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    Herbert Mynshall

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    du Gast Gabriel Battaille du Gast Gabriel Gauthier Gabriel Gauthier René Saman Heart Filou Despond Mr. Gauthier Daniel Bacheler Gabriel Gauthier Ballard Angelica de Cauroy Despond Daniel Bacheler 1) This document describes a 17th century manuscript anthology of lute music owned by Edward Lord Herbert. 2) The anthology contains pieces by composers such as Daniel Bacheler, Philip Rosseter, Jacob Reys, and Diomedes Cato, as well as some of Herbert's own compositions from 1626 and 1639. 3) The manuscript provides biographical details about Herbert's life and career

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    Herbert Mynshall

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    du Gast Gabriel Battaille du Gast Gabriel Gauthier Gabriel Gauthier René Saman Heart Filou Despond Mr. Gauthier Daniel Bacheler Gabriel Gauthier Ballard Angelica de Cauroy Despond Daniel Bacheler 1) This document describes a 17th century manuscript anthology of lute music owned by Edward Lord Herbert. 2) The anthology contains pieces by composers such as Daniel Bacheler, Philip Rosseter, Jacob Reys, and Diomedes Cato, as well as some of Herbert's own compositions from 1626 and 1639. 3) The manuscript provides biographical details about Herbert's life and career

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    du Gast Gabriel Battaille du Gast Gabriel Gauthier Gabriel Gauthier René Saman Heart Filou Despond Mr. Gauthier Daniel Bacheler Gabriel Gauthier Ballard Angelica de Cauroy Despond Daniel Bacheler 1) This document describes a 17th century manuscript anthology of lute music owned by Edward Lord Herbert. 2) The anthology contains pieces by composers such as Daniel Bacheler, Philip Rosseter, Jacob Reys, and Diomedes Cato, as well as some of Herbert's own compositions from 1626 and 1639. 3) The manuscript provides biographical details about Herbert's life and career

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    306 views48 pages

    Herbert Mynshall

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    semperdowland
    du Gast Gabriel Battaille du Gast Gabriel Gauthier Gabriel Gauthier René Saman Heart Filou Despond Mr. Gauthier Daniel Bacheler Gabriel Gauthier Ballard Angelica de Cauroy Despond Daniel Bacheler 1) This document describes a 17th century manuscript anthology of lute music owned by Edward Lord Herbert. 2) The anthology contains pieces by composers such as Daniel Bacheler, Philip Rosseter, Jacob Reys, and Diomedes Cato, as well as some of Herbert's own compositions from 1626 and 1639. 3) The manuscript provides biographical details about Herbert's life and career

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    The document provides biographical details and significant dates for the life of Edward Lord Herbert, and lists various musical compositions found in his lute book from the 17th century.

    The dates listed on page 1 outline important events in the life of Edward Lord Herbert, including his education, military service, diplomatic posts, and elevation to the peerage.

    The document lists various lute compositions including pavans, galliards, preludes, and almains attributed to composers such as Anthony Holborne, Daniel Bacheler, John Dowland, and others.

    Herbert

    GB-Cambridge, Fitzwilliam Museum, Ms.Mus.689 DATE: c1630 and 1640 Page measurements: 331 x 218 mm Household or personal anthology in upright folio format. The book is described and discussed in detail in Craig 1991. The inscriptions read The Lutebooke of Edward Lord Herbert, of Cherbury and Castle Island, containing diverse selected Lessons of excellent Authores in severall Cuntreys. Wherin also are some few of my owne Composition Herbert (f.ii'); Diligitur nemo nisi cui fortuna secunda est. (f.90:) Pavan of the Composition of mee Herbert of Cherbury and Castle Island. 1640. (f.90v:) A Pauan composed by mee Herbert of Cherbury and Castle Island; 1639. (f.1); Virtus laudatur et alget. / Fortunam reverenter habe quicunque repente / Dives ab exili progrediere loco. (f.iv') and their relation to Herbert's life is examined by Dart. The significant dates in Herbert's life are summarized below: 1583: Born 3 March. 1596: Became a gentleman commoner of University College, Oxford. 1598 approx.: Married Mary, daughter of Sir William Herbert. 1600: First appearance at court. 1603: Made Knight of the Bath on the accession of James I (VI), and then spent some time at his castle in Montgomery, where he learned to play on the Lute "with very little or almost no teaching". 9 1608: Visited France with Aurelian Townsend, where he was received at the courts of Henry IV and Queen Margaret. 1609: Returned to England in February. 1610: Became officer in the army of Lord Chandos and travelled abroad again. 1614: Joined the army of the Prince of Orange as a volunteer, later visiting the Rhine and the principal cities of Italy, staying in the English college in Rome, and with the Duke of Savoy. Marched from Languedoc to Piedmont to fight with the Savoyards against the Spaniards. Visited the Prince of Orange in the Netherlands on his way home. 1617: Returned to London and became part of a literary circle that included Ben Jonson, Henry Carew and John Donne. 1619: Offered post of Ambassador to the French court by the Duke of Buckingham. Left for Paris on 13 May. 1624: Opposed some of the clauses attached to the forthcoming marriage between Prince Charles and Henrietta Maria, dismissed from his embassy and recalled to England, Irish peerage of Castle Island conferred on him. 1628: Permitted to return to Montgomery Castle. 1629: Elevated to English peerage as Lord Herbert of Cherbury. 1632: Granted apartments at Richmond in order to begin his work on the life and times of Henry VIII. 1648: Died. Bibliography: Lumsden 1957A Dart 1957 Price 1969 Spring 1987A Craig 1991
    folio 1 1v 2/1 2/2 2v-3 original ascription Prelude des preludes. par il Sr Diomedes Prelude. Perichon. Prelude. Jacob. Prelude. Vt re mi fa sol la Fantasia dell' ecc[elentissi] mo Sr: Diomede title Prelude Prelude Prelude Prelude Fantasia Ut Re Mi Fa Sol La composer Diomedes Cato Julien Perrichon Jacob Reys Diomedes Cato cons. & cogs. Besard 1603 4v

    Mertel 1615 111/2-112/1 Swarland 8v-9

    From Herbert's autobiography, cited in Dart 1957.

    459

    Herbert

    3v-4

    Pauana del Sr Danielle Inglese.

    Pavan

    4v-5 5v-6 6v

    Pauana del medesimo. Pauana del medesimo Pauana. by Anthony. Holborne. Countesse of Pembrooks Funeralls. Pauana del medesimo. Pauana del medesimo. Decreui. Pauana del medesimo

    Pavan Pavan Pavan, The Countess of Pembroke's Funerals Pavan Decrevi Pavan Pavan

    7 7v 8

    8v-9 9v 10/1 10/2 10v/1

    Pauana. by J: Doulande Lachrim Gagliarda. by mr Jeames. Gagliarda. J: Doulande. Prelude. P: Rosseter. Courante. du Poulonois

    Lachrimae Pavan Galliard Giles Hoby's Galliard, cnst pt Prelude Courant

    Daniel Bacheler [5] Pickeringe 27v Dd.5.78.3 61v-62 Mylius 1622 46-47 Fuhrmann 1615 49-50 Anthony Holborne Cosens 80v-81 Dd.9.33 70v-71v/1 Anthony Holborne Anthony Holborne Dd.5.78.3 11v-12/1 Euing 18/2 Pickeringe 34/1 Anthony Holborne Anthony Holborne Dd.2.11 49v/1 Euing 38v Anthony Holborne Dowland 1610B 17v Dd.5.78.3 66v Euing 19/1 John Dowland [15] see separate list James Harding John Dowland [29] Philip Rosseter Jacques Polonois Nn.6.36 1v Hove 1612 52v/2 [53l]

    Aegidius 37v-38 Fuhrmann 1615 166/1 Nrnberg 15-15v cf: Herbert 10v/1 Hove 1612 62 - first strain only: Montbuysson 24v & 66/2 Dolmetsch 216v-217

    10v/2 11/1

    Courante de Belleuille: Courante del medes [imo].

    Courant Courant

    Jacques Belleville Diomedes Cato/ ?Anthony Holborne Julien Perrichon Despond Jacques Belleville Gabriel Battaille Robert Ballard Jacob Reys Diomedes Cato Edward Herbert Besard 1603 166/2

    11/2 11/3

    Courante Courante. Perrichon. / Perrichon. 11v/1 Courante. Desponde 11v/2 Courante Belleuille. 12 Fantasie Battaille 12v Courante Ballard. 13 Prelude Jacob: 13v/1 fantasia Diomedes. 13v/2 Pavan of my owne Composition 3 martij 1626 Herbert 14 Fantasie: Jacob: 14v-15/1 Fantasia Lorenzino. 15/2 15v/1 15v/2 15v/3 16 16v-17 17v-18 18v/1 18v/2 19/1 19/2 Courante Bocquet Courante Despont: Courante EH: Prelude. Fantasie R: Jhonson: Fantasia Sr Diomede. fantasie Jacob: Prelude: Jacob. Balet: Jacob: Prelude Polonois Prelude Battaille.

    Courant Volt/Courant Courant Courant Fantasia Courant Prelude Fantasia Pavan

    Ballard 1611 82/2-84/1 Mertel 1615 268/2

    Fantasia Fantasia Courant Courant Courant Prelude Fantasia Fantasia Fantasia Prelude Ballet Prelude Prelude

    Jacob Reys Laurencini Charles Bocquet Despond Edward Herbert Robert Johnson Diomedes Cato Jacob Reys Jacob Reys Jacob Reys Jacques Polonois Gabriel Battaille

    Besard 1603 27v Dowland 1610B 11v-12/1

    Herbert

    19v-20

    Pauana. mr Daniel. Bacheler

    Pavan

    Daniel Bacheler

    20v 21 21v/1

    Pauana mr Daniel. Bacheler. Pauana. Ph: Rosseter. Gagliarda della Pauana.

    Pavan Countess of Sussex's Pavan Countess of Sussex's Galliard (3) Tears of the Muses Galliard Galliard Galliard Pavan Une Jeune Fillette/ Nonette

    Daniel Bacheler Philip Rosseter Philip Rosseter

    Herbert 19v-20 Pickeringe 20v-21/1 Mylius 1622 57-58 Fuhrmann 1615 56-58/1 Nn.6.36 2v-3/6

    cf: Barley 1596 59 (orph.)

    21v/2 22/1 22/2 22v-23 23v-25

    The Teares of the Muses Antho: Holb: Gagliarda Gagliarda Pauana. Ro: Jhonson. La ieune fillette mr Daniel.

    Anthony Holborne

    Euing 40v/2-41/1 Dd.5.78.3 17/2

    Robert Johnson John Dowland [93]/Daniel Bacheler

    ML 9v/1 Adriaenssen 1584 88/2 Bautzen 18/2 Besard 1603 131v-132 Besard 1617 4/1-6/3 Hove 1612 55v-56v/1-57 Montbuysson 11v-12 Phalse 1563 88/1 Pickeringe 30v-31/1 Richard 25 and 35v-37v/1 Schele 25-28/1 Thysius 380 and 509 Valerius 1626 180-181 Vallet 1615 43-44 Vilnius 2v/1 cf: Richard 35 Como 40v Montbuysson 16/2 Besard 1603 162v/2

    25v/1 25v/2

    Courante mr Daniel. Courante

    Courant Volt/Courant

    Daniel Bacheler

    26/1 26/2 26v/1 26v/2 27/1

    Courante Almaine Daniel <Courante mr Daniel.> Courante mr Daniel: Courante. Courante Perrichon.

    Courant Almain Volt/Courant Courant Volt/Courant

    Daniel Bacheler Daniel Bacheler Julien Perrichon/ (Mathias Mason)

    Board 42/2-42v/1 Nn.6.36 8/1 Vilnius 1v/1 and 2/2 Swarland 2v/1 Fuhrmann 1615 171/1 Dd.9.33 75 Dresden 92 Bautzen 18/1 de Bellis #24 Beckmann 9v-10 cfsame first strain: Dolmetsch 12v-13 Dlugoraj 253v Board 29/1 Aegidius 33v-34 and 36v

    27/2 27v/1 27v/2 28/1 28/2 28v 29/1 29/2 29/3 29v/1

    Courante. Mr Daniell. Courante Courante. Courante Mr Daniel. Courante. Courante. Courante. Courante.

    Courant Courant Courant Courant Courant Courant Courant Courant Courant/Volt Courant

    Daniel Bacheler ?Daniel Bacheler Daniel Bacheler cf: Dolmetsch 11v-12 Nn.6.36 8/2 Dd.4.22 7v/2-8/1 Vilnius 67/1 Dd.9.33 56v/2-57/1 ML 19v/3 Nn.6.36 16/2 Dd.9.33 57/2 Fuhrmann 1615 180/1

    Charles Bocquet

    Herbert

    29v/2 29v/3 30/1 30/2

    Courante. Reprise Prelude Perrichon. Courante du mesme.

