This document discusses multimedia elements including sound, animation, and video. It provides details on:
- How sound waves are converted from analog to digital format through sampling. Common sampling rates and sizes are discussed.
- Popular sound file formats for use on the web like WAV, AIFF, and MP3 and considerations for sound file size on the internet.
- Types of 2D and 3D animation including cel animation and path animation. The modeling, animation, and rendering process for 3D animation is described.
- How video is digitized from analog format and factors that determine video file size like frame rate, image size, and color depth. Methods for video compression and editing are outlined.
- Delivery
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Multimedia Elements Sound, Animation, and Video
This document discusses multimedia elements including sound, animation, and video. It provides details on:
- How sound waves are converted from analog to digital format through sampling. Common sampling rates and sizes are discussed.
- Popular sound file formats for use on the web like WAV, AIFF, and MP3 and considerations for sound file size on the internet.
- Types of 2D and 3D animation including cel animation and path animation. The modeling, animation, and rendering process for 3D animation is described.
- How video is digitized from analog format and factors that determine video file size like frame rate, image size, and color depth. Methods for video compression and editing are outlined.
- Delivery
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Multimedia Elements
Sound, Animation, and
Video Sound Analog wave patterns – these wave patterns have two attributes Volume – the height of each peak in the sound wave Frequency – (sometimes referred to as pitch) the distance between the peaks. The greater the distance, the lower the sound.
Image: scanned from Multimedia Concepts – James Schuman
Sampling
To include sound in a multimedia
application, the sound waves must be converted from analog to digital form
This conversion is called sampling – every
fraction of a second a sample the of sound is recorded in digital bits Sampling Two factors affect the quality of digitized sound 1) Sample rate – the number of times the sample is taken Most common sampling rates are: 11.025, 22.05, and 44.1 kHz
2) Sample size – the amount of information
stored about the sample Most common sampling sizes are: 8 and 16 bit Sampling
Image: scanned from Multimedia Concepts – James Schuman
Sound File Formats
WAV format – filename.wav
AIFF (Audio Interchange File Format) AIFFC (compressed) RealAudio – filename.ra MP3 (mpeg layer 3) Sound on the Internet
Your first consideration when using sound
on the Internet is file size Uncompressed files can be very large A 10 second recording of an audio CD can be as large as 2MB Sound Tips for the Internet Appropriate Consider the appropriateness of using sound. Some Use sounds are content-related, such as hearing a foreign phrase pronounced. Other sounds are for effect, such as creating a mood or setting a scene. Avoid using sound when there is no compelling benefit. Quality Start with the highest-quality sound available and reduce the file size by converting the audio file to a compressed format. When possible, avoid using free sound clips available from the Internet. These are often of poor quality and overused. Cost When recording audio files, it may be cost-prohibitive to considerations contract with a recording studio and hire professional talent. Investing in reasonably high-end equipment (such as a sound card, microphone, and recording and editing software), however, will prove worthwhile. Sound Tips for the Internet Alternative Consider using sound and still images as an alternative to Methods video to reduce file sizes. It may be just as effective to show a photograph of a speaker and play the sound file of the speech as it is to show a video of a “talking head.”
Streaming Consider streaming the audio, especially for large files.
User If appropriate, provide a way to give the user some
Control control over the audio. Consider allowing the user to skip a sound clip or adjust the volume. This issue is especially important if a musical introduction is played when the user first enters a Web site. The second time visiting the site, the user may not want to hear the musical introduction. Animation on the Internet
Animation is an excellent way to provide
appeal on a web site, choose from the following Animated text Animated GIF’s
Marcomedia Director applications
3-D environments 2-D Animation
Two types of animation exist
Cel animation – based on changes that occur form one frame to the next
Path animation – moves an object along a
predetermined path on the screen 3-D Animation
3-D Animation involves three steps
1) Modeling – creating the broad contours and structure of 3-D objects and scenes
2) Animation – defining the object’s motion
3) Rendering – giving objects attributes such as
color, surface textures, and amounts of transparency 3-D Animation
Image: scanned from Multimedia Concepts – James Schuman
3-D Animation Special Effects
Morphing – blending together two images
into a series of images
Warping – distorts a single image
Virtual Reality – creates an environment
that surrounds the user so that he or she becomes part of the experience Animation Animated text – using the HTML <blink> command causes text to flash on and off Animated gif – using a software program to create a series of gif files such as GIF Builder Director movie – animation played using Shockwave plug-in 3-D environments – a computer language used to create 3-D images Design Considerations
Give the user control over whether or not
to display or enlarge graphic images
Allow the user to be active while graphic
images are being displayed
Provide feedback to the user by displaying
the amount of time a file will take to download Video Video, like sound, is recorded and played an as analog signal
Analog video must be digitized in order for
it to put into a multimedia file
Digital video has many advantages, but
file size is important Video Several elements determine file size: Frame rate Image size
Color depth
To determine file size use the following
formula: Frames per second X image size X color depth / 8 = file size Video Compression and Editing
There are two types of video compression
Lossless– preserves the exact image throughout the compression
Lossy – eliminates some of the data in the
image (provides greater compression ratios than lossless)
Remember – there is always a trade off, file
size versus image quality Video on the Internet There are two types of video transfer over the Internet HTTP (Hypertext Transfer Protocol) – downloads the entire video to the hard drive on the user’s computer
RTSP (Real-Time Streaming Protocol) – is a
continuous-playing, streaming technology in which the user’s computer is in constant contact with the server playing the video Video Tips Color Reducing the color depth to less than 256 colors depth gives a markedly poorer-quality image.
Frame Reducing the frame rate to less than 15 frames
rate per second causes a noticeable and distracting jerkiness that is usually unacceptable.
File size A technique for reducing file size is to minimize
the use of video in the image that appears on the screen – that is, to create video only for the parts of an object that are changing, such as a flickering candle. The video could be played over and over to create the motion of a flickering candle. Video Tips Display size In most multimedia titles, you do not need to show full-screen video. The video can be played in a window that can be as small as one-fourth or even one-sixteenth the size of the screen.
Conclusion: Changing the image size and compressing
the file become the primary ways of reducing file size. In most cases, a one-quarter screen image (320 X 240), an 8- bit (256 colors) color depth, and a 15 frames per second frame rate are acceptable in a multimedia title. The End University of North Texas Dr. Vicky Cereijo