18th Century Literature

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18th Century Literature

The first half of the 18th century


The Age of Reason: emphasis on reason
and rationality; the ideals of the
Enlightenment
Neoclassicism: celebrating the
aesthetics and poetics from classical
antiquity (Aristotle, Horace, Vergil, Ovid)
Imitatio naturae: the imitation of
nature in terms of its divine order, laws,
rules and regularities
The poet: focus on the formal level, style,
diction etc.

The second half of the 18th


century
Anti-Classical and Pre-Romantic
movements as the basis for the rise of the
Sentimental novel and the Gothic
novel
Reversal of the relationship between
subject and object => focus on
subjectivity/the subject/the poet
Importance of feelings and emotions,
irrationality, irregularity
Revaluation of nature and its wild,
sublime, frightening aspects

The Sentimental Novel


Literature of Sensibility: reaction
against 17th century Stoicism (emphasis on
reason and rationality)
Sensibility: emotional responsiveness to
another persons joys and distresses
beauty and sublimity in nature and art

The Philosophical Background


Thomas Hobbes, Leviathan (1651)
negative view of Man as innately selfish
homo homini lupus (man is a wolf to [his
fellow] men)
self-interest and the drive for power and status
as mainsprings for human behaviour
Adam Smith, Theory of Moral Sentiments
(1759)
development of social consciousness and
responsibility
positive view of Man as innately benevolent
sympathy and sensibility as central elements in
moral experience

Writers of Sentimental Novels


Richardson, Pamela (1740)
Sterne, Tristram Shandy / Sentimental
Journey (1760s)
Rousseaus autobiographical Confessions
(1764-70)
Goethe, The Sorrows of Young Werther
(1774)

The Decline of the Sentimental


Novel
Austens Sense and Sensibility
(1811) marks the end of Sentimental
novel
Traces of sensibility can be found
until today (e.g. in Victorian
melodramas, tearjerkers from
Hollywood)

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