecti,e illusion
based on the content of my previous studie-s ;oml practices. The
answer tO this objection is that, as .-\lclous Huxley broughi oui so
well in his "Perennial Philosophy," in all ages and all countries
everyone who has undergone a profound mystical experience-
even though in essence it\ content is apparently the same in every
case-has been compelled to fall back on the imagery of his co-
religionists or nf those for whom he writes: the experience itself
is so unlike anything known to us in ordinary states of conscious
ness there arc no words to describe it. while my own
exp<!rience full y confim1ed what my Vajmyana teachers had taught
me, it was much too foreign to my previous understanding of those
teacltings to have been a subjective illusion based on them.
As to how it happens that a dose of mescaline can make such
an experience possible to someone who has nnt yet attained it by
the profound anti prolonged practice of yogic meditation-! just
do not know. The way I explain it to my own satisfaction is that
the effect of mescaline is to free the consciousness temporarily
from the obstacles to true l'ealization of unhcrsal unity nonnally
imposed by that karmic structure which each of us takes to be
his "individual self. " I helic,-e that psychologists of C. G . .Jungs
school would have no difficulty in expressins-: this idea in terms
more scientifically acceptable. Indeed, if one of them chances to
read this article, I shall be grateful if he will elucidate my mesca-
line experience in scientific terms fo1 the sake o f 1hose not pre
parecl 10 accept m)' nl) 'Hic:-tl :111cl qua<i reliJtious explana
tion Of iiS f Onltlll.
MOIRE PATTERNS AND
VISUAL HALLUCINATIONS
GERALD OSTEI
IWi ti'IO nt PAST FEW YEARS I have been concerned with the
Kltnt l6c well as the aesthetic' aspectS of moire patterns. Moire
poutrnt arc the figu res produced by the overlapping of two or
-e famili es of lines; the locus or points of intersection form
the pattern. My interest in visual hallucina tions as evoked
poychedelic drugs was stimulated by the writings of Aldous
tfulcy. I was particularl y struck by his reference to the fact that
-.ltr the i nOuence of mescaline, patterned structures (i.t ., repeti
" atructures) such as a garden trellis, a striped beach chair, and
pin a ppeared to be p:micularl y exciting. It is as if mescaline
"'' to the fore some screen in the eye whidt, when superposed
11\e vlaual scene, produces a moire pattern. On the basis of this
1llve h)'J>Othesis I proettdcd "' devise experiments, the
which a re reported herei n.
My plan was to view in detail si11gl highl ystructured figures
under the infiuence of LSD. I a lso wished to a.sccrtain the
blc optical origin of reports that under the inRuencc of
llldltldellc drugs objects appear "alive," that space appears full,
that colors are enhanced.
I wa. cognizant of the fact (as reported by Henri Michaux,
others) that the psyched elic experience can be achieved
th the eyes dosed . In order to proceed in an orderly manner, I
lded tha t throughout my experiments I would be concerned
l nly with visua l impressions (i.e., eyes opened) but a few ex
rhncntt were dcvolt"<l 10 impressions with my eyes closed.
In aucndancc during the session was a trained clinical psy
thol0f1ist whv ;ulrninist crc<l 1hc <lrug (75 microgr:nns of LSD25
hlthiVCI.Oluly) ;md Ill )' wi fe, a }Jhysicist who is knowl<: dgcabJc
1bouc nwlrC phenomena, T fiC)' rcporc tha t the session
(ol ' ' " hou r; d,m.ttinn) I ''' :tS ;uul i n Ill)'
fl .. tf(' lll\ , I l l't .tll .HI c xu .mrcl in.rl")' .unuum uf d LI:Iil h ( 1h,1t \(''li,iuu
whit h I t r hrc kcl wi th "" ,,i h. :'\l tt\t u f the " ' ''iuu ...,.,,, clc,utccl
J)
34 THE PSYCHEDEliC REVIEW
to repeuuve viewing of the projection o the figures (transparen
d es) from my moire kit on to a smooth white wall. The pro
jector used was. of the overhead type (Bessler Vu-Graph) which
allows one to move the transparencies about in a horizontal plane.
A complication ar05c because o the choice of this projector in that
it contains a Fresnel lens which intrO<luced a further pauerned
structure. The projected image was about three feet square and
was viewed at a distance of about seven feet. The viewing took
place in a small country cottage free from external noises and all
extraneous objecu were removed from the room and the windows
were curtained with plain paper. During the session I also exam
ined under strong illumination (a 150-wan GE SJ)j)tlamp) the
illustrations in my moire article, and various household objects as
well as eH'ects (for a short period) with my eyes dosed. The session
took place in the afternoon (between the hours of one and seven,
preceded, by the way, by a very light l unch) in which the first four
hours were de\oted to the viewing of the projected images. ,
During the fi rst few hours after the administration of the drug
and especial!)' between the fi rst and second hour there was super
posed on my vision a pleasant undulatory movement which I
timed to be about 0.5 cycles per second (that is, one wave of two
seconds' duration) which could conceivably be associated with the
delta rhythm in electroencephalography.' During the waning
hour (between the fi ft h and sixth hour) of the session I found I
could command myself, so to speak, to revert from the normal state
to the drugged state.
The feeble concentric ring stmcture of the projected image o
the Fresnel lens of the projector, although barely perceptible to
others, (i.e., the psychologist and my wife) wal clearly visible to
me and seemed to be movi ng in and out or thC projection screen.
In addition I was acutely aware o specks on the image (arising
from dust motes ami scrtchcs on the lens of the projector) which
seemed to acquire a three-dimensional character. Those specks
which were defocused appeared further away than the ones which
were sharply in focus. With a little effort I was able to disregard
these background images and to concentrate on the high contrast
transparencies of the moire kit. The figures were examined in no
particular sequence. In fact, throughout the first four hours o the
session all the Lransparencies were re-examined several times.
There was no indica.tion that the apJ>earance of a figure was in
nuenced by being preceded by another figure. In this article the
number designation for a figure is that given in Ill)' book.
The coarse grating (No. I) with straight lines (equispaced
parallel black white bars) vertic;o l showed nothing particularly
unu,)ual e xcept 1h:u 1hc l ines \\'obblcd the.: wnhbling being
Moire l'otrerns ond Holluclnolions 35
:of the usual two-second period. The faintl y-coloted blue and yel-
t.li:amonds which <tre seen under onlimtry conditions (sec ref.
p. 24) arc not cnhanc(-d by LSD. In co111rast, the variable spaced
tlng (logarithmic spaced grating No. ;!) appeaR-.1 rich in de-
l, especially in the yon ions of the figure. The vertical lines
ppured buckled (agam 111 two-second waves) ami were colored,
purple being particularly prominent. Of considerable interest were
the atep markings of this figure. These markings (as individual
llnb) undergo slow successive riS('S :uJ<I falls. The intensity of the
elect (i.e., the amplitude of the displacement in the vertical tlirec-