Unit Plan On Zines
Unit Plan On Zines
Established Goals
Students will:
Students will be able to
employ space, proportion
and relationships for image
making.
Students will be able to use
expressiveness in their use
of elements in the making of
images.
MEANING
Enduring Understandings:
Essential Questions:
Students will understand
Students will keep considering
that
Q 1 Who is the audience that will be
U1 There is no one way of making
reading their finshed zine?
zines
U2 How Zines can let students
Q2 What message (or non message) is
express himself or herself through art the student are trying to convey with
making,
their art (zine)
Evaluative Criteria
Performance is judged in terms of
STAGE 2 Evidence
Assessment Evidence
Students will need to show their learning by:
See attached
Rubric
Concept Map
(not every lessen, brain storming only)
Lesson
Ideas/Body Explore, develop, create.
Hook: I know you like to talk, but now we are going to talk
Art Introduction, To about the conversation, What is art anyways? Why does it
see where students matter? Show pictures from different classical periods, then show
are at.
graffiti examples, some cubism, some whatever, as long as its
art.
This project is process based, rather then project based.
Zines
Introduce them to Zines, What they are, and how they are going
to make one based off of the the none art movement that is
based in Switzerland.
1) One History Of
Dada
2) Dada
Collages/mixed
5) Self
reflection/Artisit
statement
Evidence of Learning
Knowledge/
Application/Analysis/
Comprehension
Evaluation/ Synthesis
Sketchbook
Zine Projects
Researching (mind
Intro to Zines and
map) (5%)
March 18/22/24
Space
SLOs
Image Transformation
Project (10%)
Brainstorming shown
(10%)
All Outcomes
Totals
Sketchbook
20 %
GLO:
Impact of Images: Students will become aware of the importance society places
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SLO:
Students will understand the concept of how people use art (or media)
changes through time.
Learning Objectives:
1. Students will understand that art can not be defined with one definition
2. Students will understand that there are many types of art forms
3. Students will know a brief history of Art through the ages
Materials:
Worksheet
Power point
Procedure: Day 1
Introduction: (10 minutes):
Explain to the students that as a new teacher coming into this art classroom, you
are curious about their opinions on art, and what they think it is. Explain to them
that you want them to do a quick write, nothing to long or extensive, just what
they are thinking at the moment. It can be positive or negative thoughts, however
you feel about it at the moment. There is no right or wrong answer. Spelling and
grammar do not matter. Explain that you still ponder these questions yourself, as
a practicing artist.
Discussion Questions:
1. What do you think art is?
2. How do you feel about art?
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3.
4.
5.
6.
7.
Come back together as a class and discuss what you came up with.
Discussion Questions:
8. What do you think art is?
9. How do you feel about art?
10. Does knowing the intention behind a work of art affect your
experience of it?
11. What would the world be like without art?
12. Can artists use advertisements in their art? Or as art?
13. Can advertisements be considered art?
14. How could you possibly use art to convey a message
15. Are Video games considered art?
16. What freezes your creativity?
17. What fuels your creativity?
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GLO:
Communicate: Students will use expressiveness in their use of elements in
making of images
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SLO:
Concept: The ways people generate visual works can be influenced by a
number of factors.
Learning Objectives:
v Students will research themes for their zines
v Students will generate a visual mind map of their theme, the most
important conversation that they could be having right now.
Resources Consulted:
http://wemakezines.ning.com/
http://www.brokenpencil.com/
Whatcha Mean Whats a Zine?!? By Mark Todd and Esther Watson
Materials:
Sketchbooks
Computer lab
Mindmap Worksheet
Body:
Activity #1 Research/ Mind map (25 mins)
**Computer Lab
Have them turn off computer screen, take out music, stop talking.
Motivational speech: In other classes, the teacher gives you assignment and
you work within the boundaries of that assignment. But in this class, I am giving
you a foundation of an epic assignment, a backbone to build upon. Think about it,
as me giving you the supplies to build a house, and the land upon which to do it.
This house can be whatever you want, from a hut to mansion.
I want you to take this idea I am giving you, and build upon it. I will be giving
you a few projects, which I will talk to you about in the coming classes to put
within the Zine, using your theme (3 of them), but the other 3 is completely your
choice! This is your baby, It will be as good as you make it.
A piece of advice is, the more raw and honest your Zine is, the easier it will come
together. If you make it about something your passionate about, something that
excites you, or something you want to talk about.
