Senikini#08
Senikini#08
Senikini#08
#08
C O N T E N T S
FEATURES
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Editor
inc.
EXHIBITION HIGHLIGHTS
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ART REVIEW
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INTERVIEW
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CREATIVE INDUSTRY
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ARTIST IN RESIDENCE
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CURAT.O.R
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OPPORTUNITIES
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BSLN Publication
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Whats On
PUBLISHER
Balai Seni Lukis Negara
National Art Gallery Malaysia
Ministry of Information,
Communication and Culture Malaysia
No 2. Jalan Temerloh
Off Jalan Tun Razak
53200 Kuala Lumpur
MALAYSIA
P : 603 4026 7000
F : 603 4025 4987
w w w. a r t g a l l e r y. g o v. m y
lEDITOR-IN-CHIEF
Ambassador Dato Mohd Yusof Ahmad
l
EDITOR Zanita Anuar l DEPUTY EDITORS Wening Cheah,
Hashimah Nyok & Alizam Hasan l ASSISTANT EDITOR Anis Amizan
Hussein Lim | CONTRIBUTORS/WRITERS Rachel Jena, Ooi Kok
Chuen, Faizal Sidik, Erry Arham Azmi, Bingley Sim danMarvin
Chan| DESIGNERS Nuzaihan Mustapa & Shamizar Rahim l
PHOTOGRAPHY Mohd Fitri Abd Rahman l
can be accessed at www.artgallery.gov.my/senikini
Any feedback and comment please email to us at:
[email protected]
The publisher, National Art Gallery Malaysia,
holds the copyright of all editorial content.
SENIKINI (ISSN : 1985-7233) is published six times
a year by National Art Gallery Malaysia.
All Rights Reserverd.
Copyright2010 SENIKINI Malaysian Art Now
Printed in Malaysia.
COVER :
Bagi ZULKIFLI YUSOF , nostalgianya tetap
utuh dengan bunga raya, dalam mencari
perpaduan itu, bunga raya dijadikan
simbol perantaraan beliau dan khalayak.
Semangat nasional dan perpaduaan
yang dirasai oleh beliau ketika remajanya,
kini dirasakan semakin pudar pada
penglihatannya. Beliau bukan sekadar mahu
mengembalikan semangat perpaduaan
itu, tapi turut mahukan bunga raya itu kekal
sebagai bunga kebangsaan Malaysia.
Percaya bahawa setiap negara yang ingin
membangun harus bersatu padu, lantas
bunga raya adalah simbol yang sesuai untuk
memperingatkan kita semula.
www.artgallery.gov.my
ARTalk
02 Oct 2010
11 am - 1 pm
Auditorium, BSLN
Book Launch
09 Oct 2010
BSLN
FEATURES
04
l Faizal Sidik
Setelah
37 tahun berada
dalam simpanan koleksi
Balai Seni Lukis Negara orang ramai telah
berpeluang melihat karya ini sekali lagi dalam
pameran ABC: Antara Bahan Campuran
iaitu pameran kolelsi karya bahan campuran
tahun 1950 an hingga 2000 daripada koleksi
himpunan tetap BSLN yang diadakan dari
Mac sehingga Januari 2011. Pameran ini
dibahagikan kepada dua bahagian iaitu
sebanyak 45 karya bahan
campuran telah dipilih untuk
dipamerkan pada pameran
Bahagian 1: 1950 an - 1980
an (Mac-Julai) manakala
72 karya pada Bahagian
2: 1990 an 2000 (OgosJanuari).
Karya Manusia dan
Alamnya (1972-73) adalah
sebuah karya penyertaan
beliau yang dihasilkan untuk
pertandingan Manusia
dan Alamnya yang
dianjurkan oleh Balai Seni
Lukis Negara pada tahun
1973. Di mana karya ini
telah memenangi anugerah
utama dengan sebuah
lagi karya konseptual yang
bertajuk Self-Portrait
(1973). Ia juga adalah
kesinambungan daripada
penerokaan Sulaiman
daripada karya sebelumnya
iaitu Compression (1972)
yang menggunakan bahan
seperti akrilik dan media
campuran atas kanvas,
namun cara persembahan karya ini yang
menolak permukaan konvesional empat segi
memberi permulaan baru dalam karya-karya
berikut beliau yang begitu dominan dalam
pengkaryaan di sini pada dekad 50 an dan 60
an.
