The Physics of Sound: Why Do We Hear What We Hear?

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The Physics Of Sound

Why do we hear what we hear?


(Turn on your speakers)
Sound is made when something vibrates.
The vibration
disturbs the air
around it.
This makes changes
in air pressure.
These changes in air
pressure move
through the air as
sound waves.
The sound
waves cause
pressure
changes against
our ear drum
sending nerve
impulses to our
brain.
This is similar to throwing a
rock into a pond.

Air molecules
ripple through
the air in sound
waves like
water waves
rippling across
a pond.
The three components of sound are:

Pitch (how high or low)

Loudness (volume)

Timbre (tone color)


Pitch
The vibration patterns of
some sounds are repetitive.
Vibration patterns are also
called waveforms.
Each repetition of a
waveform is called a cycle.
We can hear frequencies
between 20 hertz or cycles
(vibrations) per second
(low pitches)to 20
kilohertz, i.e. 20,000 Hz
(high pitches).
When the frequency
of a sound doubles
we say that the
pitch goes up an
octave.
We can hear a range
of pitches of about
ten octaves.
Many animals can
make sounds and
hear frequencies
that are beyond
what we can hear.
Loudness
To create vibrations
energy is used.
The greater amount
of energy used the
louder the sound.
The strength of the
changes in air
pressure made by
the vibrating object
determines
loudness.
•As the sound spreads out from its source, the
concentration of power becomes less.
As the distance
from the source
increases the
amount of power
is spread over a
greater area.
The amount of
power per square
meter is called the
intensity of the
sound.
Humans do not perceive sound intensity linearly.

For us to perceive a
sound as twice as loud
its intensity must be
ten times greater.
The perceived intensity
level of sound is
measured in a
logarithmic scale using
a unit called the decibel
(dB) 2
The scale begins (0
dB) on the softest
sound that a person
can hear. This is
called the threshold
of hearing.

The scale ends at


the volume that
causes pain (120
dB) and is
therefore called
the threshold of
pain.
From the perspective of the logarithmic
scale the threshold of pain is

1,000,000,000,000
times as great as the
threshold of hearing.
•The picture above is
a wave file of
someone singing.
•The chart on the left
is a representation of
different sounds
around us and their
volume in decibels.
“Timbre” (TAM-ber) or tone color
is the specific
property of
sound that
enables us to
determine the
difference
between a
piano and a
harp.
An extremely broad variety
of tone colors exist because
most sounds that we
perceive as pitch actually
contain many frequencies.

The predominant pitch


is called the
fundamental
frequency.
Although we would perceive a string
vibrating as a whole,
it actually vibrates in a pattern that at first
appears to be erratic producing many different
overtone pitches. What results are particular tone
colors or timbres of instruments and voices.
The other frequencies which occur in a
mathematical series are called the
harmonic or overtone series.
When C1 is the fundamental the
following pitches represent its first
fifteen successive overtones.
I hope you enjoyed my presentation.

I hope it made
you happy…
But I do hope it didn’t make you feel like this.

Bye !
a ministry of Fellowship Church
Presentation by James Wingerter-Praise Encourager

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