Amateur Photographer - January 30, 2016 PDF

Saturday 30 January 2016
N EWN FiofrsthteloD5oks
N IKO
D SLRs and D500
Passionate about photography since 1884
Wild things
Elliott Neep shares the secrets to great wildlife photography
Print
Food
for thought
Techniques for
beautiful still lifes
that look good
enough to eat
legacy
How to create a
bound portfolio
you can leave for
future generations
SNAPSEED 2.0 We test the easy-to-use free editing app with a fantastic feature set
BRING YOUR
PRINTS TO LIFE
SureColor SC-P600
www.epson.co.uk
7days
In this issue
9 Not a quiet
year for Nikon
Nikons Dirk Jesper talks
to Michael Topham about
the companys strategy
10 Nikon D500
Michael Topham gets
hands on with Nikons
most advanced DX-format
DSLR to date
JOIN US
ONLINE amateurphotographer.co.uk
long wait, and those wanting the latest

features could have been tempted away from
the Nikon stable. Many may have bought a
Nikon D7000-series camera, or even gone full
frame with the Nikon D610, and Im sure a
few will have bought Fujilm X-T1 and Sony
Alpha 7 cameras and will now be CSC owners.
However, the Nikon D500 looks like an
amazing camera. Turn to pages 10-11 to read
Michael Tophams thoughts on it.
Richard Sibley, deputy editor
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Join our Flickr group

at ickr.com/groups/
amateurphotographer
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on Twitter
@AP_Magazine
ONLINE PICTURE OF THE WEEK
12 Nikon D5
We take a rst look at
the new FX-format DSLR
16 Food,
glorious food
You dont need a lot of
expensive gear to shoot
great images of food, as
Michael Powell explains
27 Wild man
Wildlife photographer
Elliott Neep explains how
he takes his fantastic
animal pictures
IMAGES MAY BE USED FOR PROMOTION PURPOSES ONLINE AND ON SOCIAL MEDIA
32 Meet & greet

Michael Chapman talks
about his We Met As
Strangers photo project
36 Print legacy
Make your own
personalised bound
portfolio. Russ Barnes
explains how
46 Evening class
Photoshop guru Martin
Evening sorts out your
photo-editing and postprocessing problems
53 Snapseed 2.0
We test a free editing tool
for your smartphone or
tablet that offers one of
the most comprehensive
feature sets of any app
Regulars
3 7 days
22 Inbox
42 Portfolio
50 Accessories
57 Technical
support
82 Final Analysis
EDIS08
COVER PICTURES ELLIOTT NEEP, MICHAEL POWELL
A week in photography
How patient are you? I ask
this because in this issue we
have a rst look of the Nikon
D500. This is the camera that
will replace the D300 of 2007.
The D500 looks like the best DSLR camera
with an APS-C sensor yet. But has it come
too late, and what happened to the D400?
I also wonder how many of those Nikon
D300 owners who have been crying out for a
D400 have since jumped ship? It has been a
/-/ by Edis08
Canon EOS 60D, 50-500mm, 1/800sec at f/5.6, ISO 640
This image was uploaded to our
viewers eye is focused on the
Flickr pool by AP reader Edis08 and features. By converting the image to
is a great example of a different
black & white, the expression and
approach to street photography.
lines of the face are emphasised,
Edis08 has chosen a location with
giving the whole portrait a more
strong light that highlights the most
expressionist feel.
important aspects of his subject
Edis08 has also gone in close to
the head and face. He has then
the subject rather than including a
imported the shot into postlot of unnecessary surrounding area
production software and burned out that could detract from what is an
the areas around the head so the
engaging and intimate shot.
Send us your pictures
Win!
Each week we choose our favourite

picture on Facebook, Flickr or
the reader gallery using #appicoftheweek.
PermaJet proudly supports the online picture
of the week winner, who will receive a
top-quality print of their image on the finest
PermaJet paper. It is important to bring
images to life outside the digital sphere, so we
encourage everyone to get printing today! Visit
www.permajet.com to learn more.
If youd like to see your work published in Amateur Photographer, heres how to send us your images:
Email Send us a selection of low-res images (up to 5MB of attachments in total) to [email protected].
CD/DVD Send us a disc of high-resolution JPEG, TIFF or PSD images (at least 2480 pixels along its longest length), with a contact sheet, to the address on page 23.
Via our online communities Post your pictures into our Flickr group, Facebook page, Twitter feed, or the gallery on our website. See details above.
Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 23.
NEWS ROUND-UP
The week in brief, edited by Chris Cheesman
Peake pics on Flickr
British astronaut Tim Peake

has shared photos on his
Flickr stream that he has
captured in space using a
Nikon D4 DSLR. Peake received
guidance on how to use the
Nikon D4 before he embarked
on his six-month mission on board the International Space Station
in December. To view Tims Flickr photos, visit www.flickr.com/
photos/timpeake.
STEVE GOSLING
Brits in frame
Winners of the 10th Annual Black

& White Spider Awards included
the UKs Samuel Hicks, who won
second place in the professional
category, and Steve Gosling, who
won nominations in four categories:
abstract, architectural (left),
nature and still life. The contest
pulled in more than 7,500 entries.
For more, visit thespiderawards.
com/gallery/index.php.
Solar-powered camera
THOMAS P PESCHAK
Go wild in 2016
Wildlife Photographer of the

Year 2016 which Sir David
Attenborough describes as the
most prestigious event for any
wildlife and stills photographer,
anywhere is open for entries.
It costs 30 to enter up to 25
images, but photographers
aged 17 and under can submit up to 10 images for free. The closing
date is 25 February. Visit www.nhm.ac.uk/visit/wpy.html.
Photography explosion
There are eight times as many
photographers worldwide than there
were a decade ago, following an
explosion in smartphone usage,
claims market analysts Futuresource
Consulting. According to a poll of
4,251 people across the US, UK,
France, Germany, Canada and
Australia, 1.2 trillion images
are captured annually.
4
GETTY IMAGES
A solar-powered action camera that shoots 16-million-pixel stills and

4K movies is due to go on sale in the UK in March. The Solar X
features a 16MP imaging sensor, a seven-element f/2.4
lens and a 6fps burst rate. The
charging case is
claimed to provide
four hours of battery
life, on top of the two
supplied by the built-in battery. The
UK price is unconfirmed, but in the US
it costs about 295. Visit www.active
on.com/products/action-cam-4k-solar.
WEEKEND PROJECT
Sell your old kit

With a raft of tasty camera gear announcements
earlier this month at the CES technology show, and
the inevitable arrival of more tempting kit this year,
you may be thinking about parting with some of
your current equipment to help fund a new
purchase. When selling your camera kit through
auction sites such as eBay, its important to ensure
you get the best price for your kit. Any capital is
then maximised, allowing you to plough it back
into buying some new equipment. Do your
research, and see what price you can expect from
similar kit on the second-hand market. Once youve
got a rough idea of the value of your kit, set yourself
a price you wont go below and stick to it. You are
then ready to prepare your items for sale.
Give your camera or lens

a thorough once-over,
making sure everythings
working as it should and noting
any marks or scuffs. Its best to
be as honest as possible for a
clean transaction and to avoid
any conflict with the buyer.
Make sure you

photograph your kit well
poorly shot images
arent going to attract buyers.
Show all angles and any issues,
as well as the packaging
supplied and any accessories
that will be bundled with it.
30 January 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 4555
BIG
picture
Legendary musician
David Bowie dies at
the age of 69
There are very few musical
artists who can claim to have
remained relevant right up until
the time of their death, but with
such a varied career, David Bowie,
who died earlier this month, was a
gure who was constantly ahead of
the curve. His last album, Black
Star, was released just days before
his death from cancer, and was
almost universally praised. Here we
see a shot from one of Bowies
many forays into acting. The Man
Who Fell to Earth (1976), directed
by Nicolas Roeg, tells the tale of an
alien visiting earth in an attempt to
nd water for his dying planet. It
was a role perfectly suited to
Bowies otherworldly persona and
is now viewed as a cult classic.
But, of course, he will always be
remembered for his music. Time
to dust off those old records.
Words & numbers
Buyers like to see a

used cameras shutter
count as its a good
marker of how heavily it can
be used. There are various
websites that will give you a
count once you upload the
latest JPEG to their site.
When you list your item,
set a realistic shipping
cost and insure the item
for the purchase price as you
dont want to be out of pocket if
it goes missing. For high-value
items, make sure you request a
signature on delivery.
subscribe 0330 333 4555 I www.amateurphotographer.co.uk I 30 January 2016
Martin Parr
Documentary photographer
born 1952
SOURCE: FUTURESOURCE CONSULTING
I would
drown in
objects if I
didnt have
the ability to
photograph
them
88%
of 18-24 year olds regularly take
photos with their smartphones
Zeiss enters
mobile market
The X70
Fujifilms smallest
and lightest APS-C
X-series camera
Fuji reveals new X70

and updates X-E2
X-series supertelephoto zoom
The new XF
100-400mm
on a Fuji X-T1
FUJIFILM is set to launch its first

super-telephoto zoom for the X series.
Due out in February, priced 1,399, the
XF 100-400mm f/4.5-5.6 R LM OIS WR
is designed to deliver the 35mm
equivalent of a 152-609mm lens. The
21-element-in-14-groups lens boasts
five ED lenses and a Super ED lens
to help cut chromatic aberration.
Weighing just under 1.4kg, the lens is
built to deliver image stabilisation
equivalent to 5 stops and resist water,
dust and temperatures down to -10C.
The lens features 13 water and
dust-resistant seals. Fuji has added a
fluorine coating to the front lens
element to help repel water and dirt. A
kit that includes a 1.4x teleconverter
will cost 1,499.
6
FUJIFILM has unveiled its

smallest and lightest X-series
camera with an APS-C-sized
imaging sensor.
Borrowing many features from the
X100T, the X70 sports an 18.5mm
f/2.8 Fujinon (28mm equivalent)
lens following calls from some
photographers for a small, light
camera capable of wideangle shots.
Aimed largely at street
photographers, the X70 boasts a
16.3-million-pixel, X-Trans CMOS II
imaging sensor and an EXR
Processor II.
Due on sale in February in black
and silver options, the 549 X70 is
the rst X-series camera to sport a
touchscreen capable of rotating 180.
The 3in screen carries a resolution
of 1.04 million dots and the
focusing ring on the lens doubles as
a control ring to help the user access
controls quickly. The camera weighs
around 340g (which is 100g lighter
than the X100T) and measures
112.5x64.4x44.4mm.
Meanwhile, Fujilm has targeted
professional
photographers and
enthusiasts by unveiling
the X-E2S, a new
16.3MP APS-C-sensorsized rangender-style
compact system camera.
Due out in February,
The X-E2S will cost
549, body only
priced 549 (body only), new

features include an improved grip
shape to help users quickly change
settings while holding the camera.
There is now an auto mode on/off
switch, as well as a more intuitive
user interface, and seven function
buttons on the top and back of the
camera body can be customised to
the users needs. The electronic
shutter is capable of exposure up to
1/32,000sec, says Fuji.
Improvements to the AF system
include the addition of zone and
wide/tracking options that deploy
a 77-point AF area to help when
shooting moving subjects.
Eye-detection AF is included in
the X-E2S. The camera will also
be available as a 749 kit with
an 18-55mm lens.
A free rmware update will be
available for the X-E2, which will
be phased out.
The announcements coincided
with the unveiling of Fujis new
X-series X-Pro2 agship earlier this
month (see News, AP 23 January).
ZEISS used the CES

technology show to
showcase three lenses for
mobile phones. Zeiss has
joined forces with mobile
phone accessory brand
ExoLens to develop the
rst three lenses in a new
range: a wideangle, a
telephoto and a macro.
Due for launch in the
second quarter of 2016, the
lenses will initially only be
compatible with the Apple
iPhone 6/6s and iPhone 6
Plus/6s Plus, via customised
mounting brackets.
However, further compatible
devices are planned.
The impact of an
image is decisively
inuenced by the lens and
its technical properties,
said Dr Winfried Scherle,
executive vice-president
of Carl Zeiss AG.
The collaboration with
ExoLens gives us the
opportunity to tap into new
target groups and provide
ambitious mobile phone
photographers with
high-quality tools to
support their creativity.
For details, visit
www.exolens.com.
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UK wins Hasselblad
Master honours
The most interesting things to see, to

do and to shoot. By Tom Smallwood
STEVE RACE
JOHN PAUL EVANS
EAST YORKSHIRE
RSPB seabird photography workshops
From March to August RSPB Bempton Cliffs is home to more than

200,000 seabirds, so if youre in the area why not try the regular
bird photography taster workshops led by photographer Steve
Race. Key species include puffins, gannets, kittiwakes, fulmars,
guillemots, razorbills, herring gulls and shags.
John Paul Evans winning image in the wedding category
Beer added: The

Hasselblad Masters
has always been one
of the most prestigious
competitions in the
industry.
The winners can take
pride in, and benet
from, the coveted title
Hasselblad Master for
the rest of their careers.
I cannot wait to see what
the winners create for the
2016 Masters Book.
Various dates in March and April, www.steverace.com
matter when AP sought a response from

a representative in the UK.
In November, Samsung said it planned
to phase out sales and marketing of
digital cameras and camcorders in
the UK due to a fall in demand.
The news followed reports that
Samsung planned to discontinue the
NX1 in Europe.
For the latest news visit www.amateurphotographer.co.uk

Alexander von
Wiedenbeck
Photography Show
Organise a visit to the UKs
largest photography show,
which includes lots of
manufacturer and retail stands.
There is also a programme of
seminars and speakers,
including Michael Freeman,
Charlie Waite and former AP
editor Damien Demolder.
bit.ly/hopekickstarter
From 19-22 March, www.

photographyshow.com
LONDON
INTERNATIONAL
Alec Soth:
Gathered Leaves
APOTY
The Magnum members first

major exhibition in the UK
features four of his projects
from the past ten years,
including Songbook, a group of
large-scale photos first complied
in unbound publications based
on a road trip across seven
American states.
Entries to this astronomy

photography competition
are being accepted from 29
February. The nine categories
include Skyscapes, Aurorae,
People and Space, Our Sun and
Our Moon. There is also a Young
Astronomy Photographer of the
Year category for those under
16. Five images per entry.
Until 28 March, www.science

museum.org.uk/alecsoth
Until 14 April,
www.rmg.co.uk/astrophoto
ALEC SOTH
LUC JAMET
It is 12 months since the South Korean giant

announced an NX camera, the NX500
BIRMINGHAM
Help fund a photography book

of von Wiedenbecks haunting
images of children living in
rubbish dumps and graveyards
in the Philippines. Despite
these appalling and scarcely
imaginable circumstances,
these children were so warm
and open, he explains.
Samsung cameras a no-show

SAMSUNG has fanned the ames
of speculation that it has pulled the
plug on its global camera business by
failing to showcase any cameras at the
recent CES technology show.
Speculation has been rife since the
rm revealed plans before Christmas to
pull out of the camera and camcorder
markets in the UK and Germany.
After searching for the elusive
cameras on the Samsung stand at the
Las Vegas Convention Center, AP
deputy technical editor Michael Topham
said: I asked three members of staff
on the stand whether there were any
Samsung cameras on display, to which
they all replied there were not.
He added: I walked the stand myself
and couldnt see any.
Samsung declined to comment on the
KICKSTARTER
ALEXANDER VON WIEDENBECK
Product photographer
Jonathan Beer, one of the
judges, said: Picking my
favourites from the
2016 nalists was
immensely tough.
Some categories had
obvious stand-out entries,
but others were much
closer to call.
Exciting creativity,
backed up with technical
excellence, was what I
was looking for.
THE PHOTOGRAPHY SHOW
A UK photographer is
among ten winners of
the Hasselblad Masters
Awards 2016, beating
thousands of images
along the way.
John Paul Evans, who
triumphed in the wedding
category, bagged a new
Hasselblad camera along
with Master status
following a public vote and
judging by photographers
and imaging experts.
The Masters Awards
have always been the
ultimate showcase to
capture talent that
ourishes across the
globe, said Perry Oosting,
CEO of Hasselblad, which
this year celebrates its
75th anniversary.
Our 2016 Masters has
again demonstrated the
outstanding skills out there
across the entire spectrum
of photo disciplines.
Each of the winners
now faces a fresh
challenge: to create a
unique set of images on
the theme inspire for
the latest edition of the
Hasselblad Masters
commemorative book.
Get up & go
Not a quiet year for
Nikon
Michael Topham caught up with

Nikons Dirk Jesper to discuss the
camera makers future strategy, and
finds out why 2015 wasnt a quiet
year for Nikon in the imaging market
DURING our recent visit to the CES technology show, Amateur
Photographer had an opportunity to interview Dirk Jesper, product
manager for professional products and product planning at Nikon
Europe. During our discussion, AP asked a series of questions,
aiming to nd out more about the Nikon D500 and Nikon D5
and the companys strategy in todays imaging market.
Last year was extremely quiet
from Nikon, with only a couple
of new DSLR announcements.
Can you explain why?
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Why has CompactFlash been
omitted from the Nikon D500
in favour of XQD?
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Why have we waited so long for
a successor to the D300S? Did
the tsunami in 2011 prevent
Nikon launching a D400?
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There are a few areas of
the market that Nikon has yet
to exploit a large-sensor
mirrorless camera and a
large-sensor pocket compact
are prime examples. Rival
manufacturers are producing
these types of cameras, which
begs the question, when will
Nikon do the same?
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Whats Nikons future in the
CSC market? Is it a priority?
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Before Christmas, there
was much speculation in the
press that Nikon had bought
Samsungs NX camera business.
Are you able to give us a
reaction to the many media
reports about this?
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Whats Nikons strategy for
2016 and 2017?
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Nikons
Dirk Jesper
(far left)
and APs
Michael
Topham
9
Durable
Built with rugged
magnesium-alloy and
carbon-fibre materials,
the D500 is dust
and water resistant.
4K video
The D500 is Nikons first
DX-format DSLR to offer 4K
UHD video recording at up to
30 frames per second. Theres
a 4K UHD time-lapse
function to experiment
with too.
Nikon D500
Nfikfifififififififififififififififififififififififififififififififififififififififififififififififififififi
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At a glance
Key features
The D500 features an all-new

20.9-million-pixel, CMOS,
20.9-million-pixel, DX-format
DX-format chip that has no optical
CMOS sensor
low-pass lter. This is teamed up
ISO 100-51,200
alongside Nikons latest Expeed 5
(expandable to ISO 50-1,640,000
image-processing engine that
Expeed 5 image processor
allows the D500 to shoot
153-point autofocus system
continuously at a blistering 10fps,
10fps continuous shooting
with a 79-shot buffer when
4K UHD movie recording
shooting 14-bit uncompressed
SnapBridge support
raw les. Whereas the D300S
Price 1,729 (body only)
has a rather conservative ISO
range by todays standards,
LAUNCHED at the same time the D500 improves in this area
that Nikon announced its new by delivering a standard ISO
agship D5 FX-format DSLR, the
sensitivity of 100-51200 thats
D500 has a similar relationship to expandable to 50-1,640,000.
the D5 that the Nikon D300 once
Claimed by Nikon to be its best
had to the Nikon D3. The D500
enthusiast DSLR offering, the
sits above the D7200 in Nikons
D500 supports this statement
DX-format line-up and is designed with a truly impressive autofocus
to offer the best of both worlds,
system. It inherits the Multi-CAM
offering advanced enthusiasts and 20K autofocus module from the
professionals the benets of the
Nikon D5, meaning it has the
DX-format, such as smaller form
same conguration of 153 AF
factor and crop factor, while
points that cover an extremely
offering advanced pro features
wide area of the frame. Out of the
from the Nikon D5. Without
153 AF points on offer, 99 of
further ado lets take a closer look these are of the cross type. Its not
at the D500 in much more detail. only the number of points that
10
impresses, either. The advanced

autofocus system enables the
D500 to focus down to an
impressive -4EV with the central
point, and down to -3EV with all
other points.
Another feature that ties in with
the new autofocus system is the
D500s 3.2in, 2,359,000-dot
touchscreen. This allows users to
reposition the focus point across
the frame by simply tapping the
screen, and theres the option to
enable a touch-shutter function
for those whod like to re the
shutter by tapping the rear display.
Although the pre-production
samples we used didnt allow us
to navigate the menu using the
touchscreen, I discovered that
image comments can be made in
this way. The screen is the tilting
type as opposed to being fully
articulated, with buttons lining the
left of the body in a similar fashion
to that of the Nikon D7200.
Directly above the screen is the
D500s optical viewnder that
provides 100% coverage of the
frame. The viewnder has an
impressive 1x magnication and
offers dioptre adjustment from

-2.0 to +1.0m.
As well as appealing to
advanced stills photographers,
Nikon has targeted videographers
and those whod like to record
high-quality movies by equipping
the D500 with 4K UHD video.
The D500 can record 4K UHD
(3,840x2,160) footage at
30p/25p/24p, with the option to
also record 1,080/60p. Unlike the
Nikon D5, which can only record a
maximum of three minutes 4K
footage, the D500 can record for
up to 29 minutes and 59 seconds.
The D500 also allows users to
generate 4K UHD time-lapse
movies within the camera a
rst for any Nikon DSLR. Both a
headphone and a 3.5mm mic port
feature at the side of the body,
and users will nd the movierecord button is conveniently
located next to the on/off switch.
Elsewhere, the D500 introduces
a new type of connectivity that
Nikon has named SnapBridge. The
idea of this technology is to offer a
better link between the camera
and mobile devices, and requires
users to install a SnapBridge app
that will be made available as a
free download. As explained in our
interview with Nikons Dirk Jesper
(see page 9), one of the major
benets of SnapBridge is that it
First impressions
Dual slots
The D500 has a dual card
slot design and accepts
SD and XQD cards. XQD cards
offer faster read/write speeds
to keep up with the D500s
impressive 10fps
burst.
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Right: APs
Michael Topham
tries out the new
D500 at the CES
technology show
in Las Vegas
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One of the major benefits of

SnapBridge is that it uses the
power of Bluetooth to ensure
youre always connected
Nikon showcased the shell of the D500s body behind glass at the official launch
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11
ISO
control
Nikon D5
Nikon has made some

changes to the positioning of
buttons. The mode button has
shifted to the left to create
space for a new ISO button
behind the on/off
switch.
Dual slots
There will be the option to
buy the D5 in two versions,
each with dual slots to accept
CompactFlash or XQD rather
than having one slot for
each card.
After talk of its development, Nikon has

finally announced its most powerful
DSLR. Michael Topham lays his
hands on the mighty Nikon D5
Function
buttons
Two customisable function
buttons have been added. One
is located at the front next to
the lens mount and the
other is found beneath
the OK button.
IN NOVEMBER last year, Nikon
announced that it was in the late
stages of developing a new agship
model in its FX-format range. A few
months down the line and weve seen
Nikon unveil the D5 a DSLR thats set
to improve upon the D4S by bringing
an improved level of performance to
professionals. Although its high price
tag of 5,199 body only will put it out
of reach of many, the D5 is worthy of
a closer look as it introduces Nikons
latest advances in technology.
Features
The D5 is very much a case of out with
the old and in with the new. Unlike the
Nikon D4S, which is equipped with a
16.2-million-pixel full-frame sensor, the
D5 introduces a brand-new FX-format
sensor with an effective resolution of
20.8 million pixels. The new sensor is
designed to offer an improved ISO
performance and enhanced colour
reproduction. This superior sensitivity
performance is reected in the D5s ISO
range, which runs from ISO 100102,400 with the option to push it to an
astounding ISO 3,280,000. In addition,
12
the D5 benets from Nikons new

Expeed 5 image processor. This takes
the camera to new heights, enabling it to
shoot a continuous burst at up to 12fps
with AF tracking. Theres also the option
to increase this to 14fps with xed focus
and exposure when the mirror is locked
up. Other advantages of the D5s new
processor and high-performance buffer
allow it to shoot up to 200 NEF (raw) or
large JPEG les during a high-speed
burst. Its also said to be 25% more
power efcient, with up to 3,780 shots
possible from its EN-EL18a battery.
Nikon has raised the bar in terms
of autofocus speed and accuracy by
introducing a new Multi-CAM 20K
autofocus module. This is identical to
that found in the D500 and provides
users with a complex arrangement of
153 AF points across the frame, 99 of
these being of the cross type that are
sensitive to both vertical and horizontal
detail. The system is congurable to
153-point, 72-point and 25-point
settings in continuous AF mode. All 153
focus points are compatible with AF
Nikkor lenses with an aperture of f/5.6
or faster, and the 15 central points work
At a glance
20.8-million-pixel,
FX-format CMOS sensor
153-point AF system
ISO 100-102,400
(expandable to
ISO 50-3,280,000)
5,199 body only
with an effective aperture of f/8.

The AF system is coupled to the
cameras 180K-pixel RGB metering
sensor a combination thats said to set
new standards in subject tracking. The D5
also boasts a new 3.2in, 2.36-million-dot
LCD monitor that offers touch operation.
You can use this to reposition the focus
point in live view or acquire preset spot
white balance data based on the selected
area in the frame. The viewnder appears
similar to the D4S, but there have been
a few changes. Magnication on the D5
APs Michael
Topham was one
of the first to get
hands on with
the D5 at the
official launch
Nikon D5: Does

the three-minute
4K limit matter?
A dissected D5 was displayed behind glass on the Nikon stand at the CES technology show
is down slightly, from 0.72x to 0.70x

(when using a 50mm f/1.4 lens focused
to innity) and the viewnder surround is
removable, making it easier to attach
accessories such as a rain hood.
For those who want to shoot video,
Nikon has equipped the D5 with full HD
video capture at 50/60p like the D4S,
with the option to record 4K UHD
movies (3840x2160) at a frame rate of
30p for a maximum of three minutes.
Theres the option to extract 8-millionpixel still images from this 4K footage
and create time-lapse footage in 4K
resolution. Elsewhere, the D5 is
furnished with a SuperSpeed USB 3.0
port and faster Ethernet connection.
Build and handling

The body of the D5 is constructed from
magnesium alloy with full weather sealing,
and offers the same built-like-a-tank feel
in the hand that were used to from

Nikons agship models. Although it may
look similar to the Nikon D4S, the D5s
ergonomics have been tweaked to
improve operation. Theres a new Fn2
function button beside the lens mount
and a third Fn3 button is found at the rear
beneath the OK button. The drive mode
button is now found where the ISO
button once was and Nikon has removed
the microphone record button, replacing
this with the repositioned info button. The
mode button has also shufed over to the
left where the bracketing and metering
buttons are positioned. This has freed up
space for an ISO button directly behind
the shutter, which feels logical from
behind the camera.
The Nikon D5 is available for preorder and is expected to hit UK shores
in March, at a similar time to when we
can expect the D500 to arrive.
First impressions
THE D5S arrival has been talked about for a while, but this doesnt take anything
away from what looks and feels like Nikons best DSLR to date. It manages to
improve upon the resolution of the D4S and were hopeful of seeing impressive
gains in ISO performance when we come to test it. During an interview with Nikon
(see page 9), Dirk Jesper, product manager for professional products and product
planning at Nikon Europe, told us that although the ISO extends beyond three
million this will not be the main focus for professional sports photographers and
journalists who frequently nd themselves working in poor light conditions. He
went on to say the main focus will be from ISO 6,400-12,800.
The D5s immediate autofocus response combined with the vast number of AF
points around the frame is outstanding, and the staggering speeds of continuous
shooting left me somewhat mesmerised after my hands-on experience. For
professionals who demand nothing but the best accuracy, speed and performance,
the D5 appears to tick all the right boxes. Although we have yet to put it through the
lab and test it thoroughly, the new features seem as though they justify an upgrade
from the D4/D4S, and theres plenty for professional photographers to get excited
about. To give credit where credit is due, its also fantastic to see Nikon employing
advanced features such as the 153-point autofocus system from the D5 into other
DSLRs in the line-up such as the D500. Serious enthusiasts looking to progress
from an entry-level model, or D7200, say, now have the same focusing
performance available to them as professionals using the Nikon D5.
ONE OF the key features of the Nikon D5 is its ability

to shoot 4K UHD video footage. However, a closer
inspection of the specication reveals that it can only
shoot at this resolution for a maximum of three minutes.
Many videographers bemoaned this as not being long
enough. The argument is that while the times are rare
that you would use a clip longer than three minutes, for
situations such as interviews or live performances you
need to have the option to record for longer, even if the
footage eventually used is only a few seconds long.
This begs the question is the three-minute maximum
record time on the Nikon D5 a deal breaker? The
answer, as with most things to do with photography and
lmmaking, is that it entirely depends on what you shoot.
If you are doing live music or sports events, or recording
a documentary with lots of interviews, then the Nikon D5
isnt going to be for you, at least not if you want to shoot
in 4K (the camera can shoot for as long as 10 or 20
minutes in 1080p, depending on the quality of footage).
However, for narrative work or travel documentaries,
then the D5 should be suitable. Also, lets not forget that
the camera has a live HDMI output that allows for 4:2:2
footage to be captured to an external recorder, although
we dont yet know at what point the camera will turn off
due to overheating.
During our interview with Nikon at CES 2016, we
asked if the company could tell us why the Nikon D5 is
limited to recording three minutes of 4K footage and
whether it has anything to do with the weather sealing of
the camera? Nikon replied, No, it has nothing to do with
the weather sealing of the camera. Its a matter of
processing and the heat that is generated during
processing. We work with a crop on the sensor for the
4K, however the primary concept and idea of this
camera is not about video. The D500 goes the full half
an hour (29mins 59secs), but the focus was different
here. Based upon the feedback of the
users of this camera [the
Nikon D5], who are
mostly journalists and
sports photographers,
they tend to record short
snippets rather than lengthy
live coverage.
Users of the Nikon
D5 cant record
4K UHD video
for longer than
three minutes
13
Viewpoint
Jon Bentley
New Books
The latest and best books from the
world of photography. By Oliver Atwell
Meanwhile, Two Fat Photographers

would ride around the country on a
motorbike and sidecar, exposing their
tintype plates to a grateful public, whod
respond with glee as their portraits were
warmed over a spirit lamp to get the
varnish at the right temperature for a
durable and memorable likeness.
Incidentally, for those processes that
need subdued lighting or darkness, Id
shoot the programmes, by contrast, using
the latest technology like Canons
ME20F-SH video camera, for example,
which records high-quality colour images
at 4,000,000 ISO with a minimum
subject illumination of only 0.0005 lux.
The pinnacle of the genre, of course,
would be the photo equivalent of The
Great British Bake Off. At a West Country
hotel, contestants would compete to
master the arcane arts of polishing a
daguerreotype plate and sensitising it with
silver iodide, or the delicate skills of coating
some cotton paper with egg white and salt
to form the base of an albumen print.
And with every task, participants
would also take pictures using traditional
cameras, and be judged on the wider
challenge of image composition. Just like
the best cooking programmes, it would
be a heady combination of creativity,
jeopardy, talent and fascinating
techniques you can try at home.
Lee Miller: A Womans War

By Hilary Roberts, Thames & Hudson, 29.95,
hardback, 224 pages, ISBN 978-0-50051-818-2
WHEN we think back to times of war,
the men who fearlessly gave their
lives for their country usually spring
to mind. However, in recent years
weve been seeing an attempt to
redress the gender balance and seek
out the many ways in which women
played their part in the war effort. A cursory internet
glance reveals countless women war photographers,
which begs the question, Why has it taken so long for
them to gain recognition? Perhaps most notable
among them is Lee Miller, the American photographer
best known for her contributions to fashion and ne art.
Thanks largely to her son Antony Penrose, we get a
clearer idea of her work as a correspondent during the
Second World War. This fascinating volume draws
together her images of women, whose lives were
affected by the bloody blight of conict. Every image is
accompanied by a caption placing each in context and
revealing the stories that would otherwise get lost
within the muddied annals of history.
Jon Bentley is a TV producer and presenter best known

for Top Gear and Channel 5s The Gadget Show
Self Publish, Be Happy

By Bruno Ceschel, Aperture, 19.95, paperback,
512 pages, ISBN 978-1-59711-344-1
Is photography due some

time in the TV spotlight?
Do you have something youd like to get off your chest? Send us your thoughts in around
500 words to the address on page 23 and win a years digital subscription to AP, worth 79.99
14
ANDREW SANDERSON
THE VIEWS EXPRESSED IN THIS COLUMN ARE NOT NECESSARILY THOSE OF AMATEUR PHOTOGRAPHER MAGAZINE OR TIME INC. (UK)
ve always been struck by the

similarities between traditional
photographic techniques and
cooking. Marshalling your
ingredients before a spell in the kitchen
feels similar to assembling the right
chemicals and materials for a photographic
darkroom session. In both pursuits, precise
timing and the careful control of
temperature are crucial for good results.
Assessing when to lift a print from the
developer as it emerges under the
darkroom safelight is surely comparable to
inspecting your biscuits baking in the oven
and extracting them at the right moment.
So, instead of another cooking show,
why dont we celebrate all the marvellous
chemical processes of traditional
photography? Here are some suggestions.
In Saturday Darkroom, an equivalent of
Saturday Kitchen, enthusiasts might gather
to discuss, for example, their cyanotype
techniques. They can talk about how best
to achieve an even spread of chemicals on
the watercolour paper, what density of
negative makes the grade, is sunlight better
than studio lights for the exposure, are my
blues better than yours, and so on?
Over on MasterPlate, a photographic
version of MasterChef, contestants would
compete to perfect the technique of
pouring the collodion mixture over an
ambrotype glass plate. Elsewhere in the
schedule, a latter-day Keith Floyd would
gush over the velvety shades and shadow
detail of the platinotype hed just made.
LEE MILLER ARCHIVE
Developing a photograph is comparable to

creating a meal. Jon frees his imagination
and creates concepts to whet a
commissioning editors appetite
PERHAPS one of the biggest

recent revolutions in the world of
photography has revolved not around
advances in camera technology but
rather in the advances of publishing.
Self-publishing has entered a true
golden age and standing at the
forefront of this is Self Publish, Be
Happy (SPBH), founded by Bruno Ceschel. The small
independent company is known for working with
emerging artists to publish beautiful handmade (and
highly collectible) volumes of their work. This book, as
the title suggests, is a guide to making your own books
and a stirring call-to-arms to engage in the DIY
revolution. Ceschel offers a series of case studies and
looks at what the artists were attempting to create,
and the methods and theory that underpin those
endeavours. This is a lovely, timely book.
wayne johns
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Fashion, beauty, advertising

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wayne is best known for
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Internationally respected as
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wayne is as in demand to
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fuelled by life and everything
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Jim Marks
jim has spent the past three

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impossible. while peers have
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Technique
FOOD PHOTOGRAPHY
Michael Powell
Michael trained as a press photographer and has worked for

countless Fleet Street titles, which includes a 10-year stint at
The Times. He started shooting food 10 years ago and has shot
everything from pavlova to Pavarotti. He has been a finalist in
both the Pink Lady Food Photography Awards and Arts
Photographer of the Year. www.michaelpowell.com
16
KIT LIST
Natural light is
often the perfect
partner when it
comes to making
food photography
look authentic
I use a Canon TS-E 90mm f/2.8 tilt-andshift lens. I can control the plane of focus
with the tilt, and the position of the
subject in the frame using shift. With
food, I often bring two elements of a dish
not positioned together into focus and
leave the rest untouched. It is manualfocus only and reminds me of the old FD
lenses I used in the 1980s on a Canon F-1.
I use everything from a tiny

shaving mirror to a Lastolite
1.8m Panelite. The gold and
white TriGrip is especially
useful as I can place the
straight edge on a table
where the round ones slip
off. The gold side is great
for warming up pastry.
Tilt-and-shift lens
Reflectors
Food,
glorious food
You dont need a lot of
expensive gear to shoot
great images of food, as
Michael Powell explains
hile browsing in a charity shop

recently, I came across a recipe
book from the early 1980s. Leang
through it I was struck by how few
recipes were illustrated with photographs. The
few that were included, however, were studio lit,
formal, shot around f/22 and immaculate to the
point of sterility. Some of the dishes didnt look real,
and probably werent, since all kinds of techniques
were deployed back then to tart up tarts and uff
up pheasants. Instant mash, for example, was
commonly used in place of ice cream as it was
often uid under the studio lights.
Thankfully, people soon realised that cookery
didnt need intimidating Haynes-style manuals,
as best-seller lists overowed with recipe books
written by chefs who understood that most people
were too busy or too tired to spend half a day
preparing supper. The recipe seemed achievable,
and with an emphasis on photography it looked it
too. Writers and chefs started talking about avour,
freshness, informality, simplicity and speed.
I work mostly in editorial, illustrating tasty
recipes that dont require MasterChef and
Michelin-star talent to cook it. Almost all of it is
shot inside the home of the chef and very rarely in
my studio. Flash gear usually stays in the car boot,
as natural light is so often a perfect partner to
natural food. Bouncing, reecting, directing,
agging and generally controlling it to suit the food
is my objective and its where the fun begins.
ALL PICTURES MICHAEL POWELL
Expodisc
Wi-Fi card
and iPad
I like to react quickly to

the light, so I prefer not to
shoot tethered. A Wi-Fi SD
card set to best JPEG is a
simple way to let everybody
in the room see what I am
shooting. The CF slot is set
to record raw only.
I find inaccurate food

colours as jarring as
colour casts on skin
tones, so I set custom
white balances using
an Expodisc for good
colour rendition and
to speed up my raw
workflow later.
Lighting
Photographers often bafe others by pointing out
nice light, perhaps the setting suns raking effect
and long shadows. That second-nature
observational skill is a vital asset when
photographing food, so if the light is gorgeous
Wet Wipes, lens wipes and kitchen roll

A cheap bit of kit here, but
still essential. Food is messy,
greasy and sticky, and is easily
transferred to your gear, so the
Wet Wipes are for my hands,
the lens wipes for my iPad, and
the kitchen roll for touching up
unwanted spots and spillage
on plates and props.
17
Technique
Food phoTography
in the sitting room at 11am, Ill be set

up and ready, but by 4pm I might
have moved to the study on the other side
of the house via the kitchen and landing.
Often Ill shoot a dish, then spot
completely different light when taking
the plate back to the kitchen and
quickly start again. I often need to shoot
pictures that can be used seasonally;
Easter cakes, asparagus for spring,
turkeys for Christmas, and always at the
wrong time of the year. I once shot a
bonfire-night-themed soup in June in a
downstairs loo, complete with sparklers
to get a long enough exposure. Food goes
off quickly, so I like to get the safe shot
and then start experimenting.
That charity-shop cookbook from the
early 80s is testament to the skill and
inventiveness of large-format transparency
studio photography, albeit with a little
fakery. I wouldnt have fancied biting into
Keep an eye out for interesting backgrounds and props to enhance your shots
the apple painted with nail polish, or the ice

cream made from Cadburys Smash, so it
stands to reason that as much as great
ingredients produce great food, lovely
pictures are easier to create of lovely food.
If you cant wait to reach for the knife and
fork, that means it will probably
photograph well. Virtually all the food
created is eaten during and at the end
I once shot a bonfire-nightthemed soup in June in a

downstairs loo, complete
with sparklers to get a
long enough exposure
You dont need a good

food stylist to take
great shots, as
inspiration is all around
Food styling
Food follows trends like anything else, so
styling constantly evolves. Not everyone has a
food stylist to hand, but luckily inspiration is all
around. Food and interiors magazines are
crammed with ideas. Shabby chic interiors
have been a popular design trend for some
time, and you can see its influence in food
18
photography. Textures are important right now,

and the right food shot on stressed wood and
vintage materials can look stunning.
Keep an eye out for interesting backgrounds
and props, ready to bring them out at a
moments notice. Whether its natural stone
samples from a builders merchant, unusual
surfaces from junk shops, fabrics from curtain

makers, period plates and cutlery from antique
dealers, napkins from a supermarket all can
lift a shot. Unexpected colours work well too. I
see a lot of blue props in contemporary food
photography and I think it works well because
so little food is naturally that colour.
Reflectors and flags can

be incredibly important
to lift shadows in food
and hold areas back
subscribe 0330 3334555 I www.amateurphotographer.co.uk I 00 Month 2015
19
Technique
food phoTography
of the shoot. A talented chef and food
stylist can make all the difference
because, as well as having culinary skills,
he or she is able to spot a potential problem
on a plate when my brain is full of white
balance and not whitebait. Rachel, who
creates much of the food I photograph, has
a hilarious skill for spotting rude shapes in
food. She should have hosted Thats Life.
Approach
I have achieved similar results to all the
techniques mentioned here using just
studio lighting, but somehow the pictures
lacked the edge of realism required to
convey home-cooked food.
I still use a Canon EOS-1Ds Mark III,
which I adore. I find the full-frame sensor
ideal, especially when using the Canon
TS-E 90mm f/2.8 lens. I try not to overuse
its tilt-and-shift mechanism for effect, but
it is really useful when controlling depth
of field. We went through a very shallow
depth of-field trend for a while, but I
tend to shoot mostly around f/4.5 and,
where necessary, I use the tilt to bring
parts of the dish that are important into
focus, such as the main ingredient and
perhaps a garnish or an accompanying
Turn off your cameras AF and try subtle

movements back and forth until you achieve focus
Work around the subject
Reflectors and flags
Turn off AF and get moving
This is the first piece of advice I was given when

studying photojournalism more than 30 years
ago, and it applies to food photography too.
For commercial shoots, I have to focus on the
most important ingredient, but sometimes a
better shot lurks elsewhere in the viewfinder:
the crumbs, the pastrys texture, the beads of
oil. This Christmas pudding shot was elevated
by using a sieve to drop icing sugar. A slow sync
speed was used to capture correct daylight
exposure with a very small burst of flash from
a radio-triggered Speedlite and a FlashBender
attached to highlight streaks of falling sugar.
I carry a lot of Lastolites, including a TriGrip and

even a 1.8m Panelite, but my most frequently
used reflectors are actually cheap mirrors, and
the small shaving ones are brilliant at putting
detail into darker foods and shadows. For these
Chinese-baked chips with satay, I balanced
direct sunshine from the right with a small
mirror from the left. A black foam board flag
was used behind the food to hide a distracting
background and add contrast.
Theres a lot of depth in food front-to-back

and top-to-bottom. That critical point of focus
is easily missed by AF, and if the food is low in
contrast the AF can frustratingly start to
hunt. You dont have much time before that
beautifully prepared fresh dish starts to
resemble a heat-lamped motorway services
meal. A contrasting focal point, such as herbs
or croutons, can help with liquids such as soup.
If the AF had settled on the wrong part of this
crouton even slightly, the shot would not have
worked. I liken it to the unsettling effect that
focusing on the furthest eye has in portraiture.
A 100mm macro lens is a great choice for food

photography, offering a decent working distance
dish further back in the frame.

I often shoot for editorial clients, so
sometimes creating out-of-focus space in
the frame pleases editors who like to
overlay text. Another fine lens is the Canon
100mm f/2.8L Macro, which combines
close focusing with a nice working
distance and image stabilisation. I dont
like using tripods and shoot handheld as
much as I can before grabbing a monopod
or tripod if light is fading. The usual rule
about avoiding shake by using a shutter
speed in excess of focal length applies
more so with these lenses. I pride myself
on a steady hand, but try to avoid slower
Top Tips
20
Budget alternatives to the Canon TS-E 90mm

Canon EF 100mm f/2.8L Macro
Hardly a budget lens at 600, but almost half the price
of the TS-E, and it features IS where the TS-E doesnt.
Tamron 90mm f/2.8 Di VC USD Macro

The latest incarnation of this popular lens features
both image stabilisation (VC) and Tamrons Ultrasonic
Silent Drive (USD) for fast and quiet AF.
Taking a look straight down can work particularly
well with flat foods, such as tarts and pizza
Canon EF-S 60mm f/2.8 Macro

For those using a cropped sensor to create a short
telephoto, the Canon EF-S 60mm f/2.8 Macro USM
is a great alternative.
than 1/125sec when shooting handheld.

My pictures are often used on trucks
and exhibition stands at a width of three
metres, so I have to be strict with myself
when daylight tails off. The EOS-1Ds
Mark III has two card slots and I usually
shoot raw, but with food theres often a
team around me (possibly including the
client) who want to see what is going on. I
dislike working tethered as I need to be
able to suddenly set up elsewhere for
better light, so I use the SD slot with a
Wi-Fi-enabled card that allows me to ping
ne JPEGs to my iPad, which then
gets passed around the house.
Beware of seeking
perfection
I DO USE Photoshop, but as with so much
photography it often really is quicker to sort a
compositional problem at source. Cover up a
chip in you china with food and blot a splash
with paper by all means, but remember you
can end up removing the very thing that
makes the dish appealing. When you have the
safe shot, try digging in with cutlery as if about
to eat to see if the shot improves.
Pink Lady
Food Photography
competition
Change angle
Be adaptable
Much food looks great shot at the angle we

are used to seeing just before diving in with
cutlery. However, take a look straight down too,
particularly with at foods such as pizza and
tarts. A really low angle can add drama to taller
and piled foods, but watch the background.
These pasties were rst shot on a dining table
before we decided we liked the shapes seen
from directly above. A small mirror has been
used from the bottom to beam daylight back
into the shaded side of the pasties.
Changing light and weather can scupper your

plans, so be prepared to change shot entirely if
necessary. This means being in control of your
equipment and having the technical skills to
change tack completely. This parsnip and
ginger winter pudding picture was a sudden
change of mind, where I had to quickly balance
daylight, very low power ash and ames from
the hastily made re. I needed a fairly slow
exposure to catch the ames (1/25sec) and
didnt really have time to set up a monopod
or tripod, so I steadied myself and the
camera on the back of a dining chair.
THE CLOSING date for

entries to the Pink Lady
Food Photographer of the
Year 2016 is 7 February,
so theres still time to get
snapping for the worlds
most prestigious
celebration of all that is special and signicant
about food photography and lm.
The competition is open to everyone
professionals and amateurs and awards
10,000 worth of prizes. The overall winner
scoops the crown and 5,000, as well as two
nights accommodation in London to attend
the exclusive VIP awards ceremony at
Londons Mall Galleries in April 2016, attended
by all the nalists and winners. Visit www.
pinkladyfoodphotographeroftheyear.com
21
Inbox
Email [email protected] and include your full postal address

Write to Inbox, Amateur Photographer, Time Inc. (UK), Blue Fin Building, 110 Southwark Street, London SE1 0SU
In AP 9 January we asked
How many camera bags do you own?