Manusia dan Alamnya merupakan karya
komentar sosial yang pertama seumpamanya
yang telah dihasilkan di Malaysia pada tahun
1972. Ia merupakan tindak balas artis terhadap
dunianya. Ia merupakan sebuah pengkajian
antropologi yang pelbagai dimensi, yang
mempunyai pelbagai sifat, termasuk fizikal
Poket 21.1a
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FEATURES
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Poket 1a
Menurut Sabapathy lagi Karya yang dihasilkan daripada bahanbahan terbuang yang dikumpulkan sebagai penolakan terhadap
persekitaran urban; ianya kini diberi nafas baru. Kebanyakan
objek terdiri daripada resit-resit dan pembayaran, transaksi
harian; setiap perlakuan menggambarkan keperibadiannya.
Ianya dimasukkan kedalam poket yang dihasilkan daripada
bahan sintetik antara manusia dan alamnya adalah manifestasi
penghubung dan peruntuh kehidupan urban yang di
terjemahkan kedalam dunia seni. Sulaiman menidakkan sifat
keindividuan seni dan membawanya ke bawah.
Poket 13.3a
MAKKAH Beautification
ART Competition Project
Saudi Arabia has invited hundreds of Islamic intellects
and artists from around the world to present their
thoughts on how to make Makkah the most beautiful city
in a rare contest for the development of Islams
holiest shrine.
More than 300 participants from most Arab countries and
as far as China, Malaysia, Pakistan, the United States and
Turkey have been shortlisted for the competition which
involves artistic works on how to beautify Makkah and
turn it into a museum-like city attracting not only pilgrims
but millions of Muslims who are interested in ancient
Islamic culture and arts.
WINNERS
1ST PRIZE
MR. YASSER AZHAR, SAUDI ARABIA
2ND PRIZE
MR. SAUD KHAN, SAUDI ARABIA
3RD PRIZE
MR. YOUSEF JAHA, SAUDI ARABIA
4TH TO 9TH PRIZE GOES TO SAZAB, AN IRANIAN
COMPANY, AN EGYPTIAN MR REHAM MOHSEN, A TEAM
OF THREE EGYPTIAN ARTISTS MR AHMED ENAB, MR
AHMED BADAWI AND MR YASSER MOHANA, AN IRAQI
MR ZEYAD BAKORY, AN IRAQI MR AHMED ALAWI, A
SAUDI MDM AMAL FILMBAN.
06
FEATURES
l Arham Azmi
Back
These days
These days, apabila bahan dan alatan
mula diciptakan mengikut peredaran
zaman, pelukis mula mempelajari dan
mencuba sesuatu yang baru yang mana
keinginan ini sentiasa wujud dalam diri
pelukis demi mencari kelainan terhadap
karya mereka sebagai sebuah identiti yang
tersendiri. Seni Cetak merupakan salah satu
bidang dalam seni rupa yang juga terkesan
dengan perkembangan teknologi. Bicara
mengenai teknik dan bahan dalam seni
cetak secara konvesionalnya sudahpun
kita ketahui, These days karya cetakan
digital, telah mula duduk di dalam wilayah
seni rupa kontemporari sebagai pragmatik
kreasi pelukis sezaman. These days BSLN
yang sentiasa mengikuti perkembangan
pelukisnya telah menjadikan karyakarya seni cetak kontemporari sebagai
sebahagian koleksi BSLN yang terpenting.
Senario seni cetak mula dilihat melalui
proses evolusi apabila Ismail Zain mula
menghasilkan karya cetakan dengan
07
EXHIBITION HIGHLIGHTS
08
l Rachel Jena
INTERVIEW
September
16, or
Malaysia Day,
hasnt had as much fanfare, recognition,
or Jalur Gemilangs as Hari Merdeka despite
its historical relevance. On September
16, 1963, Malaya, North Borneo (today
Sabah), Sarawak, and Singapore formed
the Federation of Malaysia and this years
Malaysia Day will be the first time in fortyseven years it is officially marked with a public
holiday. Its also when Yee I-Lanns muchanticipated solo exhibition, Boogeyman,
opens at MAP.
A collaboration by Valentine Willie Fine Art
and RogueArt, Boogeyman sees Yee present
limited edition Malaysia Day Commemorative
pewter plates, a collaboration with Royal
Selangor that features archival images of the
historic event in 1963, and the Orang Besar
series, Yees latest body of work encompassing
large silk-based pieces that fuse digital images
with batik design, and, smaller photographic
prints.
