The Carpenters PDF
The Carpenters PDF
The Carpenters PDF
Contents
1
Overview
1.1
The Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.1
1.1.2
Pre-Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.3
196983: Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.4
1983present: Post-Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.5
Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.6
1.1.7
Public image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.8
Legacy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.9
Discography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.1.12 Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10
Sibling duo
11
2.1
Karen Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11
2.1.1
Early life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11
2.1.2
Music career . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11
2.1.3
Solo album . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12
2.1.4
Personal life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12
2.1.5
Final months . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13
2.1.6
Death . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13
2.1.7
After death . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13
2.1.8
Accolades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
14
2.1.9
Discography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
14
14
14
2.1.12 Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
14
2.1.13 Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
15
15
15
2.2
ii
CONTENTS
2.2.1
Childhood . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
15
2.2.2
16
2.2.3
Career
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16
2.2.4
17
2.2.5
Post-Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
17
2.2.6
Personal life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
18
2.2.7
Discography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
18
2.2.8
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
18
2.2.9
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
18
19
Discography
20
3.1
20
3.1.1
Albums . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
20
3.1.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
21
3.1.3
Videos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
21
3.1.4
Soundtracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
21
3.1.5
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
21
3.1.6
See also . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
22
Studio albums
23
4.1
23
4.1.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23
4.1.2
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23
4.1.3
Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23
4.1.4
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23
4.1.5
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23
4.1.6
External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23
24
4.2.1
Song information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
24
4.2.2
Reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
24
4.2.3
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
4.2.4
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
4.2.5
Album credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
4.2.6
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
Carpenters (album) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
4.3.1
Reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
4.3.2
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
4.3.3
Track information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
26
4.3.4
Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
27
4.3.5
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
27
4.3.6
Accolades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
27
4.2
4.3
CONTENTS
4.4
4.5
4.6
4.7
4.8
4.9
iii
4.3.7
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
27
4.3.8
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
27
28
4.4.1
28
4.4.2
Track listings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
28
4.4.3
Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
28
4.4.4
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
29
4.4.5
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
29
4.4.6
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
29
30
4.5.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
30
4.5.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
30
4.5.3
EPs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
31
4.5.4
Certications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
31
4.5.5
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
31
4.5.6
Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
31
4.5.7
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
32
32
4.6.1
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
32
4.6.2
Reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
33
4.6.3
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
33
4.6.4
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
33
4.6.5
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
33
4.6.6
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
33
34
4.7.1
Reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
4.7.2
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
4.7.3
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
4.7.4
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
35
4.7.5
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
35
35
4.8.1
36
4.8.2
Reception . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
4.8.3
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
4.8.4
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
4.8.5
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
4.8.6
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
Christmas Portrait . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
37
4.9.1
37
4.9.2
38
4.9.3
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
38
iv
CONTENTS
4.9.4
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
39
4.9.5
External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
39
39
4.10.1 Promotion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
39
39
4.10.3 Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
40
4.10.4 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
40
4.10.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
40
40
40
4.11.2 Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
41
4.11.3 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
41
4.11.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
41
41
41
4.12.2 Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
42
4.12.3 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
42
4.13 Lovelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
42
42
4.13.2 Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
43
4.13.3 EPs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
43
43
43
4.14.2 Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
44
4.14.3 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
45
Live albums
46
5.1
46
5.1.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
46
5.1.2
Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
5.1.3
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
47
5.2.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
5.2.2
Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
5.2.3
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
5.2
Compilation albums
48
6.1
48
6.1.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
6.1.2
EP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
6.1.3
Chart positions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
6.1.4
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
CONTENTS
6.2
48
6.2.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
49
6.3.1
49
6.3.2
49
6.3.3
50
6.3.4
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
50
50
6.4.1
Track listings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
50
6.4.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
51
6.4.3
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
52
52
6.5.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
52
6.5.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
53
6.5.3
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
53
53
6.6.1
Track listings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
53
6.6.2
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
53
53
6.7.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
53
54
6.8.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
54
6.8.2
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
54
54
6.9.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
54
56
56
56
56
58
6.11.3 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
58
58
58
58
59
59
59
59
59
6.13.4 Certication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
59
6.13.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
59
6.3
6.4
6.5
6.6
6.7
6.8
6.9
vi
7
CONTENTS
Soundtrack albums
60
7.1
60
7.1.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
60
7.1.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
60
7.1.3
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
61
Solo albums
62
8.1
62
8.1.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
62
8.1.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
62
63
8.2.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
63
8.2.2
63
8.2.3
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
64
64
8.3.1
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
64
8.3.2
Singles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
64
8.2
8.3
Tribute albums
65
9.1
65
9.1.1
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
65
9.1.2
Track listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
65
9.1.3
In popular culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
65
9.1.4
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
65
10 Other albums
66
66
66
66
11 Singles
67
67
67
11.2.1 Composition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
67
67
