Syllabus

MAHAMAYA TECHNICAL UNIVERSITY, NOIDA
SYLLABUS FOR BACHELOR OF FASHION AND APPAREL DESIGN OF FIRST YEAR (Effective from the session: 2013-2014)
INTRODUCTION There is a growing desire among school leavers to pursue a career in design. The advent of modern technology has created changes in the lifestyles of people leading to extremely competitive demand for modern, innovative and exclusive clothing needs. To meet these challenges trained fashion design professionals are the express need of the hour. Curriculum for Bachelor of Fashion and Apparel Design (BFAD) has been prepared keeping the needs of the customer, the industry and the prevailing sociocultural environment. Classroom teaching, socio-cultural exposure and industry interaction and training will equip the students to face these challenges. With the integration of domestic and export markets, the Indian fashion industry needs design professional with in-depth knowledge & skills relating to design innovation and technology. There is also a domestic and international pressure on Indian designers to come up with orginal design inputs. This presents challenges for the upcoming design professionals to demonstrate their personal design philosophy, perpetuate innovation and creativity. This will enable the industry to come up to the global standards and apply the knowledge of designing in varied fields. This curriculum has a good balance of theory, practical, participative industry related activities and experiences directed towards market realities. Learning and experience of the craft sector will further enable the students to be sensitive to our countrys rich traditional textile heritage. Some of them may opt to work in these areas whereby propelling these crafts to innovative and seek newer opportunities and markets. Therefore the learning and training imparted through this curriculum can trickle down to grassroot levels. Main Objectives of the course To inculcate the fundamental principles and practice of the relationship of design and technology To introduce the process of design & understanding of materials for design development To provide knowledge for appreciation of the market and relate issues for identifying the area of specialization where placement is sought To equip with the latest in information technology Any institute opting to run the Bachelor of Fashion and Apparel Design course must be committed to providing the following for successfully running the course and dispensing all crucial inputs. For fashion education to be meaningful, effective and eventually successful, the following are of very critical importance:-
1. Infrastructure: The institute must have spacious and well equipped classrooms, studios, laboratories, library, resource center, seminar and audio-visual halls, modern recreational and hygienic catering facilities. They should be well equipped with suitable machineries, audio-visual equipment, appropriate lighting, perfect sound system and furniture etc. another critical need is to provide an earmarked area for display. The students are required to regularly put up their work for evaluation by faculty or a jury as well as for peer review. 2. Library and Resource Centre: The backbone for teaching and learning of any professional course is a well stocked library with sufficient number of text books and good stock of reference books. Availability of a wide range of technical and professional journals and periodicals is also a section which cannot be compromised with. The institute should also subscribe to the major fashion forecasts and pantone color matching system for easy access to the fashion design students for inspiration and design development. Students of fashion design must have access to a resource centre equipped with a wide variety of material for reference. Since research is very integral to this course, availability of internet access is very very crucial. This therefore has to be provided without too much hassle. 3. Guest Lectures: It should be the endeavour of the institute offering this course to facilitate the invitation to designers, manufacturers and retailers to talk and interact with the students. They share their professional experiences and motivate the students to perceive design as a lifetime commitment. They will also be encouraged to improve their performance in order to develop as dedicated professionals. Contact with industry professionals also helps to promote confidence in their chosen career path. Dynamism and overall vision is imparted to the upcoming professional. Both senior and upcoming designers, experts from other educational institutes, stalwarts working and experienced in the traditional crafts sectors, authors and historians, artists and media professionals would share their wisdom and experiences for the benefit of future design professionals. It helps create a balance between aesthetic, technical and commercial aspects of fashion. 4. Visits: The faculty should be encouraged to organize visits for the students so that they can supplement classroom teaching with down to earth experiences and shopfloor work culture. It helps them in visualizing and rationalizing different approaches for problem solving. The visits should be to crafts fairs and melas, art exhibitions and summits, designer studios, export houses, buying establishments, retail stores, production units, and fashion stores. A couple of out-station visits for learning and documentation of traditional crafts exposing the students to material used, processes involved, design features, utility aspects and marketing channels
will go a long way in establishing an understanding of products and their utility. Therefore, the institutes have to promote and facilitate this endeavour. In addition to this visits to technical institutes, labs and textile testing and certification companies help to clarify the need for proper approval and certification in a growing competitive domestic and international market. 5. Seminars and Conferences: The need for organizing and attending seminars and conferences has been universally recognized. Therefore, it is of paramount importance that the institute offering a design program should have an inbuilt proposal in their annual budget to organize seminars and conferences as and when feasible in various aspects of Fashion Design Education. The budget should also have a provision for facilitating the faculty and students to participate in seminars and conferences being organized by other institutes and trade bodies etc. Curriculum The apparel industry operates at many different levels cottage, micro, small, medium and large. It ranges from unorganized to highly organized, from use of crude homemade tools to highly sophisticated high-tech automatic machinery, from employing unskilled to super qualified professionals, from struggling to super successful enterprises, from low capital to mega investments, from local weekly haats to super trade fairs. Hence, the curriculum has to cater to an in-depth understanding of the environment. But the most important input required to be given to these professionals to be is in the area of developing design sensibility, understanding and proficiency for product development. This therefore, requires a very sound foundation. Keeping this in mind and overall international requirement, the four year curriculum for BFAD has been designed. During the first two semesters, the students are given a good foundation for the courses to follow. The role of faculty in providing indepth, holistic and challenging inputs is very intensive. It is also personal to an extent that each student needs one to one interaction with the faculty inorder to develop the personal philosophy of design. Hence the faculty commitment goes beyond the four walls of a classroom. Therefore, the actual teaching hours of a design faculty cannot and should not be compared with other faculty from other streams. The faculty for fashion and apparel design moves from being an instructor to a guide and eventually to being a mentor. The subsequent semesters gradually expose the students to various aspects of design, contextural studies, research techniques, technical inputs, appreciation of cultural and historical issues, with inputs in production techniques and business related knowledge culminating in a final design project targeted towards a particular market segment.
Need for external exposure inputs outside the classroom has been provided at various levels and intervals. For this design course, the teacher begins by being an instructor, then becomes an instructor and a guide. Faculty The institutes offering this course have to be extremely committed in harnessing qualified, committed and experienced faculty who will be able to provide desirable, effective and sustainable inputs for the course. They should also be able to create an environment for the development of young students with appropriate and multifaceted design capabilities. The students should be nurtured to have their individual philosophies which are developed to meet the needs of the environment in which they are going to be absorbed. Therefore, an eye only on the workload of the faculty is not the right approach. It is true that the number of faculty required for the effective dispensation of this course will be more due to the variety of areas in which the teaching and learning has to take place. Moreover, sixty to seventy percent of teaching is practicals where interaction between students and teachers is on one to one basis and therefore more intense and interactive. A crucial point which must be mentioned is that the institutes must bear the responsibility for faculty upgradation and therefore must have a Faculty Development Program policy in place wherein the faculty are encouraged, supported to pursue higher studies, participate in conferences, seminars, visits etc. as well as enroll for relevant training programs. The institutes should not load the faculty with such responsibilities which divert their attention from their primary responsibility of teaching, training and research. Students Needless to mention that the students for this course should not only be selected on the basis of first come first serve, academic performance in senior secondary exam but on the basis of their aptitude for design as well. A selection panel should be constituted to screen them for this creative ability. If this fact is ignored, then the dropout rate will be high and performance index too will be below standard. It is also very important that the students must be encouraged to participate in intra and inter institute activities for the all-round development of their personalities.
Institutional Support Institutes opting to offer this course would be required to provide support to these students in the following areas for the success of this course Industry exposure - suitable interaction with the industry By way of special lectures, frequent visits and training at the industry as and when advocated in the curriculum and planned by the faculty. The industry would include: Design houses Export houses Buying houses Forecasting agencies Small enterprises NGO & Cottage level craft clusters Retail Fashion Brands Fashion & Entertainment media Counselling - because of the intensive nature of the course the students should be assisted with suitable academic & personal counselling regularly Placement services- the test for the success of a particular course lies in good & upto the mark placements. Therefore an effective placement programme should be in place Transport - provision of transport to the students for various visits is of utmost importance because without exposure the inputs provided in the classroom are incomplete Evaluation For this design course, the theory subjects account for only thirty to forty percent of the curriculum, the rest of the sixty to seventy percent are studio / lab based inputs. Therefore the written exams are very few. In studio / lab subjects the evaluation is based on their day to day performance, assignments / portfolios / reports / projects etc. submitted and presentations before a panel of jury members. Environmental Issues With changing times, need for the protection of the environment is gaining attention and popularity. Therefore to inculcate sensitivity towards the environment also becomes the responsibility of all educational institutes. Special lectures, drives and programs should be initiated so that the students graduating with this degree can successfully provide environment related solutions. Green design has also become a worldwide movement.
Learning Outcomes of the Four Year Course: The course aims to develop in students: Subject Knowledge - by the end of this program, the student should be able to: Demonstrate basic design awareness of historical, cultural & contemporary design issues and respond with design intelligence. Develop the knowledge of designs, colors, materials and techniques that can be used in designing and ornamentation of products in personal and professional surroundings. Demonstrate awareness of basic design concepts and exploratory skills required to manipulate materials into shapes and forms with a complete understanding of various characteristics of materials. Understanding - by the end of this program, the student should be able to: Develop basic understanding of existence of various socio-cultural factors that affect the design preferences of individuals. Inculcate the awareness of resources of designs available from the general surroundings and to produce customized garments. Cognitive and Professional Skills - by the end of this program, the student should be able to: Acquire the ability to read and analyze visual forms and develop a creative approach in design process. Acquire the skills to design and produce garments to meet the environmental and temperamental differences in preferences of individuals. Develop the skill of using design process as a methodology for creative problem solving in personal and professional front. Application - by the end of this program, the student should be able to: Develop the ability to apply, explore, rationalize and experiment various designs, forms, colors, material tools and techniques to suit the needs of various arenas of personal and professional lives of individuals. Understand the usage of color and different materials to express ideas generated in ones thoughts. Acquire and apply appropriate technology and innovative technical skills for fashion product developments.
SCHEME OF EVALUATION FOR BACHELOR OF FASHION AND APPAREL DESIGN (BFAD)
First Year (From the session: 2013-14) Semester- I

Periods S. No. Code Subject L 1 2 3 4 5 6 7 8 9 10 FD-106 FD-107 FD-108 FD-109 FD-153P FD-154P FD-155P FD-156P FD-157P FD-158P GP-101 TOTAL Introduction to Textile and Apparel Industry Professional Communication Computer Applications Cultural Studies Basic Drawing Research Skills for Design Craft Appreciation (Modular) Material Studies- I Environmental Studies (Modular) Basic Design General Proficiency 2 1 1 2 0 0 0 0 0 0 T P 1 0 1 2 1 1 1 2 0 3 CT 20 10 10 20 Evaluation Scheme Sessional TA TOT 20 10 10 20 20 20 20 20 10 20 40 20 20 40 20 20 20 20 10 20 P 10 10 30 30 30 30 20 30 50 End semester Th 60 50 50 60 P 20 20 50 50 50 50 20 50 100 100 100 100 100 100 100 100 50 100 50 1000 3 3 3 3 3 3 3 3 2 3 0 29 Total Credit
1 3 1 3 1 3
1 2 1 3 -
6 10 21
L: Lecture T: Tutorial CT: Class Test TA: Teachers Assessment and Attendance TOT: Total P (sessional) : Practical/Project Th: Theory P (end semester) : Practical TA= 10 (5 for teachers assessment plus 5 for attendance) TA= 20 (10 for teachers assessment plus 10 for attendance) P = 20 (15 assignments plus 5 for viva) P = 30 (20 for practical exam, 10 for assignments) applicable for FD-153 & FD-158 P = 30 (20 assignments plus 10 for viva) applicable for FD-154P, FD-155P& FD-156P. P = 50 (40 for assignments plus 10 for viva) Note: Assignments & presentation in all theory subjects are considered as teachers assessment.
SCHEME OF EVALUATION FOR BACHELOR OF FASHION AND APPAREL DESIGN (BFAD)
First Year (From the session: 2013-14) Semester- II