    Courant Reprise Prelude Courant Le Testament

    Julien Perrichon Julien Perrichon [18]

    Nn.6.36 33/2 Mertel 1615 153/2 ML 26v/2-27/1 Herbert 30/2 Dolmetsch 178v-179 Vilnius 4v/1 Besard 1603 156/2 Dd.9.33 56v/1 Nrnberg 20 and 27 Moy 1631 10 cfsame first strain: Ballard 1614 33/2-35 Herbert 33/1-33/2 cf4th down: Vilnius 4v/2 Besard 1617 26/2 Dolmetsch 18v-19 Aegidius 106

    30v/1 30v/2 31/1 31/2

    Prelude. Desponde: Courante. du mesme D. Courante du mesme Desponde En me reuenant

    Prelude Courant Courant More Palatino/En Me Revenant

    Despond Despond Despond Daniel Bacheler Board 25v/3 Board 25v/3 Pickeringe 28v/1 Fuhrmann 1615 158-159 ML 8v/2-9 Herdringen 9829 9v-10 Brahe 35v/2-36 and 37 Besard 1617 no.9 Cosens 43v-44 Trinity 138 Phalse 1547 6-6b/1 Stobaeus 65-65v/1 Mertel 1615 152/2-153/1

    31v/1 31v/2 32 32v

    Prelude. Perrichon. Courante <Ballarde> Saman. Fantasie Pollonois. Fantasie du Gast gentilhom[m]e Provenal:

    Prelude Courante Fantasia Fantasia

    Julien Perrichon Ren Saman Jacques Polonois du Gast

    33/133/2 33v & 34/1 34/2 34v 35 35v 36 36v/1 36v/2 Fantasie de du Gat. Une Pseaume: Fantasie de du Gat. Fantasie de du Gat Fantasia. Fantasie. du. Gast

    Courant

    Johan Baptiste Besard du Gast

    cf same opening: Ballard 1614 33/2-35 See also Herbert 30/2

    Fantasia

    37/1 37/2 37v/1 37v/2 38/1 38/2 38v 39/1

    Psalm Fantasia Fantasia Fantasia Fantasia with solo part Fantasie Jacob: Prelude. Fantasia Prelude Sur le Courante de Courant on the Perrichon Jacob: Courant of Julien Perrichon Courante Gauthier. Courant Volte. Pietreson. Volt Volte Pietreson. Volt Prelude. Prelude Fantasia Diomedes Fantasia Prelude mr Dan. Bach: Prelude Fantasie. Jacob: Fantasia Courante Jacob: Courant

    du Gast du Gast du Gast Jacob Reys Jacob Reys

    Mertel 1615 156/2-157/1

    Dowland 1610B 31v/1 Schele 88/1

    Gautier Pietreson Pietreson Diomedes Cato Daniel Bacheler Jacob Reys Jacob Reys

    Herbert

    39/2 39v/1 39v/2 40/1 40/2 40v/1 40v/2 40v/341/1 41/2 41/3 41v-42/1 42/2 42v/1 42v/2 43/1 43/2 43v 44/1 44/2

    Fantasie de du Gast Cadence. Bataille Fantasie du Gast: Courante Courante Courante Gauthier. Courante du mesme. Courante Courante Saman. Courante Heart: Filou. Despond Cloches Mr. Gauthier Prelude mr Daniel: Volte. Gauthier: Entree: Angelica de Ballard: Fantasie du Cauroy Prelude Desponde. En me reuenant. Etc.

    Fantasia Cadence Fantasia Courant Courant Courant Courant Courant Courant Courant Fileu The Bells of Paris [first 21 bars only] Prelude Volt Entre Angelica Volt Fantasia Prelude More Palatino/En Me Revenant

    du Gast Battaille du Gast

    Mertel 1615 200/2-201/1

    Gauthier Gauthier

    Ren Saman Heart Despond Gauthier Daniel Bacheler Gauthier Robert Ballard Caurroy Despond Daniel Bacheler

    Besard 1603 47/2

    Schele 94/2 Ballard 1611 64/2-66

    44v

    Fantasie. Alphonso Ferabosco.

    Fantasia

    Alfonso Ferrabosco

    Board 25v/3 Pickeringe 28v/1 Fuhrmann 1615 158-159 ML 8v/2-9 Herdringen 9829 9v-10 Brahe 35v/2-36 and 37 Besard 1617 no.9 Cosens 43v-44 Trinity 138 Phalse 1547 6-6b/1 Stobaeus 65-65v/1 Hirsch 8v-9/1 Dowland 1610B 13/2-13v Dd.2.11 21v cf: Besard 1603 32

    45 45v

    46 46v/1 46v/2 47/1 47/2 47v-48/1 48/2 48v/1 48v/2-49 49v/1 49v/2 49v/3 50/1 50/2 50/3 50v/1

    Prelude Jacob. Fantasie du Gast. gentilhom[m]e Prouenal. Gagliarda. Jacob. Courante Gauthier Courante. Gauthier Courante Saman. Chacogne Courante. Fantasie de du Gat. Fantasie Polonois Fantasie du mesme Jacob Volte Gauthier: Courante. Gauthier. son Adieu La. Redouble Courante. Gauthier Courante; Gauthier; sur J'astois brise mes fers: Courante L'espine

    Prelude Fantasia

    Jacob Reys du Gast

    Galliard Courant Courant Courant Chaconne Courant Fantasia Fantasia Fantasia Volt Gautier's Adieu Courant La Redouble Courant Courant on J'astois brise mes fers Courant Courant

    Jacob Reys Jacques Gauthier [probably] Gauthier Ren Saman

    ML 22/2 St Petersburg 73v-74

    du Gast Jacques Polonois Jacob Reys Gauthier Gauthier Dowland 1610B 35v/1 Schele 89/3

    Gauthier Gauthier

    Charles de L'Espine Edward Herbert

    50v/2

    Prelude Herbert

    Prelude

    Aegidius 153v-154 Herbert 51/1 Dolmetsch 274v-275 Herbert 51/2

    Herbert

    51/1

    Courant [frgmt]

    Charles de L'Espine Edward Herbert Jacques Polonois Jacob Reys Daniel Bacheler

    51/2 52/1 52/2 52v/153/152v/253/3 53/2 53v

    Prelude of my owne making. H Prelude Pollonois Prelude Jacob: Pauana. mr Daniel.

    Prelude Prelude Prelude Pavan

    Aegidius 153v-154 Herbert 50v/1 Dolmetsch 274v-275 Herbert 50v/2

    Gall: Polonois Pauana. Anth: Holborne.

    Galliard Cradle of Conceits Pavan Pavan Galliard on a Galliard of Daniel Bachleler

    Jacques Polonois Anthony Holborne

    54 Pauana. 54v-55/1 Galliarda: J: D:

    Lusher John Dowland [28]

    55/2

    Gall: mr. D: B:

    Earl of Essex's Galliard/Can She Excuse

    John Dowland [42]

    55v-56/1 56/2 56v57/257/1 57v 58/1 58/2 58v/1 58v/2

    Pauana. R: Jhonson Prelude mr Daniel. Fantasie. mr Dan. Bacheler. Fantasie. Pollonois.

    Pavan Prelude Fantasia

    Robert Johnson Daniel Bacheler Daniel Bacheler

    Dd.2.11 45v 51v/1 and 61/1 Cosens 1v-2 Dd.9.33 16 Board 16v-17/1 Montbuysson 94v-95 Dd.5.78.3 35v-36/1 Euing 20v-21/1 ML 15v/2-16/1 Fuhrmann 1615 108/2110/1 Barley 1596 62 (orph.) Montbuysson 2/1 and 56v/2-57/1 Dowland 1610B 24 Dd.2.11 40v/1 and 62v/1 Euing 24/1 Folger 16 Hirsch 11v/1 Nn.6.36 37 Cosens 48 Fuhrmann 1615 121/2122 Bautzen 31/1 Thysius 22v/1 Vallet 1615 36-40 Vilnius 58v/2 ML 31v-32/1 Herbert 58/2

    Prelude mr D. B: Toccata. Lorenzino Prelude mr Daniel Bacheler. 59 Prelude. Cauroy: 59v-60/1 Fantasie. Diomedes. 60/2 Fantasie. Diomedes. 60v/1 Pauan Ro: Jhonson: 60v/2 61/1 61/2 61v/1 61v/261v/462/262/4 61v/3 62/1 Prelude; Prelude Perrichon. Prelude Perrichon. Courante Gauthier Le passage

    Fantasia [n.t.] Prelude Toccata Prelude Prelude Fantasia Fantasia Pavan Prelude Prelude Prelude Courant Divisions for courante following

    Jacques Polonois Daniel Bacheler Laurencini Daniel Bacheler Caurroy Diomedes Cato Diomedes Cato Robert Johnson Herbert 56/2

    Julien Perrichon Julien Perrichon Gauthier

    ML 22v/1 Aegidius 75v Herbert 64/2 Mertel 1615 2/2 Mertel 1615 5/2

    Courante. Saman. Courante. Gauthier

    Courant Courant

    Saman Gauthier

    Herbert

    62/3

    Courante Gauthier.

    Courant Courant

    Gauthier Robert Ballard/Heart

    62v-63/1 Courante. Heart:

    Schele 82/2-83/1 Moy 1631 12 Ballard 1614 28-29/1 Dolmetsch 58v-59 Herbert 62v-63/1 Fuhrmann 1615 168/1

    63/2 63/3 63v/1 63v/2 63v/3 64/1

    Courante Heart. Courante Heart Courante Saman. Courante Despond. Volte du mesme. Courante. Ballarde

    Courant Courant Courant Courant Volt Courant de la Reine

    Heart Heart Heart Despond Despond Robert Ballard

    St Petersburg 34v Dd.9.33 43 and 87/2 Schele 57/1 Herbert 64/1 Ballard 1611 40-41 Besard 1617 2/2-3/1 Fuhrmann 1615 164/2 Dolmetsch 213v-214 60v/2

    64/2 64v/1 64v/2 64v/3 65/1

    Prelude; Courante. Lanclos Courante. Ballarde. Prelude. Coperario. Courante. Saman.

    Prelude Courant Courant Prelude Courant

    Lanclos Ballard John Coprario Mercure d'Orlans /Ren Saman

    Schele 64/1 Herbert 87 ML 25/2 Dowland 1610B 32v Herbert 65/1 Fuhrmann 1615 162/2 Werl 91 Basle 11-12 Moy 1631 31v Aegidius 122v-123 Turin 5v-6

    65/2 65/3 65v/1 65v/2 66/1 66/2

    Courante. Gauthier. Courante Courante. Gauthier. Courante. Belleuille Courante Belleuille Courante: Pietreson.

    Courant Courant Courant Courant Courant Courant

    Gauthier Gauthier Belleville Belleville Pietreson/ Robert Ballard Saman Jacob Reys Jacob Reys

    66v/1 Courante. Samant. 66v/2-67 Fantasie Jacob: 67v Susanne un jour: de Jacob:

    Courant Fantasia Suzanne un Jour

    cf: Fuhrmann 1615 162/1 Nrnberg 42v Dolmetsch 212v/2-213 Dowland 1610B 33v/2 cf: Dallis 100-101 and 138-139/1 Dd.2.11 23v-24/1 Thistlethwaite 37v-39 Thysius 169v/2-181 (cnst pts) Wickhambrook 13v-14/1 cf: St Petersburg 29v-30/1

    68/1 68/2 68/3 68v 69/1

    Prelude. H: Uolte Jacob: Volte: Belleuille: Volte. x Pietreson Volte. Jacob:

    Prelude Volt Volt Volt Volt

    Edward Herbert Jacob Reys Belleville Pietreson Jacob Reys

    Como 8 Besard 1603 164/1 Dolmetsch 106v-107 St Petersburg 36 [without dvns]

    69/2 69v/1 69v/2 70/1 70/2 70v/1

    Courante Despont Courante: Belleuille sur Bien qu'un cruel martire Courante Battaille Courante Samant: Volte. Belleuille. Volte. Gauthier.

    Courant Courant on Bien Qu'un Cruel Martire Courant Courant Volt Volt

    Despond Belleville Gabriel Battaille Saman Belleville Gauthier

    Herbert

    70v/2

    Almaine R: Jhonson:

    The Prince's Almain

    Robert Johnson

    Dd.4.22 10/2 Nn.6.36 15v/3 ML 17/2 Board 16/2 Trinity 115/2 Mathew 1652 30-32 Krakow 3/1 Valerius 1626 213

    70v/3 71/1 71/2 71/3 71v/1 71v/272/1 72/2 72/3 72v-73 73v

    Volte: Courante: Prelude; mr Daniel; Ballard Premier couple Polonois le 2d; Pauan. Gauthier. Courante. Gauthier; Fugue Courante Gaulthier / 20 Fantasia. del Sr. Diomedes Fantasie Jacob:

    Volt Courant Prelude Premier Couplet Pavan Courant Fugue Volt/Courant Fantasia Fantasia

    Daniel Bacheler Jacques Polonois Gauthier Gauthier

    Gauthier Diomedes Cato Jacob Reys

    Dowland 1610B 35

    cf: Cosens 7v-8 Mertel 1615 208/2-210/1 Mylius 1622 30-31 Lvov 39v-41 Dowland 1610B 36/2 Schele 42-43/1

    74/1 74/2 74v-75 75v

    Prelude. Polonois. Volte. Perrichon; Fantasie Diomedes. Fantasia Cauallier du Luth. 76 Fantasia Diomedes 76v-77/1 Fantasia. 77/2 Fantasie Jacob. 77v Fantasie Jacob: 78/1 Courante: Jacob: 78/2 Courante of my owne composition at Montgomery Castle Aug.10 1628. Herbert 78v-79/1 Fantasia. Caualier du Luth. 79/2 Pavan of my owne composition 3 Martij 16[27] 79v/1 Prelude. Jacob: 79v/2 Volte. Jacob: 80/1 Volte. Jacob: 80/2 Fantasia Sr Diomede. 80v Fantasia con' Io credo del Snr Diomede; 81 Fantasie de du Gast 81v Hely 82/1 Prelude. Hely: 82/2 Pavan of the Composition of mee Edward Lord Herbert 1627 3.to Martij; die scilicet natalitio; 82v Fantasia Hely 83v Prelude. Jacob: 84 Fantasie. Jacob. 84v-85/1 Sarabande Jacob. 85/2 Fantasie Jacob: 85v-86 Fantasia: 86v/1 Volte. Jacob: 86v/2 Volte. Jacob:

    Prelude Volt Fantasia Fantasia Fantasia Fantasia Fantasia Fantasia Courant Courant

    Jacques Polonois Julien Perrichon Diomedes Cato Laurencini Diomedes Cato Jacob Reys Jacob Reys Jacob Reys Edward Herbert

    Fantasia Pavan

    Laurencini Edward Herbert cf: Herbert 82/2

    Prelude Volt Volt Fantasia Fantasia Con Io Credo Fantasia [n.t.] Prelude Pavan

    Jacob Reys Jacob Reys Jacob Reys Diomedes Cato Diomedes Cato du Gast Cuthbert Hely Cuthbert Hely Edward Herbert

    cf: Herbert 79/2

    Fantasia Prelude Fantasia Sarabande Fantasia Fantasia Volt Volt

    Cuthbert Hely Jacob Reys Jacob Reys Jacob Reys Jacob Reys Jacob Reys Jacob Reys

    Mertel 1615 197/2-198/1

    Herbert

    87/1 87/2 87v-88/1 88/2 88v/1 88v/2-89 89v 90

    90v

    Volte. Jacob: Les Larmes de Gautier Fantasia: Cuth: Hely Sarebrand / Cut: Hely: Prelude. Hely. Fantasia: Hely: Prelude. p[er] Hely: Pavan of the Composition of mee Herbert of Cherbury and Castle Island. 1640. A Pauan composed by mee Herbert of Cherbury and Castle Island; 1639.