11.2.3 Release . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
67
68
68
68
11.2.7 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
68
68
68
11.2.10 Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
69
CONTENTS
vii
11.2.11 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
69
69
69
70
70
70
11.3.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
72
72
72
72
11.4.2 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
72
73
73
11.4.5 In cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
73
73
11.4.7 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
74
74
74
11.5.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
74
74
11.5.3 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
74
74
74
74
75
75
75
11.6.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
76
76
11.7.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
76
11.7.2 Compilations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
76
76
11.7.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
76
76
76
77
77
77
77
78
78
viii
CONTENTS
11.8.8 Ruben Studdard version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
78
79
79
11.8.11 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
80
11.8.12 Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
80
80
80
11.9.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
80
11.9.2 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
80
81
81
81
11.10.3 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
81
11.10.4 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
81
81
81
11.10.7 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
81
81
81
11.11.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
82
11.11.2 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
82
82
11.12Goodbye to Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
82
11.12.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
82
83
11.12.3 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
83
83
83
83
83
11.13.3 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
84
11.13.4 Covers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
84
11.13.5 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
84
84
11.13.7 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
84
84
84
11.14.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
85
85
11.14.3 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
85
85
CONTENTS
ix
11.14.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
85
85
85
11.15.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
86
86
86
86
86
11.15.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
86
87
87
11.16.1 Authorship . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
87
87
11.16.3 Theme
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
87
87
87
11.16.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
88
88
88
11.17.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
88
11.17.2 Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
89
89
11.17.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
89
89
89
11.18.1 History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
89
89
90
90
91
11.18.6 Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
91
91
91
11.19.1 Recordings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
91
11.19.2 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
91
92
92
11.20.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
92
11.20.2 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
92
92
11.20.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
92
CONTENTS
11.20.5 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
92
92
92
93
11.21.3 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
93
93
93
11.21.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
93
93
93
94
11.22.3 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
94
94
95
11.22.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
95
95
95
11.23.1 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
95
95
95
95
11.23.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
95
95
11.24Goofus (song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
96
96
11.24.2 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
96
96
11.25Breaking Up Is Hard to Do . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
96
96
96
97
97
11.25.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
97
97
97
11.26.1 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
11.26.2 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
98
11.26.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
98
98
CONTENTS
xi
11.27.1 Origin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
11.27.2 Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
11.27.3 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
98
98
99
11.27.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
99
99
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
xii
CONTENTS
11.34.7 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
11.35Make Believe Its Your First Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
11.35.1 Karen Carpenter rendition
11.35.2 Voice of the Heart rendition
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
CONTENTS
xiii
114
xiv
CONTENTS
12.9.1 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
12.10Help! (song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
12.10.1 Composition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
12.10.2 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
12.10.3 Releases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
12.10.4 Promotional lms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
12.10.5 Live performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
12.10.6 Use in advertising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
12.10.7 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
12.10.8 Charts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
12.10.9 Cover versions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
12.10.10Cultural references . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
12.10.11Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
12.10.12References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
12.10.13External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
12.11I Can Dream, Can't I? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
12.11.1 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
12.12I Just Fall in Love Again . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
12.12.1 The Carpenters version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.12.2 Personnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.12.3 Dusty Springelds version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.12.4 Anne Murrays version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.12.5 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.12.6 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.13I'll Be Home for Christmas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
12.13.1 Theme . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
12.13.2 Writing and copyright . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
12.13.3 Bing Crosby recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
12.13.4 Notable history . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
12.13.5 Other recordings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
12.13.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.13.7 Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.13.8 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.14I'll Never Fall in Love Again . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.14.1 Content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
12.14.2 Covers of note . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.14.3 See also . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.14.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.14.5 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.15Johnny Angel (song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12.15.1 Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
CONTENTS
xv
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
xvi
CONTENTS
12.21.5 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
12.22This Masquerade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
12.22.1 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
12.22.2 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
12.23When I Fall in Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
12.23.1 Recordings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
12.23.2 Rick Astley version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
12.23.3 Celine Dion and Clive Grin version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
12.23.4 Recorded versions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.23.5 See also . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.23.6 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.24Where Do I Go from Here (England Dan & John Ford Coley song) . . . . . . . . . . . . . . . . . 150
12.24.1 Personnel (The Carpenters version) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.24.2 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.24.3 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.25Without a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
12.25.1 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
12.26You're Just in Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
12.26.1 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
13 Television specials
153
156
CONTENTS
xvii
160
162
xviii
CONTENTS
16.2.3 Discography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
16.2.4 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
16.2.5 External links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
181
183
Chapter 1
Overview
1.1 The Carpenters
One of the elements that made the music of the Carpenters distinctive was Karens use of her low register.
