Dylan Thomas - Under Milk Wood

Dylan Thomas, Under Milk Wood: A Play for Voices (1954) [Silence] FIRST VOICE (Very softly) To begin
at the beginning: It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboatbobbing sea. The houses are blind as moles (though moles see fine to-night in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows' weeds. And all the people of the lulled and dumbfound town are sleeping now. Hush, the babies are sleeping, the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican, the undertaker and the fancy woman, drunkard, dressmaker, preacher, policeman, the webfoot cocklewomen and the tidy wives. Young girls lie bedded soft or glide in their dreams, with rings and trousseaux, bridesmaided by glowworms down the aisles of the organplaying wood. The boys are dreaming wicked or of the bucking ranches of the night and the jollyrodgered sea. And the anthracite statues of the horses sleep in the fields, and the cows in the byres, and the dogs in the wetnosed yards; and the cats nap in the slant corners or lope sly, streaking and needling, on the one cloud of the roofs. You can hear the dew falling, and the hushed town breathing. Only _your_ eyes are unclosed to see the black and folded town fast, and slow, asleep. And you alone can hear the invisible starfall, the darkest-beforedawn minutely dewgrazed stir of the black, dab-filled sea where the _Arethusa_, the _Curlew_ and the _Skylark_, _Zanzibar_, _Rhiannon_, the _Rover_, the _Cormorant_, and the _Star of Wales_ tilt and ride. Listen. It is night moving in the streets, the processional salt slow musical wind in Coronation Street and Cockle Row, it is the grass growing on Llaregyb Hill, dewfall, starfall, the sleep of birds in Milk Wood. Listen. It is night in the chill, squat chapel, hymning in bonnet and brooch and bombazine black, butterfly choker and bootlace bow, coughing like nannygoats, sucking mintoes, fortywinking hallelujah; night in the four-ale, quiet as a domino; in Ocky Milkman's lofts like a mouse with gloves;
in Dai Bread's bakery flying like black flour. It is to-night in Donkey Street, trotting silent, With seaweed on its hooves, along the cockled cobbles, past curtained fernpot, text and trinket, harmonium, holy dresser, watercolours done by hand, china dog and rosy tin teacaddy. It is night neddying among the snuggeries of babies. Look. It is night, dumbly, royally winding through the Coronation cherry trees; going through the graveyard of Bethesda with winds gloved and folded, and dew doffed; tumbling by the Sailors Arms. Time passes. Listen. Time passes. Come closer now. Only you can hear the houses sleeping in the streets in the slow deep salt and silent black, bandaged night. Only you can see, in the blinded bedrooms, the coms. and petticoats over the chairs, the jugs and basins, the glasses of teeth, Thou Shalt Not on the wall, and the yellowing dickybird-watching pictures of the dead. Only you can hear and see, behind the eyes of the sleepers, the movements and countries and mazes and colours and dismays and rainbows and tunes and wishes and flight and fall and despairs and big seas of their dreams. From where you are, you can hear their dreams. Captain Cat, the retired blind sea-captain, asleep in his bunk in the seashelled, ship-in-bottled, shipshape best cabin of Schooner House dreams of SECOND VOICE never such seas as any that swamped the decks of his _S.S. Kidwelly_ bellying over the bedclothes and jellyfish-slippery sucking him down salt deep into the Davy dark where the fish come biting out and nibble him down to his wishbone, and the long drowned nuzzle up to him. FIRST DROWNED Remember me, Captain? CAPTAIN CAT You're Dancing Williams! FIRST DROWNED I lost my step in Nantucket.
SECOND DROWNED Do you see me, Captain? the white bone talking? I'm Tom-Fred the donkeyman...we shared the same girl once...her name was Mrs Probert... WOMAN'S VOICE Rosie Probert, thirty three Duck Lane. Come on up, boys, I'm dead. THIRD DROWNED Hold me, Captain, I'm Jonah Jarvis, come to a bad end, very enjoyable. FOURTH DROWNED Alfred Pomeroy Jones, sea-lawyer, born in Mumbles, sung like a linnet, crowned you with a flagon, tattooed with mermaids, thirst like a dredger, died of blisters. FIRST DROWNED This skull at your earhole is FIFTH DROWNED Curly Bevan. Tell my auntie it was me that pawned he ormolu clock. CAPTAIN CAT Aye, aye, Curly. SECOND DROWNED Tell my missus no I never THIRD DROWNED I never done what she said I never. FOURTH DROWNED Yes they did. FIFTH DROWNED And who brings coconuts and shawls and parrots to _my_
Gwen now? FIRST DROWNED How's it above? SECOND DROWNED Is there rum and laverbread? THIRD DROWNED Bosoms and robins? FOURTH DROWNED Concertinas? FIFTH DROWNED Ebenezer's bell? FIRST DROWNED Fighting and onions? SECOND DROWNED And sparrows and daisies? THIRD DROWNED Tiddlers in a jamjar? FOURTH DROWNED Buttermilk and whippets? FIFTH DROWNED Rock-a-bye baby? FIRST DROWNED Washing on the line? SECOND DROWNED And old girls in the snug? THIRD DROWNED
How's the tenors in Dowlais? FOURTH DROWNED Who milks the cows in Maesgwyn? FIFTH DROWNED When she smiles, is there dimples? FIRST DROWNED What's the smell of parsley? CAPTAIN CAT Oh, my dead dears! FIRST VOICE From where you are you can hear in Cockle Row in the spring, moonless night, Miss Price, dressmaker and sweetshop-keeper, dream of SECOND VOICE her lover, tall as the town clock tower, Samsonsyrup-gold-maned, whacking thighed and piping hot, thunderbolt-bass'd and barnacle-breasted, flailing up the cockles with his eyes like blowlamps and scooping low over her lonely loving hotwaterbottled body.

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Dylan Thomas, Under Milk Wood: A Play for Voices (1954) [Silence] FIRST VOICE (Very softly) To begin

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