LETTER OF THE WEEK
You answered
2%
25%
23%
17%
33%
Learning from the masters
This week we ask
Would you lend your

camera to a friend?
Vote online www.amateurphotographer.co.uk
Guess the camera
Thats an interesting concept. We are

thinking of doing something similar in
AP where a few staff members all edit
the same photo and we see just how
different the results are, and why they
have made the edits they
Win!
Reality check
Every other week we post a photograph of a camera

on our Facebook page and all you have to do is guess
the make and model. To guess the make and model of
this camera (above), head over to www.facebook.
com/Amateur.photographer.magazine.
Forum members can also enter via the forum.
The cover published in AP 9 January is
from 5 May 1948. The winner is Bryan
Metters from Lancashire, who guessed
the correct date.
22
You publish many letters of

the what a great mag/article
variety and Im not normally a
person with a negative outlook.
Im sure your Top tips for 2016
feature (AP 19-26 December
2015) had some great shots
and some good advice, but it
missed out some essential
nuggets. The landscape
section provided wellbalanced and useful advice.
The portrait section forgot the
advice to hire a glamorous
model. The architecture
section omitted to mention a
visit to Paris or some other
JAYNE POCHIN
I own three bags, but two are used purely for

in-house storage. I never seem to nd the right
t between capacity and comfort
Over the years I have owned loads of different
carrying devices, from aluminium cases to
backpacks, but none has ever been ideal for
every occasion
I wish AP would do a serious comparative test of
several variations (messenger, backpack, trolley)
for each of the shooting situations (street, hiking,
long-distance travel) and type of equipment. Its just a
pain to order online, send it back and try another one
Ive got everything from one that just holds the
camera, right up to monsters that can hold multiple
bodies and lenses
Join the debate on the AP forum
LETTER OF THE WEEK WINS A 16GB SAMSUNG SD CARD. NOTE: PRIZE APPLIES TO UK AND EU RESIDENTS ONLY
What you said
Recently I had time to catch up on the

copies of Amateur Photographer awaiting
my attention, and was very interested in the
article on Luke Austin (AP 5 December
2015). The article was full of useful points,
and I found a lot to think about. His
photograph of the trees in the lake at
Glenorchy, New Zealand, struck a particular
chord with me, and I soon found my
photograph taken from a similar spot back
in August 2013. My original was in colour,
and in hindsight not very well composed.
The framing was less than ideal. After
looking at Lukes version, I converted mine
to black & white, cropped to improve the
composition and what a difference! It was
an interesting exercise to be able to edit my
shot having seen the same view taken by a
professional. Obviously I did not have the
misty weather that he did.
I attach both my original (top right) and
edited version (right). Thank you, AP, once
more for opening my eyes.
Jayne Pochin, via email
JAYNE POCHIN
A None
B One to two
C Three
D Four
E Five plus
Jaynes original (top) and edited version of her

image of the lake at Glenorchy in New Zealand
have. There is never just one solution, as

everyone adds their own interpretation
Richard Sibley, deputy editor
With ultra-fast performance, the new Samsung 16GB EVO SD card,

Class 10, Grade 1, offers up to 48MB/sec transfer speed and has a
ten-year warranty.
www.samsung.com
exotic location with tall

buildings and colourful
staircases. The wildlife section
did mention the three Ps, but
forgot to mention taking along
your 600mm lens. The travel
section had some good tips
for photography in Vietnam.
Finally, the action section
had some great advice on
positioning, but forgot to
provide advice on how
to acquire an event
photographers pass for close
up action of Usain Bolt. I
understand aspiration, but
lets keep it real, please.
Stuart Taylor, via email
Thanks for your feedback,

Stuart. As you can
appreciate, with limited
space we have to be realistic
about what we can t in
each issue. With that in
mind, the feature wasnt
designed to be an
authoritative piece for a
host of subjects, but instead
it was aimed at offering
inspiration and useful bits of
advice that weve covered
over the past year.
While many of the images
are certainly aspirational,
the advice is absolutely
transferable to your own
INBOX
photography theres
no reason why you cant
apply these techniques
without the need to book
a model, use a 600mm
lens, travel to Paris or
Vietnam, or obtain press
accreditation at the
Olympics Phil Hall,
features & technique
editor
agree that we should show

this information when we
have it, making it a
requirement of publication
would prevent us from
sharing many of the
superlative images that we
do Nigel Atherton, Editor
Sensor sense
I have been catching up with

AP following a long holiday,
and noticed the 7 November
The name says it all your
2015 issue tested the Sigma
esteemed journal is aimed at
dp0 Quattro and the 21
amateur photographers. I
November 2015 issue
feel sure your readers would,
included the article I am
like me, value being told the
your Foveon X3 sensor. The
camera settings used in the
rst article stated that, The
images you publish.
top layer of the Foveon X3
In particular, I was
sensor is 19.6MP and mainly
disappointed that your article
sensitive to blue, while the two
Images of the year (AP 19-26 lower layers are 4.9MP and
December 2015) did not give record mainly green and red
these details. Can you not
light. In contrast, the second
make a requirement of
article claimed that only a
publication that the
Foveon X3 sensor can
photographer supplies this
represent a single pixel
information? I very much
of full-colour image
enjoy the magazine. Please
data precisely.
keep it as fresh and interesting
Obviously, a Foveon sensor
as it always is.
wont generate distracting
Huw Wynne-Grifth,
aliasing, but presumably it
London
could fail to record ne
green/red patterns. I nd
Most of the photographs in
it hard to understand
our Images of the year
why, if only blue is recorded
feature were supplied by
by each individual photosite,
professionals and agencies
the resolution should be
and in many cases the EXIF signicantly better than a
information has been
Bayer sensor, which I believe
stripped out. While I
uses the lightness of each
More metadata
Contact
photosite in relation to
surrounding photosites.
Please could you clarify the
Foveons capabilities?
Of course, the holy grail of
sensor design would be one
that records and classies
most of the photons of each
colour at each photosite, but I
think Ive heard that Foveon
sensors are poor at
recording green and red
light, which presumably
explains both their poor high
ISO performance, and the
4.9MP resolution of
these colours, if that is how
they are congured.
Chris Newman,
Hertfordshire
Amateur Photographer, Time Inc. (UK), Blue Fin Building,

110 Southwark Street, London SE1 0SU
Telephone 0203 148 4138
Email [email protected]
Picture returns: Telephone 0203 148 4121
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Test Reports
Contact OTC for copies of AP test reports. Tel: 01707 273 773
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Editorial team
Group Editor
Nigel Atherton
Group Editors PA
Christine Lay
Deputy Editor
Richard Sibley
Technical Editor
Andy Westlake
Deputy Technical Editor
Michael Topham
Technical Writer
Callum McInerney-Riley
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News Editor
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Sarah Foster
Designer
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Studio Manager
Andrew Sydenham
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John Layton
Photo-Science Consultant Professor Robert Newman
Senior contributor
Roger Hicks
Special thanks to The moderators of the AP website Andrew
Robertson, lisadb, Nick Roberts, The Fat Controller
Previous generations of the

Foveon sensor recorded
full-colour data at each
pixel location, and its only
the latest Quattro design
that uses lower resolution
for the lower two layers
(green and red).
Despite this, it still retains
the main characteristics of
the previous versions, with
excellent pixel-level
resolution and minimal
colour artefacts at low
ISOs compared to Bayer
sensors, but poor high ISO
performance, as explained
in our Sigma dp0 Quattro
review in AP 7 November
2015 Andy Westlake,
technical editor
Advertising
Advertisement Manager
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Production Coordinator
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Publishing team
In next weeks issue On sale Tuesday 2 February

We publish a selection
of your images that were
in contention for our
Christmas Special cover
Tamron
14-150mm
f/3.5-5.8 Di III
Andy Westlake tests the
only third-party zoom
for Micro Four Thirds
ADRIAN CLARKE
The beauty of birds

Adrian Clarke explains the tips and
techniques that help him capture
the majestic beauty of birds
Spring into
action
With spring just
around the corner,
Robert Canis explains
how to take great
snowdrop photographs
CONTENT FOR NEXT WEEKS ISSUE MAY BE SUBJECT TO CHANGE
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23
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AF-S 600mm f/4G VR IF-ED......................................... 6,495.00
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TC-14E III 1.4x teleconverter.........................................
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AF-S 40mm f/2.8G DX Micro........................................
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599.00
200mm f/4D AF Micro IF-ED......................................... 1,175.00
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20mm f/2.8 Nikkor.........................................................
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28-85mm f/3.5-4.5 Zoom-Nikkor ..................................
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28mm f/3.5 PC Nikkor................................................... 1,195.00
45mm f/2.8D ED PC-E Nikkor....................................... 1,245.00
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105mm f/2.8 Micro-Nikkor............................................. 1,047.00
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PC: Perspective Control. PC-E:Tilt/Shift-Perspective Control
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A Shop Selling Nikon?

Itll Never Work!
Thirty Years in the Making
GRAYS OF
WESTMINSTER
THE LEGEND
AND THE LEGACY
by Gillian Greenwood
Grays of Westminster is not simply a famous Nikon camera shop; for

many photographers around the world it is an institution and its name
has become a byword for excellence. It has won numerous awards and
distinctions and is the first camera shop in the world to be granted its own
Coat of Arms by Her Majestys College of Arms.
The Legend of the Legacy is a celebration of the last 30 years of the
history of Grays of Westminster and tells the extraordinary story of its
development from a tiny mail order business with modest beginnings to its
present incarnation as a unique company that looks after more than 49,000
customers worldwide.
Gillian Greenwood superbly illustrated account offers a fascinating view
of the singular Nikon-only camera shop and her anecdotal style provides
an in-depth understanding of just what makes Grays of Westminster tick.
She vividly describes the building, the man who founded the company, the
people who run the shop and some of its famous visitors.
The Forward is by the President of the Nikon Corporation of Japan.
208 pages, 183 colour & black & white photographs and illustrations, 274 x 194mm, hardcover 30.00
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Picture taken by Guy Thatcher from Hireacamera on Pentax 645Z with PENTAX-D FA645 55mm F2.8 AL using the Tien 77mm Variable ND
Tien International Ltd | Pinewood Studios | Pinewood Road | Iver Heath | SL0 0NH | Tel: +44 (0) 1753 783 960 | Web: www.tien.com
wildlife pHoTograpHy
Wild man
Through his understanding of the natural world, wildlife

photographer Elliott Neep is able to get to the heart of his
subjects. He talks to Jade Lord about the techniques and
methods that allow him to create such engaging images
Mature lion
(Panthera leo
nubica). One of two
brothers, yawning
in dawn sunlight,
Masai Mara National
Reserve, Kenya
wildlife photography
rom the vast open planes

of the Mara Serengeti to
the more humble fields
on his south Oxfordshire
doorstep, wherever the location,
Elliott Neep manages to capture
the true spirit and character of
every animal he photographs. Its
a notoriously difficult feat, so how
does he do it? Elliotts skill lies in the
fact that he is as much a naturalist
as he is a photographer, using his
knowledge of animal behaviour to
get the shots that count.
The more you can learn about
your subject, the more you can
anticipate and predict the animals
behaviour, explains Elliott. For me,
wildlife photography is all about
capturing those special fleeting
moments whether it is a mother
and cub coming into frame to
nuzzle, or the moment a bird
of prey takes flight. If you can
recognise the signs and body
language, you can shave valuable
seconds off your reaction time and

be ready for the moment.
Red deer (Cervus

elaphus) stag
foraging for sweet
chestnuts, England
Practice makes perfect

It has taken Elliott many years to
fine-tune his craft. He spent his
formative years practising his
camera techniques on local flora,
fungi, bugs and pond wildfowl,
getting to know his camera inside
and out so as not to miss a moment
by fiddling with settings and
controls. This means he now
instinctively knows how to seize the
opportunities he is presented with,
be it in a hide or a vehicle on safari.
This, alongside his knowledge of
animal behaviour, has been crucial
in ensuring his photos manage to
capture not just the animals profile,
but its true character, too.
A ll the time, I am thinking about
capturing and revealing the
character of the animal what is
most representative and familiar to
that species, reveals Elliott. I want
the animal to look relaxed and

natural for portraits, so Im looking
for eye contact, a raised paw as the
animal walks, ears alert and
forward. If there is more than
one animal, then Im always
all pictures elliott neep
Left: Full-face
close-up portrait
of a dog red fox
(Vulpes vulpes),
England
28
Left: A grey
squirrel (Sciurus
carolinensis),
scuttling along the
back of a park
bench, England
Favourite locations in Britain

The Isle of Mull is just spectacular as a wild place:
it is mountainous, with deep, cutting valleys and
sea lochs, says elliott. It is home to the golden eagle,
white-tailed sea eagle, red deer and otters four
species synonymous with the wild. It is my go-to
location for otters and Ive come to know the coastline
extremely well, even advising other photographers
where to go. I never go there to photograph eagles
as they are still out of reach, even with a 600mm
prime lens, but I love seeing them soaring above and
gliding through the valleys.
skomer Island is another gem in the UKs wildlife
crown. I prefer it to the Farne Islands for the Atlantic
puffin as it is much larger and greener, with swathes
of spring flowers, and the daily landings are more
practical. You can also stay overnight to be there for
sunrise and sunset, which is a stunning opportunity,
and one I am looking forward to in June 2016.
Right: Scottish
blackface sheep
(Ovis aries). A ram
standing against
the blue sky, Isle
of Mull, Argyll
and Bute
There is no shortcut to this kind of

wildlife photography, and there is
no replacement for time in the field
Below left: Two

adult brown hares
(Lepus europaeus),
face to face in
a frosty field,
Rutland
lookingforinteraction,whetherit
ismutualgroomingbetween
siblings,parentsandyoung,oran
aggressiveterritorialdispute.Facial
expressionsandmotionreally
bringtheimagestolife.
stepsandchangetheirroutinesto
avoidcontact.
Whilethismaybeeasywhen
takingphotosclosetohome,itis
decidedlymoredifficultabroad,but
Elliottsaysthesameprinciples
applyyoustillhavetospendmore
A waiting game
timeactuallyobservingwildlife
Elliottstressesthatthisstyleof
thantakingphotosofit.
photographytakestimeand
Elliottisabroadalot.Heworksas
dedicationifyouaretogetthebest aguideforOryxPhotography(a
results.Thereisnoshortcuttothis wildlifephotographytouroperator
kindofwildlifephotography,and
inSouthAfrica),andsohasbeen
thereisnoreplacementfortime
fortunateenoughtobecome
inthefield,hesays.Ifocusmy
familiarwithlocationssuchas
attentionononespecies.For
KenyasMasaiMara,Tanzanias
example,Illspendseveralmonths
Serengeti,Rwanda,thetiger
withthesamefoxfamilyorbadger reservesincentralandnorthern
family.OrIllspendtheentire
India,andthehighArcticand
summer,fromdawntodusk,ina
Antarctica.Eachtourgenerally
coupleoffieldsencounteringthe
onlylasts10-14days,butheis
sameroedeerandhares,learning
nevertemptedtorapidlyshoot
theirhabitsandfavouredpaths
everythinghesees.
throughthefieldsandhedgerows.
Frommyfirst-eversafari,where
Inthiswayyoucapturearealdepth Ishotmorethan10,000frames,
ofimages.Itisincomparablymore
Ihavenowbecomeextremely
productivethansimplywalking
selectiveandcherry-pickencounters
aroundandraisingalensto
withthebestlightoraction
whateveryoufind.Ifyoujustwalk
sequences,saysElliott.NowImay
aroundthesamepatchtoooften,
shootfewerthanathousand
thewildanimalswilltakeevasive
frameswiththreecamera
29
bodies. Occasionally, I will be

single-minded and follow the
same pride or cheetah, but I rarely
do this when I am leading a group
as most people are not prepared to
wait around for hours, if not days,
with the same animals.
And yet if those touring
photographers were willing to
stick around, they would find
that this slow approach is key to
getting the right composition to
bring their wildlife photos to life.
At a basic level, Elliotts composition
technique is a standard approach
honed during his years providing
photographs for stock libraries.
He grew used to composing his
images for copy space, with space
above the head in vertical portraits
and space on the side for the subject
to look into. This style, based on the
rule of thirds, is seen by many as
somewhat boring, but Elliott says it
is a useful foundation from which to
be creative with how you shoot, so
long as you have given yourself
enough time to experiment.
30
I push the boundaries of the

rule of thirds, with compositions
such as a 90:10 split for landscapes
and contextual images [animals in
their environment]. These images
consist of just a strip of land at the
bottom and a big sky, or vice versa,
he explains. In contrast to this,
when Im sitting with a pride of
lions or a herd of zebra, I look for
tight compositions with my Nikkor
600mm f/4, picking out isolating
abstractions or patterns and lines.
Elliott often achieves the latter by
filling the frame with motion, using
slow shutter speeds on his Nikon
D800 and D800E to blur the
movement of running animals or
flocks of birds. He also favours a
panoramic crop at 2:1 or 3:1, with
the huge 36.3MP file on the D800
giving him the image quality and
size to crop to that letterbox style.
Above: African lion

(Panthera leo
nubica) relaxing
in the sunlight,
underneath a
stormy sky.
Photographed in
the Ngorongoro
Crater, Tanzania
about when he releases the shutter.

I am most definitely not a
machine-gunning photographer
who takes aim and hopes for the
best, he reveals. I am highly
selective, picking moments that
give me the body position I want:
far front foot raised in stride to
open the chest, eye contact (down
the lens or another animal in
Below: Searching
frame), ears forward, and so on.
for prey in the
Masai Mara National I am also looking for great light:
warm, golden light at either end of
Reserve, Kenya
Technique
Elliott is not one to try all these
techniques in rapid succession.
Rather, he is highly selective
I am most definitely not a machine-gunning

photographer who takes aim and hopes for
the best. I am highly selective
the day, side-lighting or backlighting my subject.
However, if the atmospheric
conditions dont play ball, Elliott
will make the most of his time in
the field, such as using motion blurs
when the light is low or poor.
I love the rain, reveals Elliott. I
will always continue photographing
in the rain, just throwing a cover
or a jacket over my lens. I try to
position the vehicle so Im shooting
into the light if possible, with a
darker background so the raindrops
stand out, and I use a slower shutter
speed to blur the rain.
Shoot responsibly
While Elliott is happy to make do
with less than ideal conditions, he
will never keep shooting if the
animals are at risk, or if it means
disturbing them unnecessarily.
Only recently, several newspapers
documented Richmond Park as a
prime example where armies of
photographers were disturbing the
rut with little or no thought for the
animals, explains Elliott.
On safari, he is constantly
assessing the scene and behaviour
of the animals as they react to his
presence. Once, an elephant I was
riding on to get photos disturbed a
mother tigress. I have never
forgotten the feeling of shame and
have striven to avoid making the

same mistake again, admits Elliott.
Back in the UK, he uses field
skills to stay undetected, such as
shooting from hides and using
camera traps, and he often uses
food to attract wildlife. I do use
food to attract particular wildlife
subjects into range of cameras,
whether theyre remote or in my
hand, explains Elliott. I usually
attract birds with various foods,
such as seeds, nuts, fruit and
mealworms, and badgers with
earthworms and honey. I try to
use naturally occurring food where
possible, so this often means
scraping roadkill off the road
to attract foxes.
Using food to attract wild animals
is one that divides people. Elliott is
keen to point out that he only uses
this method with long-term projects
with a long lead-in and lead-out,
using enough food for the animals
to be attracted to the vicinity, but
not enough to create dependency.
For Elliott, that close interaction
is as rewarding as seeing the final
photographs. Its an absolute
privilege to spend so much time in the
company of these wild animals, he
says. It is this attitude that ensures
he captures not just the appearance
of the animals he photographs,
but their spirit too.
In the bag
In my bag, I usually have a
super-wide zoom, like a 16-35mm
f/4 VR, mid-telephoto 70200mm, 200-400mm and
Nikkor 600mm f/4 VRII prime, plus
an external flashgun or two, says
Elliott. I use a Gitzo 1325 Series 3
tripod, beanbags and an Eckla
Eagle door support system.
Recommended lenses
Wideangle lens for landscapes
with huge skies, and for those
moments where the animals
approach really close.
Mid-range zoom (70-200mm
or 75-300mm) will give you the
flexibility to photograph herds,
packs and landscape details.
Super-telephoto (400+mm)
to get you into the action,
frame-fillers and birdlife. They
also make great landscape lenses.
Often you will see features in the
landscape that photograph well
as isolated graphic images: good
examples are the classic
silhouette of an acacia with the
orb of the sun. On safari, Elliotts
Nikkor 600mm f/4 VRII is
permanently bolted to a camera
body, as the image quality and
ability to diffuse backgrounds
make it an essential lens.
Right: Wildebeest
(Connochaetes
taurinus) herd
arriving at Simba
Kopjes, Serengeti
National Park,
Tanzania
Elliott Neep is
a photographer,
guide and ardent
conservationist. He has
spent around 10 years
studying the natural
world, has been featured
in several publications
and has won a variety
of awards for his work.
To see more, visit
www.elliottneep.com
31
ALL PICTURES MICHAEL CHAPMAN
PORTRAIT PROJECT
Sam, Marlow, Bucks

Canon EOS 6D, 50mm,
1/160sec at f/5, ISO 160
&greet
Meet
Photographer
Michael Chapman talks
to Amy Davies about We Met As Strangers, a project
that saw him taking portraits of people he met online
he anonymous world of
social media, particularly
Twitter, where you can
interact with thousands
of people youve never actually
met, sparked a fantastic idea for a
photographic project for Michael
Chapman. His project, We Met
As Strangers, completed last
year, featured 100 people hed
32
Above left: Cath,

Glastonbury Festival
2015, Somerset
Canon EOS 6D,
50mm, 1/200sec
at f/4, ISO 100
previously never met, but all of

whom hed spoken to via Twitter.
It got me curious about what
would happen if you tried to take
that interaction ofine and how it
would translate into a photograph,
Michael explains.
He quickly set some reasonably
rigid rules for the project, which he
stuck to throughout. First and
foremost, the participants had to

be strangers. Second, and perhaps
more interestingly, they had to
volunteer, so Michael couldnt
directly ask anybody to be
photographed. He explains: I
wanted people to volunteer, so it
was a true representation of my
[Twitter] following. If Id been
allowed to select participants, I
would have tried to balance it
further in terms of ethnicity, sex
and so on. I think that could have
polluted the sample. I was also
curious about who would volunteer.
Michael only used Twitter to
source his volunteers. It seemed
like a fast way of getting strangers
to sign up, he says, I also liked
the idea of taking some of the
preconceptions you get from
someones tweets and seeing
how the person turned out.
With a rule that people had to
volunteer, there must have been an
element of risk that there wouldnt
be enough participants. I asked for
people to sign up but couldnt ask
people directly, explains Michael. It
started with my initial pool of 250
or so followers, and from there I had
a few sign-ups with retweets and
portrait project
Above left: Jacob,

Barbican, London
Canon EOS 6D,
50mm, 1/160sec
at f/2, ISO 160
shares from friends. Then, as I

released peoples photos and they
shared them, it increased my pool.
Meeting up
Each of the portrait sessions
followed a particular pattern,
starting with a coffee and a chat
to get to know the person a little
before the photo was taken. As
you might imagine, the people who
volunteered to be photographed
had a set idea of how the portrait
would look, but Michael says they
tended to relax those feelings after
meeting him.
Favouring an honest and relaxed
approach, a small amount of
direction was given to each subject.
I would tell the participant where
to sit or stand, but then I would
allow them to pick where they
looked and how they held their
hands, he says. They would often
say they felt awkward and ask what
to do, but I told them to embrace
the awkwardness and stand in a
way they felt comfortable. I would
say nice if I got something good
on camera, and mix up where I
was photographing from.
As anyone will attest who has
Above right: Ka,

Holland Park,
London
Canon EOS 6D,
50mm, 1/160sec
at f/5.6, ISO 1000
Left: Adam, Covent
Garden, London
Canon EOS 6D,
50mm, 1/200sec
at f/4, ISO 200
struggled to get the portrait shot

they want, sometimes something
just isnt right. Thats especially true
with people who arent used to
being photographed. In such cases,
Michael would ask the person to
shift position or move to a different
spot to try to get a better image
but still with minimal direction.
The reason I chose not to direct
is that I wanted the pictures to

really speak for themselves and
further this idea of how someone
would present themselves. I
wanted to capture that in its
purest sense, he explain. He also
admits, It made the job harder and
more challenging, but in itself
more rewarding.
Interestingly, it was those who fill
their Twitter and Instagram feeds
with selfies that Michael found to be
the most self-conscious when it
came to somebody else
photographing them. I think its the
element of control, he reasons, You
can see the image right away, take
hundreds [of shots], apply a filter
and change your angle. Often
people pull the same poses because
they know how they like to look. I
am a stranger, who doesnt know
them, capturing them at different
moments, which can be mid-laugh,
or in a place they wouldnt
normally stand.
At the other end of the spectrum,
there were also volunteers who
didnt like being photographed at
all. They volunteered as a way to
challenge or overcome their
own fears, but at first it made
33
portrait project
Michael a little more nervous

than when photographing
others. I didnt want to show them
something they hated, he says. But
I think as I started the project, my
confidence grew significantly, so by
the end it was like photographing
anyone else.
Some of the photo shoots were
completed in as little as 20 minutes,
while others stretched out to hours.
Some people I genuinely lost track
of time with because they were so
lovely, explains Michael, With
others, I got the shot but wanted to
capture a few more. I would always
send between five and ten shots to
each participant, with me using one
of them, and the rest they were able
to use for whatever they wanted.
amount of times so I had a ridiculous

amount of sign-ups, he recalls.
I had a couple of volunteers who
had to cancel, pull out or rearrange,
but towards the end of the project
Id set myself a deadline, so I missed
a few people.
In the end, Michael had 100
different stranger portraits, taken
in all manner of different locations,
mainly across London. His favourite
locations, he says, are the places he
knows really well. Its Soho mainly,
and I have explored so many back
alleys and side streets. I think my
second favourite is the South Bank,
which is such a lovely place with so
many striking bits, he describes. To
be honest, each location was great,
especially those with real thought to
them, the story of why they picked
Mission accomplished
the location was magical.
The project started in January 2015,
With 100 different shots taken
and was completed by October.
over a fairly lengthy period of time,
Although at first Michael may have
are there any that Michael isnt
been worried about finding enough
happy with? One of the best things
volunteers, by the end of it there were I was ever told was that a successful
so many that not everybody who
commercial photographer should
volunteered got to be photographed. never be 100% happy with any
I remember around July when I was photograph. So while I am happy
advertising for my final 30
with all 100 photos, I think all of
participants it got retweeted a stupid them could be improved.
34
Above left: Dean,

Soho, London
Canon EOS 6D,
50mm, 1/200sec
at f/2.5, ISO 320
Above right: Mikey,
South Bank, London
Canon EOS 6D,
50mm, 1/125sec
at f/3.2, ISO 2500
Michaels top tips

sure you like talking to people. You
1and Make
have to really engage with the subjects
throw a lot of energy at them. It can be
very tiring, but you have to be really upbeat
and energetic.
Be yourself, as it makes people so much
more comfortable. I found making
2
people laugh works for me, especially when
Im making fun of myself. Asking people
about themselves is generally a good tactic as
people usually like to talk about themselves.
In terms of composition, Im a fan of
leading lines and an uncomplicated
background. I think its important to make the
subject stand out so you want to make sure
its not overly busy and complements what
theyre wearing.
I think a 50mm lens is great, as the

photos tend to come out crisp and clear,
and it forces you into the subjects space.
For more information on

the project, and Michaels
other work, visit www.
mjchapman.co.uk
In terms of editing, keep it simple. I

subtly alter colour balancing and
5
shadows, as well as applying a quick skin
brush to smooth it out a bit. I have made some
presets to make the editing process a lot
faster and cant recommend it enough.
portrait project
Perhaps just as important is

whether the participants are happy
with their portraits. Generously,
Michael gave each volunteer the
power to veto a shot, or choose a
different one from his preferred
image something which he felt
was extremely important.
Sometimes, to my frustration, I
had a few strangers decide not to
use the photo I wanted to use as the
leading image, but I was also
curious about how people would
choose to portray themselves, he
explains.
Choosing just one photo out of
100 is naturally quite tricky, but
Michael says: One of my favourites
was the shot of @wtfmoke (Nick in
Greenwich, above left). We were
both hung-over when we met and I
didnt stop laughing throughout our
entire session together. I still
remember it and it makes me smile.
Michaels kit
In keeping with the simplistic ethos
of the project, Michaels kit was also
low key. He uses a Canon EOS 6D
and an EF 50mm f/1.4 lens. Theres
no tripod, as he needs to be able to
move around quickly, and he
Above left: Nick,

Greenwich, London
Canon EOS 6D,
50mm, 1/200sec
at f/3.5, ISO 100
Above right: Kristof,
Hilton Metropole,
London
Canon EOS 6D,
50mm, 1/200sec
at f/3.5, ISO 320
Left: Michael,
Chiswick, London
Canon EOS 6D,
50mm, 1/200sec
at f/5.6, ISO 5000
worked only in natural light.

Since finishing the project,
Michael has kept in touch with
many of the strangers. Ive seen
about 15 of them, and three have
given me referrals to work with
people or companies they know,
he says. I would say a few are
becoming fast friends. Everyone
was so lovely, though, and if I saw
any of them in the street I would

stop for a chat.
Any kind of project of this nature
should improve your skills, and
Michael very much believes that his
have progressed since the start of
the challenge. I think when you
look at my early photos and
compare them to others, you can see
a distinctive difference, he says. I
think my ability has shot up
considerably. I still have a lot to
learn, but feel undertaking the
project has really pushed my ability.
So, after completing such an
interesting and unusual project,
whats next for Michael? Im going to
be sourcing participants from
Twitter again on some voluntary
aspect, but they wont need to be
strangers, he says. Im interested in
further exploring the connections
people make on Twitter, so it will
be something very similar.
Finally, for anybody thinking
about taking on their own project,
Michael offers these words of
advice: Do it, and make sure its
something curious to you, and you
feel passionately about it. It can be a
lot of hard work and very time
consuming, but its worth it.
35
Technique
prinTed porTfolio
Russ Barnes
Russ is a dedicated British landscape

photographer with a passion for trees.
He brings an artistic approach to
his photography and packs lots of
different creative approaches into his
work. See more on his website at
www.russbarnes.co.uk
Print
legacy
With an eye on the future and
the probability of an all-digital
legacy being lost forever, Russ
Barnes reveals how he created
a personalised bound portfolio
Russ gets inspiration from his fathers watercolour work

36
all pictuReS RuSS BaRneS
have read many articles over the past year

that examined the risks of an all-digital
legacy. The crux and central theme of these
views are that, as photographers, if we create
a purely digital portfolio, then eventually it is at
a real risk of being lost in fact, its pretty much
guaranteed. All the backups in the world wont
protect your photography if no one else knows
how to view or access your images after youve
gone. I certainly sat up and paid attention to this
sentiment it all seems so utterly pointless if we
create JPEGs that even our own family take little
more than a passing interest in.
My father was a great watercolour artist who
unfortunately died suddenly in 1990. My view of
his artistic talent is not just a vague memory
or romantic notion I have from childhood.
Twenty-six years on, some of his pictures are
Building a portfolio
guarantees that
your images will
live on after you
37
It took a lot of
work, but the
results were well
worth the effort
Things To consider
I found there were a surprising number of
choices available for photography portfolios,
and narrowing it down wasnt easy, mainly
because in the beginning I didnt entirely know
what I was looking for. I also made some
mistakes by not thinking enough about how
I would actually mount the images in the
portfolio to construct the final product.
fortunately, through a degree of trial and error,
I ended up with something I was exceptionally
happy with. However, the journey wasnt
without its pitfalls and frustrations.
The other thing to think about is whether
to print your own images or outsource the
process to one of a plethora of labs. In my
view, printing your own work is essential to
appreciate fully the true craft of what, to
many people, photography is all about
the final print.
Why do I mention all this? Well its
simple really planning is everything.
38
Personalisation
Portfolio colours
If you decide to go all in on a fully bespoke

portfolio, one of the first choices you need
to make is how you want the portfolio to be
labelled and titled. fortunately, Hartnack &
Company helped me a lot and provided an
accurate proposal for sign-off before production.
one of my objectives was to ensure that the

look and feel of the portfolio had a touch of
class without eclipsing my photography. I chose
a steel-grey Buckram cloth and charcoal
contrasting inserts to ensure that all the focus
remained on my photography.
PRINTED PORTFOLIO
on my walls and they are a
constant reminder of his artistic
work and impressions, and they are
now deep-rooted in me. I dont care
whether anyone else agrees with my
view of his skill or not, as for me
the evidence is there. One of my
favourites, which I call Canadian
Birches (painted in 1967) is probably
the reason why Im compelled to
photograph trees. So what am I
creating for my children and others to
remember me by? Not enough is the
simple answer I want to leave
behind something more than a couple
of magazine covers and printed
articles, nice as they are.
Technique
benchmark was high: a level of quality

in the product that would reect the
craft, time and effort I put into my
photography; a bespoke design that
I would have some control over; a
durable product, something to last
maybe 50 years or more. Finally, I
wanted something visually strong
with a timeless quality and lasting
appeal, a tactile experience, but
nothing that would leave my
photography in the shade a
tricky balance to strike.
Level of exclusivity
I knew that meeting my list of

demands wasnt going to be cheap,
and I wanted a level of exclusivity. I
Reluctance to print
didnt want to walk into WHSmith
But why the general reluctance to
and see the product on the shelf being
print? Have we fooled ourselves into
bought by any number of art students
believing that digital photography
for their coursework. I dont take
is somehow cheap, disposable or
short cuts with my photography and
worthless? I do wonder and have
I wanted it to be displayed in the
started to evaluate the excuses Ive
best possible way, so after a week of
made in the past. Ive convinced myself questions back and forth to various
that part of the problem is available
suppliers I narrowed my choice to
wall space theres only so much real
a family business based in Devon
estate in my house for 80x60cm
(Hartnack & Company), which
frames. I also feel narcissistic about
created a bespoke product for me.
printing and framing my own work for
From design to delivery, the process
my own viewing a feeling that I cant took three weeks and I then had the
quite shed just yet.
start of something that looked like it
So whats the answer? Well, other
would earn its place between Kenna
than getting your work professionally and Strand on my bookshelves. Most
published, its very simple you have
of all though, it met my criteria as the
to take ownership and address this
beginnings of a real print legacy,
issue for yourself. Ive begun to
something for my children and
produce what I hope will be a series
grandchildren to cast their eye over in
of printed portfolios while working
years to come.
on building towards exhibitions of
Image selection
framed work.
I knew that lling the portfolio was
So where to begin? Above all, I
going to be the most substantial
wanted a professional portfolio. My
and difcult part of the project.
criteria were pretty strict and the
Concentrated minds at John Blakemores bookmaking workshop
Handmade
photo books
HAVING got the bug for producing printed portfolios,
I looked at options to take things further and
investigated the possibilities of handmade book
making. Part of my attraction to photography is the
artistic craft involved in the process, and with print in
particular. I love the tangible aspect of a physical
result. Printing is often seen as an add-on skill in
photography, but to me its an integral part of the
image-creation process. Handmade books are just a
further extension of that.
After excellent feedback from associates on Twitter,
I booked myself onto master photographer John
Blakemores bookmaking workshop hoping to pick up
the necessary skills needed to build my own volumes
by hand. It was a wonderful weekend with perhaps the
most interesting aspect focused on image sequencing
and learning to tell a story with images. This is a highly
recommended experience that has helped me look at
my photography from a new angle.
I now have the skills to build any kind of book I wish
from scratch, completely bespoke collections of work
that full my aim of producing something genuinely
artistic and compelling to inspire others.
Image selection
Mounting decisions
Volume
It might sound obvious, but image selection is

critical, as is the sequencing of photographs
throughout the portfolio. I worked hard on
ensuring that I selected photographs that
were representative of my work without
being too repetitive.
I didnt think enough about mounting the prints

at the outset. I decided late on that directly
hole-punching my prints for a screw-post
binding was a bad idea and then worried about
how I could achieve it. Be clear from the start
how you will x your prints into the portfolio.
A decision on the number of prints featured

was important. Too few and it would be a bit
light, while too many would be overwhelming. I
settled on 40 for my rst project and used 30
in my second. Dont underestimate the physical
weight of printed work, either.
39
Technique
KIT LIST
Paper
Different papers produce vastly

different results, so its worth
getting hold of some sample
packs before embarking on a
print project and making a
final choice.
Protective
spray
Buying some protective spray

for my prints proved to be
invaluable. At 15 a can it
might seem like another
expense, but it ensures the
print is shielded for handling.
Mounting
solution
On my initial project I didnt get

my mounting solution right.
Eventually I bought Flex-Hinge
Polyester Sheet Protectors, but
they were expensive. You need
to think carefully about your
mounting product selection.
40
PRINTED PORTFOLIO
It was important for me to have

an outline high-level plan of
what I really wanted to get out of it.
Perhaps the most critical decision of
all was the image selection it should
go without saying that the prints are
everything, the core focus of the whole
project. Not only would they need to
match the standard of the very
high-quality materials selected to
house the work from a technical and
presentation point of view, but also
they would need to go beyond that
and positively shine. The print
needed to be king. I would be
mortied if I got the impression that
the slip case and binding outshone
the contents. It needed to be the
along the lines of, Wonderful
photography. Oh, and I love the case.
It took about three evenings to
get to a point where I thought Id
nailed the selection and sequencing.
In the end, a total of 40 images just
felt right. The whole process was
subject to a lot of reviewing and I
changed the order a hundred times,
deleted and added images, until I
nally arrived at something I was
happy with.
The ow was based on how textures,
lines, patterns, colours, technique,
atmosphere and even location played
a part in trying to create a storyboard
of my photography. Theres a degree of
subtlety to the ow and, of course, its
based on my own decision making, so

some might disagree with the order
and nal selections, but I also
wanted to have a strong back-to-front
series as well as front-to-back. To
my eye, I think I pulled it off
following the nal print and
construction I can honestly say
I wouldnt change a thing.
After all the time and effort, it was
nally there. Its genuinely something
to be proud of and it certainly
met my vision and objectives.
Getting the look and

feel of the portfolio
makes a huge difference
to the overall success of
the project
The kit-based approach to consider

If you want a
very satisfying
professional finish,
kit-based systems
wont disappoint
I FOUND building my initial photography

portfolio using bespoke options
incredibly satisfying, but theres no doubt
it wasnt the cheapest way of doing
things. If you own a printer, there are
a few suppliers who provide a more
cost-effective kit-based approach to
building a printed portfolio. So when I
came to produce a further collection of
images, I chose the Hahnemhle FineArt
Inkjet Leather Album.
The advantage of this set-up is that
everything is designed and created to
work perfectly together for a beautiful
end product. I opted for a 12x12in
red-stitched leather screw-post portfolio.
They provide translucent page dividers
and, unusually, you can buy it with
double-sided inkjet paper to create the
look and feel of a book, should you be
so inclined. The paper is also already
hole-punched and scored, ready for
assembly into the cover.
I must say the end result was incredibly
impressive and delivered a very
professional look while being more
cost-effective than the bespoke approach.
I will certainly be buying more of these to
print my work.
Reader Portfolio
Spotlight on readers excellent images and how they captured them
1
Mark Spokes, Hertfordshire

Mark became interested in photography while on
a trip to Canada when he was just 14. He kept
hijacking his parents camera, and from day one
was hooked on image-making. While those
early days found him shooting anything and
everything, these days his focus tends to be on architecture
and cityscapes. As you can see from these images, Mark
enjoys bringing together architectural photography and long
exposures, which he uses in order to remove the visual
clutter (clouds, and so on) that can often occur in the sky.
War Memorial
1 Through the
streaked clouds,
Mark has created a
representation of
the soldiers sacrifice
as timeless
Canon EOS 40D,
17-40mm, 240secs
at f/20, ISO 100,
tripod, b&w ND filter
KD Tower
2 In this starkly
minimalist shot,
Mark has beautifully
captured the former
Kodak building in
Hemel Hempstead
Canon EOS 40D,
17-40mm, 45secs at
f/22, ISO 100, tripod,
b&w ND filter
St Johns Church Bourne End

4 Not only did Mark
hope to capture the
clouds in this way,
he also wanted the
shadows of a nearby
tree to impact the
look of the building
Canon EOS 40D,
17-40mm, 42secs at
f/16, ISO 100, tripod,
b&w ND filter
42
5 Here we see
that minimalist
doesnt have to mean
black & white. Even
with these bright
tones, Mark conveys
a similar feeling to
his other shots
Canon EOS 40D,
17-40mm, 1/250secs
at f/11, ISO 100
YOUR PICTURES IN PRINT
The two Reader Portfolio winners

chosen every week will receive a copy of
Helicon Focus Pro innovative software worth $200. Visit www.heliconsoft.com
Helicon Focus is designed to merge several differently focused images into a fully focused one, thus allowing extreme depth of eld. You can produce
sharp images in one click, retouch results with special brushes and enjoy all the benets of state-of-the-art technology to make your images stand out
Submit your images

Please see the Send us your
pictures section on page 3 for details
or visit www.amateurphotographer.
co.uk/portfolio
Tree and Bridge
3 Mark has selected the

first tree as his central
subject and used the bridge
to lead the viewers eye
Canon EOS 40D, 17-40mm,
70secs at f/18, ISO 100,
tripod, b&w ND filter
43
COMPETITION
Paul Harrison, West Sussex

Paul is especially fond of
what he terms remoteness
and big skies. Through his
images he is able to pull the
viewer in to these elements
and make them feel as though they are
standing there with him, observing the
natural world. Paul loves being out in
the open, with all the elements coming
together, such as the weather, location,
and technical details, to create the
perfect photograph.
Pevensey Bay Sunset
1 For this shot I used a full wideangle to

include the groynes in the scene, says Paul,
and an open shutter to soften the water
Pentax K-5, 10-20mm, 1/4sec at f/22,
ISO 200, soft grey grad
44
2
Reader Portfolio
Pentwyn Reservoir, Powys
2 The early morning light and completely

still water provided a brief moment of glass
reflection on the lake, says Paul
ISO 200, UV and grey grad filters
Rapeseed
Brooding
Spring Storm
Blaen y Glyn Valley, Brecon
3 I thought this image introduced a

different perspective of this beautiful,
remote location, explains Paul
ISO 200, UV filter
5 This simple
grey/yellow colour
scheme uses the
brooding grey sky as
a dramatic backdrop
to the yellow
rapeseed field
Pentax K-5, 14mm,
f/22, ISO 200, light
grey grad
Harrow Hill, Sussex Downs
4 Paul says this field in late summer

represents a typical southerly walk across
the many carefully tended paths offered
for hikers and photography enthusiasts
on the Sussex Downs
Sony NEX-3, 16-50mm, 1/125sec at
f/20, ISO 200
45
Evening Class
Photoshop guru Martin Evening sorts out your photo-editing and post-processing problems
Manual perspective corrections

I LIKE the choice of viewpoint in this image,
where Rob Deyes has deliberately positioned
the camera at a low angle to get a worms-eye
view of the terraced houses running along the
right of the frame. In doing so, he has managed
to effectively hide the double yellow lines and
emphasised the shiny cobblestones reecting
the yellow houses.
The 14-42mm lens Rob has used with his
Panasonic Lumix DMC-G2 has led to some
nasty barrel distortion and unfortunately there
was no matching Camera Raw lens prole
available with which to apply an automatic
lens correction to resolve this. I therefore

had to rely on the manual Transform sliders
in the Lens Corrections panel to correct the
photograph. This worked rather well and you
can see in the following steps how, by applying
a positive Distortion slider adjustment, I was
able to get the curved edges to align perfectly
to the grid overlay.
Submit your images
Please see the Send us your pictures section on page 3

for details or visit www.amateurphotographer.co.uk
AFTER
BEFORE
1 Apply an Upright
adjustment
The easiest way to correct the perspective for a

photograph such as this is to apply an Upright
adjustment. I did this by going to the Lens Corrections
panel and clicked on each of the Upright buttons in the
Manual tab section to see which looked best. In this
case, I found the Auto option worked best.
2 Transform adjustments
Its always a good idea to check the Enable Lens

