Nashville Arts 05 2013

2 | May 2O13 NashvilleArts.
com
2
MAY 30 - JUNE 1
Schermerhorn Symphony Center
Violinist Joshua Bell and bassist Edgar Meyer
perform together with the Nashville Symphony!
BUY TICKETS AT:
NashvilleSymphony.org
615.687.6400
CLASSICAL SERIES
Artwork by Nashville-based illustrator Lauren Rolwing. See more of her work at LaurenRolwing.com.
CONCERT SPONSOR CREATION PARTNER
NashvilleArts.com May 2O13 | 3
3
A Playful Moment
COLLEY WHISSON
internationally acclaimed Australian artist
Artist's Reception and Show
SATURDAY, MAY 18TH, 2013 6-9PM
LEIPER's CREEK GALLERY
in Historic Leiper's Fork
4144 Old Hillsboro Rd. Franklin, TN 37064
(615) 599-5102 www.leiperscreekgallery.com
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4 | May 2O13 NashvilleArts.com
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Free Seminar
3d laSik, FYl Surgery
& laSer Cataract
Thurs, May 2, 5:30pm
rSVP: 615-321-8881
Each seminar attendee receives 10% savings!
Dr. Ming Wang, Harvard & MIT (MD, magna cum laude); PhD (laser physics)
www.WangCataractLASIK.com
1801 West End Ave., Suite 1150 | Nashville, TN 37203
[email protected]
5
Free Seminar
3d laSik, FYl Surgery
& laSer Cataract
Thurs, May 2, 5:30pm
rSVP: 615-321-8881
Each seminar attendee receives 10% savings!
Dr. Ming Wang, Harvard & MIT (MD, magna cum laude); PhD (laser physics)
www.WangCataractLASIK.com
1801 West End Ave., Suite 1150 | Nashville, TN 37203
[email protected]
May 2O13
Published by the st. Claire Media GrOuP
Charles N. Martin, Jr. Chairman
Paul Polycarpou, President
ed Cassady, les Wilkinson, daniel hightower, directors
editOrial
Paul Polycarpou, editor and CeO
sara lee burd, executive editor and Online editor, [email protected]
rebecca Pierce, education editor and staff Writer, [email protected]
Madge Franklin, Copy editor
ted Clayton, social editor
linda dyer, antique and Fine art specialist
Jim reyland, theatre Correspondent
CONtributiNG Writers
emme Nelson baxter, beano, lizza Connor bowen, Judy bullington, Nancy Cason,
Marshall Chapman, Jennifer Cole, Melissa Cross, Greta Gaines, John Guider,
beth hall, beth inglish, MiChelle Jones, demetria Kalodimos, Nicole Keiper,
beth Knott, linda york leaming, deeGee lester, Joe Nolan, Joe Pagetta,
Karen Parr-Moody, robbie brooks Moore, Currie Powers, ashleigh Prince,
alyssa rabun, sally schloss, Molly secours, daniel tidwell,
lisa Venegas, Nancy Vienneau, ron Wynn
desiGN
lindsay Murray, design director
PhOtOGraPhers
Jerry atnip, lawrence boothby, sophia Forbes, donnie hedden,
Peyton hoge, rob lindsay, Jennifer Moran, anthony scarlati,
bob schatz, Meghan aileen schirmer, Pierre Vreyen
Budsliquors9.16.09.indd 1 9/16/09 1:55 PM
on the cover: Kenton Nelson, Why Not?,
Oil on canvas, 60" x 48"
tM
Theatre .................................................... 92
Critical i ................................................... 98
Beyond Words ........................................ 99
On the Town ........................................ 1O2
My Favorite Painting ........................... 1O6
Spotlight ........................................................................................................................1O
Kenton Nelson Tis Side of Paradise ................................................................. 33
Colleen Kerrigan Visas and Vistas ............................................................... 4O
Jonathan Stone Te Subtlety of Nudity ......................................................... 46
Ndume Olatushani Free at Last ................................................................ 5O
Clothes Make the Lady In Studio Tenn's Latest Production ............. 55
NPT Arts Worth Watching ............................................................................................... 6O
Street Art Grafti in Belle Meade .............................................................................. 66
ArtSmart A Monthly Guide to Art Education .........................................................7O
Callie Khouri Creates Nashville .............................................................................76
The Nashville TV Show Art on Set .............................................................. 78
Nathan Pacheco Stepping Out ...................................................................... 82
Berlin Calling Conceptual vs. Commercial Art ..................................................... 86
Joshua Bell and Edgar Meyer Double Down at the Schermerhorn ... 96
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Fiona King 615-417-3434
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Nancy Brock 615-406-6083
PuBLiShEr'S NOTE
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Brian Nash, Flip Flops Yellow, acrylic on canvas, 36 x 36
BRIAN NASH
Featured Artist for May
Dean Fisher and Silivus Krecu May 17, 6-9
Dont Miss the
Opening Reception for
Nashville Arts Magazine is a monthly publication by st. Claire Media Group, llC. this publication is free, one
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Art Creates a City
I
t's easy to get lost in a sea of adjectives when trying to
describe or explain the effect a piece of art has upon you.
Overused descriptions like unbelievable, stunning, and awesome all
dissolve into meaninglessness with repeated and often unwarranted
use. Well, I wish there were a brand new word that eclipsed all those and
could convey to you the truly jaw-dropping visual that is Bruce Munros
light installation at Cheekwood. I have never seen anything like it or
even close to it. I was thrilled with Chihulys show two years ago, but this
one touches me in a very diferent and more meaningful way.
Congratulations to Jane O. MacLeod for the vibrant vision she brings
to Cheekwood. Her staf and Munro's team from England have worked
very hard to create this visual feast that may well qualify as the ninth
wonder. Go see for yourselves and be prepared to be speechless.
And speaking of wonders, the Music City Center opens this
month with several events planned to celebrate the occasion. We
were fortunate to be taken on a tour of the art in the center with
consultants Rich Boyd and Brian Downey. Te works of forty-eight
local and regional artists as well as seven commissioned artists make
up the present collection. On June 1, Nashville Arts Magazine will
sponsor a reception to honor all the artists represented. Read about
the collection on page 26.
Finally, I draw your attention to another wonder, this time human.
Ndume Olatushani spent twenty-eight years in prison, twenty of
those on death row, for a crime he did not commit. While incarcerated,
he taught himself to paint. I recently had the pleasure of meeting this
soft-spoken, gentle soul and was astonished to fnd a man without
anger or resentment for the injustice that fell upon him. You can meet
him and his art on page 50.
Paul Polycarpou
editor in Chief
SPOTLighT
A
lex lockwood's desk drawers and studio counters
are overfowing with scratch lottery tickets, but hes
not a gambler. Tis local artist scavenges for discarded tickets
on street corners and outside of neighborhood bodegas to use in
his sculpture series Garden.
Te series came to life two years ago on the streets of Brooklyn,
where Lockwood was living at the time. Tere were used lotto
tickets all over my neighborhoodoutside of liquor stores, on
sidewalks, and around overflled trash cans. I was attracted to
their bright colors and designs and became obsessed with fnding
as many as I could, says Lockwood.
by alyssa rabun | photography by anthony scarlati
After months of foraging,
Lockwoods collection grew
to thousands of tickets. He
began folding, layering, and
stacking them into cactus-
like sculptures. Rather than
using glue or an internal
structure, Lockwood folds each
ticket to ft like puzzle pieces that
naturally hold shape. Each piece includes
an impressive 800 to 1,500 folded tickets, and when planted
together as a series, the collection of multi-colored, circular works
resembles a crop of patterned fowers and succulents.
Lockwood harvests tickets from New York, New Jersey, and
Tennessee, each state ofering tickets with a unique look. All of
those colors are attractive for a reason. Tey are designed to catch
your eye. Tennessee tickets have solid, bold colors. New Jersey
tickets are shiny. Te colors in my pieces work really well because
the material I am using was made to draw you in and seduce you,
says Lockwood.
Although Lockwood is swimming in lottery tickets, he
makes a point of not playing the lottery. Working so
closely with the material and gambling subculture has
helped him to pinpoint sociological contradictions
within the system. I am very aware of how much
money is spent on the lottery, often by the lower-
income communities, with little to no return, says
Lockwood. Each ticket he uses is associated with
the same story. Te buyer is hopeful for the big
win and buys a ticket, is disappointed over losing,
and trashes the ticket. I am making something
pretty out of materials that represent repeated
disappointments.
the Garden series is on view at the target Gallery
in Washington, dC. For more information about alex
lockwood visit www.alockwood.com.
Alex Lockwood Plants a
garden of Lottery Tickets
5133 Harding Pike STE 1A Nashville, TN 37205 615.352.3006 www.galleryonellc.com
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5133 Harding Pike STE 1A Nashville, TN 37205 615.352.3006 www.galleryonellc.com
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12
SPOTLighT
Its no surprise to fnd that Nashvilles artistic inclinations extend far beyond
the more traditional genres and into the world of fashion, but sometimes it
takes a great event to raise awareness. Te art2wear events are being staged
by the ArtWorks Foundation with two goals: to develop public appreciation
for fne crafted clothing, jewelry, and accessories and to create a
stronger market for the artists involved. To this end, the talented artists in
the art2wear festival are juried through a national arts festival portal. In all,
art2wear
Wearable Art at the
Commodore Ballroom
artists from eleven states will be featured
with additional consideration shown to
artists from the Nashville area.
Te art2wear Nashville indoor art
festival will be staged May 2426, 2013,
at Vanderbilt Universitys Commodore
Ballroom. Te Preview Gala will be
Friday, May 24, 5 to 9:30 p.m., with hors
doeuvres, cocktails, strolling musicians,
and the frst chance to see and buy the
wearable art. Tickets are $30 in advance,
$35 at the door. Te Grand Showcases will
be Saturday, May 25, 10 a.m. to 6 p.m.
and Sunday, May 26, 11 a.m. to 5 p.m.
Tere will be live demonstrations by the
artists, as well as door prizes and more!
Tickets are $10.
Te Commodore Ballroom is located in the
Universitys Student Life Center at 310
25th Avenue South, Nashville, TN 37240.
Tere is free parking on campus in the
main garage (25th Ave. S. and Highland
Ave.) and at all campus meters. All
proceeds beneft Vanderbilts Sarratt Art
Studios Summer Programs for Children.
Advance tickets are available at
art2wearnashville.eventbrite.com.
For more information, visit www.2wear.org.
Jan bennet Kathleen Weir
Jeff & Judy Goodwin
Lerner and LollyDee
A Fusion in Fashion
Te Arts Company celebrates Te Art of Fashion through
an innovative exhibition pairing classic fashion
photography by Norman Lerner with vintage fashion
apparel and accessories by LollyDee Collections.
A self-taught photographer, 85-year-old Lerner was one
of the most highly sought-after fashion photographers
throughout the 1950s, 60s, and 70s. He is known for
his striking compositions in which he places his models
in dramatic and unusual locations, such as on a huge
lamppost at Idlewild Airport (shown here), on the cab
of a two-ton truck, or on a stack of wood lifted into the
sky by a cherry picker.
Inspired by Lerners photographs, Laura Camien and Deb
Burton Calagna of LollyDee will present a couture line of
clothing and jewelry created specifcally for the event. With
a sentimental nod to the Lerner era, Laura and Deb will use
pieces of vintage garments and jewelry and refashion them
into one-of-a-kind creations stylish for today.
Te Art of Fashion combines Norman Lerners
photographs and LollyDee designs, literally comparing
fashion 50 years ago and today, said Anne Brown,
owner of Te Arts Company. Lerner had the eye to shoot fashion photos using abstract
designs with a human element, and here we have the perspective of timeless fashion seen
through the visual arts on the walls and in person.
a live fashion show will launch the exhibition during the First saturday art Crawl,
May 4, from 6 to 9 p.m. The Art of Fashion continues through June 14 and will be
on view during regular gallery hours, 11 a.m. to 5 p.m. tuesday through saturday.
For more information, visit www.theartscompany.com.
Norman lerner, Model On Lamppost at
Idlewild Airport
lollydee Collections
Marking an annual rite of spring, the massive doors between the galleries
of Space 204 were slid back to reveal the Senior Show of Vanderbilt
Universitys graduating studio art
majors. Te eight participating
seniors are Ariela Atwell, Julie Choi,
Daniel Litzow, Wenhao Liu, CJ
Rhoades, Helen Robinson, Hanna
Rodgers, and Adriana Salinas.
In addition to making tremendous
strides in the quality and depth
of their work this year, these
students have put together an
interesting array of exhibitions,
including painting, photography,
printmaking, drawing, sculpture,
and installations, said Mark
Hosford, acting chair of the
Vanderbilt Department of Art.
In conjunction with the opening
of the exhibition, the prestigious
Margaret Stonewall Wooldridge
Hamblet Award was presented to Hanna Rodgers of Collierville,
Tennessee. Established by Clement H. Hamblet in honor of his wife, the
$25,000 Hamblet Award is meant to provide the means for travel and
independent art activity for one year, culminating in an exhibition at
Vanderbilt. Helen Robinson of Darien, Connecticut, was the recipient of
a $10,000 award.
senior show 2013 will be on display until Friday, May 10, in space
204, the second-foor gallery in the e. bronson ingram studio art
Center, 25th and Garland on the Vanderbilt campus. all space 204
events are free and open to the public. Gallery hours are 10 a.m. to
4 p.m. Monday through Friday, with special saturday and sunday
hours noon to 4 p.m. for the duration of the exhibition. For more
information, visit www.vanderbilt.edu/arts.
Vanderbilts Art
Majors Present
Senior Show 2O13
helen robinson, Sunset Grille, Oil on canvas, 40" x 60"
SPOTLighT
hanna rodgers, moment/
of suspension/of disbelief,
interactive installation with kite,
swing and projected images
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SPOTLighT
For one night only, the inaugural art show and event i am Art Nashville
will showcase local artists, artisans, musicians, and dancers. Te event
is the brainchild of artist and arts supporter Tanya Radic of Radical Art,
who wanted to celebrate her 60th birthday and the arts simultaneously.
Tis is a celebration of life through art
and art through life, explained artist
and organizer Christine Buchanan.
Tanya approached me to create this
event, and we intend to transform it
into an annual arts event.
Participating artists include Cynthia
Birdsong, Heather Brothers, Christine
Buchanan, Weldon Godfrey, Eric Hay,
Andrea Jacobson, Jeremy Jones, LTR
Pottery, Gwyneth McEuen, Keely
Moore, Tanya Radic, Denise Regan,
Lucie Rice, Pablo Scruggs, Ash Sivils,
Lisa Stevens, Toni Swarthout, and
Jonathan Wheeler. Entertainment will include music by ukulele artist
Kirabelle Frabotta, Belly Dance and Gypsy Music Troupe Umbra A'Shadi,
and a movement performance led by dance artist Erin Law.
New Art Showcase
sponsored by radical art, i am Art Nashville coincides with downtown
Nashvilles First saturday art Crawl on June 1. Festivities begin at
6 p.m. and will continue until 11 p.m. the event takes place at the
W. O. smith Music school, 1285 8th avenue south. it is free and open
to the public. For more information, visit www.iamartnashville.com.
Jeremy Jones, Can You See
My Thoughts?, Mixed media
toni swarthout, Sunny Side Up, acrylic on board, 16" x 20"
15
SPOTLighT
Auction to take place May 18 at our gallery:
2240 Sutherland Avenue, Knoxville, TN 37919 865.558.3033
TNGL #5157 Nashville Office: 615.812.6096
WE INVITE YOU TO CONSIGN WITH US
Fully illustrated Catalog online at
www.caseantiques.com
Bid in person, by phone, online or absentee.
17% Buyers Premium (cash/check/certified funds).
Credit Cards also accepted.
Philip Leslie Hale
(American, 1865-1931)
Sterling
Chinese Porcelain
Folk & Outsider Art
including H. Finster
1 of 4
Erte
Bronzes
Simon Willard
Clock
Art Deco
3.04 Carats
Vintage Movado
Warren Sheppard, Venice
J.M. Wright, 17th Century
Native American
Sporting Art
Featuring the estate of Margaret Wemyss Connor of Nashville and
items from other Southern estates and fine collections - over 700 lots
Fine Art & Antiques Auction
Saturday, May 18, 2013
Te internationally acclaimed modern master Colley Whisson, one of
Australias fnest young impressionistic painters, will exhibit 25 works
at Leipers Creek Gallery. Having grown up in semi-rural surroundings,
Whisson has an appreciation for nature and the outdoors that is obvious
in his work. He aims to tell a visual story with clarity and sophistication,
but he is also driven to distort and abstract as much as he can while still
maintaining the realistic intent. Whisson has long believed that its not
what you paint but how you paint it.
About her exhibits, gallery owner Lisa Fox states, Te shows at Leipers
Creek Gallery are large and comprehensive. I designed it that way. If
people are going to commit to coming out here, I am going to make it
worth their time.
Prior to the opening of the exhibit, Whisson will lead a presentation on
Tursday, May 16, at 6:30 p.m. For reservations and more information,
email [email protected].
Whissons exhibit opens with an artists reception on saturday,
May 18, from 6 to 9 p.m. and runs through June 1. leipers Creek
Gallery is located at 4144 Old hillsboro road in leipers Fork. Gallery
hours are tuesday through saturday 10 a.m. to 5 p.m., and sunday
1 to 5 p.m. For more information visit www.leiperscreekgallery.com.
Colley Whisson
Clovelly Vista, Sydney, 17" x 13"
Down Under Comes to
Leiper's Creek Gallery
16
SPOTLighT
TOP PICKS
2013
S pr i n g i s u s h e r i n g i n n e w s t y l es
a n d t r e n d s . H e r e a r e a f e w o f
Kei th' s favori tes and new ar ri val s, whi ch I
am sure wi l l end up i n some of Nashvi l l e' s
HOTTEST HOMES!
Fol k Ar t House Model
Early 20th Century
$825
Antique Cast Iron Lanter n
Early 20th Century
American
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19t h Cent ur y
Cas t I r on F i gure
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Anti que Garden Gate
19th Century, European
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N A S H V I L L E
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W W W . G A R D E N P A R K . C O M
It is this observation that inspired David Braud to create a series of
portraits that should make you look a little diferently at the concept of
the face. Braud, a photographer and teacher who lives in Franklin and
teaches photography at OMore College of Design, uses his extensive
experience to examine the typical portrait by frst displaying, over
a two-week period, the portraits with eyes closed, then showing the
same faces later with eyes open. What emotions are invoked when we
look at someones features, and can our perceptions change over time?
If the most expressive element were muted, would it cause you to
reexamine the messages you may read in someones appearance?
Our faces are unique and strange and beautiful, Braud states. Tis series
of portraits capitalizes on that fact. As we look around at the faces of those
living on this little plot of earth at this particular time, we remember our
David Braud
Classical Guitar
Festival at MTSU
Eyes Wide Shut
shared humanitythe frailty, brokenness, and longing, but also our extant
joy, the anticipation of deeper charity, and our hope for purer vision.
the portrait series will be on display through May 15 at the starbucks
at 5 Points in Franklin, 438 W. Main street. to view more work or
inquire, please visit www.davidbraudPhotography.com.
Te countenance is the portrait of the
soul, and the eyes mark its intentions.
Cicero
Te 13th Annual Tennessee Guitar Festival will feature performances
and master classes by some of the fnest guitarists in the United States,
including Ben Bolt, Carlos Castilla, Richard Todd, and Silviu Ciulei.
Performing and judging at the Guitar Festival continues my quest of
inspiring other guitarists to persevere and keep alive the beauty and
splendor of the classical guitar, said Bolt, who has studied and performed
throughout Europe and South America.
the tennessee Guitar Festival and Competition takes place May 30
through June 1. evening concerts begin at 8 p.m. and are free and open
to the public. all concerts and master classes will be held in the hinton
Music hall of the Wright Music building, Mtsu Campus, Faulkenberry
drive. For more information, visit www.tennesseeGuitarFestival.com
or www.benboltguitar.com.
Classical guitarist ben bolt
17
615-889-5640 www.picturethis-gallery.com
Picture This on 5th invites you to view the winners of
Kathy Chester Studios 2013 Student Art Show
The top 3 winners in every
medium and age category
will be on display during the
First Saturday Art Crawl
May 4 6PM to 9PM
At Picture This on 5th
#44 Downtown Arcade
Come see the next crop of emerging Nashville artists at Picture This on 5th, located in the Arcade
in space #44, and browse through all of the art galleries on 5th Avenue and in the Arcade.
18
This Premier Art Event
in Nashville is
Made Possible by
Our Fine Sponsors
JFM Frames
Utrecht
Omega Frames
SourceTek
Gamblin Paint
M. Graham
Wind River Arts
AirFioat Boxes
Daler-Rowney USA
Judson's Art OuHitter
CUMBERLAND SOCIETY
of PAINTERS
founding Members
Jason Saunders
Dawn Whitelaw
Paula Frizbe
Assistant Show Chair 2013
Michael Shane Neal
Members
Pamela Padgett
Treasurer
Roger Dale Brown, OPA
Kevin Mend<
President
Anne Blair Brown
Show Chair 2013