Though present in jazz and country music, there were few
contralto singers in popular music at the time. However,
Karen had a wide vocal range that spanned about three
octaves.[5] As a result of a decided lack of enthusiasm
all around for Karens head voice, they mostly concentrated on her lower range, i.e. chest voice (or her basement, as Karen called it).[5] Both Karen and I felt the
magic was in her 'chest voice' (a.k.a. 'basement'). There
is no comparison in terms of richness in sound, so I wasn't
about to highlight the upper voice, states Richard in the
Fans Ask section of the Carpenters ocial website.[5]
1.1.2 Pre-Carpenters
CHAPTER 1. OVERVIEW
3
board Hot 100. Their eponymous third album was released in 1971. It became one of their best sellers, earning RIAA certication for platinum four times,[31] and
rising to No. 2 on Billboards pop album chart for two
weeks, staying on the top 40 chart for 39 weeks.[32] It
won a Grammy Award for Carpenters, as well as three
other nominations.[33]
CHAPTER 1. OVERVIEW
Horizon
In 1975, The Carpenters gained another hit with a remake
of The Marvelettes' chart-topping Motown classic from
1961, "Please Mr. Postman". Released in late 1974, the
song soared to No. 1 on the Billboard Hot 100 in January 1975, becoming the duos third and nal No. 1 pop
single.[40] It also earned Karen and Richard their recordsetting twelfth million-selling gold single in America.[31]
The Carpenter/Bettis composition "Only Yesterday" followed Please Mr. Postman as the duos last Hot 100 top
10 hit, reaching No. 4.[41]
5
weight and weakness and general body decline associated
with chronic disease. Emetine cardiotoxicity implied that
Karen abused ipecac syrup, although for a long time after her death there was no evidence to suggest that Karen
abused it.[44]
At her funeral, more than a thousand mourners turned up,
among them her friends Dorothy Hamill, Olivia NewtonJohn, Petula Clark, Dionne Warwick and Herb Alpert.
On October 12, 1983, the Carpenters received a star
on the Hollywood Walk of Fame, a few yards from the
Kodak Theatre. Richard, Harold and Agnes Carpenter
attended the inauguration, as did many fans.[45]
Karens death brought media attention to anorexia nervosa and also to bulimia and it encouraged celebrities to
go public about their eating disorders, among them actress Tracey Gold and later, Diana, Princess of Wales.
Medical centers and hospitals began receiving increased
contacts from people with these disorders. The general
public had little knowledge of anorexia and bulimia prior
On June 16, 1981, the Carpenters released what would to her death, making the conditions dicult to identify
become their nal LP as a duo, Made in America. The and treat.
album sold around 200,000 copies and spawned a nal
top 20 pop single, "Touch Me When We're Dancing",
which reached No. 16 on the Hot 100. It also became 1.1.4 1983present: Post-Carpenters
their fteenth and nal number one Adult Contemporary
hit. Promotion for the album included a whistle-stop tour
of America, Brazil and Europe, preceded by a disastrous
live appearance for a Japanese Telethon event, lmed outdoors on the lot of A&M in August 1981. During their
segment (the last of the show), the playback audio cut out
midway through their performance of Touch Me When
We're Dancing. The ensuing scenes, along with Karens
reaction, left it obvious to viewers that the whole band
had been miming. Three further singles from the album
failed to ignite the charts.
Karen sought therapy for her eating disorder with noted
psychotherapist Steven Levenkron in New York City. In
September 1982, she called her therapist to say her heart
was beating 'funny' and she felt dizzy and confused. Admitting herself into hospital later that month, Karen was
hooked up to an intravenous drip; she ended up gaining
30 pounds in eight weeks. In November 1982, Karen left
the hospital and despite pleas from family and friends, she
announced that she was returning home to California and
that she was cured.