Profile option in the Profile tab, but when the lens data
is missing, use the Transform sliders to compensate
for any geometric distortion thats present. In this step
I applied a +37 Distortion correction to remove the
barrel distortion, and set the Aspect slider to -100 to
stretch the image horizontally.
3 Basic tab adjustments
Finally, I cropped the photograph to trim and constrain

the image area (and exclude the transparent pixels).
Then I adjusted the Basic sliders to optimise the image
and add more global contrast. I set Clarity to +38 to
add more midtone contrast, and set Vibrance to +72
to boost the colour saturation.
46
YOUR PICTURES
Creating a
Panorama
Photo Merge
PHOTOSHOP CC users are able
to access the latest Camera Raw 9
update that allows you to merge raw
images either as an HDR (high
dynamic range), or as a Panorama
Photo Merge. Panorama stitching is
normally carried out whenever you
wish to create a super-wideangle
view of a panorama, but it can also
be used to increase an image size.
For example, the photographs shown
here were shot by Jess Maslen, who
used a 58mm zoom lens setting to
shoot ve photographs that captured
a panoramic sweep of the front view
of a car. She intended to stitch the
les together to create a bigger
image. The Nikon D3100 used here
will normally capture 14-million-pixel
images, but Photo Merged results
produced a cropped image that
was 38 million pixels in size.
1 Select the photos

you want to merge
AFTER
BEFORE
2 Projection method
I began in Adobe Bridge by making a selection of the

five photographs that were needed to create a Photo
Merge and chose File>Open in Camera Raw. This
opened all the selected images via the Camera Raw
dialog in Filmstrip mode where, from the Filmstrip
menu, I selected Merge to Panorama.
Selecting a projection method opened

the Merge Preview, where I was given a
choice of projection methods. I usually
select Spherical or Cylindrical, but in
this instance I found the Perspective
mode worked best. I left the Auto Crop
option unchecked so that I could
manually crop later.
3 Apply Lens Correction

adjustments
In Lens Corrections I rotated the
image counter-clockwise and set
the Aspect to +63 to squash the
image horizontally. I then set the
Horizontal slider to -26. Lastly,
I applied a few Basic panel
adjustments for tone and colour.
Camera Raw Panorama Photo Merge

THE CAMERA Raw Panorama Photo
Merge feature can be a suitable
replacement for the Photo Merge
feature in Photoshop, or other
third-party stitching programs. When
you use Camera Raw to stitch raw
images together, the resulting le will
be a raw DNG master, where you
will retain the ability to edit the
photograph as if it were a regular raw
image. One of the problems I have

found using Photoshop Photo Merge
is that you can sometimes end up
getting clipped highlights and have to
start all over again (darkening the
highlights of the source images rst).
With Camera Raw Panorama Photo
Merge, you can edit/update the raw
settings after you have created the
photo merge and avoid any clipping.
With this method, you can edit the raw settings later
Martin Evening is a noted expert in both photography and digital imaging. He is well known in London for his fashion and beauty work, for which he has won several awards. Martin has worked
with the Adobe Photoshop and Adobe Lightroom engineering teams over many years and is one of the founding members of a software design company. Visit www.martinevening.com
47
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Accessories
Useful gadgets to enhance your photography, from phones to filters
TPs real leather

camera cases
23-84, plus 5 postage stores.ebay.co.uk/Jasons-Photo-Forest
Andy Westlake tries out handmade

leather cases to suit a variety of cameras
At a glance
Form-fitted cases for compacts and CSCs
Handmade from leather
Choice of colours
Several versions available for each camera
IFYOUVEjubuwcm,yu
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dvubDSLR.
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ALL PRICES ARE APPROXIMATE STREET PRICES
Verdict
TPcbuuymdmdquy.Tywdd,
dcddbckyc.
TycywudCSCd
vubcmyOymuOM-D
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50
Suede
lining
Battery
compartment
cover
Some designs have a hinged
base flap, sealed either
magnetically or with a
stud fastener.
Brass
fixing screw
This sits flush to the
base of the case, and is
threaded for mounting
onto tripods.
The soft interior wont

scratch your camera and
can protect the sides
from inadvertent
knocks.
Matching
straps
Wrist and shoulder
straps can help keep a
camera secure, and
you can get them in
matching styles.
GOLD
OTHER OPTIONS
Many small cameras benefit from some additional grip, but
leather cases are not always the best choice. For instance, with
small compacts theyll often add disproportionate depth to the
cameras body. So its also worth looking around for other options
to help keep your camera secure, such as add-on handgrips, either
from the camera manufacturer or a third party. These might bolt
onto the cameras baseplate, or simply fix onto the front with
adhesive tape. Some grips come with built-in Arca-Swisscompatible dovetail plates, which are especially useful if you use
a tripod frequently. And remember, theres no substitute for using
a wrist strap to keep a small camera secure!
Thlahooahykad
chquayou
1901 Fotografis slim

Steichen leather strap
25.95 www.1901fotogra.co.uk
THE COMPANY 1901 Fotogra
is a small rm based in the west
of England that makes highquality camera straps from
good-quality leather.
Last year, I reviewed its
lightweight, adjustable
Maitani strap (AP 27
June 2015) and was
very impressed. Since
then the company has
gone from strength to
strength, offering a wider
range of products that are
now also available from
specialist photographic
retailers as well as online.
Alongside shoulder straps,
1901 Fotograe also sells
wrist straps and slimline
leather camera bags.
Described as a minimalist,
very supple yet strong camera
strap designed for real
photographers, the Steichen
is ideal for a larger compact
camera system with an f/2.8
zoom, or a medium-sized
DSLR. The main strap is
made from thick, strong
leather and is 11mm
wide and 115cm long,
although custom
lengths can be ordered
on request for an extra 3. Theres

a sliding 22mm-wide pad to
spread the load on your shoulder
or neck. Its available in a choice
of six colours, which includes
black, light tan and various
shades of brown. The one
shown here is merlot, a rich
shade of red-brown.
This is another product
that probably counts as a
luxury item, or a nice to have,
rather than a necessity,
but its the sort of accessory
that can make carrying
around a camera much
more pleasurable. Its
certainly more interesting
to have on your camera
than the nylon straps
that generally come
with most cameras, and
its a top-quality,
well-designed
product that will
likely last for years.
Andy Westlake
Moacu
Mochqu
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Dowloadol,joyof
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Try it today
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GOLD
51
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SNAPSEED 2.0
Testbench
Snapseed is available
for Android and iOS,
and can be used
on smartphones
or tablets
ik Software has been

developing a range of
excellent plug-ins and
standalone software
for photographers since the 1990s.
Most famous for its image-editing
program Snapseed, the company
was acquired by Google in 2012
and its focus was steered towards
mobile image editing. The desktop
version of Snapseed was dropped
in 2013 and the mobile app began
having bigger and better updates.
Skip forward to April 2015 and
Snapseed 2.0 was released in
the Google Play and Apple App
Store. This new update was a
complete overhaul. The user
interface changed and the toolset
became more comprehensive
than ever, making it one of the
most sophisticated editing apps
available all for free!
Its available on iOS and Android,
and both versions work similarly
across both platforms, with the
same feature set. The interface is
also consistent between tablets
and phones. Once the app is open,
users can edit images from albums
on their smart device. When an
image is open, there are a few
options. By double-tapping the
screen, users can zoom into the
image and move around using the
Snapseed 2.0
Free on Android and iOS https://support.google.com/snapseed
Callum McInerney-Riley tests Snapseed 2.0 a free

editing tool for your smartphone or tablet, offering one
of the most comprehensive feature sets of any editing app
navigator in the bottom left of the
screen. When zoomed out, users
can toggle a histogram on or off in
the bottom-left corner. In the top
right is a menu that allows users
to undo, redo, revert a recent
adjustment, share the image, or
look at the details of the le
including camera, shutter speed,
aperture and more. The most
important element, though, is the
Pencil icon in the bottom right,
which marks all the editing
functions available. These are in
two sections: Tools and Filters.
Tools
In Tools theres Tune Image,
Details, Crop, Rotate,
Transform, Brush, Selective,
Using a Wi-Fi camera I can transfer, edit and upload an image in minutes
53
Testbench
Spot Repair and Vignette.
The rst tool I open, and
probably the most important one,
is Tune Image. This allows users to
adjust the brightness, contrast,
saturation, ambience, shadows,
highlights and warmth. These can
all be adjusted from 100 values
by swiping your thumb left to turn
the effect down and right to
increase it.
Alternatively, theres an Auto
Adjust button at the bottom that
will evaluate and change the
values it thinks suit the image. By
dragging your thumb up and
down, users can quickly access
a different editing option. For
example, if I were changing
saturation, I could move my thumb
upwards on the screen, select
ambience and begin editing that. I
nd this makes editing very easy.
Under the Details section are
two separate options called
Structure and Sharpening.
Sharpening makes the ner
detail appear sharper, while the
Structure is a bit like the Clarity
slider in Adobe Lightroom,
boosting local contrast to give the
subject a more dened look. The
Crop and Rotate tools are both
self-explanatory, allowing users to
free-crop or use a number of
preset aspect ratios. The Rotate
tool allows you to correct the tilt
angle of the image left or right.
Transform is a little more
SNAPSEED 2.0
BEFORE
I transferred ten or
so images to my
phone from my
Olympus OM-D
E-M5 II and selected
this one to edit
advanced, with the ability to adjust

vertical and horizontal perspective,
as well as rotate. However, the
best thing is that when you adjust
the perspective and the image
moves out of the crop zone,
Snapseed will automatically ll
those areas. It samples areas
nearby to generate new content
rather than leaving black space.
On the whole this feature works

really well, and if something looks
amiss you can tidy it up using one
of the other tools, such as the
Spot Repair brush. Just like the
automatic ll, this brush samples
the area and generates content
to replace it. This is useful for
removing unwanted objects in
landscapes or blemishes on skin.
The Brush tools allow users to

dodge and burn, adjust exposure,
colour temperature and saturation,
selectively using a brush and
painting the area with a stylus or a
nger. Users can select how harsh
or strong they want the effect and
then brush it on, and also erase
the areas they dont want to see
the adjustment on. Selective is
In the top right of the screen, users can toggle how the edit looked before and after. Theres
also a question mark in the top left that allows users to have a quick demo of each of the settings
54
AFTER
another tool similar to the brush.

However, this tool allows users
to selectively adjust the contrast,
saturation and brightness of a
circular area. By using a pinch
gesture, users can select how big
or small they want their circle to
be and then make an adjustment
exclusively inside that area.
Vignetting allows adjustments of
both outer and inner brightness,
giving users the ability to either
add or correct vignetting.
Filters
Inside the Filters section are 12
options, but strangely, theyre not
really what you would consider
lters. Theres Lens Blur, Glamour
Glow, Tonal Contrast, HDR Scape,
Tonal Contrast. I use this on most

of the images I edit in Snapseed. It
allows users to control the contrast
of high, medium and low tones
independently of each other. If
theres an image where the
main focal point is in the midtones,
upping the contrast gives it a bit
more punch.
Sometimes boosting the
contrast of shadows or highlight
can cause loss of highlight or
shadow details. To combat this,
Snapseed has included a
Protect Shadows and Protect
Highlights slider in the Tonal
Contrast Filter editing options.
Once an edit is done, users
can just select the little tick at
the bottom of the screen to apply
the change. Each change is saved
in a history log, and its possible
to go back and change each
individual process at any time.
Users can also delete any edit
they have done at any point in
the process. So, if I started by
adjusting tonal contrast, but
after making a couple of other
to be either circular or straight.
changes found that it was a bit
Glamour Glow smooths everything over the top, I could go back and
out and makes everything glow
rein it in. If I decided it wasnt
a very similar effect to a soft focus needed, I could just go in and
lter or a tacky 1980s pop video.
delete it without altering any of
HDR Scape adjusts the dynamic the editing I had done after I had
range and sharpens the image to
made that change. This nongive an HDR effect. Frames is fairly destructive working is a very
self-explanatory, giving users the
advanced feature, and its fantastic
ability to add frames to their
to see this level of editing
images. I saved the best for last
capability on a free app.
Brightening the
shadows, darkening
the highlights, adding
some more contrast
and adjusting the
tonal contrast really
made this image pop.
I then used the KK2
filter in VSCO to give
a better colour tone
Drama, Grunge, Grainy Film,

Vintage, Retrolux, Noir, Black &
White and Frames. They all work
in a similar way, giving users the
ability to tweak them up and
down, controlling things such as
saturation, vignetting and
brightness. Overall, I nd the
Filters to be fairly weak compared
with other apps. While I sing the
praises of Snapseed for its core
editing function, I always transfer
my Snapseed-edited images into
my VSCO Cam app to give it
some colour toning.
The Lens Blur feature allows
users to selectively blur areas
to make it look out of focus,
and this can be controlled and
adjusted; it can also be moved
Turning up saturation, ambience and contrast adjustment was sufficient here

Our verdict
ILL BEGIN with my limited points
of criticism towards Snapseed.
Primarily, the lters just arent that
good. There are lots of options
for overcooked HDR and
over-processed images, and it just
lacks subtlety. I nd that Instagram
has a better range of lters than
Snapseed. Personally, I dont nd
any of them actually improve the
look of the original image. For
toning, I export my images to the
VSCO Cam app, which has a
selection of beautiful lter presets
with fantastic tones. I also nd
myself doing some split toning of
shadows and highlights in VSCO
Cam, which is missing in Snapseed.
While these few points are an
issue, thats about it as far as
criticisms go. The toolset the app
offers is outstanding. Having
tested many different applications,
I nd that the way it performs
tasks such as lifting shadows and

dulling down highlights is about the
best of any app. The feature set is
far more advanced than many
editing suites, and to have this for
free on a mobile device is fantastic.
I shoot with a lot of Wi-Fi-enabled
cameras, and when I have a casual
day out with my camera I pick one
or two photos and edit them on
my smartphone using Snapseed,
then I give them a little tickle in
VSCO Cam. Unless I have shot
something really important, I dont
need to transfer it to my PC/Mac
and work on it extensively.
Everything I need is right there in
Snapseed. Its
easy to use,
has heaps of
functionality
and does a
GOLD
sterling job.
And its free!
55
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Technical
Support
E X PERT A DV ICE
T IP S
T RICK S
HACK S
Email your questions to: apanswers@

timeinc.com, Twitter @AP_Magazine
and #AskAP, or Facebook.
Or write to Technical Support, Amateur
Photographer Magazine, Time Inc.
(UK), Blue Fin Building, 110 Southwark
Street, London SE1 0SU
KNOW- HOW
Back-to-back lens
connector rings
A really simple, useful and

amazingly for Leica M
equipment inexpensive
accessory is the plastic ring that
allows you to bayonet two lenses
back to back so they can go on
one cell in your camera bag
without rattling together.
I would love to have the same
thing for my Canon EF SLR lenses,
but cant seem to nd them on the
internet. Maybe Im using the
wrong search terms. Can you
help? Julian Lloyd
As far as Im aware, there

is one back-to-back
double lens cap for Canon
EF available on the market, from
OpTech USA (optechusa.com/
lens-mount-cap.html).
Unfortunately, its not easy to
nd in the UK, and buying direct
from the USA will likely cost
almost as much in postage
(and potentially import duty
and VAT, depending on how
many you order) as it does for
the item itself.
The simple answer is to buy
some cheap, generic rear lens
caps and glue them together with
an epoxy resin such as Araldite.
Andy Westlake
Old SLR cameras

and equipment
Its not possible

to use Canon
lenses on Nikons
Lenses for DSLRs
I have a Canon EOS 100D, a Nikon D90,

and a Nikon D3200, but as a beginner I
am unsure which lenses I need for them.
For instance, can I use an adapter to put a Canon
EF-S 10-18mm lens onto my Nikon D3200?
I have a Canon 18-55mm, 28-90mm and
75-300mm, as well as a Nikon 18-55mm,
35-70mm, 28-80mm and 70-300mm.
Please could you let me know which lenses I do
not need so I can sell them? I want to take
photographs of wildlife, portraits and landscape
scenery. Keith Maxwell
Im afraid theres no real way of using

Canon lenses on Nikon DSLRs they
have to sit closer to the sensor than the
Nikon lens mount allows, and use electronic
few and far between these days,

but youll still nd a selection
advertising for used kit in the
back of this magazine each week.
control for autofocus, aperture setting and

image stabilisation. So the Canon EF-S
10-18mm f/4-5.6 IS lens cant be used on
your Nikon D90 or D3200.
Looking at the cameras and lenses you have
listed, Id get rid of the Canon 28-90mm but
would keep the others for the EOS 100D. For
the Nikons, Id advise keeping the Nikon
18-55mm and 70-300mm zooms and get
rid of the Nikon 28-80mm. As for the Nikon
35-70mm, it depends on exactly which version
youve got as several were made with different
maximum apertures. Those with constant f/2.8
or f/3.5 apertures are still quite useful, although
they wont be fully compatible with all the
features on your cameras. Cheaper variable
aperture lenses f/3.5-4.5 or similar are
rather less useful. Andy Westlake
They tend to be mainly interested

in high-quality equipment, in
good condition, that they can
sell for a high enough price to
Where would be the best

place to try to sell old
SLR cameras and other
equipment, including lenses, lters
and lights? I want to sell my
fathers extensive kit, and although
Im not looking to make a fortune
I hate the thought of just
throwing it away.
Julie Gaskin
For selling second-hand

equipment, you have a
couple of options. One is
eBay and the other is to go via a
reputable dealer. They tend to be
Get an idea how much your kit is worth by checking similar auctions on eBay
make a reasonable prot.

Whatever you decide, it pays
to do a bit of research.
First, identify as much of the
equipment as possible, then
search eBay and nd out how
much each camera/piece is likely
to sell for (search on Completed
Listings you may well need to
create an account to do this).
Then, if you nd you have
something desirable, you can
either approach a retailer armed
with the going rate, or list it on
eBay knowing how much to sell
it for (try Buy It Now).
If you nd you dont have
anything very valuable but you
still want it to go to a good
home, try giving it to a local
57
WHAT DIGITAL
IN ASSOCIATION WITH
AND
Camera
Learning in
a snapshot
At Amateur Photographer, we understand that your time is
limited, and that you may only want to improve a specific
area of your photography. Thats why weve designed our
School of Photographic Imaging Bitesize courses: short
courses for those with a specific learning objective.
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LANDSCAPE,
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TEN STEPS
TO PERFECT
PICTURES
CREATIVE
CAMERA
CONTROL
PRACTICAL
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FRAMING, COMPOSITION,
VIEWPOINT AND
PERSPECTIVE
For more information visit www.spi-photography-courses.com

Email us at [email protected] Or call 0203 148 4326
Technical Support
school or a college offering
photography lessons. If not,
you can always donate it to
your local charity shop.
Andy Westlake
Raw les wont open
ICoDSLR
dpom
AdobPooop
Em12.Ibo
moSoAp5000
om/bpoop,
oo
ood,mpo,
op.Soo
mmdppom
,moo,I
od(So
mARW)podo
opPooopEm
CmR.Ip-?
Ao,Im
pobmIbPooop
LoomCC?
Bernie Hinton
Im afraid
youve
come across
a common problem
when buying a new
camera your
existing raw
processing program
wont recognise the les.
In general, only cameras that
can record raw les using
Adobes DNG (digital negative)
standard will always be
compatible with older software.
However, its possible that the
most recent version of your
existing software might support
your new camera, so the rst
thing to do is nd and run its
update function. If this doesnt
work, help is at hand in the shape
of Adobes free DNG Converter
program, which can take your
new cameras raw les and
convert them to DNG so your old
software can read them. You can
BLAST FROM THE PAST

Youll often need to update software
to read raw files from newer cameras
download it from the Adobe

website (www.adobe.com/
downloads/updates.html).
Alternatively, any raw
conversion program that you buy
now indeed, Lightroom will
support raw les from practically
all cameras, aside from those
announced very recently, which
will likely get support added
via free updates anyway.
Andy Westlake
Ultrasonic
sensor cleaner
IWASOmpDSLR,E-1,
d2003.Imodbo
m.Ikpmo
omddpomom
bm.Imooo.
Ooppobmd
obd-po
doxpodoo
oo.Lpod
mkpomobd
bobdoom.I
ppd,mbom
mobdo
Olympuss
E-1 was the
first camera
with ultrasonic
sensor cleaning
Ivor Matanle looks at

two versions of a tough
compact camera from
the 1950s and 60s
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opoodb.
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mdom
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o.
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SpSoWF(SSWF);
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THEZEISSIkoCoII
oompm
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Your chance to enter the UKs newest competition for budding amateur filmmakers
TO COINCIDE with the launch of
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challenges you to get creative with
your lmmaking, and gives you the
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The competition is split into

three rounds, each with its unique
theme: Nature, Time and Love. To
enter, submit a video no more
than ve minutes in length, of HD
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camera youd like, and the content
and editing are up to your
imagination so long as it ts
the rounds particular theme.

Visit www.thevideomode.com to
view the top videos, as well as the
scores and a leaderboard for the
overall competition. The winner
will be the person with the most
points after three rounds, who will
win the overall prize as well as title
of Amateur Filmmaker of the Year.
Round Three: Love

We want to see how you convey
your love for someone or something
through lm in a creative way for
this round. Try using techniques
such as lens whacking or light
leaks to add that soft feel to your
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www.thevideomode.com/examples.
Rounds
and dates
Prizes
Below is a list of the competition rounds, their themes and the dates you Enter to win your share of prizes worth over 10 000!
need to know. To view the results, visit www.thevideomode.com. When
planning your entry, take into consideration the criteria of fullling the
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Theme
Opens
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Round One: Nature
1 Aug
30 Sep
Round Two: Time
1 Oct
31 Dec
Round Three: Love
1 Jan
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The overall winner will be announced in April 2016
Heres what you could receive:
Round One
Canon EOS 7D Mark II, worth
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Canon EOS 5D Mark III, worth 2,499.99
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Overall prize
Canon Cinema EOS C100 Mark II,
worth 3,599.99
Visit www.thevideomode.com/afoy3
to send us a link to your short lm and to view the full terms and conditions
In association with
Technical Support
PAUL SANDERS
In the
bag
Picture editor at
The Times turned
landscape professional
Paul Sanders reveals
the essentials in his kit.
www.paulsanders.biz
Fujilm X-T1
I switched from a DSLR to the
mirrorless Fujifilm X-T1 because
the handling, image quality and weight
work for me. The X-T1's X-Trans sensor
has incredible dynamic range and a
wonderful smooth quality to it. It is
important that the camera doesnt get
in the way of my photography.
Fujilm Fujinon XF50-140mm

f/2.8 R LM OIS WR
This is the lens I use most.
2 Optically, its stunning,
razor-sharp and light for the range of
focal length and fast aperture. The
compression I get from the longer
focal lengths suits my image making,
especially for my more minimal work.
The latest
photography kit
and technique at
your ngertips
Lee and Formatt-Hitech ND lters

of my work is long exposure,
3 Most
so neutral density filters are
essential. I always carry a Lee 2-stop,
3-stop, 6-stop and 10-stop, and a
16-stop Firecrest by Formatt-Hitech.
I often use the 16-stop and 6-stop to
allow me to shoot wide open and still
run exposure times around 8mins.
More great
pictures
More technique
More opinion
More inspiration
1
3
Download online,
enjoy ofine
Buy from the comfort
of your own home
Available the day
the magazine goes

on sale
Missed an issue?
Simply download a
back copy
FLM tripod
MindShift Rotation 180 backpack
tripods are light and strong,

4 FLM
have legs that adjust very quickly
and dont fill with water when I work in
the sea. The engineering is incredible,
especially the ball-and-socket head, as
it has a variable tension to allow fine
adjustments and the option of click-stop
or smooth panning.
used this rucksack for the

5 Ive
past three years. I love the
rear-panel opening and the fact that the
base swings round, like a bum bag. I
never have to take it off and can access
every compartment while still wearing it
by just rotating the upper or lower bag
around my body.
List of kit Two Fujilm X-T1 cameras, Fujilm XF 14mm

f/2.8 R, Fujilm XF 23mm f/1.4 R, Fujilm XF 35mm f/1.4,
Fujilm XF 60mm f/2.4 R Macro, Fujilm XF50-140mm f/2.8
R LM OIS WR lens, Lee ND graduated lters plus holder, Lee
ND lters, Formatt-Hitech 16-stop Firecrest ND lter,
lter-cleaning kit, FLM tripod, umbrella, Fujilm RR-90 cable
release, extra batteries, MindShift Rotation 180 backpack,
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Index to advertisers
Anthropics Technology Ltd ................41 Ffordes (Photographic) Ltd............76-77 On-Linepaper co UK Ltd ...................72
Fujifilm UK Ltd..................................15
Camera Jungle ...................................69
Park Cameras Ltd.......... Cover: iii,64-65
Cameraworld Ltd..........................70-71 Grays of Westminster...................24-25, Permier Ink & Photographic .........78-79

Camtech Photographic Ltd ................63
Chiswick Camera Centre ...................73 London Cameras Exchange Ltd..........75 Tiffen International Ltd ......................26
Clifton Cameras Ltd.............................8
Collectable Cameras..........................72 Mpb Photographic.............................80 Wex Photographic........................66-68
Epson (UK) Ltd .........................Cover: ii Nikon (UK) Ltd ......................... Cover:iv
Classified ...............80-81
DIGITAL PHOTOGRAPHY
Digital Photography
CANON EOS 5D BODY COMPLETE WITH BATT AND CHGR...........EXC+++ 325.00

CANON EOS 7D BODY COMPLETE WITH ALL ACCESS.......... MINT-BOXED 399.00
CANON EOS 7D BODY WITH BATT & CHARGER................................MINT- 365.00
CANON EOS 650D BODY WITH 18-55 IS LENS MK II.............MINT BOXED 325.00
CANON EOS 1DS MK3 WITH BATT & CHARGER ...............................MINT- 999.00
CANON EOS 1D MK3 COMPLETE WITH ALL ACCESS ........... MINT-BOXED 795.00
CANON EOS 30D COMP WITH ALL ACCESS.......................... MINT-BOXED 129.00
CANON EOS 400D WITH BATT & CHARGER.......................... MINT-BOXED 145.00
CANON 430 EX SPEEDLITE...................................................... MINT-CASED 99.00
CANON 430 EX MK II.........................................................................MINT- 125.00
CANON 430 EX MK II TOTALLY AS NEW................................MINT BOXED 129.00
CANON 550 EX SPEEDLITE.................................................... MINT-CASED 129.00
CANON 550 EX SPEEDLITE...................................................................EXC+ 80.00
CANON 580 EX SPEEDLITE.................................................... MINT-CASED 199.00
CANON 580 EX MKII SPEEDLITE........................................... MINT-CASED 225.00
CANON MR-14EX MACROLITE ...............................................MINT BOXED 275.00
CANON WFT - E4 II WIRELESS FILE TRANSMITTER..............MINT BOXED 199.00
CANON BG-E1 BAT GRIP FOR EOS 300D ................................ MINT-BOXED 35.00
CANON BG-E3 BATT GRIP FOR EOS 350D/400D .................... MINT-BOXED 39.00
CANON BG-E6 BATT GRIP FOR EOS 5D MKII ETC ...............................MINT 75.00
CANON BG-E7 GRIP FOR EOS 7D.............................................MINT BOXED 69.00
CANON BG-E11 GRIP FOR 5D MK3........................................MINT BOXED 185.00
FUJI X PRO 1 BODY COMPLETE............................................ MINT-BOXED 395.00
FUJI X-E1 BODY ONLY ...........................................................MINT BOXED 195.00
FUJI X100 COMPLETE WITH ALL ACCESSORIES .................. MINT-BOXED 299.00
FUJI X10 COMPLETE WITH ACCESSORIES............................ MINT-BOXED 195.00
FUJI X20 COMPLETE WITH ACCESSORIES & CASE...............MINT BOXED 295.00
FUJI 18mm f2 R FUJINON BLACK LENS ................................MINT BOXED 245.00
FUJI 23mm f1.4 R XF FUJINON LENS AS NEW......................MINT BOXED 425.00
FUJI 56mm f1.2 XF FUJINON LENS AS NEW .........................MINT BOXED 575.00
FUJI 60mm f2.4 R MACRO FUJINON AS NEW .......................MINT BOXED 295.00
FUJI 90mm f2 R LM XF LENS AS NEW..................................MINT BOXED 445.00
SAMYANG 100mm f2.8 ED MACRO FOR FUJI X....................MINT BOXED 219.00
FUJI 16-55mm f2.8 R LM WR FUJINON LENS AS NEW.........MINT BOXED 565.00
FUJI VG-XT1 VERTICAL GRIP FOR X-T1 ................................MINT BOXED 125.00
NISSIN i40 FLASH UNIT FOR FUJI..........................................MINT BOXED 125.00
FUJI EF-42 FLASHGUN FOR X PRO1 ....................... MINT BOXED AS NEW 139.00
NIKON D800 BODY ONLY 2307 ACTUATIONS ................................MINT- 1,075.00
NIKON D610 BODY NEW UNREGISTERED........................................NEW 895.00
NIKON D600 BODY COMPLETE ONLY 3011 ACTUATIONS .....MINT BOXED 799.00
NIKON D2X BODY ONLY 17354 ACTUATIONS COMPLETE .....MINT BOXED 495.00
NIKON D7100 BODY ONLY 45 ACTUATIONS AS NEW............MINT BOXED 495.00
NIKON D7200 BODY COMPLETE VERY LOW USE...................MINT BOXED 659.00
NIKON D3200 BODY & 18-55mm VR MK II LENS & GRIP..................MINT 245.00
NIKON D3100 BODY & 18-55 VR LENS..............................................MINT 199.00
NIKON D5100 BODY WITH 18-55 VR LENS............................MINT BOXED 295.00
NIKON D300 BODY COMPLETE WITH ALL ACCESS ...............MINT BOXED 269.00
NIKON D200 BODY COMPLETE ONLY 3899 ACTUATIONS .............. MINT - 199.00
NIKON D90 + 18-55 MKII, MB-D80 GRIP, BATT & CHGR.................MINT- 225.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS ............................MINT- 165.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS .............................EXC+ 145.00
NIKON D70S BODY COMPLETE WITH ALL ACCESS .............. MINT-BOXED 129.00
NIKON SB700 SPEEDLIGHT..................................... MINT BOXED AS NEW 199.00
NIKON SB600 SPEEDLIGHT...............................................................MINT- 125.00
NIKON SB800 SPEEDLIGHT................................................... MINT-BOXED 175.00
NIKON SB900 SPEEDLIGHT COMPLETE .................................MINT BOXED 199.00
SIGMA EM-140 DG NA - ITTL MACRO FLASH .......................MINT BOXED 225.00
SIGMA EF 610 DG SUPER FLASH NIKON FIT ...........................MINT BOXED 95.00
SIGMA EF-530 DG ST ELECTRONIC FLASH ITTL NIKON FIT....MINT BOXED 75.00
OLYMPUS E-PL5 WITH 14-42 LENS COMPLETE....................MINT BOXED 175.00
OLYMPUS 12mm F2 ZUIKO DIGITAL ED MICRO 4/3RDS...................MINT 399.00
OLYMPUS 45mm F1.8 M ZUIKO DIGITAL MICRO 4/3RDS .................MINT 125.00
OLYMPUS 60mm F2.8 MACRO M ED MICRO 4/3RDS........................MINT 275.00
PANASONIC 45-75mm F4/5.6 LUMIX G X VARIO M 4/3RDS.............MINT 219.00
PANASONIC 100-300mm f4.0/5.6 LUMIX G VARIO M 4/3rdsMINT BOXED 295.00
SIGMA 10-20mm F4/5.6 DC EX HSM OLYMPUS 4/3RDS...... MINT+HOOD 245.00
OLYMPUS 50mm F2 MACRO ZUIKO DIGITAL ED 4/3RDS......MINT CASED 365.00
OLYMPUS 12 - 60mm F2.8/4 SWD ZUIKO DIG ED 4/3RDS ...MINT CASED 445.00
OLYMPUS 70 - 300mm F4/5.6 ZUIKO DIGTAL ED 4/3RDS................MINT 225.00
OLYMPUS EC-20 TELECONVERTER FOR 4/3RDS...................MINT CASED 245.00
OLYMPUS EX - 25 EXTENSION TUBE 25MM............................MINT CASED 95.00
OLYMPUS HLD-4 BATTERY GRIP FOR E3 BODY..................................MINT 99.00
OLYMPUS HLD-5 BATTERY GRIP FOR E620 BODY..............................MINT 39.00
OLYMPUS HLD-6 BATTERY GRIP FOR OMD-EM5..................MINT BOXED 145.00
OLYMPUS FL-14 FLASH UNIT ...............................................EXC++ BOXED 69.00
OLYMPUS FL- 40 FOR OLYMPUS DIGITAL...............................MINT BOXED 59.00
PANASONIC LUMIX DMC-GM1 16Mp WITH BATT & CHGR ..............MINT- 145.00
PANASONIC LUMIX DMC FZ200 COMPLETE ALL ACCESS ....MINT BOXED 225.00
PANASONIC GF1 BODY COMPLETE......................................... MINT-BOXED 95.00
PANASONIC GF2 BODY COMPLETE WITH ALL ACCESS.........MINT BOXED 145.00
SIGMA 30mm F2.8 DN MICRO 4/3RDS..................................MINT BOXED 115.00
SIGMA 60mm f2.8 DN ART LENS..........................................EXC++ BOXED 79.00
SONY DSC-HX90V COMPLETE VERY LOW USE......................MINT BOXED 275.00
SONY DT 30mm F2.8 MACRO SAM LENS..............................MINT BOXED 115.00
SIGMA 1.4 APO EX DG TELECONVERTER FOR SONY.............MINT BOXED 125.00
SONY ALPHA HVL-F36AM FLASH GUN ..................................MINT CASED 129.00
Canon Autofocus, Digital Lenses, Canon FD
CANON AUTOFOCUS, DIGITAL LENSES, CANON FD
CANON EOS 1 BODY.............................................................................EXC+ 99.00

CANON EOS 1N BODY.........................................................................EXC+ 145.00
CANON EOS 1NRS BODY.................................................................EXC++ 195.00
CANON EOS 3 BODY..........................................................................EXC++ 75.00
CANON 16 - 35mm f2.8 USM L MK 2 ................................MINT BOXED 875.00
CANON 17 - 40mm F4 USM L WITH HOOD ....................... MINT-CASED 375.00
CANON 17 - 40mm F4 USM L WITH FILTER ......................MINT BOXED 399.00
CANON 24 - 70mm F2.8 USM L MKI................... MINT BOXED AS NEW 695.00
CANON 24 - 105mm f4 USM L IMAGE STABILIZER.......................MINT 475.00
CANON 28 - 80mm f2.8/4 USM L.....................................EXC++CASED 375.00
CANON 28 - 300mm f3.5/5.6 USM L IMAGE STABILIZER. MINT-BOXED 1,275.00
CANON 70 - 200mm f4 USM L...........................................MINT BOXED 365.00
CANON 70 - 200mm f4 USM L IMAGE STABILIZER......................MINT- 645.00
CANON 70 - 200mm f2.8 USM L IS IMAGE STABI MK1 ....MINT CASED 875.00
CANON 70 - 200mm f2.8 USM L........................................MINT BOXED 745.00
CANON 100 - 400mm f4 USM L IS IMAGE STABILIZER ....MINT BOXED 799.00
CANON 14mm f2.8 USM L................................................. MINT-BOXED 795.00
CANON 35mm f1.4 USM L SUPERB SHARP LENS .............MINT BOXED 775.00
CANON 50mm f1.2 USM L LATEST ....................................MINT CASED 699.00
CANON 300mm f4 USM L IMAGE STABILIZER...................MINT CASED 799.00
CANON 400mm f5.6 USM L WITH HOOD & CASE ..............MINT BOXED 745.00
CANON 500mm f4 USM L IMAGE STABILIZER............... MINT-CASED 3,375.00
CANON 15mm f2.8 EF FISHEYE .............................. MINT BOXED AS NEW 379.00
CANON 28mm f2.8 E/F.......................................................................MINT 195.00
CANON 50mm f1.8 MARK 1 (VERY RARE NOW)................................MINT 135.00
CANON 50mm f1.8 MK II.....................................................................MINT- 59.00
CANON 60mm f2.8 USM MACRO LATEST..............................MINT BOXED 265.00
CANON 100mm f2 USM.....................................................................MINT- 265.00
CANON 100mm f2 USM...................................................................EXC++ 225.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER............................MINT- 399.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER + HOOD...MINT BOXED 425.00
CANON 17 - 85mm f4/5.6 IMAGE STABILIZER......................MINT BOXED 169.00
CANON 18 - 55mm f3.5/5.6 MK II .......................................................MINT 59.00
CANON 18 - 200mm f3.5/5.6 EF-S IMAGE STABILIZER........ MINT+HOOD 299.00

CANON 28 - 105mm f3.5/4.5 USM ....................................................MINT 145.00
CANON 28 - 135mm f3.5/5.6 USM IMAGE STABILIZER ........MINT BOXED 195.00
CANON 70 - 300mm f4.5/5.6 USM DO IMAGE STABILIZER . MINT-BOXED 495.00
CANON 75 - 300mm f4.5/5.6...............................................................MINT 89.00
CANON 75 - 300mm f4.5/5.6 USM MKII............................................MINT 129.00
CANON 100 - 300mm f4/5.6 USM ......................................................MINT- 95.00
CANON EF25 II EXTENSION TUBE ............................................MINT BOXED 79.00
KENCO DG CANON FIT TUBE SET 12,20,36MM........................MINT BOXED 99.00
CANON EF 1.4X EXTENDER MK I........................................................MINT 159.00
CANON EF 1.4X EXTENDER MK II ..........................................MINT CASED 185.00
CANON EF 2.0X EXTENDER MK I............................................MINT BOXED 175.00
CANON EF 2.0X EXTENDER MK II ..........................................MINT BOXED 185.00
CANON EF 2.0X EXTENDER MK II ..........................................MINT CASED 179.00
KENCO DG CANON FIT TUBE SET 12,20,36MM...................................MINT- 99.00
KENCO TELEPLUS PRO 300 DGX 2.0 TELECONVERTER.........MINT BOXED 159.00
TELEPLUS MC7 7 ELEMENT 2X TELECONVERTER..............................MINT- 75.00
TELEPLUS 2X CONVERTER CANON A/F...............................................MINT- 45.00
QUANTERAY 2X TELECONVERTER FOR CANON A/F ...........................MINT- 59.00
CANON ST-E2 SEEDLITE TRANSMITTER................................MINT BOXED 125.00
CANON 540 EZ FLASH + INST..................................................MINT BOXED 69.00
CANON 540 EZ FLASH + INST................................................ MINT- CASED 59.00
CANON 420 EZ FLASH..............................................................MINT CASED 39.00
CANON ANGLE FINDER B .........................................................MINT BOXED 79.00
CANON ANGLE FINDER C .........................................................MINT BOXED 99.00
CANON LC3 TRANSMITTER AND RECIEVER.......................................MINT 115.00
SIGMA 4.5mm f2.8 EX DC HSM CIRCULAR FISHEYE.............MINT CASED 475.00
SIGMA 10mm f2.8 EX DC FISHEYE HSM ...............................MINT BOXED 345.00
SIGMA 50mm f1.4 EX DG HSM LATEST.............................................MINT 199.00
SIGMA 17 - 35mm f2.8/4 EX HSM APHERIC ....................................MINT- 179.00
SIGMA 150 - 500mm f5.6/6.3 DG HSM OS STABILISER ...... MINT-BOXED 475.00
SIGMA 170 - 500mm f5/6.3 APO COMP WITH HOOD........... MINT-BOXED 299.00
TAMRON 14mm f2.8 SP ASPHERICAL WIDE ANGLE .............MINT CASED 345.00
TAMRON 10-24 f3.5/4.5 A/F SP LD Di ASPHERIC VR ...........MINT BOXED 225.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD DI ASP VIB CONTROLMINT BOXED 375.00
TOKINA 10 -17mm f3.5/4.5 ATX DX FISHEYE (LATEST) ...................MINT 299.00
Contax G Compacts & SLR & Ricoh
CONTAX G COMPACTS AND SLR & RICOH
CONTAX G2 BODY ................................................................EXC++BOXED 365.00

CONTAX G2 BODY ...........................................................................EXC++ 345.00
CONTAX TIX TITANIUM COMPACT + LEATHER CASE............MINT CASED 299.00
CONTAX 21mm f 2.8 BIOGON BLACK WITH FINDER .............MINT BOXED 499.00
CONTAX 21mm f2.8 BIOGON WITH FINDER...........................MINT BOXED 499.00
CONTAX 28mm F2.8 BIOGON G + HOOD,CAP....................MINT BOXED 275.00
CONTAX 45mm f2 PLANNAR G BLACK + B&W FILTER.....MINT BOXED 295.00
CONTAX 90mm f2.8 SONNAR G BLACK +B&W FILTER.....MINT BOXED 245.00
CONTAX 90mm f2.8 SONNAR G + HOOD,FILTER,CAP.......MINT CASED 195.00
CONTAX 35 - 70mm f3.5/5.6 G VARIO-SONNAR T*...........MINT BOXED 395.00
CONTAX TLA 140 FLASH FOR G1/G2.......................................MINT CASED 65.00
CONTAX TLA 200 FLASH FOR G1/G2.......................................MINT CASED 69.00
CONTAX TLA 200 FLASH FOR G1/G2 BLACK...........................MINT BOXED 79.00
CONTAX GD1 DATABACK FOR CONTAX T3............................. MINT-BOXED 69.00
CONTAX FIT YASHICA 28MM F2.8 SUPERB CONDITION .....................MINT 65.00
CONTAX 45mm F2.8 TESSAR T* PANCAKE LENS + HOOD ...............MINT 195.00
CONTAX 300mm F4 TELE TESSAR AE..............................................MINT- 295.00
CONTAX 28 - 70mm F3.5/4.5 VARIO SONNAR T* MM ..........MINT BOXED 295.00
CONTAX TLA 280 FLASH.....................................................................MINT- 95.00
RICOH GR1V COMPLETE IN BOX........................................... MINT-BOXED 345.00
Leica M, R & Screw & Binoculars
LEICA M , R , & SCREW & BINOCULARS
LEICA M9P BLACK BODY ONLY 5217 ACTUATIONS.......... MINT-BOXED 2,275.00