Call For Entries
Deadline June 24, 2013
CUMBERLAND SOCIETY
Juried Exhibition 2013
October 3 - November 3
Presented by
CUMBERLAND
SOCIETY ofP AINTERS
The CUMBERLAND SOCIETY of PAINTERS is a
collective of eight Tennessee artists strongly rooted in the methods and materials of
traditional painting. Our goal for this exhibition is to provide a showcase for the finest
representational work in the nation. Criteria for judging will include draftsmanship, color, and
design, emphasizing the use of imagination and expressive handling of subject matter.
Opening Reception - Richland Fine Art
Thursday October 3, 2013 5:00-B:OOpm
The awards presentation will be at 7:00pm
Prizes to be presented by Awards Judge, Peggi Kroii-Roberts
Peggy Kroll-Roberts
Event Judge & Workshop Host
PRIZES WILL INCLUDE
$5,000 Best of Show
$3,000 Second Prize
$1,500 Third Prize
Plus sponsored awards
Host Gallery
riChland
F IN e 1\RT
GRACE' S PLAZA
NASHVILLE ,TENNESSEE
All entries must be submitted through
CaFE entry service at www.callforentry.org
CaFE will receive entries between Aprll15, 2013 and June 24,2013
For additional details www.cumberlandsocletyofpainters.org
19
SPOTLighT
Maya's Notebook
by isabel allende
Te New York Times bestselling author
returns with a startling and surprising
new booka novel of suspense and
a contemporary coming-of-age story
narrated by an American teenage girl
who falls into a life of drugs and crime
and must escape before it's too late.
Allende will be appearing at Salon@615
on May 3.
The Bookmark
Let's Explore Diabetes
with Owls
by david sedaris
From the unique perspective of
David Sedaris comes a new book
of essays taking his readers on a
bizarre and stimulating world tour.
Come meet this #1 New York Times
bestselling author at Parnassus on
May 31.
But Mama Always Put
Vodka in Her Sangria!
by julia reed
Julia Reed, author and columnist for
Garden and Gun, is a master of the art of
eating, drinking, and making merry. In
her newest book, Reed takes the reader
on culinary adventures in places as far
fung as Kabul, Afghanistan, and as
close to home as her native Mississippi
Delta and Florida's Gulf Coast. Meet the
author at Parnassus on May 5.
A Constellation of
Vital Phenomena
by anthony Marra
"Not since Everything Is Illuminated
have I read a frst novel so ambitious
and fully realized. If this is where
Anthony Marra begins his career,
I can't imagine how far he will go."
Ann Patchett. Meet the author at
Parnassus on May 11.
For more information about these books, visit www.parnassusbooks.net.
a Monthly look at hot books and Cool reads
Enjoy a reprise of the critically acclaimed and hugely popular show
Te Complete Works of William Shakespeare (abridged), directed by Nashville
Shakespeare Festivals Artistic Director Denice Hicks. Starring the
celebrated 2009 Shakespeare in the Park castBrad Brown, Ben Reed,
and Christopher Campbellthe 90-minute performance summarizes
and skewers all 37 of Shakespeares plays and is full of witty banter,
goofy pratfalls, and plenty of irreverent fun.
the shakespeare Festival will perform at the Gaylord Opryland special
events lawn over Memorial day weekend, May 25 and 26. General
admission tickets are $10. Pre-show entertainment will run from 6:30
to 7:30 p.m., and the show will run from 7:30 to 9:30 p.m. For more
information visit, www.nashvilleshakes.org or www.marriot.com.
Shakespeare on the Lawn
In its performance Seoritas y Toros, Nashville Ballet combines excerpts
from ballets Paquita and Ferdinand the Bull to introduce children to
movement and music.
In Paquita, children will see the art of classical ballet with tutus, pointe
shoes, and Spanish sass. With bright, colorful costumes inspired by
cubist Pablo Picasso, Ferdinand the Bull tells the story of a
peaceful bull who wants only to smell the fowers in the
meadow, making him unft for bullfghting. During
an interactive portion following the performance,
the audience can learn to dance like Ferdinand.
Families and children of all ages will enjoy the
short run time, small audience size, audience
participation component, and fun stories in
Seoritas y Toros, explained Sharyn Mahoney,
Nashville Ballet Director of Artistic Operations.
Seoritas y Toros will be held at the Martin Center
for Nashville ballet, 3630 redmon street, May 11
through 19. For show times and to purchase tickets,
visit www.nashvilleballet.com.
Childrens Ballet
with a Spanish Flair
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Ten & Two @ Two Moon
Michael Grifn and Tracie
Grace Riesgo were the winners
of Two Moon Gallerys recent
competition and show. Te call
for entries drew 75, including
emerging and established artists
and every level in between. Of
those, ten were juried into the
Ten & Two exhibit.
Two works from each of the
ten, who ranged in age from
18 to 70-something, went
on display for one night in
early April. Show attendees
determined the winners by
purchasing a $5 ballot to vote
for their favorite two of the
ten. Monies raised from ballot
sales went to the artists to
ofset expenses.
the grand prize for Griffn and
riesgo is their own show at two
Moon Gallery and a feature
story in the september issue
of Nashville Arts Magazine.
the exhibit will be on display
september 5 through 23.
For more information, visit
www.twomoongallery.com.
Michael Griffn, The Ice House -
The Bleak Plantation
tracie Grace riesgo,
Backyard Battleground
f e a t u r i n g
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www.ibizanegifts.com | 615.279.8000
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SPOTLighT
21
Visit Us During
Franklin Art Scene
May 3, 6-9pm
202 2nd Ave. South, Franklin, TN 37064
www.gallery202art.com 615-472-1134
JULIE A. HARVEY
HISTORY EMBRACING ART
48 x 60
SPOTLighT
The Tents Are Up!
42nd Annual TACA Craft Fair
Tis years TACA Craft Fair will showcase more than 190 artisans ofering
time-honored and contemporary crafts created with clay, fber, glass,
metal, paper, wood and more. For the frst time in its celebrated history,
the fair welcomes artists from several surrounding Southern states.
Tis year David Fox of Te Copper Fox Gallery and Paul Polycarpou of
Nashville Arts Magazine will present a Best of Show award. Additionally,
TACA is partnering with Te Clay Ladys Co-Op, Platetone Printshop,
and the Tennessee Association of Woodturners to ofer live
demonstrations of artists in action. Tere will also be hands-on
activities for children at the Publix Kids Tent.
the 42nd annual taCa Craft Fair takes place May 3, 4 and 5. hours
are Friday and saturday 10 a.m. until 6 p.m. and sunday 10 a.m.
until 5 p.m. admission is free and open to the public. For more
information, visit www.tennesseecrafts.org.
Glass Blower Takes Top Spot
Every year, the prestigious NICHE
Awards competition honors technical
excellence and innovation in fne
craft design by students enrolled
in undergraduate, graduate, and
certifcate art programs in the U.S and
Canada. Tis year 18 student winners
and 80 student fnalists received
recognition, including winner Samuel
Meketon of Appalachian Center for
Craft, Smithville, Tennessee, for the
entry Inspired by Chinese Vessels in the
category Glass: Functional.
Meketon says: Recently Ive found
myself obsessed with trying to
replicate some of the more complicated
archetype forms found traditionally
in clay. All of these pieces are created
in opaque black glass, partially to
show the viewer the beauty of the
silhouettes, but also because there is something very simple and elegant
when you choose just the right tone of black glass.
see more of sams work at www.glassartists.org/sammeketon.
samuel Meketon
Modern Day Comfort
for the Elegant Home
Unique integrated storage
with the warmth of solid walnut
73 White Bridge Rd 615-352-6085 Mon-Sat 106 Sun 1-5 2danes.com
DIANE MAY STUDIO
New Works Available at Gallery One
5133 Harding Pike, Nashville, TN 37205
Hay Sorbet, oil/linen, plein air, 12x24
IntensIve small-group InstructIon
3 sessions, 9am-4pm: May 30, June 1 July 1-2 Aug 26-27
For information and registration please visit: www.dianecmay.com
www.facebook.com/dianemaystudio www.galleryonellc.com
24
SPOTLighT
I
n the frst event of its kind the Nashville Film Festival partnered
with the arts Company and Nashville Arts Magazine to launch
the Nashville unveiled take One Video Contest. Tis competition
provided an experimental platform for up-and-coming flmmakers,
encouraging artists to inventively use cell phone cameras and whatever
resources available to capture the impact visual arts have made on Music
City. Entry to the contest was free of charge and open to Tennessee residents,
highlighting the latest chapter of cinema enhancing the landscape of the city.
Te winning flm, screened during April's First Saturday Art Crawl, celebrated
the seventh year of Te Arts Companys being the Ofcial Destination for
the Nashville Film Festival Preview, adding another exhibit to the already
colorful 5th Avenue of the Arts. Anne Brown, owner of Te Arts Company,
spoke of the creative energy of the contests. It's incredible; there's so much
activity just kind of hidden and you don't know about it. We're seeing all
kinds of visual art from other cities, but Nashville's talent base gives us a
great resource, Brown said. She also echoed that music was the mastermind
behind making our city unique.
Overseeing the contest was Executive Director of the Nashville Film Festival
Ted Crockett, who praised the entries of Nashville Unveiled for creating so
much from so little. Who wouldn't want to be around that kind of creative
population? Crockett said.
Te frst-place winner of the contest was the short flm Nashville Takes the
Art Scene. Te flm was directed by UT Knoxville graduate Sarah Murphree,
who sees the flm as a piece where people could laugh and appreciate the arts,
celebrating the spirit of country." Sarah's prizes for the competition included a
gift basket, a full-festival laminate for the Nashville Film Festival, a $500 gift
certifcate redeemable at 5th Avenue of the Arts, an article in Nashville Arts
Magazine, and a year's membership to the Frist Center for the Visual Arts..
For more information about the Nashville Film Festival visit www.nashvilleflmfestival.org.
by Justin stokes
And the Award Goes to...
Sarah Murphree
still from Nashville Takes the Art Scene
still from Nashville Takes the Art Scene
sarah Murphree
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Music City Center
Goes Visual
T
he personality of art in Nashville is southern hospitality
at its most provocative: its accessible and welcoming,
yet forward thinking. With the opening of the Music City Center
(MCC) on May 1920, Nashville gains a front porch in SoBro
(South of Broadway) and debuts its newest art collection: nearly a
hundred pieces of commissioned and acquired art that function as
an introduction to the citys cultural landscape.
Tis is such iconic architecture, says Rich Boyd, art consultant
for the Music City Center Art Program. We wanted to really create
a collection . . . that would complement the architecture, that
would entertain, educate, engage the visitors that come here and
alsoand this is very criticalput the spotlight on the cultural,
creative energy that exists in Nashville.
Te Music City Center clocks in at over two million square feet
just under sixteen acres including the roofand its vastness has
already cast a colossal presence over downtown. A building this big
requires big art. Everything you do is super-sized or on steroids,
says Senior Project Manager Larry Atema, who immediately
recognized the necessity of commissioned pieces that were so big
or so special or unique to that location.
Before the convention center had even taken form, the
Convention Center Authority and the Metro Arts Commission
gave the public art program budgetary priority alongside projects
such as sustainability (including solar panels and a rainwater
collection tank) and hiring small and women-owned businesses.
by Cat acree | photography by Jerry atnip
bob Zoell, Happy Notes, Custom ceramic tiles, approximately 15' x 165'
andrew saftel, Circle of Days, acrylic, collage and found objects on
panel, 60" x 120"
beth Galston, Sound Wave, aluminum, acrylic, led lights
Charles Clary, Flameobic Opulation, hand cut paper on panel
with Artist Reception June 1
27
Of the $2 million budgeted for art, $1.2 million went toward eight
large-scale commissioned works by seven artists. Te remaining portion
of the budget sponsored sixty-two acquired works by local artists.
Te MCC Citizen Selection Panel, composed of Nashville artists and
professionals, and the MCC Public Art Committee considered over
four hundred applications and sent recommendations for the seven
commissioned artists to the mayor-appointed Convention Center
Authority. From that original pool of applications, the Public Art
Committee also recommended forty-eight artists for the list of acquired art.
Te seven commissioned artists were asked to create works that not only
enhanced the building, often stretching through multiple foors and adorning
sunlit atriums from foor to ceiling, but also refected the artists vision of
Nashville. What we think the art does is refect who we are as a people and
our culture and our cultural heritage, Boyd says. Te artists were not given a
theme, no this has to be music. It seems impossible, however, to disconnect
Nashvilles cultural identity from its musical roots, so visitors to the MCC will
note what Boyd calls visual music, especially in the repeating imagery of the
sound wave, found in the carpet and the undulating roof.
While the commissioned artists hail from all over the U.S., the acquired
works are from a 250-mile radius of Nashville. All but four acquired
artists are Tennessee residents. Says Brian Downey, who assisted Boyd in
the consulting process, With the acquired work, we didnt want a theme.
We just wanted to put together a collection that represented
the best art from the regions best artists. We have a mix
of photography, abstract painting, mixed-media pieces,
drawingsa lot of diferent styles.
Considering the overwhelming size of the convention center,
the current art collection wont even begin to cover the
majority of open wall space. What is here is a permanent
installation, but this building is so large, Boyd says. Tere
are so many areas that can accommodate more art. One of my
recommendations as a consultant is, do not let it stop here. Let
it keep growing. It will be Nashvilles newest cultural treasure.
For many visitors, the Music City Center's art collection will be
their frst impression of Nashvilles music and art scenes. Tanks
to the Metro Arts Commission and people like Atema, Boyd, and
Downey, its a frst impression Nashville can be proud of.
a series of free events will be held throughout the day on June 1
including tours and presentations by the seven commissioned
artists. Nashville Arts Magazine will sponsor a reception to honor
all of the artists in the MCC collection. From there, join the First
saturday art Crawl on 5th avenue. Visit www.nashvillearts.com
for a complete list of all of the artists in the MCC collection.
www.nashvillemusiccitycenter.com
alicia henry, Intimacy and Peace, Mixed media (acrylic, clay, dye, fabric,
graphite, pen, paper, yarn and thread) on canvas, each canvas 36" x 36"
Carrie McGee, On This Ground, rust, pigments, oil and
uV printing on transparent acrylic, 96" x 180" x 4"
left to right: Megan lightell, Quiet Evening, Heavy Rain, Passing Through, Oil on canvas, 48" x 96" each
art consultants brian downey and rich boyd
28
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Radnor Glen - Brentwood
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39 Governors Way - $1,925,000
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The Art of Living Beautifully
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1549 Shining Ore Drive - $489,900
8 Angel Trace - $969,000
7 Sawgrass Lane - $889,900
Courtside at Southern Woods
1456 Red Oak Lane - $499,900
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1124 Stonewall Jackson - $399,000
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29
5th Ave. of the Arts
New Look, New Direction
C
all them gatekeepers, instigators, or doyens of the Nashville
art scene. Te creative collaboration of Anne Brown of Te Arts
Company, Jef Rymer of Te Rymer Gallery and Susan Tinney of Tinney
Contemporary has steadily transformed 5th Avenue into the Avenue of
the Arts, and this springs renovations will fnally allow the streetscape
to match their impressive vision.
Brown, Rymer, and Tinneys defning infuence derives from weekly
meetings when they swap ideas, coordinate schedules, and talk with
gallery owners from all over town. Says Anne Brown, Tats what the
music community used to do on Music Row. Teyd walk next door and
talk to each other, work with each other, and weve done the same thing.
Tese meetings inspired the Art Crawl and Collectors Night, and they are
the motivation behind 5th Avenues much-anticipated transformation.
It has been more than ffty years since the street was renovated, so while
money was already allocated for infrastructure improvementelectricity,
sidewalks, the worksBrown, Rymer, and Tinney recognized the possibility
of turning an upgrade into a statement while sticking to the original budget.
Due to the success of the Art Crawl, Mayor Karl Dean was immediately
receptive. Says Jef Rymer, We average 1,800 to 2,000 people every month
at the downtown art crawl . . . And I think that got the attention of the city.
Te 5th Avenue of the Arts will become a complete street with new
lighting (goodbye, giant generator-powered light tower), outdoor seating,
pop-up outdoor galleries, and homegrown restaurants. Anne Brown
describes the new ambience as the small-town favor of Nashville in the
middle of an urban area.
Te efects of the makeover will extend all the way to the new Music City
Center, where visitors at the opposite end of 5th Avenue will be able to
see eight curtains of lights with an irresistible glow not unlike Lower
Broads honky-tonks. Says Susan Tinney, Tose of us on this street who
have visualized this transformation for years are excited that our time is
fnally arriving.
On June 1, Mayor Karl Dean turns on the curtains of lights, and
Nashvilles arts district will have never looked better.
For more about the galleries on 5th avenue visit www.theartscompany.com,
www.therymergallery.com, and www.tinneycontemporary.com.
by Cat acree
the rymer Gallery, herb Williams, Nashville Skyline
tinney Contemporary, hyunmee lee, Noon
the arts Company, brother Mel in Reading Chair
left to right: susan tinney, Jeff rymer, and anne brown
We average 1,800 to 2,000

