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RA Outline

Pre-paragraph:
The conventional elements that were most prominent in showing the
differences between the two versions would be the trickery of the villain, and
the rescue of the protagonist. My thesis for this RA is that the change in
wolfs trickery and rescue of Little Red Riding Hood from Perraults version of
the story to Brothers Grimms version of the story derives from the change in
societys values and perspectives as the general audience for fairy tales in
19th century came to include the younger audience with strictly Protestant
grown audience, while 17th centurys audience was limited to the aristocratic
and royal adult members of the society. In order to effectively prove such
impact of change in rhetorical situation on the evolution of the story Little
Red Riding Hood, I would need to research the historical and social
background of 17th century France versus 19th century Germany, while
incorporating the authors lifestyle, and the reviews that they have received
from their audience.
Make the purpose of essay clear : understanding rhetorical analysis. exists in every aspects of communications. How do the texts reflect their
rhetorical situations? (in this case, were focusing on fairy tale genre of such
cases) (shows the progresses in the genre as the time period progresses)
(rhetoric, rhetorical analysis. etc) (definition & history/origin of the genre in
the introduction)
Little Red Riding Hood red

audience - 17th century to 19th century


Quotes & information from the time period
outside sources - explaining the time period

Title

Le Petit Chaperon
Rouge

Little Red Cap

Author

Charles Perrault

Brothers Grimm

Time period

17th century

19th century

Country

France

Germany

Summary

Little Red Riding Hood


goes over to
grandmas, gets tricked
by wolf and gets eaten
along with her grandma

Little Red Riding Hood


goes over to
grandmas, gets tricked
by wolf and gets eaten
along with her
grandma but gets
rescued by a huntsman,
and learns how not to
become a victim again.

Elements: Trickery

"and I'll go and see her


too. I'll go this way and
go you that, and we
shall see who will be
there first."

"Listen, Little Red Cap,


haven't you seen the
beautiful flowers
growing in the forest?
Why don't you look
around?..."

Elements: Rescue

And, saying these


words, this wicked wolf
fell upon Little Red
Riding Hood, and ate
her all up.

"...he[huntsman] took
some scissors and cut
open the wolf's belly.
After he made a couple
of cuts, he saw the little
red cap shining forth..."

https://ucirvine.instruct
http://www.pitt.edu/~da ure.com/courses/1213/fi
sh/perrault02.html
les/364247/download?
wrap=1

First Analysis Point:


Convention: Trickery & Archetypal character: big bad/Villain Villain tricks the protagonist & gets him/her into trouble.
In this case, the wolf tricks Little Red Riding Hood
Perrault: The wolfs trick is very passive & he tries
not to get noticed by the huntsman in the woods- deems the
Little Red Riding Hood to ver even more weak-minded, easily
distracted, etc.
sexism, and womens naivety to be easily
be the target of villainy.
Audience: adult women at the age to get
married
purpose: warning to the women audience
that wolf appears tempting (young men who are trying to
take womens virginity are tempting), and it is very easy to
get into his tricks without even the wolf trying much.
Brothers Grimm: The wolfs trick is very cunning,
very well-made that its believable his trick is the only reason
why Little Red Riding Hood drifted into the woods
audience: young children
purpose: to warn the young children
about the cunning attackers outside, and how powerful
their persuasion is that it is hard not to fall for it.

Second Analysis Point:


Convention: Rescue & archetypal character: huntsman - the
protagonist gets rescued by a hero.
Perrault: there is no rescue: once Little Red Riding
Hood gets into bed with the wolf (who, by the way, has already
eaten the grandmother), there is no turning back, and the story
ends at where she is eaten up, dead.
moral: once little red riding hood (young
girls) fails to notice the wolf (tempting young men), her life
ends there without point of return (young girls lose their
opportunity forever).
Mariage de raison: arranged marriage
that constrained the young girls of aristocratic families to
an arranged marriage with their virginity as a requirement.
Once a girl loses virginity from wolfs temptations, her life
as a good daughter of the family has been ruined.

Brothers Grimm: a huntsman comes and saves both


LIttle Red Riding Hood and the grandmother. Afterwards, they
have learned their lessons not to lose to a wolf ever again.
moral: there are a lot of dangers outside
the house. When the weak (old and young) gets into
trouble, the strong (father) will come to save you.
Therefore, it is important to know how not to fall into such
cunning minds outside trying to prey on you.
Nuclear family & strong family bonds &
roles of parents: Father is the bread-earner. Mother is
housekeeper taking care of the children. The family
structure decreased in size & became more strong.

Conclusion:
roots - branches >> origin of fairy tales to edited versions. Time
period, countries, audience, author, culture everything comes in
together to grow out completely different looking branches from one
root. As Little Red Riding Hood went through 200 years of flow of time,
the wolf has become more cunning, the girl has become more
innocent, yet more cautious, and there has been created a hero.
Sources:
1) Buchinger, Michael. Desexualizing Little Red Riding Hood: A
Comparison of Charles Perrault's and the Brothers Grimm's Versions of
the Popular Fairy Tale. Diss.Academia, 15 Oct. 2003.
2) Orenstein, Catherine. Little Red Riding Hood Uncloaked: Sex,
Morality and the Evolution of a Fairy Tale. New York: Basic Books, 2002
3)https://web.archive.org/web/20140328002739/http://www.endicottstudio.com/rdrm/forconte.html
4) Zipes, Jack. "Introduction: Rediscovering the Original Tales of the Brothers
Grimm." The Original Folk and Fairy Tales of the Brothers Grimm. Jack Zipes,
trans. Princeton, NJ. Princeton UP: 2014, 1-26.
5) http://www.merriam-webster.com/dictionary/fairy%20tale
6) http://mendelssohnsworld.blogspot.com/2009/08/being-german-in-early1800s.html

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