LEICA M7 BLACK BODY LATE MODEL ................................MINT BOXED 1,295.00
LEICA M6 TTL BLACK 0.72 WITH STRAO..........................................MINT- 999.00
LEICA M6 J WITH ELMARIT M ANNIVERSARY SET ............MINT BOXED 3,250.00
LEICA M2 BODY COMPLETE WITH INST BOOK..................... MINT-BOXED 795.00
LEICA M2 BODY WITH CASE................................................EXC++CASED 595.00
LEICA MDA BODY SER NO 12659XX CIRCA 1970.............................MINT- 425.00
LEICA MDA BODY SER NO 14111XXCIRCA 1975-76......................EXC++ 399.00
LEICA IIIg BODY WITH LEICA 5cm f2.8 COLL ELMAR ....... MINT-CASED 1,195.00
LEICA II & 50MM F2 NICKEL ELM (FROM A COLLECTION).........EXC++ 365.00
LEICA IIF RED DIAL BODY (FROM A COLLECTION)................ EXCX+++ 245.00
LEICA IIIA STANDARD WITH 5CM F2 COLL SUMMITAR...............EXC+++ 365.00
LEICA III BODY REALLY NICE CLEAN BODY WITH CASE..................MINT- 295.00
LEICA IIIC BODY WITH CASE...........................................................EXC++ 195.00
LEICA IIIC RED BLIND RARE ...........................................................EXC++ 345.00
LEICA CL BODY .................................................................................MINT- 445.00
LEICA C LUX 2 COMPLETE ALSO LEATHER CASE..................MINT BOXED 299.00
ZEISS 21mm F4.5 BIOGON ZM................................ MINT BOXED AS NEW 699.00
LEICA 16,18,21mm F4 ASPH M TRI-ELMAR 6 BIT LATESTMINT BOXED 2,475.00
LEICA 21mm F4 SUP ANGULON + M ADAP + FINDER....MINT IN KEEPER 895.00
LEICA 28mm f2.8 ELMARIT ASPHERIC 6 BIT (UNUSED) MINT BOXED 1,045.00
LEICA 35mm F2 SUMMICRON ASPH BLACK 6 BIT LATESTMINT BOXED 1,495.00
LEICA 35mm f2 SUMMICRON .............................................MINT BOXED 1,095.00
LEICA 35mm f3.5 SUMMARON M WITH LEICA FILTER ....................MINT- 325.00
LEICA 35mm f3.5 SUMMARON M WITH SPECS................................MINT- 395.00
LEICA 50mm f1.4 SUMMILUX M BLACK.........................................EXC++ 875.00
LEICA 50mm f2 SUMMICRON BLACK 11826.........................MINT BOXED 895.00
LEICA 50mm f2 SUMMICRON 6 BIT LATEST ......................MINT BOXED 1,095.00
LEICA 50mm f2 SUMMICRON CHROME SER NO 36301## .... MINT+HOOD 995.00
LEICA 50mm f2 SUMMICRON BLACK COMP WITH HOOD.....MINT BOXED 850.00
LEICA 50mm f2 SUMMICRON CHROME M FIT..............................EXC+++ 575.00
LEICA 50mm f2 SUMMICRON CHROME M FIT...................................MINT 595.00
LEICA 50mm f2 CLOSE FOCUS SUMM + SPECS ............................EXC++ 595.00
LEICA 50mm f2.5 SUMMARIT M LATEST 6 BIT...... MINT BOXED AS NEW 745.00
LEICA 5cm F3.5 COLLAPSABLE ELMAR FOR M 13339## ................MINT- 299.00
LEICA 5cm f3.5 ELMAR RED SCALE ...............................................MINT-- 345.00
LEICA 90mm f2.5 SUMMARIT M 6 BIT LATEST + HOOD.......MINT CASED 875.00
LEICA 9cm, f4 ELMAR COLL FOR M .................................................MINT- 175.00
LEICA 135mm f4.5 HEKTOR.................................................................EXC+ 75.00
VOIGTLANDER BESSA T 101ST ANNIV HELIAR SET BLUE.....MINT BOXED 795.00
VOIGTLANDER BESSA R BODY BLACK ..................................MINT BOXED 195.00
VOIGTLANDER 15mm f4.5 S/WIDE + M MOUNT+ FINDER................MINT 299.00
VOIGTLANDER 25mm f4 COL SKOPAR ..................................MINT BOXED 275.00
VOIGTLANDER 28mm f2 VM ULTRON WITH HOOD................MINT BOXED 325.00
VOIGTLANDER 35mm f1.2 NOKTON + HOOD M ASPHERIC..............MINT- 595.00
VOIGTLANDER 35mm f1.4 NOKTON CLASSIC M MOUNT ......MINT BOXED 395.00
VOIGTLANDER 50mm f1.1 VM WITH HOOD M MOUNT..........MINT BOXED 495.00
VOIGTLANDER 50mm f1.5 NOKTON + LEICA M RING ...........MINT BOXED 375.00
VOIGTLANDER 21mm |f4 COL SKO FINDER + M RING.....................MINT- 295.00
VOIGTLANDER 15mm FINDER.............................................................MINT- 79.00
VOIGTLANDER BESSA R GRIP FOR R,R2,R3 ETC.....................MINT BOXED 49.00
LEICA UNIVERSAL POLARING FILTER KIT M(13356).............MINT BOXED 225.00
LEICA M GRIP FOR M7/M6/M6TTL ETC..............................................MINT- 49.00
CANON 28mm F3.5 SERENAR SCREW..............................................MINT- 175.00
LEICA 35mm F2.8 SUMMARON SCREW L39.....................................MINT- 499.00
LEICA 35mm F3.5 SUMMARON SCREW............................................MINT- 299.00
LEICA 5cm F1.5 SUMMARIT SCREW ................................................MINT- 365.00
LEICA 5mm F2.8 COLLAPSIBLE ELMAR SCREW ..............................MINT- 299.00
LEICA 5cm F2 SUMMARIT SCREW ......................................MINT-KEEPER 299.00
LEICA 5cm F2 SUMMITAR COLL + M MOUNT...............EXC++IN KEEPER 275.00
LEICA 135mm F2.8 ELMARIT M WITH SPECS..................................MINT- 299.00
LEICA 135mm F4.5 HEKTOR + HOOD M MOUNT..............................EXC++ 99.00
LEICA 135mm F4.5 HEKTOR IN KEEPER.......................................EXC+++ 199.00
LEICA FIT DALLMEYER 13.5CM F4.5 DALRAC..............................EXC+++ 375.00
LEICA 90mm F4 ELMAR BLACK SCREW.........................................EXC++ 145.00

LEICA 135mm F4.5 HEKTOR + HOOD SCREW ..................................EXC++ 99.00
LEICA SF20 FLASH FOR M6 etc..............................................M INT BOXED 89.00
LEICA SF24D FLASH...............................................................MINT BOXED 189.00
LEICA FONOR BLACK RANGEFINDER.................................... MINT-CASED 175.00
LEICA WINDER M4-2 FOR M4 ETC........................................ MINT-BOXED 145.00
LEICA R8 BODY BLACK ......................................................... MINT-BOXED 425.00
LEICA R7 BLACK BODY ........................................................... MIN-BOXED 225.00
LEICA R5 BODY BLACK .....................................................................MINT- 225.00
LEICAFLEX BODY CHROME ...............................................................MINT- 195.00
LEICA 28mm f2.8 ELMARIT R LENS 3 CAM......................................MINT- 215.00
LEICA 50mm F2 SUMMICRON ROM LENS 11345................. MINT-BOXED 445.00
LEICA 60mm f2.8 MACRO ELMARIT.................................................MINT- 299.00
LEICA 180mm F4 ELMARIT R 3 CAM..............................................EXC++ 345.00
LEICA MOTORWINDER AND STRAP FOR R6 ETC...................MINT BOXED 145.00
SWAROVSKI EL RANGE 10x42 RANGEFINDER BINOS .......NEW UNUSED 1,895.00
Medium & Large Format
MEDIUM & LARGE FORMAT
HASSELBLAD 40mm f4 DISTAGON T* CFE.........................MINT BOXED 1,295.00

HASSELBLAD 150mm f4 SONNAR T* Cfi...............................MINT BOXED 499.00
HASSELBLAD PM 45 ..............................................................MINT BOXED 265.00
HASSELBLAD PM 90 ..............................................................MINT BOXED 225.00
BRONICA 45mm F4 RF LENS FOR RF645 WITH FINDER .......MINT BOXED 325.00
BRONICA 50mm F2.8 ZENZANON MC.............................................EXC+++ 99.00
BRONICA 110mm F4 MACRO LENS PS.............................................MINT- 295.00
BRONICA 150mm F3.5 ZENZANON E MC.................................MINT BOXED 99.00
BRONICA 150mm F3.5 ZENZANON E MC.............................................MINT 89.00
BRONICA 150mm F4 E........................................................................MINT- 89.00
BRONICA ETRSI 120 BACK.......................................................MINT BOXED 69.00
BRONICA POLAROID BACK FOR ETRSI, ETRS ETC ..................MINT BOXED 59.00
BRONICA AEII METERED PRISM ..........................................................EXC+ 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSI............................................MINT 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSI.........................................EXC++ 59.00
BRONICA ROTARY PRISM FINDER FOR ETRS, ETRSI ETC..................MINT- 75.00
BRONICA SPEEDGRIP FOR ETRS/ETRSI..............................................MINT- 45.00
BRONICA MOTOR WINDER E...........................................................EXC+++ 89.00
BRONICA 150mm F3.5 ZENZANON S................................................MINT- 165.00
BRONICA SQ-B COMPLETE WITH LENS, BACK & WLF ......... MINT-BOXED 345.00
BRONICA 50mm f3.5 PS LENS & CASE ................................ MINT-BOXED 199.00
BRONICA 65mm F4 ZENZANON PS FOR SQ.......................... MINT-CASED 145.00
BRONICA 110mm F4 PS ZENZANON MACRO FOR SQ .......... MINT-CASED 365.00
BRONICA 150mm F4 PS ZENZANON FOR SQ........................ MINT-CASED 145.00
BRONICA 180mm f4.5 PS LENS & CASE .............................. MINT-BOXED 199.00
BRONICA PRISM ME METERED FOR SQA/SQAI..................................MINT- 89.00
BRONICA SPEED GRIP FOR SQA/SQAI................................................MINT- 69.00
MAMIYA 6 BODY ...............................................................................MINT- 775.00
MAMIYA 6 MF WITH 75mm f3.5 LENS VIRTUALY UNUSED...............MINT 875.00
MAMIYA 50mm f4 G LENS FOR MAMIYA 6.......................MINT BOXED 399.00
MAMIYA 150mm F4.5 G WITH HOOD.................................MINT BOXED 365.00
MAMIYA 43mm F4.5 WITH FINDER & HOOD FOR 7/7II.........MINT BOXED 799.00
MAMIYA 150mm F4.5 WITH HOOD FOR 7/7II........................MINT BOXED 395.00
MAMIYA 150mm F4.5 + HOOD FOR MAMIYA 7/7II...........................MINT 425.00
MAMIYA 180mm F4.5 SEKOR Z W FOR RZ........................................MINT 199.00
MAMIYA 250mm F4.5 LENS FOR RZ ................................................MINT- 195.00
MAMIYA 150mm F3.5 A/F FOR 645 A/F............................................MINT 299.00
MAMIYA 210mm F4 SEKOR C FOR 645.................................MINT CASED 195.00
MAMIYA 180mm F4.5 SEKOR FOR RB...............................................MINT 169.00
MAMIYA 220 BACK FOR RZ 67...........................................................MINT- 95.00
PENTAX 55mm F3.5 TAKUMAR SMC FOR 6X7.................................MINT- 195.00
PENTAX 55mm F2.8 FOR PENTAX 645..................................MINT BOXED 199.00
PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD .............MINT- 199.00
ROLLEIFLEX SCHNEIDER 150MM F4.6 MAKRO FOR 6008................MINT- 575.00
WISTA TYPE N 4X5 MOUNT ROLL FILM HOLDER FOR 6X7 .... MINT-BOXED 75.00
YASHICAMAT 124G FIT SUN TELE ADAPTOR KIT....................MINT CASED 55.00
YASHICAMAT 124G WIDE ANGLE ADAPTOR KIT.................... MINT-CASED 85.00
YASHICAMAT 124G TWIN LENS REFLEX CAMERA...............NEW UNUSED 279.00
Nikon Auto-Focus, Digital Lenses & Accessories
NIKON AUTO-FOCUS , DIGITAL LENSES & ACCESSORIES
NIKON F5 BODY COMPLETE WITH STRAP & MANUAL ......... MINT-BOXED 375.00
NIKON 10.5mm F2.8 G IF-ED AF DX FISHEYE LENS..........MINT BOXED 425.00
NIKON 20mm f2.8 A/F D ....................................................MINT BOXED 295.00
NIKON 50mm F1.8 A/F........................................................................MINT- 69.00
NIKON 50mmF1.8 A/F D...................................................... MINT-BOXED 79.00
NIKON 50mm F1.8 G AF-S LENS........................................MINT BOXED 129.00
NIKON 50mm f1.4 A/F D ....................................................MINT BOXED 195.00
NIKON 60mm F2.8 A/F D........................................................MINT BOXED 225.00
NIKON 60mm F2.8 G ED AF-S MICRO NIKKOR..................MINT BOXED 275.00
NIKON 105mm f2.8 A/F MICRO NIKKOR............................................MINT 295.00
NIKON 300mm F4 D IF-ED AF-S AS NEW........... MINT BOXED AS NEW 875.00
NIKON 12 - 24mm F4 G IF-ED AF-S DX.............................MINT BOXED 495.00
NIKON 16 - 85mm F3.5/5.6 G DX ED AF-S VR ... MINT BOXED AS NEW 299.00
NIKON 16 - 85mm F3.5/5.6 G DX ED AF-S VR ..................MINT CASED 289.00
NIKON 16 - 80mm f2.8-4 G ED DX AF-S VIBRATION RED.....MINT BOXED 699.00
NIKON 17 - 35mm f2.8 D IF AF-S SUPERB LENS ................. MINT-CASED 795.00
NIKON 17 - 55mm F2.8 F2.8 G IF-ED AF-S + HOOD......... MINT-CASED 465.00
NIKON 17 - 55mm F2.8 F2.8 G IF-ED AF-S + HOOD........ MINT- BOXED 499.00
NIKON 18 - 35mm f3.5/4.5 A/F D ED IF.................................MINT BOXED 275.00
NIKON 18 - 70mm f3.5/4.5 G IF ED AF-S + FILT + HOOD.............MINT 125.00
NIKON 18 - 105mm f3.5/5.6 DX ED AF-S VR ........................ MINT+HOOD 129.00
NIKON 24 - 70mm F2.8 G IF - ED AF-S .............. MINT BOXED AS NEW 899.00
NIKON 24 - 85mm f3.5/4.5 ED AF-S VR LATEST...................MINT BOXED 295.00
NIKON 24 - 120mm f3.5/4.5 G ED IF AF-S VR...................MINT BOXED 199.00
NIKON 28 - 105mm f3.5/4.5 A/F D WITH HB18 HOOD ......... MINT-BOXED 165.00
NIKON 28 - 300mm f3.5/5.6 G ED AF-S VR LATEST .............MINT BOXED 499.00
NIKON 35 - 105mm f3.5/4.5 A/F WITH MACRO.................................MINT 129.00
NIKON 35 - 135mm f3.5/4.5 A/F + HOOD.........................................MINT- 129.00

NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S VR...................................MINT 115.00
NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S...............................MINT BOXED 89.00
NIKON 70 - 200mm f2.8 IF-ED AF-S VR MK II LATEST......MINT BOXED 1,195.00
NIKON 75 - 300mm F4.5/5.6 A/F D WITH HOOD + CASE.... MINT- BOXED 125.00
NIKON 70 - 300mm f4.5/5.6 G IF-ED AF-S VR ..................MINT BOXED 315.00
NIKON 80 - 400mm F4 D ED AF VIB RED VR.....................MINT BOXED 695.00
NIKON TC17E MKII 1.7X TELECONVERTER............................MINT BOXED 225.00
NIKON TC20E AF-1 2.0X TELECONVERTER........................... MINT-BOXED 129.00
NIKON TC20E II AF-S TELECONVERTER............................................MINT- 195.00
NIKON TC20E III AF-S TELECONVERTER LATEST MKIII.........MINT BOXED 265.00
TAMRON 1.4X A/F D TELECONVERTER NIKON FIT ..............MINT BOXED 69.00
SIGMA 30mm F1.4 EX DC HSM NIKON FIT............. MINT BOXED AS NEW 199.00
SIGMA 50mm F2.8 MACRO EX A/F D ................................MINT BOXED 145.00
SIGMA 105mm f2.8 EX MACRO .............................................MINT CASED 175.00
SIGMA 10 - 20mm f4/5.6 EX DC HSM...................................MINT BOXED 245.00
SIGMA 12 - 24mm F4.5/5.6 EX DG HSM II LATEST MODEL..MINT BOXED 445.00
SIGMA 15 - 30mm F3.5/4.5 EX DG ASPHERICAL & HOOD....MINT BOXED 199.00
SIGMA 17 - 35mm F2.8/4 EX ASHERICAL...........................EXC++BOXED 159.00
SIGMA 50 - 500mm F4.5/6.3 DG HSM OPT/STAB O/S......... MINT-BOXED 699.00
SIGMA 70 - 200mm F2.8 MKII APO EX DG MACRO ..............MINT BOXED 395.00
SIGMA 135 - 400mm F4.5/5.6 D APO.........................................EXC++ 275.00
SIGMA 150 - 500mm f5.6/6.3 DG HSM OS STABILISER .......MINT BOXED 485.00
TAMRON 17 - 50mm F2.8 XR DI II VC WITH MOTOR ............MINT BOXED 265.00
TAMRON 18 - 200mm F3.5/6.3 IF ASPHERIC XR DI II ............MINT BOXED 89.00
TAMRON 28 - 75mm f2.8 IF SP XR Di MACRO + HOOD...................MINT- 195.00
TAMRON 28 - 300mm F3.5/6.3 I/F LD DI ASPHERIC VC....... MINT+HOOD 299.00
TAMRON 55 - 200mm F4/5.6 LD MACRI DI II .........................MINT BOXED 99.00
TOKINA 12 - 24mm F4 IF DX ASPHERICAL AT-X PRO .......... MINT+HOOD 299.00
TOKINA 16 - 50mm F2.8 ASPHERICAL AT-X PRO DX ...........MINT BOXED 275.00
TOKINA 300mm f2.8 AT-X SD PRO WITH HOOD...............................MINT- 595.00
NIKON MANUAL
Nikon Manual
NIKON F3 HP BODY SUPERB CONDITION.............................. MINT-CASED 395.00

NIKON F3 BODY...............................................................................EXC++ 275.00
NIKON F3 HP BODY .........................................................................EXC++ 199.00
NIKON F2A BLACK BODY BODY............................................ MINT-BOXED 365.00
NIKON F2 PHOTOMIC BODY CHROME...............................................MINT- 275.00
NIKON FM2N BLACK BODY .............................................................EXC++ 195.00
NIKON FM2N CHROME ......................................................................MINT- 225.00
NIKON FE2 BODY CHROME .............................................................EXC++ 145.00
NIKON FE2 BLACK BODY.................................................................EXC++ 145.00
NIKON FE CHROME BODY .................................................................MINT- 125.00
NIKKORMAT FT2 CHROME BODY....................................................MINT-- 165.00
NIKON F3 CF 20 BERGUNDY CASE FOR F3.........................................MINT- 69.00
NIKON 24mm F2.8 AIS......................................................................MINT- 195.00
NIKON 45mm F2.8 GN NIKKOR .........................................................MINT- 199.00
NIKON 55mm F1.2 AI .........................................................................MINT 365.00
NIKON 50mm F1.8 AIS SER E .............................................................MINT- 59.00
NIKON 50mm f1.4 AI.........................................................................MINT- 159.00
NIKON 55mm F2.8 MICRO NIKKOR AIS ............................................MINT- 159.00
NIKON 85mm F1.4 AIS...........................................................MINT CASED 575.00
NIKON 85mm f2 AIS SUPERB PORTRAIT LENS .................................MINT 225.00
NIKON 105mm F1.8 AIS................................................................EXC+++ 299.00
NIKON 105mm F1.8 AIS SUPERB LENS .............................................MINT 375.00
NIKON 105mm F2.8 AIS MICRO NIKKOR ...............................MINT BOXED 395.00
NIKON 105mm F2.8 AIS MICRO NIKKOR ...........................................MINT 325.00
NIKON 105mm F4 AIS MICRO NIKKOR .............................................MINT- 275.00
NIKON 200mm F4 AIS MICRO NIKKOR ................................EXC+++CASE 295.00
NIKON 200mm F4 NIKKOR Q................................................... MINT-CASED 95.00
NIKON 200mm F5.6 MEDICAL NIKKOR + POWER PACK .......MINT BOXED 475.00
TAMRON 300m F2.8 SP ID LF WITH TAM 1.4 EXTENDER ..............EXC++ 495.00
NIKON 500mm F8 MIRROR LENS WITH FILTER SET .............MINT CASED 299.00
NIKON 28 - 85mm f3.5/4.5 AIS SUPRB MANUAL ZOOM..................MINT- 165.00
NIKON 35 - 70mm F3.3/4.5 ZOOM NIKKOR MACRO AIS..................MINT- 169.00
NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO...................MINT BOXED 195.00
NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO............................EXC++ 139.00
NIKON 35 - 135 F3.5/4.5 AIS ............................................................MINT- 149.00
NIKON 35 - 135 F3.5/4.5 AIS .............................................................EXC+ 125.00
NIKON 43 - 86mm F3.5 AI ZOOM......................................................EXC++ 69.00
NIKON 70 - 210mm F4.5/5.6 NIKKOR..................................... MINT-BOXED 65.00
NIKON 75 - 150mm F3.5 SERIES E ZOOM TELEPHOTO......................MINT- 75.00
NIKON PK13 AUTO EXTENSION RING...................................... MINT-BOXED 55.00
NIKON PK12 AUTO EXTENSION RING................................................EXC++ 49.00
NIKON PK11 AUTO EXTENSION RING...................................................MINT 49.00
NIKON TC 200 CONVERTER..................................................................MINT 69.00
NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2................................EXC++ 99.00
NIKON SB 16 FLASH FOR F3.............................................................EXC++ 65.00
Olympus Manual
OLYMPUS MANUAL
OLYMPUS OM4 BODY BLACK REALLY NICE CONDITION...... MINT-CASED 295.00

OLYMPUS OM2SP SPOT BODY COMP WITH CASE ...................EXC+CASED 99.00
OLYMPUS OM2 BLACK.........................................................................EXC+ 99.00
OLYMPUS OM2 BODY CHROME ............................................ MINT-BOXED 110.00
OLYMPUS 21mm f2 ZUIKO SUPERB LENS.........................................MINT 595.00
OLYMPUS 24mm F2.8 ZUIKO WITH HOOD...............MINT BOXED + HOOD 195.00
OLYMPUS 28mm f2 ZUIKO................................................................MINT- 195.00
OLYMPUS 28mm F2.8 ZUIKO.................................................EXC++BOXED 55.00
OLYMPUS 28mm F3.5 ZUIKO.................................................. MINT-CASED 39.00
OLYMPUS 35mm F2.8 SHIFT CONTROL PC LENS..............................MINT 345.00
OLYMPUS 35mm F2.8 ZUIKO..............................................................MINT- 69.00
OLYMPUS 50mm F1.8 ZUIKO...................................................MINT BOXED 55.00
OLYMPUS 50mm F1.8 ZUIKO...............................................................MINT 45.00
We urgently require your used photographic equipment. We have

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24.3
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36.3
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2,349
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Canon EOS M3
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24.2
24.2
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MEGA
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MEGA
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24.2
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439
579
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459
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529
5 FPS
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549
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22.3
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697.00
722.00

worth 39.99! 21.01.16 - 28.02.16
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Canon SX540 HS
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1,529.00
385.00
1,199.00
455.00
129.00
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389.00
989.00
1,799.99
399.00
129.00
995.00
237.00
88.00
107.00
201.00
314.00
853.00
1,499.00
237.00
358.00
373.00
635.00
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751
888
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Prices updated DAILY!

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AF-S 85mm f/3.5G DX
375.00
AF-S 85mm f/1.8G
349.00
AF-S 85mm f/1.4G
1,149.00
AF-S 105mm f/2.8G VR
619.00
AF-DC 105mm f/2 Nikkor
805.00
AF-D 135mm f/2.0D
1,029.00
AF-D 180mm f/2.8 IF ED
695.00
AF-D 200mm f/4D IF ED
1,179.00
AF-S 200mm f/2G ED VR II 4,099.00
AF-S 300mm f/2.8G ED VR II 3,999.00
AF-S 300mm f/4 D IF-ED 1,029.00
AF-S 300mm f/4E PF ED VR 1,639.00
AF-S 400mm f/2.8 FL ED VR 10,399.00
AF-S 500mm f/4G ED VR
5,849.00
AF-S 500mm f/4E FL ED VR 8,149.00
AF-S 600mm f/4G ED VR
6,899.99
AF-S 600mm f/4E FL ED VR 9,649.00
AF-S 800mm f/5.6E FL ED VR 13,994.00
AF-S 10-24mm f/3.5-4.5G
639.00
AF-S 12-24mm f/4 G IF-ED
859.00
AF-S 14-24mm f/2.8G ED 1,315.00
AF-S 16-35mm f/4G ED VR 829.00

AF-S 16-80mm f/2.8-4E ED VR 869.00
AF-S 16-85mm f/3.5-5.6G
429.00
AF-S 17-35mm f/2.8 IF ED 1,499.00
AF-S 17-55mm f/2.8G DX
979.00
AF-S 18-35mm f/3.5-4.5G
519.00
AF-S 18-105mm VR
204.00
AF-S 18-140mm ED VR DX
459.00
AF-S 18-200mm ED DX VR II 569.00
AF-S 18-300mm f/3.5-5.6 VR 549.00
AF-S 24-70mm f/2.8G ED 1,199.00
AF-S 24-85mm VR
399.00
AF-S 24-120mm f/4G ED VR 749.00
AF-S 28-300mm ED VR
659.00
AF-S 55-200mm f/4-5.6G VR II 229.00
AF-S 70-200mm f/2.8 VR II 1,579.00
AF-S 70-200mm f/4.0 ED VR 899.00
AF-S 70-300mm IF ED VR
406.00
AF-D 80-400mm ED VR
939.00
AF-S 80-400mm ED VR
1,799.00
AF-S 200-400mm VR II
4,899.00
Sony RX100 III
Sony RX10 II
Sony a6000
20.1
20.2
24.3
AF-G 10.5mm f/2.8G ED DX

AF-D 14mm f/2.8D
AF-D 16mm f/2.8D Fisheye
AF-S 20mm f/1.8G ED
AF-D 20mm f/2.8
AF-D 24mm f/2.8D
AF-S Nikkor 24mm f/1.4G
AF-D 28mm f/2.8
AF-S 28mm f/1.8G
AF-S 35mm f/1.4G
35mm f/2 AF Nikkor D
AF-S 35mm f/1.8G ED
AF-S 35mm f1.8G DX
AF-S 40mm f/2.8G ED
AF 50mm f/1.4D
AF-S 50mm f/1.4G
AF-D 50mm f/1.8
AF-S 50mm f/1.8G
AF-S 58mm f/1.4G
AF-D 60mm f/2.8 Micro
AF-S 60mm f/2.8G Micro ED

CANON LENSES
14mm f/2.8L II USM
20mm f/2.8 USM
24mm f/1.4L Mk II USM
24mm f/2.8 IS USM
EF-S 24mm f/2.8 STM
28mm f/1.8 USM
28mm f/2.8 IS USM
35mm f/1.4L USM
35mm f/1.4L II USM
35mm f/2.0 IS USM
40mm f/2.8 STM
50mm f/1.2 L USM
50mm f/1.4 USM
50mm f/1.8 II
50mm f/1.8 STM
50mm f/2.5 Macro
EF-S 60mm f/2.8 Macro
MP-E 65mm f/2.8
85mm f/1.2L II USM
85mm f/1.8 USM
100mm f/2 USM
100mm f/2.8 USM Macro
100mm f/2.8L Macro IS
135mm f/2.0L USM
549.00
1,209.00
625.00
629.00
463.00
369.00
1,379.00
245.00
495.00
1,295.00
255.00
429.00
139.00
185.00
244.00
275.00
109.00
140.00
1,135.00
368.00
369.00
83x
Body SRP
5,199.99
180mm f/3.5L USM

200mm f/2.0L IS USM
200mm f/2.8L USM/2
300mm f/2.8L USM IS II
300mm f/4.0L USM IS
400mm f/4.0 DO IS II
400mm f/5.6L USM
500mm f/4.0L IS MK II
600mm f/4.0L IS MK II
800mm f/5.6L IS USM
TSE 17mm f/4.0L
TSE 24mm f/3.5L II
TSE 45mm f/2.8
TSE 90mm f/2.8
8-15mm f/4L Fisheye USM
EF-S 10-18mm IS STM
EF-S 10-22mm f/3.5-4.5
EF 11-24mm f/4L USM
EF-S 15-85mm f/3.5-5.6 IS
16-35mm f/2.8L II USM
16-35mm f/4.0L IS USM
17-40mm f/4.0L USM
EF-S 17-55mm f/2.8 IS USM
Your Life in HD
EF-S 18-55 IS ll (No packaging) 79.00

EF-S 18-135mm IS STM
329.00
EF-S 18-200mm f/3.5-5.6 385.00
24-70mm f/2.8L II USM 1,400.00
24-70mm f/4.0L IS USM
699.00
24-105mm f/4.0L IS USM 749.00
24-105mm (White Box)
729.00
24-105mm f/3.5-5.6 IS STM 375.00
28-300mm f/3.5-5.6L IS
1,795.00
EF-S 55-250mm f/4-5.6 IS STM 225.00
70-200mm f/2.8L IS II USM 1,499.00
70-200mm f/2.8L USM
945.00
70-200mm f/4.0L IS USM 805.00
70-200mm f/4.0L USM
459.00
70-300mm f/4.0-5.6 IS
368.00
70-300mm f/4.0-5.6L IS USM 904.00
70-300mm DO IS USM
1,118.00
75-300mm f/4.0-5.6 III
188.00
75-300mm f/4.0-5.6 III
219.00
100-400mm L IS USM II 1,899.00
200-400mm f/4.0L USM
8,598.00
1.4x III Extender
314.00
2x III Extender
302.00
EF 12II Extension Tube
79.99
HALF PRICE Canon Extenders

when bought with selected lenses
Redened Photobook Quality

The hdbook Powered by Canon
Increase the focal length of your Canon

L-series lens for even more telephoto reach.
from
39.99
www.parkcameras.com/hdbook
1,049.00
4,399.00
569.00
4,799.00
959.00
7,698.00
6,999.00
889.00
6,899.00
8,895.00
9,899.00
1,599.00
1,479.00
1,099.00
1,124.00
915.00
189.00
410.00
2,799.00
531.00
1,064.00
721.00
549.00
532.00
EF
Available with:
400mm f/4 DO IS II USM
500mm f/4.0L USM IS MK II
600mm f/4.0L USM IS MK II
800mm f/5.6L IS USM
1.4x III EF 2.0x III
157.00 151.00
MEGA
PIXELS
2.9x
MEGA
PIXELS
8.3x
In stock at Add a Sony LCJ-
In stock at
569.00
1,049.00
RXF case for 69
Add a Sony AG-R2 attachment

grip for only 9.99
Sony a7R II
24.3
42.4
IS
Body Only
1,189
.00
MEGA
PIXELS
+28-70mm
1,649
.00
Add a Sony NP-FW50 spare

SONY LENSES
E-Series
16mm f/2.8 Pancake
24mm f/1.8 ZA Carl Zeiss
24mm f/2.0 Carl Zeiss T*
50mm f/1.8 OSS
55mm f/1.8 FE Sonnar T* ZA
90mm F2.8 Macro G FE OSS
10-18mm f/4 OSS
16-50mm f/3.5-5.6 OSS
169.00
679.00
949.00
199.00
618.00
969.00
629.00
259.00
Add a NP-FW50
battery for 64
Add a Sony LCJ-RXE protective

jacket case for only 99.00
Sony a7 II
MEGA
PIXELS
MEGA
PIXELS
8.3x
11 FPS
Body Only
+16-50mm
439.00
489.00
Add a Sony NP-FW50 spare

Sony a7S II
4K
4K
120 FPS
NOW IN STOCK at 2,599!!

See online for full details
NOW IN STOCK at 2,499!!

See online for full details
Add the Sony VG-C2EM grip for

only 279* when bought with
12 months interest free credit

available when ordering the a7S II

16-70mm f/4G ZA OSS
725.00
18-200mm f/3.5-6.3 P. Zoom 849.00
24-70mm f/4 FE Vario-Tessar T* 805.00
24-240mm f/3.5-6.3 FE OSS
749.00
28-70mm f/3.5-5.6 FE OSS
449.00
28-135mm f/4 G FE PZ OSS 1,899.00
55-210mm f/4.5-6.3 OSS
239.00
70-200mm f/4 G FE OSS
999.00
Alpha-Series
30mm f/2.8 SAM 1:1 Macro DT 150.00
35mm f/1.8 DT
149.00
50mm f/1.4 Carl Zeiss
1,099.00
11-18mm f4.5-5.6 DT
509.00
16-35mm f/2.8 Carl Zeiss T* 1,399.00
24-70mm f/2.8 II Carl Zeiss T*1,799.00
55-200mm f4.0-5.6 SAM DT
179.00
70-200mm f/2.8 G SSM II
2,199.00
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Visit our London or Burgess Hill stores to see the Leica range!
Sigma 15mm
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f/1.4 DC HSM (Art)
Leica D-LUX
Leica V-LUX
Leica M
(type 109)
(type 114)
(type 262)
16.8
20.1
MEGA
PIXELS
In stock at 474.00
See website for details
In stock at 339.99
Visit us in store or online to

learn more about this lens!
Sigma 50-500mm
f/2.8 EX DC OS HSM
In stock at 599.99
Add a Sigma 82mm WR UV

lter for only 69.99
Add a Sigma 77mm DG MC

UV lter for only 19.99
Sigma 150-600mm
Sigma 150-600mm
f/5-6.3 DG OS HSM | Contemporary
f/5-6.3 DG OS HSM Sport
In stock at 1,249.99*
Add a Sigma 95mm protector

lter for only 69.99
Add a Sigma 95mm protector

lter for only 69.99
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lter for only 149.99

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SIGMA LENSES
4.5mm f/2.8 Fisheye EX DC
20mm f/1.4 DG HSM
24mm f/1.4 DG HSM
30mm f/1.4 DC HSM
35mm f/1.4 DG HSM
50mm f/1.4 DG HSM (Art)
599.00
619.99
599.99
324.99
599.99
599.99
105mm f/2.8 EX DG OS HSM 379.00

150mm f/2.8 OS Macro
649.99
8-16mm f/4.5-5.6 DC HSM
499.99
10-20mm f/4-5.6 EX DC
279.00
17-50mm f/2.8 DC HSM
309.00
17-70mm f/2.8-4 DC MACRO329.00
18-35mm f/1.8 DC HSM

609.00
18-250mm DC Macro OS HSM279.99
24-35mm f/2 DG HSM Art
719.99
24-70mm f/2.8 IF EX DG
539.99
50-500mm f/4.5-6.3 OS HSM 659.99
70-200mm f/2.8 OS
749.99
Olympus OM-D E-M10 II Olympus OM-D-E-M5 II

+ 14-42mm II
16.0
Body Only
16.1
HD
MEGA
PIXELS
MEGA
PIXELS
8.5 FPS
In stock at
HD
IS
10 FPS
In stock from
649
769
Add a HLD-8 Power Battery Holder
for only 194.00
Olympus TOUGH TG-4 Olympus E-M10

16.1
16.0
FREE
MEGA
PIXELS
MEGA
PIXELS
Case
Our Price
279.00
Add a Li-92B
batt for 44
Olympus E-M1
16.3
MEGA
PIXELS
8 FPS
In stock at 1,399
HD
See web for latest price
See website for full details

and to place an order
FREE Lexar 32GB Pro SD card

(633x) with this camera!
Panasonic
LUMIX GH4R
16 LOGVIDEO Limited stock
MEGA RECORDING
now available!
(V-LOG)
PIXELS
Panasonic LUMIX GX8

20.3
MEGA
PIXELS
IS
4K
TILTABLE
OLED
VIEWFINDER
SD
card
EXTENDED
RECORDING
TIME
See website for latest low price!
4K
See website for

our latest price!
Panasonic FZ330
Panasonic GX7
Panasonic GH4
24.3
24.3
16
24.3
16
MEGA
4K
PIXELS
24x
5 FPS
In stock at 449.00
MEGA
4K
4K
PIXELS
GX7 + 14-42
+ 20mm
423.00
499.00
Add a Panasonic DMW-BLG-10

spare battery for only 59.00
Pentax K-S2
Pentax K-50
Body Only
+ 12-40mm
349.00
599.00
849.00
1,359.00
f/4.0 IS PRO M.ZUIKO DIGITAL ED
Pre-orders taken now to receive one of

the rst available lenses in the UK!
UCTS!
NEW PROD
SOON TO
COMING
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Fuji
lm X70
Fujilm
Fuji
lm X-E2s
Fujilm
Fuji
lm X-PRO2
Fujilm
16.3
16.3
24.3
MEGA
PIXELS
18.5mm
f/2.8
NS
7L EFPS
MEGA
PIXELS
NEW & COMING SOON!
18.5mm
f/2.8
NS
8L EFPS
NEW & COMING SOON!
See web for details
See web for details
See web for details
Pre-order & receive a

FREE PREMIUM LEATHER CASE!

FREE PREMIUM LEATHER CASE!

LTD. EDITION LEATHER STRAP!
Fujilm XF 100-400mm
f/4.5-5.6 R LM OIS WR
24
MEGA
PIXELS
.00
Read our hands on review at

blog.parkcameras.com
For the Leica range of

lenses and NEW filters,
see in store or visit
our website
Body Only + 14-140mm
899.00
1,320.00
Add a Panasonic DMW-YAGHE

Interface Unit for only 999.00
83x
+ 14-150 II
Olympus 300mm
NEW & COMING SOON!
35 mm
f/1.7
ASPH
Add a Panasonic DMW-BLC12E

spare battery for only 49.00
Body Only
Olympus has extended its

professional M.ZUIKO PRO
line-up with the worlds most
compact, versatile and
stable telephoto lens.
18.5mm
f/2.8
LENS
FREE Lexar 32GB Pro SD card

(633x) with this camera!
Leica M 240
4x
Limited number now in

stock! See website.
16
20
MEGA
PIXELS
MEGA
PIXELS
5 FPS
Pentax K-3 II
24
5 FPS
MEGA
PIXELS
5 FPS
TEST & WOW! Test Drive this

TEST & WOW! Test Drive this
camera for free with Park Cameras camera for free with Park Cameras
Receive a FREE Olympus Holder

case worth 29.99 - quote DP
MEGA
PIXELS
MEGA
PIXELS
(type 113)
MEGA
4K
PIXELS
Add an Olympus BLS-50 spare

24
4x
4K
In stock at 799.00
See website for full details

and to place an order
Leica X
16
In stock at 784.99*
MEGA
PIXELS
In stock at 749.00
MEGA
PIXELS
In stock at 669.00
4x
learn more about the latest new products

from fujifilm by watching our videos on
YouTube or visiting blog.parkcameras.com
NEW & COMING SOON!
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Body Only
+ 18-55 WR
339.00
375.00
See web for our latest low

prices & discount code!
K-3 II Body + 18-55mm
Add a Pentax D-Li109 spare

battery for only 59
Add a Pentx D-BG5 battery grip

for only 149
Add a Pentax SLR case for only

10 when bought with the K-50
699.00
789.00
Youre invited!
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THE WEX PROMISE: Over 16,000 Products | Free Delivery on 50 or over** | 30-Day Returns Policy
D3300
D5500
Black, Red
or Grey
Black
or Red
D7100
24.2
24.2
D7200
24.1
24.2
megapixels
megapixels
megapixels
megapixels
5.0 fps
1080p
5.0 fps
1080p
6.0 fps
1080p
6.0 fps
1080p
movie mode
movie mode
D3300
Body
248
248
D3300 Body
Body 499
D5500 Body
499
D610
From 751
D7200
619
799
D7100 Body
D7100 + 18-105mm VR
D750
24.3
movie mode
From 619
D7100
D5300 Body................................................... 389

D5300 + 18-55mm VR II................................ 459
D5300 + 18-140mm VR................................. 645
D3200 Body................................................. 237

D3200 + 18-55mm f3.5-5.6 VR II .................. 279
751
888
D7200 Body
D7200 + 18-105mm
CUSTOMER REVIEW: D7100 Body

Quality bit of kit! Love it!
Fang! Warwickshire
Read our D7200 review on

our blog at wex.co.uk/blog
D810
D4s
24.3
megapixels
megapixels
6.0 fps
1080p
6.5 fps
1080p
movie mode
Full Frame
CMOS Sensor
From 999
999
1499
D610 Body
D610 + 24-85mm
16.2
36.3
megapixels
megapixels
movie mode
Full Frame
CMOS Sensor
D610
movie mode
D5500
5.0 fps
11.0 fps
Full Frame
CMOS Sensor
Full Frame
CMOS Sensor
From 1396
D750
1396
1716
1979
D750 Body
D750 + 24-85mm
D750 + 24-120mm
From 2349
D810
2349
2699
D810 Body
D810A Body
Body 4192
D4s
4192
D4s Body
CUSTOMER REVIEW: D4s Body

Spectacular Camera
Charlie Delta Hertfordshire
Read our D810 review on

our blog at wex.co.uk/blog
For 2-year warranty on any camera and lens kit simply register your new Nikon within 30 days of purchase. Offer applies to UK & Republic of Ireland stock only. Call 0800 597 8472 or visit www.nikon.co.uk/register
A77 II
A6000
GX8
Black or Silver
A7R II Black
megapixels
megapixels
megapixels
11.0 fps
1080p
5.0 fps
4K Video
movie mode
A7R II
2599
A7R II Body
A7S II Body
A7R Body
A7 II Body
2599
2499
899
1189
1144 Inc. 100 Cashback*
50
CASHBACK*
A6000 From
439
439
A6000 + 16-50mm PZ
489
A6000 Body
RECOMMENDED LENSES:
Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T*.................................................................618
Sony FE 16-35mm f4.0 ZA OSS ZA Vario Sonnar T* .......................................................1079
Sony FE 24-70mm f4.0 ZA OSS ZA Vario-Tessar Carl Zeiss T*.........................................799
Sony FE 70-200mm f4.0 G OSS ....................................................................................999
20.03
16.05
12.0 fps
megapixels
megapixels
1080p
12.0 fps
8.0 fps
movie mode
4K Video
4K Video
A77 II From
764
764
1199
A77 II Body
A77 II + 16-50mm
A58 + 18-55mm
+ 55-200mm
399
1599
A7s Body
Silver or Black
GH4
24.3
24.3
42.4
RECOMMENDED LENSES:
Sony 70-400mm f4-5.6 G SSM II . 1509
Sony 70-300mm f4.5-5.6 G SSM . 689
Sony 28-75mm f2.8 SAM ............ 569
Sony 35mm f1.8 DT SAM ............ 149
Sony Cashback* offer ends 31.1.16
GH4
From 899
GH4 Body
GH4R Body
G7 Body
G7 + 14-140mm
899
1049
467
694
X-T10
Black or Silver
24.3
16.3
megapixels
16.3
100
10.0 fps
1080p
movie mode
OM-D E-M1
CASHBACK*
+ FREE grip
From 849
OM-D E-M1 Body
849
16.3
8.5 fps
E-M10 II From 549

549
649
999

OM-D E-M1 + 12-40mm
OM-D E-M5 II Body
OM-D E-M5 II + 12-40mm
OM-D E-M5 II + 12-50mm
OM-D E-M10 + 14-150mm II
WEX EXCLUSIVE
Olympus Cashback* offer ends 31.1.16
1359
769
1299
970
799
RECOMMENDED LENSES:
Olympus 75mm f1.8................ 620
520 Inc. 100 Cashback*..............
Olympus 60mm f2.8 Macro .....349
274 Inc. 75 Cashback*................
K-3 II
FREE
16.3
megapixels
movie mode

OM-D E-M1 + 12-50mm
megapixels
8.3 fps
1080p
megapixels
OM-D E-M10 II Body

OM-D E-M10 II
+ 14-42mm
779
1129
1399
433
499
RECOMMENDED LENSES:
X-E2 Black or Silver
K-3 II
Black or silver
megapixels
From 779
Panasonic 14-45mm f3.5-5.6 Micro Four Thirds lens........................................ 229

Panasonic 100-300mm f4.0-5.6 LUMIX G Vario Lens - Micro Four Thirds Fit ..... 378
Panasonic 45-175mm f4.0-5.6 LUMIX G X Vario Micro Four Thirds Lens ........... 279
Panasonic LUMIX 45-150mm f4.0-5.6 ASPH OIS Black Micro Four Thirds Lens . 169
E-M10 II
Black or Silver
OM-D E-M1
GX8
GX8 Body
GX8 + 14-140mm
GX8 + 12-35mm
GX7 + 14-42mm
GX7 + 20mm
lens*
7.0 fps
From 749
K-3 II Body
K-3 II + 18-55mm
K-3 II + 18-135mm
K-3 II + 16-85mm
K-3 Body
K-3 + 18-135mm
K-50
K-S1
K-S2
749
829
999
999
659
939
339
from 379
from 529
X-E2
From 429
X-E2 Body
+ Free lens
X-E2 + 18-55mm
+ Free lens
X-Pro1
X-T1 Body
X-T1 + 18-135mm
+ Free Grip*
8 fps
1080p
movie mode
499
599
452
805
1079
X-T10
From 449
X-T10 Body
X-T10 + 16-50mm XC II
X-T10 + 18-55mm XF
X-T10 + 18-55mm
+ 55-200mm XF
X-T1 + 18-135mm
X-T1 + 18-55mm
449
549
715
999
1079
1049
FUJINON X-MOUNT LENSES:

90mm f2 R LM WR XF.................617
56mm f1.2 APD XF .....................899
CALL CENTRE NOW OPEN SUNDAYS
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Love
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EOS 760D
The new EOS 5DS

A revolution in resolution
7.0 fps
1080p
movie mode
Body 549
50.6
5.0
megapixels
fps
1080p
70D Body
70D + 18-55mm f3.5-5.6 IS STM
70D + 18-135mm f3.5-5.6 IS STM
movie mode
EOS 6D
20.2
700D Body ................................................ 379

700D + 18-55mm IS STM .................... 449
CUSTOMER REVIEW: EOS 70D + 18-135mm IS STM

An excellent step up
Adam Portsmouth
5D Mark III
EOS 1Dx
22.3
megapixels
megapixels
up to 250
CASHBACK
6.0 fps
1080p
megapixels
movie mode
movie mode
12.0 fps
when bought with

selected lenses
Full Frame
CMOS sensor
Full Frame
CMOS sensor
Full Frame
CMOS sensor
20.2
4.5 fps
1080p
Body 1179
1119
6D Body
18.1
5D Mark III Body 2178
Body 1119
6D
1179
7D Mark II Body
697
722
939
5DS R Body 3199
EOS 7D MkII
megapixels
From 697
70D
549
459
529
709
760D Body
750D Body
750D +18-55mm
750D + 18-135mm
Up to 250 cashback* when bought with selected lenses. Oer ends 31.1.16
See www.wex.co.uk/canon5ds for details
7D Mk II
megapixels
5.0 fps
1080p
760D
5DS Body 2699
movie mode
megapixels
movie mode
2999
3199
10.0 fps
1080p
20.2
24.7
The rst of its kind in the EOS line-up, the

Canon 5DS is a full-frame DSLR boasting a
groundbreaking 50.6-megapixel CMOS
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Aimed at the most demanding professionals,
the 5DS R sports a low-pass cancellation lter
to deliver sharpness and extraordinary clarity.
NEW 5DS Body
NEW 5DS R Body
70D
1Dx
2178
5D Mark III Body
Canon lens bundle Cashback offer ends on 31.1.16
4199
4199
CUSTOMER REVIEW: EOS 1D X Digital SLR Camera Body

bought this as an upgrade to
the 5D Mk 2 and have never
looked back.
Dave Cornwall
You havent got one? Get one!