people every month at the
downtown art crawl . . .
and I think that got the
attention of the city.
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Over 32 Years Of experi ence &
fami lY Owned fOr Three GeneraTi Ons
Visit Our Showroom: 114 Third Ave., So. Franklin, TN 37064
(615) 224-3698 [email protected]
H i s t or i c D ow n t ow n F r a n k l i n
Jack Yacoubian
J e wel rY & fi ne arT Gal l erY
h u nd r e ds Of d e s i Gns
by Caroline Vincent, Public art Manager
PuBLiC ArT
A
s we reach the third anniversary of the Nashville food,
those who experienced it pause to remember how
their lives or the lives of their friends or family changed
that rainy weekend three short years ago. Life moves on, but
we dont forget the tragedy and trauma caused by that moment in
time. After the food waters dissipated and our citizens began to
put the pieces back together, the mayors ofce approached the Arts
Commission and asked us to explore a thoughtful way to honor the
lives and homes lost as well as the amazing spirit of our community.
We determined a series of neighborhood-based public artworks
rather than a single monument was a greater way to honor the
experiences of individuals and the neighborhoods, who were each
afected in unique ways. We designated the project Watermarks and
set out to commission six public artworks in the most food-afected
neighborhoods. An open regional call to artists was conducted, and
ultimately six fnalists were chosen. Each fnalist was paired with a
neighborhood for a series of community meeting and input sessions
that informed their fnal designs. Each artwork will be installed by
June in various parks throughout the city:
Harpeth Knoll Park Craig Nutt: Bench Mark
Antioch Community Center Michael Allison: Liquid 615
Two Rivers Park Derek Cot: Pier
Shelby Bottoms Park Christopher Fennell: Tool Fire
Hartman Park Buddy Jackson: Emergence
West Park Betty and Lee Benson: Anchor in the Storm
Watermarks
A Response to the
2O1O Nashville Flood
buddy Jackson, Emergence
in this space over the next few months, look for more on each of
the Watermarks sculptures and artists. For dedication events at
each of the parks, check our website www.artsnashville.org. also,
there you will fnd a downloadable curriculum guide with lesson
plans and an in-depth look at each sculpture.
YOUR UNIQUE NEI GHBORHOOD STORE
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I N WESTGAT E CENT ER
31
saturday, May 4
Tirteen locations in the heart of
Donelson will participate in the semi-annual
Donelson Art Crawl, from 6 until 10 p.m.
Enjoy a variety of artists and artisans,
including Duane Chambers, Mary Crow,
David McCullars, Raul Morales, Michael
Kavanaugh and many more. Free shuttles
will make continuous loops to all locations. In
lieu of admission, donations will be collected
for the art departments of Donelson and
Metro Public Schools. For more information,
visit www.donelsonartcrawl.com.
saturday, May 11
Check out Second Saturday at
Five Points in East Nashville,
from 6 until 9:30 p.m., for fne
art, antiques, books, new and
vintage clothing, carefully curated
gifts and artisan wares. Bryant
Gallery will host a
group show including
Donna Rizzo. Art
& Invention will
showcase paintings
by Elizabeth Foster.
Friday, May 3
Presented by the Downtown Franklin Association, the Franklin Art
Scene, from 6 until 9 p.m., includes 30-plus free locations for enjoying art.
Jack Yacoubian Jewelers will host revered artist Paul Harmon, who will
be on hand to sign copies of his latest book, Paul Harmon: Crossing Borders.
Gallery 202 will feature abstract painter Julie Harvey. At Frothy Monkey
see Fire by Jennifer Ives and photographs by Nashville native Warren May.
Bob Parks Realty will exhibit the work of Shirley A. Barker, known in the
arts community as an instructor in the Japanese art of manga. For more
information on the Franklin Art Scene, visit www.franklinartscene.com.
Friday, May 3
FAM at the Factory in Franklin, from 6 until 9 p.m.,
is all about food, art, music, and fun. Tis month will
include Latin music with salsa dance teachers upstairs
in Imagine. gallery + academy and on Artist Row.
Imagine will also feature the Women Painters of the
Southeast 2013 Exhibition.
saturday, May 4
From 6 until 9 p.m., 5th Avenue of the Arts and the
Arcade will ofer a profusion of openings and exhibits.
Te Rymer Gallery will present emerging artists
Carly Witmer and Will Penny in Prismatic. Te Arts Company will open
two new exhibits: Personal Geometries: Sculpture and Paintings, a new series by
Brad Wreyford, and Te Art of Fashion. (See our spotlight on Te Art of Fashion
on page 12.) Tinney Contemporary will continue their exhibition of new
works by Anna Jaap in the front gallery and Carla
Ciufo in the rear gallery. Craig Brabson Fine
Art Photography will exhibit his traditional "Wet
Prints," photographic works of art printed on archival
Cibachrome paper. Picture Tis on 5th will display
the winning works from students of Kathy Chester
Studios 2013 Student Art Show. Gallery of Andy
Anh Ha will show new and existing pieces from his
large body of award-winning work.
The Crawl Guide
SPOTLighT
Craig brabson
Will Penny
imagine Gallery
A A F N A s h v i l l e p r e s e N t s A d s 2 A r t
For more information on this event or how to participate
as an artist, we ask you to visit www.ads2artauction.com.
June 1, 2013
EVENT: 6 p.m. 9 p.m. AUCTION: 7:30 p.m.
Metro Parks Centennial Art Center
Centennial Park, Nashville
An art auction
raising awareness
for AAF Nashville
and beneftting the
Centennial Art Center
and Nashville Tools
for Schools
mE d I A s P ONs Or
Paul harmon shirley a. barker
brad Wreyford
donna rizzo
david McCullars
elizabeth Foster
32
Join us on Thursday, May 9, 5-7pm
for our 23rd Anniversary Gala
Featuring new works by Darryl steele
May 9 - June 29
Darryl steele, a glorious sky, 10 x 14, watercolor and gouache on Paper
1912 broadway
nashville, tn 37203
615.321.3141
www.localcolornashville.com
loCal
Color
gallery
33
Kenton Nelson
This Side of Paradise
A
nyone who has ever fallen for southern California ticks off a list of similar lusts: its the mountains and the valleys
and the Pacifc ends of the earth. Its the jacaranda, bougainvillea, and the sexy, sunlit palm fronds, the seductive weather, and,
yes, its the beautiful people. But cut to the chase: its the light. If it hadnt been for the luscious gold light that lies all over the sinuous
landscape like lay lady lay, there wouldnt have been the movies. Kenton Nelson, Pasadena painter and mosaics maker, loves the light, the
skies, his beautiful life, his place in time, the people he paints, and the cinema.
Just this morning, I was thinking how much under the infuence of flm I amdramatic lighting, setting the stage. I really want a posed
fgure, and I am aware they are somewhat wooden and posed. Tat is my bent. I art-directed fashion photography for a while. One of my
favorite photographers was Louise Dahl-Wolfe. I was greatly infuenced by ads of the 1950s also. Teyre all very hopeful and a little bit
ridiculous. Im utterly under the infuence of that. My mother loved Fred Astaire, the old black-and-white movies. Tose 50s Doris Day
Technicolor pictures. Tese have informed my viewpoint.
by Carol Caldwell
ArTiST PrOFiLE
After the Blue Sirocco, Oil on canvas, 48" x 72"
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Pasadena, though, as you Californiaphiles must
know, is not El Lay. Pasadena is old money and
old blood and pretty nigh onto perfection. Kenton
Nelsons viewpoint refects this. Tey say paint
what you know. Im painting in a vernacular from
my youth. My lifetime and my visionwhere I
prefer to be. His fgures live in a perfect world,
utopian, past and future perfect, only something
so . . . oddly eerie shadows their immaculate
perfection. Tere are strange things going on just
of to the side, and you cant help but guess it.
Perfection is disturbing, the artist says.
Five Again, Oil on canvas, 36" x 36"
Curbside, Oil on canvas, 72" x 36"
A Vision of Mary, Oil on canvas, 36" x 18"
35
My early infuences were writers like John Cheever. He takes us
away from where we are to Shady Hill. Te cocktail parties I grew
up withMom would come out looking like a million bucksso
glamorous. We cant help but appreciate things that have to do
with our lifetime. F. Scott Fitzgeraldhe breaks my heart. A
contemporary writer I love is Raymond Carver. His stories leave
you on the edge of the precipice. He makes a suggestion and lets
you go on with it. Tats what I want to do in my work. Hitchcock
was one of my favorite moviemakers because of the way he
suggests things.
Tere is something about the viewer, or the voyeur. I like the
idea of there being an audience, the observer participating in a
painting. A writer friend and I were sitting around one day, and he
said, Ive come to realize that I am only 50 percent of the equation.
I thought, cool! Te viewer has to be part of the experience.
Mending, Oil on canvas, 40" x 30"
Diligence, Oil on canvas, 48" x 60"
Such a Sight, Oil on canvas, 48" x 48"
Sown, Oil on canvas, 36" x 36"
36
Kenton Nelsons paintings are big. Tis is harkening to billboards.
Walking through a square in Salzburg years ago, I saw big ads stuck
in the center of the square. Tose huge blowups at the street level
theres an aspect of that thats unsettling. Te scale. I started out
smaller, and theres an intimacy to that. But now . . . my paintings are
a real workout. On YouTube theres one of my huge paintings. Tey
are very specifcally Southern California. How unique and beautiful
our light is. What Im doing is my ideal, which is not everyones ideal.
Nelsons uncle was the Mexican muralist Roberto Montenegro. He
has taken of late to producing murals on buildings in Pasadena in
mosaic. His grandfather was Norwegian, like Nelson appears to
be, and his grandmother was a Mexican famenco dancer. Diego
Rivera and Frida Kahlo were married in my uncles garden. I spent
a lot of time as a child in Mexico City. Yes. You cant get around the
fact that my paintings and mosaics are infuenced by my uncle and
Rivera, Siqueiros, Murillo, and Orozco, plus American muralists
of the WPA period. Te thing about murals is they are there for
everyone, and they last pretty much forever.
Pretty much. Barring a rift on the San Andreas Fault, that is, and
what happens if we slide of the edge of the picture into the other
side of paradise.
a limited amount of Kenton Nelsons art will be on exhibit at Cumberland
Gallery during the month of May. inquiries about Kenton Nelson's work
can be directed to Cumberland Gallery or to the artist's representative,
scott Westervelt. [email protected] www.kentonnelson.com
www.cumberlandgallery.com
Kenton Nelson at work
Competition, Oil on canvas, 36" x 72"
FRIDAY, JULY 12
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& 20
th
century American
paintings, folk art, period furniture, and fne period jewelry
from the 1890s through the 1960s, with an emphasis on Art
Deco, Art Moderne & Retro examples.
4119 Hillsboro Road
Nashville, Tennessee 37215
(615) 297-2547
www.williamsamericanart.com
[email protected]
Boat in From Baltimore (ca. 1929)
by Edmund Marion Ashe (American, 1867 1941)
Oil on board, 24 x 26 (board), 30 x 32
(vintage frame), signed lower right.
On the Hill
(Easton, Pennsylvania,
ca. 1929)
by Walter Emerson
Baum, A.N.A.
(American,
1884 1956)
One of Baums
masterworks. Oil on
canvas laid on board,
32 x 40 (canvas),
40 x 48 (hand-
carved gold leaf frame),
signed lower left.
Painting exhibited at
the National Academy
of Design & Te
Pennsylvania Academy
of the Fine Arts.
Pennsylvania
Winter Nocturne
(ca. 1920)
by Christian J. Walter
(1872 1938)
One of the artists
best renderings. Oil
on canvas, 22 x 27
(canvas), 31 x 36
(frame), signed lower
right, 22k gold leaf
hand-carved frame.
Diminutive Period Southern Secretary (ca. 1830)
Attributed to the Carolinas.
86 (total height), 38 (case width), 18 (case depth). Old fnish, probably frst or second,
no indication of sanding. Interior pulls and other brass all original; all original thirteen panes
of glass in each door; bone or ivory inlay around key holes appears to be original.
Tennessee Landscape (ca. 1910)
by William Washington Girard (Tennessean, 1873 1931)
One of Girards best renderings. 15 x 23 (canvas),
24 x 31 (original frame), signed lower left, oil on canvas.
TOP: Logging
Tennessee Valley Authority Mural Study (TVA) (ca. 1935)
BOTTOM: Iron Workers
Tennessee Valley
Authority Mural
Study (TVA)
(ca. 1935)
by Walter Simpson
Parke (American,
1909 - 1994)
Gouache on board,
15 x 27 (board).
Lady in the Garden
(ca. 1910)
by Cornelius Hankins
(Tennessean, ca. 1864 - 1946)
18 x 13 (canvas), 26 x 21 (frame),
signed lower left, oil on canvas, 22k
gold leaf hand-carved frame.
Rare Southern Sugar Table
(Probably Kentucky or Tennessee ca. 1830)
28 (max. total height), 22 (max. total width),
20 (max. total depth, front to back), 20 (case width),
19 (case front to back), 11 (case depth including drawer).
39
Specializing in the sale of original 19
th
& 20
th
century American
paintings, folk art, period furniture, and fne period jewelry
from the 1890s through the 1960s, with an emphasis on Art
Deco, Art Moderne & Retro examples.
4119 Hillsboro Road
Nashville, Tennessee 37215
(615) 297-2547
www.williamsamericanart.com
[email protected]
Boat in From Baltimore (ca. 1929)
by Edmund Marion Ashe (American, 1867 1941)
Oil on board, 24 x 26 (board), 30 x 32
(vintage frame), signed lower right.
On the Hill
(Easton, Pennsylvania,
ca. 1929)
by Walter Emerson
Baum, A.N.A.
(American,
1884 1956)
One of Baums
masterworks. Oil on
canvas laid on board,
32 x 40 (canvas),
40 x 48 (hand-
carved gold leaf frame),
signed lower left.
Painting exhibited at
the National Academy
of Design & Te
Pennsylvania Academy
of the Fine Arts.
Pennsylvania
Winter Nocturne
(ca. 1920)
by Christian J. Walter
(1872 1938)
One of the artists
best renderings. Oil
on canvas, 22 x 27
(canvas), 31 x 36
(frame), signed lower
right, 22k gold leaf
hand-carved frame.
Diminutive Period Southern Secretary (ca. 1830)
Attributed to the Carolinas.
86 (total height), 38 (case width), 18 (case depth). Old fnish, probably frst or second,
no indication of sanding. Interior pulls and other brass all original; all original thirteen panes
of glass in each door; bone or ivory inlay around key holes appears to be original.
Tennessee Landscape (ca. 1910)
by William Washington Girard (Tennessean, 1873 1931)
One of Girards best renderings. 15 x 23 (canvas),
24 x 31 (original frame), signed lower left, oil on canvas.
TOP: Logging
Tennessee Valley Authority Mural Study (TVA) (ca. 1935)
BOTTOM: Iron Workers
Tennessee Valley
Authority Mural
Study (TVA)
(ca. 1935)
by Walter Simpson
Parke (American,
1909 - 1994)
Gouache on board,
15 x 27 (board).
Lady in the Garden
(ca. 1910)
by Cornelius Hankins
(Tennessean, ca. 1864 - 1946)
18 x 13 (canvas), 26 x 21 (frame),
signed lower left, oil on canvas, 22k
gold leaf hand-carved frame.
Rare Southern Sugar Table
(Probably Kentucky or Tennessee ca. 1830)
28 (max. total height), 22 (max. total width),
20 (max. total depth, front to back), 20 (case width),
19 (case front to back), 11 (case depth including drawer).
W
hen many people plan a grand vacation
they may dream of a moonlit dance along
the promenade of a large oceanic vessel, the
warm rejuvenating rays of the sun while reclining
on the white sand beaches of the Caribbean, or
the soft clinking of wine glasses while nestled in a
secluded bistro along the Champs lyses. Tats
not Colleen. When others are at the boutiques checking
out the latest in shipboard casuals, Kerrigan is shopping
for DEET and making sure her immunizations for
typhoid and cholera are current. Shes scanning the State
Department advisories for possible outbreaks of malaria
and dengue fever, because Colleen dreams of dancing with
the ghosts of the past, brought to life by the practitioners
of distant cultures who, because of their isolation, have
remained true to their heritage. She willfully ventures to
places where it is more important to see than to be seen.
Visas and Vistas
PhOTOgrAPhy
by John Guider
Colleen Kerrigan
Since 2006, Colleen has made it a point to travel to remote
locales, separated from the rest of the world by long
expanses of desert, high mountain ranges, and abject
poverty that most of the world considers too inconvenient
to infltrateplaces with names like Siem Reap, Gunghou,
El Jadida, and Hoi An. Te journeys can be rigorous, the
lodgings sparse, and the amenities few. Te towns lie in
regions where in a medical emergency it may be impossible
to get help. It would be unlikely that the local doctors
could speak English, and the facilities are far from current.
Having extraction insurance is a must. Her days are long.
Every photographer knows that the frst light might be the
best, especially if the fog and the morning mists are in play.
Yet the festivals may last far into the night. Rest is at a
premium. And the work doesnt stop there. Colleen usually
returns with over 5,000 images, and the labor of the edit
can last longer than the journey itself.
It is fascinating to me that there are still people, in pockets around the world, that
are seemingly unafected by modern technology and the changes that it brings.
Colleen Kerrigan
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MyaNMar, inle lake
it is common practice for young boys to be sent to
monasteries for their education. Once they turn 18, they
can decide if they will dedicate their lives to the monastery
or leave to pursue other work.
VietNaM
Many of the fshermen along the coast use round wooden boats that have
bamboo basketry on the bottom. this man was straightening out his net
after a day of fshing.
We as the viewers of her work are the benefciaries of her passion.
Her spirit is kindred to the likes of Earhart and Goodall, for through
her photography she educates us, enlightens us, and challenges us to
break the restraints of our comfort zone and strive to live life to its
very fullest.
For more information about Colleen Kerrigans photography visit
www.colleenkerriganphotographs.com.
ChiNa, Guizhou Province
i was walking through a small town when i heard noises coming from inside an enclosed courtyard. i looked inside and saw two of the
village women practicing their traditional dance, with the family pigs for an audience.
42
MyaNMar, irrawaddy river
i was struck by the way the sun played off of the hull and by the way the man was walking
down the submerged plank.
GuJarat, bhuj
a typical scene at a village wellwomen walk from their homes, carrying their empty
water vessels. they laugh and chat as they fll each others containers.
MOrOCCO, Chefchaouen
these two men sat to discuss the days business wearing the traditional hooded coat
made of wool called a Jalaba.
MyaNMar, bhamo
bhamo is a river town along the irrawaddy river.
there is a large, open-air market there where
people from the surrounding area come to stock
up on produce and other goods for their villages.
i caught this woman as she was leaving the fower
market loaded with fowers. the yellow on her
face is tanaka powder that is used for such things
as sunscreen, moisturizer, and acne reduction.
KOlKata, iNdia
i happened to be in Kolkata (formerly Calcutta),
india, during holi, which is a big hindu holiday,
celebrating the onset of spring and rebirth.
People take to the streets, where colored dye and
perfume are thrown on each other to signify the
colors of spring. here a man and his young son
were walking home after the celebration.
43
Cotton Candy, 48x36, Oil on canvas
Modern Impressionists
LORI
PUTNAM
May 11 - July 27
Opening Reception
June 1
4304 Charlotte Ave Nashville, TN
615-298-4611 www.lequiregallery.com A L L T H E B E S T I N F I N E J E W E L R Y
5101 Har di ng Road Nashvi l l e, Tennessee 37205 615. 353. 1823
M e t r o A r t s G A l l e r y
Artist Directory Showcase
exhibit DAtes: May 10 Aug 2, 2013
openinG reception: May 10, 11:30 a.m. - 1:30 p.m.
Gallery Location: 800 2nd Ave S., Nashville, TN 37210
Phone: 615.862.6720 Email: [email protected]
Free and open to the public
This summer Metro Arts will present
an exhibit of 3-D works featuring
Nashville artists exclusively from
the Artist Directory it co-manages
with NowPlayingNashville.com.
Featured artists: Edward Belbusti,
Aletha Carr, Diana Johnson, Shana
Kohnstamm, Troy Lacey, Anthony
Novak, Elizabeth Sanford, and
robert bruce scott.
www.artsnashville.org
Assemblage with Hand
by Aletha Carr
44