Periods S. No. 1 2 3 4 5 6 7 8 9 10 FD-260P GP-201 TOTAL Code FD-205 FD-206 FD-207 FD-208 FD-255P FD-256P FD-257P FD-258P FD-259P Subject Textiles- I Art Appreciation Historic Costumes Indian Elements of Fashion Fashion Model Drawing Computer Aided Design - I Communicating Fashion (Modular) Material Studies - II Fundamentals of Photography (Modular) Design Process General Proficiency L 2 2 2 2 0 0 0 0 0 0 8 T 0 1 1 1 1 1 1 1 1 P 2 0 0 0 3 3 2 3 3 CT 10 20 20 20 Evaluation Scheme Sessional End semester TA TOT P Th P 10 20 10 50 20 20 40 60 20 20 20 20 10 20 20 20 40 40 20 20 10 20 20 20 30 30 20 30 30 30 50 60 60 50 50 20 50 50 50 Total 100 100 100 100 100 100 50 100 100 100 50 1000 Credit 3 3 3 3 3 3 2 3 3 3 29
1 3 9 19
L: Lecture T: Tutorial CT: Class Test TA: Teachers Assessment and Attendance TOT: Total P (sessional) : Practical/Project Th: Theory P (end semester) : Practical TA= 10 (5 for teachers assessment plus 5 for attendance) TA= 20 (10 for teachers assessment plus 10 for attendance) P = 20 (15for assignments plus 5 for viva) P = 20 (15 for group discussions plus 5 for viva) applicable for FD-257P P = 30 (20 for practical exam, 10 for assignments) applicable for FD-255P & FD-256P P = 30 (20 assignments plus 10 for viva) applicable for FD-258P, FD-259P & FD-260P P = 50 (40 for assignments plus 10 for viva) Note: 1. Assignments & classroom presentations in all theory subjects are considered as teachers assessment. 2. Students are expected to cover FD-356P Market Survey after the completion of the semester II during the semester break. Refer to semester III for the syllabus
FD 106: INTRODUCTION TO TEXTILE AND APPAREL INDUSTRY SEMESTER Duration Work Load Lecture(L) : 2 hours/Week Tutorial (T) : 1 hour/Week Practicals(P): 0 hours/Week Credits Maximum marks : : I 14 Weeks
Total lecture hours per semester : 28 Total tutorial hours per semester: 14 Total lab hours per semester: 0 : 3 : 100
Objectives To provide a comprehensive overview of the textile, apparel and fashion industry To understand the evolution and growth of the textile and apparel industry To understand the importance of the textile and apparel industry and its segments To evaluate the employment prospects in the textile and apparel industry To understand the global trade in the industry To understand and appreciate the role of various supportive institutions and organizations in the development of the industry
Learning Outcomes Become aware of history and development of global and Indian textile and apparel industry Understand the characteristics, structure and trade avenues in the apparel and textile industry Be able to understand the functioning of the apparel manufacturing industry Become aware of trade in terms of domestic, retail, export and import of Indian textiles and apparel Be able to understand the role of small and medium scale enterprises in the industry Be able to appreciate the support of trade promotion organizations, government and non-governmental organizations, various institutes and research organizations in the development of the industry
COURSE CONTENT UNIT- I OVERVIEW OF THE TEXTILES INDUSTRY [3 Lectures] Overview of global and Indian textile industry Nature, size, structure and trade of various sectors of the industry Evolution and Growth Employment prospects MAJOR SEGMENTS OF THE TEXTILE INDUSTRY [10 Lectures] Organized textile sector Decentralized sector Handloom and powerloom sector Cotton and man-made filament yarn industry Woollen textile industry Sericulture Other fibres APPAREL INDUSTRY IN INDIA [7 Lectures] Overview of global and Indian apparel industry History and its development in recent years Size and nature of the industry Regional features and structure of the industry Small and medium scale enterprises- design studios, boutiques, organized sector FASHION INDUSTRY [8 Lectures] Fashion overview Fashion trade Nature and sectoral overview of the fashion industry Fashion retailing- retail stores, department stores, boutiques, chain stores, discount stores, factory outlets, e-tailing etc. Role of professionals in the fashion industry TRADE IN APPAREL AND TEXTILES [8 Lectures] Opportunities and Challenges Export and Import Indian apparel export and important product category Domestic market and domestic brands
UNIT- II
UNIT- III
UNIT- IV
UNIT- V
Export Promotion Councils of India UNIT- VI SUPPORTING INSTITUTIONS AND ORGANIZATIONS [6 Lectures] Trade promotion services (AEPC, CMAI, PEXCIL, etc) Government and Non-Government Testing laboratories Handloom and Handicrafts Development Corporation, Silk Board, KVIC, CCIC, NIFT, IIT, NID, etc Textile research associations- NITRA, BTRA, CIRCOT, ATIRA, MANTRA, SASMIRA, SITRA, WRA, Textile Committee, etc.
Suggested Assignments Assignment 1: Collection of current news regarding textiles and apparel industry- a report. Assignment 2: Comparative study of major players of textiles and apparel industrya document. Assignment 3: Schemes and initiatives taken by any research organization- a report. Assignment 4: Role of garment fairs in generating business- a report.
Suggested Visits Garment fairs organized by AEPC (held twice at New Delhi) Trade fairs Fashion shows Retail stores Textile research association Production units textile and apparel Evaluation Criteria Internal Teachers assessment (on the basis of assignment) and attendance Mid-term exams External Final University Examination Marks 10 + 10 20
60
Textbooks Bheda, R., Managing Productivity in the Textile Industry, CBS Publisher and Distributers, new Delhi, 2003. Fringes, G. S., Fashion from Concept to Consumer, Prentice Hall, 9 th Edition, 2007. Reference Material Annual Report, Ministry of Textiles Apparel Online Clothesline Compendium of Textiles Statistics, Textile Commissioner, Govt. of India. Dickerson, K., Textile and Apparel in the Global Economy, Prentice Hall, Englewood Cliffs, NJ, 1995. Express Textile Han, H. and the Staff of Vault, Vault Career Guide to the Fashion Industry: Step into a fashionable career with insider advice, 2nd Edition, Vault Inc., USA, 2003. Indian Textile Journal Jarnow, J. A., Guerreiro, M. & Judelle, B., Inside the Fashion Business, John Wiley, USA, 1981. Koshi, D. O., Garment Exports- Winning Strategies trade Magazines Textile View Trade Reports, (Textile Committee, AEPC, CMAI)
Web Sources http://www.bharattextile.com/features/research-brief/#3 http://texmin.nic.in/annualrep/arep.htm www.cci.in/pdf/surveys_reports/indian-textile-industry.pdf www.india-exports.com/apparel.html www.ediindia.org/DSR/BANGALORE%20DS.pdf http://www.epch.in/ http://www.btraindia.com/ www.nitratextile.org/ www.sitra.org.in/
FD-107 : PROFESSIONAL COMMUNICATION

SEMESTER Duration Work Load Lecture(L) : 1 hours/Week Tutorial (T) : 1 hour/Week Practicals(P): 2 hours/Week Credits Maximum marks : : I 14 Weeks
Objectives To improve English language skills To learn effective communication skills To understand the nuances of spoken and written language which is essential for any student of designing, since all creative professions need the support of communication in the contemporary world To enable them to achieve effective language proficiency for their social, professional & inter personal communication both in speaking & writing
Learning Outcomes Be able to express his /her ideas and thoughts in speech or writing Be able to comprehend, converse, interact and participate in any day-to-day events and situation Be able to write grammatically correct sentences for various forms of written communication to express oneself Be able to read and understand professional articles and use the acquired information for further work Be able to understand phrases and expressions pronounced and communicate in simple everyday situations Be able to document any undertaken research or project
COURSE CONTENT Key Concepts: 1. Language/Communication in context: communication as a means of sharing information, speakers-listener and reader-writer relationship, process, importance, purpose, features of communication (accuracy, brevity, clarity and appropriateness in communication), barriers to communication, personal and interpersonal communication. [5 Lectures] 2. Writing Skills: Learning words for general purpose, use through situations, sentence formation and use of given set of words in different contexts, usages of words in different tenses, aspect and moods, narrative in first, second and third person, meaning and usages of connectives, modifiers and models, phrasal verbs, connotations, various types of sentences and paragraphs, features of paragraph (cohesion and coherence). [6 Lectures] 3. Speaking Skills: Speech and verbal communication, articulation (pronunciation of different sounds and words i.e. vowels, consonants, diphthongs, (IPA Chart) and words), paralinguistic features, formal informal speaking, extempore, discussion and presentation. [6 Lectures] 4. Reading Comprehension: kinds and types of reading texts, basic steps to effective reading, abstracting, prcis writing and summarizing taking example from different texts. [6 Lectures] 5. Listening Comprehension: Process and types of listening, steps of listening, barriers to listening, Fluency & speed, impact of pronunciation on comprehension through various texts, intelligent listening. [5 Lectures]
Details of Lab Sessions: Lab- I [6 Hours] Vocabulary exercises on the newly learnt words with evaluation Simple conversation exercises using the newly learnt words Practicing the pronunciation of the newly learnt words Practice of sounds (Vowels & Consonants) Transcription of words
Lab- II
[8 Hours] Reading & Comprehension of simple passages with exercises for evaluation Listening & Comprehension of simple passages with exercises for evaluation Discussion & simple conversation exercises based on the passages [6 Hours] Understanding of tenses & practice exercises with evaluation Practice exercises on enhancing conversational skills with evaluation [8 Hours] Understanding the conceptual inputs on presentation skills Watching examples of good/bad presentation skills & evaluating with the group Conducting presentations in front of the group along with peer and teacher evaluation
Lab- III
Lab- IV
Suggested Assignments Formulate a letter to the HR of a company applying for a vacant post in the organization Formulate a letter to your friend explaining him/her about your summer vacation trip Group discussion on the current topics Extempore on current topics
Evaluation Criteria Internal Teachers assessment (on the basis of assignments) and attendance Mid-term exams (Theory) Mid-term exams (Practical) External Final University Examination (Theory) Final University Examination (Practical) Marks 5+5 10 10 50 20
Textbooks Meenakshi Raman & Sangeeta Sharma, Professional Communication for UPTU, Oxford Uni. Press, 2009 Wright Chrisse, Handbook of Practical Communication Skills, JAICO Publishing Wren P.C., High school English Grammar & Composition, S. Chand & Company, Limited, 1995 Raman, M; Sharma, S, Technical Communication, Oxford Uni. Press, 2009
Reference Material Murphy, Herta A., Effective Business Communication, TMH, 2009 Kumar, S., Sahai, R , Oxford English-English Hindi Dictionary, Oxford, 2008 Wren, PC; Martin, H ; Rao, NDV, Higher School English Grammar & Composition, Sultan Chand, 2010 Mitra, BK., Effective Technical Communication, Oxford Uni. Press, 2009
Web Sources http://en.wikipedia.org/wiki/Communication http://notesdesk.com/notes/business-communications/types-of-communication/ http://www.buzzle.com/articles/forms-of-communication.html http://en.wikipedia.org/wiki/Noun http://en.wikipedia.org/wiki/Pronoun http://en.wikipedia.org/wiki/Verb http://en.wikipedia.org/wiki/Adjective http://grammar.ccc.commnet.edu/grammar/adverbs.htm http://www.usingenglish.com/resources/letter-writing.php/ http://www.scribd.com/doc/12258697/How-to-Write-Informal-Letters http://www.talkenglish.com/LessonDetails.aspx?ALID=768 http://www.effective-public-speaking.com/
FD 108: COMPUTER APPLICATIONS

SEMESTER Duration Work Load Lecture(L) : 1hour/Week Tutorial (T) : 1 hour/Week Practicals(P): 2 hours/Week Credits Maximum marks : : I 14 Weeks
Objectives To learn the basic knowledge of computers and its applications since it has become an integral part of fashion design To familiarize with the computer hardware and software, operating systems and office package To provide comprehensive knowledge about presentation software To inculcate required skills to work in the environment operating To understand browser basics, search engines and internet applications
Learning Outcomes Understand fundamentals of computers and their office applications Be able to use operating systems Be able to use internet Be able to create multimedia presentations Be able to use formulas and perform calculations on spread sheet
COURSE CONTENT UNIT-I COMPUTER FUNDAMENTALS Introduction to Computers. Introduction and parts of computer Characteristics of a computer Classification of computers Application of computers Computer Hardware [3 Lectures]
Introduction Elements of computer Input devices (keyboard, pointing device, scanning device, voice input device) Central Processing Unit Output devices (printers & its types, soft copy- CRT, flat panel) Storage devices (diskette, hard disk, optical disk- CDs, DVD, pen drives etc.) Computer Software Introduction Type of software System software Application software Programming software Computer peripherals- Virus, Anti-virus software, Spyware, etc. UNIT-II OPERATING SYSTEM & APPLICATIONS [5 Lectures] Introduction to various operating systems Introduction and advantages of Windows Working with file structures and file formats Desktop and settings Start menu, task bar, recycle bin Basic accessories Paintbrush Notepad Calculator Control Panel (display, mouse, add/remove hardware and software, regional settings, modem, Bluetooth) WORKING WITH DOCUMENTS [4 Lectures] Create, open, close and save document Shortcut keys Working with text, formatting text, working with table, formatting page Drawing tools, graphics, inserting and linking images, clipart and other objects Mail merge Printing document
UNIT III
UNIT- IV
MULTIMEDIA PRESENTATIONS [5 Lectures] Understanding presentation, types and prospective clients Features of presentations & shortcut keys Creating new templates and layouts, formatting slides, working with text and its formatting Hyperlinks Drawing tools, animations, transitions, graph and organizational chart Printing presentation WORKING WITH WORKBOOK [5 Lectures] Introduction to worksheet & workbook, shortcut keys Working with workbook, entering & editing data Formatting worksheets, formatting rows & columns, performing calculations Excel charts, creating graphs such as column, bar and pie Data management, linking the spreadsheet Printing worksheet INTERNET APPLICATION Introduction and Basic use of Internet Advantages and disadvantages of internet Internet Services Internet Relay Chat (IRC) Newsgroup and Bulletin Boards Video Conferencing Browsing, Searching and Surfing Copying, saving text and images TCP/IP concept World wide web Uploading and Downloading E- mailing [6 Lectures]
UNIT V
UNIT-VI
FD 108P
Details of Lab Sessions: Lab-I OPERATING SYSTEM & APPLICATIONS Basic accessories Paintbrush Notepad Calculator [6 Hours]
Lab II
WORKING WITH DOCUMENTS [5 Hours] Create, open, close and save document Working with text (insert text, special characters, insert page break, select text, cut, copy, paste, redo, undo, move text between active documents, search and replace text, spell check, making hyperlinks) Formatting text (changing color, fonts, background & layout related to documents, alignment, indent, tabs, bullets, numbering, wrapping text, formatting paragraphs) Working with table (create tables, change table formatting, insert, delete columns and rows, add table borders) Formatting page (borders and shading, templates, styles, headers & footers, columns, page layouts and margin) Drawing tools Graphics Inserting and linking images, clipart and other objects Mail merge Printing document (print options, print preview) MULTIMEDIA PRESENTATIONS [6 Hours] Understanding presentation, types and prospective clients Features of presentations & shortcut keys Creating new templates and layouts Formatting slides (insert slide, indent, bullets, setting format styles & themes) Working with text and its formatting (font, style, effects, color, paragraph formatting, align, text direction, word art) Hyperlinks Drawing tools Animations (animation preview, slide show option, set up slide show, record narration, rehearse timings) Transitions Graph and organizational chart View (slide show, slide sorter view, slide view, note page view etc.) Printing presentation (printing option & print preview)
Lab- III
Lab IV
WORKING WITH WORKBOOK [6 Hours] Introduction to worksheet & workbook, shortcut keys Working with workbook (open, close, save, save as, save workspace, open existing files, folder) Entering & editing data (data entry, cell alignment, edit, clear, numbers, date, time, navigation, cut, copy, paste, paste special, freeze, spell check, wrapping text, Auto fill) Formatting worksheets (headers & footers, scale, margin, orientation) Formatting rows & columns (cut, copy, paste, size, alignment, indent, borders & shading, freeze) Performing Calculations (excel formulas, excel functions) Excel Charts Creating graphs such as column, bar and pie Data Management (data tables, sort a table) Linking the spreadsheet Workbook views Printing worksheet INTERNET APPLICATION [5 Hours] Access to internet Internet Services Internet Relay Chat (IRC) Newsgroup and Bulletin Boards Video Conferencing Browsing, Searching and Surfing Copying, saving text and images TCP/IP concept World wide web Uploading and Downloading E- mailing (creating an email ID, sending and receiving emails, attachments)
Lab-V
Suggested Assignments List down the application software products used for the following Graphics designing 2D animation Video Editing Draw any organic motif using paintbrush Write any fashion related article on note pad
Make your bio-data with your personal, academic and other relevant information. Also add your photograph to it. Make the page visually appealing using all the formatting features of the word Create a presentation of 10 slides on any given topic given by the faculty using power-point along with an audio and video input. Also use scanned images from various sources Make a workbook for a class containing the roll numbers, names, marks obtained in five main subjects, total marks, percentage, and ranks. Use formatting features to make it visually appealing. Create an email account and send a reply to an email containing an attachment that you received from your classmate
Evaluation Criteria Internal Teachers Assessment (on the basis of assignment) and attendance Mid-term exams (Theory) Mid-term exams (Practical) External Final University Examination (Theory) Final University Examination (Practical) Marks 5+5 10 10
50 20
Textbooks Respective software manuals Sinha, Kr., P., Computer Fundamentals, BPB Publications, 2003. Norton, P., Complete Guide to MS Office 2000, BPB Publications, 1999 Basandra, S.K., Computers Today (Galgotia, 1st Edition), 2005. Kakkar, D.N. & Goyal, R., Computer Applications in Management (New Age, 1st Edition), 2009. Rajaraman, V., Fundamentals of Computers, PHI, 2008. Bajpai, S., Yadav, Introduction to Computers and C Programming, DS, New Age, New Delhi, 2008. Bajpai, S., Yadav, Introduction to Computers and C Programming, DS, New Age, New Delhi, 2008. Prasad, D.S., Basic Computer Skill, Sapna Book House Ltd., 2003
Reference Material Leon, A. & Leon, Mathews, Introduction to Computer, Vikas Publication. 2009. Lawrenceville, Pr., A Guide to Microsoft office 2000 professional, Pearson. Computer Fundamentals and windows with Internet Technology- SciTech Publication Pvt. Ltd. Basandra, S., Computer Today, TMH, 2009.
Web Sources http://en.wikipedia.org/wiki/Windows_Explorer http://www.computerhope.com/shortcut/excel.htm http://www.baycongroup.com/powerpoint2007/index.htm http://paintbrush.sourceforge.net/ http://notepad-plus-plus.org/ http://www.hemantabaral.com/Computer%20Fundamental.pdf http://en.wikipedia.org/wiki/MS-DOS http://windows.microsoft.com/en-us/windows-vista/Introduction-to-computers http://www.computerhope.com/msdos.htm http://en.wikipedia.org/wiki/Windows_95 http://en.wikipedia.org/wiki/Microsoft_Office
FD 109: CULTURAL STUDIES

