Carbonite Setup Manual (4802DR 120 07.3) E
Carbonite Setup Manual (4802DR 120 07.3) E
Carbonite Setup Manual (4802DR 120 07.3) E
SETUP MANUAL
v7.3
www.rossvideo.com
Document Information
Ross Part Number: 4802DR-120-07.3 Release Date: June, 2013. Printed in Canada Equipment: This document applies to the Carbonite (4802AR-200-xx), Carbonite MultiMedia (4802AR-201-xx), and Carbonite+ (4802AR-202-xx) frames.
Copyright
Copyright 2013 Ross Video Limited. All rights reserved. This work is proprietary and confidential to Ross Video Limited, its subsidiaries and its other affiliated corporations and may not be copied, distributed, sold or otherwise used or relied upon without the express written permission of Ross Video Limited. Reproduction or reverse engineering of copyrighted software is prohibited.
Symbol Meanings
Protective Earth: This symbol identifies a Protective Earth (PE) terminal, which is provided for connection of the supply system's protective earth (green or green/yellow) conductor. Important: This symbol on the equipment refers you to important operating and maintenance (servicing) instructions within the Product Manual Documentation. Failure to heed this information may present a major risk of damage or injury to persons or equipment. Warning: The symbol with the word Warning within the equipment manual indicates a potentially hazardous situation which, if not avoided, could result in death or serious injury. Caution: The symbol with the word Caution within the equipment manual indicates a potentially hazardous situation which, if not avoided, may result in minor or moderate injury. It may also be used to alert against unsafe practices. Warning Hazardous Voltages: This symbol is intended to alert the user to the presence of uninsulated dangerous voltage within the product enclosure that may be of sufficient magnitude to constitute a risk of shock to persons. ESD Susceptibility: This symbol is used to alert the user that an electrical or electronic device or assembly is susceptible to damage from an ESD event.
Patents
This product is protected by the following US Patents: 4,205,346; 5,115,314; 5,280,346; 5,561,404; 7,034,886; 7,508,455; 7,602,446; 7,834,886; 7,914,332. This product is protected by the following Canadian Patents: 2039277; 1237518; 1127289. Other patents pending.
Notice
The material in this document is furnished for informational use only. It is subject to change without notice and should not be construed as commitment by Ross Video Limited. Ross Video Limited assumes no responsibility or liability for errors or inaccuracies that may appear in this document.
Trademarks
is a trademark of Ross Video Limited. Ross, ROSS, ROSS, MLE, Vision, Octane, Carbonite, CrossOver, CrossOver Solo, CrossOver Studio, Squeeze & Tease, Squeeze & Tease WARP, OverDrive, RossGear, openGear, DashBoard Control System, SoftMetal, XPression, Furio, and CamBot are registered and unregistered trademarks of Ross Video Limited. Windows is a registered trademark of Microsoft Corporation in the United States and other countries. All other product names and any registered and unregistered trademarks mentioned in this document are used for identification purposes only
3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any ventilation openings. Install in accordance with manufacturer's instructions. 8. Do not install near heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. Only use attachments/accessories specified by the manufacturer. 12. Unplug this apparatus during lightning storms or when unused for long periods of time. 13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when the power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 14. Do not expose this apparatus to dripping or splashing, and ensure that no objects filled with liquids, such as vases, are placed on the apparatus. 15. To completely disconnect this apparatus from the AC Mains, disconnect the power supply cord plug from the AC receptacle. 16. The mains plug of the power supply cord shall remain readily operable. 17. Indoor Use: WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. 18. The safe operation of this product requires that a protective earth connection be provided. A grounding conductor in the equipment's supply cord provides this protective earth. To reduce the risk of electrical shock to the operator and service personnel, this ground conductor must be connected to an earthed ground. 19. WARNING: This apparatus, when equipped with multiple power supplies, can generate high leakage currents. To reduce the risk of electric shock, ensure that each individual supply cord is connected to its own separate branch circuit with an earth connection. 20. CAUTION: These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock, do not perform any servicing other than that contained in the operating instructions unless you are qualified to do so.
21. Service barriers within this product are intended to protect the operator and service personnel from hazardous voltages. For continued safety, replace all barriers after servicing. 22. Certain parts of this equipment still present a safety hazard with the power switch in the OFF position. To avoid electrical shock, disconnect all A/C power cords from the chassis' rear appliance connectors before servicing. 23. This product contains safety critical parts, which, if incorrectly replaced, may present a risk of fire or electrical shock. Components contained within the product's power supplies and power supply area are not intended to be customer-serviced and should be returned to the factory for repair. 24. To reduce the risk of fire, replacement fuses must be the same type and rating. 25. Use only power cords specified for this product and certified for the country of use. 26. The safe operation of this equipment requires that the user heed and adhere to all installation and servicing instruction contained within the equipment's Engineering Manuals. 27. WARNING: This product includes an Ethernet Port which allows this product to be connected to a local area network (LAN). Only connect to networks that remain inside the building. Do not connect to networks that go outside the building.
EMC Notices
United States of America FCC Part 15 This equipment has been tested and found to comply with the limits for a class A Digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
Important: Changes or modifications to this equipment not expressly approved by Ross Video Limited could void the user's authority to operate this equipment.
Canada This Class A digital apparatus complies with Canadian ICES-003. Cet appareil numrique de la classe A est conforme a la norme NMB-003 du Canada.
Europe This equipment is in compliance with the essential requirements and other relevant provisions of CE Directive 93/68/EEC. International This equipment has been tested to CISPR 22:1997 along with amendments A1:2000 and A2:2002, and found to comply with the limits for a Class A Digital device.
Important: This is a Class A product. In domestic environments, this product may cause radio interference, in which case the user may have to take adequate measures.
This warranty is void if products are subjected to misuse, neglect, accident, improper installation or application, or unauthorized modification. In no event shall Ross Video Limited be liable for direct, indirect, special, incidental, or consequential damages (including loss of profit). Implied warranties, including that of merchantability and fitness for a particular purpose, are expressly limited to the duration of this warranty. This warranty is TRANSFERABLE to subsequent owners, subject to Ross' notification of change of ownership.
Environmental Information
The equipment that you purchased required the extraction and use of natural resources for its production. It may contain hazardous substances that could impact health and the environment. To avoid the potential release of those substances into the environment and to diminish the need for the extraction of natural resources, Ross Video encourages you to use the appropriate take-back systems. These systems will reuse or recycle most of the materials from your end-of-life equipment in an environmentally friendly and health conscious manner. The crossed-out wheeled bin symbol invites you to use these systems.
If you need more information on the collection, reuse, and recycling systems, please contact your local or regional waste administration. You can also contact Ross Video for more information on the environmental performances of our products.
Company Address
Ross Video Limited 8 John Street Iroquois, Ontario, Canada, K0E 1K0 Ross Video Incorporated P.O. Box 880, Ogdensburg, New York, USA, 13669-0880 General Business (+1)613-652-4886 Office: Fax: (+1)613-652-4425
Technical Support: After Hours Emergency: E-Mail (Support): E-Mail (General): Website
(+1)613-652-4886 (+1)613-349-0006
[email protected] [email protected]
www.rossvideo.com
Technical Support
At Ross Video, we take pride in the quality of our products, but if a problem does occur, help is as close as the nearest telephone. Our 24-Hour Hot Line service ensures you have access to technical expertise around the clock. After-sales service and technical support are provided directly by Ross Video personnel. During business hours (eastern standard time), technical support personnel are available by telephone. Outside of normal business hours and on weekends, a direct emergency technical support phone line is available. If the technical support personnel who is on call does not answer this line immediately, a voice message can be left and the call will be returned shortly. Our Technical support staff are available to react to any problem and to do whatever is necessary to ensure customer satisfaction.