Roland Northampton
Body
1Dx Body
CUSTOMER REVIEW: EOS 5D Mk III Digital SLR Camera
Tripods
Pre-Loved
cameras
GT3542L
178cm Max Height
16cm Min Height
Quality used cameras,

lenses and accessories
with 12 months warranty*
www.wex.co.uk/pre-loved
*Excludes items marked as incomplete or for spares
Mountaineer
Carbon eXact Tripod:
GT0532................................................. 289
GT1532................................................. 339
GT2542................................................. 599
GT3542L ............................................... 709
MT190XPRO3
160cm Max Height
9cm Min Height
MT190XPRO3............. 129
MT190XPRO4............. 159
MT190CXPRO3 Carbon Fibre ............. 229
MT190CXPRO4 Carbon Fibre ............. 249
MT190XPRO3 + 496RC2 Ball Head ..... 139
Befree
Travel Tripod
144cm Max Height
34cm Min Height
Aluminium
Available in Black, Red,
Green and Blue ................... 119
Carbon Fibre ...................... 249
Hybrid GP2B
1000g Max Load
25.7cm Height
Joby Tripods
Original............................ 17
Hybrid ............................. 29
SLR Zoom................. from 39
Focus GP-8 ............... from 79
Flashguns & Lighting Accessories

Macrolites:
Speedlights:
Kits:
Flashguns:
Flashguns:
Flashguns:
Speedlites:
600EX-RT 429
379 Inc. 50
Cashback*
MR-14EX II
499
430EX II
189
Flashguns:
MT-24EX
749
Macro ash:
SB700
229
SB910
339
R1 Close-Up
415
R1C1
555
HVL-F43M HVL-F60AM
429
249
Flashguns:
Flashguns:
MG8000
349
24 AF-1
49.99
44 AF-1
115
52 AF-1
179
58 AF-2
249
15 MS-1
249
EF 610 DG ST
59
EF 610 DG Super
149.99
EM-140 DG
Macro Flash
From 314.99
Di700................159
Di866 Mark II...199
MiniTT1 149
FlexTT5 149
Micro Apollo
25.99
Plus III Set

199
Collapsible
Umbrella Flash Kit
70
PlusX Set
139.99
Sand Bag
9.99
Light Stands
From
10.99
Background
Ezybox
Ezybox Hotshoe EzyBalance
Softbox 44.99 From 89.99 Grey 19.99 Support 124.99
Softlite
Reector Kits
Inc Honeycomb
& Diuser:
42cm 49
55cm 69
70cm 129
FL-600R
279
AF 540FGZ AF 360FGZ
349
225
PZ42X
99
PF30X...............74.99
Rogue
3m Background
Support
89
FL-300R
134.99
Flashguns:
FlashBender Folding Softbox

From 23.99 From 54.99
Reectors:
30cm
12.50
50cm
22.99
75cm
34.99
Urban Collapsible 95cm
TriFlip Kits
59
165
From 69.99
120cm 74.99
Sekonic L-308s
139
Pro 478DR
299.99
DigiPro F
159.99
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correct at time of going to press. FREE Delivery** available
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24.99
availability. Live Chat operates between 9.30am-6pm MonFri and may not be available during peak periods. Subject
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products sold in full working condition. Not applicable to
items specically described as IN or incomplete (ie. being
sold for spares only).
Wex Photographic is a trading name of Warehouse Express
Tilthead
Limited. Warehouse Express 2015.
17.99 *CASHBACKS Are redeemed via product registration with
the manufacturer. Please refer to our website for details.
Showroom: Drayton High Road, (opposite ASDA)
Norwich. NR6 5DP. Mon & Wed-Sat 10am-6pm, Tues
10am-5pm, Sun 10am-4pm
CALL CENTRE NOW OPEN SUNDAYS
Retailer of the Year, Gold Service Award winner 2015

and Best Online Retailer 2002-2014.
Good Service Awards winner 2008-2015.
01603 208761
Mon-Fri 8am-7pm, Sat 9am-6pm, Sun 10am-4pm
visit www.wex.co.uk
Follow us on Twitter, Facebook, Google+ and Youtube

for all the latest offers, reviews, news and advice!
DSLR Lenses
CANON LENSES
EF 20mm f2.8 USM ........................................ 385
EF-S 24mm f2.8 Pancake................................ 127
EF 28mm f1.8 USM ........................................ 345
EF 16-35mm f4 L IS USM ............................... 682
EF 40mm f2.8 STM......................................... 118.97
EF 70-200mm f4 L IS USM.............................. 795
EF 50mm f2.5 Macro Lens ............................. 201
EF-S 55-250mm f4-5.6 IS STM ....................... 200
EF-S 60mm f2.8 USM Macro.......................... 305
EF 300mm f4.0 L IS USM ............................... 959
EF-S 10-22mm f3.5-4.5 USM ......................... 377
EF 11-24mm f4L USM .................................... 2799
EF-S 15-85mm f3.5-5.6 IS USM...................... 509
EF-S 17-55mm f2.8 IS USM ............................ 519
EF-S 18-55mm f3.5-5.6 IS STM Lens .............. 169
EF-S 18-135mm f3.5-5.6 IS STM .................... 295
EF-S 18-200mm f3.5-5.6 IS............................. 356
EF 24-70mm f2.8 L IS USM II.......................... 1400
EF 28-135mm f3.5-5.6 IS USM....................... 359
EF 70-200mm f2.8L IS USM II......................... 1499
EF 70-300mm f4.0-5.6 L IS USM .................... 876
EF 100-400mm f4.5-5.6L IS USM II ................ 1799
EF-S 10-18mm f4.5-5.6 IS STM ...................... 179
EF-S 55-250mm f4.5-5.6 IS STM .................... 200
EF 16-35mm f2.8 L Mk II USM ....................... 1060
EF 24-70mm f4 L IS USM................................ 675
EF 50mm f1.8 STM......................................... 97
EF 28-300mm f3.5-5.6 L IS USM .................... 1795
EF 35mm f1.4L II USM.................................... 1799
NIKON LENSES
10.5mm f2.8 G IF-ED AF DX Fisheye .............. 549
14mm f2.8 D AF ED Lens................................ 1199
20mm f1.8 G AF-S ED..................................... 579
24mm f1.4 G AF-S ED..................................... 1379
28mm f1.8 G AF-S .......................................... 495
35mm f1.8 G ED AF-S..................................... 369
40mm f2.8 G AF-S DX Micro .......................... 185
45mm f2.8 D PC-E Micro................................ 1393
50mm f2.8 G AF-S ED Micro .......................... 379
60mm f2.8 D AF Micro................................... 368
58mm f1.4 G AF-S .......................................... 1349
85mm f1.8 G AF-S .......................................... 339
105mm f2.8 G AF-S VR IF ED Micro ............... 659
135mm f2.0 D AF DC...................................... 1029
180mm f2.8 D AF IF-ED.................................. 695
200mm f4.0 AF Micro .................................... 1179
300mm f4.0E AF-S PF ED VR.......................... 1499
NEW 500mm f4.0E FL AF-S ED VR ................. 8149
NEW 600mm f4.0E FL AF-S ED VR ................. 9649
10-24mm f3.5-4.5 G AF-S DX ......................... 639
14-24mm f2.8 G ED AF-S ............................... 1299
NEW 16-80mm f2.8-4G ED AF-S DX VR ......... 869
16-85mm f3.5-5.6 G ED AF-S DX VR .............. 429
17-55mm f2.8 G ED DX AF-S IF ...................... 979
18-35mm f3.5-4.5G AF-S ED .......................... 519
18-105mm AF-S DX f3.5-5.6 G ED VR ............ 195
18-140mm f3.5-5.6 G ED AF-S DX VR ............ 429
18-200mm f3.5-5.6 G ED AF-S DX VR II ......... 549
18-300mm f3.5-5.6 ED AF-S VR ..................... 669
24-70mm f2.8 G ED AF-S................................ 1199
24-85mm f3.5-4.5 AF-S G ED VR.................... 375
24-120mm f4 G AF-S ED VR ........................... 699
28-300mm f3.5-5.6 G ED AF-S VR.................. 649

55-200mm f4.0-5.6 G AF-S ED DX VR II ......... 254
55-300mm f4.5-5.6 G AF-S DX VR.................. 269
70-200mm f2.8G ED AF-S VR II ...................... 1579
70-300mm f4.5-5.6 G ED AF-S IF VR.............. 429
80-400mm f4.5-5.6 G ED AF-S VR.................. 1799
NEW 24-70mm f2.8E AF-S ED VR .................. 1849
NEW 200-500mm f5.6E AF-S ED VR .............. 1179
NEW 24mm f1.8G AF-S ED ............................ 629
150-600mm f5.0-6.3 S DG OS HSM ............... 1249

24mm f1.4 DG HSM A.................................... 669
150-600mm f5-6.3 C DG OS HSM.................. 799
749 Inc. 50 Cashback* ..........................................
24-35mm f2 DG HSM A.................................. 799
TAMRON LENSES - with 5 Year Warranty

180mm f3.5 Di SP AF Macro.......................... 579
10-24mm f3.5-4.5 Di II LD SP AF ASP IF......... 349
15-30mm f2.8 SP Di VC USD .......................... 849
16-300mm f3.5-6.3 Di II VC PZD Macro......... 399
18-270mm f3.5-6.3 Di II VC PZD .................... 269
24-70mm f2.8 Di VC USD SP .......................... 679
28-300mm f3.5-6.3 Di VC PZD ....................... 529
70-200mm f2.8 Di VC USD............................. 929
150-600mm f5-6.3 SP Di VC USD................... 799
18-200mm f3.5-6.3 Di II VC............................ 169
SIGMA LENSES - with 3 Year Warranty

30mm f1.4 DC HSM ....................................... 359
284 Inc. 75 Cashback* ..........................................
35mm f1.4 DG HSM ....................................... 629
50mm f1.4 EX DG HSM .................................. 319
70mm f2.8 EX DG Macro ............................... 351
85mm f1.4 EX DG HSM .................................. 649
105mm f2.8 APO EX DG OS HSM Macro ....... 379
150mm f2.8 EX DG OS HSM Macro ............... 668
8-16mm f4.5-5.6 DC HSM.............................. 529
10-20mm f3.5 EX DC HSM ............................. 375
12-24mm f4.5-5.6 EX DG HSM II.................... 569.97
519.97 Inc. 50 Cashback*.....................................
17-70mm f2.8-4.0 DC OS HSM ...................... 329
18-200mm f3.5-6.3 DC OS HSM II ................. 239
18-250mm f3.5-6.3 DC Macro OS HSM......... 299
Sigma Cashback* offer ends 31.1.16
18-300mm f3.6-6.3 C DC
Macro OS HSM............................................... 369
24-70mm f2.8 IF EX DG HSM......................... 599
For Canon-t Tamron,
50-150mm f2.8 EX DC APO OS HSM.............. 739
70-200mm f2.8 EX DG OS HSM ..................... 759
Sigma or Samyang lenses,
120-300mm f2.8 OS....................................... 2609
120-400mm f4.5-5.6 DG OS HSM......... From 639
visit our website
150-500mm f5.0-6.3 DG OS HSM.................. 699
Computing
Photo Bags & Rucksacks

Photo Sport BP
Whistler BP 350
AW Backpack
Perfect for
carrying a pro
DSLR with lens
attached, 4-6 additional lenses,
a ashgun and
accessories.
Perfect for
200 AW Black
carrying a DSLR
with lens attached,
an additional lens,
ash, accessories,
a 2-litre hydration
reservoir (not
included), plus
extra gear such
as a bike helmet,
jacket, snacks and
a compact tripod.
Anvil Slim
Professional
Backpack
Manfrotto
Pro Light 3N1
Backpacks
Whistler:
Photo Sport BP:
BP 350 AW..............................257 200 AW ............................... 118
BP 450 AW..............................286 300 AW ............................... 147
Designed to hold
a digital SLR
with battery grip
and mid-range
zoom lens
attached, 3-4
additional lenses,
a ashgun and
iPad/tablet.
Hadley Pro
Original
Khaki
PIXMA Pro 100S................................................................375

PIXMA Pro 10S..................................................................529
PIXMA Pro 1......................................................................629
Canvas/Leather: Khaki, Black

FibreNyte/Leather: Khaki,
Sage, Black.
Digital.........................109
Anvil:
Anvil Slim..............189.99 Small ..........................139
Anvil Super ...........189.99 Large...........................154
Anvil Pro ...............209.99 Pro Original................169
3N1-25....................99
3N1-35....................119
NEW Datacolor
Spyder 5 Pro ....120
i1 Display Pro...159
ColorMunki
Smile.................67
Digital compact camera batteries, cases and accessories are available on our website
Digital Compact Cameras

NEW
NEW
16.1
20.2
megapixels
12.8
megapixels
65x
megapixels
4.2x
optical zoom
5.0x
optical zoom
1080p
optical zoom
1080p
1080p
movie mode
movie mode
movie mode
PowerShot G5 X
PowerShot G7 X
PowerShot G9 X
579
372
399
Ricoh GR II
16.2 Megapixel with
xed f2.8 GR lens ...... 479
24x
279
Lumix LX100
519
Lumix TZ100
Lumix DMC-FZ1000
549
589
12.0
16.3
Black
megapixels
30.0x
optical zoom
1080p
Cyber-Shot RX10 II......................................... 1049

Cyber-Shot RX10............................................ 539
Cyber-Shot RX100 IV .................................... 759
Cyber-Shot RX100 III.................................... 569
Cyber-Shot RX100 II..................................... 329
Cyber-shot HX400.......................................... 287
Cyber-shot WX500 ........................................ 243
megapixels
Cyber-Shot HX90V
309
4x
APS-C
optical zoom
size sensor
FinePix X100T 796
Black
movie mode
FinePix X30 283
DJI Quadcopter
Drones
From 600
83x
optical zoom
16.0
megapixels
Coolpix P900
FREE delivery on orders over 50**
FinePix S9200............................................. 169

FinePix S1................................................... 279
FinePix S9800............................................. 169
FinePix XP80 Purple and Black .................. 119
XQ2 Silver and Black .................................. 219
Black or
Silver
megapixels
18.2
20.1
megapixels
megapixels
Stylus SP-100EE................................................... 225

Stylus Tough TG-860 Black, Silver & White ........ 184
Stylus 1s ...........................................................329
Stylus TG-4
NEW
20.1
optical zoom
PowerShot SX610 HS...................................128

PowerShot D30............................................194
PowerShot S120 ..........................................200
PowerShot SX530 HS...................................209
PowerShot SX710 HS...................................195
PowerShot G16............................................289
PowerShot SX60 HS.....................................299
PowerShot G1 X Mark II..............................464
Lumix FZ72...................................................196
Lumix TZ57...................................................159
Lumix TZ70 ..................................................260
Lumix FZ200 ................................................... 279
Lumix TZ60 ..................................................... 219
Lumix TZ80 ..................................................... 359
Black or Silver
WG-30
Red or Black.............. 169
Intuos5 Pro Professional

Pen and Touch Tablet
Small ........................ 150
Medium ................... 229
Large ........................ 319.99
499
*GoPro available separately
**Based on a 4-day delivery service, UK only.
ENDS
While SOON!
stocks
last!
WINTER
SALE
NEW & USED Sale

100s of clearance items
End of line BARGAINS
Leading brand OFFERS
EXCLUSIVE deals
First come, rst served
Visit cameraworld.co.uk
Last remaining SALE items:

WAS
SAVE NOW
Blackmagic Design
Pocket Cinema Camera
689
90
Canon
EOS M3 & 18-55mm Premium Kit
Powershot G1X Mark II Premium Kit
11-24mm f4L USM
WPDC54 Housing (G7X)
515
549
2,799
175
66 449
50 499
800 1,999
26 149
Domke
F2 Original Rugged
F3X Black
F900 Compact Case Rugged
149
129
21
20
20
6
599
129
109
15
WAS
SAVE NOW
S&F Lens Exchange 200AW

S&F Quick Flex Pouch 75AW
S&F Slim Lens Pouch 55AW
S&F Slim Lens Pouch 75AW
S&F Utility Pouch 100AW
Scout SH100
Scout SH120
Scout SH140
Tahoe BP 150 Red
49
49
38
44
32
37
44
52
52
14
14
13
15
12
8
5
3
3
35
35
25
29
20
29
39
49
49
Manfrotto
234 Monopod Tilt Head
681B Pro Monopod
MT055CXPRO4 Tripod Legs
492 Micro Ball Head
Advanced Travel Backpack
Blue/Brown/Grey
19
44
269
39
99
4
5
30
10
30
15
39
239
29
69
MeFOTO
Daytrip Table Tripod
109
20
89
1,039
1,399
1,489
376
499
599
1,399
245
1,120
40
50
93
17
50
74
200
20
71
999
1,349
1,396
359
449
525
1,199
225
1,049
1,799
1,599
7,499
100 1,699
50 1,549
500 6,999
749
50
899
849
1,449
299
150 749
150 699
150 1,299
30 269
799
1,399
1,099
456
100 699
150 1,249
100 999
157 299
129
30
EPSON
Expression Photo XP860
189
60
129
Fujilm
Instax MINI 70 Blue/White/Yellow IncFilm
Instax WIDE 300 IncFilm
18mm f2 R XF
18-135mm f3.5-5.6 WR OIS XF
55-200mm f3.5-4.8 OIS XF
1.4X Teleconverter WR
WCL-X100 Wide Angle Attachment
& TCL-X100 Teleconverter Black (X100T)
Hood & Filter Kit (X30) Black/Silver
99
115
359
569
469
329
425
10
16
160
50
30
30
185
89
99
199
519
439
299
240
65
35
30
329
168
34
30
19
17
299
149
17
Nikon
D610 Body
D610 & 24-85mm
D750 Body
D5300 Body Grey
Coolpix P900
24mm f1.8G ED
24mm f3.5D ED PCE
35mm f2 AFD
58mm f1.4G
24
50
199
69
5
11
24
20
19
39
175
49
Nikon B-STOCK: Including 6 months warranty

D810 Body
Df & 50mm f1.8G Silver
400mm f2.8 EFL ED
Intert
EX150 Mark III 2 Light Umbrella & Softbox Kit
225
10
215
Joby
Action Jib Kit
Action Jib & Pole Kit
Gorillapod Focus & X-Ball Head
Gorillapod SLRZoom ECO
69
86
119
50
20
27
20
30
49
59
99
20
Lowepro
Adventura 120
Lens Case 11x11cm
ProTactic SH 120AW
Pro Runner BP 350AW II
S&F Lens Exchange 100AW
25
20
74
179
44
10
5
15
30
15
15
15
59
149
29
GoPro
Hero4 Black
Hero+
Chest Mount Harness
HALF PRICE!
Dual Battery Charger (Hero3/3+)
Dual Battery Charger & Battery (Hero4)
Dual Hero System
Smart Remote (Hero3/3+/4)
Olympus
E-M10 Mark II & 14-42mm & 40-150mm
Black/Silver
E-M1 & 12-50mm Black
E-M1 Body Black/Silver
E-M5 Mark II & 12-40mm Black/Silver
Tough TG4 & LG-1 Macro Light
Black/Red
Panasonic
GX8 Body Silver
GX8 & 12-35mm f2.8 Black/Silver
GX8 & 14-140mm Black/Silver
Lumix FZ200 Sale Kit
Inc. Case & 16GB Memory Card
Lumix SZ10 White
699
WAS
SAVE NOW
Sigma
12-24mm f4.5-5.6 II (Canon/Nikon)
17-50mm f2.8 OS (Sony)
50-500mm f4-6.3 DG OS (Canon)
70-300mm f4-5.6 Mac2 (Sony)
70-300mm f4-5.6APO II (Sony)
2X Teleconverter APO EX DG (Canon)
599
309
899
95
142
229
50
30
20
6
13
80
549
279
879
89
129
149
Sky-Watcher
Astrolux F700 Reector Telescope
Explorer 130M EQ2 Telescope
Innity 76P Reector Telescope
85
179
45
16
30
16
69
149
29
Sony
A7R Body
A99 Body
28-135mm f4 G E
70-400mm f4 5.6G II A
ECMXYST1M Microphone
VGC1EM Battery Grip
1,299
1,399
1,799
1,425
99
199
50
30
300
56
10
30
1,249
1,369
1,499
1,369
89
169
Tamrac
Anvil 23 Backpack
Anvil 27 Backpack
Anvil SLIM 15 Backpack
Corona 14 Backpack
Corona 20 Backpack
Stratus 15 Shoulder Bag
Stratus 21 Shoulder Bag
ARC Belt Medium
239
269
229
129
159
159
189
55
50
70
50
30
40
40
40
20
189
199
179
99
119
119
149
35
Tamron
14-150mm (M43) Black/Silver
150-600mm f5-6.3 USD (Sony)
150-600mm f5-6.3 VC (Canon/Nikon)
15-30mm f2.8 Di VC (Canon/Nikon)
16-300mm f3.5 6.3 DI (Sony)
17-50mm f2.8 XR Di II LD (Canon/Nikon)
17-50mm f2.8 VC (Canon/Nikon)
18-200mm f3.5-6.3 (Canon)
339
799
799
849
399
249
329
149
140
74
74
50
24
20
30
50
199
725
725
799
375
229
299
99
Vanguard
BBH200 Ball Head
TBH100 Ball Head
Adaptor 41
Adaptor 45
Havana 36
Sedona 41 Black/Blue/Khaki
Sedona 45 Khaki
Up-Rise 46
Xcenior 30
159
75
79
99
49
89
99
109
149
40
26
20
30
10
30
30
20
50
119
49
59
69
39
59
69
89
99
99
NEW products announced at

Body
20.3 MP CMOS
Sensor, Full
HD Movies
5,199
5,199
TZ80
18MP, 30x Optical
Zoom, 4K Functions
(4K Movie, 4K Photo
& Post Focus Effect)
Body
Flagship Full
Frame 20.8 MP
4K/UHD Movie
TZ100
1.0" MOS Sensor,
10x Optical LEICA
Zoom lens, 4K
Functions
(see TZ80)
359
549
+MORE GREAT
DEALS ONLINE!
20.9 MP DX
Sensor, 4K /
UHD Video
Capture
1,729
100-400mm f4-6.3
Leica DG Vario-Elmar
Power OIS
Smallest, lightest Prime
Telephoto lens for MFT
1,349
Speedlight
SB-5000
Radio controlled
with onboard
cooling system
499
300mm f4 IS PRO
M.ZUIKO DIGITAL ED
Leica Vario Elmarit /
200-400mm (35mm Equiv),
Weather sealing
2,199
www.cameraworld
www.
cameraworld.co.uk
cameraworld
.co.uk
Do you have any unwanted

photographic equipment?
WE BUY MORE
QUOTE AP3001 FOR AN EXTRA 10

ON TOP OF OUR VALUATION
...Most Digital SLRs, Mirrorless Cameras, Advanced Compacts, Classic

35mm SLRs, Vintage Cameras, Medium Format Cameras, AF & MF
Lenses, High Quality Camera Bags, Tripods & many accessories!
GENTLY REQUIRED
35mm FILM SLR CAMERAS UR
It really is as easy as... 1-2-3!
Dale Hawkins
Used Equipment Manager
Over 30 years experience!
1. GET IN TOUCH
Give us a call and have a chat.
Or ll out our simple form at
www.cameraworld.co.uk/used
DIRECT LINE:
0207 467 9912
2. GET COLLECTED
EMAIL:
Pop it in the post or we can

collect it when convenient*
*Dependant on value.
[email protected]
3. GET PAID
COMMISSION SALES:
Take advantage of one of our

super Trade-Up Offers, or just
take the money and ENJOY!
We can also sell your equipment for you for only 15%
commission. Please call Dale for more information.
Latest APS-C Pro DSLR

20.9 MP DX Sensor
4K / UHD Video Capture
NORMALLY 1,729
YOUR
ONLY
1,299
Body
In full working order, mint condition, with box and all accessories.
NEW
Body
LONDON 0207 636 5005

14 Wells Street (just off Oxford Street),
London W1T 3PB
YOUR
ONLY
1,199
Body
In full working order, lovely condition with box and all accessories.
01245 255510 CHELMSFORD

