Intro To Framing and Discourse - Deborrah Tanen PDF
Intro To Framing and Discourse - Deborrah Tanen PDF
Intro To Framing and Discourse - Deborrah Tanen PDF
Discourse
EDITED BY
DEBORAH TANNEN
Geotyetown University
New York
Oxford
Introduction
DEBORAH TANNEN
Ever since its introduction by Gregory Bateson in "A Theory of Play and
Fantasy" ([ 1954] 1972), the concept of framing has influenced thinking
about language in interaction. Bateson de1110nstrated that no communica
tive move, verbal or nonverbal, could be understood without reference to a
metacomn1unicative message, or metamessage, about what is going on
that is, what frame of interpretation applies to the move. Observing mon
keys playing, he noted that it was only by reference to the metamcssage
"This is play" that a monkey could understand a hostile lnove froln another
monkey as not intended to convey the hostility that it obviously denotes. In
other words, metamessages "framed" the hostile moves as play.
Bateson's work was taken up most directly by researchers in communi
cation and psychology, especially those in systems or family therapy (for
example, Watzlawick, Beavin, and Jackson 1967). It received some attention
from anthropologists as well (see especially Frake 1977). Within sociology,
the most important and comprehensive treatn1cnt of framing came in Er
ving Goffman's FrameA1'la~ysis (1974), which provides a con1plex and sub
tly nuanced system ofterms, concepts, and exan1plcs to elucidate the numer
ous levels and types of framing that constitute everyday interaction.
Although the influence of Bateson's and Goffman's work has been
pervasive, there have been few studies directly applying Bateson's seminal
theory or Goffman's elaborate franlcwork in n1icroanalytic linguistic analy
sis of real discourse produced in face-to-face interaction. In his later work,
Forms of Talk (1981), Goffn1an's attention to multiple layers of framing in
everyday life focused more and more specifically on the usc oflanguage, and
Goffman became increasingly interested in the \vork of linguistic discourse
analysis. In the chapter entitled "Footing" he observes that "linguistics
provides us with the cues and markers through which such footings become
manifest, helping us to find our way to a structural basis for analyzing
then1"l (p. 157). Until now, ho\vevcr, linguists have been slow to justify
I \"auld like to thank Neal Norrick and l)ehorah Schiffrin for comnlents on a draft of this
introduction. I am grateful to Clifford (~eertz and the Institute for Advanccd Study in Princc
ton~ New Jersey~ tor the ideal cnvironnlcnt 111 \vhlCh to write this introduction.
Deborah Tannen
G<offman's faith in our ability to make framing manifest. I believe that this
collection begins to do so.
At the same time that discourse analysis can provide insight into the
linguistic means by which frames are created in interaction, the concept of
framing provides a fruitful theoretical foundation for the discourse analysis
of interaction. In fact, frames theory already lies at the heart of the most
comprehensive and coherent theoretical paradigm in interactional socio
linguistics: Gumperz's (1982) theory ofconversational inference. Gumperz
shows that conversational inference, a process requisite for conversational
involvement, is made possible by contextualization cues that signal the
speech activity in which participants perceive themselves to be engaged.
Gumperz's notion of speech activity is thus a type of frame. Indeed, it is in
the work of Gumperz and those influenced by him that one finds the
greatest justification for Goffman's belief in the ability of linguistics to
elucidate the structural basis for framing. With the possible partial excep
tion of the final chapter by Schiffrin, the articles in this volume derive
directly from this research tradition, by way of my training as a student of
Gumperz at the University ofCalifornia, Berkeley. Schiffrin is a more direct
descendent of Goffman, with whom she studied at the University of Penn
sylvania, though her work also shows the influence of William Labov, as
mine also shows the influence of Robin Lakoff and Wallace Chafe.
OVt
Introduction
Overview ofChapters
The volume begins with two of my own articles that lay a theoretical
groundwork for the analysis of framing in discourse. Although these chap
ters have been previously published, they appeared in places not normally
seen by linguists: the first in a volume edited by Roy Freedle for his psycho
logically oriented Discourse Processing series, the second in a special issue
of the Social Psychology Quarterly edited by sociologist Douglas Maynard.
The chapters that follow were all written expressly for this volume, each
applying aspects of frames theory to a unique interactional context.
Chapter I, ''What's in a Frame? Surface Evidence for Underlying Ex
pectations," provides a general introduction to research on framing. It
begins with a theoretical overview of how the term "frame" and related
terms such as "script" and "schema" developed and have been used in a
range of disciplines to refer to what I define as "structures of expectation."