Supporting Documentation
Ross Video provides a wide variety of helpful documentation for the setup and support of your equipment. Most of this documentation can be found either on the Product Resources disk that came with your equipment, on the Ross Video website (www.rossvideo.com), or on the Ross Video Community site (community.rossvideo.com) Operation Manual (4802DR-110) operational instructions for all Carbonite switchers Carbonite Setup Manual (4802DR-120) setup and configuration instructions for Carbonite, Carbonite+, and Carbonite MultiMedia frames Carbonite eXtreme Setup Manual (4803DR-120) setup and configuration instructions for Carbonite eXtreme frames Carbonite QuickStart Poster (4802DR-200) setup information and specifications for the Carbonite, Carbonite+, and Carbonite MultiMedia frames
Carbonite eXtreme QuickStart Poster (4803DR-200) setup information and specifications for the Carbonite eXtreme frame Upgrade Notes (4802DR-500) upgrade instructions, new features, and known issues for a given software version Carbonite eXtreme Upgrade for NK-3G144-X upgrade instructions for the NK-3G144-X router to a Carbonite eXtreme switcher Software Licenses (4802DR-502) third-party software licences Carbonite Multilingual Safety Information (4802DR-503) translated product safety information Carbonite Frame Fan Replacement (4802DR-300) instructions for replacing cooling fans in the Carbonite, Carbonite+, or Carbonite MultiMedia frames Carbonite Frame RAM Replacement (4802DR-301) instructions for replacing the RAM in the Carbonite, Carbonite+, or Carbonite MultiMedia frames Control Panel Desk Mounting (4802DR-302) desk mounting instructions for Carbonite control panel 1-2 MLE Upgrade (4802DR-303) 1 to 2 MLE upgrade instructions for C1-A and C1M control panels SideBox Installation (4802DR-304) installation and mounting instruction for SideBox module Auxiliary Control Panel Installation (4802DR-305) installation and mounting instruction for remote aux panel (CPS-AUX-053B) C10 2 MLE Upgrade (4802DR-306) 1 to 2 MLE upgrade instructions for the C10 control panel GVG100 Supported Command (4802DR-401) connection and GVG100 commands supported by the switcher LiveEDL Setup (4802DR-402) setup recording EDL files and LTC timecode source RossTalk Commands (4802DR-403) supported commands using RossTalk protocol Device Setup Sheets (4802DR-6xx) setup information for controlling external devices from the switcher Robotic Camera Control (4802DR-131) overview of the operational interface when controlling a robotic camera from the switcher
Audio Mixer Control (4802DR-132) overview of the operational interface when controlling an audio mixer from the switcher Video Server Control (4802DR-133) overview of the operational interface when controlling a video server from the switcher Configuration Guide (4802DR-100) product description and marketing codes for switchers and options
Contents
Features........................................................9
MultiMedia Inputs (MultiMedia Frame Only)............................9 Custom Controls......................................................................9 Device Control.........................................................................9 DVE.........................................................................................9 Effects Dissolve.......................................................................9 General Purpose Interface......................................................9 LiveEDL...................................................................................9 Media-Store.............................................................................9 MediaWipes.............................................................................9 UltraChrome..........................................................................10 Memory AI Recall Mode........................................................10 Memory System.....................................................................10 MLE Effect System................................................................10 Media Manager......................................................................10 MultiViewer............................................................................10 Pattern and Matte/Wash Generators.....................................10 Matte/Wash Generator..........................................................10 Tally Outputs..........................................................................11
Video Outputs............................................21
Output Sources......................................................................21 To Assign a Source to an Output......................................21 Ancillary Data........................................................................21 To Strip or Pass Ancillary Data.........................................21 FlexiClean Clean Feed..........................................................21 To Set Up Clean Feed......................................................22 MultiViewer............................................................................22 To Set Up a MultiViewer...................................................22 To Set Up a MultiViewer Clock.........................................23 Tallies.....................................................................................23 To Set Up a Tally..............................................................23
Color Correction........................................25
Proc Amp Color Correction (Carbonite + and MultiMedia Only).25 To Apply a Proc Amp to a Video Source..........................25 RGB Color Correction (Carbonite+ and MultiMedia Only)......26 To Apply a RGB Color Correction to a Video Source.......26
ViewControl................................................27
Connecting ViewControl........................................................27 To Set Up The Video Input for ViewControl......................27 To Set Up the MultiViewer for ViewControl.......................27
Video Reference........................................12
Supported Reference Formats..............................................12 Reference Setup....................................................................12 To Set a Reference Format..............................................12 Frame Sync and Format Conversion.....................................13 Supported FSFC Input Mode Video Formats...................13 FSFC For Carbonite Frame..............................................13 FSFC For Carbonite MultiMedia/Carbonite+ Frames.......14 Output Reference Synchronizers..........................................15 To Set Up an Output Reference Sync..............................15 To Set Color Framing for Analog Reference....................15 Aspect Ratio Conversion.......................................................15 Full....................................................................................16 Zoom................................................................................16 Letterbox...........................................................................16 Pillarbox............................................................................16 To Set an Aspect Ratio for 480i/576i................................16 Switching Field......................................................................16 To Set the Switching Field................................................16
Switcher Personality.................................29
Auto Remove Key..................................................................29 To Set the Auto Remove Key Behavior............................29 Auto Trans Second Press......................................................29 To Set the Auto Trans Second Press Behavior................29 Background Double-Press.....................................................29 To Set the Background Double-Press Behavior...............29 Color Schemes......................................................................29 To Select a Panel Color Scheme......................................29 To Create a Custom Panel Color Scheme.......................30 Double-Press Rate................................................................30 To Set the Double-Press Rate..........................................30 Editor Mode...........................................................................30 To Set the Switcher to Editor Mode..................................30 Memory Bank Button Behavior (C2X/C2S)...........................30 To Set the Bank Button Behavior.....................................30 Memory Recall Behavior (C10/C1)........................................30 To Set the Memory Recall Behavior.................................30 Next Button Secondary Function...........................................30 To Set the NEXT Button Secondary Function..................31 Next Transition Follow...........................................................31 To Set the Next Transition Follow Behavior......................31 Next Transition Reset............................................................31 To Set the Next Transition Reset Behavior.......................31 Power-Save Mode.................................................................31 To Set the Power Save Mode and Timer..........................31 Program Row (C2/C2M/C2X/C2S)........................................31 To Set the Program Row..................................................31 Roll GPO/Roll Clip.................................................................31 To Set the Roll GPO/Clip Behavior...................................32 Transition Rate Units.............................................................32
Tally Port................................................................................43
Network Connections...............................34
Network Setup.......................................................................34 To View the Current Network Settings..............................34 To Set an IP Address Using DHCP..................................34 To Set a Static IP Address................................................34 FTP Connection (RossLinq)..................................................35 To Create an FTP Connection with Windows 7................35
GPI Control.................................................36
GPI Trigger Types..................................................................36 GPI Setup..............................................................................36 To Set Up a GPI Input......................................................36 To Set Up a GPI Output....................................................37 GPI Output Triggers...............................................................37 To Assign a GPI Output to a Video Source......................37 To Set a GPI to Be Triggered Manually............................37 To Manually Trigger a GPI Output....................................37
Specifications............................................42
Operating Temperature..........................................................42 Video Input Specifications.....................................................42 Video Output Specifications..................................................42 Audio Specifications..............................................................42 Power Rating.........................................................................42 Serial Port..............................................................................42 GPI Port.................................................................................43
Features
Thank you for buying a Ross Video Carbonite Series Multi-Definition Live Production Switcher. The Carbonite series builds on the Ross Video reputation for designing switchers that fit the needs of any production environment.
switcher will interpolate from the starting memory to the destination memory, creating a smooth, two key frame effect.
Only elements such as clip level and pattern position can be interpolated in the effects dissolve. Other elements, such as crosspoint selection, pattern, and next transition data are recalled first, and then the switcher will slew to the recalled memory. An effects dissolve can be performed on as many elements and MLEs as required, based on the memory that is being recalled.
Custom Controls
This feature brings the power of macros to the switcher operator. A series of button presses can be easily recorded and assigned to any custom control button. Step through complex show openings as easily as pressing Custom Control buttons 1, 2, then 3.
Note: The C10 does not support recording or running custom controls.
Device Control
The switcher can control a number of external devices, such as video servers and robotic cameras. For a complete list of supported devices, and information on how to set up and control these devices, visit the Ross Video website (rossvideo.com/production-switchers/carbonite/interface-list).