High Chelmer Shopping Centre,
Chelmsford, Essex CM1 1XB
Goods and delivery services subject to stock and availability. Prices subject to change. Pictures are for illustration purposes only. All prices include VAT@ 20%. E. & O.E.
Collectab
Cameras
Simon &le
Julie
Chesterman
Minolta RB67
Riva
EXwith
mint
boxed......................29
Mamiya
Prism
finder,
Lovely
optics..........49
Mamiya
C220Zoom
Pro 115
TLR,
80mm
f2.8
Sekor
lenses
.......149
Minolta
Riva
Zoom
115
EX35un-metered.
35compact
compact
mint
boxed
............
29
Minolta Super
Riva Zoom
130.
Quality
metal
compact
boxed
................29
Mamiya
23 Press
camera,
with
100/3.5,
6x7 ................12
RFH.....169
Mamiya
handMeter
grip,
right
handed.
Suit
TLR range.
Minolta
Meter
M,anan
excellent
example,
with
instr.....
Minolta Spot
Spot
M,
excellent
example,
with
instr.
............159
159
Mamiya
135mm
f4.5
black.
User
condition........49
Minolta
SR
Angle
Finder
II,focus
mintand
and
boxed
with
case.........
25
Minolta TLR
SR
Angle
Finder
mint
boxed
with
case.................25
Mamiya
Press
/ Super
23II,Sekors,
screen
/ single
film
back ....49
Mamiya
135mm
f4.5
Sekors,
chrome
type.
...................39
Minolta
X-300S
SLR
with
50mm
Minolta
lens........ 49
Minolta TLR
X-300S
with
50mm
Minolta
MDMD
lens...................49
Mamiya
Press
/SLR
Super
23
set off1.7
5f1.7
ext
rings,
mMamiya
TLR
65mm
f3.5
Sekors,
black,
Good
userboxed.........39
cond. ......69
Nikon AF
50mm
f1.8
AFEC
Nikkor
lens.
Near
mint..............................59
Minox
EC
outfit:
Black
outfit,
cased
VGC.......................
59
Mamiya
RB67
back,
Good
user
condition
..........35
Nikon AF
AF
70-210mm
f4-5.66x4.5.
AF
Nikkor
zom
lens.
VGClens
..................59
Minolta
5000
AF120
+17-70mm
35-70mm
f3.5-4.5
Sigma
Zoom
.......29
Nikon
Digital
f2.8-4
Sigma
DC
HSM
OS......
199
Nikon AF
AF
fit
70-300mm
f4-5.6
Dgood
DLw/caps
Macro
Zoom
.............59
Mamiya
RB67
120 back,
6x7Zoom
user
condition
...............35
Nikon
fit28-85mm
70-300mm
f4-5.6
DSigma
Sigma
DL
Macro
Zoom
.... 59
Minolta
AF
3.5-4.5
lens
....................49
Nikon AF-D 28-200mm f3.8-5.6 Tamron XR Di Asph IF ................69
Nikon
Ai
fit
28-85
f3.5-4.5
Tokina
AT-X
zoom
lens.
VGC
.....
39
Minolta
AF
35-105mm
f3.5-4.5
Zoom
lens. nice
.........49
Mamiya
RB67
180mm
f4.5lens.
Sekor
C ............................................
VGCquality
..................109
Nikon Ai
50mm
f1.4 Nikkor
VGC
109
Nikon
f2.8
Micro
Nikkor
+ PK-13
tube
........119
Minolta
AF
75-300mm
f4.5-5.6
D AT-X
AFClens
Macro
Zoom..................149
lens...............39
.........59
Nikon Ais
Ai
fit55mm
28-85
f3.5-4.5
Tokina
zoom
lens.
VGC
Mamiya
RB67
360mm
f6.3
Sekor
lens.
VGC
Nikon
fit
f4.5compact
Vivitar
Multi
Macro .... 29
Minolta
AF 50mm
fit 70-210mm
70-210mm
f3.5-4.5
Sigma
AFCoated
APO zoom.........39
Nikon AIS
Ais
f1.8 Nikkor
lens.
Lovely........................59
Mamiya
RB67
65mm
f4.5
Sekor
CLovely
lens.
......................99
Nikon
DSLR
body.
boxed,
tiny
crack,VGC
SALE.................
79
Nikon D50
Ais
50mm
f1.8
Series
E lens.
example.....................49
Minolta
Dynax
7 body,
Very
good
condition
works
perfect .....89
Mamiya
RB67
Extension
No.1,
45mm.
VGC
...............19
Nikon
black
leather
hard
case.
Good
condition........
29
Nikon F
AIS
fit 70-210mm
f4.5
Vivitar
Multi
Coated
Macro
.............29
Minolta
Vectis
APS
SLRsemi
fitTube
50m
f3.5
Macro
lens.
Boxed........35
Nikon F2
Ais
TC-201
teleconverter.
Very
optics
SALE
..............59
Nikon
Photomic
body,
Fairnice
to Good
condition
...... 99
Mamiya
RB67
Komura
2xblack.
Teleconverter.
Excellent
..............39
Minox
nice
condition,
working
well,
case
& chain.......89
NikonB,
Aisvery
TC-300
2X
teleconverter.
Very
nice
optics....................79
Nikon
F2
Photomic
body,
black.
Good
139
Miranda
Auto
Sensorex
EE+
50/1.8
Autocondition................
Miranda
E lens........49
......49
Mamiya
RB67
Prism
finder,
un-metered.
Lovely optics
Nikon F3
D50
DSLR
body.
boxed,
SALE............................79
Nikon
HP
body.
In VGC,
a tiny
nicecrack,
example
..................... 179
Mycro
high
quality
hitoftype
camera
case...................29
Nikon IIIa
F3HP
body,
signs
normal
use. with
Working
well ............... 169
Mamiya
TLR
Paramender.
Good
working
order....................20
Nikon
F70
body,
VGC,
working
perfectly..............................
29
NikonAF
F4 35-105mm
SLR, with 28-80
f3.5-5.6
Sigma Zoom
AF-D lens...................
169
Nikon
f3.5-4.5
AF
Nikkor
lens
...............59
Manfrotto
056
Pro
tripod
plus
115
3D
head.
VGC................59
Nikon
MB-D100
battery
grip forperfectly..........................................29
D100 plus 2 batteries ........ 29
NikonAF
F70Digital
body, 18-55mm
VGC,
working
Nikon
f3.5-5.610
AF-S
ED G II........49
Nikon
MC-30
electronic
release.
,Nikkor
F5 +nrDSLR's........
29
Nikon
FE body,set:
black.
Working
well
6x6
projector
Rank
Hi-Lyte
66....................................................79
3pin
lenses,
mint ...........59
Nikon
43-86mm
f3.5
Nikkor
lens.
Nice optics,..........29
Nikon
non
Aibody,
50mm
f2 Zoom
Nikkor-H
Auto
scalloped,
Super ...... 55
NikonAi
FM2N
black.
Working
Minolta
Hi-Matic
7Focus
with 45mm
f1.8well.............................................79
Rokkor
VGC ..................49
Nikon
FitAi
Macro
7 element
Kenko
2x ........29
NikonAi
MB-D100
battery
for D100
plus
2Teleplus
batteries................29
Nikon
non
85mm
f1.8grip
Nikkor-H
Auto
scalloped
lens......
109
Minolta
MC to200mm
f3.5f2.5
Tele
Rokkor
QF
scalloped
lens......49
Nikon
Hasselblad
lens
adaptor,
nice
quality.
Mint
.....29
NikonBody
Non-Ai
fit
Vivitar
Auto
fast
tele
lens
................35
Nikon
Non-Ai
fit 135mm
135mm
f2.5
Vivitar
Auto
fast
tele
lens........
35
Olympus
AF-10
AF
compact,
with
35mm
lens........................19
Nikon
F Waist
level
example,
close
to min........49
Minolta
Riva
Zoom
115
EXSuper
35
compact
mint
boxed.............29
Olympus
AF-10
AFfinder.
compact,
with
35mmf3.5
f3.5
lens.
............ 19
Olympus
E-400
DSLR,
with
17.5-45
lens,
mint,
boxed...............
109
Nikon
Flash
Unit
V,
fan
type
bulb
flash
mintboxed
...............29
OlympusSRE-410
body
only. As
new, barely
used.
Boxed
..... 89
Minolta
Angle
Finder
boxed
with
case..............89
.........25
Olympus E-410
body
only.II,
Asmint
new,and
barely
used.
Boxed
Olympus
Mju 1thirds
AF
compact,
with
35mm
f3.5lens.
Zuiko.............
29
Nikon
MC30
release...................................................15
Olympus
fourremote
40-150mm
f3.5-4.5
M-.................59
Minolta
XG-1,
chrome.
With 50mm
f1.7zoom
MD lens
VGC........49
Olympus
Mju28mm
IIThirds
zoom
Quartz
weatherproof
AF ..... 29
Nikon
Non-Ai
f3.5
Nikkor
HDate
Scalloped
lens. ...............49
Olympus
Four
to80OM
fit lens
adaptor.
mint..........................19
Nikon
AF
fit
24-50mm
f4-5.6
Sigma
UC
zoom
lens.
.............39
Olympus
Mju55mm
35-70
zoom
lens, f3.5
nr
mint
boxed
......... 29
Nikon
Non-Ai
f3.5
Micro
Nikkor-P
Macro
lens.
............59
Olympus
Mju
1Zoom,
AF compact,
with
35mm
Zuiko
......................29
Nikon
AF Mju
fit 70-210mm
AF-D
Sigma
UC-II
zoom.......29
Olympus
OM
f4 Zuiko
Zoom
nrlens.
mint
cased.......
49
Olympus
II75-150mm
zoom 80 f4-5.6
Quartz
Date
weatherproof
AF..........49
.............29
Nikon
Non-Ai
80-200mm
f4.5
Zoom
Nikkor
VGC
Olympus
Zoom,
35-70
zoom
lens,
nr mint
boxed...................29
Olympus
OM
Bounce
Grip
forNice
310
flash
lovely
example
..... 29
Nikon
AF Mju
fit 70-300mm
f4.5-5.6
Sigma
AF
APO
zoom.........59
Nikon
Speedlight
SB-25
flash.
condition
........................29
Olympus
OM
200mm
f4
Zuiko
Auto
T
lens.
VGC............................59
Olympus
OM24-120mm
fit Vivitar
Macro
Focusing
2x,Mint
mint,
box...........79
.........
29
Nikon
Speedlight
SB-600,
suitsAuto-T
allDNikon
Digital
SLR.
Nikon
AF-D
f3.5-5.6
IFlens.
lens.
boxed
.......129
Olympus
OM
f4 Zuiko
mint..................69
Olympus
OM1200mm
Focus
screens,
selection
inNear
stock
................. 15
Olympus
AF teleconverter.
compact,
35mm
f3.5
Zuiko
boxed............29
Olympus
OM
28mm
f2.8
Zuiko
Auto
WSuper
lens.
Boxed
......................49
Nikon
AisMju
TC-201
Very
nice
optics
SALE.......59
Olympus
OM
holdall.
Small
version.
condition..........
29
Olympus
f3.5
E.Zuiko
Auto-T
lens,
...........35
OlympusOM
OM 135mm
35-105mm
f3.5-4.5
Zuiko
Zoom,
nrlovely
mint .................69
Nikon
Ais OM
TC-300
2XBounce
teleconverter.
nice
optics............79
Olympus
OM
Power
Grip
2.Very
Mint
and
boxed..........
35
Olympus
35-105mm
nr mint,
Olympus
OM 135mm
f3.5f3.5-4.5
E.ZuikoZuiko.
Auto-T
lens, boxed................75
VGC ............25
Olympus
OM 35mm
T20
flash
Boxed
near
.....................
22
Nikon
F Focus
screen
B.
nrand
mint,
boxed
.......................19
Olympus
OM
f2.8type
MC
Zuiko
Auto
W mint
lens.............................49
Olympus
OM
f2.8
Zuiko
Auto
W wide
lens ........49
Olympus
OM28mm
T20 flash,
VGC Shift
complete
withangle
case...............
19
Olympus
OM
35mm
f2.8 Zuiko
lens.
259
Nikon
FM3A
body,
chrome.
DingS.on
oneNear
end,mint..................
nice user.....199
Olympus
OM
35-70mm
f3.5-4.5
Zuiko
Auto-Zoom
............29
Olympus
OM 50mm
T32 Wide
Adapter
and ND
filterboxed
set ................
9
Olympus OM
f1.4 Zuiko
Auto-S.
nr mint
..................89
Olympus
OM
f3.5
Zuiko
lens
............................59
Nikon
MB-D100
battery
gripZuiko
forMacro
D100
plus
2 batteries.........29
Olympus
OM
50mm
f1.8 leads,
MC
lens
nr
mint
boxed ................29
Olympus
OM50mm
TTL
Auto
mint
boxed
0.3m-5m
from...... 7
Olympus
OM
Extension
tube,
25mm.
Mint
boxed..........15
Olympus
OM
75-150mm
Zuiko
lens.
nr mint...............................49
Olympus
OMAuto
Winder
2. f4
Good
condition
working
well..........
29
Nikon
Nikkormat
Ftn
body,
black.
Average,
working
well......49
Olympus
OM
75-150mm
f4
Zuiko
Zoom
nr
mint
cased................49
Olympus
OM
black
leather
case.
VGC,
always
popular........29
Pathe Non
Motocamera
9.5mm,
2cm f3.5
CarlVGC.....................45
Zeiss lens.......... 29
Nikon
Ai 85-250mm
135mm
f3.5
Q lens,
OlympusOM
OM
f5 Nikkor
MC Series
Zuiko
Auto
Olympus
fit
200/3.5
Vivitar
1 AFZoom
lens!
Boxed
.......79
Pentax
Efina
APS
camera.
Lovely
design,
mint,VGC................99
boxed.......
25
Nikon
Non
AifitBounce
28mm
f2.8
VGC,
nice quality.....19
Olympus
OM
GripTamron
for 310 lens.
flash lovely
example
.............29
Olympus
Triplus
12,20,36mm
Auto
ext.
tubes,
mint
....19
Pentax
fitOM
Pentacon
Magnifying
angle
finder.
......................
25
Olympus
OM
fit
Vivitarf3.5
Macro
Focusing
2x,lens.
mint,Scalloped
box ..................29
Nikon
Non
Ai
28mm
Nikkor
H
Auto
......49
Pentax
KOM
135mm
f3.5
SMC-M
lens,Super
VGC,condition...................29
nicecondition,
optics.........
25
Olympus
focus
sreen:
Grid
type.
Excellent
.....15
Olympus
OM
holdall.
Small
version.
Pentax
KOM
AF
200SA
flash,1,
nr+F. mint,
cased
............................
19
Nikon
Non
AiMotor
35-105mm
f3.5
Vivitar
Zoom
Lovely.......35
Olympus
Drive
Battery
Grip310
1,lens.
Holder
1 ........59
Olympus
OM
Mains
adaptor
AC.
for
QA
flash.....................15
Pentax
KOM
fitAi300mm
f4.5
Soligor
Top
condition............
39
Olympus
OM
Power
Bounce
Grip
2. tubes:
Mint
and
boxed
...................35
Olympus
set
of three
extension
7,
14, 25mm
.......29
Nikon
Non
50mm
f2 Nikkor
H lens.
Auto
lens.
Scalloped
.........45
T20 flash,
flash Boxed
and example.
near
Olympus
OM
Pentax
KOM
fit 75-205mm
f3.8 Vivitar
MCmint..................................22
zoom
+ 2x conv ..... 39
Olympus
near
mint
.........................29
Nikon
Non
AiT32
50mm
f2 VGC
HC Autowith
lens.
Scalloped.......49
Olympus
OM
T20
flash,
complete
case
.........................19
Pentax
KOM
Kiron
MC7,
7 Nikkor
element
2x converter.
Super
.......... 19
Olympus
Vari
Magni
Finder.
Near
mint,and
cased
...............29
Olympus
OM
with
zoom
adaptor
filters
................35
Nikon
Non
Ai T32
55mm
f3.5
Micro.
+1:1
tube
...........79
Pentax
K1000
slr,flash,
with
f2Scalloped
SMC
lens.cased
...............
49
Olympus
OM
Winder
2. 55mm
Good condition
working
well
............29
Olympus
OM
T32
Wide
Adapter
and
ND
filter
set...........................9
Pentax
KAOM
f3.5-4.5condition
Cosina
ultra
zoom
........
49
Nikon
R/F
fit19-35mm
13.5cm
viewfinder,
with
Parallax
correction.
....49
Olympus
in chrome.
50mm
f1.8wide
Zuiko
lens.......59
OlympusOM-1n,
Winder
2. GoodWith
working
well..................29
Pentax
KAF
fit Sigma
100-300mm
f4.5-6.7
DL +Zoom
.........
49
Nikon
Rangefinder
fit light
meter,
second
booster
.....69
Olympus
OM-1,
black,
with
50mm
f1.8
Zuikotype
lens.........................89
Olympus
OM-2n,
chrome,
with
50/1.8
lens...................59
Pentax
KAF
fit Sigma
28-200mm
f3.8-5.6
UC Zoom...........
49
Olympus
OM-1n
body,
chrome
vgc mark
on base
...........69
Olympus
Pen
F/ FT
bellows
setboxed
plus condition,
focus
VGC.............39
Nikon
SB24
Speedlight.
Near
mint
boxed
............35
Pentax
M42
Bellows
lovely
condition,
nrrail.
mint,
boxed......
35
Olympus
OM-1n
body,II,chrome.
A lovely example
Boxed
............89
Pentax
fitRight
Pentacon
Magnifying
angle
finder.
V Nice..............25
Nikon
Speedlight
SB-600,
alllens.
Nikon
Digital
SLR ..........99
Pentax
Angle
finder.+ suits
Me/Mx/SP
etc,
VGC
cased........
19
Olympus
OM-1n,
chrome
50/1.8
All boxed.........................99
Pentax
KSpotmatic
40-80mm
f2.8-4
M zoom
lens.
Excellent........29
Olympus
Pen (original
model)
2nd
version
niceTakumar.........
order.................45
Pentax
withSMC
55mm
f1.8 SMC
49
Olympus
Mju
1 AFSP,
compact,
with
35mm
f3.5
Zuiko
.............29
Pentax
KA
35-70mm
f4
SMC
A
Zoom
lens.
Near
mint
...........35
Olympus
Pen
EE-3
half
frame
with
28mm
f3.5
Zuiko....................29
Photax french
cameraf2.8
for AF
6x9lens.
on 620
film.
............ 19
Olympus
Mju EE-3
II,bakelite
Silver,
35mm
NrZuiko...................29
mint..............69
Olympus
halff4
frame,
with
28mm
f3.5VGC
Pentax
KAPen
70-210mm
SMC
A
zoom
lens.
.................49
Rank
Electra
"Linear"
CDS
meter
VGC
boxed.....................
19
Olympus
OM
200mm
f4 MC
Zuiko
Multi
Coated
......49
Pathe Motocamera
9.5mm,
2cm
f3.5
Carl
Zeiss
lens....................29
Pentax
LXS-1
FA-2
Eye
Level
Finder
(noAuto-T
shoe)
Exc++,
.......79
Reflecta
film
and
slide
scanner
toLimited
computer
or box
TV........
49
Pentax FAOM
43mm
f1.9 SMC
Pentax-FA
lens
.................... 319
Olympus
35-70mm
f4
S
Zuiko
Two
Touch
VGC.............49
Pentax
LX
FE-1
LevelHFT
Magni-Finder.
Near
Mint ...........69
Rollei
70 Waist
withMagnifying
35-70
Macro
Vario
Apogon
........ 39
PentaxPrego
fit Pentacon
angle
finder.
V Nice.....................25
Pentax
realon
leather
ever
ready
case.
Rolleiflex
16
mask
set,
2.8f,
3.5fVGC........................29
etc.
boxed
...........
15
Olympus
Bounce
Gripsuits
for 310
flash
lovely
example
......29
PentaxLX
K OM
40mm
f2.8
Pancake
lens.
usable
condition................49
Rolleiflex
Bay
Mid
Yellow.
VGC,
cased.....................
17
Pentax
System
Finder
FB-1+
Action
Eyepiece
FC-1
......79
PentaxLX
K OM
135mm
f3.5
SMC-M
lens,
VGC, nice
optics....................25
Olympus
fit2 filter,
Vivitar
Macro
Focusing
2x, mint,
box ..........29
Rolleiflex
Bayonet
lensAuto
hood
(suit
3.5fsemi
etc)auto,
......................
22
PentaxM42
K AF
200SA2flash,
nr
mint,
cased.........................................19
Pentax
135mm
f3.5
VGC .......19
Olympus
T20 flash
BoxedTakumar
and
near
mint.......................22
PentaxRef
K OM
fit
300mm
lens.
Top condition
Rolleiflex
Bayonet
I f4.5
Rolleinar
set .......................................
29
Pentax
Converter
M,Soligor
right 2angle
finder,
ME, LX,.....................39
MX .......49
Pentax K OM
fit
75-205mm
f3.8
Vivitar
MC
zoom
+
2x
conv...............39
Olympus
T20leather
flash,
VGC
complete
case................19
Rolleiflex
folding
Binocular
viewing
hood
VGC........
49
Pentax
RefKiron
Coverter,
right
angle
finder,
fitswith
SV,
S1a
etc ........29
Pentax K OM
MC7,
72.element
2x with
converter.
Super
....................19
Rolleiflex
Plate
adapter
back
set.
screen,
3x well
holder.....
29
Olympus
Winder
Good
condition
working
..........29
Petri
Flex
28mm
f3.5
Petri
CC
Autoultra
lens.
Scalloped
..........29
Pentax
KAfit19-35mm
f3.5-4.5
Cosina
wide
zoom..................49
Rusian
35mm
viewfinder,
ideal
Zorki,
Fed,
Kiev
etc
............
19
Olympus
OM-1,
chrome,
with
50/1.8
Zuiko
lens.
Vgc...........78
Petri
Petriflex
V6
SLR,
with
55mm
f2
Petri
CC
Auto
lens.......39
Pentax KA 50mm f1.7 SMC-A Pentax lens. VGC ............................39
Tamron
Ad 2CRF,
f2.5
BBAR
MC
lens.
Nrnew
mintseals
cased
..... 29
Pentax
KAF
fit28mm
Sigma
28-200mm
f3.8-5.6
UC
Zoom......................49
Ricoh
500G
with
40/2.8
Rikenon
lens,
.........29
Olympus
OM-1n,
chrome,
+
50/1.8
Zuiko
MC
lens...............69
Tamron
Adaptall
2 80-210
f3.8-4
Tele
Macro
Zoom ...... 29
Pentax
M42
Bellows
II, lovely
condition,
nr mint,
boxed...............35
Ricoh
KR-10
Super.
With
50mm
f2CF
Rikenon
(K
mount)..........39
Olympus
OM-2n
chrome.
..........................39
Tamron
Adaptall
2body,
mount
28-70 Good
f3.5-4.5
compact
lens ....... 19
Pentax Right
Angle
finder.
Me/Mx/SP
etc,user
VGC
cased..................19
Rollei
35 LED,
black.
With
40mm
f3.5 Triotar
lens.
...............49
PraktisixAdaptall
6x6
SLR,28mm
80/2.8
Biometar,
Prism,
nice.....................99
Tamron
f2.8
lens.
Original
type....................
19
Olympus
OM-2SP
,with
black.
VGC
with
50/1.8
lens
...................99
Rollei
original
model,
Germany.
Tessar
lens,
VGC...........99
Ricoh35,
GR1,
black,
28mm
f2.8
lens.
Really
nice
..................
Tamron
Fotovix
Film
Video
processor.
boxed
.....199
39
Olympus
Pen
FTTF-56WE
+with
38/f1.8
Zuiko
Superb
example.............179
Rolleicord
exposure
with
counter,
masks,
Rollei VR,
35T,16
40mm
Tessar
VGC;
meter/slow
speeds
u/s.................59
Taron
35mm
CRF kit,
camera.
With 45mm
f2.8boxed.........19
Taronar.... 29
Pentax
fit(Unirex
Pentacon
Magnifying
finder.
V Nice
............25
Rollei Prego
with
35-70
HFT
Macro
Vario
Apogon
..................39
Rolleicord
IV, 70
with
75mm
f3.5
Xenar
in GWO
...............
119
Topcon
etc)
fit 200mm
f4angle
UVlens
Topcor
lens................
29
Rolleiflex
16 on
maskflash,
suits
etc. boxed.....................15
Rolleiflex
4x4,
c.1931.
The
first
baby
Rolleiflex.
........99
Pentax
K(Unirex
AF
200SA
nr mint,
cased.............................19
Topcon
etc) fitset,
28mm
f42.8f,
UV3.5f
Topcor
lens SALE
mint-.........
29
Rolleiflex Bayonet 1 H1 filter, VGC cased...........................................9
Rolleiflex
11 filters:
orange
/camera.
Yellow,
price
each
.........10
Universal
Minute
16
subminiature
Boxed
..............
49
Pentax
K Bayonet
fit
75-205mm
f3.8
Vivitar
MC
zoom
+cased
2x
conv.......39
Rolleiflex
Bayonet
lens
hood,
super
condition,
..............19
Rolleiflex
Bayonet
11 Rolleinar
no.2
close
up
Voigtlander
40.5mm
Focar
set,
A,B,C
and
Dset.
all Cased........29
boxed........
19
Rolleiflex
Bayonet
UV
filter,
super
condition,
case.......................9
Pentax
KAF
100-300mm
f4.5-6.7
Sigma
DL
Zoom
..............49
Rolleiflex
Grip.
With
cable
release................................29
Voigtlander
40.5mm
Orange
Yellow filters each ............. 9
RolleiflexPistol
Bayonet
I Rolleinar
2and
set.....................................................29
Petri
Flex4A,
fit Bessamatic
35mm
Petri
CC
Auto
lens.
Scalloped.........29
Seagull
TLR
withf2.8
crank
wind.
75mm
f3.5Dynarex
Lens
VGC..............89
Voigtlander
135mm
f4
Super
............ 19
Rolleiflex
Plate
back
accessory
outift
+ focus
screen.............29
Petri
TTL,
inBessamatic
Black
finish.
M42
SLR
+ 55
f1.8vgc
CC
lens........
.........29
Seagull
4B1,
TLR, Knob
wind.
75mm
f3.5
Lens,
VGC...................69
Voigtlander
36-82mm
f2.8
Zoomar
lens
159
Rolleiflex
Rolleilux
6x6
lens
hood
/ light
meter
cased......79
Tamron
Ad 2Bessamatic
28mm
f2.5
BBAR
MC
lens.w/Color
Nr
mintApogon..........39
cased ..............29
Voigtlander
Deluxe
SLR
..... 49
Rollei
Prego
70
35-70
HFT
Macro
Vario
Tamron
Adaptall
2with
mount
28mm
f2.5
BBAR
MCSkopar-X
...................25
Tamron Adaptall
2 80-210fitf3.8-4
CFf3.4
TeleSkoparex
Macro Zoom
................29
Voigtlander
Bessamatic
35mm
lens..........
39
Tasei
Welmy
Six,Grip.
6x6
on
120.f3.5-4.5
75mm
Terionar
lens...........35
Rolleiflex
Pistol
With
cable
release
..............................29
Tamron
Adaptall
2formount
28-70
compact
lens................19
Voigtlander
Bessamatic
SLR
w/
50 f2.8
Color
Skopar-X
79
Tele
Rolleiflex
Rolleinar
0.35m
close
up+attachment
VGC ....
....79
Tamron
Adaptall
28mm
f2.8
lens.
Original
type..............................19
Rolleiflex
Plate
back
accessory
outift
focus
screen...........29
Leica Visoflex
Adaptor
ring for
bellows
unit............... 19 Tele
Voigtlander
finder,
for close
35mmuplens
on 24x36VGC
.............
19
Kodak
Retina C16598
fit 80mm
f4 Xenon,
some
marks...................29
RolleiflexKontur
Rolleinar
0.7m
attachment.
.....79
35mm
reloadable
cassette.
Shirley
Wellard
VGC
boxedwell
.............12
4x5
f6.8
Schneider
Angulon
lens...............................99
5x4 120mm
MPP
rollfilm
holder, 6x9
on
120.
VGC
working
.......49
4x5
210mm
f5.6Rodenstock
Rodenstock
Sironar
lens.
VGC
...............
199
4x5
210mm
f5.6
Sironar
lens. for
VGC..........................
199
5x4
roll
adaptor,
Graflex
23 Graphic
6x9
on lens
120 ........49
5x45x4
Warfilm
Time
Speed
Graphic,
outfit;
flash,
Ektar
.......299
4x5
5x4
Sinar
F2
Monorail
body
outfit;
lovely,
cased.........
369
4x5
Sinar
F2
Monorail
body
outfit;
lovely,
cased
.................
369
Agfa
Karat
with crf
5cm
f2.8int.
Xenar.
Cassettes
incl................39
4x5
90mm
f8
Super
Angulon
Multi
Coating
lens.
VGC......
299
4x5
Super
Angulon
Multi
Coating
VGC
.............. 299
Agfa90mm
Ambif812,
Silette,
with
50mm
f2.8lens.
Solinar
lens.........49
Agfa
Karatcut
35,sheet
with 3.5
Solinar
lens
in Graflex
Compur
Rapid ...........29
4x5
DDS
film
holders,
off
.......
14
5x4
f6.3
Wray
wide
angle
in2Epsilon,
MPPRiteway.
panel...............99
Alpa89mm
Reflex
Bellows,
genuine
Alpa/novoflex
item
......79
Agfa
Karat
IV,Macro
with
50mm
f2 Solagon
5x4
MIcro
Technical
MK
VI kit4with
150VGC.....................89
xenar
VGC.......... 349
4x5MPP
DDS
cut
sheet
film holders,
offlens
Fidelity
DeLuxe.........
25
B & MPP
HMovex
6276x9
16mm
body.
2Very
Lens
turret,
cased..............39
67mm
close
up
set;movie
no.s
1,2,4
and
10.
SRB
as
new.....................15
Agfa
Reflex
double
8 movie
camera
set,
LOVELY......39
5x4
Roll
Film
Holder,
nice,
working
well....... 59
6x9cm
Fidelity
Deluxe
film
holders,
mint.............12
BraunSuper
Paxette
II (uncr/f).
With
50mm
f2.8boxed
Xenar
lens
..........49
6x9cm
Fidelity
Deluxe
double
film
holders,
boxed
mint-......
12
Agfa
Silette,
crfdouble
with
45mm
f3.5
Solinar
lens
..............39
Agfa
Ambi
Silette
CRF
With 50mm
f2.8 Alpa/novoflex
Color Solinar ..................49
Alpa
Reflex
Macro
Bellows,
genuine
item
....
79
Ansco
Karomat
(Agfa
Karat
36), 50mm
f2 Xenon
VGC
.........69
Bronica
EC36,/ S2A
etc35mm
fit Komura
200mm
f3.5 lens.
VGC
.....49
Agfa
Karat
crf for
With 50mm
f2 Xenon
lens...............59
Alpa
Reflex
set
ofBellows,
Macro
extension
tubes.
VGC..................
39
Balda
Baldalux
6x9
folder,
with
f4.5
Radionar
VGC
........39
Alpa
Reflex
genuine
.............79
Bronica
ECMacro
/ S2A
etc
fit set
of 105
ext Alpa/novoflex
tubes.
Nr mintitem
boxed
......25
Beautyflex
TLR
1950's
TLR
forS6x6
..... 39
Balda
Baldax,
6x6
on 120.
75/2.9Japanese
Baltar
Prontor
............35
Alpa
Reflex
ofcamera,
Macro
extension
tubes. in
VGC
............................39
Bronica
ECset
/ S2A
etc fitf3.5
Vivitar
MC
2X teleconverter............29
Braun
Paxette
fit13.5cm
13.5cm
f3.5
Enna
Tele-Ennaston
lens...... 35
Braun
Paxette
fit35mm
Enna
Tele-Ennaston
Balda
Baldina,
crf. 2.9
Radionar
/ Prontor lens...............35
SVS...........25
EC Plain
VGCin.....................................39
Bronica
ETR
f3.5finder,
MC
Zenzanon,
nr Boxed
mint,
hood
..... 79
Bronica
ETR
/ 150mm
S35mm
/ SiPrism
150mm
f3.5
Zenzanon
PE
.................89
Balda
Baldina,
crf.
F2
Xenon
Synchro
Compur.......49
Bronica
ETR
/S
Si
200mm
f4.5
Zenzanon
Boxed
.................99
Bronica
SQ
6x6
120
film
back,
with
insertPEVario
/ dark
slide
........
35
Bronica
ETR
/ S/ VGC,
/ Si
Motor
Winder
Ei...................................49
Bolex
H8ETR
Reflex
boxed
with
8-36mm
switar
......159
Bronica
/S
/ Si
40mm
f4 Zenzanon
MC lens VGC................99
Bronica
SQA
/
Ai
/
B
150mm
f3.5
Zenzanon-S
lens
VGC....
99
BPM
Bellows
outfit:
Bellows,
Focuslide,
ofetc
bits......139
.....49
Canon
7 body.
VGCwith
and
working
well,
nice
finders
Bronica
degree
prism
finder
E. loads
VGC.....................39
Bronica ETR
SQA/ S/ Ai/ Si/ B9050mm
f3.5
Zenzanon-S
lens VGC.... 149
Bronica
EC /with
S2A50mm
etcf3.5
set
ext tubes.
mint
boxed
........25
Bronica
ETR
150mm
MC
nrNr
mint,
hood
...............79
Canon EF
A-1,
f1.8ofZenzanon,
breech
mount
lens.
VGC,.........65
Canon
24mm
f2.8fitSigma
S/W
II AF
lens.
non
digital
.....219
49
Bronica ETRSi,
complete
cameraMC
ready
to go, boxed...............
EC35-105mm
/ S2A
etc fit
Vivitar
2Xlens.
teleconverter.
............29
35-70mm
f3.5-4.5
Mk
1VGC...................
zoom
lens.
.........29
Canon EF
f4.5-5.6
USM
39
Bronica
SQA
/ Ai / Prism
B 150mm
f3.5Canon
Zenzanon-S
lens VGC.............99
Bronica
EC35-135mm
Plain
finder,
VGC
......................................39
Canon
f4-5.6
zoom
lens.
...........149
59
Canon EF
EF
80-200mm
f4.5-5.6
Mk
II lens.
VGC
....................39
Bronica
SQA
/ Ai / B 50mm
f3.5USM
Zenzanon-S
lensVGC
VGC............
Bronica
ETR
/70-300
S / Si polaroid
film
back.
VGC.........................29
Canon
EF
fit
f4-5.6
Sigma
non
digital ..... 39
Canon
with
50mm
f1.8DL
FDMacro
lens ................................39
CanonAV-1,
EF
fitchrome,
70-300
f4-5.6
Sigma
DL
Macro
non digital ......39
Bronica
ETR
/
S
/
Si
Pro
Shade.
Good
usable
condition........19
CanonEF
EF,100mm
black, f3.5
withVivitar
50mmAFf1.4
SSClens.
Canon
lens............. 99
Canon
Macro
(Cosina)................79
CanonEF
EOS
+ grip
BP-50
+EC,
28-80mm
f3.5-5.6
Mk
IV......49
Bronica
Macro
Bellows,
toBP-E1
suit
S2a
VGC
.................49
Canon
28-200mm
f3.5-5.6
Sigma
Asphletc.
AF
Macro..................49
Canon
EOS
150SLR
With
booseter
grip.
used
...........
69
Canon
28-80mm
f3.5-5.6
USM
IIIf3.5-5.6
lens.
Super
Bronica
S2A
roll
holder.
Silver.
6x6
on
120/220...............29
CanonEF
EOS
3000V
body,
late
ultra
compact
film
SLR.........
25
50Efilm
with
28-80mm
MK
II...........................29
lens.
Nice ....49
Canon
EF
fit
70-300
f4-5.6
Sigma
DL
Macro
non
digital..............39
Canon
Canonet
GIII
QL17,
VGC,
new
seals..........................69
Canon
EOS-1D
Mk IV body.
FullZoom
body, lens...........................19
boxed nr mint.... 1,999
CanonEOS
FD 100-200mm
f5.6 FD
Canon
1 SLR With BP-E1
booseter grip.
used......................69
Canon
EF
f3.5-5.6
Mk
II lens,
CanonEOS
FD28-80mm
28mm
f2.8
prime
lens.
VGC,VGC........................29
with
caps
.............. 25
Canon
3000V body,
late ultra
film caps
SLR ..................25
Canon FD 28mm
f2.8 prime
lens.compact
VGC, with
...............25
Canon
FD135mm
70-150mm
f4.5Breech
Zoom
nice, boxed.....
25
Canon
EF
80-200mm
f4.5-5.6
Mk mount
IIlens.
lens.Very
VGC......................39
lens..............................69
Canon
FD
f2.5 S.C.
CanonFD
FD20mm
70-210mm
f4 Zoom
Zoom
lens.
VGC............................39
Canon
FD
70-210mm
f4
lens.
VGC...........................
39
Canon
EF
80-200mm
f4.5-5.6
USM
lens,
VGC......................39
Canon
f2.8 Bayonet
lens.
with
caps
............................ 129
CanonFD
FD28mm
FD
bayonet
lens.
.........................
29
bayonet
lens.
...........................29
Canon
f2.8 prime
lens.
VGC,HSM
with
caps
.........................25
Canon
EF
fit80-200mm
300mm
f4f4Sigma
APO
AF
Non
Digital....159
Canon
f4 BP-50
zoom
lens.
Two
type
VGC
.............25
Canon
FTbn
QL,
chrome,
with
50mm
f1.8
Canon
lens
.......
49
Canon
EOS
+ grip
+ 28-80mm...............................49
CanonFD
FD35-70mm
fit50
70-300mm
f4.5-5.8
Carltouch
Zeiss
Jenazoom
II ....29
Canon
FD
35mm
f3.5
S.C.
breech
mount
lens.
VGC
.....................29
Canon FD
P (Populaire)
Rangefinder
body.
VGC
cap
..... 149
Canon
135mm
f3.5
SCBreech
Breech
mountlens...............................69
lens.with
VGC
............29
CanonFD
LTM
L39f1.4
Leica
f1.8
Coating
marks
........49
Canon
50mm
SSC
mountetc
Canon
Power
Winder
A,50fits
A1.Serenar
AE-1
............................
19
Canon
FD
200mm
f4
SSC
lens.
Breech
mount.
....................49
Canon
70-150mm
Zoom
Very
nice,
..............25
CanonFD
Speedlite
300TL
(T90, lens.
T70
VGC,
w/manual
......25
Canon
Sure
Shotf3.5
AFf4.5
compact,
withetc)
38mm
f2.8boxed
Prime
.......
29
Canon
FD
28mm
mount
lens,
chrome
front ........25
Canon
FD
70-210mm
f4breech
Zoom lens.
VGC.........................................39
Contax
G TLA
flash,
for
G1lens.
/ 2lens
titanium
finish,
Mint
39
Carl Zeiss
Jena140
35AF
compact
camera,
with
Biotar
lens.....
.....39
Canon
FD
f4f4FD
bayonet
........................................29
Canon
FD80-200mm
70-210mm
Zoom
VGC
.............................39
Darkroom:
50mm
f4
Minolta
ESuperwide
Rokkorsigns
lens,
fboxed
............
19
Contax
167MT
body.
Nice
condition,
of
normal
use
...59
Canon
FD
fit
24mm
f2.8
Sigma
II,
near
mint
..............39
Canon
FD 80-200mm
f4 FDEL
bayonet
lens.
............................29
Darkroom:
50mm
f4 Nikon
Nikkor,
scalloped,
VGC ....... 25
Canon
Winder
fits A1. T*
AE-1
etc.........................................19
ContaxPower
G 21mm
f2.8A,Biogon
lens.
boxed,
finder etc......499
Canon
FD
fit 70-300mm
f4.5-5.8
Zeiss
Jenazoom
II .....29
Enlarging
50mm
f2.8 with
CECarl
lens,
mint
boxed..........
39
Canon
SureMinolta
Shot AF
compact,
38mmnrf2.8
Prime..................29
Canon
Telephoto
lens,
excellent............39
ContaxFL
T2,135mm
titanium
+ Fast
38/2.8
T*
Sonnar
Nr
mint.....................
boxed......299
Contax
135mm
f2.8f2.5
Carl
Zeiss
Sonnar
AE
T*
lens
Ensign
"Ensignette"
no.1
(the
small
one)
Aluminium
..........159
29
Canon
Tlb,
with
50/1.8
FD
lens.
VGC
overall.........................49
Contax
139
Quartz
body.
Nice
example,
new rare....................
covering
...............59
Ensign
British
Ensign
Back".
c.1905,
89
Darkroom
75mm
f4
EL"Flat
Nikkor
lens
scalloped,
excellent
......39
Contax
159MM
VGC,
working
wellN-61
..........................................69
Canon
V,
VI camera,
etcbody.
Canon
Flash
Unitf2.8
Model
V.lens.
VGCSuper
cased........19
Fed
4 CRF
with
52mm
....... 29
Darkroom
LPLbody.
8x10VGC,
inchworking
masking
easel..............................15
Contax
well
with
ERC ........................79
Contax
/ Yashica
fit 100mm
f3.5 Vivitar
(Cosina)
Macro
........49
Fed 5C,167MT
with 55mm
f2.8 Industar
61 lens.
VGC,
cased.......
39
Contax
25mm
f2.8fit
Carl
Zeiss EL
Distagon
T* Germany
.......... 249
Darkroom:
50mm
f475-300mm
Nikon
Nikkor,
scalloped,
Contax
/ Yashica
ff4
4.5-5.6
Sigma
APO.............59
Fujica
Bayonet
mount
200mm
EBCAE
X-Fujinon
TVGC.........25
lens
....139
29
Contax
35mm
f2.8
Carl
Zeiss
Distagon
AE
T*mint
lensboxed...........39
VGC
..........
Enlarging
Minolta
50mm
f2.8
CE
lens,
nr
Contax
/ Yashica
SCA
380 adaptor
excellent
...............19
Hasselblad
150mm
f4 Zeis
T* Sonnar
lens,
silver
finish........
199
Contax
50mm
f1.7Metz
Carl
Planar
AE T*inlens,
VGC
...................99
Hasselblad
220 f2.8
film
back,
matching
numbers
49
Contax
139
winder,
VGC........................................................25
Enlarging
Nikon
50mm
f2.8chrome.
EL lens.
Nikkor,
scalloped
VGC.......
........39
Contax
fit
35mm
Yashica
ML
VGC....................................29
Hasselblad
50mm
shade
Clens.
(40274,
thread) .... 19
Contax
50mm
f1.4lens
Yashica
MLgood
Super67mm
example................69
Contax
82mm
Yellow
filter.
Mint
and
boxed
with
case............29
Ensignfit
Commando
6x6
CRF,
condition
.......................89
Crumpler
Messenger
Boyadapter,
2500 camera
bag,
as new
Hasselblad
Microscope
40045.
Rare
item..................19
............
49
Contax
Polaroid
camera
for
Y/C
lens.
New
boxed
...79
Exakta Preview
VX1000
SLR,
with
f2.8
Zeiss
Tessar
VGC.....79
Darkroom:
50mm
f4 Minolta
E50mm
Rokkor
lens,
fboxed.......................19
Hasselblad
Polaroid
100
back,
no.30198.
Mint
Boxed
........ 49
Contax
TLA-30
flash.
Excellent
condition
with
Pouch
............35
Darkroom:
50mm
f4f2.8
Nikon
EL Nikkor,
scalloped,
VGC.................25
Fed 2 with
52mm
lens........................................39
Hasselblad
Variable
ExtN-26M
Tube
64-85mm.
Boxed.......
299
Doskocil
Watertight
storage
case, Mint,
19x16x9
inch ......35
Eho-Altissa
Altix fit 90mm
f3.5camera
Meyer Telefogar
lens.....................79
Hit
typeSelfix
camera,
Bell6x6
14
Japanese
subminiature
................
15
Focorect
Standard,
coupled
rangefinder
att.
32Mm
dia........29
Ensign
12-20
on
120
75mm
Ross
Xpres........59
Eho-Altissa
Altix
V with
90mm
f3.5with
Meyer
Telefogar
.....................49
Kiev
/ Contax
fit35mm.
f2.8
Jupiter
12
lens,
inlens.
black............
49
Fuji 4,
GS645S
Wide50mm
60 CRF
6x4.5
mint
boxed.........339
Eho-Altissa
V,35mm
with
f2.8for
Carl
Zeiss
Tessar
..................79
Fed
CRFAltix
forPro
With
52mm
f2.8
N-61
VGC
.......29
Kiev 60
fitMinolta
65mm
f3.5 Mir-385
wide
angle
lens.
...................
39
Enlarging
50mm
f2.8 f4.5
CE
lens,
nr mint
boxed
...................39
Foca
screw
(not
Leica)
135
Teleoplar
lens
Case.............49
Fujica
ST605
+
55mm
f2.2
Fujinon
lens.
(M42)
nr
mint........39
Kiev 88 / Kiev
/ Salyut
f2.8scalloped
Kaleinar-3b
lens.........
99
Enlarging
Nikon80
50mm
f2.8 fit
EL150
Nikkor,
VGC
................39
Franka
Solida
uncoupled
75/3.5
Isconar,
Fujica88ST701
+8055mm
Fujinon
lens.
(M42)
VGC...........29
Kiev
/ Kiev II,
/ Salyut
fitR/F,
300mm
f4.5Aluminium....................29
Tair
33lovely..........39
lens .......... 79
Ensign
Ensignette
no.1f1.8
(the
small one)
Gossen
2 meter,
Late
all
black
model.
In VGC
...........29
Ensign
220.
6x6
120
75mm
Ensar
.................49
Kiev
88Autorange
/Sixtar
Kiev
/ Salyut
fiton45mm
Mir
26b
lens...........
69
Fujimoto
G70 80
enlarger.
35Mm
upWith
tof3.5
6x7
complete
VGC ....159
Gossen
Lunasix
3
meter,
Late
all
black
model.
In
VGC
.........39
Ensign
British
Ensign
Flat
Back.
c.1905,
rare..............................89
Kodak
No.
1, model
B.allfrom
1900.
VGC................
29
GossenBrownie
Lunasix
380
meter,
Late
model.
VGC........39
Exakta
IIa,
with
50mm
f2
Zeiss
Pancolar
lens.....................79
Hasselblad
/ Zenit
/Kiev
etc45mm
fitblack
Plain
45Xenar
degInprism
.......39
Kodak Varex
Retina
Automatic
II. 88
With
f2.8
lens......
29
Hasselblad
150mm
f4 Carl
lens.
Silver.........149
Exakta
VX 1000,
with Zeiss
50mm
f2Zeiss
ZeissSonnar
Pancolar
lens......................89
Hasselblad
135
S-Planar
T* bellows
Mint,
box ....289
Kodak
Retina
Cf5.6
fit 35mm
f5.6
Schneider
Curtagon
lens
..... 39
Fed
1 ever ready
case. Also
suitZorki
1,
early Leica
....................19
Hasselblad
90
degree
prism
finder.
Hensoldt
type.
..............39
Hasselblad
90
degree
prism
finder.
Hensoldt
type.
...............39
Kodak
Retina
C fit 80mm
f4 Xenon,
some
29
Fed
1 type
E Berdsk
(Siberia)
1946 with
fedmarks................
lens ................... 129
Hasselblad
90
degree
prism
finder.
Rounded
type,
VGC.......49
Kodak
Retina
Optical
finder,
35 /80
lenses..............
25
Hasselblad
fit C
2xfit
Converter,
Vivitar,
Near
mint,
cased
..........49
Fed
3 35mm
CRF
camera
with
lens,for
case,
VGC
.............................29
Hasselblad
A12
magazine,
close
toadapter......................49
mint cased..............
boxed..................29
............159
Kodak
Retina
IIcfilm
(small
C) with
f2.8
Xenon,
69
Fed
4 CRF
camera,
with
53mm
f2.8
N-61
lens.
Super
Hasselblad
Ground
Glass
back
focus
Hasselblad
Adjustable
shoe
43125,
excellent
29
Fujica
CRF
with the
100mm
Fujinon
lens......................
Konica690
Auto
Reflex
A3Accessory
+ 50mmf3.5
f1.7
lens
serviced
VGC ......
.....299
49
Hasselblad
macro
chimney
finder.
used
Fujica
Bayonet
mount
200mm
f4
EBCWell
X-Fujinon
Texample.........25
lens...............29
Korelle
Convertible
model.
with
Xenar,
nice.......
79
Hasselblad
Bellows
TIBTC
+folding127
Shade
TIBSC.
Mint,
boxed
....179
Gossen
Lunasix
light
meter.neck
Case
&Near
Manual
...............................59
Hasselblad
leather
strap,
VGC.........................19
Kowa
Super
66
plain
ground
centre
spot .... 25
Hasselblad
fitnarrow
2xFScreen.boxed,
Converter,
Vivitar,
mint,
cased............49
Hasselblad
150mm
f4
T*
Sonnar
lens,
in
silver
finish................
199
Leica
BlackFrame
bakelite
screw
top
keeper.
V Nice
......
19
Hasselblad
Pistol
grip,
suits
most
F andfor
C13.5,
models.
VGC
.....25
Hasselblad
40215
...................29
Hasselblad
220 filmfinder
back, (Sports
chrome.Finder)
matching
numbers...............49
Leica
E.Leitz
New
York
no.12,
leather
zipped
lens
case
.....
19
Hasselblad
narrow
leather
neck
strap,
VGC
..........................19
Kiev
/
Contax
fit
35mm
f2.8
Jupiter-12
lens.
Black
finish......59
Hasselblad 50mm lens shade C (40274, 67mm thread)..............19
Leica ELDIA
negative
film most
strip40045.
printer.
29
Hasselblad
Pistol
grip, /suits
F and
Cboxed....................
models.
VGC.......25
Hasselblad
Microscope
adapter,
Rare
item.......................49
Kodak
No.1
Panoram.
The
original
1900
model.
VGC
.......199
Leica FISON
hood,
for 5cm
lens.
A36
clampMint
on .......
35
Hasselblad
Polaroid
100
back,Elmar
no.30198.
Boxed..................49
Hasselblad
Prism
HC-4.
NewMint
old
stock,
.....169
KodakIUFOO
Retina
C fitViewfinder
35mm
f5.6
Schneider
Leica
hood,
for
M
fit E39 90
/Curtagon..............39
135
29
Hasselblad
Variable
Ext40231.
Tube
64-85mm.
Mint,
Boxed
299
Hasselblad
Prolens
Shade
Complete
set,
nr ....................
mint...............
box......79
Infra,
for
Rapid
cassettes,
Not common
...........................19
Leica
L39
25mm
Voigtlander
Snapshot
Skopar
lens.....
199
KodakWetzlar.
Retina
CShade
fitf480mm
f4 lenses,
Heligon
C, VGC,
scarce...........69
Hasselblad
Pro
for T*
used
but
usable.
..........19
Kiev
/ Contax
fit 35mm
f2.8
Jupiter
12Leica
lens,
in
black
....................49
Leica
L39
Russian
50/2.8
Industar,
engraving
........... 25
Kodak
Retina
CSLR,
fitJapanese
80mm
f4
Xenon,
somelens.
marks.................29
Hit
camera
Small
subminiature
with case
.....29
Kiev
10L39
Automat
+ 53mm
f2 Helios-81
VGC................69
Leica
screw
mount
135mm
f4 JupiterVGC
11, silver
............
39
Kodak
Retina
/lens
SCanon
mount
135mm
Tele....................19
Xenar..........39
Horseman
/Reflex
VH-R
board,
Copal
0f4Scarce.....................49
size
Kiev
15L39,
TTLVH
SLR,
+53mm
f2
Helios-81
lens.
Leica
135mm
f3.5
lens.
Early
chrome
type...... 89
Kiev
88
/ Kiev 80
/ Salyut
fit 150
f2.8 Kaleinar-3b
lens.................99
Kiev
/
Contax
fit
135mm
f4
Jupiter-11
lens,
silver,
keeper......35
Kodak
Retina
Sports
Finder,
VGC
cased..............................25
Leica88M/ /Kiev
Screw
28/90mm
(Voigtlander)............
25
Kiev
80
/adaptor
Salyutf2.8
fitfor
300mm
f4.5
Tair
33
...................79
Kiev
/ Contax
fit 35mm
Jupiter
12AR
lens.
In lens
black
vgc.......49
Leica
/Kiev
Screw
35/135
19
Konica
mount
28mmfitfor
f3.5
Hexar
lens.
VGC
..............25
Kiev
88M/AR
80 /adaptor
Salyut
45mm
f3.5(Voigtlander)................
Mir 26b
lens
....................69
Kiev
/ Contax
fitMetered,
85mm
f2Plus
Jupiter-9
lens.
VGC.......................79
Leica
Mcamera,
/ Screw
lens
135mm
genuine
29
Kiev
IV
Jupiter
lens,
case..........................49
Konica
Autoreflex
A +adaptor
52mm
f1.8
Hexanon
ARLeitz
lens...........
Nice ....45
Kiev
88
fit
150mm
f2.8
Kaleinar-3B
lens
VGC,
cased............99
Leica M / Screw
adaptor
genuine
Leica.......
29
Kochmann
Korellelens
folding
6x4.5for
on90mm
120, f2.9
Radionar
...............59
Konica
FS-1
SLR,
+ model
40mm
f1.8
Pancake
Hexanon
lens
......39
Kiev
88M
fit12538
65mm
f3.5
Mir-38B
lens.
Black.
VGC....................59
Kodak
Brownie
No.
1,
B.
from
1900.
...........................29
Leica
50mm
f2 Summicron
lensVGC
hood.
VGC
........
29
Kodak
Retina
C fitf4.5
35mm
f5.6
Schneider
Curtagon
lens
.............39
L39 camera
Macro
bellows,
Russian.
mint, boxed...........19
King
Regula
Super
CRF,
interch.
50/2.8Nr
Westanar.
VGC.......49
Leica
M
135mm
Hektor
lens..........................................
99
Kodak
Retina
C
fit
80mm
f4
Xenon,
some
marks...........................29
Leica M
Leather
ever
ready
case,
suitXenar
M1,
M2,
M3.case
...........
25
Kodak
Retina
1New
type
010.
With
50/3.5
in C.Rapid........39
E.Leitz
York
no.12,
leather
zipped
lens
......19
Kodak Retina C fit Optical finder, for 35 /80 lenses.......................25
Leica
body,
Working
superbly,
nice....................29
order ...... 499
Kodak
Retina
C chrome.
fit
35mm
f5.6
Schneider
Leica M4
ELDIA
negative
/ film
boxed
Kodak
Retina
IIc
(small
C)
withstrip
f2.8printer.
Xenon,Curtagon................39
cased........................69
Leica E.Leitz
Visoflex
16590
Nno.12,
Adaptor
ringzipped
forVGC,
Bellows
unit...........
25
Kodak
RetinaNew
C
fitYork
80mm
f4 Heligon
C,
scarce
............69
Leica
leather
case
.............19
Leica FODIS
long
base
rangefinder,
Black lens
/ Nickel
VGC....109
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Kodak
Retinanegative
Reflex
// S
mount
135mm
f4type,
Tele
Xenar
LeicaELDIA
FOKOS
chrome
rangefinder,
post
no
foot..........39
..........49
Leica
film
strip printer.
boxed
.............................29
Leica
Visoflex
OTZFO
16464K
focussing
lens
mount
.........
29
Leica
hood,
Elmar
lens.
A36VGC
clamp
on ................35
KodakFISON
Reflex
fit5cm
slide
copying
set.
IRetina
/ II / III
outfitfor280mm
case.
Lovely
english
made
case............49
Leica
Visoflex
Telyt
f4
Lens
head
only......................19
Boxed
...... 149
Leica
IUFOO
lens
hood,
M 50mm
fitworking
E39 90
/ well,
135................................29
Kodak
Reflex
III,tofor
with
f2.8
Xenar......................59
Leningrad
8 light
meter,
VGC,
with +case
....... 19
LeicaL39,
II,Retina
factory
III. c.1932.
5 digit
s/no.
Elmar....339
Leica
135mmconv.
f3.5 Canon
lens. Early
chrome
type...............89
Kodak28-200
Retina
Sports
Finder,
VGC
cased
...............................25
M42
Vivitar
MC
Macro
Zoom.
Mboxed..... 29
Leica
12538f3.5-5.3
50mm f2
Summicron
lens
hood.for
VGC...................29
LeicaMITOOY
Reversible
clip on lens
hood,
50 Elmar......29
M42
f5
Auto
lens.
Nice
quality...................
29
Kodak300mm
IIEyemik
type
160
(1938)
top
needs
tidying, rare ....35
Leica
MRetinette
135mm
f4.5
Hektor
lens
........................................................99
Leica300mm
135mm
f4.5ready
Hektor
lens..........................................99
M42
f5 ever
Optomax
Auto
lens,
lovely
............... 25
Koni
Omega
180mm
f4.5
Hexanon
cased......................89
Leica
MMLeather
case,
suitlens
M1,
M2,SALE!
M3........................25
M42
f1.7
Autof5.6
Rikenon
lens,
nice
quality........
19
Leica
ROSOL
sports
finder.
Frames
forVGC,
5+and
13.5cm
.................49
Leica50mm
NOOKY
close
focus
attachment,
for
Elmar
lenses
.....29
Koni
Omega
60mm
Hexanon
lens
Finder
cased..........99
Leica
VIOOH
copy
finder.
London.
Lyre
shaped.................29
M42
300mm
f4.5
Tair
3Wray
lens.
Later
all
black
version
........ 39
Konica
AR
28mm
f3.5
Hexar
AR
lens.device,
Super
example,..........19
LeicafitVisoflex
NOOKY
HESUM
close
focus
VGC
.................39
Leica
1659085mm
N Adaptor
ring for
Bellows
unit ..................25
M42
Screw
f2 Jupiter
9 lens,
in black
............ 79
Konica
Auto mount
S2
crf, with
45/1.8
Hexanon,
case,
VGC............49
LeicaVisoflex
OUAGO
focus
mount
for
9cm
Elmar
on
Visoflex
II .....29
Leica
16598
Adaptor
ring
for
bellows
unit.......................19
Mamiya
645 55mm
Sekor-C
lens.
VGC,
Caps
.............
79
KonicaVisoflex
Autoreflex
A +f2.8
52mm
f1.8
Hexanon
AR
lens Nice
......45
Leica
OTZFO
16464K
focussing
lens
mount...................29
Leica POOBV
Yellow
filterf4.5
for Sekor
9cm Thambar
lens,
boxed.....25
Mamiya
C (TLR)
180mm
Super
lens
SALE
......119
Leidolf
With 50mm
f2.8 Leidolf
lens.....................49
Konica Lordomat
AutoreflexCRF,
T3, chrome
+ 50/1.7
Hexanon
AR .............59
Mamiya
C
(TLR)
180mm
f4.5
Sekor
Super
lenses
Mint....
169
Leica
POOCI
yellow
no.2
filter
for
9cm
Thambar
boxed.......25
Leningrad
8 light meter,
VGC, +working
well,
with case
............. 19
Konica Autoreflex
TC, Black
40/1.8
Pancake
Hexanon.......49
Mamiya
C (TLR)
180mm
hood,
square
type........................
12
M42
f3.5-5.3
Vivitar
MC9cm
Macro
Zoom.
Mboxed...............29
Leica28-200
POOCQ
Blue
filter
for
Thambar
lens,
boxed .......15
Leica
ELDIA
negative
/ film
strip
printer.
boxed......................29
Mamiya
C (TLR)105mm
f3.5
Sekor
type......... 79
...............................29
M42
300mm
f5 Eyemik Auto
lens.
Nicelenses
qualityearly
Leica300mm
POODW
Green
filter
for
9cm
Thambar
lens
boxed.....25
Leica
FOKOS
chrome
rangefinder,
post
type,
no
foot
...........49
Mamiya
C fitf5(TLR)
55mm
f4.5
Sekor
lenses.
Late
black
.... 89
M42
Optomax
Auto
lens,
lovely
SALE!..........................25
Leica
POOBV
Yellow
for
9cm
Thambar
lens,
boxed
......25
M42
Jupiter
9filter
lens.line
Black
finish.
very
good
...................69
Leica85mm
SBOOI
5cm
bright
viewfinder.
Super
condition.....99
Mamiya
C f2
fit (TLR)
65mm
f3.5
Sekor
lens
hood
.................
15
M42
Russian.
Nrlenses
mint, boxed..................19
Leica
POOCI
yellowbellows,
no.2
filter
for
9cm
Thambar
boxedtype
........25
Mamiya
C fitMacro
(TLR)
65mm
f3.5
Sekor
.......................
69
Leicacamera
screw
135mm
f3.5
Canon
lens.
Early
chrome
....89
Mamiya
645
fit 210mm
f4
Sekor
N lens.
Nr(plate
Mint,lens
boxed
...............89
Leica POODW
Green
filter
for 9cm
Thambar
boxed
......25
Mamiya
C TLR
fit Single
Exposure
set,
back)............
29
Leica SGVOO
12025
brightWLF,
linewinder
finder vgc.............
VGC............69
Mamiya
645 Pro /TL
comp:90mm
80 N lens,
289
Mamiya
C TLR
paramender,
Good
condition......................
19
Leica Screw
lensTL
tocomp;
bayonet
body
adaptor.
Gen.vgc
Leitz
..........29
Mamiya
645 Pro
80 lens,
Prism,
Winder
299
Leica SHOOC
SLUOOQ
28mm
bright
lineviewfinder..........................69
folding
finder.
Pre.............
war....159
Mamiya
C3,Super
with
later
f2.8 Sekor
lenses
....... 179
139
Leica
135mm
bright
line
Mamiya
645
body;black
WLF,80mm
crank
wind,
back vgc
...............
Mamiya
Super
23,
black.
with
90mm
lens,
grip,
rfh
etc
.....
269
Summarex
/
Noctilux,
box
....29
Leica
UQMOO
yellow
filter
for
Mamiya
Press
black.type.
with 90
lens, grip,
............... 269
Leica table
topSuper
tripod,23,folding
Hammer
tonerfhfinish.........35
Minolta
AF 28-80
Xi
Zoom
lens,
VGC,
well................
25
Mamiya
Press
with
90mm
lens,
Hand
grip,works
&/lens
6x9
rfh.................
149
Leica
yellow
filter
for
Summarex
Noctilux,
box......29
Leica UQMOO
Visoflex
OTZFO
16464K
focussing
mount
..........29
Manfrotto
482Meter
Compact
ballAand
socket
head VGC......................17
Minolta
Auto
III
(3).
verychrome
nice example,
cased ........ 69
Leica
VIDOM
zoom
viewfinder,
35-135
markings......39
Leica45
WINTU
rightkitangled
finder.
Chrome,
VGC...................49
Metz
CT-5 flash
with
AA
holder,
idealdigital
med
format
.............49
Minolta
Auto
Meter
V
f.
excellent
quality
meter.
........
99
Leica
WINTU
right
finder.
Chrome,
VGC....................49
Minolta
AF
28-80
Xi angled
Zoom
lens,
VGC,
works
well...........................25
M42 28-200
f3.5-5.3
Vivitar
MC
Macro
Zoom.
M- boxed......29
Minolta
Auto
Winder
D,
near
mint,
boxed.............................
19
M42 50mm
f1.4
Yashica
Auto
Yashinon
DXwell.
lens....................49
Minolta
Auto
Meter
III (3).
A very
nice
example,
cased................69
Minolta
Dynax
700Si
body,
VGC
working
Boxed
........ 39
M42 fit
300mm
f5
Eyemik
Auto
lens.
Nice lens.
quality
....................29
Minolta
Dynax
5f2.8
SLR,
silver.
With
28-80mm
lens, m-,
boxed
..............29
M42
24mm
Sigma
XQ
Filtermatic
boxed
......49
Minolta
Dynax
800Si
body,
working
well.
Boxed..................
39
Minolta
Dynax
700Si
body,
VGCbellows.
working
well.
Boxed
..................39
M42 set
of twin
railPentacon.
Russian
quality.......19
Macro
Focus
Rail.
Very
solidVery
andgood
well
made.........25
Minolta
MC200mm
set
of auto
tubes,
21,28mm
mint.................
15
Minolta
MC
f4.5 MC
Tele14,
Rokkor
PF lens.
VGC ................29
MamiyaMC
645
120
film
insert,
x3degree
in stock.
Price
each
............15
Mamiya
645
Pro
Super
fit
9014,
prism
finder.
VGC
......39
Minolta
MD
135mm
f3.5
lens.
Nice
quality
lens
in VGC
......
29
Minolta
set
of /auto
tubes,
21,28mm
mint
...........................15
Mamiya
Press
/ 23:
focus
screen
/ single
film
back................49
MamiyaMD
645
Pro
/ f3.5
Super
fit
90 Zoom
degree
prism
finder.
VGC.....39
Minolta
MD
28-70mm
f3.5-4.8
lens.
VGC..................
29
Minolta
135mm
lens.
Nice
quality
lens
in
VGC................29
Minolta
f42x
Zoom
VGC,
Caps
..........................29
Mamiya
RB67
Komura
Teleconverter.
Excellent................39
Minolta
MD
75-150mm
f4
Zoom
lens.
VGC,
Caps
29
MamiyaMD
C 75-150mm
TLR
fit 135mm
f4.5lens.
Sekor
blue
dot
lens..............
pair .......79
Voigtlander
Bessa
R6x6
6x9100mm
r/f
with
3.5/ light
Helomar.
Vboxed
nicesuper
..........149
Rolleiflex
Rolleilux
lens
hood
meterlens,
vgc
cased
....79
Tamron Fotovix
TF-56WE
Film
Video
processor.
...............39
Voigtlander
Prominent
f4.5
Dynaron
....
49
Voigtlander
Turnit
3 1,
finder,
with
35/50/100mm
frames.
..........39
Taron VR,Rolleinar
35mm
CRF
camera.
With
45mm
Taronar
..............29
Rolleiflex
early
push
on
type,f2.8
28.5mm...............19
Voigtlander
Prominent
35mm
f4.5
Skoparon
lens,
ding.......
39
Topcon (Unirex
etc)T,fitCRF
200mm
f450/2.8
UV Topcor
lens
.........................29
Voigtlander
Vitessa
with
Color
Skopar
Voigtlander
Prominent
Hood
and
O/Y/G
filter
set,
V ............99
nice .... 39
Russian
Multi
Lens
Turret
Finder.
with
keeper......................39
Topcon (Unirex
etc)
fit 28mm
UV Color
TopcorSkopar
lens mint-.................29
Voigtlander
Vito
B, with
50mmf4
f3.5
lensset..........29
Voigtlander
Prominent
Hood
Plus
Yellow
filter
...... 19
Tamron
Ad &2camera,
500/f8 6x4.5
SP
Mirror
lens
55BB.
Near
mint
.........119
TripodPerle
Ball
Socket
head
Bilora
large
size,/ UV
1/4
thread...............19
Welta
on 120
Radionar
lens
.................29
Voigtlander
Proximeter
1lens
plusmodel
100mm
attm't......
Universal
Minute
16 subminiature
camera.
Boxed
........................49
Tamron
2Prominent
90mm
f2.5
SPTessar
Macro
52BB.
+ 18f29
Werra
flatAdtop,
black,
50 with
f2.8
/f1.5
Prestor
RVS
...............39
Voigtlander
Prominent,
50mm
Nokton
Lovely
.....
399
Voigtlander 40.5mm Focar set, A,B,C and D all boxed.................19
Weston
Euro
Master
light
meter.
VGC, case,
........49
dedicated
1:1
tubemounted
all
nr mint,
cased..................................149
Voigtlander
VGC,invercone
cased...........
29
Voigtlander shoe
40.5mm
Orangerangefinder,
and Yellow filters
each
......................9
Weston
Euro
Master
meter,
superb
example.
Boxed
Topcon
Beseler
D13 (US
RE-2),
with
5.8cm
RE.............49
lens......69
Voigtlander
Bessamatic
135mm
f4
S.Dynarex
(balsam)..............19
Voigtlander
Turnit
finder,
frames
for
35, 50,f1.8
100mm
......... 39
Weston
Master
V meter,
superb
boxed...................49
Voigtlander
Bessamatic
f2.8
Zoomar
.................
159
Vitessa
doors,
f2with
ultron
case
...........119
Voigtlander
Bessa
1barn
6x936-82mm
on
120example,
105lens,
f4.5lens
Vaskar..........69
Yashica
Bayonet
1 Close
Up
SetSLR
No.2,
forwith
TLR
use .............19
Voigtlander
Bessamatic
Deluxe
w/Color
Skopar-X...............49
Voigtlander
Vito
II,
folding
35mm
cased,
box................
29
Voigtlander
Bessa
1 6x9
on
120
Vaskar
lens................59
Yashica
Electro
35 GTN
black,
1.7with
VGC,
cased............49
Voigtlander
Prominent
Proximeter
1lens.
plus
100mm
attmt..............29
Voigtlander
Vito
IIa,
with
50mm
f3.5
Color
Skopar
Vcased.....35
nice ... 49
Voigtlander
Bessamatic
135/f4
Super
Dynarex,
Voigtlander
shoeWith
mounted
rangefinder,
cased....................29
Yashica
JP SLR
50/2fitYashinon
DXVGC,
M42
lens VGC........29
VP
camera,half
halfframe
frameonon127.
127.ininBrown
Brown
Bakelite ...... 29
VP Twin
Twin
camera,
Bakelite................29
Yashica
ML
28mm
f2.86x4.5
lens,on
excellent
...................................29
Welta
Perle
camera,
120
Radionar
lens ...............
................29
Welta
Perle
camera,
6x4.5
on
120
Radionar
lens
29
Welta
Perle
camera,
6x4.5
on
120
Radionar
lens
..........................29
Yashica
MLtop,
35-70mm
f3.5-4.5
MC zoom
lens, excellent........25
Werra
black,
50
f2.8 Tessar
/ Prestor
RVS
..............39
Werra
1,
flat50mm
top,
black
pebble
graincovering................................39
covering.
....................
39
Werra flat
1,ML
flat
top,
black
pebble
grain
Yashica
f1.9
lens,
excellent
...................................25
Werra
with
2.8 Tessar,
caps,
case,
vgc.........................35
Werra Mat,
top,
black,
50
Tessar
/ Prestor
RVS........................39
flat
top,
black,
50f4f2.8
f2.8
Tessar
Prestor
RVS
............. 39
Yashica
ML
80-200mm
zoom
lens /excellent
......................25
Weston Euro
Master
III meter,
lovely
condition,
working
well...............29
Weston
Euromaster
light
meter.
VGC,
Cone,
Case.............
49
Weston
Master
light
meter.
VGC,
case,
invercone
.......49
Zeiss
Contaflex
Back
....................................19
Weston
Master
VMagazine
VGC
andVGC
working
well..............................39
Weston
Master
IIImeter.
meter,
lovely
condition,
working
well.......
29
Weston
Master
V
meter.
VGC
and
working
well.
..................39
Zeiss
Contax
bright
line
finder
427,
with
frames
35-135
........59
Yashica
FX-3
Super
2000
body,
black.
Lovely
example
...............49
Weston
Master
IV
meter,
inwith
VGC
and2.8
working
well
.............
39
Zeiss
Contax
If, gorgeous,
Tessar,
case.
.....459
Yashica
Electro
35 Edn
Gsn with
(Chrome)
45mm
f1.7
vgc ........49
Yashica
T4 Special
35Nickel
f3.5with
Zeiss
Tessar
T*...................99
Yashica
Mat
124G,
with
75mm
f3.5
Yashinon,
case
etc....
129
Yashica
TLR bayonet
1Chrome,
lensSonnar
hood.
Near
mint f2
cased.....................19
Zeiss
Contax
IIa
plus 50/2
fully
serviced,
......299
Yashica
FX-D
quartz.
with
50mm
MLlovely
lens.........39
Yashica
TLR IIIa
bayonet
1 lensDial
hood.
Near
mint
cased...........
19
Yashica
Zoom
105/ IIa
EZ Black
38-105.
Nice
AF
film
compact...................19
Zeiss
Contax
synch
lead
1361
boxed ....19
Yashica
Mat
124g
TLR1 with
80/3.5lens
Yashinon
boxed...249
TLR
bayonet
Telephoto
set.
nrMint
mint
.............
29
ZeissContax
Ikon
Baby
Box
camera,
film.
........................29
Zeiss
IIIa
plusTengor
50/1.5
Sonnar for
fully127
serviced,
lovely
..299
bayonet
1
wide
angle
lens
set.
nr
mint
...........
49
Yashica
TLR
bay
1
hood,
+
Photax
UV
+
Yellow
filters
........25
Zeiss
Ikon
Contax
/
Contarex
21mm
finder
VGC
boxed...............99
Zeiss Ikon Contaflex Super B. VGC,working, cased ..............79
Zeiss 524/16
Ikon
Contax
f4.5 Zeiss
Orthometar
BOXED..........
Yashica
Zoom
1053.5cm
EZ
38-105.
Nice
AF film
........479
19
Zeiss
Mess
Ikonta.
With
75mm
f4.5compact
Novar
lens.....69
Zeiss
Ikon
Con
Zeiss Ikon
Ikon Contax
35mm
finder.
Model 432/5,
Zeiss
Baby
Box
camera,
127c.1938...................79
film. .............. 29
Zeiss
fit 85
f2Tengor
Nikon
Nikkor
PCforlens,
scarce...........249
Zeiss Contax
Ikon Contax
8.5cm
f2 Zeiss
Cased
.............
Zeiss
Ikon
Contaflex
Prima
SLR.Sonnar
45/ f2.8VGC
Pantar
lens
........199
39
Zeiss Ikon
Ikon Icarex
Maximar
207/3
6x9
plate camera
set, VGC.................49
Zeiss
SLR,
+ 50/2.8
Zeiss
Zeiss
Ikon
Contax35
IIa,
coloured
dial,Carl
+coated
f2Tessar.
Sonnar.........89
.. 269
Zeiss Ikon
Ikon push
Movikon
16
Pre War
outfit.
2 lenses,
lovely ..............
129
Zeiss
onselenium
proxar
close
up VGC
set
x4.
28.5mm.
...........15
Zeiss
Ikophot
meter.
Cased
SALE.......
25
Zeiss Ikon
Ikon Nettar
517/16, for 6x6n
on 120. f4.5
Novar...............
25
Zeiss
517/16
(6x6)
With
75mm
f4.5
Novar
lens.........29
Ikon
Maximar
6x9 plate
camera
set,VGC...............49
VGC
....... 49
Zorki Nettar
4K 35mm
CRF, 207/3
with 50mm
f2
Jupiter
8 lens.
Zenit
(SLR)
fitwith
135mm
Jupiter
11
(SLR).......99
..... 19
Zorki 39mm
5 35mmscrew
CRF camera,
lens,
case,
VGC
.........................39
Zeiss
Super
Ikonta
531 (6x4.5).
Withf4
7.5cm
f3.5
Novar
Zorki 6Super
6 35mm
35mmIkonta
CRF
WIth
50mm
Industar..................49
Zorki
CRFcamera.
camera.
WIth
50mm
f3.5
Industar
....... 49
Zeiss
531/2
(6x9
on
120).f3.5
10.5/3.5
Novar.......99
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339
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539
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1,379
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495
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399
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135
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275
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1,135
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2,268
2,870
2,600
2,150
1,999
1,539
NEW Session Camera