    Volt Les Larmes Fantasia Saraband Prelude Fantasia Prelude Pavan

    Jacob Reys Gauthier Cuthbert Hely Cuthbert Hely Cuthbert Hely Cuthbert Hely Cuthbert Hely Edward Herbert

    Pavan

    Edward Herbert

    Hirsch

    GB-London, British Library, Ms.Hirsch.M.1353 DATE: c1620 Page measurements: 341 x 217 mm Professional book in large upright folio format. The initials H.O. on the cover have not been traced and the end-papers are spectacularly lacking in marginalia or pen-trials. All other books with initials stamped on the covers have at least the first name of the writer written inside, but none of these other MSS are professional books. Although the date of this book is controversial, its purpose is not. Most of the repertory dates from c1595, and the book was previously given this date. The fantasia by William Byrd on f.21v is known to have existed as early as 1590, but the version intabulated here is that published in 1611 with some errors. Lumsden believed the arrangements of 'If my complaints' and 'Can she excuse' came from Dowland's first book of songs (1597) and Poulton remarked that the three French courants were slightly surprising in a volume of this date. If the book were written out in 1595 it would not be unreasonable to expect to see more passamezzo and ground bass settings which are conspicuously absent from the volume. Robert Johnson, popular in the 1620s is, however, also conspicuously absent, but if the repertory being copied is much older than the copying date this would note be surprising. The whole collection has the appearance that an old repertory was being sorted through and copied out neatly, and music that had gone out of fashion may easily have been deliberately excluded. Spencer's dating is discussed with the physical description of the MS in Spencer 1982, and the dating of c1620 given above is dealt with in Chapter 7. Bibliography: Spencer 1982 Poulton 1982 Fenlon/Milsom 1984 Craig 1990
    folio 1v-2/1 [f.1 missing] 2/2 orig.ascription title Pavan [end only] Galliard composer John? Johnson William Byrd arr. cons. & cogs. Pickeringe 23 cf: Ruden 1600 II 85 Paduana Dd.2.11 101v/2 Welde 8/1 Dd.9.33 59v-60/1 Trumbull 16v-17/1 cf: Bautzen 72/2 Dallis 93 Trumbull 6/2 Dd.9.33 60v Pickeringe 17/2 cf: Dd.2.11 95v/2 Dd.2.11 48/2 cf: Dd.14.24 (cnst citt.) 31392 30v-31 Dd.2.11 71 Dd.5.78.3 33/1 Fuhrmann 1615 59 Hirsch 63v 31392 32v-33 cf: Pickeringe 11v-12 (dt) Folger 17-18 (dt) ML 5v-6 (dt) Trumbull 17 (dt) Herhold 35v-37/1 [corrupt] Dd.9.33 17/2 Marsh 247-246/2

    2v 3/1

    In Nomine Pavan, first part of duet In Nomine Galliard, first part of duet

    Nicholas Strogers Nicholas Strogers

    3/2 3v-4/1

    Lady Laiton's Pavan /Dream Pavan

    ?John Dowland [75] Richard Allison

    4/2 4v-5/1

    Galliard Sharp Pavan

    Richard Allison

    5/2 5v-6/1 6/2 6v/1 6v/2-7/1 7/2

    Hasselwood's Galliard Pavan Galliard Fantasia, duet pt Galliard Galliard

    Anthony Holborne arr. JD Ambrose Lupo/John Ambrose Marchant Francis Cutting John Dowland [104]

    Dd.5.78.3 15v and 29v-30/1 Euing 39 Dd.2.11 41/3 & 44/1 (band.)

    Hirsch

    7v/1

    Clark's Galliard/ Quadran Galliard/ Jest

    Anthony Holborne

    7v/2-8

    Last Will and Testament Pavan

    Anthony Holborne

    8v-9/1

    Fantasia

    Alfonso Ferrabosco

    408/2 89 Ballet 10-11/1 Dd.2.11 60v/2 and 72v/1 Wickhambrook 11/2 Trumbull 4/2 Nn.6.36 14v/1 Dd.2.11 57v-58/1 Euing 32/2 ML 13v-14/1 cf: Dd.2.11 32 (band.) Herbert 44v Dowland 1610B 13/2-13v Dd.2.11 21v cf: Besard 1603 32

    9/2 9v

    a galiarde Richard Aleson

    Galliard Pavan

    Richard Allison Francis Cutting Barley 1596 29/1-32 Dd.2.11 57/1-56v/3 Dd.5.78.3 10v-10a Dd.5.78.3 14v-15 31392 29v-30 Barley 26-29/1

    10

    Pavan

    Francis Cutting

    10v/1 10v/2 11/1 11/2 11/3

    Ground Three French Courants Galliard Galliard Captain Digorie Piper's Galliard

    Edward Pierce John Dowland [19]

    Dd.5.78.3 69/1 Euing 28v Dd.2.11 53/1 Dd.5.78.3 9av [21v]-10/1 31392 28v-29/1 Board 21v/1 Cosens 3v-4 Dd.9.33 73v Dolmetsch 92v-93 Besard 1603 107v/2 cf: Montbuysson 70v-71/1 Barley 1596 62 (orph.) Montbuysson 2/1 and 56v/2-57/1 Dowland 1610B 24 Dd.2.11 40v/1 and 62v/1 Euing 24/1 Folger 16 Herbert 55/2 Nn.6.36 37 Cosens 48 Fuhrmann 1615 121/2-122 Bautzen 31/1 Thysius 22v/1 Vallet 1615 36-40 Vilnius 58v/2 Dd.2.11 56/1 Mynshall 1/3 2764(2) 6v/1 see separate list Dd.9.33 34v-35 Dd.2.11 72 Dd.2.11 37v/1 Mertel 1615 146/2-147/1 Herhold 13v-14 GB-Lbl Add.Ms.40032 203 cf: Hove 1601 3v Dd.2.11 16v-17/1 Welde 12v-13/1

    11v/1

    Earl of Essex's Galliard/Can She Excuse

    John Dowland [42]

    11v/2

    Captain Candish's Galliard Lachrimae Pavan Groninge's Pavan Pavan Fantasia

    John Dowland [21]

    11v/3 12 12v-13/1 13/2

    John Dowland [15] Francis Cutting Francis Cutting

    13v-14/1 14/2 14v-15/1

    Fantasia Fantasia Fantasia

    Alfonso Ferrabosco Alfonso Ferrabosco

    Hirsch

    15/2 15v 16 16v-17 17v 18 18v-19 19v-20/1 20/2

    Prelude Fantasia Fantasia Fantasia Fantasia Fantasia Ultimi Miei Sospiri Fantasia Fantasia 5

    Dd.2.11 40 Dd.2.11 50v/2-51 Dd.9.33 86v-87/1 Philippe Verdelot arr. Schele 52-55/1 Alfonso Ferrabosco Renaldo Paradiso Emmanuel Adriansen Adriansen 1584 5 Dd.2.11 22/1 cf: Dd.2.11 52v (band.) Fuhrmann 1615 59 Hirsch 4v-5/1 31392 32v-33 cf: Pickeringe 11v-12 (dt) Folger 17-18 (dt) ML 5v-6 (dt) Trumbull 17 (dt) Herhold 35v-37/1 [corrupt] Mertel 1615 223/2-224/1 Dd.9.33 84v-85/1 cf: Dd.2.11 65/1 (band.) Dd.2.11 54v/1

    21v 63v

    pauana Sr R A

    Fantasia Sharp Pavan

    William Byrd arr. Richard Allison

    64

    fantasia An holborne vt re mi fa sol

    Fantasia

    Anthony Holborne

    64v/1 64v/2 65

    Fantasia Ut Re Mi Fa Sol La Fantasia Fantasia

    Alfonso Ferrabosco Francesco da Milano Anthony Holborne [3] Francesco da Milano

    65v/1 65v/2-66 66v-67 67v/1 67v/2-68 68v/1 68v/2-69

    Fantasia Fantasia Fantasia Fantasia Fantasia Fantasia Fantasia

    Mertel 1615 191 Trumbull 1 cf: Dd.2.11 28/2 (band.) Dd.2.11 16/1 and 18/2 Mertel 1615 222/2-223/1

    cf: Mertel 1615 148/2-149 [same subject]

    Krakow

    PL-Krakow, Biblioteca Jagiellonska, Berlin Mus.Ms.40641 DATE: c1615 Page measurements: 296 x 197 mm Household or personal anthology in upright folio format. It was originally housed in the Preussischer Staatsbibliothek Musikabteilung, Berlin and a shelf mark can be seen on f.1r: M 1932.650, dating from this time. The binding appears to date from 1936. The date is based mostly on concordances with ML and Vallet 1615 among others. It is supported by the other concordances and the large proportion of maske music which is typical of sources dating from c1620. The manuscript was examined by Robert Spencer in 1985, and his provisional notes include a diagram of the gatherings of which there are four; the first three of four and the fourth of three bifolia. The outer end-papers are modern except for the second end-paper at the front, which was presumably preserved because it has a watercolour on it. Bibliography:
    folio 1/1 orig. ascr. 1 Ball[et] title Ballet/Almain composer Robert Johnson cons. & cogs. Board 40/4-40v/1 and 30/3 Stobaeus 30/1 Vallet 1616 1/1 and 30-31 Krakow 1/1 Dolmetsch 130v Board 28/1 and 30v/2 ML 2v/1 Dd.4.22 10v/1 Valerius 1626 267-8

    1/2 1v/1

    2 3 Ballet

    The Prince's Maske Mrs Mary Hoffman's Almain The Second of the Prince's Masque The Third of the Prince's Masque Lady Banning's Almain The Prince's Almain

    ?Robert Johnson John Sturt

    1v/2-2/1 2/2 2v 3/1

    Ballet 4 <5> Ballet 5 Ballet 5 Ballet

    Robert Johnson ?Robert Johnson John Sturt Robert Johnson Nn.6.36 18v/2 Montbuysson 78/1 Board 10/2 Dd.4.22 10/2 Nn.6.36 15v/3 ML 17/2 Board 16/2 Trinity 115/2 Mathew 1652 30-32 Herbert 70v/2 Valerius 1626 213

    3/2 3v-4 4v-5 5v Passameze fantazia Courante

    variant of Prince's Almain above Quadran Pavan Fantasia Courante La Rosignoll

    6 6v-7/1 7/2 7v-8

    Volte John Sturte Ballet Courant Galliard

    Volt Ballet Courante Galliard

    John Sturt

    Krakow 5v Philidor I 10 Drexel 110 Moy 1631 23v Vallet 1615 79 Aegidius 132v/1 (without dvns) St Petersburg 32v-33/1 Nn.6.36 27/1 ML 21v/1

    Charles Bocquet

    8v-9/1 9/2 9v/1

    Courant Ballet 6 / Ballet

    Courante Ballet Almain

    ML 21 Besard 1603 128v Aegidius 29v-30 [It. tabl.] Dolmetsch 76v-78 and 253v-254 Vallet 1615 78 Nn.6.36 26v ML 26v/1 ML 16/2

    Robert Johnson

    Krakow

    9v/2-10/1

    7 / Ballet

    Hit it and Take it Almain

    Robert Johnson

    Board 41/4-41v/1 ML 20v/1 Mathew 1652 34-5

    10/2 10/3 10v/1 10v/2-11 11v-12

    Courant

    Courante [frgmt] Courant Courante Courant Courante Courant Jo: Courante Sturt la Duchesse la Dauphine la Princesse Courante La Duchesse Courante La Dauphine Courant La Princesse de Cond

    John Sturt

    Nn.6.36 27v Swarland 2v/2 ML 21v/2-22/1

    12v/1 12v/2-13/1 13/2

    Montbuysson 58/1 Fuhrmann 1615 163/2-164/1 Vallet 1615 81 Moy 1631 26 Ballard 1614 19/2-21/1 Danzig 9v Krakow 13/2

    13v

    Ballet des Jardiniers

    Ballet des Jardiniers

    Le Roy 1568

    Adrian Le Roy A briefe and easye instruction to learne the tableture YEAR OF PUBLICATION: 1568 Bibliography:
    folio 7 7v-8/1 8/2 11-12 12v-13 16-16v 17 17v-18 18v-19 19v-20 20v 21 21v-22 22v 23 23v-24 24v-25 25v-26 26v-27 27v-28 28v-30 30v-31 31v-32 32v-33 33v-34 34v-35 35v-36 36v-37 37v-38 38v-39 39v original ascription The.x.Commaundement es. Ie ne veux plus a mon mal contentir title The Ten Commandments Chanson: Je ne veux Plus Study Study Chanson: Ce N'est Bien Fantasia Study Passamezzo Pavan Passamezzo Pavan Paduan Galliard [with dvns] Passe Velours Tintalore La Souris La Tirantine Le Petit Gentilhomme Volt of Provence First Branle of Malta [with dvns] Second Branle of Malta [with dvns] Third Branle of Malta Fourth Branle of Malta Pavan Si Je M'Envoie [with dvns] Galliard Si Je M'Envoie Romanesca Galliard Fredon on the Romanesca J'ai Me Roi Mieux D'Or First Galliard Second Galliard Third Galliard Fourth Galliard Fifth Galliard/In Winter's just return Branle de Pouctou Dallis 175 Francesco da Milano Francesco da Milano Francesco da Milano Francesco da Milano ?Francesco da RA58 52/2 Milano composer cons. & cogs. Barley 1596 17

    Lassus arr. Le Roy ?

    Barley 1596 22-23

    Ce n'est bien ne plaisir. Petite fantasie dessus l'accord du Leut. Passemeze. Passameze more shorter. The Paduane. / Otherwise Passe velours. La tintalore. La souris. La tirantine. Le petit gentilhomme. La volte de Prouence. First branle of Malte. / Otherwise The seconde Branle of Malte. / Otherwise. The third Branle of Malte. The fowerth Branle of Malte. Pauane si ie m'en voy. / Shorter tyme. Gaillarde of the precedent Pauane. Gaillarde Romanesque. / Otherwise Fredon sur la Romanesque. I'ay meroye mieux dor. The first Gaillarde Milanoise. The seconde Milanoise. The thirde Milanoise. Fowerth Milano. The fift Milanoise. Branle de Poictou.

    [shorter version of 17v-18]

    Le Roy 1574

    Adrian Le Roy A briefe and plaine Instruction YEAR OF PUBLICATION: 1574 Bibliography:
    folio 10v-12 12v-13v original ascription Quand mon mary. The former song finely handeled. / Quand mon mary. title Quand Mon Mari [first setting] Quand Mon Mari [second setting] Si Le Bien Lui [first setting] Si Le Bien Lui [second setting] Je L'Aime Bien [first setting] Je L'Aime Bien [second setting] Un Doux Henay [first setting] Un Doux Henay [second setting] En Espoir Vis [first setting] En Espoir Vis [second setting] Du Corps Absent [first setting] Du Corps Absent [second setting] Trop Endurer [first setting] Trop Endurer [second setting] Vrai-Dieu Disoit [first setting] composer Lassus arr. Lassus arr. cons. & cogs.