These recent works evidence Yees
unwavering love of history and the artists
ability to weave her personal observations
into fluidly composed images. Audiences will
be able to compare and contrast Yees latest
practice with a selection of the artists older
works thatll also be on display at Boogeyman.
Come November, Yees fifteen-year career
will be examined in Fluid World, a publication
thatll include Yees seminal works, artists
statements, as well as critical essays from
various contributors.
In the run-up to Malaysia Day, the artist, who
hails from Sabah, shared her thoughts on
Boogeyman, Orang Besar, and kerbaus with
Rachel Jenagaratnam through an e-interview.
What does the exhibition title
Boogeyman signify?
A Boogeyman is a mythical monster often
associated with hiding in the closet then
jumping out to scare you and is often used
metaphorically to describe an irrational fear.
One of the populist etymology origins is BugisMan, derived from the early days of European
trade in Southeast Asia, when local pirates
raided foreign trade ships.
Boogeyman is the title of my solo exhibition
as my work tries to understand stuff in our
collective Malaysia closet. Seemingly
simple ideas such as Bangsa Malaysia
or 1Malaysia, for example, are still being
debated and defined by our leaders. We
have many taboo subjects in that closet
nurturing an irrational (often unfounded) fear.
Kain Panjang with Petulant Kepala, 2010, C-type print, 82 x 180cm, Ed. of 5
09
Study of the Twilight at the River of Lost Footsteps (Yangon, Myanmar),
Watercolour and Ink on paper, 10 x 15cm, 1994
ART REVIEW
The
Day in, day out, the rituals of life are reenacted all
over these traditional communities. Whether it be a
cremation ceremony or a performance rehearsal, the
gamelan kling-klongs like a mnemonic mantra in the
Tejekula in Bali.
EXHIBITION HIGHLIGHTS
10
FEATURES
12
Art
14
Menghadap Diri Sendiri, 2010,
60 x 88, Akrilik & Cat Aerosol (Spray Paint)
ART REVIEW
Amin Asaat
WAJAH-WAJAH
l Faizal Sidik
| PENGENALAN |
| WAJAH-WAJAH |
15
Kemuncak malam anugerah ini juga diwarnai dengan
berbagai jenis persembahan iaitu dari kumpulan
Bunckface, Tilu, Elyana, Hands Percussions, Hizad dari
pelbagai bentuk persembahan. Dengan kehadiran
seramai 1,200 orang penonton membanjiri Dewan
Sivik MBPJ serta tetamu kehormat YB Azmin Ali, YB Dr.
Ahmad Yunus, YB Jenice Lee, Prof. Dr. Abu Hassan
Hasbullah dan juga panle-panel juri yang lain.
SENI PERSEMBAHAN
SENI VISUAL
MUSIC
ANUGERAH UTAMA
ANUGERAH UTAMA
CREATIVE INDUSTRY
MM
16
ARTIST IN RESIDENCY
l Marvin Chan
I displaced my self
and now I see
I am standing in klia,
waving to my wife,
I walk further
into the glass enclave,
still waving to my wife.
I do not know
what to expect
nor what is
really
expected of me.
of airline food
punctuate my melancholia,
I am starving.
15 hours
I am in JFK airport,
it looks strangely similar
to the old Subang airport,
swiftlets glide
past tarpaulin sheets
stuck to the ceiling
joined to plastic tubes.
that hang downwards to...
somewhere
The flight
will reach Hongkong
in three hours.
I am relieved.
they scowl
scrutinize
and direct
I am greeted by
a stoic looking
Latin-American
immigration officer,
he stokes my intention
on why I am here for a month.
So I answered him
I couldnt stay for two months.
He was perplexed by my
answer,
I wanted to sleep.
5am,
a beeping
sound yanks me
from my cocoon,
the cold
New York wind
bites.
I am on my way
to burlington.
We were piled into an airplane
no bigger than a bus.
the flight attendant
did her ritual
and then the seats shook,
the earth pulled away like a shy
lover
dashing into the clouds.
It is spring.
Strange but refreshing,
I havent seen snow in a while.
My pants drop
as I removed all metallic
objects(my belt buckle
included)
from my body,
past the metal detector
and into a van.