1224 Waterstone
$5,890,000
Christy Reed Blackwell 504-2833

340 Kinnie Road
$5,399,000

2410 Hidden River Lane
$5,315,000

521 Westview Avenue
$3,600,000
Ellen Christianson 300-7190

1100 Wrights Lane
$1,999,990
Joan Pinkley 707-2023

5319 Leipers Creek Road
$1,899,000
Ellen Christianson 300-7190

3821 West End Avenue #301
$1,795,000
Tom Patterson 351-3477
Kathryn Donelson 397-3573

701 Millstone Lane
$1,399,000
Betsy Moran 485-4475

108 Havering Chase
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132 Cheek Road
$1,350,000
Shauna Brooks 347-2550

300 Jackson Boulevard
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2998 Polo Club Road
$517,000
4535 Harding Pike #110
Nashville, TN 37205
(615) 202-7777
www.cpcanashville.com

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1810 6
th
Avenue N. Salem Town
$249,900
Seema Prasad 573-2399

4130 Brick Church Pike
$215,000
Seema Prasad 573-2399

4009 Stoneybrook Drive
$188,000
Betsy Moran 485-4475

4106 Sneed Road
$3,600,000
Richard Courtney 300-8189
Stephanie Tipton 594-7076

3401 Trimble Road
$2,645,000
Richard Courtney 300-8189
Stephanie Tipton 594-7076

202 Mockingbird Road
$719,000
45
4304 Charlotte Ave Nashville, TN
615-298-4611 www.lequiregallery.com
Girl with Flower Garland, 48x36, Oil on canvas
Modern Impressionists
MurAT
KAbOulOV
May 11 - July 27
Opening Reception
June 1
407 Church Street
Downtown Franklin 615-599-1800
James Tilley, O.D. Penny Fishpaw, L.D.O.
www.charactereyespc.com
407 Church Street
Downtown Franklin 615-599-1800
James Tilley, O.D. Penny Fishpaw, L.D.O.
www.charactereyespc.com
The Gold Boutique on Church
Artistic Eyewear
for
Expressive Individuals
46
T
hough he confronts an occasional landscape or two,
the terrain Jonathan stone most frequently explores
in his paintings is that of the human body. Stones latest
series of fgurative oil paintings opened at Franklins Gallery 202
last November and features the mottled, almost camoufage-like
application of paint characteristic of Stones pictures. His color
palettes range from the cool umbers and blues of Recognition to the
vibrant reds and blues of Time is the Fire. Hot or cool, the human
fgure is the key element.
I try to do fgures that are in sort of contemplative or introspective
poses. Tats why that shows called Process of Intuition. Te fgures
look like they even might be partially asleep or meditating, Stone
said during a conversation about his work. Te idea, he said, is to
convey a moment between things that are happening.
Tis approach is a testament to the continued infuence of the
Abstract Expressionist paintings Stone saw during visits to the
by MiChelle Jones
ArTiST PrOFiLE
p
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o
:

a
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t
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o
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y

s
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Whitney when he was growing up in New York City. In the mid
1990s, also in New York, he studied fgurative art at the Art
Students League and delved into European traditions of artistic
anatomy and gesture and the discipline of painting the fgure,
Stone said. Tis kind of thinking about the human fgure is similar
to sculptor Alan LeQuires approach, Stone added. He has in fact
studied with LeQuire (theres a YouTube clip of Stone at one of the
drawing workshops).
Im trying to bridge a gap between modern expressionism and a
classical approach to the fgure, he said. Te expressionism comes
in the way he paints (fast and spontaneously, from the shoulder,
not the wrist) and his use of thick brushstrokes. Teyre not just
an anatomical study; theyre not just a journalistic approach to
capturing the fgure. Teyre meant to be powerful compositions,
Stone said of his paintings.
He begins with a canvas covered in colororange, blue, red, or
Jonathan Stone
The Subtlety of Nudity
Teres something about the human fgure, painting the human form thats
kind of limitless. Its really hard to exhaust the potential of it.
47
Arrival, 1999, Oil on canvas, 18" x 24"
Recognition, 2008, Oil on canvas, 36" x 24"
Time Is the Fire, 2012, Oil on canvas, 60" x 40"
greenand then adds varying values of complementary colors.
Tis is one way he adds energy, a word he uses frequently when
discussing his work. Cropping the fgure and focusing in tightly
on his subject, framing the view so that hands or feet run into
or of the edges of the painting, also creates energy and moves
the viewers eyes around the canvas.
While his palette varies between four and fve groupings of
colors, Stones handling of the paint does not: He premixes it,
then puts it straight onto the canvas. A lot of time when oil
painters paint, theyre sort of pushing the paint around the

canvas, blending it. I dont do that at all, Stone said. Te paint
is very thick and it has a lot of streaks, kind of a 3-D sort of
quality. Close up the fnal compositions are abstract-like swirls
of thickly applied paint that come together in dappled patterns
as one moves farther away.
When Im painting live and fast, Im trying to
capture my energy at the same moment that
Im trying to capture the energy and emotion
of the model, so its an existential kind of
thing, really, when you think about it.
Jonathan stone is represented by Gallery 202. For more information
visit www.jonathanstonearts.com and www.gallery202art.com.
48
RICK FRENCH | BROKER
c. (615) 604-2323 | o. (615) 292-2622 | FrenchKing.com
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434 Grayson $2,950,000
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3821 West End #102 $1,695,000
2006 Fransworth $1,649,000
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206 Leonard $1,295,000
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413 Lynnwood $1,275,000
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21 Northumberland $4,999,000
5840 Hillsboro Road, 21 Acres $4,500,000
939 Tyne $4,495,000
5004 Hill Place $3,800,000
1037 Vaughn Crest $3,750,000
434 Grayson $2,950,000
Rick French 604-2323, Tim King 482-5953
110 Lynnwood $2,750,000
907 Overton Lea $2,600,000
914 Overton Lea $2,495,000
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Rick French 604-2323, Cathie Renken 500-8740
917 Overton Lea $2,240,000
2900 Tyne Blvd $1,795,000
1500 Gale Lane $1,790,000
3821 West End #102 $1,695,000
2006 Fransworth $1,649,000
106 Clarendon $1,495,000
206 Leonard $1,295,000
3719 Richland Ave $1,295,000
413 Lynnwood $1,275,000
3816 Central $959,000
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O
n October 1, 1983, 26-year-old st. louis native
erskine Johnson was celebrating his mothers
birthday with about thirty relatives. What none of them
could have ever imagined was that night, while they were
honoring their matriarch, a murder committed 398 miles
away in Memphis, Tennessee, would shatter their lives. Being
the seventh of eleven children, Johnson was surrounded by
siblings, cousins, and close relatives who lived in the area. It
was the last time he would celebrate his favorite holiday
his mothers birthdaywith those he loved most.
Within several months following the murder, Johnson was
tracked down, charged, convicted, and sentenced to death
for the crimeeven though he had never before set foot in
the state of Tennessee. Stunned and disoriented, Johnson
discovered from a Memphis attorneywho was initially
retained to represent himthat after some initial inquiry
it appeared that Memphis authorities were under pressure
for a conviction and had their sights on Erskine Johnson as
the murderer. It was a done deal. Unfortunately the attorney
was reluctant about being embroiled in a political battle, and
Johnson was forced to hire counsel from out of state.
Te trial began December 1, 1985, and in spite of all the
witnesses willing to testify that Johnson was in St. Louis
during the murder, none of them were called to the stand. Six
days laterafter hearing only one witness claim to have seen
by Molly secours | photography by Jerry atnip
Ndume
Olatushani
Spent 20 years on Death Row
for a crime he didn't commit.
Today, he is a free man
catching up on life, family,
and his art. This is his story.
ArTiST PrOFiLE
51
Johnsonthe all-white jury deliberated less than four hours and found him
guilty of murder. In less than two hours the same jury imposed the death penalty.
For the next twenty-eight years Johnson (who changed his name in the late 80s
to Ndume Olatushani) lived in maximum-security prisonsand for twenty of
those years was confned on death row inside a 6 x 10 cell.
Tracking the Dream, Oil on linen, 20" x 24"
As if the gods insatiable thirst for sufering was not yet
satisfed, in 1987 Ndumes life crumbled even further
after learning that his mother, the woman who knew of
his innocence and never wavered in her faith that justice
would prevail, was killed in a car accident along with an
8-year-old niece.
I was truly a broken man. I hit rock bottom, says
Ndume. And thats when he started painting, a hobby
that would ultimately change the course of his life.
Soft-spoken and with a calm demeanor, Ndume recalls:
After my moms death I decided I couldnt be hurt
anymore. I started drawing and eventually taught
myself to paint. While spending twenty-four hours
in an enclosed space might drive some mad, Ndume
says painting freed his mind and his spirit. Trough
my artwork I lived outside of prison. I didnt paint my
surroundings. I painted people I would like to meet
mostly women and children. Te people came to me.
In 1991 Ndume started corresponding with a young
college graduate named Anne Marie Moyes who was
organizing a death row art show and who was mesmerized
by his paintings. Trough letters and visits they eventually
fell in love, and through being familiar with the details of
the case, Anne Marie discovered that reading law briefs
came easily to her and enrolled in Vanderbilt Law School,
where she would fnish frst in her class.
He was always upbeat. Imagine it. He was sitting on
his bunk painting, propped up in a tiny room where
he couldnt stretch two arms out sideways, says Anne
Marie. Canvases needed to be small and no oils were
allowed, and Ndume relied on whatever supplies were
sent from the outside.
Braving the Storm, Oil on linen, 30" x 24"
Day Dreaming, Oil on linen, 30" x 20"
52
After working diligently on Ndumes behalf, Anne Marie convinced a New
York law frm to work pro bono, and in 1998 Ndumes death sentence was
overturned. Due to the appeals process it would take another six years
before he was actually moved from death row.
After twenty-eight years of imprisonment, Ndume is a free man living in
Nashville with his wife, Anne Marie, and their adopted child. And while
he was ofered zero compensation for twenty-eight years of wrongful
incarceration, Ndume assures me he is extremely grateful for a part-time
job at the Childrens Defense Fund and to be painting.
When asked if he is bitter or angry about the stolen years, Ndume smiles and
ofers: I let go of anger a long time ago. In letting go of anger, I freed myself.
What is particularly poignant (and a common trait) in the faces of those who
appear in Ndumes work is gentlenessportraits of imaginary strangers
kind enough to penetrate iron and steel to remind him of his true nature.
One of Ndumes paintings, titled Tracking the Dream, depicts an African
hunter and a spirit woman dancing in a feld. He thinks hes tracking a
lion, but it turns out its his soul mate hes been chasing the whole time.
Its the hunter becoming the hunted. Glancing sideways, Ndume ofers a
knowing glance as if to make sure the irony is understood.
Molly secours is a writer, flmmaker, and activist and is currently celebrating
fve years remission from cancer by gazing skyward and dancing on demand.
www.mollysecours.com and www.lastinglegaciesvideo.com Black Man Rise Up Boldly, Oil on linen, 30" x 24"
Winter Pansies
Kay Keyes Farrar
www.kaykeyesfarrar.com
Fine Art &
Creative Painting
Retreats

53
Winter Pansies
Kay Keyes Farrar
www.kaykeyesfarrar.com
Fine Art &
Creative Painting
Retreats
CARL SUBLETT. HOUSE AT SPRUCE HEAD MAINE. WATERCOLOR ON PAPER. 22 X 30 INCHES.