    19-20 20v-22 More finely handled. / SY Ie bien bui to plus grand bien. The ioynyng of fower partes together. [Ie l'ayme bien] (cropped) vn deux Nennin VN doux nennin. ENespoirvy More finelier handeled. / EN espoir vy. DV corps absent.

    Lassus arr. Lassus arr.

    26v-27v 28-29 34-35 35v-37 38v-39/1 39/2-40

    Lassus arr. Lassus arr. Lassus arr. Lassus arr. Lassus arr. Lassus arr.

    41-41v/1

    Lassus arr. Lassus arr. Lassus arr. Lassus arr. Lassus arr. Denss 1594 93v-94/1 Thysius 197v-198 Richard 65v Denss 1594 93v-94/1 Thysius 197v-198 Richard 65v

    41v/2-42v DV corps absent. 43v-44/1 44/2-45 46-46v/1 TRop endurer. TRop endurer. VRay dieu disoit.

    46v/2-47v Vray-dieu disoit More finelier handeled. 49-49v EN vn lieu. 50-51 52-52v 53-54v EN vn lieu. IE ne veux rien. Ie ne veux rien. More finelier handled. CE faux amour.

    Courant Vrai Dieu Lassus arr. Le Roy Disoit [second setting] En Un Lieu [first setting] En Un Lieu [second setting] Je Ne Veux Rien [first setting] Je Ne Veux Rien [second setting] Lassus arr. Lassus arr. Lassus arr. Lassus arr.

    55-55v/1

    Ce Faux Amour [first setting] 55v/2-56v CE faux amour. More Ce Faux Amour finelier handled. [second setting] 58-58v LAs voulez vous. Las Voulez Vous [first setting] 59-60 Las voules vous, Las Voulez Vous [second setting] 66v The .x. The ten Commaundementes commandments 67 Ie ne veux plus a mon Je ne veux plus mal consentir. 67v

    Lassus arr. Lassus arr. Lassus arr. Lassus arr.

    Le Roy 1574

    70-70v 71 74-74v

    76 [64] 76v [64v] 77 [65] 77v [65v] 78 [66] 78v [66v] 79 [67] 79v [67v] 80 [68] 80v [68v] 81 [69] 81v [69v] 82 [70] 82v [70v] 83 [71] 83v [71v] 84 [72] 84v [72v] 85 [73] 85v [73v] 86 [74] 86v [74v] 87 [75] 87v [75v] 88 [76] 88v [76v] 89 [77] 89v [77v] 90 [78]

    Ce n'est bien ne plaisir A little fantasie for the tunyng of the Lute. LE ciel qui fuit. QVand ce beau. LAs que nous. QVand j'esto. MAis voyez. QVand le. OR voy-je bien. HAs-tu LA terre. AH dieu, LAs je neusse. AVtant qu'on void. TAnt que j'estoys. DEmandes tu. DOuce maitresse touche. I'Estoys. / Otherwise I'Ay bien mal choisi. CE n'est point. D'Vn grosier I Truste in God. O Lorde giue eare to. I Lift my harte to thee. THe wicked with his. GIue thankes LOrde to thee. MOn cur. HArte opprest. PRaise ye the lorde. WHen as we sat in Babilon.

    Ce n'est bien Fantasia

    Le Ciel qui Fuit Quand ce Beau Las que Nous Quand J'Esto Mais Voyez Quand Le Or Voy-Je Bien Has-Tu La Terre Ah Dieu Las Je Neusse Autant Qu'On Void Tant Que J'Estois Demandes-Tu Douce Maitresse Touche L'Estois [with divisions] J'Ai Bien Mal Choisi Ce n'est Point D'un Grosier I Trust In God O Lord Give Ear Psalm 25: I Lift My Heart to Thee The Wicked with His Give Thanks Psalm 130: Lord to Thee Mon Coeur Heart Opressed Praise Ye the Lord Ps. 137: When as we Sat in Babylon [inc.]

    Philippe da Monte

    Mynshall 2/2

    Lodge

    US-Washington, Folger-Shakespeare Library, Ms.V.a.159 ( o l i m 4 4 8 . 1 6 ) DATE: 1559-c1575 Page measurements: 99 x 148 mm10 Household or personal anthology in oblong octavo format. Lumsden described the binding as 'well preserved' but probably did not realise that the binding dated from the 19th century, and is too tight to determine the collation. The book is described in detail in Ward 1992, who describes the repertory in the hands of Scribes A and B as more likely to date from 1559 than 1570, but points out that one of the poems in the hand of Scribe C is dated 1571. Lumsden and Poulton both dated the book c1575, but most household or personal anthologies were compiled over a considerably longer period than most other types of book, and a period of 15 years for the compilation of this book would not be unlikely. A note on f.1v indicates that the book was still being used in 1591, but by then the music was no longer being added. Ward comments on the rather crude state of the early tablatures, but allows that the scribe could probably play better than he could notate and used the tablature simply to remind him of music that he had more-or-less committed to memory. He suggests that the cruder music was written by the scribe and compares it to a considerably more polished P.A. pavan that was probably not set by the scribe, but copied from another source. Bibliography: Giles E. Dawson: July and Julian (Malone Society, 1955) John Stevens: Music and Poetry in the Early Tudor Court Cambridge Studies in Music (Cambridge, 1961 repr. 1979) Charles F. Hauser: 'Folger Shakespeare Library Ms.V.a.159' PhD diss., U. of North Carolina at Chapel Hill (1976) Kevin O'Malley: 'Solo lute passamezzi of England ca.1550-ca.1640.' MA diss. Oakland U., Michigan (1988) Ward 1992
    folio 3 original ascription Will ye go walke the woode so wilde / Cha: Jackson Pretye Shivall / Petye <shyvall> I a[m] my lord greis man Blame not my lute title Will Ye Walk the Woods So Wild Petit Cheval I Am My Lord Gray's Man Blame Not My Lute composer Charles Jackson cons. & cogs. Euing 33v-34v 408/2 84/3 Thysius 490v

    4/1 4/2-4v/1 4v/2

    10

    I am indebted to Laetitia Yeandle of the Folger Shakespeare Library for supplying me with these measurements and a description of the binding of the book and its collation.

    Lodge

    Robin hoode.

    Robin Hood

    cf ?JD: Mynshall 8/4 Dd.2.11 53/2 &66/3 Folger 16v Dd.3.18 11 and 18 31392 25 Montbuysson 3v JD: Board 12v/2 Cosens 32v Euing 31/2 Pickeringe 22v and 35/2 Vilnius 6v/1 Dd.9.33 29v-30 and 81v/4 (band.) Fuhrmann 1615 114-115/1 other: Ballet 27 408/2 113/2 Euing 46v-47 Robinson 1603 18v/1 2764(2) 12/3 Nn.6.36 19v-20/1 (l.v.) 408/2 104/2 Dd.2.11 80/2

    5v/1 5v/2-6/1 6/2 6v/1 6v/2-7/1

    A galiard: Passa mesurs galiarde: Hyght mystris Whiller The motlye. A flatte pavione

    Galliard P.A. Galliard Hight Mistress Whiller The Motley Flat Pavan

    Lodge 12/2

    John Johnson

    Ballet 18 Board 2v/1 Dallis 92/1, 264 (s.n.) Dd.2.11 87/1 Dd.3.18 21v (dt) and 60v-61 (cnst) Dd.9.33 90v-91 Euing 8v Folger 10 (cnst) Mynshall 4v Pickeringe 4v/2-5/1 and 5/2 (dt pts) Trumbull 10 (cnst), 15/1 & 17v-19/1 (dt pts) Vilnius 55/3

    7/2-7v/1 7v/2 8-8v/1 8v/2-9/1 9/2 9/3 9v-10/1 10/2-10v/1

    The Antycke Alebon galiarde Reportes / J.ff. A pavion: The bagpipes A horne pippe The passe a mesures pavion Trenche more

    The Antick La Rocha el Fuso Reports Pavan The Bagpipes Hornpipe P.A. Pavan Trenchmore, duet treble John Johnson Dd.3.18 12v-13 (dt) Lodge 12/1 Marsh 139/1 (dt) and 139/2-141 (dt) Nn.6.36 33v-34 (dt) Pickeringe 51v/3 <88v> [inv.] Welde 11v/1 and 11v/2-12 (dt)

    10v/2-11/1

    A Round:

    Round

    Lodge

    11/2-11v/1 11v/2 12/1

    Initiu[m] [index:] Initium et finis Of love to learne to skyll [index:] Trenchmore

    Initium et Finis Of Love to Learn The Skill Trenchmore

    John Johnson

    12/2 12/3

    The hu[n]te yis vppe Pauls galiarde.

    The Hunt's Up Omnino Galliard

    12v/1

    Labeckae:

    Lavecchia?

    Dd.3.18 12v-13 (dt) Lodge 10/2-10v/1 (dt) Marsh 139/1 and 139/2-141 (dts) Nn.6.36 33v-34 (dt) Pickeringe 51v/3 <88v> [inv.] Welde 11v/1 and 11v/2-12 (dt) Lodge 6/2 Marsh 287 Brogyntyn 21/3 408/2 90/1 Dallis 31/1 and 95/2 ?cf: Dd.3.18 61v (cnst) Dd.2.11 36v-37/1 (band.) ML 7 (solo) Mynshall 12 (solo) Sampson 9v (solo) Weld 2v/1 (solo) Dallis 85/2 (solo) Vilnius 7 and 40/1 (solo) Wickhambrook 15v/1 (duet) John Johnson Ballet 45 [inv] (duet) Brogyntyn 28/229/1 (duet) Pickeringe 4/1 (duet) Wickhambrook 15v/2 [inv] (duet) Wickhambrook 14/2 Folger 12 Schele 143-144/1

    12v/2 13 13v

    14-15v/1

    Hanc tua Penelope In win=ters iuste retorne / vell sic O heave[n]ly god. my L. of Essex songe / qth Wm. hewese/. A Dumpe

    15v/2-16v/1

    Quarter brawles

    Hanc Tua Penelope In Winter's Just Return Heavenly God/The Earl of Essex's Dump Militis Dump [Bergamasca Ground] Branle

    William Hewes

    Dallis 212 Mynshall 6v/2 Dallis 202-3/1 Marsh 359 31392 16v/2-17

    FG

    Lodge

    16v/2-17v

    F. G. / The Frenche galiarde.

    French Galliard

    John Johnson/ (Francesco da Milano)

    Dallis 40-41/1 (dvns) Och1280 3-4 Marsh 46-48 cf: Cosens 33v/3 Dd.2.11 41/2 Dd.5.78.3 41/2 Lodge 16v/2-17v Thysius 24v/1 Valerius 1626 189 Marsh 148/3-149 (dt pt) Thysius 16v, 20/2, 19v and 20v (cnst pts)

    18 18v/1 18v/2-19/1 19/2 19v-20/1

    Almaine Vaine is worldlye pleasiar/ The Vprighte esquiere All of grene willowe In Crete dissend Bassu[s] :

    20/2 20v-21

    Measure Westones pauion.

    Almain Vain is Worldly Pleasure Upright Squire All of a Green Willow Galliard In Crete When Daedalus First Began Measure Weston's Pavan

    Thomas Dallis

    Dallis 26/2 Mynshall 8/1 408/2 90/2

    Weston

    ML 10v-11/1 cf: Dallis 22-23 and 96-97/1 Marsh 50-54/1 and 188 Och1280 1-2

    ML

    GB-London, British Library, Add.38539 DATE: c1620 and one piece c1630-40 Page measurements: 411 x 274 mm Pedagogical book in upright format, larger than folio but smaller than foolscap: the largest of all the sources. The foliation of 1913 covers only those leaves that were written, and ignores 57 ruled but otherwise unused folios between 33v and 34; these were later numbered 33/1 to 33/56 (33/12* being used for the folio initially overlooked between 33/12 and 33/13). A single bifolium was inserted in 1914 between folios 52 and 53. As it has no lute music on it and has no relation to the manuscript, it is not listed. Since its acquisition, the British Library has suggested at least two names for the book, neither of which seems to have been substantiated by currently available evidence. It is possible that subsequent conservation etc. may have caused the documentation leading to these identities to be lost, though current evidence does not suggest that likelihood. The original owner was Margaret L., whose initials are stamped on the cover, and whose name is included in some doggerel on the front endpaper. An unusually large number of scribes were active in this book, only a few of them involved in the music, and not all of the music is for lute. The provenance of the book and a detailed physical description is given in Spencer 1985B. Bibliography: Spencer 1985B Lumsden 1957A Poulton 1975A Morgan 1982
    folio 2/1 original ascription Mris Whites Choyse title composer Mrs White's Choice John Dowland [50] /Thing cons. & cogs. Sampson 7/1 and 7/2 Wickhambrook 15/2 2764(2) 6/2 Pickeringe 19/4 Dd.2.11 63v/2 Dd.4.23 31v Krakow 1v/1 Dd.4.22 10v/1 Valerius 1626 267-8 Sampson 6/1 Board 8/1 cf: Herhold 7v/2-8/1 Folger 24v/1 Trinity 2/1 Board 37/2 Dd.4.22 9v Dolmetsch 105v-106 Bautzen 21/1 Montbuysson 77v Dd.5.78.3 74v/1 Dd.9.33 42v/1 and 58/3 Trinity 126-125/1 Rowallan 3 Besard 1603 153v/2 [first strain only] Montbuysson 25v Fuhrmann 1615 174/1 Beckmann 3v-4 Wemyss 19v Dusiacki 4v Dolmetsch 22v-23 Werl 91v de Bellis 39 Valerius 1626 52-53 GB-Lbl Add.Ms.10444 24

    2/2 2v/1

    A Prelude Allmayne p:[er] John Sturt the Lord hayes coran[t]