LiveEDL
Edit Decision Lists (EDL) are files used by non-linear editing (NLE) suites to aid in post-production. Your switcher can capture EDL data in a file that you load into your NLE suite. For information on using the LiveEDL feature, visit the Ross Video Website (rossvideo.com).
DVE
The advanced 2D DVE comes standard with each switcher, and can be used for performing over the shoulder, or picture in picture shots. This allows preset pattern keys to be zoomed, cropped, and repositioned horizontally and vertically to create the look you want, or you can use one of the useful pre-built 2D effects to perform 2D background transitions. The Carbonite MultiMedia and Carbonite+ frames come with eight channels. The Carbonite and Carbonite eXtreme frames can select between 8 channels of DVE and no FSFC resources, or 4 channels of DVE and 6 FSFC resources.
Media-Store
Up to four (4) independent channels of still/animations are available switcher-wide, allowing for thousands of full screen stills and logos that can be cached and used on the switcher. Animation-Store comes standard with 8 Gigabytes of cache. Channels 1 and 3 have 4 Gigabytes, and channels 2 and 4 have 4 Gigabytes. The number of images cached increases considerably when smaller, non-full screen images like logos are loaded from USB.
MediaWipes
A MediaWipe allows you to use an animation from the Media-Store to perform background and key transitions. When the transition starts, the switcher plays the selected
Carbonite Setup Manual (v7.3) Features 9
Effects Dissolve
The Effects Dissolve feature allows you to interpolate from one memory to another using a memory recall. The
animation over top of the background and keys that are being transitioned. A cut is then performed behind the animation to bring up the next shot when the animation ends. A MediaWipe use Media-Store channels 2 and 4 for the animation and alpha.
MLE 1 and MLE 2 Program, Preview, and Media-Store channels, can be assigned to any box on the MultiViewer. All boxes on the MultiViewer include mnemonic source names and red and green tallies. If the switcher is operating in a standard-definition video format, the MultiViewer can be set to output high-definition. In HD output mode, the MultiViewer is only available on specific output BNCs.
UltraChrome
The Ross UltraChrome uses advanced video processing technology to provide exceptional blue spill reduction and clean edges, even with difficult source material. Glass, smoke, translucent materials, and natural shadows are handled superbly. Two floating Chroma Keys are available across both MLEs.
Memory System
Storage for 100 complete switcher snapshots per MLE comes standard with all switchers. All of these memories can be stored to a USB media drive, providing custom tailored memories for every operator and every show.
Media Manager
The Media Manager allows you to easily manage stills and animations on the switcher in a graphics interface.
MultiViewer
All Carbonite Multi-Definition Live Production Switchers come standard with two broadcast-quality integrated MultiViewers. Each MultiViewer allows you to view up to 16 video sources, in 29 different layouts, from a single output BNC. Any video source on the switcher, including
10 Features Carbonite Setup Manual (v7.3)
Matte/Wash Generator
A matte generator and complex wash generator per MLE, capable of multi-color washes comes standard. Any one of the color generators can be assigned to MATTE, or wipe pattern edges. An additional simple color generator is available for an Aux Bus.
Tally Outputs
The Carbonite Multi-Definition Live Production Switcher has 34 assignable tally relays located in the rack frame. Each tally can be assigned to any number of combinations of input and output or bus.
Video Reference
The flexible reference system in the switcher allows you to use an Interlaced video format as the reference to operate the switcher in a video format of the same frequency. Choosing a progressive video format as a reference limits you to operating the switcher only in that same video format and frequency. For example, if you have a 1080i 59.94Hz input reference you can operate the switcher in 720p 59.94Hz, but not 1080i 50Hz. However, if you have a 720p 59.94Hz input reference, you can only operate the switcher in 720p 59.94Hz.
The switcher allows you to use any interlaced video format to operate the switcher in any format of the same frequency; however, the use of 480i or 576i (Composite Sync) reference signals for High Definition (720p or 1080i) video modes is not recommended. The use of composite sync reference formats is recommended for Standard Definition video modes only, and provides stable outputs with jitter performance in compliance with SMPTE-259M specifications.
Reference Setup
The switcher supports both internal and external references. An external reference is provided by an external device to the switcher through the REF IN BNC on the frame. An internal reference is generated by the switcher and can be fed out to other devices.
576i
720p 59.94 Hz (60) 720p 50Hz 480i 480i 16:9 720p 59.94Hz 1080i 59.94Hz 1080pSF 29.97Hz
1. Press MENU > REF. 2. Use the Freq knob to select the frequency for the video format you want to use. The 480i and 576i video formats are locked to a frequency of 59.94Hz and 50Hz, respectively. 3. Use the Format knob to select the reference format that you want the switcher to operate in. For an external reference, this must be the same as the reference format that is being fed into the switcher. The list of available formats only shows those video formats that support the selected frequency. 4. Use the Aspect knob to select the aspect ratio for the 480i and 576i video formats.
1080i 50Hz
1080pSF 23.98Hz
1080pSF 23.98Hz
5. Press NEXT. 6. Use the RefSrc knob to select an internal (Int) or external (Ext) reference format. 7. Press the RefSrc knob to confirm the reference source.
Format conversion is not supported when the switcher is operating in a 1080pSF video format. Only Frame Synchronization is supported.
To Set Up Input Mode FSFC Input mode locks a specific FSFC channel to a specific input. Refer to Supported FSFC Input Mode Video
Carbonite Setup Manual (v7.3) Video Reference 13
Formats on page 13 for a list of compatible video format conversions. 1. Press MENU > REF > NEXT. 2. Use the FSFC knob to select the frame converter/synchronizer channel that you want to assign to a video input. 3. Press the FSFC knob. 4. Use the FSFCx knob to select Input. 5. Use the Input knob to select the video input you want to assign the FSFC to. 6. Use the Frming knob to select aspect ratio conversion mode you want to use. The options that are available depend on the video format that the switcher is converting from and to. Full The video signal is scaled disproportionately to fill the display of the new aspect ratio. Aspect distortion occurs as the image is stretched/compressed to fit in the new aspect ratio. Zoom The central portion of the video signal is zoomed to fill the display of the new video format. No aspect distortion is introduced but the edges of the video signal may be cropped. LttrBx Black bars are added to the top and bottom of a 16:9 image to display correctly in a 4:3 video format. PllrBx Black bars are added to the right and left of a 4:3 image to display correctly in a 16:9 video format. 7. Press the Frming knob. 8. Press the Confrm knob to assign the FSFC channel. To Set Up Bus Mode FSFC Bus mode locks a specified FSFC channel to a specific bus. 1. Press MENU > REF > NEXT. 2. Use the FSFC knob to select the frame converter/synchronizer channel that you want to assign to a video input. 3. Press the FSFC knob. 4. Use the FSFCx knob to select Bus. 5. Use the Bus knob to select the bus you want to assign the FSFC to.
6. Use the 2ndCh knob to select the second FSFC channel that you want to pair with the assigned channel. In a bus-pair keyer configuration, the first channel is used to convert the key video, and the second channel is used to convert the key alpha. 7. Press NEXT. 8. Use the Frming knob to select aspect ratio conversion mode you want to use. The options that are available depend on the video format that the switcher is converting from and to. Full The video signal is scaled disproportionately to fill the display of the new aspect ratio. Aspect distortion occurs as the image is stretched/compressed to fit in the new aspect ratio. Zoom The central portion of the video signal is zoomed to fill the display of the new video format. No aspect distortion is introduced but the edges of the video signal may be cropped. LttrBx Black bars are added to the top and bottom of a 16:9 image to display correctly in a 4:3 video format. PllrBx Black bars are added to the right and left of a 4:3 image to display correctly in a 16:9 video format. 9. Press the Frming knob. 10. Press the Confrm knob to assign the FSFC channel.
Standard Inputs use the FSFC knob to select On. MultiMedia Inputs use the Type knob to select SDI-FC.
