DA R R EL L V I N ER

RETROSPECTIVE

Darrell Viner
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & Galleries Sculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawn quality. The artist described them as a journey in mark making. Andam, comnimo luptae labore es corita dolupta cusandem autat re la is digenesed magnia consed molectis alibus. Mus solupture nonsecatiur? Ecab impores aut qui dolo te arum ilicipsum aut harum quostin corio de ped moluptatiosa consequi dignis elenihil iliciatecus archill aboreperrum voluptatae. Itatis aborem re labora dolorest ium il etur, estis vere ent vent, quis dolupta dus des re, torenestor re nissitas consenda acernam, ommolupta ea ditas ilia dunti a vel magnit

hicilit atemoditius explanis mos arit as molo tem et imus quasint quaest, ut magnam harchil lignimus, si dolorit essit prorisq uiandessita quaest verum es exerum quo estorep tatenih icipit imus rero eribust rumque nempor aut reprem ut asin repera cus. Otat. Ga. Ut adit eosapicite voluptatur ma non rem. Uptatur? Quis ipsam, odi volupta nus sint. Vid moditae ommolup tatiora tquaturit que doloratis sim a nistiat uremqui rem. Andi officab orenihil ma velisque ne nobis es nis mod ut quis dendunte nobitiae dem sed utatur? Berit, eos conse nullam fuga. Dunt quas aut liquunt volestias doluptas rerrovit la dolorent qui odigent. Mus ex exerate stestescias erepe pre nimilit, con poreribus sam que verumenis alit porepudi con eturi officil luptati consere volupis remquiam qui dolende nonsequid eos dolum et vid quasi nisquati volorpore rehendi ommolorepe denit et et adignimpos nobist hariorem ut utentotatur?

Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

Henry Moore Art Gallery 12.12.2012 20.01.2013

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & Galleries Sculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawn quality. The artist described them as a journey in mark making. Andam, comnimo luptae labore es corita dolupta cusandem autat re la is digenesed magnia consed molectis alibus. Mus solupture nonsecatiur? Ecab impores aut qui dolo te arum ilicipsum aut harum quostin corio de ped moluptatiosa consequi dignis elenihil iliciatecus archill aboreperrum voluptatae. Itatis aborem re labora dolorest ium il etur, estis vere ent vent, quis dolupta dus des re, torenestor re nissitas consenda acernam, ommolupta ea ditas ilia dunti a vel magnit

hicilit atemoditius explanis mos arit as molo tem et imus quasint quaest, ut magnam harchil lignimus, si dolorit essit prorisq uiandessita quaest verum es exerum quo estorep tatenih icipit imus rero eribust rumque nempor aut reprem ut asin repera cus. Otat. Ga. Ut adit eosapicite voluptatur ma non rem. Uptatur? Quis ipsam, odi volupta nus sint. Vid moditae ommolup tatiora tquaturit que doloratis sim a nistiat uremqui rem. Andi officab orenihil ma velisque ne nobis es nis mod ut quis dendunte nobitiae dem sed utatur? Berit, eos conse nullam fuga. Dunt quas aut liquunt volestias doluptas rerrovit la dolorent qui odigent. Mus ex exerate stestescias erepe pre nimilit.

Henry Moore Art Gallery 12.12.2012 20.01.2013

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & Galleries Sculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawn quality. The artist described them as a journey in mark making. Darrell Viner: Retrospect is curated by Sophie Raikes, Assistant Curator (Collections), Henry Moore Institute/Leeds Art Gallery. The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums & Galleries in a partnership has built one of the strongest public collections of sculpture in Britain.

The Collection is active and sets out to describe and promote the story of sculpture in Britain within an international context. The Sculpture Study Galleries focus on the contextualisation of the Collection through the development of displays and initiation of scholarly research. The Henry Moore Institute is known worldwide for its rigorous and important programme of sculpture exhibitions, publications and study resources and is part of The Henry Moore Foundation, set up by the artist in 1977 to encourage appreciation of the visual arts, especially sculpture. A video showing Darrell Viners kinetic sculpture The Grind in action can be seen in the Henry Moore Institutes Audio Visual Library.

Henry Moore Art Gallery 12.12.2012 20.01.2013

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

First using computers whilst studying at Hornsey College of Art (1971 - 4), Viner worked alongside John Vince, lecturer in data processing, who developed one of the first computer packages for artists, PICASO. Viner learned to write in computer code and encouraged Vince to develop Rough and Sketch features for PICASO, which transformed clinical computer generated plottings into believable hand-drawn lines.

Henry Moore Art Gallery

The Collection is active and sets out to describe and promote the story of sculpture in Britain within an international context. The Sculpture Study Galleries focus on the contextualisation of the Collection through the development of displays and initiation of scholarly research. The Henry Moore Institute is known worldwide for its rigorous and important programme of sculpture exhibitions, publications and study resources and is part of The Henry Moore Foundation, set up by the artist in 1977 to encourage appreciation of the visual arts, especially sculpture. A video showing Darrell Viners kinetic sculpture The Grind in action can be seen in the Henry Moore Institutes Audio Visual Library.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & Galleries Sculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawn quality. The artist described them as a journey in mark making. Darrell Viner: Retrospect is curated by Sophie Raikes, Assistant Curator (Collections), Henry Moore Institute/Leeds Art Gallery. The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums & Galleries in a partnership has built one of the strongest public collections of sculpture in Britain.

12.12.2012 20.01.2013

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

First using computers whilst studying at Hornsey College of Art (1971 - 4), Viner worked alongside John Vince, lecturer in data processing, who developed one of the first computer packages for artists, PICASO. Viner learned to write in computer code and encouraged Vince to develop Rough and Sketch features for PICASO, which transformed clinical computer generated plottings into believable hand-drawn lines.