    Prelude Mrs Mary Hoffman's Almain Lord Hay's Courant

    John Sturt

    2v/2-3/1

    3/2

    Volte

    Volt/Courant

    3/3 3v/1

    Brettes Corante

    Almain Brett's Courant

    3v/2

    A Masking tune

    Maske

    ML

    4/1 4/2

    Allmayne by Robert Kindersley the wiches Daunce

    Almain The Witches Dance from the Maske of Queens

    Robert Kindersley Board 26/1 Ballet 65 Dowland 1610B 30v/1 GB-Lbl Add.Ms.10444 21 Brade no.49 GB-Lbl Add.Ms.17786-91 no.6 Schele 138-139 Dd.3.18 4-3v/2 Pickeringe 8v/2-9/1 Folger 6v-7/1 Vilnius 61v-62/1 Board 1/1 Folger 17v-18 Pickeringe 11v-12/1 Schele 85/2-86/1 ML 6/2 St Petersburg 33v-34 Montbuysson 78v Aegidius 91/2 cf: Ballard 1614 16/218/1 ML 7 (solo) Mynshall 12 (solo) Sampson 9v (solo) Weld 2v/1 (solo) cf: Dd.3.18 61v (cnst) Dallis 85/2 (solo) Vilnius 7 and 40/1 (solo) Wickhambrook 15v/1 (dt) John Johnson Ballet 45 [inv] (dt) Brogyntyn 28/2-29/1 (dt) Pickeringe 4/1 (dt) Wickhambrook 15v/2 [inv] (dt) Wickhambrook 14/2 Folger 12 Schele 143-144/1 Dd.2.11 36v-37/1 (band.) Folger 9/2 Thysius 393 Montbuysson 24/1 Dd.4.22 3v Dd.9.33 88/1 Mynshall 7v/2 Folger 8/2 Vilnius 56v/2 Vallet 1615 91 Hove 1601 106v/2 Nrnberg 38 Dolmetsch 148v-149 cf: Vallet 1616 n.86 Schermar [82] Dlugoraj 295 and 395 John Dowland [47a] Dowland 1610B 30v/2-31 Marsh 384 Folger 13v-14/1 2764(2) 10 Ballet 7/1 (?dt) Schele 148/2 (cnst) Brahe 16v-17/1 Thysius 503

    4v-5/1

    A treable

    The Queen's Dump, duet treble [Bergamasca Ground] Duet Treble Sharp Pavan, duet treble Courant

    John Johnson

    5/2 5v-6/1 6/2

    A treable the Sharpe Pauin treable A Corant

    Richard Allison

    6v 7

    A treable Leuecho Pauin

    Duet treble Lavecchia Pavan

    7v/1 7v/2-8/1

    the Cobler the Lord Souches Maske

    The Cobbler Lord Zouche's Maske

    8/2 8v/1

    A Corant Smythes Allmayne

    Courant Sir John Smith's Almain

    ML

    8v/2-9

    Allmayne

    More Palatino/En Me Revenant

    Daniel Bacheler

    9v/1

    9v/2-10/1

    A Pauin by Mrs [sic] Robert Johnson Mall Simmes

    Pavan

    Robert Johnson

    Board 25v/3 Herbert 44/2 Board 25v/3 Pickeringe 28v/1 Fuhrmann 1615 158-159 Herdringen 9829 9v-10 Brahe 35v/2-36 and 37 Besard 1617 no.9 Cosens 43v-44 Trinity 138 Phalse 1547 6-6b/1 Stobaeus 65-65v/1 Herbert 22v-23

    Mall Sims

    Johan Leo Hassler

    10/2

    the fayris Daunce

    The Fairy's Dance

    10v-11/1

    the Passameasures Pauin

    Passamezzo Pavan/ Weston's Pavan

    Weston

    11/2 11v-12 12v-13/1

    A Corant John com Kisse mee Now the Battle galliard by mr Dowland

    Courant John Come Kiss Me Now Battle Galliard/ King of Denmark's Galliard/Mr Mildmay's Galliard

    John Dowland [40]

    6402 2/1 Cosens 43/2 Dd.9.33 62v/2-63 Hove1612 59/1 ML 9v/2-10/1 Pickeringe 26v-27 Vallet1615 92 Vilnius 35 and 41v cf: Mynshall 11v Folger 15v Vilnius 6/1 and 54v/1 Montbuysson 4/2 Valerius1626 207-208 Dlugoraj 97 and 483 Stobaeus 76v and 77v Nn.6.36 24v/1 GB-Lbl Add.Ms.10444 31v Lodge 20v-21 cf: Dallis 22-23 & 96-97/1 Marsh 50-54/1 and 188 Och1280 1-2 Trinity 116/2 Cosens 69v-70v Welde 10v-11 (dt) Dowland 1610B 22v-23 Dd.9.33 23 &94v Pickeringe 17v-18/1 Welde 5v Board 17v-18 Sampson 7v Folger 10v-11 Vilnius 22v/2 and 22v/323/1 Fuhrmann 1615 112113/1 Brahe 33

    13/2 13v-14/1

    A gallyard by Robert Kindersley Mr Holborns Last will and testament

    Galliard Last Will and Testament Pavan

    Robert Kindersley Anthony Holborne Dd.2.11 57v-58/1 Euing 32/2 Hirsch 7v/2-8 cf: Dd.2.11 32 (band.) Board 23/2 and 44/2 Dowland 1610B 15-16 Cosens 8v-9 31392 13v-14v/1 and 24 Pickeringe 24v-25/1 Besard 1603 170v-171v/1 Euing 16v-17 Mertel 1615 226/2-228/1 Brahe 27v-31

    14/2 14v-15

    Tom of Bedlam

    Poor Tom of Bedlam Fantasia

    John Dowland [1]

    ML

    15v/1

    A gallyard by mr Dan: Bacheler

    To Plead My Faith Galliard

    Daniel Bacheler

    15v/2-16/1

    A gallyard vpon the gallyard before by Mr. Dowland

    Galliard on a Galliard of Daniel Bachleler

    John Dowland [28]

    16/2 16/3

    Allmayne by mr Ro:Johnson

    Almain Sellenger's Round/ Est-ce Mars/The French Tune

    Robert Johnson

    Euing 21/2 Ballet 17 Dd.9.33 4 Welde 7v/1 Board 16/1 Dd.2.11 99v/1 Dd.4.22 6v-7 Besard 1603 120v Dolmetsch 95v-96 Nrnberg 16 Board 16v-17/1 Montbuysson 94v-95 Herbert 54v-55/1 Dd.5.78.3 35v-36/1 Euing 20v-21/1 Fuhrmann 1615 108/2110/1 Krakow 9v/1 Schele 59/2 Montbuysson 30/2 & 94/2 Trinity 128/2 Dd.3.18 5 (dt) Board 25/1 and 12/2 Andrea 2/4 Vilnius 58/3 and 68/3 Folger 87v/4 and 87v/5 Brahe 10v/1 Vallet 1615 70 Marsh 42-43 and 182 408/2 103/1 Thysius 442 (dt) Valerius 1626 164-5 Vallet 1616 34/1-35/2 (cnst pts) Hove 1612 61v/1 cf: FWVB no.148 Vallet 1615 63-64/1 & 70/2 Nn.6.36 11 Mynshall 12v Folger 22 Welde 15v/2-16 Vilnius 20v/1 cf: Nrnberg 11 Dd.4.22 10/2 Nn.6.36 15v/3 Board 16/2 Trinity 115/2 Mathew 1652 30-32 Krakow 3/1 Herbert 70v/2 Valerius 1626 213 Board 43v/1 St Petersburg 40 Schele 48/2 and 87/3 Nn.6.36 25v/1 ML 17v/2 Werl 73v Dresden 113 Nn.6.36 26/1

    16v/1

    Mr Johnsons gallyard

    Galliard, My Lady Mildmay's Delight

    Robert Johnson

    16v/2-17/1 17/2

    the flyinge Horse Allmayne by Mr Robert Johnson

    The Flying Horse The Prince's Almain

    Robert Johnson

    17v/1 17v/2

    Corant A Volte

    Courant Courant

    Mercure d'Orlans

    18/1 18/2 18v/1

    A Volte by John Sturt Corante Corant

    Volt Courant Courant

    John Sturt

    Nn.6.36 26/2-25v/3

    ML

    18v/2-19/1

    Corant

    Courant de la Durette

    Robert Ballard

    19/2 19/3 19v/1 19v/2 19v/3 19v/4-20/1 20/2

    the Noble Man A Volte Allmayne by John Sturt Allmayne Corant A Volte Ballet

    The Noble Men's Maske Volt Almain Almain Courant Volt Ballet des Folles

    Aegidius 102 Ballard 1611 45 Valerius 1626 20 Moy 1631 22v-23 Vallet 1615 82 Montbuysson 65v/1 Dd.4.22 8v-9/1

    John Sturt Board 28v/2 and 42v/2 Herbert 29/2 Nn.6.36 16/2 cf: Dd.9.33 57v/3-58/1 Dolmetsch 137v Board 43/2 Besard 1603 151/2 Besard 1603 161v/3162/1 Board 41/4-41v/1 Krakow 9v/2-10/1 Mathew 1652 34-5 Euing 49/2 Board 19/1 Pickeringe 36/2 Dd.9.33 45v/2-46/1 and 74v Besard 1603 128v Krakow 7v-8 Vallet 1615 78 Aegidius 29v-30 [It. tabl.] Dolmetsch 76v-78 and 253v-254 Nn.6.36 27/1 Krakow 6 Nn.6.36 27v Swarland 2v/2 Krakow 11v-12 Herbert 46v/1 St Petersburg 73v-74 Board 44/3 Herbert 60v/1 Aegidius 75v see separate list Folger 19v-21v/1 Dd.2.11 29v-31/1 Dallis 60-67 cf: Pickeringe 52v-54 (dt) Schele 64/1 and 87 ML 25/2 Dowland 1610B 32v Herbert 65/1 Fuhrmann 1615 162/2 Werl 91 Basle 11-12 Moy 1631 31v Aegidius 122v-123

    20/3 20v/1

    A Volte Allmayne by mr Robert Johnson A gallyard

    Volt Hit it and Take it Almain Galliard

    Mercure d'Orlans Robert Johnson

    20v/2-21/1

    Robert Johnson

    21/2

    A gallyard

    Galliard

    Charles Bocquet

    21v/1 21v/2-22/1

    Volte John Sturt Corant John Sturt

    Volt Courant

    John Sturt John Sturt

    22/2 22/3 22v/1 22v/2-23 23v-25/1

    Corant A Prelude John Sturt A Pauin by Mr Robert Johnson Lacrime Pauin by mr John Dowland the Battle

    Courant Prelude Pavan Lachrimae Pavan Battle Pavan

    Jacques Gauthier [probably] John Sturt Robert Johnson John Dowland [15]

    25/2

    Corant

    Courant

    Mercure d'Orlans/ Ren Saman

    ML

    25v/1

    Courante

    Courant La Bontade

    Robert Ballard

    ML 25v/1 Ballard 1611 47-9 Dolmetsch 189v-190 Werl 74 and 150 Moy 1631 16 Fuhrmann 1615 163/1 cf: Dolmetsch 60v-61 Schele 56/1 Ballard 1611 50/2-52 ML 26/2 cf: Fuhrmann 1615 146/2 Nn.6.36 26v Krakow 8v-9/1 ML 26v/2-27/1 Herbert 30/2 Dolmetsch 178v-179 Vilnius 4v/1 Besard 1603 156/2 Dd.9.33 56v/1 Nrnberg 20 and 27 Moy 1631 10 cf same first strain: Ballard1611B 33/2-35 Herbert 33/1-33/2 4th down: Vilnius 4v/2 Besard 1617 26/2 Dolmetsch 18v-19 Aegidius 106

    25v/2-26/1 26/2

    A Corant in [?] p[ar]tes the Canaris Corant Corant

    Galliard Courant de la Reine

    Robert Ballard

    26/3 26v/1 26v/2-27/1

    Canaries Courant Courant Le Testament Julien Perrichon [18]

    27/2 27/3 27v/1 27v/2-28/1 28/2 28/3 28v-29/1

    A Corant An Almayne A galyard A Corant An Almayne An Almayne a pauin

    Courant Almain Galliard Courant Almain Almain Mrs Anne Markham's Pavan

    Vilnius 56/1 FWVB no.147 Francis Cutting Cosens 48v-49 31392 36v-37 Pickeringe 21v-22/1 Dd.9.33 32v-33 Euing 33/2 Trinity 137 Board 31v/1 and 44/444v/1 Wemyss 18v-19 GB-Lbl Add.Ms.10444 44 St Petersburg 37/2 Pickeringe 42 Schele 63/1 Ballard 1611 57/2-58/1 Ballard 1614 37/2-39/1 Valerius 1626 239 Aegidius 33 Dolmetsch 20v-21 Stobaeus 53v and 54/254v/1 de Bellis 68 Vallet 1615 83 cf: Moy 1631 24v Dd.2.11 43 31392 19v/2-20 Board 38v/2 ML 32/2 Board 27v

    29/2

    Mad Tom of Bedlam

    Gray's Inn Maske/ Mad Tom of Bedlam

    29v/1

    La Courant Sarabande

    ?Robert Ballard

    29v/2-30/1 30/2 30v/1 30v/2 30v/3

    A Pauin graysin maske

    Pavan Gray's Inn Maske The Devil's Dance First Tune of the Lord's Maske Second Tune of the Lord's Maske

    Lodovico Bassano

    the first tune of the lordes maske second tune of the Lordes maske

    ML

    31 31v-32/1 32/2 32v 33v/1 33v/2

    a Corant a pauin of mr Robert Johnson

    Courant Pavan Gray's Inn Maske Maske tune/Almain Almain, first part of duet Almain, second part of duet

    Robert Johnson

    Board 38v-39 Herbert 55v-56/1 Board 38v/2 ML 30/2 Dd.5.78.3 74v/2 Dd.9.33 67/3

    Magdalen

    GB-Oxford, Magdalen College Library, Ms.265 [guard book] ff.61-62v DATE: c1605 Page measurements: Original dimensions are unobtainable due to cropping; f.61 now measures 218-9 x 186 mm; and f.62 measures 222-7 x 188-91 mm. Teaching fragments, probably originally in upright folio format, though they may have been oblong folio if they were ever bound, as in 31392. Two sheets, perhaps originally about twice their present size, and possibly from a larger manuscript source rather than only existing as single sheets. The reasoning behind this proposition is the fact that the music does not seem to be consecutive either between the sheets, or between sides of the same sheet, and also that the music was not all copied in the same hand. The fragments were removed from the binding of a copy of Opuscula Medica (1639) where they were serving as endpapers, and are now bound up in a guard book. No other books in the library seem to contain other sheets that match these ones, leaving them tantalizingly difficult to assess. They could have originated as loose sheets, or may have been part of a larger book that was disbound for use as rough paper. Two of the fragments are clearly marked as fantasias, one by Alfonsoalmost certainly Ferraboscobut it has not yet been located among the known works of either of the two Ferraboscos. The music on 62-62v only requires a 6-course lute, but that on 61-61v is written for seven courses (the seventh unstopped), implying that it probably dates from before 1610. The presence of rests in the bottom line of the music on f.61 suggests that this was a duet or consort part. It is not certain that the other music is also not for a solo instrument. The handwriting suggests the period 1580-1610, having similarities with scribes that appear in complete lute manuscripts from that time. However, as this type of hand also appears in sources from the early part of the seventeenth century, some time around 1605 may be the most reasonable date to propose given the paucity of other information. Fantasias were most common in the latter part of the sixteenth century in English sources, but nevertheless continue to appear throughout the seventeenth century. The hand on folios 61, 61v and 62v has several features in common with Richard Mynshall or one of the scribes in the Swarland book of lute songs, though they do not seem to be the same scribe. As the first notes of the pieces have been cropped it has been impossible to compare an incipit with those of other fantasias. The lines were probably hand ruled, as each sheet shows slightly variable spacing. The numbers written in the system on folio 62 are in a different hand and ink from those seen on the other sheets, and appear to have been added at a later date; their meaning is unknown. Bibliography: Craig 1993
    folio 61 61v 62 62v original ascription fantasia Alpho[n]so fantas. title [n.t.] Fantasia Fantasia [n.t.] composer cons. & cogs.