I NQUI RI ES: GARYHAYNES@HAYNESGALLERI ES. COM OR PHONE 615. 430. 8147 OR 615. 312. 7000. HAYNESGALLERI ES. COM
GALLERIES: ON THE MUSIC ROW ROUNDABOUT IN NASHVILLE, TENNESSEE. AND SEASONALLY IN THOMASTON, MAINE
HAYNES GALLERI ES PRESENTS
CARL SUBLETT RETROSPECTIVE
MAY 24 TO JULY 13, 2013.
RECEPTION: MAY 24, 6 TO 8 PM.
Clothes Make the Lady
in Studio Tenn's Latest Production
by Karen Parr-Moody | photography by anthony Matula
G
oing from guttersnipe to grand lady is achievable through crisp elocution and
enchanting gowns, as anyone familiar with My Fair Lady knows. Quite possibly none
other than Cecil Beaton, who created the costumes for the 1963 flm starring Audrey Hepburn, could
have better transformed Eliza Doolittle in such ftting fashion. Beaton himself was a social climber who
intimately understood the milieu into which Doolittle, a cockney fower peddler, was thrust.
ThEATrE
56
And when Studio Tenn Teatre Company brings My Fair Lady, directed by Matt Logan
and co-directed by Kim Bretton, to the stage May 16 through June 2 at the Franklin
Teatre, the clothes will once again make the lady. Actress Laura Matula, as Doolittle,
will wear a collection of gowns that aid her in the social rise that Professor Henry
Higgins orchestrates.
Logan, Studio Tenns Artistic Director, has taken up the task of conceptualizing the
stage versions of Beatons extravagant confections. He is also in the process of hand
stitching the gowns, in the couture tradition, to ensure that their lace and rufes
speak volumes.
Design-wise its a heyday, Logan says as he sits on the front porch of a Nashville
cofee shop. Its just an extravagant heyday. What is beautiful is that the costumes
are art. Teyre moving art.
Logans eyes are as blue as the waters of Bora Bora, and his wavy black hair is tousled,
as it will be when he also takes on the role of Higgins. He envisions a diferent kind
of professor, younger and more in the mold of Sherlock Holmes than the persnickety
Higgins of past stage and flm versions.
Due to a casualsome might say insensitivewager he makes, Higgins, an expert
in phonetics, conducts a social experiment in which he transforms Doolittle into a
gentlewoman ft for a society ball. All too
often, hes too dapper, Logan says of the
typical treatment of Higgins on stage and
screen. And hes a rebel to society. Hes that
rich kid who doesnt care. So were going to play
with my hair being wild and curly, and Ill wear
an overcoat and scarf.
But for Doolittle, Logan will stay truer to
type. Te whippet-thin Hepburn was a vision
in Beaton's fanciful costumes, as the star of
Studio Tenns version will be in those stitched
by Logan. Te costumes will simply be tweaked
for the stage and body type.
Beatons costumes, the color palettes he
used, the ideas . . . Im going to be embracing
all that, Logan says. Im just not copying
them perfectly.
Logan worked in costume design on Broadway
in New York for fve years. Like Beaton, who
was a photographer, set designer, diarist, and
costumer, Logan wears many hats. He is an
illustrator, director, actor, and, in addition to
costume work, he has sewn clothes for Nashville
designer Jef Garner of Prophetik.
For My Fair Lady, Logan has created fve gorgeous
costumes that transport Doolittle from the
grubby environs of Covent Garden to the haunts
of those to the manor born. He was assisted by
milliner Anna Zeitlin, who studied in London,
along with wig designer Sondra Nottingham and
wardrobe supervisor Terrah Trimble.
57
Te iconic gown for the Ascot Racecourse,
with its over-the-top hat, is likely the
most memorable of the gowns Hepburn
wore in the flm.
Logan has stayed true to most of its elements, including that black-and-
white bow at the shoulder, which he has accented with a delicious hot-pink
ribbon. Te hat is a sweeping arc of pink, black, and white (topped by a
massive white feather, naturally).
For the Embassy Ball, the white gown Beaton designed had an empire
silhouette, was beaded throughout, and was worn with long, white gloves.
Logan tweaked his version by keeping the bulk of the bling on the bodice
while retaining those delicate lace cap sleeves.
Te fnal costume seen in the Doolittle wardrobe is an ultra-feminine pink
ensemble covered in rufes. While Beaton accented his costumes jacket with
a huge rosette on the front, Logan scatters smaller rosettes across the front
and back. Its my favorite, he says. Its Galliano-meets-Chanel inspired.
Logan refers to the notion that Higgins, along with his
fellow linguist Colonel Pickering, conspires to improve
Doolittles social standing on a lark. Tey are insensitively
creating a woman as a challenge, and its brutal, he says.
Teres no emotion. Teyre completely creating a person
from scratch and disregarding the human that was there
to begin with. So at its core its a Frankenstein story that
becomes a love story.
Some might argue that Beatons confections were simply
a camp way of tweaking societys nose. But with their
overabundance of froth and lace and their waspish waists,
they were silent witnesses to the Edwardian era, a time
when women, while on the cusp of independence, were still
bound into strict society roles.
When Eliza was selling fowers, she was as free as could
be, Logan says. She could work, she could make money,
even though it was the tiniest amount imaginable. If she
did great, people applauded. If she didnt, people looked the
other way.
But, he notes, as she goes through the process of becoming
a lady, her body is stifened with seams that sculpt her
into an hourglass and corsets that restrain movement.
She says in the script, What am I ft for? What have you
left me ft for?
When it comes to being ft, My Fair Lady is tailored
beautifully for the stage in Logans deft hands, as
theatergoers will gleefully discover.
My Fair Lady runs May 16-June 12. tickets are now on sale at
www.studiotenn.com and the Franklin theatre box Offce at
www.franklintheatre.com.
laura Matula and director Matt logan
EQUAL HOUSING LENDER MEMBER FDIC 2013 AVENUE BANK
Cal l 615.252.BANK (615.252.2265) today.
Cool Springs Carothers Parkway at International Drive
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12avenue9791 NashArts 3.5625x4.625.indd 1 1/14/13 2:37 PM
br adf o r ds i n t e r i o r s . c o m
SPRI NG ARRI VALS
RI CH T EXT URES
u
DES I GNER ACCENT S
u
I NS PI RED GI F T S
F r ee Del i v er y u Compl i ment ar y Des i gn Cons ul t at i on u Val ue Pr i ci ng
Dieter Spears is a Nashville-based photographer with over 60,000 licensed stock images to his credit. He specializes in stock images
and licenses them to Getty Images and iStockphoto. Hes also a house contributor for Getty Images with an agent in New York, and is
a diamond contributor and iStockphoto image inspector. Ive been a creative person my whole life, and photography is an outlet that
makes me feel like an artist. For more about Dieter visit: www.dieterspears.com.
Discovery of Art is a community initiative of Southgate Brands. Visit www.southgatebrands.com to meet other artists and apply to
be a future Discovery of Art artist.
I capture life in
a way that excites
and tells stories.
Does art have a role in war? If so, what is it? Te Ghost Army,
coming to NPT on Tuesday, May 21, at 7 p.m., ofers one possible
and stunninganswer. During World War II, a handpicked
group of American GIs undertook a bizarre mission to create a
traveling road show of deception on the battlefelds of Europe,
with the Nazi German Army as their audience. Te U.S. 23rd
Headquarters Special
Troops used infatable
rubber tanks, sound
trucks, and dazzling
performance art to
bluf the enemy again
and again, often right
along the front lines.
Tis little-known units
knack for trickery
was crucial to Allied
success in World War
II, but their top-secret
mission was kept quiet for nearly 50 years after the wars end.
Using archival footage of this top-secret unit, dozens of still
photographs, paintings, and sketches created by ghost army
soldiers during the war, as well as interviews with veterans
of this special unit, Te Ghost Army tells their extraordinary
story for the frst time on flm and demonstrates the power of
creativity and of the WWII soldiers who found a unique way to
employ it to save lives.
Perhaps thanks to pop artists like Jason Mraz and Train, the
ukulele is having a bit of a moment. But this is no toy instrument.
It has a storied history and, in the hands of a master, is capable
of producing incredibly complex music. Jake Shimabukuro
(pronounced she-ma-BOO-koo-
row) is one such master. Trough
jaw-dropping performances of
improbable compositions like
the Queen classic Bohemian
Rhapsody shared by millions
on YouTube, the inspiring
and inventive musician has
transformed all previous notions
of the instruments potential.
In intimate conversations with
Shimabukuro, Life on Four
Strings, directed by acclaimed
flmmaker Tadashi Nakamura
and airing on NPT Friday, May 10, at 8 p.m., reveals the cultural
and personal infuences that have shaped the man and the
musician. On the road from Los Angeles to New York to Japan,
the flm captures the solitary life on tour: the exhilaration of
performance, the wonder of newfound fame, the loneliness of
separation from home and family.
Independent documentary fans have had an incredible season
of Independent Lens to revel in this season, and the quality
continues Monday nights at 9 p.m. this month with three new
flms, including an Academy Award nominee. On Monday, May 6,
its Seeking Asian Female, the touching love story between
an aging white man and the Chinese bride he fnds online.
May 9 brings the Academy Award-nominated Te Invisible War,
an expose of the epidemic of rape and sexual assault and its
cover-up within the ranks of the U.S. military. Following a Monday
night break to give room to American Masters to profle legend Mel
Brooks on May 20, Independent Lens returns Monday, May 27, with
Detropia, which follows the eforts of Detroit residents working to
create a radically new post-industrial city.
Sunday nights in May come with a fun new half-hour series
celebrating the fresh, innovative work of flm-school students
from major institutions like NYU, Columbia University, UCLA,
USC, and the University of Texas that has wowed audiences at
Cannes, Sundance, Toronto, Telluride, and SXSW. Film School
Shorts, airing Sundays at 10:30 p.m. beginning May 12, ofers a
selection of shorts grouped together around a central theme or
topic, including Okay, Cupid (May 12), Growing Pains (May 19),
and Letting Go (May 26).
Arts Worth Watching
61
May 2013
Nashville Public Television
Daytime Schedule
5:00 am Classical Stretch
5:30 Body Electric
6:00 Arthur
6:30 Martha Speaks
7:00 Curious George
7:30 The Cat in the Hat
8:00 Super Why!
8:30 Dinosaur Train
9:00 Sesame Street
10:00 Daniel Tigers Neighborhood
10:30 Sid the Science Kid
11:00 WordWorld
11:30 Wild Kratts
12:00 noon Caillou
12:30 Thomas & Friends
1:00 Super Why!
1:30 Dinosaur Train
2:30 Curious George
3:00 Clifford the Big Red Dog
3:30 Martha Speaks
4:00 Arthur
4:30 WordGirl
5:00 Wild Kratts
5:30 The Electric Company
6:00 pm PBS NewsHour
Saturday
5:00 am Bob the Builder
6:00 Curious George
7:00 Super Why!
7:30 Dinosaur Train
8:00 Thomas & Friends
8:30 Angelina Ballerina
9:00 Sewing with Nancy
9:30 Marthas Sewing Room
10:00 Victory Garden
10:30 P. Allen Smith
11:00 Cooking with Nick Stellino
11:30 Cooks Country
12:00 noon Americas Test Kitchen
12:30 Mind of a Chef
1:00 Martha Stewarts
Cooking School
1:30 Martha Bakes
2:00 Fons & Porters
Love of Quilting
2:30 Best of Joy of Painting
3:00 Woodsmith Shop
3:30 The Woodwrights Shop
4:00 Rough Cut with Tommy Mac
4:30 This Old House
5:00 Ask This Old House
5:30 Hometime
6:00 Saving the Ocean
6:30 pm Tennessees Wild Side
Sunday
5:00 am Sesame Street
6:00 Curious George
7:00 Super Why!
7:30 Dinosaur Train
8:30 Sid the Science Kid
9:00 Tennessees Wild Side
9:30 Volunteer Gardener
10:00 Tennessee Crossroads
10:30 A Word on Words
11:00 Nature
12:00 noon To the Contrary
12:30 The McLaughlin Group
1:00 Moyers & Company
2:00 Journeys in India
2:30 Anywhere, Alaska
3:00 Californias Gold
3:30 Rudy Maxas World
4:00 Americas Heartland
4:30 Rick Steves Europe
5:00 Antiques Roadshow
6:00 pm Globe Trekker
Weekend Schedule
Nashville Public Television
ThisMonth
Mel Brooks
American Masters
The first authorized profile of the larger-than-life,
yet very private comedy giant. Features new
interviews with Brooks, Matthew Broderick,
Nathan Lane, Cloris Leachman,
Carl Reiner and Joan Rivers.
Monday, May 20
8:00PM
Breathing new life into the traditional civics lesson,
Peter Sagal (host of NPRs Wait, Wait Dont Tell Me)
travels across the country on a Harley Davidson to find
out where the U.S. Constitution lives, how it works
and how it doesnt; how it unites us as a nation
and how it has nearly torn us apart.
Tuesdays, May 7- 28
8:00PM
Tennessee Civil War 150
Rivers and Rails
The latest installment in our Civil War series
explores the roles rivers and railways
played in the war.
Thursday, May 30
8:00PM
wnpt.org
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64
Artist Gregory Kirschenbaum works with real metal pigments and
polymers on canvas. He has been compared to Andy Warhol by New
York Magazine. In this image, Gregory uses oxidized metal pigments
on canvas to create a beautiful urban scene.
Kirschenbaum is best known for The Iron Workers Statue from
Ground Zero and Rockefeller Centre.
Sensibility & Sustainability Since 1998
Originally constructed by Giarratana Development, the
modern 24-story Cumberland Building @ 555 Church
Street features 33 penthouse condominium suites atop
256 luxury rental apartments and street-level retail!!
A Downtown condo may have vast windows that let the
natural light pour in, but nothing opens up a space
windows or notquite as effectively as ART on the
walls. No matter how well-designed a space may be, it
looks a lot warmer, spacious and a lot more enjoyable
when its ART.
Downtown Condentials approach is to offer ART that
is eclectic, witty, nostalgic, edgy and well-known!
Included with the purchase
of your condominium.
At 555 Church Street, youre on Nashvilles downtown residential corridor. The Cumberland
penthouses blend elegance and tradition with modern-style convenience.
Go Vertical at the Viridian
A 31-story composition,
fashioned to t your passion.
501 Union Street
Suite 201
Nashville, TN 37219
615.424.0400
[email protected]
www.dtcondos.com
2301 21st Ave South
Suite 300
Nashville, TN 37212
O: 615.373.4347
LEASE BUY SELL
65
Artist Gregory Kirschenbaum works with real metal pigments and
polymers on canvas. He has been compared to Andy Warhol by New
York Magazine. In this image, Gregory uses oxidized metal pigments
on canvas to create a beautiful urban scene.
Kirschenbaum is best known for The Iron Workers Statue from
Ground Zero and Rockefeller Centre.
Sensibility & Sustainability Since 1998
Originally constructed by Giarratana Development, the
modern 24-story Cumberland Building @ 555 Church
Street features 33 penthouse condominium suites atop
256 luxury rental apartments and street-level retail!!
A Downtown condo may have vast windows that let the
natural light pour in, but nothing opens up a space
windows or notquite as effectively as ART on the
walls. No matter how well-designed a space may be, it
looks a lot warmer, spacious and a lot more enjoyable
when its ART.
Downtown Condentials approach is to offer ART that
is eclectic, witty, nostalgic, edgy and well-known!
Included with the purchase
of your condominium.
At 555 Church Street, youre on Nashvilles downtown residential corridor. The Cumberland
penthouses blend elegance and tradition with modern-style convenience.
Go Vertical at the Viridian
A 31-story composition,
fashioned to t your passion.
501 Union Street
Suite 201
Nashville, TN 37219
615.424.0400
[email protected]
www.dtcondos.com
2301 21st Ave South
Suite 300
Nashville, TN 37212
O: 615.373.4347
LEASE BUY SELL
66
G
et ready for a surprise if you drive down harding Place
near belle Meade boulevard past the ultra modern,
larry Woodson-designed white house on the corner of
Jackson and harding. Te new mural painted on the front of
it will rock your world and, depending on how you feel about an
enormous Asian face amid the Southern colonial columns and
half-timbered Tudors of Belle Meade, youll either love it or hate it.
Te owners collaborated with Seattle grafti artists Joey Nix and
Jef Jacobson, commissioning them to paint their visions on the
outside of the house. Internationally known videographer Chris Word
documented the creation of the piece. Nix and Jacobson spray-painted
by linda leaming | photography by Christopher Word
Street Art
the mural, called Timeline, over six days. Teir intent is to represent
how the past moves into the future, how one afects and builds of
the other. Tey use symbols of Europe (a turn-of-the-century lady
in profle), machines of the industrial revolution, and Asian techno-
culture to represent time and its passage. Vivid, hyperrealist images
convey movement and freshness. Its a narrative with a sense of
mystery, a puzzle in a picture. Tese symbols are subjective, says Nix.
We expect people to make their own interpretations.
Timeline is the artists second collaboration on the house. Te
frst, Gateway, created last year, contained esoteric geometric
symbols, the face of a Native American, and fying whales and
We want to encourage people to talk about art

and the ideas it can promote.
Owners, 734 Jackson boulevard
Graffti artists Joey Nix and Jeff Jacobson
67
was featured in local and national media. Lately, Jacobson and Nixs
murals have gained traction internationally. Together they recently
completed a large billboard in Seattle advertising Microsoft's launch
of Windows 8. Jacobson has just returned from London, after being
commissioned to paint Facebook's London HQ.
Nashville Arts sat down with the homes owners to chat.
Na: Graffti in belle Meade? What is this world coming to?
OWNERS: We want to encourage people to talk about art and the
ideas it can promote. On this go-around, we thought it helpful to
start a Facebook page (outside734) so that people could engage in a
conversation about the art.
Na: im engaged. Why tag your house?
OWNERS: One of the reasons that grafti art resonates with us is
because often the message is outside the established community.
Champions of this medium include artists like Banksy in England
and Shepard Fairey here in the U.S. Hes the artist who became
famous for his Obama campaign poster. Until recently, artists like
them were excluded from the community, traditional art galleries,
and showrooms. Socially they have been deemed unpalatable
and uncontrollable for fear that their philosophies may be anti-
establishment.
Na: What do you get out of it? is there an underlying agenda?
OWNERS: Were doing it for fun. Were not opening a gallery or
starting a business. We truly love all art forms, from the classic to
ultra-contemporary. Even if we don't get it, we try to respect the
artists right to their voices.
Na: What are peoples reactions?
OWNERS: We get so many comments. People drive by the house.
Tey put notes in our mailbox. Te overwhelming response has been
positive and encouraging. People seem to appreciate the efort.
Na: and the neighbors?
OWNERS: Tey have been extremely supportive. We love this
neighborhood.
Na: On Facebook someone said they didnt want to be held
hostage by someone elses taste.
OWNERS: It certainly speaks to the power of art that an image
could hold you hostage [laughs]. Ironically, Banksys early message
was that he felt he was being held hostage by the advertising
of multinational corporations, on billboards and in other
advertising media. He calls it brandalism.
Na: Why do you think the medium is so challenging for
some? is it because of this anti-establishment idea, the
idea that the art is made by outsiders?
OWNERS: Yes, partially. Many of us dont even know were
uncomfortable. Its not traditional. Its a diferent kind of art.
You dont go somewhere and see it on purpose.Also, this is Belle
Meade. People dont expect to see it here. But whatever anyone
says about the form or the art, Nix and Jacobson are the best at
what they do. Tis level of hyperrealist imaging with spray paint
is world class.
Na: how did this start? how did you meet the artists?
Can you describe the process?
OWNERS: We met them in Seattle where they were painting a
mural. We loved their work and hit it of. After we showed them
a picture of the house, we started talking about what we could
do together.
Na: how long will you keep it?
OWNERS: No idea.
For more about the artists, visit Jeff Jacobsons blog at
www.weirdocult.com and Joey Nixs blog at www.joeynix.wordpress.com.
Join the conversation at www.facebook.com/outside734.
68
May 24-26
Vanderbilt Universitys Commodore Ball Room
Student Life Center, 310 25th Avenue South
Schools Out! Lots of Free Parking at Main Garage SE corner of
25th Avenue South and Highland Avenue, or any campus meters!
Preview Gala
Friday, May 24, 5-9:30pm
Valet Parking, Sumptuous Hors doeuvres,
Cocktails, Strolling Musicians, and the
rst chance to see and buy incredible
works of wearable art!
Tickets $30 in advance; $35 at the door
Grand Showcase
Saturday, May 25, 10am-6pm
Sunday, May 26, 11am-5pm
Stunning wearable art
and lots of surprise treats!
Tickets $10 in advance
or at the door
Tickets available at http://art2wearnashville.eventbrite.com
handcrafted by supremely talented artists!
An Expo of Wearable Art!
Artisan Made Jewelry, Apparel & Accessories
Benetting Vanderbilts Sarratt Art Studios Childrens Programs
www.2wear.org
May 24-26
Vanderbilt Universitys Commodore Ball Room
Student Life Center, 310 25th Avenue South
Schools Out! Lots of Free Parking at Main Garage SE corner of
25th Avenue South and Highland Avenue, or any campus meters!
Preview Gala
Friday, May 24, 5-9:30pm
Valet Parking, Sumptuous Hors doeuvres,
Cocktails, Strolling Musicians, and the
rst chance to see and buy incredible
works of wearable art!
Tickets $30 in advance; $35 at the door
Grand Showcase
Saturday, May 25, 10am-6pm
Sunday, May 26, 11am-5pm
Stunning wearable art
and lots of surprise treats!
Tickets $10 in advance
or at the door
Tickets available at http://art2wearnashville.eventbrite.com
handcrafted by supremely talented artists!
An Expo of Wearable Art!
Artisan Made Jewelry, Apparel & Accessories
Benetting Vanderbilts Sarratt Art Studios Childrens Programs
www.2wear.org
If you have always dreamed your wedding would be
the pinnacle of elegance and sophistication,
the Pleasant Hill mansion at The Governors Club
is the perfect choice.
Imagine a stunning 19
th
century mansion impeccably
appointed to make your special day unforgettable.
It all begins with a single vision.
Yours.
Contact Cathy Bucek, Special Events Director
at 615.776.4332
for information and private tour.
[email protected]
GovernorsClub_0811HV.pdf 1 7/14/11 1:04 PM
Mixed Media on canvas 48 x 36
Contact Gerard Vanderschoot, exclusive Regional Representative
of the work of International artist Matt Lamb for the
Nashville, Dallas, and Chicago regions
(815) 347-9698 [email protected] www.mattlamb.org
1 9 3 2 2 0 1 2
Visit our Nashville area location by appointment - (815) 347-9698
Bl ai r concert seri es
Blair
Childrens
Choruses
Blair school of Music
2400 Blakemore ave. nashville, tn 37212
All concerts at the Blair School of Music are free and open to the public unless specifcally
stated otherwise. For complete details about all the upcoming events at Blair, visit our
website at blair.vanderbilt.edu
Close out the spring concert season with sweet singing
from the Blair Childrens Choruses! Featured ensembles
include the Blair Childrens Concert Choir, Young Mens
Chorus, Blair Choristers, Nashville Boychoir, Young
Singers of Blair, and Preparatory Chorus.
Friday, May 10
7:30 p.m.
Ingram Hall
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tucker Biddlecombe, Mary Biddlecombe and Connie Guerin, directors
a monthly guide to art education
by lauren baud and Jennifer Cole, Metro Nashville arts Commission
O
ne of my favorite childhood books is E.L
Konigsburgs 1967 classic From the Mixed
Up Files of Mrs. Basil E. Frankweiler, where two
erstwhile suburban kids plot to run away and
hide in the Metropolitan Museum of Art. Along
the way, they discover an unknown Michelangelo
sculpture and through research and observation
unlock a new fragment of history. Tis kids dream
of fnding something unknown, being a sixth-grade
Indiana Jones, is happening right now at John Early
Museum Magnet Middle School. In March, John Early (JEMMMS) became
the frst middle-school museum recognized by the Tennessee Association
of Museums and the American Alliance of Museums. Te cornerstone of
this designation is the schools collection of over 8,000 artifacts acquired
from the Scarritt-Bennett Center. Te artifacts hail from four continents
and represent cultures all over the world. Te far-ranging collection,
curated by students and teachers, includes jewelry, costumes, hats, shoes,
pottery and pottery shards, dolls, ceremonial masks, armor, sculptures,
toys, baskets, musical instruments, tools, headdresses, and much more.
JEMMMS is a shining example of inquiry and project-based learning that
is the nucleus of the states new rigorous Common Core Standards. Rather
than read about geography, culture, and ritual, the Junior Curators club at
John Early reviews an artifact, considers its fragility, determines its social
and cultural purpose, and catalogs it through measurement, writing, and
sketching. Simply, the act of looking at a basket or an arrowhead synthesizes
science, math, English, and history in a real world and innovative context.
No need for the annual museum feld tripJohn Early students are acting
as docents, preparing gallery talks, working directly with instructional
volunteers and the more than thirty institutional partners from the State
Museum to translate everyday objects into out-of-this-world learning.
John early Museum Magnet Middle school is always looking for volunteers
and artifact donors, so if you would like to join in on the fun, please contact
becky Verner or lyndell edmonson via email at [email protected]
and [email protected].
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State of the Arts
by deeGee lester
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ashville's newest museum embraces some unusual notions:
the small, gloved hands of children can handle artifacts with
care; kids can serve as knowledgeable and enthusiastic docents;
and young minds can envision and create engaging exhibits and
assist in the development of a collection policy. With professional
recognition from the American Alliance of Museums (AAM), the
Tennessee Association of Museums (TAM), and the Inter-Museum
Council of Nashville (ICON), the students and faculty at John Early
Museum Magnet Middle School recently celebrated the grand opening
of Tennessee's frst ofcially sanctioned museum within a school.
Following the closing of Scarritt-Bennetts Hartzler Towner
Multicultural Museum in 2011, museum ofcials began looking for
new homes for its collection of over 10,000 artifacts, including African
masks, exotic musical instruments, baskets, traditional Japanese
costumes, textiles, pottery, and dolls from around the world. A chance
meeting between Rebecca Verner (John Early Instructional Designer)
and Steve Gately (Research Librarian at Scarritt-Bennett) led to further
discussions that resulted in the donation of a major portion of the
collection to the museum magnet school.
Childrens natural attraction to objects and their stories and the
unique experiential learning environment ofered at John Early
provided an appealing museum home for the treasured collections. In
reaching out to the magnet school, Bob Tyson, Director of Education
and Connections at the Center, said, Promoting cross-cultural
education, understanding, and relationships is at the heart of
Scarritt-Bennetts legacy. Tis donation ensures that legacy will
stay aliveand in the hands of studentsfor years to come.
By any estimation, it was a bold move. Placing cultural artifacts from
around the world under the stewardship of middle school students would
normally send terror through the ranks of museum professionals. But
two years into working with the museum magnet, the forty-one museum
partners of John Early applauded the donation and welcomed the venture.
John Early Students
Passing on Knowledge
Viking dragon ship or longship
Fifth grade docent, KeMayeysa buford, informs visitors about african
tribal instruments.
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In workshops led by Dr. Bren Martin and the Public History Program at
Middle Tennessee State University, teachers and students learned and
followed professional museum accessioning procedures for inventorying,
cataloguing, crating, and moving artifacts from one museum location
to another. Te university and museum magnet partnership includes
continuing support services in critical areas such as artifact handling
and exhibit display using museum-quality display units. Troughout the
process, John Early faculty and students have taken seriously their new
role as cultural stewards and educators.
Te museum magnet school concept ofers students an opportunity to
explore curriculum connections, to place what they learn in the bigger
picture, to develop critical thinking and communication skills, and to see
the relevancy of what they learn. Students are empowered with a potential
to impact their community. ICON president Jef Sellers reminded students
that through the museum magnet learning experience, You are not just
being educated; you are becoming educators.
In remarks at the John Early Museum grand opening, Alan Coverstone,
Metro Schools Executive Ofcer for Innovation, acknowledged the
power of our collective stories and artifacts to our sense of community.
We build and create a world of artifacts that constitute
our contributions to our shared lives in community. But the
importance and memory of our work belongs almost exclusively
to those who will carry our stories into the future.
With a learning environment enhanced by the presence of interesting
artifacts from around the world, students have access to the repeated
moments of discovery enjoyed by museum professionals. But these young
people learn that with that access also comes the responsibility of caring
for the stories and objects. Coverstone recognizes a shared responsibility,
saying, When we [adults] are really ready to build a future for all
the people of Nashville, we will need to release the power to our
children, secure in the knowledge that they know how to dream,
build, and share stories that will set the direction for their work
and ultimately build the Nashville where we will grow old.
For more information, visit www.johnearlyms.mnps.org.
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african headpiece, believed to be a mask, is used for ceremonies and
religious rites.
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Japanese hand embroidered silk tapestry, samurai Warrior on horseback,
a wooden sailing vessel, Geisha girl and a ceremonial dancer.
Mexican Virgin or Madonna
by rebecca Pierce | photography by tamara reynolds
D
espite being on the fringe of the city, Antioch High School
has made remarkable progress in developing opportunities
for students to become a part of the Nashville art community. As
in many schools, funding for the arts remains a struggle, but with support
from Cheekwood Botanical Gardens, a partnership with the Frist Center
for the Visual Arts, and donations from Antioch's local businesses, the AHS
Art Department is blossoming and bringing more art to the Antioch area.
Liz Savayvongthong played violin as a youngster and has been drawing
since seventh grade. Preferring to work alone, she is very serious about
her work and applies the same discipline she learned studying music.
She has tried every medium but always comes back to pencil and pastels.
In her piece Stressed she wanted to convey the feelings that accompany
stress. Most people hide their feelings when they are around others, but
then when they are alone the feelings come out, she explained. Liz is
currently fnishing her AP portfolio and looking at colleges. Tough she
isnt sure what direction her art will take in college, she is considering
becoming an art teacher.
New Horizons
Antioch Art Students
Art has always been a part of Tristan Higginbothams life, and she
is open to wherever her creativity takes her. Shes been awarded a full
scholarship to the Governors School and will spend a month at Middle
Tennessee State University this summer. Tough she is a bit nervous
she says, Im excited because I will be totally immersed in art, and I
wont have to worry about anything else. I am still trying to fgure out
my style, and I think this opportunity will help me develop and move
into my own. Tristan participated in the Frist Antioch Community
Exhibition, F.A.C.E., helping to put together an exhibition using the
same processes employed by the Frist Center. A junior, Tristan will
continue with AP art next year. liz savayvongthong, Stressed, 2011, Graphite on paper, 13" x 18"
liz savayvongthong
tristan higginbotham
tristan higginbotham, Fallen Clown, 2011, Watercolor on paper, 8" x 10"
by deeGee lester
T
eens perceive and interpret their community and its issues
in powerful ways. Tey understand that what they create can,
ultimately, add new voices that can inspire change.
Now through August 25, visitors to the Frist Center's Conte Community
Arts Gallery are invited to explore the reinterpretation by teaching
artists Chris Cheney, Michael Lapinski, and Laura Wallace of four teen
art installations. In the latest contribution to the Stop. Take Notice! public
art initiative, launched last fall by Frist Center educators, the current
exhibit expands student art concepts that boldly address local issues.
Te project provided high school students an opportunity to create
interactive works of art that were installed at partner community
organizations: the Nashville Public Library's Main Branch Teen Center,
the Oasis Center, the Martha O'Bryan Center's Top Floor program, and
the Cane Ridge YMCA Latino Achievers.
In this artistic, public platform, the teens creatively addressed issues
impacting their lives. Life-size sculptural pieces provide visual
commentary on the pressure for perfection and maintaining a fawless
facade before the world. Te pieces of personal and collective piatas
express views on the impact of violence. Te moveable wooden leaves
of a life-size tree silhouette refect life's positive and negative choices.
A sixteen-foot collograph block allowed students to cut and transfer
symbols and letters spelling out community issues. Te reinterpretation
of these works by teaching artists expands the platform for public
exchange of ideas and experiences that was opened by the teen artists.
For more information, visit www.fristcenter.org.
Frist Center's
Stop. Take Notice!
Nathaniel Oboh elected to take Art 1 his freshman year because he
thought it would be a fun and easy class. With a rather sheepish grin he
explained he discovered he could indeed draw but that art class wasnt
very easy, especially once he began AP Studio Art. Beginning in the fall,
Nathaniel has made quantum leaps in his skills, vision, and artistic voice,
his instructor enthusiastically remarked. Often he chooses his subject
matter from someone or something right next to him like a classmate
across the table. He looks for interesting angles and strong contrast,
which he renders in pencil adding color near completion. Nathaniel will
submit an AP portfolio. Hes been accepted to MTSU, plans to major in
engineering, and hopes to become a mechanical engineer.
As a relatively new teacher, I am just starting to experience the joy of
watching students continue through our art program, explained art
instructor Emma Lancaster. Te three students featured are a few of
those I've had the pleasure of teaching for two or three years. Liz and
Tristan were two of the fve students to jump on board working with the
AP Studio Art curriculum last year. Tough we didn't have a designated
class time and I wasn't certifed until November, their excitement and
determination to progress artistically were inspiring and allowed us to
continue growing the art program. Nathaniel was frst in my Art II class
last year and somewhat reluctantly joined AP Studio Art this year but
has fourished in the rigorous course.
It's been amazing watching these students take initiative and
produce high-quality artwork, Lancaster concludes.
For more about antioch high school visit www.antiochhs.mnps.org.
Nathaniel Oboh
Nathaniel Oboh, Shoes, 2012, Graphite on paper, 16" x 20"
a participant works on carving a block.
the group works to ink their large collagraph for printing.
Max Kohler works the clay