3. Press the RefO knob. 4. Use the RefO knob to select the reference format you want to output from the switcher. The available output reference formats depend on the video format that the switcher is operating in. You must be in a 50Hz video format for PAL and a 59.94Hz video format for NTSC. 5. Use the Mode knob to select the type of delay you want to apply to the reference signal. V vertical delay in lines H horizontal delay in pixels F frame delay in frames (NTSC/PAL only)
4. Use the Frming knob to select the aspect ratio conversion mode you want to use. The options that are available depend on the video format that the switcher is converting from and to. Full The video signal is scaled disproportionately to fill the display of the new aspect ratio. Aspect distortion occurs as the image is stretched/compressed to fit in the new aspect ratio. Zoom The central portion of the video signal is zoomed to fill the display of the new video format. No aspect distortion is introduced but the edges of the video signal may be cropped. LttrBx Black bars are added to the top and bottom of a 16:9 image to display correctly in a 4:3 video format. PllrBx Black bars are added to the right and left of a 4:3 image to display correctly in a 16:9 video format. 5. Press the Frming knob. 6. Press the Confrm knob to assign the FSFC channel.
6. Use the Value knob to select the amount of delay you want to apply to the selected Mode. You can reset the values by pressing NEXT and the RefO knob. 7. Press the Value knob. 8. Press the Confrm knob to assign the output reference synchronizer. If you select an analog reference format (NTSC/PAL) you must set whether you want to use color framing for the reference output or not.
1. Press MENU > REF > NEXT > NEXT. 2. Use the Clrfrm knob to turn color framing on or off. NoSync color framing not synced between input and output references Sync reference output color framing is synced with reference input color framing
1. Press MENU > REF > NEXT. 2. Use the RefO knob to select the reference output BNC that you want to set up.
between 4:3 and 16:9 aspect ratios. The switcher support Full, Zoom, Letterbox, and Pillarbox conversions. In 480i and 576i video formats you can use either a 4:3 or 16:9 aspect ratio.
Full
The video signal is scaled disproportionately to fill the display of the new aspect ratio. Aspect distortion occurs as the image is stretched/compressed to fit in the new aspect ratio.
Switching Field
Figure 1: 4:3 to 16:9 Full Aspect Ratio Conversion
The switching field is the field in an interlaced video format that the switcher uses to transition from one video source to another. An interlaced video format is made up of two fields, field 1 (odd lines) and field 2 (even lines).
Note: If you are running in a progressive video format, selecting an even or odd fields will cause the switcher to only allow transitions on every second frame.
Zoom
The central portion of the video signal is zoomed to fill the display of the new video format. No aspect distortion is introduced but the edges of the video signal may be cropped.
Letterbox
Black bars are added to the top and bottom of a 16:9 image to display correctly in a 4:3 video format.
Pillarbox
Black bars are added to the right and left of a 4:3 image to display correctly in a 16:9 video format.
and look at the source on the preview monitor. If there are color errors in the video, select the other color-space.
4. Use the Format or F/Frmt knob to select the format of the HDMI video signal. If the HDMI signal is of a different aspect ratio than the switcher is operating in, you must select an aspect ration conversion. 5. Press the F/Frmt knob to toggle to framing mode (Fram/F). 6. Use the Fram/F knob to select the aspect ration conversion you want to use. Full The video signal is scaled disproportionately to fill the display of the new aspect ratio. Aspect distortion occurs as the image is stretched/compressed to fit in the new aspect ratio. Zoom The central portion of the video signal is zoomed to fill the display of the new video format. No aspect distortion is introduced but the edges of the video signal may be cropped. LttrBx Black bars are added to the top and bottom of a 16:9 image to display correctly in a 4:3 video format. PllrBx Black bars are added to the right and left of a 4:3 image to display correctly in a 16:9 video format.
MultiMedia Inputs
The four MultiMedia inputs on the Carbonite MultiMedia frame can be used for de-interlacing SDI video signals, or inputting Analog Component, Analog Composite, or non-HDCP HDMI video signals. These inputs also support normal SDI.
Supported Analog Formats The switcher supports a number of Analog video formats. Composite NTSC PAL B/G YUV (SMPTE/EBU N10)
Carbonite Setup Manual (v7.3) Video Input Setup 17
Component
To Set Up an Analog Input 1. Press MENU > CONFIG > Input > NEXT > NEXT > NEXT > NEXT. 2. Use the Input knob to select MultiMedia input you want to set up as an Analog input. 3. Use the Type knob to select the type of analog input. Compos composite video format Compon component video format
4. If you selected component as the input type, use the Format or F/Frmt knob to select the video format of the component input. 5. If you selected component as the input type, press the F/Frmt knob. 6. Use the Frming or Fram/F knob to select the aspect ration conversion you want to use. Full The video signal is scaled disproportionately to fill the display of the new aspect ratio. Aspect distortion occurs as the image is stretched/compressed to fit in the new aspect ratio. Zoom The central portion of the video signal is zoomed to fill the display of the new video format. No aspect distortion is introduced but the edges of the video signal may be cropped. LttrBx Black bars are added to the top and bottom of a 16:9 image to display correctly in a 4:3 video format. PllrBx Black bars are added to the right and left of a 4:3 image to display correctly in a 16:9 video format.
4. Use the SD ASP knob to select the incoming aspect ratio of the 480i or 576i video signal. This is the aspect ratio of the incoming SD video signal, and not what you want it converted to.
Source Names
Each video source on the switcher can be given a unique name that is used on the mnemonics for that source, as well as internal menus. These names can be customized for how they appears on the mnemonics by adjusting the size or the font and the background color.
1. Press MENU > CONFIG > Input > Mnemnc. 2. Use the Save knob to select the video source that you want to change the name for. 3. Change a character in the source name as follows: a) Use the Pos knob to select the position in the name that you want to add or change a character in. You can also press the Pos knob to clear the field.
b) Use the Char knob to select the character you want to place at the selected position. 4. Enter the remaining characters in the new name. 5. Press NEXT. 6. Use the Size knob to select the size of font you want to use on the mnemonic display. Large first two characters are shown Medium all eight (8) characters are shown on two lines with four characters on the top line Small all eight (8) characters are shown on two lines with six characters on the top line
2. Remove the Lens from the Diffuser using a common end micro screwdriver.
3. Place the Insert Film into the Lens so the readable side is facing up. The notches on the sides of the Lens must be at the sides of the text on the Insert Film.
7. Use the Color knob to select background color of the mnemonic display. 8. Use the Inv knob to select if you want to invert the background color and the font color. 9. Press NEXT. 10. Press the Save knob.
4. Aligning the notches on the sides of the Lens and Diffuser, press the Lens and Diffuser together until they click. 5. Aligning the notches on the sides of the Cap Assembly to the tabs on the side of the Switch Assembly, press Cap Assembly down onto the Switch Assembly with a rolling motion until they click together.
Bus Maps
Any video input can be mapped to any source button on the control panel using a bus map. There is an editable bus map and a fixed, default, bus map, that can be applied to all MLEs on the switcher. Each source button can have two inputs assigned (a standard source and a shifted source).
Figure 7: Removing Cap Assembly
the switcher triggers the GPI output, and then waits the pre-delay time before performing the transition. The length of the pre-delay is usually the length of time your video server requires to start playing a clip or your character generator requires to load a page.
4. Use the Shift knob to select the source to assign to the selected button on the shifted bus.
Video Outputs
The frame has a number of output BNCs that can be assigned to any video source in the switcher, including media-store channels, aux bus, and clean feed.
Ancillary Data
Ancillary data is information such as closed captioning or embedded audio, for example, that is included in the non-active video portions of the video signal. These portions include the Horizontal Ancillary Data Space (HANC) and Vertical Ancillary Data Space (VANC). The switcher can be configured to strip or pass this data from the video output. The amount of data, and how it is stripped, depends on the video format of the video signal.
Note: Frame Converters and Synchronizers strip embedded audio data from the video signal.
Output Sources
You can assign a video source or a bus to an Output BNC or the PRV BNC.