    Alfonso Ferrabosco

    Mansell

    US-Los Angeles, California, William Andrews Clark Memorial Library, M286M4 L992 1650 Bound (Mansell Lyra Viol MS) DATE: c1600? Page measurements: 140 x 185 mm Fragment in oblong quarto format. The pieces appears in a book of lyra viol music, in an apparently different hand from that of the rest of the music. The manuscript came from the collection of Prof Theodore M Finney, who referred to it as Finney no.24. Bibliography: Frank A Traficante: The Mansell lyra viol tablature, PhD diss. U. of Pittsburgh (1965) Craig 1994
    folio 24v original ascription title [n.t.] composer cons. & cogs.

    Marsh

    EIRE-Dublin, Library of Archbishop Narcissus Marsh, Ms.Z3.2.13 DATE: c1595 Page measurements: 297 x 202 mm Professional book in large upright folio format. The first scribe uses a rounded italic hand which is remarkable for its exceptional consistency and legibility. There are some mistakes that were probably due to the speed at which the book was copiedwhole chords are misplaced by one tablature line and no corrections are made, though this does not mean that the book was not used to play from. An oldstyle six-course lute is used and since the consistency of the copying and the hand suggests a very short copying period. The second scribe uses a hand more archaic in appearance, but this hand has added the newer music, some of it dating from c1610, Scribe B used and corrected A's music (see the last chord on p.429). Although between them Ward (1969) and Spencer have described the book quite fully, some details can be added. The binding dates wholly from the 19th century, when the original covers were laid down as doublures on the outside of the new ones. This binding is now disintegrating quite badly, the back has fallen away altogether and some of the stitching is disintegrating, leaving some leaves loose. The watermarks are in a considerably better state than the drawings provided by John Hewitt in the facsimile suggest. Some of the marks are the clearest and best preserved to be seen in any of the lute sources. The stub printed in the facsimile between pages 58 and 59 should probably be between 60 and 61, as the leaf with pages 59-60 is loose and was probably misplaced during photography. Ward notes that the scribe clearly had some pre-determined order in mind, as the unused pages were not prepared for copying as the used ones were, by having the printed staves enclosed by upright rules and, in the case of one of the papers, having an extra stave hand-ruled in the middle of the page. The book is interspersed with hand-ruled pages, and all of these were bound after they were written. That there was an intended order is indisputable, but it has not been possible to see the reasoning behind it. It is most likely that it had something to do with the exemplars the scribe was using rather than keys, genres, etc. Bibliography: Lumsden 1957A Ward 1957 Ward 1969 Spencer 1981 Fenlon/Milsom 1984
    page 10-12/1 12/2-13 14-17 18 original ascription title P.A. Pavan P.A. Galliard P.A. Variations Mounsieur's Almain composer cons. & cogs. Brogyntyn 22-23 Phalse 1568 64v-65/1 Wickhambrook 17/2 Dd.3.18 35v (dt) Folger 13 2764(2) 12v/2 (dt/cnst) Dd.4.22 12 Dd.9.33 38v-40, 47 & 53v Genoa 139v-140 Dowland 1610B 27-28v Valerius 1626 286-287 Thysius 484 cf: Euing 19v (dt) Mynshall 10/2 (dt) Welde 14v/2-15 (dt) Schele 147/2-148/1 (cnst) Vilnius 1/3 (cnst band.) GB-Lbl Add.Ms.30342 31v different settings: Dd.2.11 33v-34/1 Cosens 15v-17 and 44v-46 Hove 1601 99v and 108v Dd.5.78.3 70v/2-71/1 cf: Dallis 43 and 74-5

    Mownser.

    Daniel Bacheler

    25/1 25/2

    Almayne L. Hyryfords Gallyard

    Almain Lord Hereford's Galliard

    Marsh

    26-27

    Goodnight, duet treble

    John Johnson

    408/2 85/3-86/1 (dt) Brogyntyn 7/5 (dt) Dallis 16/1 (dt) Dd.2.11 8v-9/1 and 86/2 (dt) Dd.3.18 15v-16 (dt) Marsh 158-160, 362-363 (dt) and 397/2 Willoughby 3v-5 and 5v (dt)

    28-29 30/1 30/2 35 36/1 37/1 37/2-36/2 38

    Cottonns.

    Incip: Galli:

    Fantasia Chi Passa Chi Passa Nusquam Galliard [inc.] Galliard Round Galliard Ruggiero

    Alberto da Rippe Cotton 2764(2) 12v/1 cf: Willoughby 80/2 408/2 106-107/1 Dallis 214/1

    39

    Ruggiero, duet treble

    408/2 91/1 Dallis 20/1, 21 (dvns), 92/2 (dt) & 223/2 (band.) Dd.3.18 1 (dt) Marsh 39 (dt) and 305 Mynshall 3v/2 (dt) Thysius 383/1 Trumbull 25v/1 & 25v/2 (dt) cf: Board 2/1 Sampson 3v/1 408/2 91/1 Dallis 20/1, 21 (dvns), 92/2 (dt) & 223/2 (band.) Dd.3.18 1 (dt) Marsh 38 and 305 Mynshall 3v/2 (dt) Thysius 383/1 Trumbull 25v/1 & 25v/2 (dt) cf: Board 2/1 Sampson 3v/1 Schele 59/2 Montbuysson 30/2 & 94/2 ML 16/3 Trinity 128/2 Dd.3.18 5 (dt) Board 25/1 and 12/2 Andrea 2/4 Vilnius 58/3 and 68/3 Folger 87v/4 and 87v/5 Brahe 10v/1 Vallet 1615 70 Marsh 182 408/2 103/1 Thysius 442 (dt) Valerius 1626 164-5 Vallet 1616 34/1-35/2 (cnst pts) Hove 1612 61v/1 cf: FWVB no.148 Vallet 1615 63-64/1 & 70/2

    40-41 42-43

    Downright Squire Sellenger's Round/ Est-ce Mars/The French Tune

    44-45

    Pepper is Black

    Marsh

    46-48

    French Galliard

    John Johnson/ (Francesco da Milano)

    Dallis 40-41/1 (dvns) Och1280 3-4 Lodge 16v/2-17v cf: Cosens 33v/3 Dd.2.11 41/2 Dd.5.78.3 41/2 Marsh 46-48 Thysius 24v/1 Valerius 1626 189 Marsh 148/3-149 (dt pt) Thysius 16v, 20/2, 19v and 20v (cnst pts)

    49/1 49/2 50-54/1 Fansy Newm [Inci]pit [Wes]tons pau:[an] / West: pau:

    Part song arrangement? Fancy Weston's Pavan

    Newman Weston

    Marsh 230-231 Dallis 22-23 and 96-97/1 Lodge 20v-21 ML 10v-11/1 Marsh 188 Och1280 1-2

    54/2-55 56 57 58/1 58/2-59 60 61/1 61/2

    of A Gall: of A gall: Lychfy

    Gally: Queen Scottes

    Cantus Firmus setting? Galliard Galliard Galliard Galliard Lesson Lusty Gallant Queen of Scots Galliard/Conde Claro Galliard

    Thistlethwaite 6v-7 Henry Lichfield Thistlethwaite 35v-36

    Guillaume Morlaye

    62-63 64 71-72 73 74/1 74/2-75 76/1 76/2 79 80-81 82-83 84 89 90 91 Quel bein [sic] parler

    Willoughby 38-39v Marsh 232-233 Dd.5.78.3 73v-74 408/2 108/2-109 408/2 105/2 Willoughby 78-80/1

    Quel Bien Parler Almain Chi Passa Chanson, Je Suis Desherite Si Comme Espoir Galliard Galliard E Lume Alta Galliard Galliard Pavan Galliard Galliard Galliard Galliard

    Pierre Sandrin arr. Alberto da Rippe Marsh 295 Cadac/Lupus arr. Alberto da Rippe Jean Maillard arr. Alberto da Rippe Dallis 112-113/1

    Je suis desheritee. Chanson. Si comme.

    Dallis 213/2 cf: Marsh 76/2 cf: Marsh 76/1 Willoughby 20v-21/1 408/2 97 Willoughby 41v 408/2 107/2-108/1 Thistlethwaite 8v-9v/1 Willoughby 32-32v/1 cf: Marsh 91 Marsh 365 Willoughby 31-31v cf: Marsh 90 Osborn 16/2-17 Willoughby 8-9/1 Dallis 41/2 and 44-45 Marsh 117/1 Dd.2.11 86/1 cf: Marsh 117

    John Johnson John Johnson

    92 94 99

    fansy by franc Mylla.

    Galliard Fantasia Scottish Galliard

    Francesco da Milano

    102

    Galliard

    Marsh

    103

    Labandalashot Galliard

    Dallis 14 Marsh 368 Mynshall 6v/3 Willoughby 22v/2-23 arr.

    107 115 116-117/2 117/1

    Downe viencella

    Dont Vient Cela Galliard Galliard Scottish Galliard

    118/1 118/2 120-121

    New Year's Gift Galliard Galliard Quadran Pavan

    Anthony Holborne

    Dallis 41/2 and 44-45 Marsh 99 Dd.2.11 86/1 cf: Marsh 99 cf: Dd.2.11 62/3 (band.)

    John Johnson

    123 124-125 126

    Almain Galliard Sinkapace Galliard/ Church's Galliard

    Richard Greene

    Dallis 56-59/1 Mynshall 1v-2/1 Sampson 8 Dd.2.11 31v-32/1 Wickhambrook 10v-11/1 Ballet 8-9 Willoughby 17v-19/1 Willoughby 21/2 408/2 95/2 cf: Vilnius 58/1 Mulliner 126v-127 Marsh 126 Willoughby 90v Dlugoraj 189

    129 130-131 132 133 134-135 136-137

    Fantasia P.A. Variations Fancy Fancy Fantasia In Nomine

    Francesco da Milano

    Fernyers

    Fernyers Alberto da Rippe Robert Parsons arr. HR Francesco da Milano John Johnson

    Dd.2.11 73v/1 Marsh 274 Pickeringe 34/3

    138 139/1

    Fantasia Trenchmore, duet ground

    139/2-141

    Trenchmore, duet treble

    John Johnson

    142-144/1 144/2 144/3-145 146-148/1 148/2

    Passamezzo Pavan, duet treble First Dump, duet ground First Dump, duet treble Wakefield on a Green, duet treble Wakefield on a Green, duet ground

    John Johnson John Johnson John Johnson John Johnson

    Dd.3.18 12v-13 (dt) Lodge 10/2-10v/1 (dt) and 12/1 Marsh 139/2-141 (dt) Nn.6.36 33v-34 (dt) Pickeringe 51v/3 <88v> [inv.] Welde 11v/1 and 11v/2-12 (dt) Dd.3.18 12v-13 (dt) Lodge 10/2-10v/1 (dt) and 12/1 Marsh 139/1 (dt) Nn.6.36 33v-34 (dt) Pickeringe 51v/3 <88v> [inv.] Welde 11v/1 and 11v/2-12 (dt) Mynshall 2v-3/1 Dd.3.18 1v-2 31392 22v/2

    Dd.3.18 11v-12/1

    Marsh

    148/3-149

    French Galliard, duet treble

    John Johnson/ (Francesco da Milano)

    150-151/1

    Dump, duet treble

    cf: Cosens 33v/3 Dd.2.11 41/2 Dd.5.78.3 41/2 Dallis 40-41/1 (dvns) Lodge 16v/2-17v Marsh 46-48 Och1280 3-4 Thysius 24v/1 Valerius 1626 189 Thysius 16v, 20/2, 19v and 20v (cnst pts) Dd.3.18 71v-72 Schele 16/3 Thistlethwaite 2-3/1

    151/2 151/3-153 154/1 154/2156/1 156/2-157 158-160

    Dump, duet ground Chi Passa, duet treble P.M. Variations, duet ground P.M. Variations, duet treble duet treble Goodnight, duet treble

    John Johnson

    John Johnson

    408/2 85/3-86/1 (dt) Brogyntyn 7/5 (dt) Dallis 16/1 (dt) Dd.2.11 8v-9/1 and 86/2 (dt) Dd.3.18 15v-16 (dt) Marsh 26-27, 362-363 (dt) and 397/2 Willoughby 3v-5 and 5v (dt)

    162-163, 165/2 164-165/1

    Folia ground Variations, duet treble Delight Pavan

    John Johnson

    166

    Delight Galliard

    John Johnson

    408/2 92-94/1 Dallis 84-85/1 Mynshall 7v/1 Wickhambrook [9v]- 10/1 Welde 3v-4/1 Waissel 1591 L4/1 Thysius 147v Willoughby 25v-27v Folger 14v-15 (dt) Board 6v-7/1 and 14v-15 (dt) Brogyntyn 13/1 (dt) Dallis 84-85/1 (gr) Dd.3.18 20v-21 and 59v60 (cnst) Trumbull 4v-5 (cnst) Vilnius 62v-63/1 (cnst) Welde 4/2 Board 7v/1 Vilnius 61 Pickeringe 32/2 Willoughby 28-29/1 Wickhambrook 10/2 cf: Naples 365