In the van;
after all this trouble,
I had better come back
with something.
And I probably did.
I found my self,
in the counsel of strangers.
Day one,
I brought nothing,
to refuse myself the comfort
of knowing
familiarity
and left myself
no choice
but to learn.
I had 4tubes of colors.
given to me by Andrea.
Andrea runs the studio store.
A pack of brushes
from Katherine Widen
66cents.
My mom gave these to me
she said.
The first week swept by
in waves of delirium,
An ebb-tide of the past,
present
and the future.
I didnt have canvas,
I didnt have painting mediums,
I didnt have a piece of paper
to write this down.
We arrive,
I found a door.
some walls.
it is snowing.
some trash.
a cafe.
a bottle of turpenoid.
and
an epiphany.
I find myself
in the people.
Mark Hallet
Dan Allen
Harlan Mack
Who smile at me
gave me brushes
canvas and a location
I often hear people
pose the question,
who am I,
who are you,
who are we?
(I will kiss the land from where I
come from.)
But for now
I am
Max Naff
Katherine Widen
Kim Su-hyun
Kendra Denny
Ariel Churnin
Mary Lamboley
David Kearns
G todd haun
Tatiana Klacsmann
They were the
people who worked
in the church studio
Joshua Abelow
Catherine Altice
Nandi Comer
Lourdes R Correa
They are also
the people who
call out my name.
Suzanne Bennet
Marie-Claude Bouthillier
Zel Brook
The walls were permeable
so we could hear each other
17
EXHIBITON
REVIEW
ARTIST IN RESIDENCY
Marilynn Derwenskus
Jean Walcot
Meredeth Turshen
Patricia T Dye
Constanza Isaza Martinez
They can hear my brush
chaffing the canvas
Dameon Lester
I could hear them
on the phone
while I mold
incomprehensible
blobs of color
into poetry.
Allyson H Turner
worthless sheets
of fabric
grow more
endearing
more encrusted
with memory.
more vivid
with meaning.
brush strokes
trace outlines
of my conversations
Kevin
Max Naff
Gurdeep
Me
Tortilla with
pulled pork
Vegetarian
Chickpea soup
Brownies
Cori champagne
Sandra Preston
Louise von Weise
Jon Gregg
George Pearlman
The conversation
is hardly audible,
Kendra
a sigh
creaks
murmur
Tom Burkhardt
I bolted
with everything I had
Peter Lignon
Vicente T Lozano
followed by
an ambiguous
explanation
Carl Oltvedt
and two pieces
of lemon in
a cup of warm
water.
with a question
Denyse Thomasos
Kara Candito
coffee
we held different
beliefs
My table;
Chepecuadra
Vicente
Victor Castro
Open studio
John Monti
Jose Cobo and Juan
Perdiguero
Kevin P McCaffrey
Kyle McCord
Kathy Black
Jill Leninger
Arista Alanis
We spoke
the same words
Dinner time,
accumulation
of their good
from what
I heard...
Critics
are
relentless
their
penetrating eyes
glow with amber
people
break
under
their breathe
foot steps
heavy with
speculation
every creak
of the floor board
a systematic spew
of words
while wondering
if the critic gets it
or am I good enough
or is this all a hoax?
I get a little wonky during
examinations
any kind
My mind ebbs into a tide of
ifs buts and maybes
while I fervently delivered
the outline
the thinking behind
the decision
the decision itself
and how it relates to the work
the...
the pieces that are there
on the wall.
Me.
in some ways
strangers
could
echo
sudden death
the prescription
was a cluster
of honey crumble
in the counsel
of strangers.
It seems
ominous
and then it begins
it seemed surreal
19
l Ooi Kok Chuen
EXHIBITON
CURA T.O.R
REVIEW
Curators Talk : The Strategy of the Zero Generation After the Impact of Superflat Speaker : Takashi Ishizaki
Venue:
The Annexe Gallery, Central Market, Kuala Lumpur.
Date: September 8, 2010
Organisers :
The Japan Foundation and Rumah
Air Panas collective
The
MALAYSIA CONTEMPORARY
ART TOURISM (MCAT) Sparkles in Penang
Contemporary Art Tourism Trail in Penang The Penang chapter of
1Malaysia Contemporary Art Tourism (MCAT), Sparkles In
Penang (SIP) features thirteen offerings of contemporary art
exhibitions in ten different venues throughout September 2010.
