Liturgical Music: A. Introduction: 1. What Is Liturgy - It Is A Rite of Worship
Liturgical Music: A. Introduction: 1. What Is Liturgy - It Is A Rite of Worship
Liturgical Music: A. Introduction: 1. What Is Liturgy - It Is A Rite of Worship
The Liturgy of the Eucharist starts with the Offertory or the Bringing of
the Gifts, particularly the bread and wine, to the altar which will
become the body and blood of Christ. These gifts are prayed over by
the priest inviting the people to do the same.
The center and high point of the Mass that makes Christ present for us
in His Passion, Death, and Resurrection is the Eucharistic Prayer.
During this time, the entire assembly joins Christ in acknowledging the
works of God and in the offering of Sacrifice. It includes the following:
o Thanksgiving for the work of salvation,
o Acclamation or Sanctus - The assembly joins the heavenly
host in acclaiming Gods power and glory,
o Epiclesis - the priest asks the Holy Spirit to come upon and
consecrate the Bread & Wine to become the Body and
Blood of Christ,
o Institution Narrative and Consecration - The Sacrifice is
carried out
o Anamnesis - Command of Christ through the Apostles to
remember His sacrifice,
o Offering- The Church offers in the Holy Spirit, the spotless
Victim to the Father
o Intercessions Expresses the fact that the Eucharist is
celebrated in communion with the entire Church, visible
and invisible, and that the offering is made for her and for
all her members, living and dead, who have been called to
participate in the redemption and the salvation purchased
by Christs Body and Blood.
o Final Doxology - Great Amen
many share in the One Body which makes them also one
Communion - It is the part when God gives the gift of Himself
to be shared among Gods people so that our union with Him
becomes complete. We then become truly one body in Him.
4. Concluding Rite
Immediately after the Communion Rite, should there be any
announcements, these are made, but should be kept brief. Then
just as the people were greeted at the beginning of the Mass, so
now the presider greets the people again and blesses them.
1. ROLE OF MUSIC IN SACRED LITURGY
The true purpose of Sacred Music is the glory of God and the
sanctification of the faithful (Chap 6, Sacred Music, Constitution on
Sacred Liturgy, 1963)
Wherefore, in the revision of the liturgy, the following general norms
should be observed That the intimate connection between words and
rites may be apparent in the liturgy (No. 35, II. The Promotion of
Liturgical Instruction and Active Participation, Constitution on Sacred
Liturgy, 1963)
Liturgical worship is given a more noble form when the divine offices are
celebrated solemnly in song, with the assistance of sacred ministers and
the active participation of the people. (No. 113, Sacred Music,
Constitution on Sacred Liturgy, 1963)
1. Promotion of Active Participation
But in order that the liturgy may be able to produce its full effects, it
is necessary that the faithful come to it with proper dispositions, that their
minds should be attuned to their voices, and that they should cooperate with
divine grace lest they receive it in vain (No. 11 Introduction to the
Constitution on the Sacred Liturgy, 1963)
In the restoration and promotion of the sacred liturgy, this full and
active participation by all the people is the aim to be considered before all
else; for it is the primary and indispensable source from which the faithful
are to derive the true Christian spirit; (No. 14, II. The Promotion of Liturgical
Instruction and Active Participation, Constitution on Sacred Liturgy, 1963)
It is also the intention of the Council that the ecclesial nature of the
celebration be manifest through the active participation of the faithful.
To promote active participation, the people should be encouraged to
take part by means of acclamations, responses, psalmody, antiphons, and
songs as well as by actions, gestures, and bodily attitudes (No 30, II. The Promotion
of Liturgical Instruction and Active Participation, Constitution on Sacred
Liturgy, 1963)
The faithful fulfill their liturgical role by making that full, conscious
and active participation which is demanded by the nature of the liturgy itself
and which is, by reason of baptism, the right and duty of the Christian
people. [13] This participation
(a) Should be above all internal, in the sense that by it the faithful join their
mind to what they pronounce or hear, and cooperate with heavenly grace,
[14]
(b) Must be, on the other hand, external also, that is, such as to show the
internal participation by gestures and bodily attitudes, by the acclamations,
responses and singing. [15]
The faithful should also be taught to unite themselves interiorly to what the
ministers or choir sing, so that by listening to them they may raise their
minds to God. (No. 15, Musicam Sacram, 1967)
2. Degrees Of Active Participation
29. The following belong to the first degree:
(a) In the entrance rites: the greeting of the priest together with the reply of
the people; the prayer.
(b) In the Liturgy of the Word: the acclamations at the Gospel.
(c) In the Eucharistic Liturgy: the prayer over the offerings; the preface with
its dialogue and the Sanctus; the final doxology of the Canon, the Lord's
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prayer with its introduction and embolism; the Pax Domini; the prayer after
the Communion; the formulas of dismissal.
30. The following belong to the second degree:
(a) the Kyrie, Gloria and Agnus Dei;
(b) the Creed;
(c) the prayer of the faithful.
31. The following belong to the third degree:
(a) the songs at the Entrance and Communion processions;
(b) the songs after the Lesson or Epistle;
(c) the Alleluia before the Gospel;
(d) the song at the Offertory; (No.29-30, Musicam Sacram, 1967)
3. Spiritual Disposition Of Servers
Servers, lectors commentators, and members of the choir also
exercise a genuine liturgical function. They ought, therefore, to discharge
their office with the sincere piety and decorum demanded by so exalted a
ministry and rightly expected of them by God's people.
Consequently they must all be deeply imbued with the spirit of the
liturgy, each in his own measure, and they must be trained to perform their
functions in a correct and orderly manner. (No 29, II. The Promotion of
Liturgical Instruction and Active Participation, Constitution on Sacred Liturgy,
1963)
4. The Use of Musical Instruments
62."The use of other instruments may also be admitted in divine worship,
given the decision and consent of the competent territorial authority,
provided that the instruments are suitable for sacred use, or can be adapted
to it, that they are in keeping with the dignity of the temple, and truly
contribute to the edification of the faithful."[43]
63. In permitting and using musical instruments, the culture and traditions of
individual peoples must be taken into account. However, those instruments
which are, by common opinion and use, suitable for secular music only, are
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There are 2 themes of Lent that is Baptism of the new converts and
Reconciliation of the members of the church.
The Sundays of Lent should take precedence over any feasts that
occurs on its Sundays
Weekdays of Lent should have precedence over obligatory memorials
The Lenten Season should retain its penitential character
No Gloria until Holy Thursday. No Alleluia until Easter Vigil even during
solemnities and feasts.
Musical instruments should not be played solo during Lent except
during Laetare Sunday (4th Sunday of Lent)
Easter Sunday The penitential rite should have a baptismal character.
Antiphon- Water of Life (vidi aquam) should be sung during the
sprinkling of water
All Sundays of Easter until Pentecost should have precedence over all
feasts and solemnities
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