The disciplines surveyed are linguistics, cognitive psychology, artificial in
Deborah Tannen
,I
Introduction
eral and cerebral palsy in particular. For example, the mother and doctor
differ in their interpretations of the child's noisy breathing. Associating
"noisy breathing" with "wheezing," the mother fears that the child is having
respiratory difficulty. The doctor, in contrast, associates the noisy breathing
with cerebral palsy, i.e., as an expected and harmless result ofpoor muscular
control. A conflict in schemas often triggers a shift in frames. Thus, the
mother's concern with the child's noisy breathing leads her to interrupt
the doctor's examination to exclaim, "That's it! That's how it sounds when
she sleeps!" The doctor must then shift from the examination frame to the
consulting frame to reassure the mother that the child's noisy breathing is
not a sign of danger.
In Chapter 3, "Framing in Psychotic Discourse," Branca Telles Ribeiro
uses the frames/schema model to analyze the discourse of a Brazilian wom
an, Dona Jurema, being interviewed by a psychiatrist, Dr. Edna, at a psychi
atric hospital in Rio de Janeiro. On the basis of this interview, Dr. Edna
diagnosed Dona Jurema as being in the midst of a psychotic crisis and
admitted her to the hospital. Ribeiro demonstrates that frame analysis eluci
dates the coherence in Dona Jurema's psychotic discourse. There are two
frames operating in the interaction: the interview frame, in which Dr. Edna
asks the patient questions, and the psychotic crisis frame, in whi<:h the
patient fails to answer the psychiatrist's questions, speaking instead to peo
ple who are not present and as people who are not present-even, in some
cases, not alive-or as herself at a different age or in a different context.
Dona Jurema jumps from topic to topic, chants and sings, and assumes
different voices and different footings. Ribeiro shows, however, that every
thing she utters in the frame of her psychotic episode is perfectly coherent
within the scenario created-for example, Dona Jurema as a child speaking
to her mother, grandmother, or sister. Ribeiro also examines a lower level of
framing and its relation to the higher level: the types ofmoves performed in
Dona Jurema's discourse that make up the various interactive frames. Fur
thermore, she shows that Dona Jurema makes accurate use of knowledge
schemas pertinent to each frame, such as the injunction against making
noise in a hospital. Ribeiro's study is exemplary of the power of frames
theory to illuminate an otherwise seemingly incoherent discourse type. It is
also a ground-breaking analysis of psychotic discourse.
In Chapter 4, "Participation Frameworks in Sportscasting Play: Imag
inary and Literal Footings," Susan M. Hoyle analyzes discourse produced
by her son and his friends while they played dyadic indoor games, such as
video basketball and Ping-Pong, and simultaneously reported on the games
they were playing by speaking in the role of sportscaster. The primary basis
for Hoyle's analysis is spontaneous sportscasting, which the boys initiated
on their own, aware that they were being taped but unaware ofwhich aspect
oftheir talk would be the object ofinterest. In a second part ofthe study, the
boys staged a more elaborate, multivoiced performance, in which they took
the roles not only of sportscaster but also of half-time interviewer and
Deborah Tannen
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student preachers, the selves projected by these footings, and the linguistic
means by which they were created. She begins by developing the categories
within which the various footings could be grouped and only then asks
where the women and men tend to fall, concluding that women make more
use ofthe linguistic devices that constitute two ofthe footings. In addition,
Smith's chapter makes a significant contribution to the fields of language
and religion in general and the language of sermon performance in par..
ticular.
In Chapter 6, "Cultural Differences in Framing: American and Japa
nese Group Discussions," Suwako Watanabe applies frame analysis to issues
in cross-cultural communication. Specifically, she addresses the question of
why Japanese students in American classrooms find it difficult to participate
in small group discussions, a speech activity favored by many American
teachers. By comparing American and Japanese small group discussions on
similar topics, Watanabe identifies two types of framing: (1) bracketing
(delineating the event at its beginning and end), and (2) specific conversa
tional moves such as requesting or joking. Examining the strategies by
which participants open and close discussion, present reasons, and structure
arguments, she finds that the Japanese students use strategies that grow out
of two patterns characteristic of Japanese communication: nonreciprocal
language use and avoidance ofconfrontation. The Americans perceived the
group as four individuals bound only by an activity, whereas the Japanese
perceived themselves as group members united in a hierarchy. Conse
quently, the Japanese speakers avoided confrontation by putting forth con
clusions that were "inclusive, allowing both supportive and contradictory
accounts at the same time." In contrast, the Americans' conclusions were
exclusive, leading therefore to some confrontation when individuals' ac
counts differed.