1. Press MENU > SYSTEM > NEXT > NEXT > NEXT > Output Config. 2. Use the Output knob to select the output you want to assign a source to. The PGM output is locked to the Program output of the highest MLE on the switcher. 3. Use the Source knob to select the source you want to assign to the output. 1-24 video inputs BK black BG matte generator M1-M4 Media-Store channels M1MW Media-Store video channel used for MediaWipes on MLE 1 (if installed) M2MW Media-Store video channel used for MediaWipes on MLE 2 M1MWA Media-Store alpha channel used for MediaWipes on MLE 1 (if installed) M2MWA Media-Store alpha channel used for MediaWipes on MLE 2 PGM main program output of the switcher PV main preview output of the switcher CLN clean feed for main program of switcher MLE1 main program output of MLE 1 (if installed) MLE1 PV main preview output of MLE 1 (if installed) MLE1 CLN clean feed output of MLE 1 (if installed) AUX1-8 aux buses MV1-MV2 MultiViewers
The clean feed output must be assigned to an aux bus to be available on an output BNC. Recalling a memory register using Memory AI may cause the Clean Feed output to look different than expected. Memory AI allows key elements to be recalled to other keys than originally resulting in different key layering.
Tip: Both MultiViewer outputs can also be set up from the MultiViewers tab on the Configuration node in DashBoard.
2. Use the MVFrmt knob to select standard-definition (SD), or high-definition (HD) for the video format of the output of the MultiViewer. This setting is not available on the MultiViewer tab in DashBoard.
Note: If you selected high-definition (HD) press the MVFrmt knob and confirm the changes. Output 7 will be locked to MultiViewer 1 and output 8 will be locked to MultiViewer 2.
3. Use the Clean knob to select which key the clean feed is taken before. The selected key, and all keys after it, are not included in the clean feed output.
3. Use the MView knob to select the MultiViewer (MV1 or MV2) that you want to assign to the Output. 4. Use the Layout knob to select the arrangement of the boxes that you want to use for the selected MultiViewer. 5. Use the Transp knob to adjust the transparency of the background behind the source label for the selected MultiViewer. 6. Press NEXT. 7. Use the Clip knob to select 100%. 8. Press NEXT. 9. Use the AncSrc knob to select where the ancillary data, including embedded audio, fed out with the MultiViewer comes from. 1-24 video inputs (number of inputs depends on hardware) M1-M4 Media-Store channels M#MW MLE Media Wipe video M#MWA MLE Media Wipe alpha PGM program output of the switcher PV preview output of the switcher MLE1-MLE2 MLE program output MLE# P MLE preview output
MultiViewer
The MultiViewer allows you to view multiple video sources from a single output BNC. Any video source, or bus, on the switcher, including Program, Preview, and Media-Store channels, can be assigned to any box on any MultiViewer. Up to two MultiViewer outputs are supported. A time-clock can be added as an overlay to the MultiViewer showing either system time or time code. Keep the following in mind when working with a MultiViewer: The MultiViewers are assigned to video outputs. The layout is configured independently for each MultiViewer. Inputs are displayed with a red border when they are on-air. A green border is displayed when the input is selected on the Preset bus. When the switcher is operating in a standard-definition video format, the MultiViewer can be shown in the same video format or in 1080i. If the MultiViewer is operating in a different video format than the switcher, the output that the MultiViewer is fed out of is fixed to Output 7 (MV1) or Output 8 (MV2) and only two layouts are available.
To Set Up a MultiViewer
Note: A MultiViewer must be assigned to a video output to be usable.
10. Use the Tally knob to select how boxes on the MultiViewer are tallied. Box red or green border is shown around the outside of the MultiViewer box Label red or green boxes are shown inside the label area of the MultiViewer box
LblRev the same as Label, but the placement of the tally boxes is swapped
3. Use the LoadFg knob to select the color of the text for the clock. 4. Use the LoadBg knob to select the background color for the clock. 5. Press NEXT. 6. Use the X Pos knob to position the clock horizontally. 7. Use the Y Pos knob to position the clock vertically. 8. Use the Size knob to adjust the overall size of the clock. 9. Press NEXT. 10. Use the FgHue knob to adjust the hue of the text color for the clock. 11. Use the FgSat knob to adjust the saturation of the text color for the clock. 12. Use the FgLum knob to adjust the luminance of the text color for the clock. 13. Press NEXT. 14. Use the BgHue knob to adjust the hue of the background color for the clock. 15. Use the BgSat knob to adjust the saturation of the background color for the clock. 16. Use the BgLum knob to adjust the luminance of the background color for the clock.
11. Press NEXT. 12. Use the FSLBL knob to select whether FSFC is shown on the source labels (On) or not (Off) when a FSFC is applied to the source. 13. Press NEXT. 14. Use the Box knob to select the box on the MultiViewer grid that you want to configure. For example, MV1:4 is box 4 on MultiViewer 1, and MV2:3 is box 3 on MultiViewer 2. 15. Use the In/Out knob to select the source or bus you want to assign to the box. When you assign an output to a box, the switcher routes the source selected on that bus to the box, and not the output of the bus. 16. Use the Border knob to turn the border around the MultiViewer box on or off. 17. Press NEXT. 18. Use the Marker knob to turn aspect ratio markers for the MultiViewer box on (Aspect) or off (Off). 19. Use the Label knob to turn source labels for the MultiViewer box off, or on in a selected position (Bottom or Top). 20. Press NEXT. 21. Use the GrnTly knob to turn the preview (green) tally for the MultiViewer box on or off. 22. Use the RedTly knob to turn the program (red) tally for the MultiViewer box on or off. 23. Configure additional MultiViewer boxes as required.
Tallies
Tallies are simple contact closure relays that the switcher uses to signal other devices, and users, that a particular video source is on-air. Typically, tallies are used to light a red light on a camera to show people that they are on-air and what camera they should be looking at.
To Set Up a Tally
1. Press MENU > CONFIG > NEXT > Tally. 2. Press the Add knob. If you are editing, or deleting, an existing tally, use the Add knob to select the tally and press the Edit, or Delete, knob. 3. Use the Tally knob to select the tally you want to set up. This is the tally number, and not the pin on the tally connector. 4. Use the Input knob to select the video source that you want to tally. BK black
BG color background 1-24 input BNCs video sources M1-M4 Media-Store sources
5. Use the Output knob to select the bus that you want to video source tallied for. When the video source is selected on this bus, the tally is triggered. PGM program bus PV preview bus CLN clean feed PGM1 MLE 1 program bus (if installed) PRV1 MLE 1 preview bus (if installed) CLN1 MLE 1 clean feed (if installed) Aux1-Aux8 Aux buses
Color Correction
Color correction in the switcher is performed by either Processing Amplifiers (Proc Amps) in the HSL (Y-Cr-Cb) color space or by RGB Color Correctors in the RGB color space. Both Proc Amps and RGB Color Correctors allow you to apply color correction to video sources, before the crosspoint. Corrected video is then available to all MLEs. Color correction is additive, allowing you to apply any combination of Proc Amp and RGB Color Corrector based adjustment to a video signal. If multiple color corrections are applied, the correction is applied first, and the bus-based correction is applied after that.
b) Use the Value knob to adjust the luminance gain only. 6. Adjust the hue rotation as follows: a) Use the Cntrl knob to select HueRot. b) Use the Value knob to adjust the Hue. Increasing the Hue Rotation turns the color wheel clockwise, and decreasing the Hue Rotation turns the color wheel counter-clockwise. 7. Adjust the black level as follows: a) Use the Cntrl knob to select BlkLvl. b) Use the Value knob to adjust the black level. Black level acts as a luminance offset. 8. Adjust the gamma value as follows: a) Use the Cntrl knob to select GamVal. b) Use the Value knob to adjust the luminance gamma value. 9. Adjust the gamma offset as follows: a) Use the Cntrl knob to select GamOff. b) Use the Value knob to adjust the luminance gamma offset. 10. Adjust the Cr (red color difference) gain as follows: a) Use the Cntrl knob to select CrGain. b) Use the Value knob to adjust the gain of the Cr. 11. Adjust the Cr (red color difference) offset as follows: a) Use the Cntrl knob to select CrOff. b) Use the Value knob to adjust the offset of the Cr. 12. Adjust the Cb (blue color difference) gain as follows: a) Use the Cntrl knob to select CbGain. b) Use the Value knob to adjust the gain of the Cb. 13. Adjust the Cb (blue color difference) offset as follows: a) Use the Cntrl knob to select CbOff.
3. Adjust the overall gain as follows: a) Use the Cntrl knob to select Gain. b) Use the Value knob to adjust the chrominance and luminance gain together. 4. Adjust the chrominance gain as follows: a) Use the Cntrl knob to select ChGain. b) Use the Value knob to adjust the chrominance gain only. 5. Adjust the luminance gain as follows: a) Use the Cntrl knob to select LmGain.