These venues have been known as amongst the prime movers of
contemporary art exhibitions and activities in Penang. The
biggest offering is called Contemporary Art Campus, a major
exposition of Universiti Sains Malaysia (USM) Fine Art Collection
at several locations in the USM main campus. Other major
exhibitions include Penang International Print Exhibition (PIPE) at
the Penang State Art Gallery and several other locations in USM
and Georgetown. SIP is also complimented by public
programmes such as artists talk, exhibition tour and workshop to
engage various sections of the public and community with
contemporary art. A seminar entitled Penang as a sustainable
international hub for contemporary art tourism is scheduled to
take place at the Eastin Hotel in conjunction with SIP and the
MCAT campaign in Penang. As a historical state known for its
rich variety of cross-cultural heritage, Penang has also been
known for her own unique flavour of art scene. Other than the
conventional forms of fine art practices, sparks of new,
innovative, fresh and exciting approaches have also been
witnessed in many parts of Penang for the past ten years. These
sparks have been mostly instigated by the younger generation of
more experimental contemporary artists with support of local
institutions, NGOs and special-interest groups. They provide
sparks that will hopefully turn Penang into an exciting
international hub for contemporary art tourism in this region.
So, come and visit Penang. While you are in Penang during the
month of September, dont forget to take a SIP! SIP is
jointly organised by the Ministry of Tourism Malaysia, Tourism
Malaysia Penang, Muzium & Galeri Tuanku Fauziah and the
School of the Arts USM. It is supported by nine major
galleries in Penang.
For General Information & Press Inquiries,
contact Muzium & Galeri Tuanku Fauziah, USM
Tel : +604-6533888 ext : 3261/2137/4789/4788/4787/4786/3294
Fax : +604-6563531 / +604-6535060 E-mail: [email protected] /
[email protected] / [email protected] / [email protected]
www.mgtf.usm.my
www.mgtfusmpenang.blogspot.com
www.tagged.com/mgtfusm
www.facebook.com/mgtfusm
www.twitter.com/mgtf
www.youtube.com/mgtfusm
PAMERAN NEGARAKU
ZULKIFLI YUSOFF
Kuala Lumpur, 9 Ogos 2010 : Bersempena sambutan
Kemerdekaan Negara ke 53, Balai Seni Lukis Negara
(BSLN) mempamerkan Pameran Solo Profesor Madya
Zulkifli Yusoff, sejak 26 Julai lalu dan akan berakhir pada
17 Oktober 2010 bertempat di Galeri 2A dan 2B Balai
Seni Lukis Negara. Majlis perasmiannya diadakan di
Aras 1 BSLN dan disempurnakan oleh YB Datuk Seri
Utama Dr Rais Yatim Menteri Penerangan, Komunikasi
dan Kebudayaan Malaysia.
PERTANDINGAN
MELUKIS DAN
MEWARNA
KANAK KANAK
SEMPENA MALAYSIA
INTERNATIONAL DIVE
EXPO 2010)
Balai Seni Lukis Negara dengan kerjasama
Asiaevents Exsic Sdn Bhd telah menganjurkan
pertandingan melukis dan mewarna kanak kanak
pada 31 Julai dan 1 Ogos 2010 bertempat di Putra
World Trade Centre ( PWTC ). Pertandingan ini
telah mendapat perhatian kanak kanak seramai
200 orang peserta menerusi 4 kategori yang telah
dipertandingkan. Program ini merupakan acara
sokongan sempena Malaysia International Dive
Expo 2010 yang dirasmikan oleh Yang di Pertuan
Agong XIII, Tuanku Sultan Mizan Zainal Abidin ibni
Almarhum Sultan Mahmud Al-Muktafi Billah Shah.
RUANG INTERAKTIF
PAMERAN NEGARAKU
ZULKIFLI YUSOFF
Sehubungan dengan Pameran Negaraku Zulkifli
Yusoff pada 26 Julai 2010 hingga 23 September
2010 di Balai Seni Lukis Negara, cawangan
pendidikan menyokong dan menyediakan
Galeri 2C sebagai ruang interaktif Pameran Zulkifli
Yusoff. Cik Tan Hui Koon, kurator dan Kamariah
Abdullah, kurator kanan yang membawa idea
bagi menekankan kepentingan bunga raya
sebagai bunga kebangsaan. Ruang Interaktif ini
membawa tema Taman Bunga Raya. Selama 1
minggu mengambil masa bagi penyediaan ruang
ini. Dalam ruang interaktif ini ada aktiviti Bengkel
Sutera Saring yang menarik minat orang awam
. Pada 9 ogos perasmian Pameran Negaraku
Zulkifli Yusoff , ruang interaktif ini juga membuka
kepada orang ramai dan selama sebulan ini,
ruang interaktif ini telah mendapat sambutan baik
daripada orang ramai dan pengunjung asing.