SEMESTER Duration Work Load Lecture(L) : 2 hours/Week Tutorial (T) : 1 hour/Week Practicals(P): 0 hours/Week Credits Maximum marks : : I 14 Weeks
Objectives To create awareness about the Indian and global civilizations and their evolution To understand the interrelation of clothing with different cultures To understand human behavior viz-a-viz clothing To become aware of various tribes around the world To understand the reasons leading to universalization of modern civilizations
Learning Outcomes Understand the correlation of various factors leading to the evolution of civilizations Be able to appreciate the interrelationship of clothing with different cultures and human behavior Be aware of the various tribal communities across the world and understand their evolution, existence and lifestyles Understand the reasons for increasing similarities between the modern civilizations of the world Be able to use the knowledge of civilizations and cultures across the world for subsequent design development
COURSE CONTENT UNIT-I EVOLUTION OF CIVILIZATIONS [9 Lectures] In terms of Food Clothing Shelter Religions Rituals Customs Difference between religion, ritual and custom Interrelationship within societies Symbolism religious and cultural INTERRELATIONSHIP OF CLOTHING AND CULTURE [9 Lectures] Patterns of culture Relation to the material culture Folkways, customs and laws Clothes, attitudes and values Cultural change and fashion change CLOTHING AND HUMAN BEHAVIOUR Clothes and self-concept Conformity and individuality in dress Clothing symbolism Clothes, roles and status Differentiation in the mass society TRIBAL COMMUNITIES Evolution Famous tribes Indian and International Cultures Religions and rituals Costumes Isolation and related problems [8 Lectures]
UNIT-II
UNIT-III
UNIT-IV
[8 Lectures]
UNIT-V
UNIVERSALIZATION OF MODERN CIVILIZATIONS (With reference to the following factors) [8 Lectures] Travel
Media Food Entertainment Clothing Lifestyle etc.
Suggested Assignments Make a group presentation (atleast three students in a group) on any one civilization from across the world studying in detail their origin, food, clothing, shelter, religion, rituals, customs, symbolism religious and cultural etc. Make a group presentation (four students) on any Indian or International tribe studying in detail about their evolution, culture, religion, rituals, costumes and isolation and related problems To do a comparative study of two families viz-a-viz their origin, culture and rituals for important landmarks in life
Suggested Movies To expose the students to the cultural influences, lifestyles, social interaction rituals, customs, clothing etc. Mirch masala Manthan Ben Hur God Must Be Crazy Harishchandrachi Factory Achhut Kanya Do Bigha Zameen Persepolis Mamma Mia Babettes Feast etc.
Suggested Visits Tribal section of a local museum History section of a nearby museum Cultural centers in the near vicinity
Evaluation Criteria Internal Teachers assessment (on the basis of assignment) and Attendance Mid-term exam External Final University Examination Marks 10 + 10 20
60
Textbooks Horn, Marilyn, J., The Second Skin : An Interdisciplinary Study of Clothing, Houghton Mifflin Co., 1975
Reference Material Sharma, Ram Sharan, Material Culture & Social Formations in Ancient India, Macmillan India Ltd., 2007 Bose, M. L., Social and Cultural History of Ancient India, Concept Publishing Co., 1998 Fisher, Nora, Mud, Mirror and Thread : Folk Traditions of Rural India, Grantha Corporation, 2007 Ganguly-Scrase, Ruchira and Scrase, Timothy J., Globalization and the Middle Classes in India: The Social and Cultural Impact of Neoliberal Reforms Srinivas, Mysore Narasimhachar and Srinivas, M. N., Social Change In Modern India (Rev Edn.), Orient Longman Pvt. Ltd., 2005
Web Sources http://www.indianetzone.com/37/indian_tribal_people.htm http://en.wikipedia.org/wiki/Tribe http://historymatters.gmu.edu/mse/film/socialhist.html http://en.wikipedia.org/wiki/Culture_of_India http://www.globalpolitician.com/print.asp?id=3502 http://asiasociety.org/countries/traditions/indian-society-and-ways-living
FD 153P: BASIC DRAWING

SEMESTER Duration Work Load Lecture(L) : 0 Tutorial (T) : 1 hour/Week Practicals(P): 3 hours/Week Credits Maximum marks : : I 14 Weeks
Objectives To explore the new ways of thinking through drawing To enhance the visual language To develop cognitive skills by helping to distinguish between seeing and looking To develop observation skills through various techniques of drawings using different material To develop understanding of concept and ablility to express ideas
Learning Outcomes Be able to establish cognitive skills as demonstrated by the ability to distinguish between seeing and looking Be able to develop observational drawing skills Be able to demonstrate working knowledge of a variety of drawing methods and material Be able to improvement the ability to express ideas both visually and orally Be able to sketch different elements from outdoors to develop spontaneity in drawing
COURSE CONTENT Unit-I FREE HAND DRAWING [9Hours] Line drawing- horizontal, vertical, diagonal, circular, spiral and curved Pencil gradation Object drawing- drawing both manmade and natural objects (both line drawing and shading) GEOMETRIC DRAWING [7 Hours] Drawing simple geometric objects like cubes, cylinders, cones etc. Drawing of same objects put together Pencil shading to understand light and shade STILL LIFE DRAWING [22 Hours] Drawing by composing different objects like flower vase, flowers, teapots, cups, bottles etc. with drapery as background Pencil shading to understand light and shade and the three dimensional quality Changing the object and the composition to colour rendering with different colour media (staedtler colour pencils, oil pastels, water colours and pen and ink) PERSPECTIVE DRAWING [8 Hours] One point perspective drawing from interior of a building Two point perspective drawing from exterior of a building OUTDOOR DRAWING [10 Hours] Drawing plants, trees and flowers with pencil shading and colour rendering them with different colour media Drawing with compositions of different elements from landscape with pencil shading Sketching of animals in the landscape Changing composition of landscape to colour rendering with different colour media
Unit-II
Unit-III
Unit-IV
Unit-V
Suggested Assignments Submission of twenty detailed object drawings with shading Submission of ten complete compositions of still life on A3 sheet with pencil and different colour renderings of each Submission of five detailed drawings of one point perspective of interiors on A3 sheets Submission of five detailed drawings of two point perspective of exteriors on A3 sheets Submission of five landscape compositions using different elements and rendering with different mediums on A3 sheets
Suggested Visits Local monuments Local zoo for sketching animals
Evaluation Criteria Internal Marks Based on understanding of concept, exploration, neatness and presentation Teachers assessment (daily evaluation of class performance) 10 + 10 and Attendance Assignment submission and midterm exam 10 + 20 External Evaluation by internal and external jury Final University Exam
50
Textbooks Civardi, G., Complete guide to drawing, Search Press, Limited, 2006 Civardi, G., Drawing light and shade, Search Press, Limited, 2006 Civardi, G., Drawing techniques, Search Press, Limited, 2002 Civardi, G., Drawing scenery, Search Press, Limited, 2002 Norling, E. R., Perspective made easy, Dover Publication, N. Y. 1999 Hamm, J., Still-life drawing and painting, Grosset & Dunlap, 1976
Reference Material Hale, R. B., Drawing lessons from Great Masters: 45th Anniversary edition, Watson-Guptill Publications, 1964 Metzger, P. W., The Art of Perspective: The ultimate guide for Artists in every medium by North Light Book, Ohio, 2007 Peter A. Koenig, Design Graphics, Drawing Techniques for Design Professionals, Third Edition, Doorling Kindersley, India Pvt. Lt., 2012 Barber, B., The Fundamentals of Drawing, Arcturus Publishing, 2013 Porter, A, W., Elements of Design Space, Davis Publications, 1987
Web Sources http://figure-drawings.com/freedrawing.html http://www.drawinghowtodraw.com/drawing-lessons/improve-drawing/drawingfreehand.html http://sherristakes.com/download/art/drawing%20basics_26%20free%20beginner% 20drawing%20techniques.pdf http://www.dummies.com/how-to/content/drawing-geometric-perspective.html http://www.artyfactory.com/still-life/still_life_pencil.html http://www.artyfactory.com/perspective_drawing/perspective_index.html http://www.drawinghowtodraw.com/drawing-lessons/nature-drawing/tipssketching-outdoors.html http://www.lyceum.org/summer-camps/indoor-outdoor-drawing-sketching-andwatercolor
FD 154P: RESEARCH SKILLS FOR DESIGN

Objectives To sensitize to the importance of research and data collection. To create awareness of the process of research. To develop the nature of creative thinking To assimilate and adapt the knowledge of research for product development
Learning Outcomes Understand the fundamentals of research Be able to use analytical and evaluative skills and techniques for data collection Be able to develop interpersonal skills effectively to gather information from various sources Be able to incorporate research and creative thinking strategies within product development methodology Be able to realize the importance of targeting the right customer with the right product or service
COURSE CONTENT UNIT-I IMPORTANCE OF RESEARCH IN DESIGN Need of research Applications of research Nature of research [6 Hours]
UNIT-II
PROCESS OF RESEARCH Idea generation Gathering information (library, interpersonal communication etc.) Analysis Synthesis Hypothesis Plan of action
[10 Hours] field visits, internet,
UNIT- III
CONCEPT RESEARCH [12 Hours] Data collection for a specific project Library (universities, institutes, museums, private, online) Books Magazines Journals Newspapers Research articles etc. Book Stores Internet Market survey Interviews Observation Photographs Questionnaires etc. PRODUCT RESEARCH Study of existing designs Design Material Availability Cost etc. Scope for intervention [10 Hours]
UNIT-IV
UNIT-V
Processes involved Production technique Production centers Place of sale/ Sale outlet
MATERIAL RESEARCH [10 Hours] Appropriate material selection End usage Cost Sourcing- exhaustive study of all feasible market areas Handling of material Innovation Substitution MARKETING RESEARCH Costing Consumer profile Target market Distribution channel [8 Hours]
UNIT-VI
Suggested Assignments To do an in depth research on any one of the classic fashion styles (e.g. jeans, leather jacket, cardigan, t-shirt, canvas shoes etc.). Collate data from various sources based on the process of research and product research. Market survey is mandatory. Diversify the products using the same material as well as collect various other materials for the product development. Carry forward the research to analyze the prospective market for the developed product
Suggested Visits As per the requirements of undertaken research
Evaluation Criteria Internal Marks Based on understanding of concept, extent of research & exploration, quality of information collected creation and ideation, documentation and presentation. Teachers assessment (daily evaluation of class performance) 15 + 5 and Attendance
Assignment Submission (field diary and documentation) and viva voce External Evaluation by internal and external jury Assignment (document, presentation diversification) and viva voce
20 + 10
and
product
40+10
Reference Material Kothari, C. R., Research Methodology: Methods and Techniques, New Age Publications, 1985 Bernard, H. R., Social research methods: qualitative and quantitative approaches, Sage Publications Inc., 1940 Gary J. Anderson, Fundamentals of educational research, Routledge, 1998 Kumar, R., Research Methodology: A Step-by-Step Guide for Beginners, Sage Publications Inc., 1999
FD 155P: CRAFT APPRECIATION (Modular)
SEMESTER Duration Work Load Lecture(L) : 0 Tutorial (T) : 1 hour/Week Practicals(P): 3 hours/Week Credits Maximum marks
: :
I 7 Weeks
Objectives To create awareness for the Indian and global craft industry To encourage appreciation of the different crafts their origins, processes, production, marketing and design development To create awareness for the challenges faced by craftspeople in developing and marketing their products To create awareness of various craft organizations and individuals working in the sector To understand the various Government and other organization initiatives towards betterment and improvement of the crafts
Learning Outcomes Sensitization to the various regional crafts in the vicinity Understanding of the socio-economic conditions of the related craftspeople Awareness of new product innovations being undertaken by some crafts Understanding of marketing strategies being undertaken by the artisans, craft organizations and the Government for getting better visibility to the crafts and widening the customer base for them. Understanding of the survival strategies being followed by craftspeople Understanding of the scope of improvement and intervention for development of the craft and craftspeople
COURSE CONTENT Pre-visit lecture / lectures for a brief regarding the craft / crafts to be visited - by internal faculty or guest speaker PROJECT 1 [10 Hours] The students will be taken for a visit to atleast three of the below mentioned places Local craft fair Textile / Craft Museum India International Trade Fair, Pragati Maidan, New Delhi (if possible) Any craft center in the vicinity Any local craft organization / NGOs etc. and their area of work The students will be expected to document the visit through the following Maintain a field diary with observations, sketches, names of participating / visited artisans and organizations etc. Interviews and questionnaires Photographs Video recordings Collecting pamphlets / brochures / any other printed material of the participants / visited organization The students will have to prepare an illustrated visit report and submit to the concerned faculty PROJECT 2 [18 Hours] The students will conduct a survey and document any one local craft in the near vicinity During this, the students will study the complete process of craft manufacturing, raw material procurement, preparation, production, customer profile etc. Visual documentation will be done through field diary, photographs, video recordings etc. At the end of the study, the students will prepare a document compiled with complete study and visual data The students will also prepare an audio-visual presentation for the same For the jury evaluation the students will display the collected and sourced material as well as research undertaken for the project
Evaluation Criteria Internal Project 1 Teachers Assessment (daily evaluation of class performance) and Attendance Assignment (field diary and documentation) and viva voce External Project 2 Evaluation by internal and external jury Assignment (craft document, display & presentation) and viva voce Marks 10 + 10 20 + 10
40 + 10
Reference Material Craft Maps of India, Dastkari Haat Samiti Jaitly, Jaya, Vivakarm's Children: Stories of India's Craftspeople, Concept Publishing Company, 2001 Jaitly, Jaya, The Craft Traditions of India, Tiger Books International, 1990 Ranjan, Aditi and Ranjan, M. P. Handmade in India: A Geographic Encyclopedia of Indian Handicrafts, Abbeville Press, 2009 Cooper, Ilay, Arts and crafts of India, Thames and Hudson, 1996 Chattopadhyaya, Kamaladevi, Indian Handicrafts, Indian Council for Cultural Relations, 1963 Tribal Arts and Crafts of India, Ministry of Education and Culture, India, 1982
Web Sources http://www.dastkar.org/ http://www.indiancraftsjourney.in/ www.sewalucknow.org/ http://www.sewatfc.org/ http://sewadelhi.org/ http://www.grameencrafts.com/ http://www.aiacaonline.org/craftmark-members.asp?links=craftm4 http://www.speakingwithhands.com/article_details.php?aid=87
FD 156P: MATERIAL STUDIES- I