by lisa Venegas
I
n the back of the LeQuire gallery on Charlotte Pike in his own
personal workspace, sculptor Alan LeQuire has been ofering
workshops to adults for some time. Tree years ago he decided to
expand his mentoring, ofering a week-long summer camp that would
expose children 7 to 10 to a diferent medium each day. Te Artist-A-
Day Camp is taught by some of Nashvilles most recognized artists and
has to be one of the most fun art camps any kid could attend.
Louise Kohlers son Max has been to the camp for the last two years and
will go again this summer. Max loves going to the LeQuire Studio, and
when I heard they were doing the camps [and] would have a diferent
artist do a diferent art every day of the week, it sealed the deal. My
husband and I are both really big art fans, and we truly believe its
inspirational for children to actually be up close and personal and
involved with artists. Te artists theyve had have been so talented and
inspirational with children.
And what does Max himself think about the camp?
I thought it was really cool. My favorite was
taking a rock and carving it in the shape
of a dinosaur head, and I got to work on a
collage that turned out to be a bowl. Tis
summer I want to make some more collages
and carvings, but Im also hoping we make
things out of metal, cause thats really fun.
Art Camp
at LeQuire
Te camp isnt a blast just for the kids. Jim Sherraden, who is best known
for his work at Hatch Show Print, will be teaching a class again this year.
I enjoy the art camp so much. Tis is my third year, and Im happy to
teach printmaking to young children. Someone did it for me when I was a
child, and Im happy to return the favor.
there will be two weeks of artist-a-day camps for 7 to 10 year olds, as well
as a week for kids 10 to 12. in addition to leQuire and sherraden, featured
artists include annie Freeman, ben Caldwell, and brenda stein. For more
information, visit www.lequiregallery.com.
artist Greg decker
sculptor alan leQuire
Wood turner brenda stein
The Shoppes at Rivergate 2152 North Gallatin Road
Madison, TN 37115 (615) 859-6878 www.framesbyu.net
We offer
Custom Framing
Large selection
of mouldings
Photo frames
Shadow boxes
& acrylic boxes
Mirrors
Commercial
accounts welcome!
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the gift shop at the car wash!
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615.298.1404 www.ward-potts.com
TRUNK
SHOW
May 15 & 16
10AM TO 5PM
76
Callie Khouri
Wrote Thelma & Louise, Created the Nashville TV Show, Appeared
on the Cover of TIME, and Picked up an Oscar Along the Way
. . . Not Too Shabby!
TELEViSiON
"
T
he whole time i lived here, says Oscar-winner Callie Khouri with a degree of wonder, all i could think was
why am i here, what am i doing here? Id think this makes no sense; theres nothing here for me
Pausing in the cheap-veneer Winnebago with the Styrofoam-beige shag carpeting, expensive console-mounted sound system, and
the mirror ringed in large lights for applying make-up, she takes it all in. Now I know whyI was doing research! I was around all
these talented people, and none of my talents ft with anything they did. So, here I was . . . Tey [every aspect of her Nashville life] all
seemed to be dead ends. And then, it all dumps into this.
Tis would be Nashville, ABCs expensive prime-time weekly soap/drama that centers around several crossroads, not just in the
country music industry but the dynamics of local power and politics, the bubbling under other musical genres, ageism, addiction,
and, yesbecause its networksex.
by holly Gleason | photograph by anthony scarlati
77
Laughing, she shakes her head. Te Texas-born, Kentucky-raised
Khouri has always defed conventional wisdom. Having studied at
the Lee Strasberg Teatre and Film Institute, she wrote her frst
script while working as an assistant at a video production company.
Tat little script became Telma & Louise, which captured the
imagination of director Ridley Scott before landing the statuesque
blonde on the cover of TIME and ultimately winning her 1992s
Oscar for Best Original Screenplay.
Te tale of a fed-up waitress and her timid best friend trapped in
a sufocatingly dreary small-town marriage going on the lam for
a weekend adventure was anything but conventional at the time.
But it struck a resonant chord with America. Tis wasnt a feminist
manifesto; it was feminism lived, as well as a heros journey shared
by two friends, who just happened to share the double XX genetic
coil. Nashville, seemingly a classic lots-of-money-and-betrayal
proposition, follows suit. Using the genuine conficts, cold-blooded
powerbrokers, and actual realities of the entertainment business,
Khouri committed to exhuming the humanity beneath the decimal
places and high-gloss hair toss needed for prime time.
Tours not selling, young artists whore fuf that fex sex over
talent, business folks who look at the bottom line and miss the
content, as well as backstories driven by poor choices . . . all drive
Nashville. And the musicoverseen by iconic producer/artist/
visionary T Bone Burnettstrives to raise the bar on what
mainstream country can stomach.
When my agent started talking to me about this, I kept
saying no one is going to buy the kind of show about
Nashville Id want to make, Khouri remembers. But they
kept insisting we take the meetings . . .
Steve Buchanan, president of the Grand Ole Opry, had a vision.
R.J. Cutler, known for cutting-edge documentaries including Te
War Room and September Issue, seemed to understand the heart
and grit Khouri was seeking. A meeting with Lionsgate, where I
never thought theyd go for it, turned into meetings with several
suitors. Two networks seemed committed.
Still Khouri, whod always found a way to examine the sexual
politics and stereotypes beneath her quixotic story lines and
brilliant dialogue (like You shouldve thought of that before you
married someone whose nickname in college was Hounddog, Kyra
Sedgwicks sister in Something To Talk About chides the cuckolded
Julia Roberts), didnt want to be saddled with a long-term TV
series obligation to churn trash-and-tabloid storylines.
Tankfully, ABCwith its commitment to the Country Music
Association Awards and CMA Music Festival special, plus Reba
McEntires Malibu Countryrecognized the intrigue beneath the
glitter of Taylor Swift, Carrie Underwood, and Shania Twain.
Tough erratic airing has made developing a state of must-see
Wednesday-night viewing elusive, Entertainment Weekly and
People both cited Nashville as among the years best TV.
I wanted to get it right, she says. Because no matter where I go,
there is so much music here that exists only here! All the artists I
love, you cant hear on the radio. Well, maybe Elvis Costello from
time to time. But thats a part of what makes Nashville Nashville
and it creates this dynamic, too.
Which is why, beyond building an exact-replica Bluebird Caf on a
soundstage in East Nashville, Khouri plucks venues like the 5 Spot
and Two Old Hippies to host smaller artists and shows, sets scenes
in the writers rooms at publishing companies, and takes on the
cinderblock anonymity of what people dont see backstage at the
big arena shows.
Khouri understands the lives of the struggling and superstar
musician, because shes been there with her friends. Reputedly
the Telma in Telma & Louise, Pam Tillis met Khouri when she
was showcasing as a rock act at the Exit/In long before country
stardom, and the singer/songwriter was struck by how worldly
the waitress bringing her a Coke was.
She read books and saw flms and had thoughts, Tillis remembers.
I was starved to have someone like that in my life. When wed
fnish running around, doing the things kids do at that age, wed
sit up and talk and talk all night. It was amazing.
Tillis, who would go on to win the CMA Female Vocalist of the
Year, had a parallel rise, where the waiting was, most defnitely,
the hardest part. Visiting her friend in L.A. while working on a
pre-stardom album, Khouri asked her to read some of what shed
been working on.
Im no literary person, Tillis acknowledges, but I was foored.
Te dialogue she was writing . . . it was awesome. And then, well,
Im having a couple of #1s, and shes on the cover of TIME, so I
couldnt compare, but Id seen where she started.
Callie Khouri is a long way from the Exit/In and her impossible
dreams. Tese days, she shuttles from Nashville to L.A., midwifng
her series and keeping her eyes on the detailsgetting the story
right, making sure great music is cast, being true to her characters.
Once upon a time, shed have a year to deliver a script, but now she
often has two weeks to turn around an episode, while developing a
story line that unfolds over multiple weeks. It used to be solitary, she
explains. But now I have a roomful of writers whom I can talk things
out with. Teres always somebody who has an idea of what to do.
Not that Khouri doesnt see where shes headed.
In a tangle not unlike real life, Nashville
ofers the reality under the reality
people think they know. Ive had a
lot of people who have careers tell me,
Tats just how it is! I cant think of a
better compliment.
For more information about Callie Khouri visit www.imdb.to/14hhCkv.
78
W
alking through the sets of Nashville is a bit surreal.
Here we are in the mayors ofce, and outside the Bluebird,
or inside Sylvia Roberts Belle Meade home. Te sets arent the real
places, but the resemblance is uncanny. My visit is in the company of
production designer Jef Knipp and art buyer Trish Tallon-Blanchard,
whose job is to create a sense of our Nashville for Nashville.
Watching television, we dont put much thought into design, but
the production designers create visual continuity in the sets for the
viewer. Likewise, Jef and Trish make sure that the world you see in
Nashville couldnt easily be mistaken for New York, Miami, Dallas,
or D.C. It is quintessentially Nashville.
Tat might sound easy but its not, especially when it comes to
choosing art for the show. Each piece of art needs not only to match
and blend in a set, but to create an overall sense of the character
whose home or ofce it hangs in and a sense of mood within a space.
Examine the pieces you see hanging in Raynas Belle Meade home: Knipp
sees those pieces refecting the whole of Raynas character, for whom
he envisions golden, honey tones and overall warmth. In addition,
they need to ft whats been defned as her taste, tending toward the
traditional, sophisticated, yet not overly formal. Raynas a collector,
asserts Knipp. Some of the pieces in her home might have belonged to
her mother. Te dcor defnes Rayna, with abundant clocks and mirrors
reminding us of the passage of time, the understanding that Rayna is a
grownup, established star, not an up-and-coming girl diva.
by stephanie stewart-howard | photography by Jerry atnip
While much of the furniture on the set came from Bradfords and
Sprintz, the art is a diferent story. Knipp, Tallon-Blanchard, and their
staf scoured the city to fnd the right pieces to put in the right places.
A great example of how the process works might involve looking
at the painting in the sitting room of a softly colored tree painted
by Greg Decker, a Nashville artist represented by LeQuire Gallery.
I knew Greg from my time working at Vanderbilt, says Tallon-
Blanchard. When I saw this piece, it just felt right. I liked the tree
metaphor implying growth and shelter. Tree more Greg Decker
pieces hang in Raynas bedroom and its environs.
Local artists and galleries fll the Nashville sets with
exquisite works, thanks to a dedicated design team
Maddies bedroom, Peter Kuttner, left: Melodies II, right: Melodies III
raynas bedroom
79
On another wall, a sleek, eerily beautiful abstract by Cathy
Lancaster (from Bennett Galleries) keeps that sense of warmth
but underlines Raynas sense of the contemporary. In contrast, on
a wall outside the sitting-room door, you catch a glimpse of a mid-
century modern work with a European favor, this by Russian-born
Murat Kaboulov, also from LeQuire Gallery. In visual shorthand,
this tells us Rayna is well traveled and has a sense of the value of
what she has. Te soft watercolor with bold, black outlines marks
the piece in its time.
While some galleries and artists donate work for long-term
use, others allow the show to make gicles and size the work to
meet the needs of the set. Te hope is that the artists will have
opportunities to sell more work. Make no mistake, audiences copy
art and furniture from the big and small screens as much as they
copy hairstyles and clothing.
Knipp and Tallon-Blanchard concentrate on building relationships
with local artists and galleries, from folks like Graham S. Duthie,
whose Nashville Triptych I, II, III hangs in Lamars mayoral
ofce, to Leipers Creek Gallery and Stanford Fine Art Gallery.
Te generosity of these individuals and businesses makes
the intense local nature of the sets art possible. Were they to
demand huge rental fees, it would break the relatively modest art
department budget.
To understand how detailed the choices are, look at the walls in
Raynas daughter Maddies room. Here, framed vintage prints
from Art Deco-era fairy-tale books (Trishs doing) share space
with three very diferent and dramatic pieces by Nashville artist
Peter Kuttner. One is a lush foral, while the other two, entitled
Melodies II and Melodies III, suggest song notes in rich color on a
cool white background.
To contrast characters, check out Juliettes house, where the art
matches Knipps vision of her environment: . . . colder, harder,
beautiful but not comfortable. She really doesnt know what a home
raynas house, Murat Kaboulov,
top: Girl in White, bottom: City Scene
raynas house, den, Cathy lancaster,
Homochitto River
lamars Offce hallway, Charlotte terrell,
Landscape
raynas house, Greg decker, Tree of Life
Mayors Offce, Graham s. duthie, Nashville Triptych I, II, III
is, so she creates what she thinks it might be, says Knipp, telling me
he chooses cool blue and gray tones for Juliette. You can see this in
art like Ed Nashs crisp abstract Transforming, Patrick Browns grayed
modernist pieces, or photographs from Jerry Atnips Panhandling
series that hang in her house and in her dressing room.
Every episode is a study in the relationship between art and
commerce, Knipp says. Its all about a budget. Budget or no,
Knipp, Tallon-Blanchard, and their team create a wondrous world
for us every Wednesday. Lets hope they get to keep on doing it.
For more information about Nashville and to watch clips of the show
visit www.abc.go.com/Nashville.
80