Hero4 Black
Hero4 Silver
Hero+
200mm f2 G ED VR II
4,099
300mm f2.8 G VR II
3,799
400mm f2.8 FL ED VR
9,499
500mm f4E FL ED VR
8,149
600mm f4E FL ED VR
9,649
800mm f5.6 FL VR+TC1.25 12,995
PC-E 24mm f3.5
1,479
PC-E 45mm f2.8
1,399
2x TC-20 E III Converter
329
1.4x TC-14 E III Converter 429
SB910 Speedlight
339
SB700 Speedlight
229
SB-R1C1 Commander
549
SU-800 Comander Unit
269
WT-5
449
UK STOCK UK STOCK
229
329
250
149
SeeWebsiteforfulllistof
GoProMountsandaccessories
Nikon/Canon Fit
8-16mm f4-5.6 DC
519
10-20mm f4-5.6 DC
349
10-20mm f3.5 DC
384
12-24mm 4.5-5.6 DG MKII 569
17-70mm f2.8-4 DC C
329
18-35mm f1.8 DC Art
609
18-250mm f3.5-6.3 DC
299
18-300mm f3.5-6.3 DC C 375
24-35mm f2 DG Art
799
24-105mm f4 DG Art
679
50-500mm f4.5-6.3 DG
649
70-200mm f2.8 DG
799
150-600mm f5-6.3 DG C 879
150-600mm f5-6.3 DG S 1,399
35mm f1.4 DG Art
636
50mm f1.4 DG Art
669
24mm f1.4 DG Art
699
105mm f2.8 Macro DG
379
1,189
180mm f2.8 Macro DG
190XPRO3
159 494RC2
46
190XPRO4
169 496RC2
57
190CXPRO3 299 498RC2
79
190CXPRO4 299 460MG
299
055XPRO3
179 804RC2
57
055CXPRO3 359 MHXPRO-3W 109
055CXPRO4 374 410 Geared 153
Befree Alu
149 MVH502AH 105
Befree Carbon 279 MVH500AH 122
Free monopod with carbon tripods
Roger Evo3
Brian Evo3
Jack
279
379
249
Vyv Evo3
Rick Evo3
149
199
AT113/AT114 99
CT113/CT114 219
AT213/AT214 118 CT213/CT214 257
AT313
149 CT313/CT314 357
AT413
175 CT414
429
Short Columns aluminium/carbon from
20
Grand Series Carbon FibreTripods:
CT203
406 CT404
518
CT304
449 CT505
824
Grand Turismo Travel Tripod Kits:
AGT114 (Alu)
263 CGT114(Carbon) 395
AGT214 (Alu)
304 CGT214(Carbon) 458
Heads
BHD0 98/BHD1 115/BHD2 129/BHD3 153
BHL1 175/BHL2 224/BHL3 262/GHB2 349
USED EQUIPMENT - Quality photographic equipment wanted for part exchange or commission sales
HasselbladH4D-50 MultiShot+80mmf2.88,995
795
HasselbladH2BodySet
2,250
HasselbladH1+150mmf3.2HC
3,295
Hasselblad35-90mmf4-5.6HCD
Hasselblad V HMi100PolaroidBack 75
1,495
Hasselblad120mmf4MacroHC
50
HasselbladVsystem16mmExtTube
2,250
Hasselblad28mmf4HCD
2,295
Hasselblad28mmf4HCD
75
HasselbladV-system45Prismfinder
6,995
LeicaSBody
3,495
LeicaM(type240)Black
2,495
LeicaM9(silver)
895
LeicaT 23mmf2Summicron
2,150
LeicaM-Mount28mmf2(6-bitcoded)
LeicaM-Mount35mmf2.5(6bitcoded) 995
1,395
LeicaX-Vario Black-New
395
LeicaD-Lux6+Case
895
LeicaUltravid10x50BINOs
OlympusOM-DE1+12-40mmf2.8lens
CanonEOS1DsMkIII
CanonEOS 5D body+24-105mmf4L
CanonEOS5DMarkIIbody
CanonEOS400D+18-55mm
CanonEOS40Dbody
CanonEOSRebelT4i+18-55mm
CanonEOS650D+18-55mmISII
CanonEF28-300mmf3.5-5.6LIISUSM
CanonEF100mmf2.8LIS
CanonEF14mmf2.8LII
CanonEF16-35mmf2.8LII
CanonEF70-200f4ISUSM
CanonEF85mmf1.2LII
CanonEF70-300f4.5-5.6DOISUSM
CanonEF8-15mmf4LFisheye
CanonEF TS-E24mm
Sigma170-500mmCanon
CanonEF70-300mmISUSM
CHECK OUT OUR WEBSITE FOR MORE

PRODUCTS AND DEALS
895
995
595
849
99
149
175
249
995
495
995
750
695
995
449
695
595
249
225
CanonEF1.4XExtenderII
CanonEF2xExtenderIII
Sigma24-70mmf2.8(CANON)
ZeissZE15mmf2.8CanonFit+UV
Zeiss21mmf2.8DistagonZE-Canon
Zeiss50mmf1.4PlanarZE- Canon
NikonD800
NikonD2Xs
NikonD300+MB-D10
NikonD300 +18-55mm
NikonD5000+18-55mm
NikonD3100body
NikonAF-S70-200mmf2.8GVR White
NikonAF-S600mmf4GEDVR
NikonAF-S85mmf1.4G
NikonAF-S24-70mmf2.8ED
NikonAF80-400mmf4.5-5.6DVR
Sigma150-500mmOSNikon
NikonAF-S300mmf4D
175
199
195
1,595
995
395
1,195
495
295
295
189
99
795
4,995
895
859
595
449
695
NikonReflex500mmf8
Nikon AF-S85mmf1.8G
NikonTC-17EII
NikonAF-D18-35mmf3.5-4.5D
SigamEX10-20mmf4-5.6DCNikon
NikonAF-SDX35mmf1.8G
NikonAF-S18-55f3.5-5.6DXVRII
NikonAF-S55-200mmF4-5.6DX
CanonEF24-70mmf2.8L
BronicaPE125-250mmf5.6
BronicaPE40mmf4
Zeiss21mmf2.8DistagonZE-Canon
Samyang8mmf2.8-FujiX
Checkoutthewebsite
forthemostuptodate
listingsofsecondhand
equipment
395
225
195
195
249
99
95
69
495
150
150
995
149
1000Pro 2 Head 1566 500R 3 Head Kit 1437

750Pro 2 Head 1253 500R 2 Head Kit 809
500Pro 2 Head 1139 500C 2 head Kit 857
See full range of Bowens softboxes, stands and
other accessories on our website
B1TTLAirHead 1,554 B1 2 Head kit 3,420

Air Remote TTL 312 B2 To Go kit 1,695
B1 Location Kit 3,060 B2 Location kit 1,994
Full list of Accessories available on our website:
HR and Rfi Softboxes, umbrellas, reflectors,
grids and kits
WWW.DALEPHOTOGRAPHIC.CO.UK
PRICES INCLUDE VAT @ 20% (EXCLUDING SECONDHAND) - PRICES SUBJECT TO CHANGE - UPDATED 11/11/2015
The U.K.s Largest Used

Equipment Specialist
The ORIGINAL commission sale specialists
We also PART EXCHANGE and BUY FOR CASH
Good quality equipment always wanted
Bronica ETRS/Si
ETRSi Complete + Prism + Grip.......................E+ 349
ETR Body Only ...................................................E+ 79
30mm F3.5 PE Fisheye..................................E++ 589
40mm F4 E.................................................. Mint- 149
40mm F4 PE.........................................E+ 169 - 199
45-90mm F4-5.6 PE..........................E++ 399 - 449
50mm F2.8 PE.................................................E+ 129
70-140mm F4.5 PE .......................................E++ 599
105mm F4.5 PE Macro ..................................E++ 199
150mm F3.5 E..................... As Seen / E++ 39 - 109
150mm F3.5 PE.............................................E++ 149
200mm F4.5 E.......................E+ / Unused 119 - 199
200mm F5.6 E...............................................E++ 129
250mm F5.6 E..................... As Seen / E++ 79 - 159
500mm F8 E....................................................E+ 359
120 E Mag..................................... E+ / E++ 35 - 45
Polaroid Mag E............................... E+ / E++ 25 - 59
Extension Tube E14 ...................E+ / Unused 29 - 79
Pro Shade E.......................................................E+ 25
Rotary Finder E ..................................................E+ 75
Bronica SQA/Ai/B
SQAI Complete...............................................E++ 399
SQB Complete + Grip.......................................E+ 299
40mm F4 S....................................................E++ 169
135mm F4 PS Macro.....................................E++ 229
150mm F3.5 S...........................................As Seen 59
500mm F8 S....................................................E+ 299
SQA 220 Mag ..................................................E++ 29
SQA 220J Mag...................................................E+ 75
SQAi 120 Mag..................................................E++ 49
AE Prism Finder S.....................................E+ 79 - 89
CDS MF Finder S................................................E+ 79
Prism Finder S...........................................As Seen 29
Proshade S ......................................................E++ 29
Canon EOS
EOS 1VHS Body Only......................................E++ 399
EOS 1 Body Only................................................E+ 89
EOS 3 Body Only..............................................E+ 109
EOS 30 Body Only................................E++ 69 - 119
EOS 30 Date Body Only......................................E+ 69
EOS 30E Body Only....................................As Seen 39
EOS 5 + VG10 Grip ...................................E+ 49 - 59
EOS 5 Body Only................................................E+ 59
EOS 50E + 500mm F8.......................................E+ 29
EOS 50E + BP50 Grip ...............As Seen / E+ 25 - 69
EOS 50E + Sigma 24-60mm F2.8..................E++ 149
EOS 50E Body Only........................ E+ / E++ 25 - 49
EOS RT Body Only.....................................Unused 149
10-22mm F3.5-4.5 EFS............E+ / Mint- 249 - 299
14mm F2.8 L USM..........................................Exc 589
14mm F2.8 L USM II...........E+ / Mint- 1,099 - 1,289
17-40mm F4 L USM ..................Exc / E++ 269 - 379
17-55mm F2.8 EFS IS USM ....E++ / Mint- 379 - 399
17-85mm F3.5-5.6 IS USM............................E++ 149
18-55mm F3.5-5.6 EFS II ......................E++ 49 - 59
18-55mm F3.5-5.6 IS STM (EOS M).................E++ 69
18-200mm F3.5-5.6 IS EFS.............................E+ 229
22mm F2 STM............................................... Mint- 89
24mm F1.4 L USM....................................... Mint- 699
24mm F1.4 L USM MKII............................... Mint- 849
24mm F2.8 EF...............................................E++ 189
24mm F3.5 L TSE...................... E+ / E++ 649 - 749
24mm F3.5 L TSE MkII .................................E+ 1,049
24-70mm F2.8 L USM ...................................E++ 689
24-70mm F4 L IS USM .............E+ / Mint- 489 - 589
24-85mm F3.5-4.5 USM..................................E+ 128
24-105mm F4 L IS USM ....................E++ 399 - 429
28mm F2.8 EF.................................................E++ 99
28-80mm F2.8-4 L USM..................................E+ 349
28-105mm F3.5-4.5 USM..........................As Seen 59
28-135mm F3.5-5.6 IS USM..........................E++ 149
35mm F1.4 L USM..................E++ / Mint- 769 - 789
35-350mm F3.5-5.6 L USM..................E+ 499 - 549
40mm F2.8 STM............................................ Mint- 99
45mm F2.8 TS-E ...............................E++ 649 - 849
50mm F1.0 L USM.................................... Mint- 2,999
50mm F1.2 L USM.............................E++ 799 - 889
50mm F1.4 USM......................E++ / Mint 199 - 219
50mm F1.8 EF II ....................................E++ 55 - 59
50mm F1.8 EF Mk1 ................... E+ / E++ 129 - 149
50mm f2.5 EF Macro.....................................E++ 149
55-200mm F4.5-5.6 USM................................E++ 59
55-250mm F4-5.6 EFS IS................................E++ 99
60mm F2.8 EFS Macro ..................................E++ 199
70-200mm F2.8 L IS USM ........................... Mint- 849
70-200mm F4 L IS USM ....................E++ 599 - 649
Mail
Order
Hotline
70-200mm f4 L USM.........................E++ 339 - 349

70-300mm F4-5.6 IS USM......... E+ / E++ 199 - 239
70-300mm F4-5.6 L IS USM...... E+ / E++ 599 - 649
70-300mm F4.5-5.6 DO IS USM E+ / E++ 299 - 399
75-300mm F4-5.6 IS USM.............................E++ 219
75-300mm F4-5.6 USM III.................................E+ 79
80-200mm F2.8 EF L............................E+ 349 - 399
80-200mm F4.5-5.6 EF III ...............................E++ 49
80-200mm F4.5-5.6 USM..................................E+ 49
85mm F1.2 L USM MkII .......E++ / Mint- 999 - 1,089
85mm F1.8 USM................................E++ / Mint- 199
100mm F2 USM...............................................E+ 239
100mm F2.8 L Macro IS USM........................E++ 499
100mm F2.8 USM Macro...............................E++ 299
100-300mm F4.5-5.6 USM................................E+ 79
100-400mm F4.5-5.6 L IS USM. E+ / E++ 649 - 729
135mm F2 L USM..........................................E++ 549
200mm F2.8 L USM II....................................E++ 399
300mm F2.8 L IS USM................................E++ 2,749
300mm F2.8 L USM....................................E++ 1,899
300mm F4 L IS USM.................E+ / Mint- 649 - 699
300mm F4 L USM............................................E+ 449
400mm F2.8 L IS USM..................................E+ 4,189
400mm F2.8 L USM......................................E+ 1,849
400mm F5.6 L USM...........................E++ 729 - 749
500mm F4 L IS USM.....................................E+ 3,849
600mm F4 L USM.........................................E+ 2,995
800mm F5.6 L IS USM.............................. Mint- 7,495
Contax 35-70mm F3.4 MM............................E++ 289
Contax 35-135mm F3.3-4.5 MM ...................E++ 449
Contax 100mm F2 MM .................................E++ 749
Samyang 85mm F1.4 IF MC Asph..................E++ 169
Seibold 90mm F4 Dreamagon..........................E++ 99
Sigma 8-16mm F4.5-5.6 DC HSM ............... Mint- 379
Sigma 10-20mm F4-5.6 DC HSM ..................E++ 219
Sigma 17-50mm F2.8 EX DC OS HSM ...........E++ 199
Sigma 17-70mm F2.8-4.5 DC OS HSM..........E++ 195
Sigma 24-70mm F2.8 EX DG HSM.................E++ 449
Sigma 24-70mm F2.8 IF EX DG
HSM ........................................ E+ / E++ 329 - 389
Sigma 28-300mm F3.5-6.3 DL..................As Seen 49
Sigma 50mm F1.4 EX DG HSM .................... Mint- 219
Sigma 50mm F2.8 EX DG Macro....................E++ 149
Sigma 70mm F2.8 EX DG Macro E+ / E++ 179 - 199
Sigma 70-200mm F2.8 APO EX DG II Macro ..E++ 299
Sigma 70-200mm F2.8 EX APO
HSM ........................................ E+ / E++ 219 - 249
Sigma 70-210mm F2.8 Apo.............................E+ 149
Sigma 70-300mm F4-5.6 Apo DG....................E++ 69
Sigma 100-300mm F4 Apo EX HSM ................E+ 279
Sigma 105mm F2.8 EX DG Macro.........E+ 179 - 189
Sigma 120-300mm F2.8 EX DG OS HSM S .E++ 1,749
Sigma 120-400mm F4.5-5.6 APO DG OS
HSM ....................................................E+ / E++ 349
Sigma 135-400mm F4.5-5.6 Apo ..................E++ 179
Sigma 135-400mm F4.5-5.6 Apo DG.............E++ 179
Sigma 150mm F2.8 EX DG Macro HSM..........E++ 319
Sigma 170-500mm F5-6.3 Apo . E+ / E++ 149 - 299
Sigma 300mm F2.8 Apo...........................Unused 299
Sigma 300mm F2.8 Apo DG HSM ...............E++ 1,299
Sigma 300mm F2.8 APO EX
DG HSM.....................................E++ 1,589 - 1,649
Sigma 300mm F4 Apo............... E+ / E++ 149 - 199
Sigma 400mm F5.6 AF......................................E+ 79
Sigma 400mm F5.6 Apo Tele Macro................E+ 149
Sigma 500mm F4.5 Apo EX HSM..................E+ 1,795
Sigma 600mm F8 Reflex................................E++ 179
Tamron 14mm F2.8 Asph (IF) AF SP...............E++ 349
Tamron 17-50mm F2.8 Di II...........................E++ 199
Tamron 17-50mm F2.8 XR Di II VC Asph...... Mint- 229
Tamron 18-250mm F3.5-6.3 Di.........................E+ 89
Tamron 18-270mm F3.5-6.3 DI II VC PZD.... Mint- 199
Tamron 24-135mm F3.5-5.6 Asph ................E++ 149
Tamron 28-75mm F2.8 XR Di...................... Mint- 229
Tamron 28-300mm F3.5-6.3 XR Di................E++ 109
Tamron 28-300mm F3.5-6.3 XR Di VC...........E++ 279
Tamron 70-200mm F2.8 Di LD (if) Macro.........E+ 299
Tamron 200-500mm F5-6.3 Di LD AF............E++ 489
Tokina 10-17mm F3.5-4.5 DX Fisheye....Ex Demo 499
Tokina 16-50mm F2.8 ATX Pro DX.................E++ 249
Tokina 24-200mm F3.5-5.6 SD.....................E++ 129
Tokina 28-80mm F2.8 ATX Pro......................E++ 199
Tokina 35mm F2.8 Macro
DX ATX ..................................E++ / New 249 - 299
Tokina 50-135mm F2.8 DX
ATX....................................Ex Demo / E+ 329 - 399
Tokina 300mm F2.8 ATX SD............................E+ 749
Zeiss 18mm F3.5 ZE.................................... Mint- 699
Zeiss 21mm F2.8 ZE...............E++ / Mint- 749 - 799
Zeiss 28mm F2 ZE...........................................E+ 519

1.4x EF II Extender.........................................E++ 179
2x EF Extender........................... E+ / E++ 109 - 129
2x EF II Extender.......................................... Mint- 179
2x EF MkII Extender.........................................E+ 149
Kenro 1.4x Converter DGX Pro300 ................. Mint- 79
Sigma 2x Apo EX DG Converter...................... Mint- 99
Teleplus 2x MC7 Converter..............................E++ 49
Metz 15 MS-1 Flash ......................................E++ 179
Metz 40MZ2 Flash......................................Unused 69
Metz 44 AF-1 Digital...................................... Mint- 79
Metz 50AF1 Digital ........................ E+ / E++ 69 - 99
Sigma EF500 DG ST Flash .......................E+ / E++ 39
Sigma EF500 DG ST Flash II.............................E++ 49
Sigma EF500 ST Flash.......................................E+ 39
Sigma EF530 DG Super II Flash..........................E+ 49
Sigma EM-140 DG Macroflash.......................E++ 199
380EX Speedlite ............................ E+ / E++ 49 - 59
420EX Speedlite ............................ E+ / E++ 65 - 79
430EX Speedlite ..............................................E++ 99
430EZ Speedlite ................................................E+ 29
540EZ Speedlite ............................ E+ / E++ 39 - 49
550EX Speedlite .......................... E+ / E++ 85 - 129
580EX MkII Speedlite................. E+ / E++ 189 - 199
580EX Speedlite ........................ E+ / E++ 119 - 159
ML3 Macrolite..................................................E++ 49
MR-14EX Macro Ringlite...........E+ / Mint- 219 - 279
ST-E2 Transmitter ..........................E+ / Mint 59 - 89
Novoflex EOS Reverse Adapter.........................E+ 119
Audio Tech Pro24CM Microphone .................. Mint- 49
Rode Stereo Videomic Pro.............................. Mint- 89
Technical Back E with Keyboard ....... Unused 49 - 75
Tripod Mount Ring B (B)...................................E++ 49
Tripod Mount Ring C (WIII)..................................E+ 79
Tripod Mount Ring J.........................................E++ 39
WFT-E7B Wireless Transmitter ......................Mint 449
Contax 645 Series
645 Body + 140mm + P20 ........................E++ 1,589
645 Complete.............................................E++ 1,789
35mm F3.5 Distagon ................E+ / Mint- 599 - 949
45mm F2.8 Distagon .........................E++ 449 - 699
45-90mm F4.5 Vario............ E+ / E++ 1,399 - 1,599
120mm F4 Apo Macro ............... E+ / E++ 549 - 899
140mm F2.8 Sonnar..............E+ / Unused 349 - 689
210mm F4 Sonnar....................E+ / Mint- 389 - 499
350mm F4 Tele Apo Tessar........................E++ 3,999
1.4x Mutar Converter................................... Mint- 499
220 Vacuum Film Insert................................. Mint- 99
645 Aluminium Roller Case................................E+ 85
Cable Switch LA50.................................E++ 25 - 29
GB101 Lens Hood............................................E++ 89
GB71 Hood .................................E++ / Mint- 79 - 99
GB73 Hood .................................E++ / Mint- 49 - 59
GB74 Hood (210mm) .........................................E+ 39
Large System Bag..........................................E++ 179
MF-2 Waist Level Finder.............................. Mint- 249
MFB-1 Film Back.............................................E++ 89
MFB-2 Polaroid Mag.................... Exc / Mint- 35 - 99
MSB1 Flash Bracket ..........................E++ 149 - 199
Digital Mirrorless
Fuji Finepix X-S1.......................................... Mint- 179
Fuji Finepix X100 Silver..................................E++ 329
Fuji Finepix X20 .............................................E++ 199
Fuji Finepix XQ1.............................................Mint 149
Fuji X-E1 Black Body Only..............................E++ 165
Fuji X-E1 Silver Body Only.........E+ / Mint- 139 - 179
Fuji X-E2 Silver Body Only..............................E++ 299
Fuji X-Pro1 Body Only....................................E++ 249
Fuji X-T10 Black Body Only............................Mint 399
Fuji X100S Black.......................................... Mint- 479
Fuji X100S Silver ...........................................E++ 479
Nikon J1 Black + 10mm...........................Unused 179
Nikon J1 Black Body Only................................E++ 59
Nikon J4 Black + 10-30mm VR ................... Mint- 199
Nikon V1 Black Body Only..............................E++ 119
Nikon V3 Black + 10-30mm ..........................E++ 379
Olympus E-P2 Black Body Only..........................E+ 79
Olympus E-P2 Chrome Body Only ....................E++ 89
Olympus E-P3 Body Only - Black .......................E+ 99
Olympus E-P3 Body Only - Silver .......................E+ 99
Olympus E-PL2 Black + 14-42mm ................E++ 129
Olympus E-PL2 Black Body Only.............Ex Demo 139
Olympus E-PL2 Body Only + Case ...................E++ 79
Olympus E-PL3 Body Only....................E++ / Mint- 89
Olympus E-M5 Black Body Only. E+ / E++ 279 - 299
Olympus E-M5 Chrome Body Only .................E++ 279
Panasonic G6 Body Only ..................................E+ 169
01463 783850
Panasonic GF-1 Body + LVF1 Finder..................E+ 79

Panasonic GF-2 Body Only.................................E+ 59
Panasonic GF-3 + 14-42mm ...........................E+ 109
Panasonic GF-3 Black Body ........E++ / Mint- 59 - 69
Panasonic GH-3 Body + Grip...E++ / Mint- 379 - 449
Panasonic GH-3 Body Only.............................E++ 349
Panasonic GH1 Body Only................................E+ 109
Panasonic GM1 Body Only ........................... Mint- 179
Panasonic GX7 Body Only .......E++ / Mint- 299 - 349
Pentax Q Body Only .........................................E++ 79
Sony A5100 Body Only...........................Unknown 299
Sony A7R Body Only ...............E++ / Mint- 889 - 989
Sony NEX3 + 18-55mm.................................E++ 129
Sony NEX7 + 18-55mm...................................E+ 299
Fuji X Lenses
12mm F2.8 Touit X...................................... Mint- 589
14mm F2.8 XF.................................................E+ 449
16-50mm F3.5-5.6 OIS XC ............................E++ 129
16-55mm F2.8 WR XF ................................. Mint- 649
18-55mm F2.8-4 XF.................E+ / Mint- 249 - 279
18mm F2 XF R.................... E++ / Unused 189 - 239
23mm F1.4 XF R.......................................... Mint- 549
27mm F2.8 XF.................... E++ / Unused 199 - 229
55-200mm F3.5-4.8 OIS XF....E++ / Mint- 379 - 399
56mm F1.2 R XF...................................E+ / Mint- 599
60mm F2.4 XF R Macro.....................E++ / Mint- 289
4/3rds Lenses
Olympus 7-14mm F4 ED Zuiko ......................E++ 749
Olympus 9-18mm F4-5.6 ED Zuiko..................E+ 229
Sigma 10-20mm F4-5.6 EX DC HSM .............E++ 179
Olympus 11-22mm F2.8-3.5 Zuiko.........................E+ /
Mint- 249 - 299
Olympus 12-60mm F2.8-4 ED SWD......E+ 299 - 349
Olympus 14-35mm F2 SWD ..........................E++ 989
Olympus 14-54mm F2.8-3.5 MkII..................E++ 349
Olympus 18-180mm F3.5-6.3 Zuiko..............E++ 249
Panasonic 25mm F1.4 Summilux D ...............E++ 299
Olympus 25mm F2.8 Zuiko............................E++ 139
Olympus 35mm F3.5 Macro Zuiko .......E++ 98 - 129
Olympus 40-150mm F3.5-4.5 ZuikoE+ / E++ 39 - 49
Olympus 40-150mm F4-5.6 ED
Zuiko .......................................... E+ / E++ 45 - 49
Olympus 50-200mm F2.8-3.5 SWD...............E++ 499
Olympus 50-200mm F2.8-3.5 Zuiko..............E++ 369
Olympus 50mm F2 ED Macro Zuiko...............E++ 269
Sigma 70-200mm F2.8 Apo EX DG
Macro HSM............................................... Mint- 399
Olympus 70-300mm F4-5.6
ED Zuiko..............................E++ / Mint- 189 - 199
Samyang 85mm F1.4 IF MC Aspherical............E+ 169
Olympus EC14 Zuiko Tele Converter ............ Mint- 189
Olympus EC20 2x Tele Converter................. Mint- 249
Micro 4/3rds Lenses
Panasonic 7-14mm F4 G Vario.......................E++ 579
Panasonic 12-35mm F2.8 G Vario OIS ...........E++ 499
Panasonic 12-35mm F2.8 G X Vario OIS HD...E++ 519
Olympus 12-40mm F2.8
M.Zuiko ................................E++ / Mint- 549 - 589
Olympus 12-50mm F3.5-6.3
M Zuiko .................................. E+ / E++ 129 - 139
Panasonic 12.5mm F12 G 3d......E++ / Mint- 89 - 99
Rokinon 12mm F2 CS....................................E++ 219
Olympus 12mm F2 ED M.Zuiko......................E++ 459
Olympus 12mm F2.0 ED LTD Black .................E+ 429
Panasonic 14-140mm F4-5.8 OIS HD ............E++ 249
Olympus 14-150mm F4-5.6 M.Zuiko ED..........E+ 289
Olympus 14-150mm F4-5.6 M.Zuiko ED II... Mint- 369
Panasonic 14-42mm F3.5-5.6 Asph OIS ........ Mint- 79
Olympus 14-42mm F3.5-5.6 EZ M.ZuikoE+ / Mint- 129
Panasonic 14-42mm F3.5-5.6 G X Asph OIS....E+ 119
Olympus 14-42mm F3.5-5.6 II M.Zuiko ED......E++ 79
Panasonic 14-45mm F3.5-5.6 ASPH G Vario..E++ 129
Olympus 17mm f1.8 M.Zuiko Black ...............E++ 279
Olympus 17mm F2.8 M.Zuiko........................E++ 129
Sigma 19mm F2.8 DN - A.............................. Mint- 89
Sigma 19mm F2.8 EX DN ................................E++ 79
Voigtlander 25mm F0.95 Nokton......................E+ 449
Panasonic 25mm F1.4 DG Summilux.............E++ 279
SLRMagic 26mm F1.4 ....................................E++ 59
Panasonic 35-100mm F2.8 GX OIS
Vario.....................................E++ / Mint- 679 - 689
Olympus 40-150mm F2.8 M.Zuiko Pro ........ Mint- 999
Olympus 40-150mm F4-5.6 R ED M.Zuiko.......E++ 99
Panasonic 45-175mm F4-5.6 Asph Vario PZ..E++ 199
Panasonic 45mm F2.8 DG Asph
Macro...................................E++ / Mint- 299 - 389
Olympus 60mm F2.8 ED Macro .......................E+ 219

Olympus 75-300mm F4.8-6.7 ED II M.Zuiko........ E++ /
Mint- 249 - 279
Olympus 75mm F1.8 ED Silver
M.Zuiko .................................. E+ / E++ 439 - 519
Olympus MC-14 1.4x Teleconverter...............Mint 239
Sony NEX Lenses
10-18mm F4 E OSS.......................................E++ 449
18-200mm F3.5-6.3 OSS .......... E+ / E++ 299 - 369
18-55mm F3.5-5.6 (NEX)...................................E+ 59
24-70mm F4 FE ZA OSS................................E++ 749
24mm F1.8 E............................................... Mint- 439
35mm F2.8 FE ZA........................................ Mint- 399
55-210mm F4.5-6.3 OSS ..............................E++ 129
Tamron 18-200mm F3.5-6.3 Di III VC ............E++ 250
Digital SLR Cameras
Canon EOS 1DX Body Only............................E+ 3,289
Canon EOS 1D MKIV Body Only.....................E+ 1,449
Canon EOS 1D MkII Body OnlyAs Seen / E+ 199 - 349
Canon EOS 7D MKII Body Only.......Mint- 989 - 1,029
Canon EOS 6D Body Only............................. Mint- 879
Canon EOS 5D MkII Body Only ...Exc / E++ 649 - 849
Canon EOS 5D + BG-E4 Grip....................As Seen 249
Canon EOS 5D Body Only.......................E+ / E++ 279
Canon EOS 1200D Body Only.............E++ / Mint- 169
Canon EOS 1100D Body Only....................... Mint- 149
Canon EOS 500D Body Only...........................E++ 159
Canon EOS 400D Body Only...............................E+ 79
Canon EOS 350D Body Only......As Seen / E+ 49 - 59
Canon EOS 100D Body Only......................... Mint- 189
Canon EOS 70D Body Only.............................E++ 599
Canon EOS 60D + BG-E9 Grip..........................E+ 359
Canon EOS 30D Body Only.........................As Seen 79
Canon EOS 20D + BG-E2 Grip............................E+ 89
Canon EOS 20D Body Only.................................E+ 59
Canon EOS 10D + BG-ED3 Grip .................As Seen 79
Contax N Digital Body Only.............................E++ 899
Fuji S2 Pro Body Only.................................As Seen 49
Fuji S3 Pro Body Only.........................................E+ 79
Fuji S5 Pro Body Only................. E+ / E++ 189 - 199
Nikon D3 Body Only......................As Seen 349 - 399
Nikon D800E Body Only...............E++ 1,329 - 1,349
Nikon D800 Body Only............... E+ / E++ 989 - 999
Nikon D700 Body Only..........As Seen / E+ 349 - 679
Nikon D610 Body Only...................................E++ 749
Nikon D600 Body Only...................................E++ 649
Nikon D300 + MB-D10 Grip...........................E++ 359
Nikon D300 Body Only............... E+ / E++ 239 - 269
Nikon D200 + MB-D200 Grip...........................E+ 189
Nikon D7100 Body Only.................................E++ 429
Nikon D7000 Body Only............. E+ / E++ 269 - 329
Nikon D3300 Body Only............................... Mint- 179
Nikon D3200 Body Only............................... Mint- 159
Nikon D80 Body + 35-80mm.........................E++ 149
Nikon D70 Body + Non Nikon Grip .............As Seen 49
Nikon D70 Body Only.................................As Seen 49
Nikon D50 Body Only.........................................E+ 59
Olympus E30 Body + HLD4 Grip ....................E++ 359
Olympus E30 Body Only.................................E++ 289
Olympus E400 + 14-42mm ...............................E+ 99
Olympus E410 + 17.5-45mm ..........................E++ 99
Olympus E410 + 40-150MM .........................E++ 119
Olympus E420 + 14-42mm .............................E+ 149
Olympus E420 + 17.5-45mm + 40-150mm ..E++ 149
Olympus E450 + 14-42mm .............................E+ 129
Olympus E520 + 14-42mm ...........................E++ 149
Olympus E520 Body Only...................................E+ 99
Olympus E600 + 14-42mm ...........................E++ 199
Olympus E600 Body + HLD-5 Grip............... Mint- 379
Olympus E620 + 14-42mm +
40-150mm......................................E++ 289 - 339
Olympus E620 + 14-45mm + 40-150mm .......E+ 249
Olympus E620 + HLD-5 Grip..........................E++ 199
Pentax K5 Black Body......................................E+ 239
Pentax K7 Body + D-BG4 Grip..........................E+ 199
Pentax KX + 18-55mm..................................E++ 139
Pentax *ist DL2 + 18-55mm............................E+ 119
Pentax *isT DL Body Only...................................E+ 79
Pentax *isT D + 18-55mm...............................E++ 99
Sigma SD14 + 105mm EX Macro ....................E+ 279
Sony A200 + 18-70mm.................................E++ 129
Sony A350 Body Only.....................................E++ 149
Sony A550 + 18-55mm.................................E++ 249
Sony A550 Body Only.....................................E++ 199
Sony A700 Body Only................. E+ / E++ 169 - 189
Fuji Medium Format