Objectives To explore the materials present in our environment To sensitize towards the importance and usage of the materials present in the surroundings To develop an understanding of their behavior, characteristics, properties, physical and visual potential. This in turn will help in creative development To familiarize with the manufacturing processes and machine tools To orient towards the manipulation of materials using various hand tools. This will create an interest for the students to innovate and create To enhance the design skills for product development and expansion
Learning Outcomes Be able to explore and manipulate material Be able to handle a variety of mediums and tools Be able to use appropriate material and technology towards product development and innovation Be able to apply comprehensive knowledge to the material and design Be able to co-relate & apply various inputs as a holistic understanding and capability
COURSE CONTENT UNIT-I INTRODUCTION TO MATERIAL STUDIES [8 Hours] Importance of understanding material for effective designing Classification of material and their properties Powder - colors, dyes etc. Liquid- paints, adhesives, chemicals, GP resins Semi liquids/ Semi Solids: adhesive, glues, fabric paints, etc. Granular- sand, gums, grains, resins, clay, POP, plastic grains, etc. Linear: wires, yarns, twines, ropes, ribbons, straw, tapes etc. Plainer: paper, fabric, leather, foil, sticks Solid: wood, metals, glass, thermocol, stone, plastics, bottle caps, wax etc. INTRODUCTION TO WORKING TOOLS [4 Hours] Measuring tools (ruler and its types, inch tape, vernier caliper, screw gauge, fishing scale, analytical weighing balance, two pan balance, measuring glass/cup/spoons, spring scale, pendulum balance etc.) Marking tools (pen, pencil, markers, sketch pens, chalk, tracing wheel, whitener, powder, thread, masking tape etc.) Work holding device (tongs, plucker, magnet etc) Cutting tools (Scissor, cutter, knife, blade, nail cutter, punching machine, chisels) INTRODUCTION TO FINISHING TOOLS [4 Hours] Joining tools (stapler, all pins, paper clips, nails welding, adhesive, fasteners interlocking, brazing, soldering, riveting) Sewing tools (needle, sewing machine: manual and electronic, thread) Finishing tools (buffing, filing, electroplating, hardening, powder coating, painting and burning) Machine tools (Lathe, drill, loom, industrial sewing machine, block and screen printing) HANDLING OF MATERIAL (Technique and working) Granular Linear [20 Hours]
UNIT-II
UNIT-III
UNIT IV
UNIT IV
Plainer Solids DESIGNING WITH MATERIAL Granular Linear Plainer Solids Combination of Material
[20 Hours]
Suggested Assignments Students are required to maintain a scrap book of samples of different linear, solid, planar, granular material, doodles, sketches, photographs etc. and submit at the end of the semester PROJECT 1 (Individual activity) Make a clay model of any fruit / vegetable Make a pottery article on a potters wheel Print paper using various materials such as vegetables, threads, comb etc and develop hand bags using the same Make colorful beads of different shapes and sizes using POP Create innovative spirals and shapes using metal wires Create innovative yarns using different linear material Develop textures using different materials Make a theme based composition coordinated with accessories using different types of planar material Develop products using paper mache technique Make Puppets using different material Project 2 (Group activity) Create a 2-D surface using sand as a medium Make flower sticks using different categories of materials (fabric, paper, chemical etc.) Use yarns / ribbons / twines for creative hair braiding Make 3-D geometrical shapes using metal sheets Use thermocol to make a 3-D model of a building Use combination of granular / linear / plainer / solid mediums to create a product Use combination of more than two categories of material to create an innovative product A theme based installation using different categories of material (atleast five)
Make colored candles of various shapes Suggested Visits Visits are to be made under faculty guidance. Illustrated report to be submitted after each visit Demonstration by local/ roadside artisans Visit to local artisans (potters, blacksmiths, clay idol makers, jewelry maker, electroplating units, powder coating units, welders, chik makers etc.) Visit to local art village Visit NGOs working in the field of creative product development from yarns and fabrics
Evaluation Criteria Internal Marks Based on understanding of concept, extent of research & exploration, material collected, material handling, creation and ideation, product, neatness Teachers assessment (daily evaluation of class performance) 10 + 10 and Attendance Assignment submissions (individual & group) and Viva voce 20 + 10 External Evaluation by internal and external jury Assignment (Display & presentation) and Viva voce
40 + 10
Textbooks Thwaites, G., Indian Inspiration, Traplet Publications Ltd., 2003 Newman & Thelmar, Plastic as an art form, Clinton book Co., 1972 Budzik & Richards, Sheet metal technology, Bobbs-Merrill Educational Publishing, 1981 Verhelst & Wilbert, Sculpture: tools, Materials and Techniques, Prentice-Hall, 1973 Kowal, Dennis and Crown, Dona Z. Meislach, Sculpting, Casting, Mould Techniques and Material, Publishers, New York, 1972 O.P. Khanna, Material Science and Metallurgy, Khanna publications, 1998 Wilbert Verherst, Sculpture: Tools, Materials & Techniques, Prentice-Hall 1988 R.K. Rajput, Material Science, Publisher, S. K. Kataria & Sons, 2009
Richard Budzik, Sheet Metal Technology, Macmillan Publishing Company, 1985 Leslie Pina, Beads in Fashion, Schiffer Publishing, 1999 E.R. Huckleberry, How to make your own Wooden jewellery, T A B Books, 1979
Reference Material Reygate, K., Rubber Stamping, search press Ltd., 2006 Stevens, Chine, Fund with Paper scultpture, search press, 1998 Raz, Haim, Stained Glass, Sterling Publishing Co., 2007 Atlas, Ronit., Contemporary Mosaics, Sterling Publishing Co., 2007 Parnes, Tair, Beaded jewellery, Sterling Publishing Co., 2007 Gestalting, Paper Craft-2, Daily Feed, Publishing, 1998 Rajput, R.K., Material Science, S. K. Kataria & Sons, 2009
Web Sources http://www.papercraftsmag.com/index.html http://craftgawker.com/post/category/clothing/ http://woodcraft.org.uk/ http://pinterest.com/pug1/clay-crafts/ http://pinterest.com/rincklemalhotra/best-out-of-waste/
FD 157P: ENVIRONMENTAL STUDIES (Modular)

SEMESTER Duration Work Load Lecture(L) : 0 Tutorial (T) : 1 hour/Week Practicals(P): 2 hours/Week Credits Maximum Marks : : I 8 Weeks
Objectives To observe and analyze the details of the micro and macro environments and their interrelationships in socio-cultural, economic, political and religious contexts To develop conceptual and objective perspectives in the chosen area of study To sensitize the students to the various tools of perception and analysis for an effective study of their immediate environment To learn to work in teams To maximize individual contributions for maximizing the outcome of the study
Learning Outcomes Be aware of the surrounding environment and the sub-systems coexisting in the society Be able to study the various aspects of community living and appreciate community inter-relationships Be able to bond with the other social groups Be able to understand the production / communication processes within diverse environmental contexts Be able to work in teams and mutual cooperation Be able to perceive and adequately formulate a problem for discussion and research
COURSE CONTENT Introduction to the subject and its relevance to the course Introduction to the concept of macro and micro environment, methods of spatial mapping, visual documentation, primary and secondary sources of data collection Project 1: to study a macro environment in detail, taking every aspect of community interrelations, interactions and interdependence into account Project 2 : to understand the variety of micro environments and their distinctive characteristics Project 3: to understand a micro-level enterprise in the environment from the point of view of its structure, processes and interrelations therein Environmental issues Green concept Recycling Waste management Carbon footprints Corporate Social Responsibility Guest lectures related to different aspects of the course PROJECT 1: MACRO ENVIRONMENT STUDY Methodology Formation of groups - The class will be divided into groups of four to five students Identification of the macro environment of the city to be studied -Bazaars, Places of worship, commuter junctions (railway stations, bus terminals, auto and taxi stands etc.), community locales and recreation zones (housing societies, parks, restaurants, cinema halls, malls, amusement parks etc.), historical monuments, service institutions (hospitals, prisons, orphanages etc.), educational institutions etc. Selection of any one macro environments by each group and collection of secondary data (historical information, published monographs, official statistics etc.) before visiting the environment Initial visit to the selected area and spatial mapping of the environment Development of the relevant tools for generation of primary data (method of observation, interviews, questionnaires, group interactions etc.) Revisiting the environment and collection of primary data Presentation
[10 Hours]
Visual documentation of the selected area (photographs, sketching, drawings general and specific, videos etc.) Collation of the collected information and documentation (Visual, primary and secondary data) Analysis and group presentation of the documented information PROJECT 2: MICRO ENVIRONMENT STUDY Methodology Same groups of Project 1 will work on this project Selection of any one micro environment (specific garment shop, jewellery shop, footwear shop or any other such enterprise, eatery, any specific department of the hospital, school, college, ticket counter at the railway station, bus terminal etc.) from the macro environment studied previously (individual activity) Detailed study of the selected environment Sequential diagram of the process followed in the selected micro environment
[10 Hours]
Presentation Visual documentation of the activity and collection of primary and secondary data Documentation of the collected information Individual presentation and submission of documented work
PROJECT 3: SMALL ENTERPRISE STUDY Methodology
[8 Hours]
Formation of groups- The class will be divided into groups of two students Selection of any road side enterprise in the nearby locality (not a proper shop like paanwala, chaiwala, chatwala, maggiwala, cobbler, vegetable vendor, phoolwala, rikshawala, vendors on red lights, chik makers etc.) Interaction and understanding of the enterprise and person running it visual documentation, observation, interview etc Understanding the enterprise on the following terms: Raw material resource Materials and technology used for production Production structure
End product Costumer profile Environmental aspects Presentation Maintain a field diary althrough the duration of the course, recording every detail and information observed and experienced during the course of the project. Documentation of the process collation of all visual and collected data
Evaluation Criteria Internal Marks Document submission based on understanding of task, quality of field work, and extent of research and data collection. Teachers assessment (daily evaluation of class performance) 5+5 and Attendance Assignment Submission (field diary & documentation) and 15 + 5 viva voce External Evaluation by internal and external jury Document evaluation (display & Presentation of assignment) and viva voce
15 + 5
Reference Material Papaneck, V., Design for the Real World: Human Ecology and Social Change, Thames and Hudson , 2000 Berger J, Ways of Seeing, BBC and Penguin Books, 1972 Balaram N., Thinking Design, National Institute of Design, Ahmedabad, 1998 Alexander C., The Nature of Order, Vol. 1-4 Koshy, Darlie Indian Design Edge: Strategies for Success in the Creative Economy, Lotus Collection, 2008
FD 158P: BASIC DESIGN