7. Adjust the gamma value of the selected color component(s) as follows: a) Use the Cntrl knob to select GamVal.
b) Use the Value knob to adjust the gamma value of the component(s). 8. Adjust the gamma offset of the selected color component(s) as follows: a) Use the Cntrl knob to select GamOff. b) Use the Value knob to adjust the gamma offset of the component(s).
3. Use the Color knob to select RGB or the individual color component you want to adjust (Red, Green, Blue). 4. Adjust the gain of the selected color component(s) as follows: a) Use the Cntrl knob to select Gain. b) Use the Value knob to adjust the gain of the component(s). 5. Adjust the offset of the selected color component(s) as follows: a) Use the Cntrl knob to select Offset. b) Use the Value knob to adjust the offset of the component(s). 6. Adjust the lower offset of the selected color component(s) as follows: a) Use the Cntrl knob to select LowOff. b) Use the Value knob to adjust the lower offset of the component(s).
ViewControl
ViewControl integrates the MultiViewer output of the switcher with a graphical overlay from DashBoard to provide live video in the ViewControl windows. Keep the following in mind when working with ViewControl: ViewControl requires DashBoard 5.1, or later.
Connecting ViewControl
ViewControl combines an overlay image from DashBoard with a custom MultiViewer output from the switcher to generate the interface. This requires some external SDI/HDMI video conversion equipment, as well as a touchscreen display.
The following connections are required for ViewControl: Set the output resolution of the DashBoard computer to either 19201080 or 1280720. Use an HDMI to SDI converter to take the output of the DashBoard and put it into a resolution that the switcher can use.
Note: An external converter is not required if you are using one of the HDMI inputs on the Carbonite MultiMedia frame.
Ensure that the resolution is not changed. Apply a FSFC to the input that is coming from the DashBoard computer. Set up a MultiViewer to use the ViewControl layout. Use an SDI to HDMI converter to take the output of the switcher and put it into a resolution that the touchscreen monitor can use. Ensure that the resolution is not changed. Connect the USB cable for the touchscreen to the DashBoard computer.
MultiViewer) to create the look you want, and use PanelBuilder in DashBoard to assign functionality to the layout. Sources can be hidden from a layout by assigning black to the box. For more information on PanelBuilder, refer to the DashBoard documentation.
4. Press NEXT. 5. Use the Ovrlay knob to select the source BNC that the ViewControl output from the DashBoard computer is connected to. 6. Double-press the Clip knob to select the default 6.3%. 7. Press NEXT > NEXT > NEXT. 8. Use the Box knob to select box one for the MultiViewer you are using for ViewControl. For example, if you are assigning MultiViewer one (1) to ViewControl, select MV1:1. 9. Use the In/Out knob to select PV. 10. Use the Box knob to select box two. 11. Use the In/Out knob to select PGM. 12. Assign additional sources to the remaining MultiViewer boxes. These are the sources that will be available in ViewControl.
Switcher Personality
There are a number of settings for how the switcher will react to different situations, or how switcher elements appear to the operator. All these settings are grouped together into the Switcher Personality. These settings include double-press rates and sleep time, among others.
HltRev the transition is halted and then reverses directions when the transition button is pressed again Rev the transition immediately reverses directions when the transition button is pressed Cut the transition immediately cuts back to the initial state when the transition button is pressed Ignore the button press is ignored by the switcher and the transition continues
Background Double-Press
The Background Double-Press feature allows you to have a double-press of the BKGD button on a Transition Module select background and all on-air keyers as part of the next transition.
Color Schemes
The buttons on the control panel can be set to glow with different colors. This color can be picked from a list of pre-set color schemes, or a custom color can be selected. Up to four (4) custom color schemes can be saved on the switcher.
2. Use the Editor knob to select On to allow the switcher to be controlled by an external editor.
Double-Press Rate
You can set the double-press rate of the switcher to suit your preference. Setting a fast rate requires you to double-press the knobs in quick succession in order to be recognized as a double-press. Setting a slow rate allows more time between presses but may register two single presses as a double-press.
Editor Mode
The switcher can be controlled by an external editor. The external editor can control the switcher to perform transitions, or recall memories, among the supported commands. Refer to the GVG100 Supported Protocol Document for a list of supported commands.
Power-Save Mode
The switcher goes into a Power-Save mode after a user-defined amount of time (20 minutes by default) without user interaction. Touching any button, knob, or fader will wake the switcher. The switcher does not act on the button, knob, or fader control that wakes it from sleep mode. During Power-Save mode, video related hardware is not affected and video signals still pass through the switcher.
If your external video server supports the AMP protocol, the roll clip functionality works directly without the use of a GPI output.
Switcher Resources
The switcher has a number of resources that it must share across keyers or MLEs. How these resources are shared, and what happens when a resource is needed by another keyer or MLE can be set to ask if you want to steal the resource from another keyer or MLE, float the resources across all keyers and MLEs, or lock the resources to a particular keyer or MLE.
3. On-Air DVE key current DVE Key is converted to an Auto-Select key and taken off-air 4. Transition Area if a DVE transition is in progress, the transition is converted to a dissolve
Switcher Resources
Note: Memory Recall Mode cannot be set to MemAI or Memory to be able to set the resource sharing.
1. Press MENU > SYSTEM > Rsrc Mode. 2. Use the Resrc knob to select the resource that you want to assign. CRKEY# UltraChrome chroma keys DVE# DVE channels
3. Use the Mode knob to select how the resource is assigned. M#:K# assign to specific MLE keyer M#:TR assign to specific MLE transition area FLOAT float across all MLEs and keyers (you are prompted to take resources if a resource is already in use by another on-air key)
ASK float across all MLEs and keyers (you are prompted to take the resource if a resource is already in use by another on-air, or off-air key) If a chroma key resource is being taken from a keyer, the key type is changed to Auto Select and it is cut off-air. 4. Press Mode. 5. Press Confrm to accept the new resource settings.
Network Connections
The switcher is equipped with two Ethernet ports to allow remote access. Once the Ethernet ports are set up, you can connect to the switcher over FTP to upload stills to the Media-Store channels, as well as download switcher data files. The switcher does not require an IP address to operate.
4. Press the Edit knob. 5. Use the Value knob to select DHCP. 6. Press the Value knob. 7. Press the Reboot knob to restart the switcher in DHCP mode. The switcher will request an IP address when it restarts.
Network Setup
Setting up a network connection allows you to connect to the switcher remotely. By default, the switcher uses DHCP to automatically obtain an IP address. You can manually set a static IP address, network mask, and default gateway if your network does not have a DHCP server.
4. Press the Edit knob. 5. Use the Value knob to select Static. 6. Press NEXT. 7. Use the left knob to select 1-Addr for port 1 or 2-Addr for port 2. a) Use the Field knob to select the segment in the address that you want to change. b) Use the Value knob to select the new value you want to use for that segment. 8. Use the left knob to select 1-Mask for port 1 or 2-Mask for port 2. a) Use the Field knob to select the segment in the mask that you want to change. b) Use the Value knob to select the new value you want to use for that segment. 9. Use the left knob to select Gatwy. a) Use the Field knob to select the segment in the gateway that you want to change. b) Use the Value knob to select the new value you want to use for that segment. 10. Press the Gatwy knob.
11. Press the Reboot knob to restart the switcher in with the new static IP address.
GPI Control
General Purpose Interface (GPI) is a high/low voltage signalling protocol that allows the switcher to send simple commands to an external device, or receive commands from a device. Each pin on the GPI is set as either high (+5 Volts), or low (0 Volts), and it is the switching between high and low that sends commands to the external device, or to the switcher.