G690 + 65mm F8 + 100mm ...........................E+ 949
GF670.........................................................E++ 1,249
GW680 MkIII....................................................E+ 499
GX680 Mk1 Complete...........................E+ 349 - 499
GX680 MkII Body + Mag..................................E+ 189
GX680 MkII Complete ....................................E++ 599
GX680 MkIII Complete .....................................E+ 589
100mm F4 GX (680) ........................................E+ 129
135mm F5.6 GX (680) ............................E+ 99 - 149
150mm F4.5 GX (680) ............As Seen / E+ 99 - 169
150mm F4.5 GXM (680)..........E++ / Mint- 149 - 399
180mm F5.6 GX (680) ...................................E++ 115
180mm F5.6 GXM (680).................................E++ 199
190mm F8 Soft Focus (680)...........................E++ 499
210mm F5.6 GX (680) ............... E+ / E++ 139 - 150
250mm F5.6 GXM (680)...................................E+ 199
300mm F6.3 GX (680) ...................................E++ 379
105mm Finder (GX617)..................................E++ 349
120 Insert (680).....................................E++ 19 - 25
Angle Finder (680) ...........................................E+ 125
Bellows Hood (680)............................................E+ 49
GA Flash Bracket ........................... E+ / E++ 35 - 39
Instant Film Holder Mk1 (680)........ E+ / E++ 25 - 99
Instant Film Holder MkII (680) ................E++ 39 - 75
MkII Mag + 120 Insert (680) .......... E+ / E++ 59 - 89
MkII Mag + 220 Insert (680) ........ E+ / E++ 19 - 125
MkII Mag+ 220 Insert (680) ...............................E+ 79
Remote Release MkI (680)...............................E++ 35
Leica M Series
M Monochrom Black + Handgrip .............. Mint- 4,199
M Monochrom Black
Body Only ........................E++ / Mint 3,849 - 3,989
M (240) Black Body Only...... E+ / E++ 3,349 - 3,699
M (240) Chrome Body Only .. E+ / E++ 3,349 - 3,550
M9P Black Body Only................................ Mint- 2,749
M9 Steel Grey Body Only...... E+ / E++ 1,999 - 2,399
ME Anthracite Body Only....E++ / Mint 2,949 - 2,979
M8 Black Body Only..............................E+ 799 - 849
M8 Chrome Body Only .....................................E+ 699
M6 Platinum + 50mm F1.4.........................Mint 6,449
M6TTL Millennium + 35mm F2 +
50mm F1.4...............................................E++ 5,489
M6 Titanium + 35mm F1.4 + 50mm F1.4...E++ 4,489
M6 Titanium + 35mm F1.4...........................E+ 3,449
M6 Historica Edition....................................Mint 3,799
M7 0.72x (Test) Black Body Only.................E++ 1,499
M7 0.72x Chrome Body Only.......................E++ 1,499
M6 0.72x Panda Body Only............................E+ 849
M6 0.72x Black Body + Winder M....................E+ 699
M6 0.72x Black Body Only....................E+ 699 - 749
M5 Black Body Only.........................................E+ 499
M4P Anniversary Chrome + 50mm F2 ........E++ 1,789
M4 Chrome Body Only ..........................E+ 599 - 699
MD2 Black Body Only ....................................E++ 289
MDA Chrome Body Only...................................E+ 239
CL Black Body Only........................................E++ 349
Konica Hexar RF Limited Edition..................Mint 2,489
Konica Hexar RF + 50mm F2 + Flash ..............E+ 749
16/18/21mm F4 Tri Elmar
+ Finder ...........................E+ / Mint- 2,650 - 2,989
18mm F3.8 Asph M Black...........................E++ 1,599
21mm F2.8 Asph M Black.E++ / Mint- 1,449 - 1,499
21mm F2.8 Asph M Black 6bit.....E++ 1,499 - 1,550
21mm F2.8 M Black ............ E+ / E++ 1,089 - 1,199
21mm F3.4 Super Elmar........................... Mint- 1,799
21mm F4 Chrome + Finder...........................E+ 1,149
24mm F1.4 Asph M - Black ..........................E+ 3,389
24mm F2.8 Asph M Black.......Exc / E++ 989 - 1,349
24mm F2.8 Asph M Black 6bit....................E++ 1,489
24mm F3.8 Asph M Black......................... Mint- 1,199
28/35/50 F4 Tri Elmar.................................E++ 2,399
28mm F2 Asph M Black................................E+ 1,399
28mm F2 Asph M Black 6bitE+ / Mint- 1,589 - 1,595
28mm F2.8 M Black ........................................E+ 689
35mm F1.4 Asph M Black.............................E+ 1,689
35mm F1.4 Asph M Black
6bit.................................E++ / Mint- 2,689 - 2,749
35mm F1.4 Black ............................................E+ 899
35mm F2 Asph M Black 6bit.......Mint- 1,395 - 1,599
35mm F2 Asph M Chrome............................E+ 1,289
35mm F2 Black ....................................E+ 699 - 799
50mm F0.95 Asph M - Black .................... Mint- 6,399
50mm F0.95 Asph M 6bit - Black ...E+ 5,599 - 5,989
50mm F1.4 Chrome.........................................E+ 689
50mm F2 Collapsible............As Seen / E+ 289 - 389
Konica 50mm F2 Hexanon........................... Mint- 429
50mm F2 M Black .........................................E++ 989
The Kirk, Wester Balblair, E: [email protected]

Beauly, Inverness. IV4 7BQ. F: 01463 782072
www.ffordes.com
See up to 3 images of each used item on website
Website updates used equipment list 10-15 times daily
All items come with 6 month warranty - (unless stated)
Our knowledgeable staff are on hand and ready to help
50mm F2 M Black 6bit ............................. Mint- 1,149
50mm F2 Rigid Chrome...................................E+ 449
50mm F2.8 Chrome.........................................E+ 249
50mm F2.8 M Chrome...................................E++ 549
65mm F3.5 Elmar...................... E+ / E++ 249 - 299
75mm F2 Apo M Black
6bit................................E++ / Mint- 1,799 - 1,849
90mm F2 Apo M Black
6bit.................................E++ / Mint- 1,879 - 1,899
90mm F2 Black ......................... E+ / E++ 449 - 639
90mm F2 M Chrome......................................E++ 949
90mm F2.4 M Black 6bit + Hood.............. Mint- 1,249
90mm F2.5 Black 6 BIT + Hood................... Mint- 889
90mm F2.8 Black ............................................E+ 399
90mm F2.8 Chrome..............As Seen / E+ 179 - 299
90mm F2.8 Chrome (Compact).................... Mint- 699
90mm F2.8 M Black ......................................E++ 799
90mm F4 Elmar..............................................Exc 149
90mm F4 Elmar E39........................................E+ 199
90mm F4 Macro M Set 6bitE++ / Mint- 1,799 - 1,999
135mm F2.8 Black .................... E+ / E++ 269 - 349
135mm F2.8 M Black ....................................E++ 349
135mm F3.4 Apo M Black ............................E+ 1,499
135mm F4 Black .........................Exc / E+ 249 - 349
135mm F4.5 Hektor..........................As Seen 59 - 99
1.25x Viewfinder Magnifier .......................... Mint- 139
1.4x Viewfinder Magnifier M ............................E+ 129
18mm Chrome Viewfinder .................E++ 379 - 399
21/24/28mm Viewfinder Black....................................E++ / Mint- 229 - 249
21mm Chrome Viewfinder ........................... Mint- 229
24mm Black Viewfinder.....................E++ 179 - 199
28mm Black Viewfinder...................................E+ 169
Angle Finder M ..............................................E++ 149
Universal Wide Angle Finder M.......................E++ 379
Bellows II...........................................................E+ 85
Motor M.............................................E++ 199 - 249
MR3 Chrome Meter............................................E+ 59
Leica R Series
R9 Anthracite Body Only .......................E+ 549 - 569
R9 Black Body Only........................................E++ 599
R8 Black Body Only.................... E+ / E++ 299 - 349
R8 Chrome Body Only....................................E++ 299
R7 Black Body Only..........................................E+ 299
R7 Chrome Body Only............................E+ / E++ 299
R6.2 Black Body Only.............................E+ / E++ 449
R6.2 Chrome Body Only.................................E++ 449
R6 Black Body Only...............................E+ 289 - 349
R5 Black Body Only.................... E+ / E++ 199 - 299
R5 Chrome Body Only....................................E++ 349
RE Black Body Only...............................E+ 179 - 219
R4 Black Body Only.................................E+ 99 - 159
R4S Model 2 Black Body Only..........................E+ 119
R3 MOT + Winder...................... E+ / E++ 179 - 199
R3 Black Body Only..........................................E+ 109
SL2 Anniversary Body Only ............................E++ 599
SL Chrome Body Only ................ E+ / E++ 159 - 179
15mm F2.8 Asph ROM................................Mint 4,499
21mm F4 R 3cam............................................E+ 599
21mm F4 ROM ................................................E+ 599
21-35mm F3.5-4 Asph ROM........E++ 1,449 - 1,499
24mm F2.8 ROM ...............................E++ 899 - 999
28mm F2.8 PCS Shift ....................................E++ 849
28-70mm F3.5-4.5 R 3cam.............................E+ 299
35-70mm F3.5 R Japan...................................E+ 249
60mm F2.8 Macro ROM...................................E+ 549
60mm F2.8 R Macro + Tube............................E+ 349
70-210mm F4 R 3cam ..................................E++ 349
75-200mm F4.5 R 3cam ......................E+ 129 - 149
80-200mm F4 ROM.......................................E++ 649
80-200mm F4.5 R 3cam ......................E+ 189 - 199
100mm F2.8 APO Macro 3cam................. Mint- 1,299
100mm F2.8 APO Macro ROM ....................E++ 1,249
100mm F4 Macro R 3cam ...............................E+ 299
105-280mm F4.2 Vario ROM........................E+ 2,499
135mm F2.8 R 3cam............................E+ 199 - 249
180mm F2.8 R 3cam.....................................E++ 499
180mm F3.4 Apo R 3cam................................E+ 649
250mm F4 R 3cam........................................E++ 299
280mm F2.8 Apo R 3cam...........................E++ 1,999
1.4x Apo Extender R ..........................E++ 299 - 349
2x Extender R ............................ Exc / Mint- 49 - 129
Tamron 70-350mm F4.5 .................................E+ 169
Canon 400mm F2.8 FD L.................................E+ 999
Angle Finder R............................... E+ / E++ 39 - 99
Angle Finder R (14300)........................E++ 59 - 125
Bellows R + 100mm F4 R........................As Seen 199
Bellows Unit R ...................................................E+ 99
Macro Adapter R..................................E++ 89 - 125
Motordrive R....................................................E++ 49
Motordrive Set R8/R9.......................................E+ 249
Motorwinder R8/R9...................... E+ / E++ 99 - 249
R8/R9 Remote control......................................E++ 99
STA-1 Tripod Collar (100/2.8 Apo) ................. Mint- 99
Mamiya RZ67 Series

Pro Complete..................................................Exc 499
50mm F4.5.....................................................Exc 350
50mm F4.5 W........................................E+ / E++ 189
65mm F4 L-A ................................................E++ 249
75mm F4.5 Shift W..........................................E+ 399
75mm F4.5-M SB L .........................................E+ 299
100-200mm F5.2 W .................. E+ / E++ 249 - 399
140mm F4.5 Macro W...................................E++ 259
150mm F3.5 W................................................E+ 149
180mm F4.5 L SB..........................................E++ 249
180mm F4.5 W..........................................As Seen 89
180mm F4.5 WN ....................As Seen / E+ 89 - 129
250mm F4.5........................................... Exc / E+ 129
250mm F4.5 W.......................... E+ / E++ 149 - 179
360mm F6.......................................................E+ 169
1.4x Converter...........................Exc / E++ 119 - 199
Auto Extension Tube NA703 For SB Lens ....... Mint- 49
Auto Extension Tube No 1...............E+ / Mint 49 - 79
Auto Extension Tube No 2............E++ / Mint 49 - 79
Front Bellows Hood G3................................... Mint- 45
G2 Bellows Lens Hood .......................................E+ 39
Tilt/Shift Adapter (RZ67)............................... Mint- 349
Winder II..........................................Exc / E+ 39 - 49
120 Pro II Mag (6x4.5) .....................................E++ 69
120 Pro Mag......................................................E+ 59
120 Pro Mag (6x4.5)........................................E+ 145
120/220 Pro Mag (6x6)......................................E+ 59
AE Prism Finder................... As Seen / E++ 79 - 179
PD Prism Finder................................ As Seen / Exc 79
Polaroid Mag (RZ67) ........................................E++ 29
Polaroid Mag (RZ67) ..........................................E+ 29
Nikon AF
F6 Body + MB40 Grip ....................................E++ 799
F6 Body Only ...................................................E+ 699
F5 Anniversary Body Only ..............................E++ 699
F5 Body + DA-30 Action Finder........................E+ 349
F5 Body Only ........................As Seen / E+ 149 - 299
F100 Body Only .............................................E++ 149
F90 Body Only ...........................................As Seen 29
F80 Chrome Body Only ......................................E+ 39
10-24mm F3.5-4.5 G AFS DX ..........................E+ 449
10.5mm F2.8 G AF ED DX Fisheye ............... Mint- 349
12-24mm F4 G AFS DX ED ............................E++ 349
16mm F2.8 AFD Fisheye....................E++ 469 - 499
16-35mm F4 G AFS ED VR......E++ / Mint- 649 - 659
16-85mm F3.5-5.6 G ED VR AFS DX..............E++ 259
17-55mm F2.8 G AFS DX IFED...Exc / E++ 349 - 439
18mm F2.8 AFD ............................................E++ 649
18-70mm F3.5-4.5 G AFS ED DX. E+ / E++ 79 - 129
18-105mm F3.5-4.5 G AFS
ED DX VR..............................E++ / Mint- 129 - 149
18-135mm F3.5-5.6 AFS DX ...........................E+ 119
18-140mm F3.5-5.6 AF-S G ED VR DX ........ Mint- 279
18-200mm F3.5-5.6 G AFS DX VR....................Exc 99
20mm F2.8 AFD ............................................E++ 279
20-35mm F2.8 AFD.....................Exc / E+ 249 - 449
24mm F1.4 G AFS ED .................................. Mint- 990
24mm F2.8 AFD .....................E++ / Mint- 229 - 249
24mm F3.5 ED PC-E...................................E++ 1,089
24-70mm F2.8 G AFS ED............E+ / Mint 849 - 899
24-85mm F3.5-4.5 G AFS..............................E++ 149
24-85mm F3.5-4.5 G ED VR ..........................E++ 279
24-120mm F3.5-5.6 ED AFD .............................E+ 99
24-120mm F4 AFS G ED VR...........................E++ 499
28mm F2.8 AF.................................................E++ 99
28-105mm F3.5-4.5 AFD.................................E+ 149
35mm F1.4 G AFS .........................................E++ 899
35mm F1.8 G AFS DX ......................................E++ 99
35mm F2 AFD ...............................................E++ 169
45mm F2.8 D PC-E ED Macro................... Mint- 1,089
50mm F1.4 AFD ............................................E++ 179
50mm F1.4 AFN ................................E++ 119 - 129
50mm f1.8 AFD .....................................E++ 65 - 79
50mm F1.8 G AFS .........................................E++ 119
50mm F1.8 G AFS (Retro) ............................ Mint- 169
55-200mm F4-5.6 AFS DX G ......................... Mint- 79
55-200mm F4-5.6 AFS DX G VR........E++ / Mint- 119
55-200mm F4-5.6 G AFS DX VR II ............... Mint- 139
60mm F2.8 AF Micro .......................................E+ 169
60mm F2.8 AFD Micro.......................E++ 209 - 229
70-200mm F2.8 G AFS
ED VRII..............................E+ / Mint- 1,119 - 1,179
70-200mm F4 G AFS ED VR...........................E++ 679
70-200mm F4 G VR ED...........E++ / Mint- 679 - 699
70-300mm F4-5.6 AFG............................E+ / E++ 59
70-300mm F4-5.6 ED AFD ..............................E+ 119
70-300mm F4-5.6 G AFS VR ..... E+ / E++ 249 - 279
75-240mm F4.5-5.6 AFD.................................E++ 79
80-200mm F2.8 ED AF..................................E++ 399
80-400mm F4.5-5.6 AFD VR ...........................E+ 449
80-400mm F4.5-5.6 G AFS
ED VR ................................ E+ / E++ 1,329 - 1,389
85mm F1.4 AFD ..............................................E+ 499
Connect
NOW
85mm F1.8 AFD ................................E++ 229 - 239

105mm F2 AF DC ..........................................E++ 529
105mm F2.8 AFD Micro...................................E+ 329
105mm F2.8 AFS G VR Micro.............E++ 479 - 499
180mm F2.8 ED AF..........................................E+ 299
180mm F2.8 ED AFD .....................................E++ 429
200-400mm F4 G
VR AFS IFED....................... E+ / E++ 2,489 - 2,599
300mm F2.8 G AFS ED VR..........................E++ 2,489
300mm F2.8 G AFS
ED VR II...........................E++ / Mint- 2,899 - 3,189
300mm F2.8 G ED VR AFS..........................E++ 2,749
300mm F2.8 IFED AF-I................................E++ 1,749
300mm F2.8 IFED AFS II...............................E+ 2,199
300mm F4 AF ED...........................................E++ 379
300mm F4 AFS IFED.................. E+ / E++ 629 - 699
400mm F2.8 G AFS IF VR............................E++ 4,599
500mm F4 AFS IFED II..................................E+ 2,849
500mm F4 G AFS VR IF ED .........................E++ 4,599
600mm F4 AFS IFED.............................As Seen 1,650
Samyang 24mm F1.4 AE ED AS UMC........... Mint- 379
Samyang 24mm F3.5 Tilt-Shift ED AS UMC.. Mint- 529
Schneider 28mm F2.8 PC S/Angulon ...............E+ 549
Sigma 12-24mm F4.5-5.6 EX DG HSM ..........E++ 299
Sigma 12-24mm F4.5-5.6 EX DG HSM MKII. Mint- 389
Sigma 17-50mm f2.8 EX DC OS HSM ............E++ 199
Sigma 18-50mm F2.8 EX DC Macro ..............E++ 129
Sigma 24-60mm F2.8 EX DG...........................E+ 149
Sigma 50mm F2.8 EX DG MACRO..................E++ 149
Sigma 50-150mm F2.8 Apo HSM II..................E+ 349
Sigma 100-300mm F4 Apo EX HSM ................E+ 199
Sigma 135-400mm F4.5-5.6 Apo DG.............E++ 229
Sigma 150-500mm F5-6.3 APO DG OS
HSM ........................................ E+ / E++ 419 - 449
Sigma 150mm F2.8 Apo DG HSM OS Macro ..E++ 429
Sigma 180mm F3.5 Apo EX Macro.................E++ 249
Tamron 14mm F2.8 Asph (IF) AF SP...............New 349
Tamron 17-50mm F2.8 XR Di II .......................E+ 159
Tamron 17-50mm F2.8 XR Di II VC ...............E++ 249
Tamron 18-270mm F3.5-6.3 Di II VC PZD........E+ 189
Tamron 18-270mm F3.5-6.3 DI VR..................E+ 149
Tamron 28-200mm F3.8-5.6 Asph ................ Mint- 79
Tamron 28-300mm F3.5-6.3 LD Asph ...............E+ 69
Tamron 90mm F2.5 SP AF......... E+ / E++ 149 - 159
Tamron 90mm F2.8 SP Di MacroExc / E++ 189 - 229
Tamron 200-400mm F5.6 AF LD ...................E++ 169
Tokina 12-24mm F4 ATX PRO SD..................E++ 249
Tokina 20-35mm F2.8 ATX Pro......................E++ 269
Tokina 35mm F2.8 Macro DX ATX .................E++ 239
Tokina 50-135mm F2.8 DX ATX Pro...............E++ 329
Tokina 80-400mm F4.5-5.6 ATX....................E++ 199
Voigtlander 20mm F3.5 SLII ........................ Mint- 279
Zeiss 18mm F3.5 ZF.2...................................E++ 699
Zeiss 21mm F2.8 ZF......................................E++ 749
Zeiss 25mm F2 ZF2.......................................E++ 950
Zeiss 25mm F2.8 ZF......................................E++ 449
Zeiss 25mm F2.8 ZF.2.......................E++ 539 - 579
Zeiss 35mm F2 ZF.2...............E++ / Mint- 549 - 599
Zeiss 50mm F1.4 ZF.2...................................E++ 399
Zeiss 85mm F1.4 ZF......................................New 799
Zeiss 85mm F1.4 ZF.2...................................E++ 749
TC-14EII Converter.........................................E++ 149
TC-17 EII Converter.................... E+ / E++ 179 - 199
TC-20 EIII AFS Converter.............................. Mint- 269
TC-20E Converter ..........................................E++ 129
TC-20E III AFS Converter.............................. Mint- 249
TC-20EII Converter.........................................E++ 179
TC16A Teleconverter .......................................E++ 49
Sigma 1.4x Apo EX DG Converter................... Mint- 99
Sigma 2x Apo EX Converter..............................E++ 99
Sigma 2x Apo EX DG Converter........................E++ 89
Kenko 2x Pro300 Converter ...............................E+ 75
Metz 58 AF2 Flash....................................... Mint- 159
Sigma EF430 Super Flash..................................E+ 39
Sigma EF500 Super Flash.............. E+ / E++ 29 - 35
Sigma EF530 ST DG TTL Flash.........................E++ 79
Sigma EM-140 DG Macroflash..................... Mint- 199
Nissin MG8000 Extreme Flash .......................E++ 259
R1C1 Speedlight Commander Set ................ Mint- 379
SB21B Ringflash............................................E++ 179
SB22 Speedlight..............................................E++ 35
SB22S Speedlight..............................................E+ 35
SB24 Speedlight.......................As Seen / E+ 19 - 39
SB25 Speedlight..............................................E++ 49
SB27 Speedlight..............................................E++ 59
SB500 Speedlight........................................ Mint- 149
SB50DX Speedlight........................ E+ / E++ 39 - 49
SB600 Speedlight...................... E+ / E++ 109 - 149
SB80DX Speedlight............................................E+ 79
SD8 Battery Pack.............................................E++ 35
SD8A Battery Pack......................................... Mint- 39
Genesis SP629N Speedlight.............................E++ 79
Cant Find It
Please Call Us
WE WANT YOUR
quality Used
Equipment
we: BUY FOR
CASH
part EXCHANGE
COMMISSION SALE
: Film or Digital
: Auto or Manual
Focus
: Medium or
Large Format
Established 1960
Competitive Quotes
Prompt Decisions
We Can Collect
Within 24 hours
Mon-Fri
Ask for details
in the first instance

Please ring 01463 783850
or email [email protected]
for a quote
Shop On-Line 24/7 Pay by Cash or Cheque plus...

Shop open Mon-Fri
9 till 5.30
Prices correct when compiled. E&OE.
Lowering the cost of printing...

We are a small, family owned and run company, specialising in photographic
consumables and proud winners of multiple Good Service Awards.
We are located in Leamington Spa, in the heart of Warwickshire.
If youre passing, please pop into our shop and meet Cooper our office dog!
01926 339977 www.premier-ink.co.uk
Ink Cartridges
Albums & Frames
Photo Papers
We carry one of the largest ranges of printer ink cartridges

in the UK, with cartridges in stock for practically every inkjet
printer. We always stock Original cartridges, which are made
by your printer manufacturer, and in many cases we also offer
Compatible cartridges, which are usually made by a UK company
called Jet Tec. Using Jet Tec Compatibles is a way of saving
money, without compromising on the quality of your prints.
We now stock a comprehensive range of frames, mounts, albums

and accessories. The full range can be viewed on our website,
with detailed close-up images of each product to help you
choose the perfect way to display your printed photographs.
Below is just a tiny sample of what we offer:
We carry a massive range of papers (sheets & rolls) at competitive

prices. Below are some examples of the selection we stock.
Here are the

results from two
independent ink
tests that agree...
Jet Tecs colours were superb, with single

greys and blacks very close to Epson... so
Jet Tec wins!
- Total Digital Photography Magazine
What were looking at here is not only
the best choice of ink for the R300 printer,
but also the best choice of ink in this
group test, period. Theres just no getting
away from the superb combination of
performance and pricing.
- Computer Upgrade Magazine
Ink Test
Winner
Grace Albums
Available in
Burgundy
or Blue.
Rio Frames
Travel
Albums
Handcrafted solid wood with

30mm wide profile, in four
colours.
Over a dozen
designs in stock.
Grafton
Albums
Available in
Burgundy
or Blue.
Baby
Albums
PGi29
Pixma Pro 1
Originals:
Set of 12
Colours 36ml each
PGi72
Pixma Pro 10
Originals:
Set of 10
Colours 14ml each
CLi42
Pixma Pro 100
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 14ml each
CLi8
Pixma Pro 9000
Originals:
Set of 8
Colours 14ml each
Compatibles:
Set of 8
Colours 14ml each
No.16
Fountain Pen Inks
74.99
9.99
14.99
3.99
3.99
22.99
7.99
5.99
42.99
14.99
11.99
14.99
3.99
3.99
No.24
Elephant Inks
84.99
8.99
44.99
4.99
More Canon Inks...

Originals:
PGi520/CLi521 Set of 5 42.99
PGi520 Black 19ml
9.99
CLi521 Colours 9ml
8.99
PGi525/CLi526 Set of 5 42.99
PGi525 Black 19ml
9.99
CLi526 Colours 9ml
8.99
PGi550/CLi551 Set of 5 37.99
PGi550 Black 15ml
9.99
CLi551 Colours 7ml
7.99
PGi550/CLi551XL Set of 5 54.99
PGi550XL Black 22ml
11.99
CLi551XL Colours 11ml 10.99
PG540 Black 8ml
10.99
PG540XL Black 21ml
15.99
CL541 Colour 8ml
13.99
CL541XL Colour 15ml
15.99
PG545XL Black 15ml
13.99
CL546XL Colour 13ml
15.99
Compatibles:
PGi5 Black 27ml
4.99
CLi8 Colours 13ml
3.99
PGi5/CLi8 Set of 5
19.99
PGi520 Black 19ml
4.99
CLi521 Colours 9ml
3.99
PGi520/CLi521 Set of 5 19.99
PGi525 Black 19ml
4.99
CLi526 Colours 9ml
3.99
PGi525/CLi526 Set of 5 19.99
PGi550XL Black 25ml
4.99
CLi551XL Colours 12ml
3.99
PGi550/CLi551XL Set of 5 19.99
BCi6 Colours 15ml
2.99
PG40 Black 28ml
12.99
CL41 Colour 24ml
16.99
PG50 Black 28ml
12.99
CL51 Colour 24ml
14.99
PG510 Black 11ml
13.99
CL511 Colour 11ml
15.99
PG512 Black 18ml
13.99
CL513 Colour 15ml
15.99
PG540XL Black 21ml
13.99
CL541XL Colour 15ml
14.99
PG545XL Black 15ml
11.99
PG546XL Black 21ml
12.99
Many more in stock!
22.99
7.99
5.99
42.99
14.99
11.99
No.18
Daisy Inks
Originals:
27.99 No.18 Set of 4
3.99 No.18 Black 5.2ml
No.18 Colours 3.3ml each
No.18XL Set of 4
No.18XL Black 11.5ml
No.18XL Colours 6.6ml each
74.99 Compatibles:
9.99 No.18 Set of 4
No.18 Black 12ml
No.18
Colours 12ml each
27.99
3.99
PGi9
Pixma Pro 9500
Originals:
Set of 10
Colours 14ml each
Compatibles:
Set of 10
Colours 14ml each
Multiple
different
designs
available.
Originals:
229.99 No.16 Set of 4
19.99 No.16 Black 5.4ml
No.16XL Set of 4
94.99
9.99 Compatibles:
No.16 Set of 4
No.16 Black 12ml
No.16 Colours 12ml each
Originals:
No.24 Set of 6
No.24XL Set of 6
Compatibles:
No.24 Set of 6
No.24 Black 7ml
41.99
7.99
64.99
11.99
22.99
3.99
3.99
No.26
Polar Bear Inks
Originals:
No.26 Set of 4
No.26 Black 6.2ml
No.26XL Set of 4
Compatibles:
No.26 Set of 4
No.26 Black 10ml
29.99
8.99
7.99
49.99
14.99
13.99
14.99
3.99
3.99
T0481-T0486
Seahorse Inks
Originals:
Set of 6
Colours 13ml each
Compatibles:
Set of 6
Colours 13ml each
69.99
16.99
19.99
3.99
T0541-T0549
Frog Inks
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 13ml each
105.99
14.99
27.99
3.99
T0591-T0599
Lily Inks
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 13ml each
More Epson inks >>>
E&EO. Prices may be subject to change, but hopefully not!
89.99
11.99
27.99
3.99
Emilia Frames
Distressed wood
shabby chic
effect.
Blue or White.
Memo Style Albums:

Grace 6x4 100 photos
5.99
9.99
14.99
7.99
13.99
Grace A4 100 photos
15.99
Grafton 6x4 200 photos
9.99
Grafton 7x5 200 photos 13.99
Baby 6x4 200 photos
9.99
Travel 6x4 200 photos
8.99
Traditional Style Albums:
Grace 29x32cm 100 pages 14.99
Grafton 29x32cm 100 pgs 14.99
Baby 29x32cm 100 pages 12.99
Accessories:
Photo Corners Pack of 250 2.99
Photo Stickers Pack of 500 1.99
Frisco Frames
Simple,
basic design
available in a
huge range
of sizes &
colours.
Plastic Bevel, Glass Front:

Frisco 6x4 seven colours
1.99
2.29
2.79
3.49
Frisco 10x8 seven colours 3.79
Frisco 12x8 seven colours 4.59
Frisco A4 seven colours
3.99
Frisco A3 seven colours
8.99
Wood Bevel, Glass Front:
Emilia 6x4 two colours
4.99
5.99
6.99
7.99
8.99
Rio 6x4 four colours
5.99
6.99
7.99
8.99
9.99
More Ink Cartridges...

T0711-T0714
Cheetah Inks
Originals:
26.99
No.62XL Black 12ml
21.99
No.62XL Colour 11.5ml
23.99
32.99 No.300 Black 4ml
10.99
8.99 No.300 Colour 4ml
12.99
9.99
No.301 Colour 3ml
11.99
14.99 No.301XL Black 8ml
18.99
4.99 No.301XL Colour 6ml
18.99
3.99 No.350 Black
4.5ml
11.99
No.351 Colour 3.5ml
14.99
T0791-T0796
No.363 Black 6ml
13.99
Owl Inks
No.363 C/M/Y/PC/PM each 9.99
Originals:
No.363 SET OF 6
39.99
Set of 6
7.99
Colours 11.1ml each
12.99 No.364 PB/C/M/Y 3ml each 6.99
Compatibles:
No.364 SET OF 4
21.99
Set of 6
13.99
Colours 11.1ml each
3.99 No.364XL PB/C/M/Y 6ml each 12.99
No.364XL SET OF 4
49.99
T0801-T0806
No.920XL SET OF 4
46.99
Hummingbird Inks
No.932XL SET OF 4
43.99
Originals:
No.950XL SET OF 4
69.99
Set of 6
49.99 Compatibles:
Colours 7.4ml each
4.99
Compatibles:
No.21 Black 10ml
7.99
Set of 6
19.99 No.22 Colour 21ml
11.99
Colours 7.4ml each
4.99
No.56 Black 24ml
9.99
T0871-T0879
No.57 Colour 24ml
12.99
Flamingo Inks
No.78 Colour 36ml
9.99
Originals:
No.110 Colour 12ml
10.99
Set of 8
14.99
Colours 11.4ml each
16.99
Compatibles:
No.301XL Black 15ml
14.99
Set of 8
16.99
Colours 11.4ml each
10.99
No.338 Black 21ml
10.99
T0961-T0969
No.339 Black 34ml
12.99
Husky Inks
No.343 Colour 21ml
12.99
No.344 Colour 21ml
14.99
Originals:
Set of 8
12.99
69.99 No.348 Photo 21ml
Colours 11.4ml each
14.99
No.351XL Colour 20ml
16.99
Compatibles:
6.99
Set of 8
27.99 No.363 Black 20ml
Colours 11.4ml each
4.99
3.99 No.363 Colours 6ml each
No.363 SET OF 6
24.99
T1571-T1579
No.364 Black 10ml
4.99
3.99
Turtle Inks
No.364 SET OF 4
15.99
Originals:
8.99
Set of 8
Colours 25.9ml each
18.99 No.364XL Colours 11ml each 7.99
No.364XL SET OF 4
31.99
T7601-T7609
No.920XL SET OF 4
19.99
No.932XL
SET
OF
4
29.99
Killer Whale
No.940XL SET OF 4
29.99
Originals:
29.99
Set of 9
169.99 No.950XL SET OF 4
Many more in stock!
Colours 25.9ml each
18.99
Originals:
Set of 4
Black 7.4ml
Colours 5.5ml each
Compatibles:
Set of 4
Black 7.4ml
Colours 5.5ml each
Photo Glossy 160gsm:

6x4 50 sheets +50 FREE
3.99
A4 100 sheets
12.99
Photo Satin 200gsm:
6x4 100 sheets +100 FREE 9.99
A4 100 sheets +100 FREE 19.99
Photo Glossy 200gsm:
6x4 100 sheets +100 FREE 9.99
A4 20 sheets
6.99
Premium Pearl 270gsm:
6.99
A4 20 sheets +20 FREE
8.99
Premium Gloss 270gsm:
A4 25 sheets OFFER
8.99
A3 25 sheets OFFER
15.99
A3+ 25 sheets OFFER
19.99
Smooth Pearl 310gsm:
6x4 100 sheets
14.99
7x5 100 sheets
17.99
A4 25 sheets
12.99
A4 100 sheets
39.99
A4 250 sheets
84.99
A3 25 sheets
25.99
A3+ 25 sheets
35.99
17 Roll 30 metres
69.99
24 Roll 30 metres
96.99
Smooth Gloss 310gsm:
6x4 100 sheets
14.99
7x5 100 sheets
17.99
A4 25 sheets
12.99
A4 100 sheets
39.99
A3 25 sheets
25.99
A3+ 25 sheets
35.99
Premium Matt Duo 200 gsm:
A4 50 sheets
12.99
A3+ 50 sheets
34.99
Heavy Duo Matt 310gsm:
A4 50 sheets
17.99
A3+ 50 sheets
44.99
Gold Fibre Silk 310gsm:
A4 50 sheets
37.99
A3+ 50 sheets
89.99
Gold Mono Silk 270gsm:
A4 25 sheets
16.99
A3+ 25 sheets
42.99

6x4 100 sheets
12.99
7x5 100 sheets
16.99
A4 50 sheets
17.99
A3 50 sheets
34.99
A3+ 25 sheets
25.99
Panoramic 25 sheets
26.99
17 Roll 30 metres
68.99
24 Roll 30 metres
85.99
PF Lustre 275gsm:
6x4 100 sheets
12.99
7x5 100 sheets
16.99
A4 50 sheets
17.99
A3 25 sheets
35.99
A3+ 50 sheets
47.99
Panoramic 25 sheets
26.99
17 Roll 30 metres
69.99
24 Roll 30 metres
86.99
PF Gloss 270gsm:
A4 50 sheets
17.99
A3 50 sheets
35.99
A3+ 50 sheets
47.99
Panoramic 25 sheets
26.99
Matt Ultra 240gsm:
A4 50 sheets
12.99
A3 50 sheets
26.99
A3+ 50 sheets
35.99
Fine Art / Fibre Base Papers:
Baryta A4 20 sheets
21.99
Bartya A3 20 sheets
42.99
Etching A4 25 sheets
19.99
Etching A3 25 sheets
34.99
Smooth Cotton A4 25 sh 24.99
Smooth Cotton A3 25 sh 51.99
PP-201 Plus Glossy II 275gsm:

6x4 50 sheets
9.99
7x5 20 sheets
11.99
A4 20 sheets
11.99
A3 20 sheets
27.99
A3+ 20 sheets
36.99
PT-101 Pro Platinum 300gsm:
6x4 20 sheets
7.99
A4 20 sheets
16.99
A3 20 sheets
37.99
A3+ 10 sheets
24.99
SG-201 Semi-Gloss 260gsm:
6x4 50 sheets
9.99
A4 20 sheets
11.99
A3 20 sheets
27.99
A3+ 20 sheets
42.99
LU-101 Pro Lustre 260gsm:
A4 50 sheets
14.99
A3 50 sheets
32.99
A3+ 50 sheets
49.99

6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A4 50 sheets
18.99
A3 50 sheets
35.99
A3+ 25 sheets
28.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Ultra Pearl 295gsm:
6x4 100 sheets
14.99
7x5 100 sheets
20.99
A4 25 sheets
12.99
A3 25 sheets
22.99
A3+ 25 sheets
30.99
13 Roll 10 metres
21.99
17 Roll 30 metres
68.99
24 Roll 30 metres
92.99
Titanium Lustre 280gsm:
A4 25 sheets
22.99
A3 25 sheets
44.99
A3+ 25 sheets
62.99
Oyster 271gsm:
6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A3 25 sheets
22.99
A3+ 25 sheets
28.99
13 Roll 10 metres
26.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Gloss 271gsm:
6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A3 25 sheets
22.99
A3+ 25 sheets
28.99
13 Roll 10 metres
26.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Matt Plus 240gsm:
6x4 100 sheets
10.99
7x5 100 sheets
13.99
A4 50 sheets
13.99
A3 25 sheets
17.99
A3+ 25 sheets
22.99
13 Roll 10 metres
24.99
17 Roll 30 metres
42.99
24 Roll 30 metres
58.99
Matt Proofing 160gsm:
A4 150 sheets
18.99
A3 75 sheets
22.99
17 Roll 30 metres
26.99
24 Roll 30 metres
36.99
Double Sided Matt 250gsm:
A4 100 sheets
24.99
A3 50 sheets
27.99
Fine Art / Fibre Base Papers:
FB Gold Silk A4 25 sh
23.99
FB Gold Silk A3 25 sh
47.99
FB Distinction A4 25 sh 25.99
FB Distinction A3 25 sh 48.99
FB Royal A4 25 sheets
28.99
FB Royal A3 25 sheets
56.99
FB Gloss A4 25 sheets
26.99
FB Gloss A3 25 sheets
51.99
FB Matt A4 25 sheets
19.99
FB Matt A3 25 sheets
38.99
Artist A4 25 sheets
22.99
Artist A3 25 sheets
39.99
Museum A4 25 sheets
25.99
Museum A3 25 sheets
48.99
Parchment A4 25 sheets 22.99
Parchment A3 25 sheets 39.99
Omega A4 25 sheets
24.99
Omega A3 25 sheets
46.99
Portrait A4 25 sheets
26.99
Portrait A3 25 sheets
53.99
Portrait White A4 25 sh 26.99
Portrait White A3 25 sh 49.99
Premium Gloss 255gsm:

9.99
7x5 30 sheets
9.99
A4 15 sheets +15 FREE
9.99
A3 20 sheets
29.99
A3+ 20 sheets OFFER
24.99
Ultra Gloss 300gsm:
6x4 50 sheets
9.99
7x5 50 sheets
12.99
A4 15 sheets
11.99
Premium Semi-Gloss 251gsm:
6x4 50 sheets
8.99
A4 20 sheets
14.99
A3 20 sheets
29.99
A3+ 20 sheets OFFER
24.99
Archival Matte 192gsm:
A4 50 sheets
14.99
A3 50 sheets
33.99
A3+ 50 sheets
44.99
Heavyweight Matte 167gsm:
A4 50 sheets
11.99
A3 50 sheets
34.99
A3+ 50 sheets
44.99
www.premier-ink.co.uk Telephone: 01926 339977 or 0800 1077 211 Premier Ink & Photographic 12 Longfield Road, Leamington Spa, Warwickshire CV31 1XB
Lowering the cost of photography

Orders are shipped promptly by Royal Mail 1st class post, for which we charge just 1.99 per
order. All prices include VAT, and a full VAT receipt is provided with every order. Payment
accepted credit/debit card, cheque or postal order. Orders accepted securely online,
www.premier-ink.co.uk, over the telephone 01926 339977, by post, or by visiting our shop:
Premier Ink & Photographic, Longfield Road, Sydenham Ind Estate, Leamington Spa CV31 1XB.
01926 339977 www.premier-ink.co.uk
Memory
Batteries
Filters
The full range of Sandisk and

Lexar memory cards at very
competitive prices.
Replacement rechargeable
Li-ion batteries, manufactured
by Hahnel or Blumax. All come
with a two-year guarantee.
One of the largest ranges of screw-in threaded

filters in the UK, from Hoya, Kood and Marumi.
We carry sizes from 24mm, up to 105mm, and offer Clear
Protectors, UVs, Skylights, Circular Polarisers, ND4s, ND8s, ND16s,
ND32s, ND64s, ND500s, ND1000s, Variable NDs, Starbursts, Close
Up Sets and more! Below are just a few examples...
SDHC & SDXC

Lexar Professional
633X (95MB/s)
16GB
8.99
32GB
15.99
64GB
27.99
128GB
54.99
1000X (150MB/s)
16GB
14.99
32GB
22.99
64GB
35.99
128GB
63.99
2000X (300MB/s)
32GB
51.99
64GB
95.99
Sandisk Blue
33X (5MB/s)
4GB
3.49
8GB
3.99
16GB
5.99
Sandisk Ultra
266X (40MB/s)
8GB
4.99
16GB
6.99
32GB
12.99
64GB
24.99
Sandisk Extreme
400X (60MB/s)
16GB
10.99
32GB
17.99
64GB
34.99
Sandisk Extreme Pro
633X (95MB/s)
16GB
17.99
32GB
23.99
64GB
42.99
128GB
82.99
1866X (280MB/s)
16GB
49.99
32GB
79.99
64GB
129.99
Compact Flash
Lexar Professional
800X (120MB/s)
8GB
19.99
16GB
27.99
32GB
36.99
64GB
56.99
1066X (160MB/s)
16GB
33.99
32GB
56.99
64GB
99.99
128GB 192.99
Sandisk Ultra
333X (50MB/s)
8GB
11.99
16GB
15.99
32GB
24.99
NB-2L/LH for Canon

9.99
NB-4L for Canon
9.99
NB-5L for Canon
9.99
NB-6L for Canon
9.99
NB-7L for Canon
9.99
NB-9L for Canon
9.99
NB-10L for Canon
12.99
NB-11L for Canon
12.99
BP-511 for Canon
12.99
LP-E5 for Canon
9.99
LP-E6 for Canon
16.99
LP-E8 for Canon
12.99
LP-E10 for Canon
12.99
LP-E12 for Canon
12.99
NP45 for Fuji
9.99
NP50 for Fuji
9.99
NP95 for Fuji
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subscribe 0330 333 4555 I www.amateurphotographer.co.uk I30 January 2016
81
Photo Critique
Final Analysis
Roger Hicks considers
Retirement Plan 1, 2011, by Guilhem Senges

GUILHEM SENGES
ore and more, I am

fascinated by just what a
photograph is. The word
tableau is increasingly used
for staged photographs, but its meaning
is slippery. Andreas Gurskys famously
expensive Rhein II has been described as
a tableau, which stretches any denition I
can understand. But then, categories are
of limited use when you are faced with a
120x220cm tableau pinhole picture taken
with a converted van as a camera and
a 20-minute exposure. In Senges own
words, he also uses temporary recycled
sculptures or installations especially made
for the photo session. He also refers to
mixing positive and negative in the same
view (see www.guilhemsenges.com). Yes,
thats what it looks like, but how?
Then again, there is no great reason
why we should be concerned with how.
Part of the purpose of this column is to
inspire our readers, but few, if any, are
likely to try to emulate this technique
exactly, if only for the want of a camera
van. Above all, the picture is the thing. Its
not exactly collage, but the innite depth
of eld of a pinhole camera, coupled with
Its not exactly collage, but the infinite depth of field of

a pinhole camera, coupled with its very low resolution,
allows the photographer to play quite a lot of tricks
its very low resolution, allows the
photographer to play quite a lot of tricks
with our depth perception and with
what passes for real. In any case, no
photographer is obliged to tell us exactly
how he or she did something or, if they
do tell us, to tell us the whole truth.
The whole truth is an important phrase
here. The detail, the lighting, the tonality,
the pinhole-style resolution all are
wholly photographic. Even the most
skilled photorealist or hyperrealist painter
would nd them extremely hard to
replicate. In other words, the whole truth
of photographic technique is undoubtedly
here. But equally, we know that real
pictures even staged tableaux of bank
robberies dont look like this: so no
whole truth there.
It is very much a gallery picture,
because few of us would have enough
space on our walls to hang it, even if we
wanted to. This brings us, though, to

another question: what is photography
for? The answer is that it can be for
anything: advertisement, ornament,
instruction, news, aide-mmoire, a
portrait of a loved one, or (as here) a
direct challenge to our perception that
makes us think.
Which invites yet another question.
What does it make us think about?
This, perhaps, is the true strength of
this picture. It invites thought about so
many things. You can start out with
whether or not you like it. Many will stop
here. You can ask yourself why you like it
or dislike it. Then you can think about
the nature of reality, especially as
recorded photographically: I put
recorded in quotation marks because
that is open to interpretation, too. As is
why someone should convert a van
into a pinhole camera.
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his website
at www.rogerandfrances.com). Every week in this column Roger deconstructs a classic or contemporary photograph. Next week he considers an image by Jean Gaumuy
82
Follow us for the latest news, oers & competitions
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Saturday 30 January 2016

Passionate about photography since 1884

long wait, and those wanting the latest

Join our Flickr group

ONLINE PICTURE OF THE WEEK

32 Meet & greet

COVER PICTURES ELLIOTT NEEP, MICHAEL POWELL

Send us your pictures

Each week we choose our favourite

Peake pics on Flickr

British astronaut Tim Peake

Winners of the 10th Annual Black

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A solar-powered action camera that shoots 16-million-pixel stills and

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Give your camera or lens

Make sure you

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Words & numbers

Buyers like to see a

subscribe 0330 333 4555 I www.amateurphotographer.co.uk I 30 January 2016

Fuji reveals new X70

FUJIFILM is set to launch its first

FUJIFILM has unveiled its

priced 549 (body only), new

ZEISS used the CES

The most interesting things to see, to

JOHN PAUL EVANS

RSPB seabird photography workshops

From March to August RSPB Bempton Cliffs is home to more than

John Paul Evans winning image in the wedding category

Beer added: The

Various dates in March and April, www.steverace.com

matter when AP sought a response from

For the latest news visit www.amateurphotographer.co.uk

From 19-22 March, www.

The Magnum members first

Entries to this astronomy

Until 28 March, www.science

It is 12 months since the South Korean giant

Help fund a photography book

Samsung cameras a no-show

THE PHOTOGRAPHY SHOW

Not a quiet year for

Michael Topham caught up with

The D500 features an all-new

impresses, either. The advanced

offers dioptre adjustment from

30 January 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 4555

One of the major benefits of

Nikon has made some

After talk of its development, Nikon has

the D5 benets from Nikons new

with an effective aperture of f/8.

30 January 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 4555

Nikon D5: Does

is down slightly, from 0.72x to 0.70x

Build and handling

in the hand that were used to from