SEMESTER Duration Work Load Lecture(L) : 0 Tutorial (T) : 1 hour/Week Practicals(P): 3 hours/Week Credits Maximum Marks : : I 14 Weeks
Objectives To give detailed knowledge about understanding and usage of elements and principles for creating a good design. To instill exploration and innovation skills to enhance creativity. To develop visualization and communication skills. To understand elements and principles of design in context of design suitability for different apparel designs and body shapes. To understand application of skills and processes with different media
Learning Outcomes Be able to handle mediums and tools Understand the importance and application of design fundamentals for effective working as a designer. Be encouraged to think, explore and create. Be able to create effective visual compositions. Be able to correlate and apply various fundamentals to create compositions. Understand the nuances of the process of ideation
COURSE CONTENT UNIT-I BASICS OF DESIGN [3 Hours] Introduction to design Definitions design, types of design (structural and decorative) Visualizing design from nature and manmade references Sensitization to inner perceptions and emotions BASICS OF DESIGN [5 Hours] Elements of Design Introduction Understanding the elements through their use in various designs furniture, logos, graphics, fabric prints, garments, bags, shoes etc. Principles of Design Introduction Understanding the principles through their use in various designs furniture, logos, graphics, fabric prints, garments, bags, shoes etc. ELEMENTS OF DESIGN [18 Hours] Point Line - directing, dividing, psychological effects of line, illusion. Shape and form geometric and organic Space negative and positive space Texture tactile and visual textures Understanding the elements in context of different body shapes and apparel design COLOR Hue Value Saturation Color Wheel Color Schemes Color Psychology Color Interaction Color Identification [16 Hours]
UNIT-II
UNIT-II
UNIT-III
UNIT-IV
PRINCIPLES OF DESIGN [14 Hours] Balance symmetric, asymmetric and radial Proportion Rhythm through repetition, progression, transition, radiation and continuous line movement Harmony Emphasis Understanding the principles in context of different body shapes and apparel design
Suggested Assignments PROJECT - 1 Collect pictures showing structural and decorative design (atleast five each) Collect pictures of different products showing various elements and principles of design (atleast five each) Select any simple object from the environment (leaf, flower, phone, car, stationary box, lunch box, pencil, eraser etc.) and give a name to it (proper noun) based on the visible characteristics of the object Associate the personality of any one classmate with a color and give reasons PROJECT - 2 Use dots and lines (individual and combination) to create compositions (atleast five) reflecting movement Use shapes outline and solid color, to make various compositions (atleast five) depicting movement Create a composition and depict negative and positive space through it using black ink Replicate different textures from the environment (fifteen) Create different visual and tactile textures (atleast ten each) using different material (paints, crayons, oil pastels, color pencils, masking tape, fevicol, rubber solution, candle, sand, glitter, comb, toothbrush, scale, etc.) PROJECT - 3 Make a Color Wheel Depict the different stages of value and saturation of any hue (in five stages) Depict a visual composition in different color schemes (one for each scheme) Depict a visual composition in warm and cool colors (one each for both) Color Interaction (three exercises each) Make two colors look alike by changing the background
Make two swatches of same color look different by changing background color Color Identification - Depict the color range of a visual in a grid format by visually identifying the percentage of each hue in a grid box and generate the same on another sheet (one exercise) PROJECT - 4 Create different compositions depicting individual principles (atleast two each) Create different compositions correlating different principles (atleast two)
Suggested Visits Visits are to be made under faculty guidance. Illustrated report to be submitted after each visit Graphic / Art Exhibitions Photography Exhibitions Design Studios Vegetable market to study colors Cloth shops to study colors and use of elements and principles of design
Evaluation Criteria Internal Teachers assessment (Daily evaluation of class performance) and Attendance Assignment submission and midterm practical exam External Evaluation by internal and external jury Portfolio (includes class work & assignment presentation and Display) and viva voce Marks 10 + 10 10 + 20
40 + 10
Reference Material Elements of Design- Space & Form, Albert W. Porter Elements of Design- Line, Albert W. Porter Rowland Kurt, Looking & Seeing, Vol. 1-4, Ginn and Company Ltd. London Basic Principles of Design (Vol. 1-4) Manfred Maier Interaction of Colors, Josef Albert, Yale University Press Principles of Color, Fabersvan Birren, Nostraid Reinnold Company
Basic Design- The Dynamics of Visual Form, Maurice de Sansmarg, The Herbert Press, 1964 Terry Marks, Tina Sutton, MINE, Color Harmony Compendium: a complete color reference for designer of all types, Rockport Pub., 2009 Web Sources http://www.raysofcolor.com/colour/definition.html http://www.usask.ca/education/coursework/skaalid/theory/cgdt/color.htm http://art.pppst.com/elements.html http://www.johnlovett.com/test.htm http://en.wikipedia.org/wiki/Design_elements_and_principles http://en.wikipedia.org/wiki/Line_art http://pinterest.com/iamalyssa/color-boards/ http://www.fashiondesignscope.com/?p=3195 http://images.library.wisc.edu/HumanEcol/EFacs/MillineryBooks/MBBaldtClothin g/reference/humanecol.mbbaldtclothing.i0012.pdf http://www.oldandsold.com/articles23/dressing-well-37.shtml
SEMESTER-II
FD 205: TEXTILES-I
SEMESTER Duration Work Load Lecture(L) : 2 hours/Week Tutorial (T): 0 hour/Week Practials(P): 2 hour/Week Credits Maximum Marks : : II 14 Weeks
Objectives To develop an understanding of the fundamental concepts of textiles To accustom the students with the nature, property, behavior and uses of various natural and man-made textile fibres To familiarize students to the various types of yarns, their properties and manufacturing processes To develop an understanding of various techniques of fabric construction To be able to identify different types of woven, knitted and nonwoven fabrics To understand calculation of yarn-count and yarn twist and their relation to fabric properties To impart the knowledge of some important physical and chemical tests of fabrics for better understanding of fabric properties, their performance and application To enable students to identify basic and decorative weaves To learn graphical representation of basic weaves and their variations Learning Outcomes Understand the attributes of different textile fibres Understand yarn count and its relation to fabric properties Be aware of various types of looms and fabrics made from these looms Understand different techniques of fabric construction Skill development to relate textile structure and property for specific end uses Develop concept of the nature and behavior of various textile material in the apparel sector Be able to identify basic weaves and their variations Be aware of various types of decorative weaves and their properties
COURSE CONTENT UNIT-I INTRODUCTION TO TEXTILES [2 Lectures] Terms and definition: fibres, filaments, yarns-spun yarns, filament yarns, sewing threads, fabrics- woven, knitted, nonwoven Classification of textile fibres on the basis of origin and length of fibre TEXTILE FIBRES AND THEIR PROPERTIES [8 Lectures] (Source, production and properties) Important properties of textile fibres Natural cellulosic fibres- cotton, flax, jute, ramie Natural Protein fibres- wool, silk Regenerated Fibres- viscose rayon, cuprammonium rayon and polynosic rayon, acetate and tri-acetate, azlon Synthetic fibres- nylon, polyester, acrylic, modacrylic, olefins, polypropylene Special use fibres- elastomeric fibres, aramid, carbon Microfibres- Tencel, Modal, etc. Innovative fibre YARNS [6 Lectures] Yarn manufacturing process Mechanical Spinning Chemical spinning processes- dry spinning, melt spinning, wet spinning Yarn Classification- on the basis of structure, fibre composition, effects and processing Novelty yarns- core, eyelash, boucle`, ribbon, ladder, nub, slub, chenille, corkscrew or spiral, metallic yarns, crepe yarns Yarn numbering system- direct and indirect system Yarn twist- direction of twist (S and Z twist), types of twist, effect of twist on fabric properties Sewing threads FABRIC CONSTRUCTION TECHNIQUES Weaving Preparation of yarns for weaving Loom: Parts and types of looms [8Lectures]
UNIT-II
UNIT- III
UNIT-IV
Characteristics of woven fabrics Classification of Weaves Basic weaves: plain, rib and basket, twill, satin/sateen Decorative weaves: dobby and jacquard Surface figure weaves: lappet, swivel, spot/dot Other weaves: pile weave , velvet, velveteen, leno, double weave Weaving defects Knitting Introduction to knitting Characteristic of knitted fabrics- wales and course, gauge (npi), technical face, technical back, skewing, snagging Warp and weft knits Comparison between knits and woven Weft knit fabrics: double knit, jersey knit, rib knit and piqu Warp knit fabrics: tricot and raschel UNIT-IV OTHER FABRIC CONSTRUCTION TECHNIQUES [4Lectures] Non-woven/bonded fabrics Other methods of fabric construction- braids, nets, lace, taper cloth, film fabrics, coated fabrics, metallic plated, multi component fabrics
Suggested Assignments Source and prepare a portfolio of various types of yarns. Specify fibre composition, count and twist of the samples (minimum 10 samples) Conduct a market survey of fabric or clothing stores to examine the fibre content of fabrics. Note the variety of effects created by blending fibres. Explain why the different fibers were used together
FD 205P
LAB-I FIBRE IDENTIFICATION Visual test Microscopic test Burning test Chemical test [4 Hours]
LAB-II
YARN TESTING Determination of staple / filament yarn Number of plies Direction of twist Measurement of twist
[4 Hours]
LAB -III
FABRIC TESTING [8 Hours] Physical tests Thread count: ends per inch and picks per inch Fabric weight: fabric mass per unit area (gsm), fabric mass per unit length (weight per linear meter) Evaluation of fabric drape Seam / yarn slippage Chemical tests Dimensional stability Mercerization Chlorination WEAVE IDENTIFICATION [8 Hours] Identification of basic weaves and their design interpretation on graph Plain weave Variations of plain weave: rib and basket weave Twill weave: even, uneven, right handed, left handed, pointed twill, herringbone Satin and sateen weave Identification of decorative weaves- dobby and jacquard Identification of surface figure weaves: lappet, swivel, spot/dot Identification of other weaves: pile weave, velvet, velveteen, leno, double cloth
LAB IV
Instruments Required Pick glass Microscope Twist counter Crease recovery tester Drapometer GSM cutter Electronic weighing balance
Suggested Assignments Assignment 1: Prepare a portfolio of fabric swatches of different fibre content Specify fibre content and end use of the samples (minimum ten samples) Assignment 2: Prepare a portfolio of fabric swatches of different weights and thickness. Calculate their yarn count in terms of ends per inch and picks per inch. Specify possible applications of the samples (minimum ten samples) Assignment 3: Develop a portfolio of fabric swatches of various types of woven fabrics. Identify type of weave and provide graphical representation of basic weaves (minimum ten samples sourced by students and ten samples provided of department) Assignment IV: Prepare a portfolio of fabric samples of different surface appearance such as fabric made of slub yarns, textured yarns, twill weave, pile weave, leno weave, etc. (minimum ten samples) Assignment V: Prepare a frame from hard board and make basic weaves using paper strips
Suggested Visits Fabric manufacturing unit- handloom / powerloom unit Handloom weaving units of Varanasi, Panipat, Surat, Muradabad, etc. Indian Institute of Handloom Technology (nearest one) Knitwear manufacturing unit Nearest Weavers Service Centre (visit the following website for list of centers http://handlooms.nic.in/cit_char_wsc.htm) Textile testing laboratory
Evaluation Criteria Internal Teachers assessment (on the basis of assignment) and attendance Mid-term exams (Theory) Mid-term exams (Practical) External Final University Examination (Theory) Final University Examination (Practical) Marks 5+5 10 10 50 20
Textbooks Corbman, B. P., Textile Fibre to fabric, MGH International, 2003 Hann, M. A. and Thomas, B. G., Patterns of Culture: Decorative Weaving Techniques, Leeds 2005 Joseph, M.L., Essentials of Textiles (6th Edition), Holt, Rinehart and Winston Inc., Florida, 1988 Kadolph Sara J., Quality Assurance of Textiles and Apparel, Fairchild publication, 1998 Kadolph, S. J. & Langford. A. L., Textiles, 10th edition, Pearson education, USA, 2007 Raul, Jewel, Textile Testing, APH Pub. Corp., 2005 Saville, B.P., Physical Testing of Textiles, Textiles Institute, 2000 Sekhri, S., Textbook of Fabric Science, Fundamentals to Finishing, PHI Learning Pvt. Ltd., 2011
Reference Materials Bhardwaj, S.K. and Mehta, P.V., Managing Quality in the Apparel Industry, New Delhi, New Age International, 1998 Brackenbury, T., Knitting Clothing Technology, Blackwell Science Publishers, 2005 Express Textile Journal Field, A., The Ashford Book of Weaving, Shoal Bay Press, 1991 Grayson, M., Encyclopedia of Textile, Fiber and Nonwoving Fabrics. New York: John Wiley & Sons, 1984 Hallett, C., and Johnston, A., Fabric for Fashion, The Swatch book, Laurence King Publishing, London, 2010 Hollen, N. & Saddler, J., Textiles (6th Ed.), New York: Macmillan, 1988 Horrock & Anand, Handbook of Technical Textiles, Woodhead Publishers, 2000 Huphhirs, M., Fabric Reference, 4th Edition, Pearson Education, Inc, 2009 Joseph, M.L., Essentials of Textiles, 6th edition, Holt, Rinehart and Winston Inc., Florida, 1988 Kothari, V.K., Behera, B.K., Quality Control in Textiles and Apparel Industry- A& B, Delhi, Department of Textile Technology, IIT Proceedings of Workshop- 3-5 October, 1996 Marjory, L. J., Essentials of Textiles, New York, 1976 Marjory, L. J., Introductory Textile Science (3rd Ed.) New York, 1977 Murphy W.S., Handbook of weaving, Abhishekh Publications, 2000 Seiler, A., Textiles Classification of Techniques, Craweford House Press, 1994
Sekhri, S., Textbook of Fabric Science: Fundamentals to Finishing, PHI Learning, Delhi, 2011 Shaikh, I. A., Pocket Weaving Expert- A practical handbook on textile weaving, Lahore, Pakistan Spencer, D. J., Knitting Technology: A Comprehensive Handbook and Practical Guide, 4th ed. Woodhead, Cambridge, 2005 Stamper, Anita, A. and Donnell, L. B, Evaluating Apparel Quality (2nd ed.), Fairchild Publication, 2005 The Indian Textile Journal Tholia, A. Fabric Swatch Work Book, Sarv International, 2011 Tholia, A., Understanding Fabrics: A Practical Approach, Sarv Publications, 2011 Tortora, G. P., Understanding Textiles, (4th Ed.) New York: Macmillan, 1992
Web Sources http://www.scribd.com/doc/15570324/Textile-Fibres-Classificationppt http://www.swicofil.com/soybeanproteinfiberproperties.html http://en.wikipedia.org/wiki/Synthetic_fiber http://www.excellup.com/Notes/8_Science_SyntheticFibres.pdf http://en.wikipedia.org/wiki/Warp_(weaving) http://en.wikipedia.org/wiki/Power_loom http://en.wikipedia.org/wiki/Twill http://en.wikipedia.org/wiki/Dobby_loom http://en.wikipedia.org/wiki/Knitting http://en.wikipedia.org/wiki/Nonwoven_fabric http://web.utk.edu/~mse/Textiles/Thermal%20Bonding.htm http://en.wikipedia.org/wiki/Braid http://www.textileworld.com/Articles/2008/May_2008/Nonwovens/Spunbond_x_M eltblown_Nonwovens.html www.fibre2fashion.com https://www.textiletestingequipment.com/ http://textlnfo.wordpress.com/2011/11/10/basic-weaves/
FD 206: ART APPRECIATION