4. Press the Edit knob. 5. Use the Event knob to select the action you want to assign to the selected GPI input pin. <none> no action is taken CC run a specific custom control use the Prop knob to select Bank and the Value knob to select the custom control bank use the Prop knob to select CC and the Value knob to select the custom control MemRcl recall a memory on all MLEs (use the Value knob to select the memory to recall) FtB perform a fade to black on all program outputs MCut perform a background cut on the selected MLE (use the Value knob to select the MLE) MAuto perform a background auto transition on the selected MLE (use the Value knob to select the MLE) KCut perform a key cut on the selected MLE and Key use the Prop knob to select MLE and the Value knob to select the MLE number use the Prop knob to select Keyer and the Value knob to select the keyer number KAuto perform a key auto transition on the selected MLE and Key use the Prop knob to select MLE and the Value knob to select the MLE number use the Prop knob to select Keyer and the Value knob to select the keyer number AuxXpt select a video source on an aux bus use the Prop knob to select Aux and the Value knob to select the aux bus use the Prop knob to select Input and the Value knob to select the video source
High Edge The output level is set low, and momentarily goes high for the trigger.
Low Level
The output level toggles from the base high level to the low level. The output signal remains at this level until reset.
High Level The output toggles from the base low level to the high level. The output signal remains at this level until reset.
GPI Setup
Each GPI pin on the switcher can be configured as either an input, or an output. By default, all GPIs are set as inputs.
Edge triggered GPI outputs remain triggered for the configured duration. Level triggered GPI outputs toggle between high and low each time they are triggered.
1. Press MENU > CONFIG > Input > NEXT > NEXT. 2. Use the Input knob to select the video source that you want to assign a GPI output to. When you select this source on a bus, the GPI output will trigger automatically. 3. Use the GPO knob to select the GPI output that you want to assign to the selected video source. 4. Use the Predly knob to select the pre-delay interval (in frames) that the switcher waits after the GPI output is triggered before taking the input source on-air. If you select a negative value, the switcher will take the video source on-air, wait for the pre-delay time, and then trigger the GPI output.
4. For edge triggers, use the Dur knob to set the length of time (in frames) that the GPI edge output remains triggered. 5. For level triggers, use the Mode knob to set how you want to GPI output to act. Normal when assigned to a video source and RollClip is active, will trigger with the source going on-air, and back with the source going off-air (pre-delay values are only used when the source is going on-air) Tally when assigned to a video source, will trigger with the source going on-air, and back with the source going off-air (RollClip and pre-delay values are ignored)
Keep the following in mind when working with GPI output triggers: The RlClip knob must be set to On to trigger a GPI output with a transition.
While holding the Next button, the mnemonic/pattern buttons light for each GPI output that is currently triggered. 2. Press the mnemonic/pattern button for the GPI output you want to trigger. The number of the GPI is shown on the mnemonics of the buttons. The numbers on the pattern buttons on the C10/C1 correspond to the GPI.
FPGA Temperature (C) the temperature of the frame FPGA in degrees Celsius Fan #1 status of fan 1 in the frame (left fan) Fan #2 status of fan 2 in the frame (right fan) Timecode the current timecode being received by the switcher
1. Insert USB drive into the USB port on the switcher. Wait 5 seconds after inserting the USB drive before using it. 2. Press MENU > SYSTEM > NEXT > NEXT > Diag Tests. 3. Press NEXT. 4. Press the Copy Logs knob to copy the switcher logs to the USB drive. The logs have been copied into the \switcher directory on the USB drive.
Calibration
Calibration allows you to reset the limits of the faders on the control panel and re-center the positioner with X, Y and Z limits.
2 3
4 5 6 7 8
Diagnostics
Diagnostics consist of a number of tests that are used to confirm the functionality of switcher components.
FRM UPGD is lit when the software on the frame is being upgraded 1 (heartbeat) flashes to indicate normal operation of the frame 2 - 8 unused PANEL is lit when the frame has proper connection to the control panel MC is not used at this time POWER is lit when the frame is on PS1 is lit when power supply one is getting power PS2 is lit when power supply two is getting power
All GPI outputs are turned off, and then each one is turned on consecutively. There is a three (3) second delay between each GPI output being triggered. Once the last tally has been triggered, all the GPI outputs blink on and off three times. 2. Press MENU to end the test.
Error Messages
The following error messages may appear when starting your switcher.
Table 6: Switcher Error Messages
1. Press MENU > SYSTEM > NEXT > NEXT > Diag Tests > NEXT > RAM Test. The top line of the menu shows the result of the last RAM test. 2. Press the Reboot knob to run the test. The switcher runs the test and then reboots. 3. The results of the test are shown on the top line of the menu. 4. Press MENU to end the test.
Error DDR 0 Not Found; DDR 1 Not Found; or DDR 0 & 1 Not Found
Description There is a problem with the switcher DDR memory. The switcher may be used but many features will be limited or disabled.
Solution Re-start your switcher. If the problem persists, contact Ross Video Technical Support for assistance.
Panel/Frame Your switcher control panel Connect your switcher Mismatch is connected to the wrong control panel to the proper frame type. frame and re-start the switcher. Upgrade PMC? Your switcher requires a Panel Module Controller (PMC) upgrade as part of a software upgrade. The switcher may be used without the PMC upgrade but may respond in an unpredictable manner. The frame does not recognise the control panel. This could be caused by an unsupported panel being connected to the frame, or a problem with the panel module controlled or the configuration files. Allow the PMC upgrade to proceed. Contact Ross Video Technical Support for assistance if you are unsure about upgrading your switcher.
Ensure that you have the correct control panel connected to the frame. If the problem persists, download the latest upgrade file from and force an upgrade of the switcher. Contact Ross Video Technical Support for assistance if you are unsure about upgrading your switcher.
Specifications
The information is this section is subject to change without notice.
Value 8 Stereo Pairs (16 channels) Locked to Video Multi-channel Waveform Audio File (.wav)
Operating Temperature
The Carbonite switchers have been qualified at an operational temperature range of 0-40C (32-140F).
Power Rating
Table 7: Input Voltage
Component Panel Power Rating 100-120V~ 220-240V~ 47-63Hz Frame, 100-120V~ Carbonite/Carbonite+/Carbonite 220-240V~ MultiMedia 47-63Hz
Serial Port
The serial port on the back of the frame supports the RS-422 transmission standard in the following format: 38.4k Baud 8 bits 1 stop bit Even Parity
Audio Specifications
Specification Audio Depth Sample Rate Value 24-bit AES3 in HD (20-bit in SD) 48kHz
Pin 24 25 26 27 28 29 30 31 32 33
Signal GPI I/O 24 Ground GPI I/O 25 GPI I/O 26 GPI I/O 27 GPI I/O 28 GPI I/O 29 Ground GPI I/O 30 GPI I/O 31 GPI I/O 32 GPI I/O 33 GPI I/O 34 n/c
GPI Port
The GPI I/O port on the back of the frame supports 34 GPI I/O pins.
Table 10: GPI I/O Pinouts
Pin 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Signal GPI I/O 1 GPI I/O 2 GPI I/O 3 GPI I/O 4 GPI I/O 5 GPI I/O 6 GPI I/O 7 GPI I/O 8 GPI I/O 9 GPI I/O 10 GPI I/O 11 GPI I/O 12 GPI I/O 13 GPI I/O 14 GPI I/O 15 GPI I/O 16 GPI I/O 17 GPI I/O 18 GPI I/O 19 GPI I/O 20 GPI I/O 21 GPI I/O 22 GPI I/O 23
34 35 36 37
Tally Port
The Tally port on the back of the frame supports 34 fixed tallies.