Ruang interaktif ini buka setiap hari dari 10.00 pagi
hingga 4.30 petang .
MAJLIS MAKAN
MALAM BERSAMA
PELUKIS
Pada 23 Julai 2010 telah berlangsung satu
Majlis Makan Malam Bersama Pelukis yang
bertempat di Lobi Balai Seni Lukis Negara.
Majlis Perjumpaan dan Makan Malam
Bersama Pelukis ini diadakan khusus untuk
memperkenalkan Ketua Pengarah baru
BSLN iaitu Dato Mohd Yusof Ahmad kepada
para pelukis di Malaysia di samping menjadi
medium untuk berkongsi idea serta bertukar
pandangan dan pendapat antara BSLN
dan pelukis tempatan. Harapan BSLN untuk
memartabatkan Seni Visual dan Kontemporari
Malaysia dipersada dunia diharap dapat
direalisasikan dengan jayanya melalui usaha
dan aktiviti begini.
MJVAX MALAYSIA-JAPAN
VIDEO ART EXCHANGE
VIDEO SEBAGAI ALAT
PERTARUNGAN
Malaysia-Japan Video Art Exchange (MJVAX) adalah sebuah
kolaborasi penggiat seni video dari Malaysia dan Jepun.
Seramai lima orang penggerak muda seni video dari Jepun
akan menyertai dalam program-program yang dijalankan
di Kuala Lumpur, Ipoh dan Penang mulai 21 Julai sehingga
3 Ogos 2010 dengan diselenggarakan oleh senior artis /
pengamal seni video. Antara nama-nama artis Malaysia yang
terlibat dan turut serta adalah Hasnul J Saidon, Kamal Sabran,
Kok Siew Wai, Masnoor Ramli, Nur Hanim Khairuddin dan
Sharon Chin. Program ini akan mengupas kepelbagaian fungsi
serta potensi video sebagai bentuk ekspresi diri, keterujaan,
pertarungan serta penguasaan diri. Dengan kata lain: video
sebagai alat pertarungan.
KEPADAMU KEKASIH
(YANG MAHA ESA)
Sempena meraikan keberkatan bulan Ramadhan, Balai Seni Lukis
Negara (BSLN) dengan bangga mempersembahkan Pameran
KEPADAMU KEKASIH (Yang Maha Esa) . Pameran ini telah
dirasmikan oleh YB Senator Dato Dr Mashitah Ibrahim pada 20
Ogos 2010 di lobi utama BSLN. KEPADAMU KEKASIH (Yang Maha
Esa) adalah sebuah pameran yang mengkhususkan kepada
keimanan, kesyukuran dan pengabdian kepada Allah S.W.T. Yang
Maha Berkuasa. Karya yang akan dipamerkan ini juga akan dijual
dan 10 peratus dari hasil jualan akan disalurkan kepada Badan
Kebajikan Islam. BSLN juga telah menjemput anak-anak yatim dari
Pertubuhan Penyayang Raudhah pada majlis perasmian tersebut.
Majlis perasmian diteruskan dengan bacaan suci Al-Quran yang
diperdengarkan oleh peserta termuda Akademi Al-Quran, adik
Muhammad bin Ahmad Zahid sementara menantikan waktu
berbuka puasa dan disusuli dengan solat sunat tarawih.