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M
aravilloso! writes one of Nathan
Pachecos spanish-speaking fans.
Maravilhoso echoes a Brazilian fan in Portuguese.
And then theres the American equivalent of
marvelous: Geesh Nathan! Alright already!!!
Tese comments, sampled from Pachecos YouTube
pages, illustrate how his classical-crossover
stylehis melding of classical opera and
contemporary pop to encompass everything from
MuSiC
Nathan
Pacheco
Stepping Out
Puccinis Nessun Dorma to Leonard Cohens
Hallelujahcrosses not only musical
genres but geographical and linguistic
boundaries as well.
Te center of all that international attention
is, surprisingly, not in an opera mecca like
New York or Milan but in Nashville. Pacheco
moved here about a year ago so his wife could
be near her family in Huntsville, Alabama,
and because Middle Tennessee reminds him
of Virginia, where he grew up.
His was a typical all-American upbringing. I
defnitely had a love for music, but I wouldnt
consider myself a music geek, he recalled. I
was really into sports as well. I was in the glee
club, but it was not like they make that out
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PBS followed up with two specials featuring Pacheco solo: Introducing
Nathan Pacheco Live in Concert and Nathan Pacheco Christmas. Te Disney
Pearl Series label signed Pacheco and released his debut CD in 2012. Te
album showcases the full range of Pachecos artistry as he moves easily
from English (Dont Cry, which he co-wrote) to Spanish (Oyela, which
he also co-wrote) to French (Que Amore) to Italian (Caruso).
Pacheco performed in Nashville as part of Yannis group, but he made his
solo debut in his new hometown with a concert in April at TPAC. With a
new baby, he admits he doesnt get out on the town much, but hes looking
forward to taking advantage of all that Nashville has to ofer musically.
Although he is now the standard-bearer of the classical-crossover genre,
Pacheco doesnt see himself as an evangelist for opera-inspired music. I
wouldnt consider myself as trying to convert people, he said. I love this
style of music because it reaches me, but I also believe a lot of people really
enjoy this music once theyre exposed to it.
Whether its in the classical-crossover realm or pop, he added, my
goal is to write great songs or to fnd good cover songs and put together
good concerts with music that moves people, because thats what its
all about.
For more information about Nathan Pacheco visit www.nathanpacheco.com.
to be [on Glee]. I played in a high school band. I learned
the guitar by learning Dave Matthews and Pink Floyd. I
think thats why I didnt decide to do just strictly opera
and leaned more toward a crossover style that blends
opera and even folk and all these other elements.
His mother, a piano teacher, started him on piano and
violin, but he didnt discover opera until his sister, who
is fve years older, began studying opera in high school.
Still, his movement toward classical voice was gradual.
I got involved in the high school choir, high school
musicals, started gravitating more toward singing than
toward violin, started taking classical voice lessons for
fun, he said. As I got more involved in it, I listened to
recordings of Te Tree Tenors and later Andrea Bocelli. I
was really inspired by this type of singing. It came a little
at a time. I studied it. I performed it.
Although Te Tree Tenors (the opera super group of
Luciano Pavarotti, Plcido Domingo, and Jos Carreras)
and Bocelli had proven that there was a lucrative place in
popular music for operatic voices and classical repertoire,
Pacheco maintained a broader interest in music through
his frst years at Brigham Young University. Ten,
while he was studying abroad in Italy, he had a
career-defning experience.
I loved waking up every morning, going
to Italian class, then acting class, then
eating at one of the small restaurants
in the little town, then opera class and
performing at night. I thought, how can
I make a living doing this?
After graduation, Pacheco still hadnt fgured out how
to make a living performing the music he loved, so he
flled his down time by writing songs, developing skills
he would soon put to good use. I started writing songs
on the guitar in high school, he recalled. As many
musicians do, it was a form of expression. I didnt have
any professional experience as a writer then, but I would
do it for fun.
Trough a friend of a friend, he landed some auditions
in Los Angeles, one of which led him to Ric Wake, whose
production credits range from Mariah Carey to Marc
Anthony. Wake was working with the Greek composer
Yanni, whose synthesis of classical and New Age music
made him an international star in the 1990s. An
instrumentalist, Yanni was looking for singers for a new
project. With Pacheco, Yanni got much more than a great
voice. He also got a songwriter who contributed lyrics
and additional music to Yannis tunes.
Yanni Voices introduced Nathan Pacheco to the world, frst
on a PBS special in 2008 and then on an album in 2009.
84
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86
I
n every feld there exists opposition such as in politics,
religion, etc., and every day this dissent becomes more
and more polarized. Although not as volatile as political unrest,
this inevitable schism also prevails in the realm of art. Working
as an art journalist in Berlin, Germany, I have seen conficts and
opposing viewpoints in the art world on a daily basis although
generally these are ignited by fnancial issues (who is becoming
a sellout) or perceived censorship (which is the equivalent of
dropping a Mento into a liter of Diet Coke in a city ruled by extreme
liberalism). However, I have never seen such a discrepancy between
what is considered good and bad art since I took a holiday trip
to my mothers Southern roots in Tennessee and ventured into the
Nashville art world.
Although I have never actually been a resident of Nashville myself,
I feel a very deep connection with the city, having traveled back
and forth two to three times a year with my family on the ritual
Tanksgiving/Christmas/Easter holiday pilgrimage. I have been
to the Grand Ole Opry, eaten real Tennessee BBQ, and gone to a
show at Tootsies, but I am ashamed to say my knowledge of the art
scene was limited entirely to day trips on my grandmothers yearly
membership pass to the Frist. Tat is why this year I decided to
venture out on my own to talk to some Nashville artists to get the
inside track on the citys art scene.
My quest took me to the doorstep of several galleries in the
Nashville area and one local artist I will call Steve. Although
I know my encounters cannot refect the vast array of art and
artists found in Nashville, I considered them soft indicators of
what sells in the local marketplace.
Te art that I observed during my trip, although displaying great
artistic talent, is the epitome of everything modern contemporary
artists in Berlin haterealism, kitsch, and oftentimes adopting
techniques used by overtly identifable artists such as Dali and
Gauguin. Tis brings us to the fundamental divide between
Nashville and Berlin art: the commercial versus the conceptual.
But just as Berliners could never fathom buying a painting of
something as unoriginal as a fower portrait or cityscape, many
in the Nashville art world would be appalled by some of the overly
Der Strich exhibition, June 2011
Berlin Calling
Berlin Art Critic Kirstin Hall Travels to Nashville's Art Galleries
and Compares the Conceptual to the Commercial
Kaffe Burger, Video still
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COMMENTAry
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conceptualized, obscure contemporary artists in Berlin, artists
that Steve referred to as wannabes throwing paint at a canvas
on a wall. In truth, throwing paint at a wall is about the most
concrete art form you could hope to fnd on a given day in Berlin.
Take for example an art performance I attended during Berlin
Fashion Week in the basement of an abandoned warehouse
turned nightclub Urban Spree. Te installation consisted of a
girl running around and reading a monologue, which I can only
assume was a depiction of the mind of a person sufering from
multiple personalities disorder, with a naked man sitting in the
corner wrapped entirely in Saran Wrap except for his exposed
genitals. I would like to classify this bizarre encounter as the most
outlandish art I have seen in Berlin, but that would be far from
the truth. From taxidermy sculpture to the most extreme political
street art in existence, you name it, we have it all. But it seems
the one thing we lack in Berlin, or at least pretend not to
recognize, is commercial art.
Tis is not to say that technique is not held in high regard by
Berliners; it just means that there is an unwritten rule that it is
unacceptable for an artist to create something merely beautiful. To
develop a collection, there must be a unique, dynamic concept and
a consistent message behind the work.
After the diferences between the artistic markets of Berlin and
Nashville become overwhelmingly apparent to me, I am left with
the perplexing question: which situation is most desirable? Now
the true bewilderment commences. On the one hand, the Nashville
art scene is still in its infancy whereas the Berlin art scene is the
product of hundreds of years of cultural upheaval, so perhaps the
Nashville art scene has yet to acquire a mature artistic palette? But
then again, is a world really better where art critics have become
so jaded towards commercial art that they sometimes overlook
talented artists just for a lack of conceptual substance? It is hard
to say. However, I think right now the horizon looks bright for
Nashville as the city evolves from a primarily music capital to a
cultural epicenter for all arts. Only time will tell what the future
artistic climate will be.
Kirstin hall is a freelance writer currently living in berlin. see more
photographs of art from berlin at www.hunterarmisteadfneart.com.
street Graffti, east berlin
Sexist, Graffti on wallpaper
haus der Kulturen der Welt 2011. a man engages in an interactive exhibit.
a couple dressed identically at berlin Contemporary arts
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The Arts Company
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Bennett Galleries
bennettgalleriesnashville.com
Bryant Gallery
bryantgallerynashville.com
Cheekwood Botanical
Garden and Museum of Art
cheekwood.org
Cumberland Gallery
cumberlandgallery.com
Frist Center
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fristcenter.org
Gallery One
galleryone.biz
LeQuire Gallery
lequiregallery.com
Leu Art Gallery
belmont.edu
Local Color Gallery
localcolornashville.com
Midtown Gallery & Framers
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Richland Fine Art, Inc
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Sarratt Gallery
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vanderbilt.edu/sarrattgallery
Tennessee Arts
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arts.state.tn.us
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tennesseeartleague.org
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Tennessee State University:
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parthenon.org
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therymergallery.com
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tinneycontemporary.org
Two Moon Gallery
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Vanderbilt University
Fine Arts Gallery
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Williams 19th &20th Century
American Art Galleries
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Zeitgeist
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92
ThEATrE
C
omb out those beehives and ducktails because
tPaC opens its 20132014 broadway series with
the tony-winning super musical Jersey Boys soaring
into Nashville October 29 through November 3. Ten,
after an amazing eleven-year run at London's Dominion
Teatre, the story and music of Queen come to town in the
Queen/Ben Elton musical We Will Rock You, November 12
17. When 2014 breaks, so will Ghost, a sparkling new musical
based on the Academy Award-winning flm, February 25
through March 2. And as everybody knows, Whoopi movies
made into musicals never get old, so Sister Act sings and
dances its way here March 1116. From Memphis to New
York and back to Tennessee, Million Dollar Quartet rolls in
May 611, and if all that Broadway magic isnt enough, the
TPAC series closes 2014 with one of the most inventive
productions ever staged, War Horse, June 38.
Te 2013-14 Broadway Specials include Disneys Beauty and
the Beast September 2429 and Wicked March 26 through
April 20. Also gracing the TPAC stage are special presentations
of Studio Tenns A Christmas Carol December 1222 and
I Love Lucy Live On Stage, January 1426.
The 2O1314 HCA/TriStar Health
"Broadway at TPAC" Season
by Jim reyland
As you can see, theres plenty to fll a theatre lovers calendar, and TPACs
staf and President/CEO Kathleen OBrien are thrilled to bring it all to us.
Everywhere you look, Nashville is turning heads and making headlines,
War Horse
Jersey Boys
Jim reyland owns audio Productions, a production
facility in Nashville, and is the artistic director of Writers
stage theatre. his new play, Used Cows for Sale, and
a new musical, Ill Take the Crowd, are currently in
development. [email protected]
Spring Awakens at Street Theatre
Spring Awakening celebrates the unforgettable journey from
youth to adulthood with power, poignancy, and passion.
Winner of eight tony awards, including best Musical, Spring
Awakening takes its inspiration from one of literature's
most controversial masterpiecesa work so daring in its
depiction of teenage self-discovery it was banned from the
stage and not performed in its complete form in english for
nearly 100 years.
Spring Awakening runs May 10 through 26. tickets are $18 for
adults and $16 for students and seniors, and group rates are
available. For specifc show information and to purchase
tickets, visit www.streettheatrecompany.org. Performances
are at street theatre, 1933 elm hill Pike, just off the briley
Parkway. the show is rated r for mature themes, sexual
situations, and language.
Claire Kaputska and Caleb Marshall
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Olde Worlde Theatre Presents
Babes in Toyland
in toyland you will meet Mother Goose, little bo Peep, the three
little Pigs, Old King Cole, santa Claus, and more. you'll enjoy
the comic antics of the lovable pair of bumbling goofballs,
stannie dum and Ollie dee. and you'll boo the most crooked
man in town, silas barnaby, and his creepy friends from bogey
land. they all coexist in the magical village of toyland. this
family-friendly story comes to life on the belcourt theatre
stage in Olde Worlde theatres signature style, with black-light
sequences, cool music, whimsical costumes, pantomime, and
comic twists to delight audiences of all ages.
saturdays, May 4, 11, 18 and 25 at 10 a.m. General
admission is $8 at the belcourt theatre, 2102 belcourt
avenue, Nashville, tN 37212. For information and tickets,
visit www.oldeworldetheatre.com.
and were proud of the role TPAC plays in the thriving and vibrant
creative community that is receiving such well-deserved attention,
OBrien says. Each season, our goal is to provide audiences with
the best of Broadways cutting-edge storytelling, family-friendly
entertainment, and pop culture-flled blockbusters. We begin
and end next season with two of the most awarded Broadway
productions in recent memory, one of which is returning to
Nashville and a debut show weve been pursuing for some time.
Its a season packed with new musicals, long-awaited returns, and
some of the most jaw-dropping artistry being presented on stage.
We cant wait to share it with you.
For information on tickets for the 20132014 hCa/tristar broadway
series, visit www.tpac.org/broadway. you may also visit the tPaC
box Offce at 505 deaderick street in downtown Nashville.
Wicked
Million Dollar Quartet
Babes in Toyland
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issue. The competition is open to all amateur
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english & company
96
T
wo of Nashville's musical treasures
world-renowned bass virtuoso edgar
Meyer and Giancarlo Guerrero, the ebullient,
Grammy-winning Music director of the
Nashville symphony Orchestrahave long
been talking about fnding a project they could
undertake together. Tough inevitable, this was
not something to be rushed and so for years remained
a matter more of conversation than resolution. Until
now, thanks to another close association sustained
by the MacArthur Award-winning bassist.
Violinist Joshua Bell and Meyer have been friends
since they met as students at Indiana University.
But unlike Guerrero, Bell has worked closely with
Meyer on several projects, perhaps most notably on
Short Trip Home, a collection of chamber pieces that
also included two bluegrass masters, mandolinist
Sam Bush and guitarist Mike Marshall. It had been a
while since they'd collaborated, though, when Meyer
decided to send an email to his friend.
I asked Joshua if he would like to do a double concerto
with the two of us, Meyer remembers. I thought it
was about time. And I also mentioned to Giancarlo
that maybe this would be something we could do.
Both agreed, and Meyer composed his Double Concerto
for Violin and Double Bass as a triple commission
with the Nashville Symphony, Boston Symphony
Orchestra, and Los Angeles Philharmonic. Te latter
two institutions have already presented the work, with
the BSO conducted by Michael Stern on July 8, 2012,
followed fve days later by a performance at the Aspen
Music Festival with Robert Spano, and with three
more at the Hollywood Bowl July 1719 with the L.A.
Philharmonic, under the baton of Ludovic Morlot.
Nashville audiences will therefore hear an
interpretation of the 27-minute work that has been
seasoned somewhat onstage. Te diferences will
by bob doerschuk
MuSiC
Joshua Bell and Edgar Meyer
Double Down at the Schermerhorn, May 3O - June 1
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be small, he ventured. But they'll come a little bit from Josh's
strong overview. If he does something in the middle of the second
movement, he's thinking about how it's going to change the way
the third movement begins.
I can feel him adjusting to everything I do, and I
hope I'm adjusting to everything he does. So we're
evolving the piece, but it's in a pretty unspoken
manner. We don't have big, long talks about it,
which in music can be ideal: Every once in a while,
you'll look up and say, 'Well, that worked!'
Meyer has composed for specifc musicians, including a Violin
Concerto for Hilary Hahn. When writing with Bell in mind, however,
his process isn't about fashioning the music to his strengths. It's
almost the opposite, he explained. Because of all the things that
Josh can do, I don't have to worry about what I write.
Still, there are elements in the Double Concerto that complement
Bell's temperament. Tere's an inner logic to his approach,
Meyer notes. When he plays measure 3, he's got measure 280 in
mind. And he's a fairly lean-sounding player; he doesn't hold notes
out and vibrate them, as classical players go. Tat works much
better for this music.
Teir mutual appreciation for rhythm is evident as well
throughout this composition. Te frst movement begins with an
urgent eighth-note pulse played by strings, over which Bell plays
the opening theme in his instrument's middle/upper register.
Ten Meyer makes his entrance, with deep, long growls that seem
to catapult the violin to the peak of its range. Te contrast is
almost physical; Los Angeles Times critic Mark Swed likened it to an
elephant-and-fy partnership.
But immediately after making that impact, Bell and Meyer apply
the pulse in the opening measures to fuel spirited interactions,
some of which open to other instruments but many of which keep