    168-169/1 169/2-171 173-175/1 175/2-176

    Quadran Pavan Quadran Pavan Fantasia Arthur's Dump

    Francesco da Milano Philip van Wilder

    Phalse 1568 7v-8 Marsh 426/2-428 Osborn 9v-10/1

    Marsh

    182

    Sellenger's Round, duet treble

    183-186/1

    The New Hunt's Up, John Johnson duet treble The New Hunt's Up, John Johnson duet groun Pavan Weston's Pavan Weston

    Dd.3.18 5 Thysius 442/3 cf: Schele 59/2 Montbuysson 30/2 & 94/2 ML 16/3 Trinity 128/2 Board 25/1 and 12/2 Andrea 2/4 Vilnius 58/3 and 68/3 Folger 87v/4 and 87v/5 Brahe 10v/1 Vallet 1615 70 Marsh 42-43 and 182 408/2 103/1 Valerius 1626 164-5 Vallet 1616 34/1-35/2 (cnst pts) Hove 1612 61v/1 FWVB no.148 Vallet 1615 63-64/1 & 70/2 Trumbull 15v-16 Dd.3.18 13v-14 Welde 13/2-14

    186/2 187-186/3 188

    190

    Lady Rich's Galliard/Dowland's Bells [first 6 bars]

    John Dowland [43]

    225 227-228/1 228/2-229 230-231 232-233

    Quadro Cotton

    Quadran Pavan Quadran Pavan Fantasia Fancy Conde Claro/ Hornpipe

    Clement Cotton Francesco da Milano Newman Guillaume Morlaye

    408/2 101/3-102 & 105/1 Dallis 22-23 and 96-97/1 Lodge 20v-21 Och1280 1-2 cf: ML 10v-11/1 Marsh 50-54/1 Dlugoraj 147 Vilnius 21/3, 21v/2 and 56v/4 Dowland 1610B 25 Schele 146/2-147/1 Dd.5.78.3 9/1 Dd.9.33 91v Pickeringe 18/2 Welde 5/1 Mynshall 8/3 Brahe 25v-26/1 Thysius 21v/1 and 392v cf: Vilnius 21/2 Marsh 381 Willoughby 34-35/1 408/2 88 Dallis 24-26/1

    Marsh 49/2 Willoughby 38-39v Marsh 61/2 Dd.5.78.3 73v-74 408/2 108/2-109

    234 235 236/1 236/2-238 239 243 244-246/1 247-246/2

    fansye Fansie / M

    Fancy Fancy Galliard Fantasia Part-song arrangement? Dump Galliard Rondo Pavan

    Francesco da Milano

    Thistlethwaite 29v-31v

    A Doomp e.e. .paven. Ambrose

    E. E. Ambrose Lupo/ John Ambrose Hirsch 5v-6/1

    Marsh

    248-251/1 251/2 257 263 264

    M haat [?]

    Variations Chi Passa Galliard Quadran Pavan [inc.] Lavecchia Galliard

    268 (not 266)

    Packington's Galliard, first part of duet The Old Medley John Johnson

    270-271

    272

    The Old Medley

    John Johnson

    cf: Wickhambrook 16/1 Pickeringe 4v/1 Ballet 46 (duet) Ballet 47 [inv] (duet) Brogyntyn 29/2 (duet) Pickeringe 4/2 (duet) Wickhambrook 16/2 [inv] (duet) Marsh 264 (solo) Brogyntyn 19/3 2764(2) 2v-3 Mynshall 9 Sampson 9/1 31392 18v-19v/1 Marsh 272 Adriansen 1584 Brogyntyn 16-17/1 Dallis 53 2764(2) 3v-5/1 Dd.2.11 88v-89/1 Thysius 192-193 Valerius 1626 99-100 Waissel 1591 L2v Welde 8v-9/1 31392 18v-19v/1 Marsh 270-271 Adriansen 1584 Brogyntyn 16-17/1 Dallis 53 2764(2) 3v-5/1 Dd.2.11 88v-89/1 Thysius 192-193 Valerius 1626 99-100 Waissel 1591 L2v Welde 8v-9/1

    273 274

    Part-song arrangement? In Nomine

    Robert Parsons arr. HR

    Dd.2.11 73v/1 Marsh 136-137 Pickeringe 34/3

    279 280-282 287

    Galliard Dump ? Omnino Galliard

    John Johnson

    289 295 305

    Quadran Galliard Almain Ruggiero

    Brogyntyn 21/3 408/2 90/1 Dallis 31/1 and 95/2 Lodge 12/3 Sampson 8v [identical except for bar 2] Marsh 71-72 408/2 91/1 Dallis 20/1, 21 (dvns), 92/2 (dt) & 223/2 (band.) Dd.3.18 1 (dt) Marsh 38 and 39 (dt) Mynshall 3v/2 (dt) Thysius 383/1 Trumbull 25v/1 & 25v/2 (dt) cf: Board 2/1 Sampson 3v/1

    Marsh

    319 328-329 330 357/1 357/2 358 359

    Knoles. Gall.

    Knole's Galliard Lesson? Fancy Lord Strange's Galliard Galliard Quadran Galliard Militis Dump [Bergamasca Ground] Chi Passa Goodnight, duet treble

    Knowles

    Wickhambrook 17/5 Trumbull 8/2

    gall. Lord Stra: / L galli / of a galli [D]ump / A Dump.

    Willoughby 37-37v 31392 16v/2-17 Lodge 14-15v/1

    360-361 362-363

    Quipass: Cotton.

    Clement Cotton

    364

    365 366-367 368 [L'o] eil [gr] at.

    Galliard to Westminster/To Me I Must Galliard John Johnson Chanson L'Oeil Gracieux Labandalashot Galliard arr. Alberto da Rippe

    cf: 408/2 85/3-86/1 (dt) Brogyntyn 7/5 (dt) Dallis 16/1 (dt) Dd.2.11 8v-9/1 and 86/2 (dt) Dd.3.18 15v-16 (dt) Marsh 26-27, 158-160 (dt) and 397/2 Willoughby 3v-5 and 5v (dt) Dd.2.11 66v/1 cf: Hove 1612 61/2 Thysius 444 Marsh 91 Willoughby 31-31v

    369-375/1 375/2 376-378 379/1 379/2 380/1 380/2 380/3 381 The grownd.

    chayng thy minde My ladie Richis galliard

    P.A. Pavan, duet treble P.A.Pavan, duet ground for bass lute Pavan Quadran Pavan Quadran Galliard Chi Passa Chi Passa Change Thy Mind Lady Rich's Galliard/Dowland's Bells

    Marc Antoine

    Dallis 14 Marsh 368 Mynshall 6v/3 Willoughby 22v/2-23 Phalse 1568 72v-75v Phalse 1568 65/2 [inv]

    Richard Martin John Dowland [43]

    cf: Vilnius 21/2, 21/3, 21v/2 and 56v/4 Dowland 1610B 25 Schele 146/2-147/1 Marsh 190 Dd.5.78.3 9/1 Dd.9.33 91v Pickeringe 18/2 Welde 5/1 Mynshall 8/3 Brahe 25v-26/1 Dlugoraj 147 Thysius 21v/1 and 392v

    382/1 382/2383/1 383/2 383/3

    Mystris Norrishis delight The Em=perer[e]s Allmayne The droke of parmes Almayne O deare lyfe...dg:

    Mistress Norrish's Delight The Emperor's Almain/Alliance Almain The Duke of Parma's Almain O Dear Life when shall it be

    ?John Dowland [77] Denss 1594 87/1

    Marsh

    384

    An almayne douland

    Sir John Smith's Almain

    John Dowland [47]

    385

    A pavion by Mr Mathas galliard Alfonsus

    Pavan

    386/1

    Galliard

    386/2-387

    A galliard holborne Galliard

    Dowland 1610B 30v/2-31 ML 8v/1 Folger 13v-14/1 2764(2) 10 Ballet 7/1 (?dt) Schele 148/2 (cnst) Brahe 16v-17/1 Thysius 503 Mathias Mason Pickeringe 14/3 Dd.9.33 22v Welde 16v-17 Alfonso Ferrabosco Dd.2.11 71v/2 /John Dowland/ Euing 29 Francis Cutting/ 31392 34/2 2764(2) 7/1 Robert Hales Thysius 33 Anthony Holborne Dd.9.33 66v-67/1 Ballet 6 Dd.2.11 89/2 Dd.5.78.3 19v/1 John Johnson 408/2 85/3-86/1 (dt) Brogyntyn 7/5 (dt) Dallis 16/1 (dt) Dd.2.11 8v-9/1 and 86/2 (dt) Dd.3.18 15v-16 (dt) Marsh 26-27, 158-160 and 362-363 (dt) Willoughby 3v-5 and 5v (dt)

    397/1 397/2

    frgmt Goodnight

    397/3 397/4 398/1 398/2 399 400-401

    Expectate. Expect: Gally. Dordo

    419/1 419/2 419/3 419/4 419/5 420-422 423-424/1 424/2 425 426/1

    the grownd

    A grow[nd]

    nom:t:

    frgmt The Hunt's Up P.A. Expectare Pavan Expectare Pavan Madrigal: Dormendo un Giorno P.A. Galliard P.A. Chi Passa duet ground duet ground Galliard Variations Bergamasca Variations P.A. Variations [frgmt] In Nomine

    Philippe Verdelot arr. Dd.4.22 2v/1

    Dallis 36/1 and 47/2

    John Taverner arr. Nicholas Strogers [?] Philip van Wilder

    426/2-428 429

    [inci]pit [D]ump / Dump philli

    Arthur's Dump Psalm: Where Righteousness, two settings

    Dd.9.33 61 Dd.2.11 19/2 Mynshall 10v/1 cf: Mulliner 41v Marsh 175/2-176 Osborn 9v-10/1 2764(2) 8v/1

    Matthew 1652

    Richard Mathew The Lute's Apology for her Excellency YEAR OF PUBLICATION: 1652 Bibliography: G. Hayes: 'Music in the Boteler Muniments' GSJ , viii (1955), 43 Simpson 1966A Simpson 1966B Franois-Pierre Goy: Richard Mathew's Prefatory Epistle and the Contents of The Lutes Apology' LSJ , xxxi (1991), 2
    page 1/2 2 3-5 6 7-8 original ascription 1 / Jigg. [index:] A Jigg. 2 / Halloo my Fancy. [index:] Halloo my Fancy. 3 / Mathews Delight. [index:] Mathews Delight. 4 / West. [index:] West. 5 / Mathews Dream. This is to be playd as it were sleeping, and at the rests ought to nod. [index:] Mathews Dreame. This is to be playd as it were sleeping, and at the rests ought to nod. 6 / Rant. [index:] A Rant. 7 / Saraband. [index:] A Saraband. 8 / New rant. [index:] A New Rant. 9 / New Saraband. [index:] A New Saraband. 10 / Saraband. [index:] A Saraband. 11 / What you will. [index:] What you will. 12 / Gerrards Mistresse. [index:] Gerrards Mistresse. 13 / Ayre. [index:] An Ayre. 14 / Scotch. [index:] Scotch. 15 / Hone. [index:] Hone. 16 / North. [index:] North 17 / Bow bels. [index:] Bow Bels. 18 / Simphony. [index:] A Simphony. 19 / Sheffield. [index:] Sheffield. 20 / Tantara. [index:] Tantara. 21 / Simphony. [index:] A Simphony. 22 [index:] Choyce. 23 / Almane. [index:] An Almane. 24 / Corant to the Almane. [index:] A Corant to the Almane. title Jig Halloo My Fancy Mathew's Delight West Mathew's Dream composer Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew cons. & cogs.

    9 10 11 12 13 14 15 16 17 18 19 20 21 22 23-24 25 26-27 [missing] 28 29

    Rant Saraband New Rant New Saraband Saraband What You Will Gerrard's Mistress Ayre Scotch Hone North Bow Bells Sinfonia Sheffield Tantara Sinfonia Choice Almain Courant to the Almain [?]

    Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew Richard Mathew

    Matthew 1652

    30 [missing]32

    25 / Almane. [index:] An Almane.

    Almain

    Robert Johnson

    Dd.4.22 10/2 Nn.6.36 15v/3 ML 17/2 Board 16/2 Trinity 115/2 Krakow 3/1 Herbert 70v/2 Valerius 1626 213

    33 34-35

    36-38

    39/1 39/2 40-41

    42-43

    26 / Preludium. [index:] A Preludium. 27 / Almane, hit it and take it. [index:] An Almane, hit it and take it. 28 / Mathews melancholy good night. [index:] Mathews melancholy good night. 29 / Preludium. [index:] A Preludium. Prel. [index:] A Preludium. 31 / Preludium. The unwinding of a pin, and the winding it up againe. [index:] A Preludium. The unwinding of a pin, and the winding it up againe 32 / Preludium [index:] A Preludium.

    Prelude Hit it and Take it Almain Mathew's Melancholy Good Night Prelude Prelude Prelude, The Unwinding of a Pin and the winding it up again

    Richard Mathew Robert Johnson Board 41/4-41v/1 Krakow 9v/2-10/1 ML 20v/1

    Richard Mathew

    Richard Mathew Richard Mathew Richard Mathew

    Prelude

    Richard Mathew

    Maynard 1611

    John Maynard The XII Wonders of the World YEAR OF PUBLICATION: 1611 Bibliography: Harwood 1962 Traficante 1966 [Facsimile] ed. Ian Harwood (Scolar Press, Menston, 1970)
    Sig. G2v-H1 H1v H2 H2v-J1 J1v-J2 J2v original ascription XIII A Pauin. [index:] A Pauin. XIIII A Galliard to the Pauin. [index:] A Galliard to the Pauin. AN Almond to both. XV A Pauin. [index:] A Pauin. XVI THe Galliard to the Pauin before. [index:] A Galliard to the Pauin before. XVII ADew. / Here endeth the Lessons for the Lute and Base Violl. [index:] Adew. title Pavan Galliard Almain Pavan Galliard Adieu composer John Maynard John Maynard John Maynard John Maynard John Maynard John Maynard cons. & cogs.