FEBRUARI
Art on Necktie: 2 Feb - 19 Feb 2010
Pameran Seni Bangladesh: 19 Feb 28 Feb 2010
Pameran 1 Malaysia bersama Rakyat Negeri Melaka 4 Feb 8 Feb 2010
Pameran Laman Seni Putrajaya ke 25 bersempena Karnival keceriaan
Putrajaya 20 Feb-21 Feb 2010
Malaysia Open 10 Feb-31 Mac 2010
SESI APRESIASI
SENI KARYA-KARYA
SULAIMAN ESA
SEMPENA PAMERAN
ANTARA BAHAN
CAMPURAN (ABC)
Pameran Antara Bahan Campuran (ABC)
kini berlangsung di BSLN dari 30 Mac 2010
sehingga 16 Jun 2011. Sehubungan dengan itu,
BSLN bercadang untuk memperkenalkan Sesi
Apresiasi seni karya-karya Dr. Sulaiman Esa iaitu
Compression 3, Manusia dan Alamnya, dan Ke
Arah Tauhid. Bicara seni telah berlangsung pada
17 Julai 2010(Sabtu) di Auditorium, Balai Seni Lukis
Negara iatu 10.00 pagi hingga 12.00 tengahari.
Sasaran audien bagi bicara seni ini adalah pelajar
IPTA dan orang awam. Seramai 55 orang telah
menyertai program ini dari UiTM Shah Alam dan
Unisel. Dr. Sulaiman Esa telah memberi ceramah
berkenaan perkembangan idea dan evolusi karya
beliau selama tiga puluh tahun. Para peserta
mendapat pengalaman yang cukup menarik
tentang seni media campuran ( mix media ). Pada
pukul 11.30 pagi Dr. Sulaiman Esa membawa para
peserta ke ruang pameran bagi menjelaskan
karyanya Compression 3, Manusia dan Alamnya,
dan Ke Arah Tauhid dengan lebih dekat dan
membuat perbandingan antara karya-karya ini.
MAC
Underwater Sceneries: 6 Mac - 6 April 2010
Japanese Design: 8 Mac - 11 April 2010
ABC: 30 Mac - 30 Julai 2010
Program Pertandingan Mewarna Seni di Sini 1 Malaysia di Gua Musang
Kelantan pada 8 Mac 12 Mac 2010
Pameran Laman Seni Putrajaya yang ke - 26 27 Mac -28 Mac 2010
Pameran Catan Relief Kanak-kanak di Galeri 2C ( Pengkarya Muda) pada
March Julai 2010
Pameran Dato Latt @ UTM Skudai : 22 Mac - 29 Mac 2010
APRIL
Kata Luhur A. Samad Said : 9 April - 30 Mei 2010
Pameran Abundant Australia : 19 April 31 Mei 2010
Bicara Seni Sempena A. Samad Said sesi bercerita Di Simpang Jalan dan
Kata Luhur pada 21April & 28 April 2010
Artist at Lobby : 15 April - 31 Mei 2010
MEI
KL Design Week: 1 Mei - 16 Mei 2010
Program Pertandingan Mewarna Batik oleh Kanak-kanak Tadika sempena
minggu perpaduan Negeri Kelantan di Sekolah Rendah Ismail Petra pada 29
Mei 2010
Pertandingan Merwarna KUNTUM anjuran Majalah KUNTUM & McDonalds
dengan kerjasama BSLN di ruang Lobi Aras 1 dan Anjung Belakang pada 15
Mei 2010
WIEF@KLCC Convention Centre: 17 Mei - 20 Mei 2010
Shanghai World Ekspo 1 Mei - 31 Oktober 2010
JUN
Pameran Art Friend: 26 Jun 20 Julai 2010
Bengkel Arca 1 Malaysia sempena Cuti Sekolah di BSLN 8 Jun-10 Jun 2010
Pameran Karnival Cuti Sekolah Di Pasar Seni Jun 2010
Pameran Innofest 2010: 19 Jun - 20 Jun 2010
JULAI
Pameran Art Triangle : 7 Julai 7 Ogos 2010
MJVAX : 20 Julai 6 Ogos 2010
Majlis Makan Malam Bersama Ketua Pengarah : 23 Julai 2010
Bicara Seni Art Collecting Anjuran bersama Malaysian Art Friends di Galeri 2A
BSLN 3 Julai 2010
Pertandingan Mewarna Kanak-kanak anjuran Malaysia International Dive Expo
2010 (MIDE 2010) di PWTC pada 30 Julai - 10 Ogos 2010
Pameran Seni di Putrajaya sempenaFloria 2010 : 9 Julai - 18 Julai 2010
Pameran Merakyatkan Seni dan Budaya (PMS) kawasan Lembah Pantai, KL
pada 27 Julai 2010.
