The document discusses selecting an extract from a screenplay treatment to script and storyboard. It provides guidance on choosing a sequence that has a beginning and ending, such as one that establishes characters, features a plot point, or reaches a climax. Instructions are given for scripting and storyboarding the selected extract.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0 ratings0% found this document useful (0 votes)
38 views
Developing A Sequence: Worksheet
The document discusses selecting an extract from a screenplay treatment to script and storyboard. It provides guidance on choosing a sequence that has a beginning and ending, such as one that establishes characters, features a plot point, or reaches a climax. Instructions are given for scripting and storyboarding the selected extract.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 1
worksheet
22
Developing a sequence
You now have a treatment for a complete screenplay. Unless this is a
short you will need to select an extract from it to script. Consider the following:
Which parts of your narrative would make an interesting or exciting
extract in narrative terms? Which parts of your narrative would make an interesting or exciting extract in visual terms?
Try to choose a part of the narrative which has a sense of a beginning
and a sense of an ending. It could be, for example, a sequence:
In which the main character (or
characters) is established; Which features a plot point and builds up to the start of the next act; In which a story reaches a climax.
Activity 2 Storyboard Produce an extract of your treatment in storyboard form.
Activity 1
Script Produce an extract of your treatment in script form.
bfi Education 2003
Page 1 of 1
Break your sequence into scenes.
Make sure that, in each scene, some sort of change has been brought about it should move the story along. Tell your story visually dont just let your characters talk at each other, but tell us what we will see on screen that will provide us with narrative information. If using dialogue, make sure you know why people are speaking and how. Your script should be formatted correctly; consist of approximately 800 words; combine screen directions and dialogue.
Use different shot types to convey
information an eyeline match, a close up, a point of view shot, a shot held for longer than is merely functional can all convey loads of information about character and intention. Dont forget to establish a space before fragmenting it into different shots. Be creative and imaginative try to make your storyboard visually appealing. Your storyboard should consist of at least 15 shots and no more than 25 shots; use arrows to indicate camera movement; use arrows to indicate the movement of characters within the shot; indicate the duration of shots; provide information about dialogue, and diegetic and nondiegetic sound/music.
Scriptwriting, Screenplays and Storyboards for Film and TV Production
The Ultimate Course Book on How to Write a Screenplay: Screenwriting bible 101 on the foundations of screenwriting basics, page screenwriting & editing, writer career advice book & more...
Screenplay Plotting: Step-by-Step | 2 Manuscripts in 1 Book | Essential Movie Plot, TV Script Plot and Screenplay Plot Writing Tricks Any Writer Can Learn