    Mynshall

    GB-Private Library of Robert Spencer, Richard Mynshall Lute Book DATE: 1597-1600 Page measurements: 303-7 x 184-91 mm Pedagogical book in upright folio format. This is one of the two lute books to have a Royal coat of arms stamped in gilt on the covers, and is also unusual in having originally had clasps rather than ties. Mynshall scratched his initials on either side of the centre-stamp on the front cover and inked them on the back cover. The marginalia includes the inscriptions Raphe Wilbraham / his Booke / from his Brother Minshull. / Esto amicus unius & Inimicus nullius / Bee frend to one & enemie to non one [per] me / Richard Mynshall finis / Hughe Allen / Thomas Crockett etc. and many other verses and these names repeated many times in many hands on f.1; the name Anne Burges appears on f.2 and the date 1597 on f.5v. A charm for toothache and a copy of a letter from Essex to Elizabeth dated 30th August 1599 appear on f.98v. The date of the book is unassailable with the relative battery of evidence provided by the binding, watermarks and by Mynshall himself. Lumsden took the Essex letter (1599) as a terminal date, but did not seem to allow for the fact that the letter is a copy of the original (or a draft) and was written separately from the music. The three pieces in later hands probably do not date from much later than Mynshall's pedagogical period, and he may have begun to use the MS as a commonplace book shortly after he finished taking lessons. Mynshall seems to have owned an unusual number of books for a merchant at this time, and he seems to have valued them more than his lute and viola da gamba, as he left them to his brother-in-law at his death in Nantwich in 1638. Little is known of Mynshall's life, but he may have been the Captain Mynshall who was present at the battle of Kinsale at the end of 1602. Bibliography: Lumsden 1957A Spencer 1975A Spencer 1975C Poulton 1975B
    folio 1/1 1/2 original ascription prludume [index:] Preludum Mmy lord wilobie [index:] my lord wilobies welcom home title Prelude Lord Willoughby's Welcome Home/ Roland composer cons. & cogs.

    John Dowland [66]

    1/3

    1v-2/1

    John Dowlands Galliarde [index:] A galliard p[er] dowland Quadren pauian [index:] The quadron pauione

    Captain Candish's Galliard Quadran Pavan

    John Dowland [21]

    John Johnson

    Dd.5.78.3 28v Euing 38/2 Mynshall 1/2 Pickeringe 25/3 and 33v/1 Vilnius 57/3 Wickhambrook 12/2 cf: Folger 9v/1 (dt) Hove1601 107v/3 Robinson1603 40-41 Thysius 389/1 Valerius1626 83 Vallet1615 47-48 Vilnius 14v/1 Dlugoraj 372 Cologne 24 Fabritius no.9 Hainhofer IV 36 Besard1603 134v/2 Richard 24 Dd.2.11 58v/2 Sampson 11v/2 (dt/cnst) Dd.2.11 14v/1 (band.) Dd.2.11 56/1 Hirsch 11v/2 2764(2) 6v/1 Dallis 56-59/1 Sampson 8 Marsh 120-121 Dd.2.11 31v-32/1 Wickhambrook 10v-11/1 Ballet 8-9

    Mynshall

    2/2

    2v-3/1

    the harte opreste [index:] The hart opprest trebble passingmesures pauian [index:] Passingmesurs pauion

    the Heart Opressed, duet treble P.A. Pavan, duet treble John Johnson

    Le Roy 1574 89 [77]

    3/2-3v/1 3v/2

    greeneslueus [index:] Greene sleues trebble The heare trebble of Rogeroe [index:] The heier trebble of Rogero

    Greensleeves, duet treble Ruggiero, duet treble

    Henry VIII John Johnson

    Mynshall 2v-3/1 Marsh 142-144/1 Dd.3.18 1v-2 cf gr.: Lvov 100-101v/1 08/2 85/2 Folger 5/1 408/2 91/1 Dallis 20/1, 21 (dvns), 92/2 (dt) & 223/2 (band.) Dd.3.18 1 (dt) Marsh 38, 39 (dt) and 305 Mynshall 3v/2 (dt) Thysius 383/1 Trumbull 25v/1 & 25v/2 (dt) cf: Board 2/1 Sampson 3v/1 Dd.3.18 26/2 31392 21v/2-22

    4v

    the galliard to the quadorn pauion [index:] The quadrone galliard the flate pauiane [index:] The flatt pauion

    Quadran Galliard

    ?John Johnson

    Flat Pavan

    John Johnson

    5/1

    the galliard to the flat paui [index:] The galliard to the same

    Flat Galliard

    John Johnson

    Ballet 18 Board 2v/1 Dallis 92/1, 264 (s.n.) Dd.2.11 87/1 Dd.3.18 21v (dt) and 60v61 (cnst) Dd.9.33 90v-91 Euing 8v Folger 10 (cnst) Lodge 6v/2-7/1 Pickeringe 4v/2-5/1 and 5/2 (dt pts) Trumbull 10 (cnst), 15/1 and 17v-19/1 (dt pts) Vilnius 55/3 Ballet 19 Dd.9.33 92v/2 Dd.2.11 1v/2 Dd.3.18 22 (dt) Pickeringe 5v/1 and 5v/26/1 (dt pts)

    Mynshall

    5/2-5v/1

    Spanish pauian [index:] The Spainishe pauion

    Spanish Pavan

    Francis Pilkington

    5v/2

    5v/3

    the Scoth Huntesuppe [index:] The Scothe huntsup 1597 orlando furiosoe [index:] Orlando furiosoe

    The Scottish Hunt's Up Orlando Sleepeth/ Orlando Furioso

    John Johnson

    31392 25v Sampson 3v/2 Welde 1 Dallis 162 Dd.4.22 3 Dd.9.33 82v-83 Dd.2.11 66v/2 Nn.6.36 23v Dallis 162 Robinson 1603 22v-23 408/2 112/1 Wemyss 23/3-24/1 Wickhambrook 14v-15/1 Cosens 20v-21 Folger 1v-2 (frgmt) Pickeringe 11/2 & 11v-12 (dt pts) Dd.3.18 14v-15/1 (dt) cf: Thysius 142/2 Stobaeus 22v/2 Dolmetsch 23v-25 and 25v-26 Valerius1626 258-260 Vallet1615 57 Vallet1616 6/2 Vilnius 27 cf: Pickeringe 15v-16

    John Dowland [61]

    Dd.2.11 55v/3 Board 1/3 Montbuysson 23v/2 & 38 Fuhrmann 1615 47/2 Bautzen 50/1 and 50/2 Vilnius 1/1 (dt) and 1/2 (band.) Hove 1601 106/2 408/2 111/2 Thysius 399/1 Schmall 22v

    6v/1

    6v/2

    6v/3

    7/1 7/2 7/3

    the Galliarde to the quadron pauiane [index:] The quadron galliard Mrs Jane Leightons choyse [index:] Mrs Jane Leaghtons choyse the Earle of Essikes dumpte [index:] The Erlle Essix dumpe labandelay shote [index:] Labanddola shott a Coye Toye [index:] A coy Toy A Allman [index:] A Allman my lorde of Oxfordes Marche [index:] my lord of oxfords marche

    Galliard to the Quadran Pavan

    Mrs Jane Laiton's Choice

    ?John Dowland

    Heavenly God/The Earl of Essex's Dump Labandalashot Galliard A Coy Toy/Mrs Vaux's Jig Almain The Earl of Oxford's March

    William Hewes

    Lodge 13v Dallis 202-3/1 and 212 Dallis 14 Marsh 103 and 368 Willoughby 22v/2-23 Dd.9.33 20v Dd.9.33 87v/2 2764(2) 7v/2-8/1 Dd.3.18 20/2 (cnst) 408/2 95/3 Thysius 373v

    ?John Dowland [80]

    Mynshall

    7v/1

    Jonesons delite pauian [index:] Jonesons delitte pauion

    Delight Pavan

    John Johnson

    7v/2

    my lord Southes maske Lord Zouche's [index:] my lord Maske souches maske

    ?John Johnson

    7v/3

    8/1

    8/2 8/3

    Mistris Chidleais Farewell [index:] Mrs Chidles Farewell In creete when dadulus first began [index:] [I]n Creete when dedalus the moris [index:] [T]he morris Doulands Bells [index:] Dowlands bells

    Mistress Chidley's Farewell In Crete When Daedalus First Began The Morris Lady Rich's Galliard/Dowland's Bells John Dowland [43]

    408/2 92-94/1 Marsh 164-165/1 Dallis 84-85/1 Wickhambrook [9v]- 10/1 Welde 3v-4/1 Waissel 1591 L4/1 Thysius 147v Willoughby 25v-27v Folger 14v-15 (dt) Board 6v-7/1 and 14v-15 (dt) Brogyntyn 13/1 (dt) Dallis 84-85/1 (gr) Dd.3.18 20v-21 and 59v60 (cnst) Trumbull 4v-5 (cnst) Vilnius 62v-63/1 (cnst) Montbuysson 24/1 ML 7v/2-8/1 Dd.4.22 3v Dd.9.33 88/1 Folger 8/2 Vilnius 56v/2 Vallet 1615 91 Hove 1601 106v/2 Nrnberg 38 Dolmetsch 148v-149 cf: Vallet 1616 no.86 Schermar [82] Dlugoraj 295 and 395 Dd.2.11 44/4

    408/2 90/2 Lodge 19v-20/1

    Dlugoraj 147 Vilnius 21/3, 21v/2 and 56v/4 Dowland 1610B 25 Schele 146/2-147/1 Marsh 190 Dd.5.78.3 9/1 Dd.9.33 91v Pickeringe 18/2 Welde 5/1 Brahe 25v-26/1 Nrnberg 2 Thysius 21v/1 and 392v cf: Vilnius 21/2 Marsh 381

    Mynshall

    8/4

    Bonny sweete Robin [index:] Bony sweete Robin

    Robin is to the Greenwood Gone/ Bonny Sweet Robin/Robin Hood

    ?John Dowland [70]

    8v/1

    the Passingmessures Galliarde [index:] Passingmesures galliard

    P.A. Galliard

    8v/2

    packintons Packington's Pound Francis Cutting compounds [index:] Pactkintons componds pactkintonns galliard [index:] Pactkintons galliard Fortune p[er] Dowland / fortune [index:] Fortune p[er] Dowland Packington's Galliard, first part of duet Fortune My Foe John Dowland [62]

    9v/1

    9v/2

    Ladies Maries galliard [index:] Ladie Maries galliard

    Lady Mary's Galliard

    Dd.2.11 53/2 and 66/3 Folger 16v Dd.3.18 11 and 18 31392 25 Montbuysson 3v cf JD: Board 12v/2 Cosens 32v Euing 31/2 Pickeringe 22v and 35/2 Vilnius 6v/1 Dd.9.33 29v-30 and 81v/4 (band.) Fuhrmann 1615 114115/1 other: Ballet 27 408/2 113/2 Euing 46v-47 Robinson 160318v/1 2764(2) 12/3 Nn.6.36 19v-20/1 (l.v.) 408/2 104/2 Dd.2.11 80/2 Lodge 5 Dallis 19 & 136/2-137/1 Folger 2/2 Trumbull 4/1 Dolmetsch 168v-169 Vallet 1616 24 [this version very corrupt] Nn.6.36 21/3 Thysius 401v cf: Barley 1596 69 (orph.) Marsh 266 Brogyntyn 19/3 2764(2) 2v-3 Sampson 9/1 Thysius 387v Barley 1596 45-46 Dd.4.22 11v Euing 27/2 Vilnius 7v/1 Weld 2/2 Ballet 14 (cnst) Dd.9.33 89 (dt tr.) Dd.2.11 56/2 (dt pt) Nn.6.36 15/3 (l.v.) cf: Stobaeus 79v Vilnius 20v/2 and 27v Folger 57v [inv] Beckmann 13v/2 Brahe 14/2 Vallet 1616 8/1 Valerius 1626 132-133 408/2 111/1 Thysius 185v/2 Vilnius 60/1 Herhold 18v/2-21/1 Dallis 71/2 (dvns) Schele 20-24/1 (dvns) Hove 1601 106v/1 (dvns) Dallis 49/2-50/1 Eijsertt 33 and 37 Richard 22 FWVB no.65 (Byrd) Dallis 211

    Mynshall

    10/1

    The Sedreppetis Lamentation / Dowlands allman [index:] Dowlands allman

    Lady Laiton's Almain

    John Dowland [48]

    10/2

    Mounsiers Allman [index:] Mounsiers allmen 10v/1 tauerners Innomine / Tauerners Innomina [index:] Tauerners inomine 10v/2-11 Mr Lusher [index:] Mr Lusher 11/2 11v [index:] Mall Symes

    Mounsieur's Almain, duet part In Nomine John Taverner arr. Nicholas Strogers [?] Lusher John Dowland [15] Johan Leo Hassler

    Schele 145/2-146/1 2764(2) 10v Dd.2.11 48/3 Welde 5/3 Besard 1603 139v Thysius 492/1 Folger 11v Wickhambrook 17/3 Fuhrmann 1615 80/2 Hove 1612 59/2 Richard 59v/2-60 cf: Vilnius 66v/2 Dlugoraj 367 Eijsertt 27 Cologne 59v-60 Euing 19v

    Almain Lachrimae Pavan (frgmt) Mall Sims

    Dd.9.33 61 Dd.2.11 19/2 Marsh 426/1 cf: Mulliner 41v Board 21/3 see separate list Folger 15v cf: 6402 2/1 Cosens 43/2 Dd.9.33 62v/2-63 Hove1612 59/1 ML 9v/2-10/1 Pickeringe 26v-27 Vallet1615 92 Vilnius 35 and 41v Vilnius 6/1 and 54v/1 Montbuysson 4/2 Valerius1626 207-208 Dlugoraj 97 and 483 Stobaeus 76v and 77v ML 7 Sampson 9v Weld 2v/1 cf: Dallis 85/2 (solo) Vilnius 7 and 40/1 (solo) Wickhambrook 15v/1 (dt) Dd.3.18 61v (cnst) John Johnson Ballet 45 [inv] (dt) Brogyntyn 28/2-29/1 (dt) Pickeringe 4/1 (dt) Wickhambrook 15v/2 [inv] (dt) Wickhambrook 14/2 Folger 12 Schele 143-144/1 Dd.2.11 36v-37/1 (band.) Nn.6.36 11 Folger 22 ML 16v/1 Welde 15v/2-16 Vilnius 20v/1 cf: Nrnberg 11

    12

    Leueche pavin [index:] Leuecho pauin

    Lavecchia Pavan

    12v

    Dowlands galliard

    Galliard, My Lady Mildmay's Delight

    Robert Johnson

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