Watanabe links the level of conversational moves to higher levels of
framing. For example, the Japanese gave reasons in the frame ofstorytelling,
whereas the Americans gave reasons in the frame of reporting. Further
more, in beginning and ending the discussions, the Japanese reflected the
hierarchical structure ofthe group. This observation has interesting implica
tions for the issue of gender. In the Japanese discussion groups, the first to
speak was always a woman. Whereas Americans would likely sec the first-to
speak position as relatively dominant, Watanabe suggests that in the Japa
nese framework, speaking is face-threatening to the speaker, so women take
this potentially compromising position because they have less face to lose. 3
This chapter, then, demonstrates the usefulness of frames theory for illu
minating cross-cultural communication and small group interaction. It also
adds to our understanding of differences in Japanese and American dis
course strategies.
In Chapter 7, '''Samuel?' 'Yes, Dear?': Teasing and Conversational Rap
port," Carolyn A. Straehle examines a particular conversational move, teas
ing, in a naturally occurring casual conversation among three friends: Sam
uel, Diana, and the author herself. Straehle aptly observes that teasing is a
10
Deborah Tannen
Organ
With the exception of the fit
frames theory, the chapters a
framing they primarily addre
account for the nature ofthe (
Wallat, introduces a frames/
pediatrician's task in the ex;
logically follows Tannen an
a medical encounter and be
schema model. More import
terize the nature of psychoti
sportscasting play, the frame
event its character as sponse
performancc, is liminal in te
concept of "exegetical self' is
itself constitutive of it.
The remaining chapters
two types of framing identific
Japanese discussion groups in
levels, respectively. The first
and closc discussion, operate
the second type, such as prc~
operate on the local or discout
Introduction
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11
atc her behavior, and prompt her to reveal potentially compromising infor-_
mation, although he does, like Zelda, take a protective stance toward her.
Schiffrin goes on to examine types offraming found in the sociolinguis
tic interview and shows that the interview itself provides a frame for the
realignments and identity displays she previously discussed. Although
speaking for another occurs both within and outside the interview frame, it
occurs only during question/answer exchanges. On the broadest level, by
speaking for Irene, Zelda and Henry display and reinforce the closeness of
their relationship with her and also transform the interview frame. Schif
frin's tripartite conclusion demonstrates that (I) sequential coherence in
discourse results from the availability of a range of interpretive frames; (2)
speaking for another is a ritualization of the submersion of the self in
interaction which constitutes the interactive process itself; and (3) an under
standing of how participants construct and shift gender identities and mu
tual alignments is crucial for the analysis of variation in sociolinguistic
intervicws.
Each chapter, then, applies aspects offrames theory to a unique interac
tional context to which frame analysis has not previously been applied. The
volume thus demonstrates how frame analysis provides a framework for
linguistic discourse analysis.
12
Deborah Tannen
Notes
1. In fact, Goffman makes this remark in reference to the work that appears as
Chapter 2 in this volume.
2. Geertz (1983:158-159), in an illuminating ethnography of American aca
demic ways of thinking, notes the odd career path by which academics tend to be
trained at one ofa few centers and then be consigned for life to son1e outlying college
or university. I would add that academic departments tend to hire one person in each
field or subfield, setting each scholar in intellectual isolation in the home institution,
driven to seek collegial interchange outside the university at professional meetings.
3. This hypothesis is reminiscent ofFishman's (1978) observation that women
in casual conversations at home with their husbands do the grunt work of keeping
the conversation going.
4. A note on transcription conventions is in order because ofminor differences
in conventions employed in each chapter. Since, with the exception of Schiffrin, all
the authors use transcription conventions based on Tannen (1984), there is unifor
mity in the gross characteristics, but each author uses a few idiosyncratic conventions
adapted to the needs of her own study. This may be irritating to a reader who reads
the volume through from beginning to end. Yet I have refrained from making the
conventions uniform, since that would entail forcibly altering all but one author's
transcript excerpts to make them conform to a single system, probably my own.
Aside from the hegemonic implications of such a move, I am keenly aware of how
central my transcription system is to my own analysis. Recent research (for example,
Dchs 1979, Preston 1982, 1985, Edwards 1990) makes abundantly clear that tran
scription systems are not neutral and interchangeable but rather represent inter
pretation in themselves. Readers' indulgence is asked, therefore, in the matter of
small differences in conventions from one chapter to the next. To prevent confusion,
each chapter is followed by its own key to transcription conventions used in that
chapter.
References
Bateson, Gregory. 1954. A theory of play and fantasy. Steps to an ecology of mind,
177-93. New York: Ballantine.
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Introduction
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13