Table 11: Tally Rating
Specification Input Voltage Maximum Current Impedance Value 24VAC(rms)/40VDC 120mA <15 ohm
Pin 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37
Glossary
Auto Key A pairing of two video signals, a key video and a key alpha, to create a key. In the switcher, you associate the fill and alpha so that the switcher knows which alpha to use when the video is selected. Auto Transition An automatic transition in which the manual movement of the fader handle is simulated electronically. The transition starts when the AUTO TRANS button is pressed and takes place over a pre-selected time period, measured in frames. Chroma Key Chroma Key is a key in which the hole is cut based on a color value, or hue, rather than a luminance value or alpha signal. The color is removed and replaced with background video from another source. Cut An instantaneous switch from one video signal to another. Dissolve A transition from one video signal to another in which one signal is faded down, while the other is simultaneously faded up. The terms mix or cross-fade are often used interchangeably with dissolve. Dynamic Host Configuration Protocol An Ethernet protocol where a device, such as the switcher, is given an IP address by the network host. This eliminates the need to manually enter the network parameters and IP address. Field One half of a complete picture (or frame) interval containing all of the odd, or all of the even, lines in interlaced scanning. One scan of a TV screen is called a field; two fields are required to make a complete picture (which is a frame). Frame One complete picture consisting of two fields of interlaced scanning lines. File Transfer Protocol A network protocol that is used to transfer files from one host computer to another over a TCP-based network. Gain Gain represents the range of signal values present in a video signal from a lowest to a highest point (from black to white for example). Increasing gain expands this range, while decreasing gain compresses this range. Clipping occurs if applied gain changes cause output signal values
to fall outside the allowable range. Generally, increasing the gain for a specific color component causes the video signal colors to become increasingly saturated with that color. Similarly, decreasing the gain for a specific color component progressively removes that color component from the output video signal. Gamma Gamma corrections introduce non-linear corrections to a video signal. A gamma correction can be described as taking a point on the output versus input video signal line and pulling it perpendicularly away from the line. The result is a Bezier curve between the start, the new point, and the end point. Generally, increasing the gamma value adds more of the component to the video signal in the location of the gamma offset point. Decreasing the gamma value reduces the amount of the component in the video signal in the location of the gamma offset point. Moving the gamma offset point allows you to select which part of the input video signal receives the gamma correction. For example, if you increase the red gamma correction to the part of the video signal that has no red component you will add red to those areas while having little effect on areas that already contain a significant amount of red. This allows you to add a red tint to the image while minimizing the amount of red-clipping that occurs. General Purpose Interface A simple high/low signal that is used to trigger an action either on an external device or on the switcher. A GPI can be an input or an output to the switcher. High Definition A high definition (720p or 1080i) video signal. Hue The characteristic of a color signal that determines whether the color is red, yellow, green, blue, purple, etc. (the three characteristics of a TV color signal are chrominance, luminance, and hue). White, black, and gray are not considered hues. Hue Rotation Hue rotate affects the color of the entire video signal by rotating the input video hues. This produces an output video signal with colors that are shifted from their original hues. By rotating colors around the wheel, hue values will shift. For example, a clockwise rotation where yellows become orange, reds become magenta, blues become green. The more rotation applied, the further around the wheel colors are shifted. Key An effect produced by cutting a hole in the background video, then filling the hole with video or matte from another source. Key source video cuts the hole, key fill
video fills the hole. The video signal used for cut and fill can come from the same, or separate, sources. Key Alpha The video signal which cuts a hole in the background video to make a key effect possible. Also called Key Video or Source. In practice, this signal controls when a video mixer circuit will switch from background to key fill video. Key Invert An effect that reverses the polarity of the key source so that the holes in the background are cut by dark areas of the key source instead of bright areas. Key Mask A keying technique in which a pattern is combined with the key source to block out unwanted portions of the key source. Key Video A video input which is timed to fill the hole provided by the key source video. An example of key video is the video output of a character generator. Linear Key Linear keys make it possible to fully specify the transparency of a key from opaque, through transparent, to fully off. The transparency is specified by the key alpha that is associated with the key video. A keyer capable of a linear key converts the key signal voltage directly to the transparency effect on the screen. Mnemonics A green, orange, or yellow display used to show the names of a source above or below the source button or used as a custom command or pattern button. Offsets Offsets shift the video signal by a set amount. Depending on the offset applied, different parts or all of the video signal may be affected. Clipping occurs if applied offsets cause output signal values to fall outside the allowable range. Pre-Delay A pre-delay is a delay that is inserted into a transition between the triggering of a GPI output and performing the transition. The length of the pre-delay is usually the length of time your video server requires to start playing a clip or your character generator required to load a page. RossTalk An ethernet based protocol that allows allow the control over Ross devices using plain english commands. Standard-Definition A standard definition (480i or 576i) video signal. Self Key
A key effect in which the same video signal serves as both the key signal and key fill. Shaped Key An additive key where the Key Alpha cuts a hole based on the monochrome value of the alpha. Shades of gray are translated into either white or black, giving the key a hard edge. Shaped Key alphas are sometimes used with Character Generators to cut very precise holes for the fill. Split Key A Split key allows you to assign a different alpha source for a key than the fill/alpha associations that are set up during configuration or to use a separate alpha source for a Self key. Tally An indicator which illuminates when the associated button, or control, is selected or is on-air. Unshaped Key A multiplicative key where the Key Alpha cuts a hole based on the gradient values of the alpha. Shades of gray are translated into transparency levels, giving the key a soft edge. Unshaped Key alphas can also be considered true linear alphas. Key alphas are set to unshaped by default.
Index
8 DVEs 33
A
Analog
17
Formats 17 Ancillary Data 21 Ancillary Mode 39 Aspect Ratio 16 Aspect Ratio Conversion
Diagnostics (continued) Software Version 39 DIP Switches 34, 4041 1 (RAM test) 41 3 (IP address) 34 Double-Press Rate 30
E
Editor Mode 30 External Reference 39
16 Full 16
Letterbox 16 Pillarbox 16 Zoom 16 Audio Mixer Control 9 Auto Key 18 Auto Trans Second Press 29
F
Fan#1 OK 39 Fan#2 OK 39 Field Dominance 39 FlexiClean 21 Format Conversion 13 FPGA Temperature 39 Frame Synchronizer 13 FTP Connection 35
B
Background Double-Press 29 BlackStorm Control 9 Bus Maps 19 Button Inserts 19
G
Glow, See Color Schemes GPI 20, 30, 36 Assign to Source 20 NEXT Button Trigger 30 Setup 36 GPO Tally 37
C
Calibration 39 Camera Control 9 Clean Feed 21 Color Correction
2526
Proc Amp 25 RGB 26 Color Schemes 29 Component Input 17 Composite Input 17 Control, External Devices 9 Copy Logs 39 CPU Temperature 39
H
HDMI
17
Formats 17
I
Inputs
D
DashBoard
17
MultiMedia 17 Video 17
39
Status 39 Device Control 9 Diagnostics
M
Memories
30
Recall Behavior 30 Carbonite Setup Manual (v7.3) Index 47
22
Ancillary Source 22 Embedded Audio 22 Time-Clock 22
29
Auto Remove Key 29 Transition Rate Units 32 Power-Save Mode 31 Proc Amp 25 Program Row 31
N
Network Connection
34
Current Settings 34 Setup 34 NEXT Button Function 30 Next Trans Follow 31 Next Trans Reset 31
R
Real-Time Clock, System 40 Reference 12, 1516 External 12 Internal 12 Output Sync 15 Setup 12 Video Switching Field 16 Reference OK 39 Reference Source 39 Resources
O
Outputs
21
Video 21 Output Synchronizer 15
33
8 DVEs 33 RGB 26 RoboCam Control 9 Roll Clip 31 Roll GPO 31 RossLinq 35
P
PanelBuilder 28 Personality
2932
Auto Trans Second Press 29 Background Double-Press 29 BGDDbl 29 DblPrs Speed 30 Double-Press Rate 30 Editor 30 Editor Mode 30 KAuto 2 29 MAuto 2 29 MemBnk 30 MemMLE 30 Memory Bank Button 30 Memory Recall Behavior 30 NextBn Func2 30 NEXT Button 30 Next Trans Follow 31 Next Trans Reset 31 PGMRow 31 Power-Save Mode 31 Program Row 31 Rate 32 RemKey 29 RlClip 31 Roll GPO 31 48 Index Carbonite Setup Manual (v7.3)
S
Serial Number 39 Server Control 9 Setup, External Devices 9 Software Version 39 Source Button Names 19 Source Names 18 Specifications
4243
GPI I/O 43 Serial Port 42 Tally 43 Status 39 Switching Field 16 System Real-Time Clock 40
T
Tallies
29
Auto Remove Key 29 Transition Rate Units 32 Transitions
Video Inputs (continued) GPI Device Control 20 HDMI 17 Mnemonic Names 18 Video Mode 39 Video Output
2122
Ancillary Data 21 Clean Feed 21 MultiViewer 22 Video Outputs 21 Video Server Control 9 Video Source
37
GPO Trigger 37 Trigger GPO 37
V
Video Inputs
19
Bus Map 19
X
XPression Control 9