the focus tight on what the two soloists have to say. By the end of
the third movement, the orchestral palate has broadened and the
rhythmic momentum peaks just before the bass and violin turn
contrast to unity in their fnal statement.
Growing up with primarily a classical background, the biggest
lesson I learned outside of classical music was the primacy and
importance of rhythm, Meyer says, who has written for and
played with artists as diverse as Bla Fleck, Zakir Hussain, Mark
O'Connor, and Yo-Yo Ma. In general, as rhythm goes, the bar is
higher outside of classical music. Rhythm is what this piece is
about. Tat's the heart and soul of it.
Te fnal chapter in the early story of the Double Concerto brings us
back to Meyer's debut performance with the NSO's Guerrero. To
be terribly honest, the bassist and composer admits, because this
is the frst time that Giancarlo and I have worked together, we'll be
starting it of like a jam session. We'll have a lot of fun.
see Joshua bell and edgar Myer with the Nashville symphony
May 30 to June 1. www.nashvillesymphony.org www.joshuabell.com
www.edgarmeyer.com.
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by Joe Nolan
Critical i
T
he two new exhibits at Cumberland Gallery have a
lot in common: One show references painting while
the other features it, and both remind me of the old adage
that less is often more.
John Fraser uses book pages, book covers, and bits of paper
to create minimalist collages that speak to geometric abstract
painting. Featuring tight compositions of lines and planes, Frasers
work doesn't scream for attention. I could imagine harried gallery-
goers passing right by these quiet, sparse worksbut that would
be their loss. Like an actual book, Fraser's pieces pull you into their
details, their fashes of color and the odd bits of print that speak
for his long-gone volumes.
Fraser's books are found objects often in bad disrepair, and his
juxtapositions of the organic shapes of ripped and ruined book
spines alongside perfect pages elevates the beauty and presence
of each while also speaking to a book's capacity to engage us in
a sensual experience through the decidedly left-brain exercise of
reading. Old books also bring to mind questions of provenance,
and these constructions resonate with the stories these books used
to hold, but also with the stories of the people that once held them.
If I were to assign a book title to Kit Reuther's show at Cumberland
it would be A Tale of Two Exhibitions. Te painter has created some
rather massive, colorful canvases featuring bold marks, but the
strongest works are smaller, quieter palimpseststheir marks
covered over by calm felds of color. Te titular shrubbery of
Hedgerow is represented by a horizontal swatch of rough material
painted over in a blue bar. Above it, a blotch of a black bird foats
in an of-white sky. Pink features a similar of-white covering on
the lower half of the canvas while the top of the piece is engulfed
in a pale-pink blush. Tey mingle in the middle in a cacophony of
dancing brush strokes.
What Remains by John Fraser and Recent Works by Kit reuther
will be at Cumberland Gallery through May 25.
www.kitreuther.com www.johnfraserstudio.com
www.cumberlandgallery.com
John Fraser, One Way In, One Way Out, 2012, Mixed media collage
Kit reuther, Hedgerow, 2013, Oil, graphite, and textiles on canvas
Kit reuther, Pink, 2013, Oil and cloth on canvas
99
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BEyOND WOrDS By MArShALL ChAPMAN
M
y late brother used to say i was
the most left-brain right-brain
person he'd ever known. And it's true.
I am creative and extremely organized.
If you wrote me a letter in 1968 and
mentioned it today, within minutes I could
bring it forth from a storage box in my basement where I have
saved every meaningful letter I've ever received.
My writing desk is nothing more than a six-foot sheet of plywood
sitting on two separated two-drawer fle cabinets. Te cabinet on
the right is labeled RIGHT BRAIN and the one on the left, LEFT
BRAIN. Te RIGHT BRAIN cabinet contains song ideas, stories,
essays, the beginnings of a screenplay, old photos, hilarious letters
from my family, and so on. Te LEFT BRAIN cabinet holds tax and
insurance forms, major appliance warranties, mortgage paperwork,
bank statements, medical records, and the likeall organized in
alphabetized folders.
My family and friends are often taken aback by how organized
I am. Not to mention how clean and neat my house and yard
stay. Since my personal style could best be called "bag lady chic,"
this seems a bit incongruous. Allow me to insert here that, if
pressed, I "clean up well." In other words, if it's a gig or a funeral
or some such, I can pull myself together. But on a day-to-day
basis, especially on those days when I never leave the house, I
often look like I just crawled out from under a bridge.
But back to this left-brain right-brain business. I have often
thought I could have been one of those household-name stars like
Dolly Parton, if only I could have deactivated the left side of my
brain. Be more like Willie Nelson, fring up a big one in the back of
the bus while writing hit songs. Let other people do my taxes and
fll out those forms.
But life doesn't work that way. We are who we are, and the older
I get, the more I appreciate being "the most left-brain right-
brain person" you will ever know. As Roger Miller once sang,
"Squares make the world go round."
www.tallgirl.com
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Right Brain vs. Left Brain
Artworks include statues,
masks & ceremonial regalia
from all major ethnic groups
of Sub-Saharan Africa.
By Appointment
615.790.3095
[email protected]
Mail
P.O. Box 1523
Franklin, TN 37065
Gallery
427 Main Street
Franklin, TN 37064
Antique African Art for the
Discriminating Collector
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Weve moved on up.
To the East Side.
100
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PRESENTS. . .
102
T
he W. O. smith Music school is the musical home to hundreds
of low-income children and young adults from every part
of the Nashville community. One of the many
fundraisers for the school, Te Birdhouse Ting,
now in its twelfth year, is one of the most exciting
auction events I attend. Each year I arrive early and
leave late, searching for the perfect birdhouse to add
to my collection. My buddy Steven Greil said, "I have
so many houses now I am donating back to the school. Tis years house,
titled Roll On, is a miniature reproduction of a vintage 1948 camper/
trailer designed by the great artist Barbara
Coon. Tis fabulous birdhouse is the exact
model and color of the frst camper my brother
Neal and I purchased a few years back, so of
course I had to have it. Our real-life camper was
so small the question was, how many Claytons
can you get in a tiny camper? Well, upon its
delivery a few Christmas Eves ago, we actually
got ten Claytons in it, as we are a close and
loving family, lol.
Becky Gardenhire and Heather Hubbard chaired
this event, welcoming Jennie Smith and James
Gooch, Sally Huston, Marlene and Bob Moses,
Elaine Wood, Melissa and David Mahanes with
son Charlie, Maddi and Chris Keaton, Annette
Eskind with Heloise Kuhn (these two beautiful
birds don't miss an event), Joni Werthan and
Larry Jessen, Pam and Jef Kuhn, Sandra
and Larry Lipman, Doris and Dennis Wells.
Cong r at s ,
W. O. Smith
Music School. I among many others
had such a great evening, birds of a
feather sticking together!
Speaking of auctions, I always wonder
if folks really use the trips, hotel
packages, and other luxury items they
bid on and win at the many events
here in our fne city. Te answer is
yes, they do. My good friend Steve
Wood purchased at last years l'Et
du Vin wine auction a trip including
the once-in-a-lifetime chance to be a
fghter pilot for a day. Steve reported
back to me that he did go to San
Antonio, few his combat mission in
the fghter aircraft, and is home safely
to remove that from his bucket list. I
am sure his wife, Joyce, is happy
that is over. Just wait, Steve, I
hear this year on the auction you
may go to Mars!
Eloise Pitts O'More was a lady
of small stature, but a lady of
giant knowledge, taste, and
culture. She gave me, a member
of the frst graduating class of
the O'More College of Design,
the knowledge of how to use the
taste in design I was born with
to have a most successful career.
Long years have passed since
graduation, and as a veteran
designer I must say how proud
I am of the Inaugural O'More
Show House that opened
last month in Franklin. Te
designers, all O'More alumni,
did an outstanding job creating
a home, something diferent
from years past where show
house designers tried to show
all their talents in one room,
yours truly included. Continuity
and charm fowed from room
to room in this home. Believe
me, the OMore Inaugural Show
House was an example of today's
busy family life, realistic and
most comfortable.
JoAnne Haynes led the alumni
design group, which included
Roger Higgins and Ann Shipp,
Dana Goodman, Jennifer Markanich, Jonathan Savage, Vicki Edwards,
Mark Simmons and Deb Tallent, Louise Kitchell and Linda Brown,
Jennifer Jones, Kathleen Evers, Kathy Sandler, Kim Zimmer, John
Starbuck Jr., and Scarlett Scales-Tingas. Traditional Home magazine
partnered with the design group for their 2013 National Show House
Tour. Once again I shall state, this was a show house of taste and comfort;
the adjective "opulent" was not a thought.
A preview party, held on the O'More campus the evening prior to the
opening, was chaired by Kathy Sandler and Donna Daniels, with their
committee consisting of Jay Sheridan, Danny Anderson, Jayne Williams,
and Rebecca Stilwell. I just know that Mrs. O'More was looking down
from her Heavenly Mansion with pride!
ON ThE TOWN WiTh TED CLAyTON
Marlene Moses, bob sillers,
elaine Wood birdhouse thing
Mike and Gail Johnson, danny
anderson O'More show house
bob McGill
birdhouse thing
Mark simmons and deb tallent
O'More show house
Gary haynes, John starbuck, Kim Zimmer, scarlett scales-tingas
O'More show house
edie Maney, barbara Coon,
Jerry Fink birdhouse thing
Jeff and Pam Kuhn
birdhouse thing
Melissa, Charlie, david Mahanes
birdhouse thing
Kathleen evers and Celeste Oxford
O'More show house
Jennie smith and James Gooch,
sally huston birdhouse thing
103
High fashion fowed on the high-
tech, slick, black runway for the
Symphony Fashion Show held
at the Schermerhorn Symphony
Center last month. To begin,
the lovely Allison DeMarcus
hosted the evening with co-
chairs Elizabeth Broyhill and
Elizabeth Dennis. Before I get
too far into my story, let me
tell you Executive Committee
Chair Sandra Lipman stole the
show with her new (and great
looking, I may add) hairstyle.
I guess a lady like Sandra, who
has chaired every event held
in Nashville, can do what she
wants when she wants. "I just
always wanted to try this, so I
got in the chair and away Earl
went!" Sandra whispered to
me. Sutton Costanza, Sandra's
daughter, said, "Mom did what?
Dad is not going to be pleased
with this!" Well, Larry looked
most happy with Sandra's new
do, as he always does.
Monique Lhuillier, considered
one of the leading fashion
designers in terms of design, quality, and innovation, once again delighted
the patrons. Lhuillier's signature silhouettes provoke the femininity,
allure, and style that have made her famous for capturing the essence of
sophisticated luxury. Oh, how Nashville social ladies love sophisticated
luxury! Te new fall 2013 collection was inspired by opulence and drama,
using art deco motifs and rich jewel tones in hues of malachite green,
amethyst, and oxblood. My Favorite of Show were the lace cigarette
pants shown with tulle overlays. I could just see Rosalind Russell as the
famboyant, exuberant character Mame Dennis in the 1958 comedy flm
Auntie Mame. "Life is a banquet (a quote from Mame), and yes indeed,
Nashville ladies love a banquet!
Now I must say the professional models
that graced the runway were lovely, but
come on folks, Nashville has the most
beautiful, sophisticated ladies in the
country, so why bring in the pros when
we have the likes of Jennifer Parker,
Dara Russell, Johnna Watson, Janet
Bentz, Lake Eakin, Frances Spradley,
Jennie McCabe, Robin Patton, Sissy
Wilson, Deby Pitts, Dallas
Wilt, Mary Carol Friddell,
Vanessa Falk, Jennifer
Frist, Vicki Horne, Laurie
Eskind, Joyce Vise, Marlene
Moses, Brenda Steakley,
Joy Roper, Stacey Rhodes,
Laura Allen, Starling Davis,
Jessica Bracken, Sandy
Tyrell, Anna Shaub, Susan
Andrews, Martha Ingram,
Suzanne Smothers, Linda
Ervin, Colleen Welch, and
Amber Chapman. All these
women would be an asset to
any runway fashion show,
as they were that evening
as patrons.
So where were the hubbies? Well, after all, this was a ladies fashion show,
but there were a few gents that did escort their ladies that evening, including
Ted Welch, Jere Ervin, Billy Frist, J.R. and Jameson Roper, Benjamin
Sohr, Andre Churchwell, Mark Kelly, Jamie Parker, and Billy Ray Hearn.
Speaking of Billy Ray, his most entertaining wife, Nancy, who by the way
Jennifer solesby, brande thomas, delia darcy, Nicole leanna, Nancy berskin,
suzanne smothers symphony Fashion show
Chairs elizabeth broyhill and elizabeth
dennis symphony Fashion show
sandra and larry lipman, Jennifer and
Jamie Parker symphony Fashion show
Colleen and ted Welch
symphony Fashion show
Joy and J.r. roper, Karen ellis, Jameson roper, allison deMarcus
Joyce hitt and terri Frost
barbara bovender, starling davis,
Martha ingram symphony
Fashion show
Jere and linda ervin
Nancy and billy ray hearn
dorothea, Crystal, andre Churchwell
104
was smashing in a teal-blue
cocktail suit, summed up the
entire evening: "We're styling
for the style show!"
Te evening entertainment was
by Karen Elson and LEAGUES,
with an after-party light supper
under tent. A few weeks prior
to the show, Peggy and Randy
Kinnard hosted a marvelous
patrons party at their home.
Beautiful women in gorgeous
attire, great runway show . . .
I just cannot wait to see
how many of these Monique
Lhuillier gowns I will see at this
years Symphony Winter Ball.
With a click of the heels I was
there, at the Red Shoe Party
benefting CASA. "Tere's no
place like home" was the theme
of this outstanding evening.
CASA provides trained
community volunteers to
advocate for the best interests
of children who come to the
attention of the court system
primarily as a result of abuse
or neglect. Tis was my frst
time to attend this annual
event. Lordy lordy, never have
I seen so many pairs of red
shoes in one gatheringon
both men and women. I had
forgotten how popular red
tennis shoes were in my youth.
Tis was the shoe of choice by
most of the guys.
Suzanne Smothers, Jennifer Solesby, and Brande Tomas chaired the
event, and what a trio of go-getters they are. Tey certainly know how to
throw one heck of a party. Suzanne, always in style, danced the evening
away in killer red-sequin cowboy boots. Joining Suzanne and handsome
hubby, Grant, on the dance foor were Deby and Keith Pitts, Trudy and
Whit Clark, Beth and Dave Alexander with son Cal, Diana and Stan Kania,
Shannon and Tim Breedlove, Linda and Jere Ervin (Jere got his fancy
stepping shoes in New York City!), April Watkins and Jake Nemer, and
Carolyn Nash. Dance they
did, to the band Shake,
Shake, Shake!
I leave you with a quote
from GQ magazine:
"Nashville, Tennessee,
used to be just a town
of ten-gallon hats and
Grand Ole Opry. Now
it's the most electric city
and spot to visit in the
South!" But of course we
knew that!.
Co-Chairs Jennifer solesby, suzanne smothers, brande thomas
Casa Fundraising
trudy and Whit Clark
Casa Fundraising
dave, beth, Cal alexander
Casa Fundraising
Jake Nemer and april Watkins
Casa Fundraising
deby and Keith Pitts Casa Fundraising
Carolyn Nash, rick and Vicki horne
Casa Fundraising
Grant smothers, brian and Kristen Junghans
Casa Fundraising diana and stan Kania, tim and shannon breedlove Casa Fundraising
runway model
billy and Jennifer Frist
105
Friday, May 3, 6-9 p.m.
Every
First
Friday...
Sponsored By:
www.FranklinArtScene.com
More than
30 galleries and
working studios
in a 15-block area,
featuring artists
at work, live music,
wine and more!
Theres no cost to attend, but a $5 wristband
provides unlimited transportation on trolleys
circulating during the event.
Jose Santisteban Ken Walls
Franklin Art Scene Josephine Getz
Residential Investment Property
Recreational Land
Read Warner, Principal Broker
615.329.9500
warner-realestate.com
C L I E N T S F O R L I F E
106
I
have always had a passion for the visual
arts both in practice and as an historian.
Although I thought for a time that I wanted to be an
architect, I graduated with a BA in Fine Arts from
Vanderbilt University in 1994. After graduation I
enjoyed working in the Nashville art scene representing
various artists for about three years. Now Im going
back to my love of architecture as a real estate agent,
and Im excited to see how people incorporate art
into their homes. Im focused on building my own
art collection and am attracted to outsider art. I have
acquired works by many local artists such as Harry
Underwood, Cindy Wunsch, Harold Krauss, Creason
Clayton, Aaron Grayum, Cheryl Stewart, and artists
from around the country such as Kent Youngstrom,
Dolan Geiman, Mark Traughber, and Yvonne Miller.
My FAVOriTE PAiNTiNg
hayden lowe, Wish, Mixed media on canvas
art historian, Collector, real estate agent
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artist bio
hayden lowe was born in Nashville and is
currently in 8th grade at ensworth. she has
always been creative and interested in art.
she draws, paints, dances, does photography,
and acts in school drama productions. in 2008,
hayden studied art with Cindy Wunsch and was
inspired by her style and her cheerful approach
to art. hayden made Wish in 2009 at the age of
9. From her mentor she learned to layer paint,
stamps, and found objects onto a canvas. to
create the refective surface she pours resin
onto the surface and uses a blowtorch to
remove all bubbles. hayden says, art is a way
of expressing myself, and it allows me to put my
feelings and emotions onto canvas.
Of all of the art I have collected, Hayden Lowes Wish is my favorite because I
enjoy cheerful, positive art. Te words on the work are "I wish you all the joy that
you can wish." She is skilled at expressing herself through her art in ways that
are often difcult with words. Te objects she incorporates in her assemblage,
such as diary entries, ticket stubs, photos, and poetry, have personal meaning
to the artist, but everyone who comes into my home has a diferent connection
to those same objects. I love that art can mean so much to people and want it
to be available to all ages, races, and denominations. I am currently serving on
the Metro Arts Grant Review panel to determine awards for after-school art
programs, and I hope that I will be able to give more opportunities to other
young artists.
DOWNTOWN NASHVILLE | 615-244-3340 | FRISTCENTER.ORG
Members/Youth 18 and younger FREE
Metropolitan Nashville Arts Commission
This exhibition has been organized by the Walters Art Museum, Baltimore.
ancient
americas
EXPLORING ART OF THE ANCIENT AMERICAS:
THE JOHN BOURNE COLLECTION
Dancing Figure Whistle (detail), Colima, Mexico, 300 BCE200 CE, earthenware, 9 1/8 x 6 5/8 x 4 in.,
The Walters Art Museum, Baltimore, gift of John Bourne, 2009 (2009.20.29), Photo The Walters Art Museum, Baltimore
THROUGH JUNE 23
FC3559_Mab_NashvilleArts_AncientAmericas.indd 1 2/18/13 4:12 PM
108

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2 | May 2O13 NashvilleArts.

12 | May 2O13 NashvilleArts.com

We average 1,800 to 2,000

painters paint, theyre sort of pushing the paint around the

NashvilleArts.com May 2O13 | 53

CARL SUBLETT. HOUSE AT SPRUCE HEAD MAINE. WATERCOLOR ON PAPER. 22 X 30 INCHES.

We want to encourage people to talk about art

Max Kohler works the clay

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