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This script outlines scenes from a romantic thriller involving two lovers. In the first scene, the couple expresses their love for each other on a plane. However, doubts emerge about who to trust. Subsequent scenes show the man watching the woman on security monitors in London as she goes about her day. When he calls her, she does not speak, appearing upset. They later have a dramatic chase through Piccadilly Circus, stopping face to face, before the scene ends in black. The script explores themes of identity, trust and deception in relationships.

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134 views4 pages

Script

This script outlines scenes from a romantic thriller involving two lovers. In the first scene, the couple expresses their love for each other on a plane. However, doubts emerge about who to trust. Subsequent scenes show the man watching the woman on security monitors in London as she goes about her day. When he calls her, she does not speak, appearing upset. They later have a dramatic chase through Piccadilly Circus, stopping face to face, before the scene ends in black. The script explores themes of identity, trust and deception in relationships.

Uploaded by

api-303064355
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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SCRIPT

Narrator: In this world do we really know who we are?

Scene 1:
Two lovers on a plane, view of sky from the plane window. Over the
shoulder shot of them looking out of the window.
Mid shot of her looking at him and smiling > looks back out of the
window.
Close up to her face and his lips.
Man: I love you (whispering)

Narrator: But do we really know who to trust?

Scene 2:
Establishing shot of Italy from the planes window. Text comes up on
the left side of the screen (Italy AM xx:xx)> Text appearing on
screen as if typed
Narrator: What if you found the one you love?

Production Company (DreamWorks/Lion gate)

Scene 3:
Establishing shot of London from millennium bridge> 30 minute time
lapse showing Big Ben/Houses of Parliament.

Scene 4:
Him sitting in front of the monitors. Over the shoulder shot of him
watching her on the monitor.

Narrator: Do you really know them?

Scene 5:
Graphic match from the mans screen to the exact same scene of her
in the street.
Shot of her walking on the street with a cup of coffee and a wallet
in her hand. Side tracking, medium angle shot.
She reaches out to her wallet to take her phone out. Close up to the
wallet> AGENT ID revealed.
Over the shoulder shot of her looking at the phone.

Scene 6:
Cut to him, over the shoulder shot looking at the monitors and still
watching her. High angle over the monitors & low angle (camera
placed still on the table) on him with hands on his head worried and
frustrated. See the phone lit up on the table.

Scene 7:
Cut to her looking at her phone. Point of view shot on phone. No
calls no messages.
Cut to him, over the shoulder shot of him holding and looking at his
phone. Her number is dialled and phone is on the table, over the
shoulder shot of him looking at the phone.
Point of view shot of him pressing the call button to call her.

Scene 8:
Cut to a point of view shot of her holding the ringing phone.

Scene 7#:
Cut to him, side shot close up of his profile holding the phone by
his ear, waiting for her to answer.

Scene 8#:
Cut to her side shot, standing still, she answers the phone but
doesnt say a word.

Scene 7#:
Cut to him, side close up to his lips and phone. Man: I love you
Im sorry. Point of view shot as he hangs up.

Scene 8#:
Cut to her, close up to her eyes, and her reaction, tears in her
eyes.

Scene 7#:
He throws the phone on the table, low angle.

Scene 8#:
Cut back to her walking on the street, sad.

Scene 9:
Suddenly a man runs out of a building right next to her, its him,
he looks at her for a moment and runs away. Close up to his eyes
looking at her & long shot of his body without the face.
Phone beeps, she receives a message and gets distracted, point of
view shot on phone, we see a picture of a man, and its his photo.
A close up to her shocked face.

Scene 10:
She starts chasing him. Worm eye view of her feet to show her
running. (Camera on a skateboard)
# Flashbacks of footage from Italy.

Scene 11:
Piccadilly Circus chase scene, they run, then stop a distance apart
from each other, long shots to show both of them.

She stops and looks around her, low angle arch shot, high angle, mid
shot, camera spinning around her (to make this scene chaotic, and
confusing; which is her emotion at this precise moment, to distract
the audience) . When she finally stops the man is in front of her
face. Close up to his face from her point of view.
Close up to his face from her point of view.
Cut to black.

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