Conclusion: (10mins)
1. Have them walk back to the classroom
2. Explain that you want them to put their mind map into their sketch
books.
3. Explain that you want them to keep thinking about their theme, and
what it means to them, tell next class, if they have time research ideas
at home, as well as bring in images, and pictures.
4. Thank them for how well they did, and how excited you are to embark
on this journey with them.
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Zine Projects:
Project # 1 Oodles of Doodles
Every child is an artist. The problem is how to remain an artist once we grow up.
~Pablo Picasso
GLO:
v Record: Students will examine and simplify basic shapes and spaces
v Investigate: Students will employ space, proportion and relationships for
image making
SLO:
v Record-A: Shapes may be organic or geometric.
v Record-B: Geometric and organic shapes can be used to create positive
and negative spaces
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Learning Objectives:
v Students will draw using mixed media to create movement in their doodles
for their Zine
v Students will employ knowledge of space and relationships for image
making
v Students will experiment with positive and negative space
Resources Consulted:
The Usborne Book of Art Projects
Materials:
v
v
v
v
Black pens
Markers all different thicknesses
Pre paint splattered papers, from the day before (legal sized)
Pencils
Procedure: Day 1
Introduction: (10 minutes):
Show them artists that doodle, as well as splatter paintings (Jackson Pollack.)
Show some images that use positive and negative space well.
Body:
Activity #1 Word Write (10 min)
Explain how they can pick just one word from their theme, give them time to brain
storm and write/ sketch in their sketchbook. Remind them they need to write it so
it fills the page. They can use a thick black marker to do this.
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After they have written their word on their splatter page, they can use the media
provided at their tables to doodle around the word, either patterns or appropriate
smaller words that fit with their theme. They should doodle until the whole page is
filled up. Explain they can use the paint to draw around or over. Be as creative
as possible.
Project # 2 Collage
"Destruction is also creation." Marcel Duchamp
GLOs
v Communicate: Students will use expressiveness in their use of elements
in the making of images
v Investigate: Students will employ space, proportion and relationships for
image making
SLOs
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Learning Objectives:
v Students will overlap images to create a collage that relates their theme of
their zine.
v Students will understand that use of positive and negative space can
create a more interesting image.
Resources Consulted:
The Art of Collage Geraled F. Brommer
Soul Pancake Rainn Willson
Whatcha Mean Whats a Zine? By Mark Tood and Esther Waston
Jansons History of Art
Materials:
v
v
v
v
v
Black pens
Markers all different thicknesses
Legal Sized Paper
Magazines
Gaint Ziplock bags Labeled with their names on them
Procedure: Day 2
Introduction: (10 minutes):
Hook: Have Marcel Duchamps The Fountain up when they walk in.
Dada Images, Show them Collages, Explain how they were used to speak out, in
WW1. Discuss the spirit of Dada, as ant-art, destructive, humorous, challenging
to traditional ideas of 'high art', and show examples. Also show them other
collage images.
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Body:
Activity #1 Find Images(NO GLUEING)(15 mins)
Challenge the Students to find two Images that talk about two different things in
their works.
Rip and Cut Images that call out to them, storing them in their zip lock.
Clean up magazines
Put things back
Put images in zip lock
Put collage in folder
Put sketch book away
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v Color printer.
Body:
Show Marcel Duchamp's version of the Mona Lisa with a moustache and beard.
Discuss this image:
How is it different from the first 'Mona Lisa'?
What do you think the artist Duchamp was trying to show by putting facial hair on
this famous painting?
Remind the students that Duchamp was a member of an art movement called
Dada.(Like they were diccussing last class)
Activity # 1:
Tell students they are going to make their own piece of Dada art.
Model the process:
Choose a painting by a famous artist from one of the art books you have
gathered. (or another option is to take a logo from the media and change it, ask
Colleen which she thinks would be better) Scan the image into the computer.
Insert the image into a drawing or painting program and use the toolbox to
'dadify' it.
(show them basic things they can do)
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Examples: one of Georgia O'Keefe's Sheep skulls had a line of washing strung
between it's horns, Monet's Waterlilies had a shark fin rising up from them
ominously, and A Raphael Madonna clutched a can of beer.
Individually students are to scan images(get get them from google images and
graffiti them.
Important!! Make sure they do not overdo it. For the act to be funny and
subversive and Dada the original artwork/logo needs to be visible.
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