Total lecture hours per semester: 28 Total tutorial hours per semester: 14 Total lab hours per semester: 0 : 3 : 100
Objectives To get the basic understanding of art through the ages To appreciate the other fields of arts along with the drawing, painting, calligraphy, architecture, sculpture, etc. To understand the effect of personal, political, sociological and religious factors behind each creation To stimulate students to create their own creations by learning history of art
Learning Outcomes Understand how social, political, cultural and religious conditions influence art Understand the elements of design Understand how the visual elements are used and how they affect a work of art Be able to decide and develop their own style Be able to develop a subject/ theme/ content for their creation
COURSE CONTENT UNIT-I ANCIENT PERIOD [8 Lectures] Indus Valley Civilization- Art and artifacts of the time, city planning etc. Mauryan period Sunga period Kushan period Gandhara period
Gupta period UNIT-II SOUTHERN AND NORTH EASTERN INDIA [12 Lectures] Pallava period Chola period Chalukya period Rashtrakuta period Hoysala period Vijayanagar period Chandela period Orissan LATE MEDIEVAL AND EARLY MODERN AGE [4 Lectures] Islamic Sultanate Delhi Mughal period WESTERN ART ANCIENT TO MIDDLE AGES [8 Lectures] Ancient world Prehistoric Art- Old Stone Age & New Stone Age Egyptian Art and Architecture Classical period Greek Art and Architecture Roman Art and Architecture The middle ages Byzantine Romaneque Gothic FIFTEENTH EIGHTEENTH CENTURY Renaissance Buroque Rococo THE MODERN WORLD Neo classicism, Romanticism, Realism Impressionism , Post- Impressionism Fauvism, Cubism Expressionism Dadaism, Surrealism Bauhaus [4 Lectures]
UNIT-III
UNIT-IV
UNIT- V
UNIT- VI
[6 Lectures]
Suggested Assignments Make a presentation on Indus Valley civilization , elaborating on the city planning, pottery and other artifacts of the time Make a presentation on the influence of Buddhism on art and architecture of Mauryan and Sunga periods Discuss the stylization of Buddha in both Gandhara and Mathura schools with illustrated examples from the both Make a presentation on the Hindu temple architecture and art of Southern India with visual illustration Make a first hand documentation with photographs on the architectures of Delhi Sultanate Make a visual presentation supported by text on miniature paintings of the Mughal period Collect information on art and architecture of the classical period and make a power point presentation. Make a power point presentation on the architecture of the different phases of Middle ages with examples of how stain glasses are used in them. Make an illustrated project on any artist from Renaissance period, discussing how his works reflect the spirit of the time. Submit in a form of portfolio. Develop your own designs of fashion or accessories inspired by baroque or rococo period and present in a portfolio. Collect information on different isms of 19th and early 20th Century and present in a form of power point presentation.
Suggested Visits Libraries, museums and the galleries in the vicinity National Gallery of Modern Art ( New Delhi)
Evaluation Criteria Internal Teachers Assesment (assignment submissions-equal weightage for all assignments) and attendance Mid-term exams External Final University Examination Marks 10 + 10 20
60
Textbooks Partha Mitter, Indian Art( Oxford History of Art), Oxford Univ.Press,2001 Roy C.Cavern, Indian Art:A Concise History, Thames & Hudson,1976 B.N Goswamy, Essence of Indian Art, Asian Art Museum of San Francisco.1986 Susan Huntington, The Art of Ancient India Mortimer Wheeler, Indus Valley Civilization, Penguin, 1966 Duane and Preble, S., Art Forms, Harper Collins, 1989 Kleiner, F. S. & Christian J. M., Art Through Ages, Thomson Wadsworth, 1995 Janson, H.W., History of Art, Thames &Hudson, 1997 Gilbert, R., Living with Art, McGraw-Hill, Inc. 1995
Reference Materials N.R.Ray, Maurya and Sunga Art Stella Kramrisch, The Art Of India Ananda Coomaraswamy, The Transformation of Nature in Art Rajan k.Ghose, Aesthetic theory and art, Ajanta Publishing Co.,1979 Dar, S.N., Costumes of India and Pakistan, D.B. Taraporewala Sons & Co. Private Ltd., 1982 Belozerskaya, M. and Lapatin, K. D. S., Ancient Greece: Art, Architecture and History, Getty Publications, 2004 Boardman, J., Greek art and architecture, H.N. Abrams, 1967 Charles, V. and Carl, K. H., Romanesque art, 2008. Charles, V., Renaissance Art, Parkstone International Press, New York, 2007. Cormack, R., Byzantine art, Oxford University Press, 2000. Durand, J., Byzantine art, Terrail, 1999. Gunderson, J., Gothic Art, Creative Education, 2008. Milam, J. D., Historical Dictionary of Rococo Art, Scarecrow Inc., 2011. Petzold, A., Romanesque Art, H.N. Abrams, 1995. Smith, W. S., The Art and Architecture of Ancient Egypt, YALE University Press, 1998 Wheeler, M., Roman Art and Architecture, Thames and Hudson, London, 1964.
Web Sources http://en.wikipedia.org/wiki/Indus_Valley_Civilization http://www.sscnet.ucla.edu/southasia/History/Ancient/Indus2.html http://en.wikipedia.org/wiki/Mauryan_art http://www.indianetzone.com/42/art_under_sunga_period.htm http://en.wikipedia.org/wiki/Art_of_Europe
https://www.boundless.com/art-history/prehistoric-art/stone-age/art-stone-age/ http://en.wikipedia.org/wiki/Prehistoric_art http://en.wikipedia.org/wiki/Art_of_ancient_Egypt https://en.wikipedia.org/wiki/Ancient_Greek_art http://www.ancientgreece.com/s/Art/ http://en.wikipedia.org/wiki/Roman_art http://www.scholastic.com/browse/article.jsp?id=3753873 http://en.wikipedia.org/wiki/Byzantine_art http://education.yahoo.com/reference/encyclopedia/entry/ByzantinANA http://en.wikipedia.org/wiki/Romanesque_art http://www.britannica.com/EBchecked/topic/508431/Romanesque-art http://en.wikipedia.org/wiki/Gothic_art http://en.wikipedia.org/wiki/Gothic_architecture http://www.britannica.com/EBchecked/topic/239728/Gothic-art http://en.wikipedia.org/wiki/Renaissance_art http://www.students.sbc.edu/kitchin04/artandexpression/renaissance%20art.html http://loki.stockton.edu/~fergusoc/lesson7/lect7.htm http://en.wikipedia.org/wiki/Baroque http://www.myteacherpages.com/webpages/Skearney/files/Microsoft_Word__Comparison_Chart%5B1%5D%5B1%5D.pdf http://people.uncw.edu/myersj/ARH%20202%20SUMMARY%207%20-NEOCLASSICISM.pdf http://www.oxfordartonline.com/public/page/themes/impressionismandpostimpressi onism http://en.wikipedia.org/wiki/Post-Impressionism http://www.metmuseum.org/toah/hd/poim/hd_poim.htm http://home.vs.moe.edu.sg/whitenoise/F_C_E.html http://www.mam.paris.fr/en/node/271 http://www.osnatfineart.com/expressionism.jsp http://msuweb.montclair.edu/~nielsenw/dada.html http://www.smashingmagazine.com/2009/08/02/bauhaus-ninety-years-ofinspiration/
FD 207: HISTORIC COSTUMES - INDIAN

Objectives To understand the evolution, changes and developments in clothing with the evolution of human race To understand the evolution, changes and developments in clothing in the Indian context To appreciate the social and political life of various periods of Indian history To identify the costumes, headdresses and accessories of various periods in the Indian history To understand the socio-cultural influences over dressing styles of population in any period
Learning Outcomes Be aware of the chronology of various dynasties and rulers in the political history of India Get introduced to the world of costumes and lifestyles in the socio-cultural context of India from ancient times Understand various factors affecting the costumes, jewelry and headdresses of any given period Understand design inspirations and past influences over current fashion trends Understand the historic costumes, jewelry and surface designs as a source of inspiration for new design developments
COURSE CONTENT UNIT-I ORIGIN OF CLOTHING Evolution of clothing Origin and development of costumes Functions of clothing Theories of clothing [2 Lectures]
UNIT-II
NORTHERN AND NORTH WESTERN INDIA [12 Lectures] Indus valley civilization Vedic period The Maurya and Sunga periods Satvahana period Kushan period Gupta period Post-Gupta period SOUTHERN INDIA The Pallavas The Cholas The Rajputs The Vijayanagara Empire THE MEDIEVAL INDIA Ghurid dynasty Slave dynasty Khalji dynasty Tughlaq dynasty Timur and Sayyid dynasty Lodi dynasty Pre-Mughal period Mughal period The Post-Mughals British period THE PRESENT DAY DRESS Northern India Eastern and Northeastern India Western and Central India Southern India [8 Lectures]
UNIT-III
UNIT-IV
[12 Lectures]
UNIT-V
[8 Lectures]
Suggested Assignments Find a list of three movies where the costumes have been influenced by any given period in the Indian history and make a presentation of visuals from the movies depicting the same. Collect pictures (atleast eight) and make a catalogue of different lifestyle products furniture, daily use articles, kitchen utensils, mirrors, hookahs, paandaans, fans, bolsters and pillows, canopies, mosquito nets, candle stands, oil lamps etc. from various periods of Indian history. Design an apparel for wearing in present times inspired from the historical styles of costumes of medieval men/women.
Suggested Movies For better visual understanding of the costumes of earlier periods, the students should be shown atleast five of the following (or similar kind) movies: Siddhartha Amrapali Utsav Agnivarsha Mughal-e-azam Umrao jaan Pakeezah Razia sultan Chaudhvi ka chand Gandhi Shatranj ke khiladi Lagan Mangal pandey etc.
TV Serials Bharat ek khoj Chanakya Chandragupta Maurya
Suggested Visits Visits are to be made under faculty guidance. Illustrated report to be submitted after each visit Costume section of any local museums
Dolls Museum, New Delhi Educational tour to a museum of a bigger city
Evaluation Criteria Internal Teachers assessment (assignment submissionsweightage for all assignments) and attendance Mid-term exams External Final University Examination Marks 10 + 10 20
equal
60
Textbooks Pathak, Anamika, Indian Costumes, Roli Books, 2006 Alkazi, Roshan, Ancient Indian Costumes, Art Heritage Book Publications, New Delhi, 2006 Alkazi, Roshan, Medieval Indian Costumes : India and Central Asia, Art Heritage Book Publications, New Delhi, 2008 Fringes G.S., Fashion from Concept to Consumer, 4th Edition, Prentice Hall Career & Technology, 1994
Reference Material Brijbhushan, J., The Costumes and Textiles of India, D.B. Taraporewala Sons & Co. Pvt. Ltd., 1958 Mohapatra, Ramesh Prasad, Fashion Styles of Ancient India, B.R. Publishing Corporation, 1992 Chandra Moti, Costumes, Textiles, Cosmetics and Coiffure in Ancient and Medieval India, Delhi Biawas, A., Indian Costumes, Publications Division, Ministry of Information and Broadcasting, Government of India, 2003 Marshal, J., Mohanjo-Daro and the Indus Civilization, Vol-III, London, 1993 Treasure of Indian Textiles History, Marg Publications, Mumbai Fabri, Charles Louis, Indian Dress : A Brief History, Disha Books, 1994 Bhatnagar, P., Traditional Indian Costumes and Textiles, Abhishek Publications, Chandigarh
Tortora, Phyllis G. and Eubank, Keith, Survey of Historic Costumes Fifth Edition, Fairchild Books, New York, 2010 Bhavnani, Enakshi, Decorative Designs And Craftsmanship of India, D.B. Taraporevala Sons & Company, 1974
Web Sources http://en.wikipedia.org/wiki/Histor_of_clothing_and_textiles http://www.sacred-textes.com/lcr/eod/eod33.htm http://www.mahmoodgroup.com/functionsofclothing/index.html http://en.wikipedia.org/wiki/Clothing_in_India http://ancientwonders.wordpress.com/2009/02/25/ancient-clothing-of-india-women/ http://indianetzone.com/50/costumes_ancient_india.htm http://histclo.com/chron/ancient/india/indus.html http://www.preservearticles.com/201105257089/social-condition-o-the-aryansduring-the-vedic-age.html http://www.scribd.com/doc/49592033/The-costume-of-Mughal-women
FD 208: ELEMENTS OF FASHION

Objectives To familiarize with fashion concepts and terminology To appreciate the relevance of fashion forecast To realize the multidimensional factors influencing fashion To provide comprehensive understanding of the development of fashion To understand the scope of job prospects in the fashion industry To familiarize students with various apparel categories- men, women, kids
Learning Outcomes Be able to understand and use the common terms used in fashion industry Be familiarized with the psychology of fashion and the factors associated with it Understand the acceptance of fashion as an outcome of lifestyle influences Be aware of national and international fashion trends, brands and designers Be able to visualize design concepts based on seasonal fashion forecasts
COURSE CONTENT UNIT-I FASHION VOCABULARY [10 Lectures] Fashion terminology (fashion, style, couture, haute couture, accessories, avant garde, classic, collection, fad, fashion cycle, fashion forecast, haute couture, knock-off, bridge fashion, line, mark up or mark on, pre-a-porter, style, trend, motifs, blends, trimmings, details, toile, boutique, atelier, silhouette, fashion forecasting, grading, draping, ready-to-wear, retailer, visual
merchandising, merchandiser, stylist, hue, value, intensity, texture, repeat, proportion, balance, rhythm, CAD, pattern, pattern making etc) Design terminology (elements and principles of design) Color terminology (dimensions, color psychology, color wheel, color schemes) Fabric terms (fibre, yarn, fabric, weaving, warp, weft, thread count, balance, grain line, selvedge, knits, etc.) Fashion accessory terminology (footwear, jewelry, gloves, hats, belts, scarves, umbrellas, hand bags, sunglasses etc) Common sewing terms (alter, seam allowance, backing, back stitch, bias, fray, facing, lining, puckering etc.)
UNIT-II
FASHION FORECASTING [8 Lectures] Introduction Forecasting for colors, fabrics, style, embellishment & accessories Promotion Fairs (Heimtextil, Premier Vision etc) Journals and magazines (The Wall Street Journal, Apparel India, Couture Asia, Id, Face, Apparel online, Fashion newsletter, WWD, Wall Paper, Sportswear International, Fashion Forecast International, Inside fashion, International textiles, Promostyl, Here and there, Textile View, Trends Collezioni, Vogue, Cosmopolitian, ELLE, GQ magazine, Allure, Grazia etc.) Websites (www.fashioncenter.com, www.fgi.com, www.wgsn.com, www.vogue.com, www.wwd.com etc) FASHION DEVELOPMENT [10 Lectures] Fashion cycles (introduction , acceptance, peak, decline and obsolete, waxing and waning of fashion) Consumer groups (fashion leaders and fashion followers) Adoption of fashion (traditional fashion adoption, reverse adoption and mass dissemination) Consumer buying (motives, fashion selection on the basis of styling features and practical considerations)
UNIT-III
Fashion categories (womens wear, mens wear, childrens wear,

