Western Sickness and Native American Cure in Leslie Silkos Ceremony Powerpoint

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WESTERN SICKNESS AND

NATIVE AMERICAN CURE IN


LESLIE MARMON SILKOS
CEREMONY
Katie Huguelet

Ceremony

by Leslie Marmon Silko

Written by a Native American female author and


published in 1977
The protagonist:
Tayo- returns from WWII with post traumatic stress disorder

Other Characters:
Rocky- Tayos brother who is fully assimilated into white culture
and contrasts Native American beliefs
Old Betonie- a medicine doctor that tells Tayo the pattern of his
curing ceremony
Tseh- an earthly female figure who reconnects Tayo with the land

Background to Ceremony
Genre: Laguna Pueblo and Navajo Indians
Literary Terms: Hybridity, Opposition, Poetry, Prose

Thesis:
The cure to Tayos sickness is an inclusive
ceremony open to both Eurocentric and
Laguna peoples because it evokes a new
sense of spirituality into Western ideology
while revising traditional Laguna stories.

Eurocentric Sickness
Distortion of Relationships
Tayo nodded, slapped at the insects mechanically and staring
straight ahead, past the smothering dampness of the green
jungles leaves (Silko 7).

Distortion of Space and Time


Tayo stood there, stiff with nausea, while they fired at the
soldiers, and he watched his uncle fall, and he knew it was
Josiah; and even after Rocky started shaking him by the
shoulders and telling him to stop crying, it was still Josiah lying
there (Silko 7).

The Uranium Mine


He cried the relief he felt at finally seeing
the pattern, the way all the stories fit
together- the old stories, the war stories, their
storiesHe had only seen and heard the
world as it was: no boundaries only transitions
through all distances and time (Silko 229).

Tayos Cure
Tseh
She was standing under an apricot tree, partially hidden by a bushy
canopy of gnarled limbs sweeping so close to the earth the slender
leaves touched the ground in the wind (Silko 164).
dreams that lasted all night, dreams full of warm deep caressing and
lingering desire which left him sleeping peacefully until dawn (Silko
200)
Critic Reyes Garcia: Tayo learns through this womans flesh to feel his
own connectedness, so that the place bears her presence in his
remembering their time together, the space of memory sensual and
earthen (41).

The Readers Cure


She explicitly states in Ceremony, His
sickness was only part of something larger,
and his cure would be found in something
great and inclusive of everything (116).

The Readers Cure and critic


James Ruppert
Tayo and the reader have begun to live
the myth and as, Eliade concludes, by
living the myths one emerges from
profane, chronological time and enters a
time that is of a different quality, a Sacred
Time at once primordial and indefinitely
recoverable (Ruppert 182).

Conclusion
The reader performs the cure ceremony
when experiencing the fragmented prose and
Native American oral tradition which evokes
the possibility of regaining spirituality in the
environment and restoring the web of
interconnectedness.

Works Cited
Garca, Reyes. "Senses of Place in Ceremony." MELUS 10.4, The Ethnic-Novel:
Appalachian, Chicano, Chinese and Native American (1983): 37-48. JSTOR. Web.
17 Sept. 2015.
Ruppert, James. No Boundaries, Only Transitions: Ceremony. Mediation in
Contemporary Native American Fiction. Norman: University of Oklahoma Press,
1995. 74-91.
Silko, Leslie Marmon. Ceremony. New York, NY: Penguin, 1986. Print.

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