Bicara Seni 30 ARTFRIENDS di Auditorium BSLN Pada 10 Julai 2010
Bicara Seni ARTRIANGLE di Auditorium BSLN Pada 10 , 17, dan 24 Julai 2010
Bicara Seni bersama Dr. Sulaiman Esa sempena pameran Antara Bahan
Campuran (ABC) di Auditorium BSLN pada 17 Julai 2010
Pertandingan Bakat Seni Kartun Merdeka: 15 Julai - 31 Ogos 2010
OGOS
Pameran KepadaMU Kekasih (Yang Maha Esa) : 10 Ogos 30 Sept 2010
Bengkel Seni Kreatif dan Seni Tampak di Krash Pad: 2 Ogos 2010
Bicara Seni bersama Haslin Ismail sempena Pameran Antara bahan Campuran
(ABC) di Auditorium BSLN pada 7 Ogos 2010
Pameran NEGARAKU Zulkifli Yusoff di Galeri 2C: 26 Julai - 17 Oktober 2010
Koleksi Tetap Antara Bahan Campuran (ABC) Bhg.2 : 20 Ogos - 10 Januari 2011
Malam Dirgahayu Tuanku: 4 Ogos 2010
SEPTEMBER
Pra Perasmian - Art Expo Malaysia 2010: 25 September 2010
Pameran Solo Cheng Haw Chen: Alam Seni: 28 September - 24 Oktober 2010
Dengan Cara Kita: 12 September - 24 Oktober 2010
Back Then These Day: 23 Sept - 23 Okt 2010
OKTOBER
4th Msia Art Expo @ Matrade : 28 Oktober- 1 Nov 2010
Penerimaan & Penghakiman Pertandingan Bakat Muda Sezaman 2010: 20
Oktober - 1 Nov 2010
NOVEMBER
Bakat Muda Sezaman : 20 Nov - 20 Feb 2011
Temu Bumi : Nov 2010 - Jan 2011
Espectacular Lucha Libre: 15 Nov - 15 Dec 2010
BSLN Publication
ZULKIFLI YUSOFF NEGARAKU
INVENTORI HIMPUNAN
TETAP WARISAN SENI
TAMPAK NEGARA
2004-2009
1065 karya terbaru
Himpunan Tetap Balai
Seni Lukis Negara yang
telah diperolehi dari
tahun 2004 sehingga
2009.
300 Muka surat
1065 Gambar Karya
berwarna
ISBN: -
Katalog KepadaMu
Kekasih diilhamkan khas
bersempena dengan
Kedatang ramadhan
dan sebagai tanda
kesyukuran kepada
Allah Yang Maha Esa.
Penerapan nilai-nilai
murni seumpama
ini diharap dapat
menemukan para
pelukis dan khalayak
dalam konteks wacana
keislaman yang boleh
ditarbiahkan dalam
pelbagai arus dan
bentuk penghayatan
sama ada ilmiah
mahupun kesenian.
ISBN 978-983-3497-50-8
84 m/s
ISBN 978-983-3497-48-5
107 m/s
RM 20
RM 80
AKAN
NG !
DATA
KEPADAMU KEKASIH
BARU
!
BARU
AKAN
NG !
DATA
BARU
All publication can be purchased at the Gallery Shop located at National Art Gallery. For enquiries please email to [email protected]
WHATS
ON
Young Malaysian Artist New Objec(tion)
Galeri Petronas, KLCC
13/07 - 03/10 2010
http://www.galeripetronas.com.my/galeri
TO ADVERTISE IN
PLEASE EMAIL TO...
[email protected]
MY GOD IS MY TRUCK-Heroic Potraiture from the Far
Side of Paradise: Anurendra Jegadeva
13/09 - 13/10/2010
Wei-Ling Gallery, Brickfields, KL
03-22601106/07, [email protected]
With this new body of work, Anurendra Jegadeva
has continued to develop a range of narrative tools
in his works recurring motifs, text, color symbolism,
the framing devices of temple carvers and stainglass makers and comic book artists which are the
vocabulary of a multifarious existence. A Malaysian
artist of Indian descent Anurendra Jegadeva has
lived and worked in both Malaysia and Australia.
With a broad perspective of home and the world
beyond he deftly combine his views on the world
with the autobiographical which stems from his own
personal response to or experience of his subject/s.
He strongly believes in the enduring power of
the painted image, and has worked consistently
over the last twenty years to forge effective and
fresh narrative approaches to contemporary and
historical themes.