Sentimental novels were reaction against 17th century Stoicism (emphasis on reason and rationality) Austen's Sense and sensibility (1811) marks the end of Sentimental novel. E.g. In Victorian melodramas, "tearjerkers" Traces of sensibility can be found until today.
Sentimental novels were reaction against 17th century Stoicism (emphasis on reason and rationality) Austen's Sense and sensibility (1811) marks the end of Sentimental novel. E.g. In Victorian melodramas, "tearjerkers" Traces of sensibility can be found until today.
Sentimental novels were reaction against 17th century Stoicism (emphasis on reason and rationality) Austen's Sense and sensibility (1811) marks the end of Sentimental novel. E.g. In Victorian melodramas, "tearjerkers" Traces of sensibility can be found until today.
Sentimental novels were reaction against 17th century Stoicism (emphasis on reason and rationality) Austen's Sense and sensibility (1811) marks the end of Sentimental novel. E.g. In Victorian melodramas, "tearjerkers" Traces of sensibility can be found until today.
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18th Century Literature
The first half of the 18th century
The Age of Reason: emphasis on reason and rationality; the ideals of the Enlightenment Neoclassicism: celebrating the aesthetics and poetics from classical antiquity (Aristotle, Horace, Vergil, Ovid) Imitatio naturae: the imitation of nature in terms of its divine order, laws, rules and regularities The poet: focus on the formal level, style, diction etc.
The second half of the 18th
century Anti-Classical and Pre-Romantic movements as the basis for the rise of the Sentimental novel and the Gothic novel Reversal of the relationship between subject and object => focus on subjectivity/the subject/the poet Importance of feelings and emotions, irrationality, irregularity Revaluation of nature and its wild, sublime, frightening aspects
The Sentimental Novel
Literature of Sensibility: reaction against 17th century Stoicism (emphasis on reason and rationality) Sensibility: emotional responsiveness to another persons joys and distresses beauty and sublimity in nature and art
The Philosophical Background
Thomas Hobbes, Leviathan (1651) negative view of Man as innately selfish homo homini lupus (man is a wolf to [his fellow] men) self-interest and the drive for power and status as mainsprings for human behaviour Adam Smith, Theory of Moral Sentiments (1759) development of social consciousness and responsibility positive view of Man as innately benevolent sympathy and sensibility as central elements in moral experience
Writers of Sentimental Novels
Richardson, Pamela (1740) Sterne, Tristram Shandy / Sentimental Journey (1760s) Rousseaus autobiographical Confessions (1764-70) Goethe, The Sorrows of Young Werther (1774)
The Decline of the Sentimental
Novel Austens Sense and Sensibility (1811) marks the end of Sentimental novel Traces of sensibility can be found until today (e.g. in Victorian melodramas, tearjerkers from Hollywood)