sportswear, resort wear, sleepwear, casual wear, formal wear etc.) UNIT-IV INTERNATIONAL FASHION [6 Lectures] Fashion Education Milan- Domus Academy New York- Fashion Institute of Technology London- London School of Fashion, Royal College of Art Fashion capitals of the world Tokyo, Paris, Milan, London, Germany (exclusivity and five top designers from each capital) Designers (Coco Channel, Christian Dior, Yes Saint Laurent, Ralph Lauren, Donatella Versace and Vallentino, Karl Lagerfeld, Dolce & Gabbana) Fashion Weeks (Paris, Milan, New York, London) Fashion Brands High fashion (Tommy Hilfiger, Christian Dior, Calvin Klein, Versace etc.) Ready-to-wear (H&M, Ralph Lauren Polo brands, CK by Calvin Klein, DKNY, Versus by Versace etc) Retail stores (Marks and Spencers, Target, JC penny, Neiman Marcus, Harrods, Zara International and many more) FASHION IN INDIA [6 Lectures] Major fashion cities in India (Delhi, Mumbai, Pune, Bangalore) Designers (Ritu Kumar, Manish Malhotra, Rohit Bal, J.J. Valaya, Tarun Tahiliani, Manish Arora, J.J. Vallaya, Ritu Beri, Manish Arora, Rina Dhaka, Hemant Trivedi, Rana Gill etc) Fashion Weeks (WIFW, Lakme Fashion Week etc) Fashion Brands Designers brands (Satya Paul, Sabyasachi etc.) & Corporate brands (Zodiac, Grasim, Park Avenue, Parx, Van Heusen, Allen Solly, ColorPlus, Frank Jefferson etc.) Retail stores (Lifestyle, Pantaloons, Shoppers Stop, Raymond, Park Avenue, Color Plus, Globus, Westside, Reliance Trends, Big Bazaar, etc)
UNIT-V
Unit VI
CAREERS IN FASHION [2 Lectures] Fashion designers, product developers, creative pattern makers, fashion coordinators, fashion stylists, design merchandisers, fashion educators, fashion illustrators, costume designers
Suggested Assignments From current fashion magazines, collect five examples of each of the following High fashion Mass fashion Classic Fad Collect atleast ten pictures of ensembles from various magazines, newspapers etc. depicting different color schemes. Collect pictures of different accessories from any seven different domestic and international brands. Identify and write a brief profile (one paragraph) of five renowned brands in different apparel categories (men wear, womens wear, kids wear etc.) Identify your favorite fashion designer and analyze the exclusivity of his/her work with reference to work, design, silhouette, colors, etc. Presentation on careers in fashion.
Evaluation Criteria Based on understanding of concept, extent of research & exploration, quality of information collected, neatness and presentation Internal Marks Teachers assessment (assignment submissions- equal 10 + 10 weightage for all assignments and classroom presentations) and attendance Mid-term Exams 20 External Final University Examination 60 Textbooks Fringes G. S., Fashion From Costumes to Consumer, 4 th Edition, Prentice Hall Career & Tech, 1982 Carr H., & Latham B. , The Technology of Clothing Manufacture, 2nd edition, Blackwell Sc., 1994
Tate, S.L. and Edwards, M.S., The Complete Book of Fashion Design, New York, Harper & Row Publication, 1982 Tortora, P. & Calasibetta, C.M., Dictionary of Fashion, Om Book International, 2005 Brannon, E. L., Fashion Forecasting, Fairchild Publication, 2010 Goworek, H., Careers in Fashion & Textiles, Om books International, 2007 Seeling, C., Fashion-The Century of the Designers, Konemann Publisher, May 2000 Ireland, P. J., Encyclopedia of Fashion, B.T. Batsford Ltd., 1995 Thames & Hudson, Dictionary of Fashion & fashion Designers, T & H Ltd., London, 2008
Reference Material Nancy Mccarthy Folse, Careers in fashion Industry, Barnes & Noble, 1981 Hidalgo, M. R., The Sourcebook of Contemporary Fashion Design, Collins Design, 2010 Stegemeyer, A., Whos Who in Fashion, Fairchild Publications, 1984 Stone, E., Fashion Merchandising: An Introduction, (4th edition), Mc. Graw Hill Book Co., 1985 Jarnow, J. & Dickerson, K., Inside Fashion Business,: Macmillan. Johnson, New York Castelino, M., Fashion Kaleidoscope, Rupa Publication
Web Sources www.nationsonline.org http://www.allsrilanka.com/directory/tools/women/fashion_magazines.htm http://online.wsj.com/public/page/news-fashion-style-industry.html www.fashioncenter.com www.fgi.com www.vogue.com http://www.allure.com/ http://www.grazia.it/
FD 255P: FASHION MODEL DRAWING

SEMESTER Duration Work Load Lecture (L) : 0 hours/Week Tutorial (T): 1 hour/Week Practials(P): 3 hours/Week Credits Maximum Marks : : II 14 Weeks
Objectives To understand the fundamental structure of a human body by beginning with figure drawing, emphasizing anatomical details To draw figures with normal human proportion to get the actual knowledge of human scale To understand the development of fashion figures by enlargement of proportions and balancing of postures etc. in a normal figure drawing To learn to convert flat croquies to flesh croquies
Learning Outcomes Be able to develop visual thinking and creativity as a fundamental to all art, craft and design Be able to use knowledge of human anatomy for developing illustrations Be able to develop skills for drawing fashion figures free-hand Be able to use the study of body parts to play with postures and expressions Be able to convert flat figure drawings to flesh fashion figures Be able to use the understanding of clothed figure for depicting folds and pleats
COURSE CONTENT UNIT-I FIGURE DRAWING (Normal Proportion) Live drawing from model Proportion and anatomy Study of head, hands and feet [18 Hours]
Study of eyes, ears, nose and mouth Study of different postures and movements Drawing of different age group figures UNIT-II DRAWING FASHION FIGURES (Stylization) Ten head female croqui Front view Back view Profile view Turned view Ten Head male croqui Front view Back view Profile view Turned view ANALYSIS OF BODYPARTS Face analysis with hairstyles Hand analysis Feet analysis [16 Hours]
UNIT-III
[10 Hours]
UNIT-IV
FLESHING OF FEMALE AND MALE CROQUIES [12 Hours] Front View Back view Profile view Turned view
Suggested Assignments PROJECT-1 Make thirty freehand sketches of live models from your surroundings Draw fifty free hand sketches of different body parts of various age groups showing details in different positions and angles Draw fifty sketches of people with different postures and movements Draw ten detailed sketches of people from different age groups PROJECT-2 Make four sketches each of male and female ten head croquis (front, 3/4 th, profile and back view) Draw sketches of ten faces with different hairstyles
PROJECT-3 Make four sketches each of male and female flesh croquis (front, 3/4 th, profile and back view) Note: All work to be presented in a portfolio with proper mounting and due labeling.
Evaluation Criteria Based on concept understanding, quality of work, neatness, presentation and documentation Internal Teachers assessment (daily evaluation on class performance) and attendance Midterm exam and assignment submissions External Final university examination exploration, Marks 10 + 10 20 + 10
50
Textbooks Rowlands, I., Life Drawing, Octopus Books, 2005 Giovanni, C., Complete guide to drawings, Search Press, Limited, 2006 Giovanni Civardi,Drawing Hands and Feet, Search Press Limited,2006 Giovanni Civardi, Drawing Clothed Figure, Search Press Limited,2006 Ireland, P. J., Introduction to Fashion Design, Wiley, 1970 Ireland, P. J., Fashion Design Drawing &Presentation, Wiley, 1970 Ireland, P. J., Fashion Design Illustration For Women, Wiley, 1970 Ireland, P. J., Fashion Design Illustration for Men, Wiley, 1970 Ireland, P. J., Fashion Design Illustration For Children, Wiley, 1970 Mckelvey, K., & Janine, M., Illustrating Fashion, Blackwell Pub.Ltd,1970
Reference Material Raynes, J., Complete Anatomy & Figure Drawings, Anova Batsford, 2007 Talham, C., & Julian S., Fashion Design, Barron's Educational Series, Incorporated, 2011 James, L., Costume and Fashion: A Concise History, T&H Pub, 2002 Barcsay, J., Anatomy for the Artist,
Sterling Publishing Company, Incorporated, 2006 David K. Rubins, The Human Figure, Penguin Books, 1976
Web Sources www.human-anatomy-for-artist.com www.ligedrawingsocietu.co.uk www.fashionillustration.or.kr www.fashionmission.nl www.fashion-era.com
FD 256P: COMPUTER AIDED DESIGN - I

Objectives To learn vector image formats through Corel Draw applications To acquire sound knowledge of the principles of graphic design To conceptualize design and its implementation using Corel Draw To incorporate in design students the ability to represent and create visuals using tools of Corel Draw To design and develop structural and applied design for product development
Learning Outcomes Be able to acquire basic understanding & skills of vector graphics software Be able to apply learnt tools and techniques for design development Be able to integrate design skills with the technology of computer applications. Be able to provide an asset for the designers to come at par with the modern technology Be able to combine available data with software tools for effective designing Understand Corel Draw as a tool for documentation
COURSE CONTENT UNIT-I COREL DRAW [4 hours] Tools and their application Introduction to Corel Draw software (definition and shortcut keys, RGB and CMYK color modes)
Page layout (size, orientation, page formatting, rulers, guidelines, nudge, table formatting, setting up grids etc.) Menu bar, property bar, standard bar options Importing bitmaps and tracing bitmap Exporting UNIT-II TOOL BAR [10 Hours] Application of each tool Pick tool (duplicate, rotate, skew, mirror) Shape tool (shaping objects, shaping text) Bezier tool Eraser tool, knife tool Crop tool Zoom tool (zoom-in, zoom-out) Basic shapes tool and other drawing tool(circle, semi-circle, 3/4th circle, rectangle, triangle, charts) Text tool (shaping text, lens) Table tool Special effects (eyedropper, blend, drop-shadow, envelope, contour, distort) Color eyedropper Outline pen tool Fill tool Power clip objects COREL DRAW Application in terms of digital design Logos and visiting cards Motif development Repeat pattern layout (clone, step and repeat) Product layout [10 Hours]
UNIT-III
UNIT-IV
DESIGN & DETAILING [16 Hours] Draw details/silhouettes of the following and apply various textures and effects for: Collars Sleeves Pockets Skirts Trousers
Accessories UNIT-V FASHION ILLUSTRATION Drawing fashion croquis Draping on fashion croquis [16 Hours]
Suggested Assignments Design atleast ten motifs using basic shapes Practice any five free hand motifs from temple architecture like stone and wood carvings Design atleast ten motifs using shape tool and bezier tool and add various special effects Practice any ten logos of different brands Design atleast ten different logo concepts for your brand. Choose any one. Design a visiting card and incorporate the chosen logo in the same Develop atleast two designs for the following: Nursery prints Floral prints Geometrical Polka dots Abstract Stripes Checks Stylized motifs Combining different elements of design (e.g. stripes with floral prints etc) Design an advertisement/poster (look board & information poster) on a topic given by the faculty concerned, using typographical tools of Corel Draw OR To replicate a two page magazine layout having graphics, images and typography, for effective representation using Corel Draw software Make a repeat layout pattern for any five designs and map (place) each design on an appropriate product (home furnishing, apparel or fashion accessory products) keeping in mind the scale of design, direction etc. Design atleast five jewelry pieces with detailing (hats, necklace, finger ring, ear rings, pendant, bracelet, cuff links, tie, tiepins, bags, belts, shoes) Create a flat sketch of male and female croquette of appropriate scale (geometrical form) Create atleast 5 different postures of male and female flesh croquis on Corel Draw
Based on five selected themes (executive wear, casual wear, beach wear, sportswear etc.) design atleast two garments each and drape on an appropriate posture of a flesh croqui. Also create a suitable backdrop for the same. Note: All work to be presented in the portfolio with proper mounting and due labeling.
Evaluation Criteria Based on understanding of concept, knowledge of tools, commands, techniques, creation, ideation and presentation Internal Marks Teachers assessment (daily evaluation of class performance) 10+10 and attendance Midterm exam and assignment submission- Portfolio 20 + 10 submission (Display of all the work properly mounted and labeled) External Final University Examination
50
Textbooks Respective software manuals Altman, R., Corel Draw X5, BPB Publications Bangia, R. , Corel Draw, Khanna Book Publishing, Delhi, 2003 Phyllis, D, CorelDraw 11 for windows & Macintosh, Schwartz-Steve Publisher
Web Sources Corel draw Tutorials
FD 257P: COMMUNICATING FASHION (Modular)

Objectives To expose to various aspects of the fashion industry To understand the fashion world from the perspective of designers and film makers To get an insight into the lives, inspirations and working styles of the popular national and international fashion designers To understand the realities of functioning of the fashion and related industries from experts involved within the field
Learning Outcomes Be sensitized to the working environment of fashion and related industries Be aware of the lives and working styles of popular designers Understand fashion and fashion industry from the grassroot level Face-to-face interaction with experts from the fashion industry
COURSE CONTENT UNIT-I POPULAR INTERNATIONAL DESIGNERS [8 Hours] Clippings of fashion shows of the designers Movies based on the lives of some designers (Andy Warhol, Coco Chanel, Valentino, Giorgio Armani etc.) Signe Chanel - Documentary on process of making haute couture collection in the House of Chanel POUPULAR INDIAN DESIGNERS [8 Hours]
UNIT-II
Clippings of fashion shows of the designers UNIT-III MOVIES ON FASHION Devil Wears Prada My Fair Lady Bill Cunningham New York Sex And The City It Started in Paradise Unzipped Fashion Page 3 etc. [8 Hours]
UNIT-IV
GUEST LECTURES [8 Hours] The institute can invite speakers from any of the below mentioned categories for a session with the students to expose them to the various facets of the fashion industry Designers NGOs Fashion magazine editors Fashion photographers Stylists Page 3 reporters print and electronic media
Suggested Assignments There will be a group discussion of faculty and students to discuss the various details of the movies / videos / documentaries shown / sessions held Give a hand written brief summary of about 150 - 200 words (along with visuals) about the review of the movies / videos / documentaries / sessions attended (after each session)
Evaluation Criteria Internal Teachers assessment (daily evaluation of class performance) and attendance Group discussions and viva voce External Evaluation by internal and external jury Marks 5+5 15 + 5 Marks
Assignment submissions (based on the understanding and content of the submitted reports) and viva voce
15 + 5
FD 258P: MATERIAL STUDIES - II