Henry Moore Art Gallery

The Collection is active and sets out to describe and promote the story of sculpture in Britain within an international context. The Sculpture Study Galleries focus on the contextualisation of the Collection through the development of displays and initiation of scholarly research. The Henry Moore Institute is known worldwide for its rigorous and important programme of sculpture exhibitions, publications and study resources and is part of The Henry Moore Foundation, set up by the artist in 1977 to encourage appreciation of the visual arts, especially sculpture. A video showing Darrell Viners kinetic sculpture The Grind in action can be seen in the Henry Moore Institutes Audio Visual Library.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & Galleries Sculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawn quality. The artist described them as a journey in mark making. Darrell Viner: Retrospect is curated by Sophie Raikes, Assistant Curator (Collections), Henry Moore Institute/Leeds Art Gallery. The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums & Galleries in a partnership has built one of the strongest public collections of sculpture in Britain.

12.12.2012 20.01.2013

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

First using computers whilst studying at Hornsey College of Art (1971 - 4), Viner worked alongside John Vince, lecturer in data processing, who developed one of the first computer packages for artists, PICASO. Viner learned to write in computer code and encouraged Vince to develop Rough and Sketch features for PICASO, which transformed clinical computer generated plottings into believable hand-drawn lines.

Henry Moore Art Gallery 12.12.2012 20.01.2013

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & Galleries Sculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawn quality. The artist described them as a journey in mark making. Darrell Viner: Retrospect is curated by Sophie Raikes, Assistant Curator (Collections), Henry Moore Institute/Leeds Art Gallery. The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums & Galleries in a partnership has built one of the strongest public collections of sculpture in Britain.

The Collection is active and sets out to describe and promote the story of sculpture in Britain within an international context. The Sculpture Study Galleries focus on the contextualisation of the Collection through the development of displays and initiation of scholarly research. The Henry Moore Institute is known worldwide for its rigorous and important programme of sculpture exhibitions, publications and study resources and is part of The Henry Moore Foundation, set up by the artist in 1977 to encourage appreciation of the visual arts, especially sculpture. A video showing Darrell Viners kinetic sculpture The Grind in action can be seen in the Henry Moore Institutes Audio Visual Library.

For more information on our exhibitions go to http://www.henry-moore.org/hmi

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

First using computers whilst studying at Hornsey College of Art (1971 - 4), Viner worked alongside John Vince, lecturer in data processing, who developed one of the first computer packages for artists, PICASO. Viner learned to write in computer code and encouraged Vince to develop Rough and Sketch features for PICASO, which transformed clinical computer generated plottings into believable hand-drawn lines.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & GalleriesSculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawnquality. The artist described them as a journey in markmaking. Darrell Viner: Retrospect is curated by Sophie Raikes, Assistant Curator (Collections), Henry Moore Institute/Leeds Art Gallery. The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums & Galleries in a partnership has built one of the strongest public collections of sculpture in Britain.

The Collection is active and sets out to describe and promote the story of sculpture in Britain within an international context. The Sculpture Study Galleries focus on the contextualisation of the Collection through the development of displays and initiation of scholarly research. The Henry Moore Institute is known worldwide for its rigorous and important programme of sculpture exhibitions, publications and study resources and is part of The Henry Moore Foundation, set up by the artist in 1977 to encourage appreciation of the visual arts, especially sculpture. A video showing Darrell Viners kinetic sculpture The Grind in action can be seen in the Henry Moore Institutes Audio Visual Library.

Henry Moore Art Gallery 12.12.2012 20.01.2013

For more information on our exhibitions go to http://www.henry-moore.org/hmi

DA R R E L L V I N E R
Darrell Viner (1947 - 2001) was a pioneer in the field of computer art. He originally turned to computers to pursue his interest in movement and animation and went on to apply the technology to kinetic and interactive sculpture.

First using computers whilst studying at Hornsey College of Art (1971 - 4), Viner worked alongside John Vince, lecturer in data processing, who developed one of the first computer packages for artists, PICASO. Viner learned to write in computer code and encouraged Vince to develop Rough and Sketch features for PICASO, which transformed clinical computer generated plottings into believable hand-drawn lines.

Darrell Viner:Retrospective focuses on Viners experimental work at the Slade School of Fine Art in the mid-1970s and celebrates the recent acquisition to the Leeds Museum & GalleriesSculpture Collection of a series of his computer drawings from this period. Created with a pen plotter, which Viner regarded as a pliable drawing tool, the images have a remarkable hand-drawnquality. The artist described them as a journey in markmaking. Darrell Viner: Retrospect is curated by Sophie Raikes, Assistant Curator (Collections), Henry Moore Institute/Leeds Art Gallery. The Henry Moore Institute manages the sculpture collection and archive of Leeds Museums & Galleries in a partnership has built one of the strongest public collections of sculpture in Britain.

The Collection is active and sets out to describe and promote the story of sculpture in Britain within an international context. The Sculpture Study Galleries focus on the contextualisation of the Collection through the development of displays and initiation of scholarly research. The Henry Moore Institute is known worldwide for its rigorous and important programme of sculpture exhibitions, publications and study resources and is part of The Henry Moore Foundation, set up by the artist in 1977 to encourage appreciation of the visual arts, especially sculpture. A video showing Darrell Viners kinetic sculpture The Grind in action can be seen in the Henry Moore Institutes Audio Visual Library.

Henry Moore Art Gallery 12.12.2012 20.01.2013

For more information on our exhibitions go to http://www.henry-moore.org/hmi