Objectives To explore different fibres, yarns and other unconventional material towards handcrafted garments and accessories To sensitize to the importance and usage of various textile materials To develop an understanding of their behavior, characteristics, properties, physical and visual potential To impart knowledge of various yarn craft, fabric craft techniques To explore and adapt the techniques to create innovative surfaces To enhance the design skills for product development and expansion
Learning Outcomes Be able to explore and manipulate material Be able to handle various textile material Be able to apply comprehensive knowledge to the material and design Be able to use various kinds of textile material for innovative design development Be able to explore and adapt different fibres, yarns and other unconventional material for handcrafted fabrics and accessories Be able to construct end product which could range from an accessory to a trimming, details or a fully finished garment
COURSE CONTENT UNIT-I INTRODUCTION TO TEXTILE MATERIAL Yarns study Fabrics study Loom study [4 Hours]
UNIT-II
YARN CRAFT [14 Hours] (Exploration, adaptation and improvisation of the techniques to create innovative surfaces / products using yarns, vegetable fibers, threads, ropes, ribbons, braids, wires etc. and combining them with other non-textile material ) Macram Knotting Crochet Braiding Tasselling Twining FABRIC CRAFT [14 Hours] (Exploration, adaptation and improvisation in using the material to create innovative surfaces / products using different kinds of fabrics) Deconstruction Addition on the surface Addition to the structure Converting flat fabrics to 3-D surfaces (quilting, ruffling etc.) WEAVING [24 Hours] (Using the loom to develop fabric surfaces with different types of yarns and creative addition of non-textile material for enhancing the aesthetics of the fabrics) Basic weaves plain, basket, rib, twill & its variations, satin, Advanced weaves color & weave effects, pile, block drafts, extra weft Creative weaving
UNIT-III
UNIT-IV
Suggested Assignments Projects Collection of various materials which can be used as weft for creative weave development Develop innovative yarns using various textile and non-textile material Develop innovative products using various techniques mentioned in Unit-II Develop a product using any one technique from Unit-II Develop atleast eight interesting fabric surfaces using the techniques mentioned in Unit-III Develop a 3-D product using different fabrics Develop swatches of basic weaves on a table loom using different types of textile material Develop swatches of advanced weaves on a table loom using different types of textile material Develop swatches of creative weaves using non-textile material for weft in a yarn warp
Suggested Visits Visits are to be made under faculty guidance. Illustrated report to be submitted after each visit Visit local artisans (chik makers, floors/chattai makers etc.) Visit the nearest Weavers Service Centre (Ministry of Textiles, Government of India) or a handloom weaving unit/weaver/dari unit. Visit NGOs working in the field of creative product development from yarns and fabrics. Evaluation Criteria Based on understanding of concept, extent of research & exploration, material collected, material handling, creation and ideation, product, neatness Internal Marks Teachers assessment (daily evaluation on class performance) 10 + 10 and attendance Assignment submissions (Scarp book and documentation) and 20 + 10 viva voce External Evaluation by internal and external jury
Assignment submissions (Portfolio presentation and display) and viva voce
40 + 10
Textbooks Fashion Show- selected by Trends: Milan, Paris, Madrid, Gap Japan Co. Ltd., 1991 Thwaites, G., Indian Inspiration, Traplet Publications Ltd., 2003
Reference Material Ewy, Jane, Art to Wear, North Light Books, 2005 Braddock, Sarah E., Techno Textiles, Thames & Hudson, 1999 Sommer, Elyse, Inventive Fiber Crafts, Prentice Hall, 1977 King, Heidi, Peruvian Featherworks: Art of the Precolumbian Era, Metropolitan Museum of Art, New York, 2012 Chandler, Deborah, Learning to Weave, Interweave Press, 2009 Crockett, Candace, Card Weaving, Watson-Guptill Publications, 1991
Web Sources http://www.raysofcolor.com/colour/definition.html www.yarn-craft.co.uk/ pinterest.com/lionbrandyarn/crafts-with-yarn/ www.marthastewart.com Crafts www.cutoutandkeep.net Bustle Becca Kordas www.incredibleart.org/lessons/middle/weave.htm
FD 259P: FUNDAMENTALS OF PHOTOGRAPHY (Modular)

Objectives To learn the fundamentals of photography To understand photography as a medium of communication To understand photography as a conceptual process To develop basic competency in handling photography equipment To develop a base for development of creative photography skills To improve images through photo correction tools
Learning Outcomes Be able to use camera as a tool Understand the different peripherals and their usage Understand compositions, placement of elements and interplay of light and shade in a photographic frame Be able to handle and manipulate various photography tools for effective photography Be able to use photography as a tool for documentation
COURSE CONTENT UNIT-I INTRODUCTION TO PHOTOGRAPHY Orientation Scope of the subject The basic science of photography [2 Hours]
UNIT-II
INTRODUCTION TO CAMERAS PHOTOGRAPHY EQUIPMENT Film camera Types of lenses Types of camera films Film speeds Film developing process Flash and artificial light Reflectors Types of filters Tripod, monopod and handheld Digital camera Digital SLR camera Memory cards WORKING OF A CAMERA Focal length Shutter speed Aperture Exposure Depth of field Daylight photography Flash photography Outdoor photography Indoor photography Picture correction and alteration
AND OTHER [4 Hours]
UNIT-III
[4 Hours]
UNIT-IV
ASSIGNMENT 1 (on working with different apertures, shutter speeds, exposure values and depth of field) [4 Hours] ASSIGNMENT 2 (on daylight photography) ASSIGNMENT 3 (on flash photography) ASSIGNMENT 4 (on outdoor photography) ASSIGNMENT 5 (on indoor photography) [4 Hours] [4 Hours] [3 Hours] [3 Hours]
UNIT-V UNIT-VI UNIT-VII UNIT-VIII
Suggested Assignments All assignments will be continued in extra time apart from the class Lectures. The practical classes will be majorly used by the faculty to assess and discuss each students work with the concerned student and the rest of the class. The students are required to collate all the work done during the course and present as a combined portfolio at the end of the semester with proper mounting, photograph details and due labeling. The assignments (as mentioned in Units IV VIII) can be based on various subjects like nature, architecture, landscapes, public places, portraits, human form etc. The students will click pictures of the subjects using different apertures, shutter speeds, exposure values, lightings etc. and compare the results to understand the quality of their work.
Suggested Visits Photography exhibitions Photo studios Local photographers
Evaluation Criteria Internal Marks Based on understanding of concept, quality of photographs, extent of explorations and techniques etc. Teachers assessment (daily evaluation of class performance) 10 + 10 and attendance Assignment submissions and viva voce 20 + 10 External Evaluation by internal and external jury Assignment submission (Portfolio presentation and display) and viva voce
40 + 10
Reference Material Langford, Michael, Basic Photography 7th Edition, Focal Press, 2000 Grimm, Tom and Grimm Michele, The Basic Book of Digital Photography, Penguin Group US, 2009 Langfords Basic Photography The Guide For Serious Photographers (9th Edition), Focal Press, 2010 Stroebel Leslie D., Zakia Richard Donald, Basic Photographic Material and Processes, Elsevier Science & Technology Books, 2009 Eggers, Ron, Basic Digital Photography: A Comprehensive Step-By-Step Guide to Selecting and Using Digital Cameras, Scanners and Software, Amherst Media, 2000
Web Sources http:// learnbasicphotography.com/ photo.net Learn About Photography www.digitalrev.com Learn Help & Tips www.dofmaster.com/courses/basic/ www.basic-digital-photography.com/ www.cambridgeincolour.com/tutorials.htm www.dptips-central.com/digital-photography-basics.html
FD 260P: DESIGN PROCESS

Objectives To understand the stepwise process to be followed while developing a design To get sensitized to the use of design process to create designs at various levels of product development To learn the development of theme board, color palette, story board etc. for design inspiration To develop a product using the design process To understand the documentation and presentation of any design project
Learning Outcomes Be able to research, analyze and use collected data for ideation and concept development Be able to develop, interpret and use mood boards, theme boards, color palettes or story boards to create designs based on a particular theme. Be able to develop designs / products using the design process Be able to collect, collate and present all work done for the project systematically and appropriately Be able to understand appropriate presentation and display required for any particular product
COURSE CONTENT UNIT-I STEPS IN DESIGN PROCESS Identification of problem Research, Analysis and Planning Design Concept Development Detailed Design Development Final Implementation [6 Hours]
UNIT-II
DESIGN DEVELOPMENT [6 Hours] Introduction to Mood Board / Theme Board / Inspiration Board. Introduction to Color Palette Introduction to Look Board, Design Board and Story Board DESIGN CONCEPTION [18 Hours] (Conception of a product using any single or combination of material refer to Material Studies I syllabus) Select any product for development (fashion accessory shoes, bag, scarf, jewelry, caps, hats etc., table accessory pen stand, file folder, napkin holder, photo frames, pots, fruit basket, napkin rings etc., lifestyle product keychain, magazine holder, newspaper rack, umbrella, pocket mirror, storage pouch, display shelves etc.) Select an appropriate theme for design development Research on theme, colors, product design and other components before design development Make a theme board, color palette and story board based on the selected theme and product Use the tools of Units I and II to develop initial concepts of product design based on the selected theme DESIGN DEVELOPMENT [16 Hours] (Development of a product using any single or combination of material refer to Material Studies I syllabus) Work in detail on the final selected product concept for final prototype development Create a detailed illustration of the designed product in a suitable surrounding (drape the fashion accessory on a fashion model against appropriate background / place the table top accessory on a table in a suitable room etc.)
UNIT-III
UNIT-IV
UNIT-V
DOCUMENTATION, PORTFOLIO AND PRESENTATION [10 Hours] Document the complete concept development process through appropriate scrap book, pictures, material swatches / samples, research material etc. Also, record the stepwise design development process through photography Compile a portfolio of the theme board, color palette, story board, all doodles, initial concepts, detailed illustration of the final selected design with specifications, proper mounting and appropriate labeling and the detailed product illustration in suitable surroundings Submit all initial product samples and final prototype with all other documentation and portfolio for evaluation
Suggested Visits Fashion accessory and lifestyle product stores Tabletop accessory stores Design studios in near vicinity Local product designers Local markets
Evaluation Criteria Internal Marks Based on understanding of project and extent of research, extent of material and product exploration, creativity, quality of prototype, portfolio and presentation Teachers assessment (daily evaluation of class performance) 10 + 10 and attendance Assignment submission Design Project and viva voce 20 + 10 External Evaluation by internal and external jury Assignment submission (Portfolio presentation and display) and viva
40 + 10
Reference Material Stone, Terry Lee, Managing the Design Process - Concept Development: An Essential Manual for the Working Designer, Rockport Publishers, 2010 Lawson, Bryan, How Designers Think: The Design Process Demystified, Routledge, 2006 Stone, Terry Lee, Managing the Design Process: Implementing Design: An Essential Manual for the Working Designer, Rockport Publishers, 2010 McKelvey, Kathryn, Munslow, Janine, Fashion Design: Process, Innovation and Practice, John Wiley & Sons, 2011 Product Design and Development, Tata McGraw-Hill Education, 2003
Web Sources http://inspirationfeed.com/articles/design-articles/design-process-flowchart-that-allfreelancers-designers-must-have/ http://www.google.co.in/url?sa=t&rct=j&q=design%20process%20steps&source=w eb&cd=10&cad=rja&ved=0CFgQFjAJ&url=https%3A%2F%2Ffanyv88.com%3A443%2Fhttp%2Fwww.engr.uconn.ed u%2F~abboud%2FLect2.ppt&ei=PPZbUdToIIuSrgeUmoDwCw&usg=AFQjCNH3lVN9lE9y8UxlvV6DD p8_k0mRFA&bvm=bv.44697112,d.bmk http://www.academia.edu/561522/Layout_for_different_Textile_design_prints http://patternobserver.com/courses/the-ultimate-guide-to-repeats/

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MAHAMAYA TECHNICAL UNIVERSITY, NOIDA

SCHEME OF EVALUATION FOR BACHELOR OF FASHION AND APPAREL DESIGN (BFAD)

First Year (From the session: 2013-14) Semester- I

SCHEME OF EVALUATION FOR BACHELOR OF FASHION AND APPAREL DESIGN (BFAD)

First Year (From the session: 2013-14) Semester- II

FD-107 : PROFESSIONAL COMMUNICATION

FD 108: COMPUTER APPLICATIONS

FD 109: CULTURAL STUDIES

Media Food Entertainment Clothing Lifestyle etc.

FD 153P: BASIC DRAWING

Suggested Visits Local monuments Local zoo for sketching animals

FD 154P: RESEARCH SKILLS FOR DESIGN

[10 Hours] field visits, internet,

Suggested Visits As per the requirements of undertaken research

FD 155P: CRAFT APPRECIATION (Modular)

FD 156P: MATERIAL STUDIES- I

FD 157P: ENVIRONMENTAL STUDIES (Modular)

PROJECT 3: SMALL ENTERPRISE STUDY Methodology

FD 158P: BASIC DESIGN

FD 206: ART APPRECIATION

FD 207: HISTORIC COSTUMES - INDIAN

TV Serials Bharat ek khoj Chanakya Chandragupta Maurya

Dolls Museum, New Delhi Educational tour to a museum of a bigger city

FD 208: ELEMENTS OF FASHION

Fashion categories (womens wear, mens wear, childrens wear,

FD 255P: FASHION MODEL DRAWING

Web Sources www.human-anatomy-for-artist.com www.ligedrawingsocietu.co.uk www.fashionillustration.or.kr www.fashionmission.nl www.fashion-era.com

FD 256P: COMPUTER AIDED DESIGN - I

Web Sources Corel draw Tutorials

FD 257P: COMMUNICATING FASHION (Modular)

FD 258P: MATERIAL STUDIES - II

Assignment submissions (Portfolio presentation and display) and viva voce

FD 259P: FUNDAMENTALS OF PHOTOGRAPHY (Modular)

AND OTHER [4 Hours]

UNIT-V UNIT-VI UNIT-VII UNIT-VIII

Suggested Visits Photography exhibitions Photo studios Local photographers

FD 260P: DESIGN PROCESS

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