Following Karens death, Richard Carpenter has continued to produce recordings of the duos music, including
several albums of previously unreleased material and numerous compilation albums. Voice of the Heart, an album that included some nished tracks left o of Made
in America and earlier LPs, was released in late 1983.[46]
It peaked at No. 46 and was certied Gold. Two singles
were released. Make Believe Its Your First Time, a
second version of a song Karen had recorded for her solo
album (and a song which had been a minor hit in 1979
for Bobby Vinton), reached No. 7 Adult Contemporary
but only reached No. 101 on the pop side. Your Baby
Doesn't Love You Anymore got to No. 12 Adult Contemporary. Richard Carpenter married his rst cousin,
Mary Rudolph, on May 19, 1984. Kristi Lynn (which
was the name Karen had chosen for a daughter if she ever
CHAPTER 1. OVERVIEW
had one) [Little Girl Blue] was born on August 17, 1987, 1.1.6 Promotion and touring
Traci Tatum on July 25, 1989, Mindi Karen (named after
her late aunt) on July 7, 1992, followed by Colin Paul and Although the Carpenters had a rough start in 1969 with
the lukewarm reviews of their rst album, Oering, they
Taylor Mary.
tried to promote themselves by being Burt Bacharach's
For the second Christmas season following Karens death,
opening performance.[50] In a live concert in 1974 at The
Richard constructed a new Carpenters Christmas alRiviera Hotel, Las Vegas, Karen Carpenter explained:
bum entitled An Old-Fashioned Christmas, using outtake
material from the duos rst Christmas album Christmas
One night, we were doing a benet dinner
Portrait and recording new material around it.
after the premiere of "Hello, Dolly!", and Burt
Richard, Mary, and their four daughters and one son live
Bacharach walked up to us, and he asked us if
in Thousand Oaks, California, where the couple are supwe would like to open the show for him at anporters of the arts. In 2004, Carpenter and his wife
other dinner that he was going to be doing later
pledged a $3 million gift to the Thousand Oaks Civic Arts
on in the year. And he asked us to do somePlaza Foundation in memory of Karen Carpenter. More
thing that turned out to be very, very special
recently, Richard has actively supported the Richard and
for us.[51]
Karen Carpenter Performing Arts Center at his alma
mater, California State University, Long Beach. He continues to make concert appearances, including fund rais- Then, Richard took over, and said:
ing eorts for the Carpenter Center.
He wanted us to put together a medley of
In 2007 and 2008, the current owners of the former Carhis songs; any tunes of his that we wanted to
penter family home on Newville Avenue in Downey, obdo, and it took a couple of months. We arrived
tained permits from the city to tear down the existing
at 8 tunes.[51]
buildings on the site to make room for newer and larger
structures, in spite of ongoing protests from fans. In
February 2008, a group of fans got their protest campaign The medley eventually was abridged and released on their
covered in the Los Angeles Times. At that time an adja- eponymous album Carpenters in 1971. The song was
[51]
cent house that had once served as the bands headquar- shortened from almost 13 minutes to only 5 minutes.
ters and recording studio had already been demolished The band maintained a demanding schedule of concert
and the main house was on the verge of being demol- tours and television appearances. Among their numerished as well. The original house was immortalized on ous television credits were appearances on such poputhe Now & Then album cover and was the place where lar series as The Ed Sullivan Show,[52] The Tonight Show
Karen Carpenter died: in the words of Carpenters fan Starring Johnny Carson,[53] The Carol Burnett Show in
Jon Konjoyan, this was our version of Graceland.[47]
1971 and 1972, The Mike Douglas Show in 1971,[54]
and The Johnny Cash Show, also in 1971, where they
played their hits For All We Know and Rainy Days and
1.1.5 Logo
Mondays.[55] The duo appeared in a television special
on the BBC in 1971 where they performed songs live.
They were also the featured performers in a summer replacement series, Make Your Own Kind of Music, which
aired on NBC every Tuesday at 8:00 p.m. in the United
States. Both Karen and Richard would later state in a
1980 radio interview that they were often taken advantage of in their dealings with television during the early
seventies and wanted more control in the production of
future projects.[56]
The Carpenters logo, originally designed for their eponymous album.
1.1.9 Discography
Main article: List of songs by The Carpenters
Carpenters released 30 singles during their career. Of the
thirty, ten were RIAA certied Gold[31] and twenty-two
peaked in the top 10 on the Adult Contemporary chart.
In addition, Carpenters also had ten albums from 1969
1983. Five of the albums contained two or more top 20
hits on the Billboard Hot 100 (Close to You, Carpenters,
A Song for You, Now & Then, and Horizon).
Main article: The Carpenters discography
1.1.8
Legacy
CHAPTER 1. OVERVIEW
1971: Carpenters
1972: A Song for You
1973: Now & Then
1975: Horizon
1976: A Kind of Hush
1977: Passage
1978: Christmas Portrait
1981: Made in America
Posthumous releases
1983: Voice of the Heart (Contains the two nal
songs recorded by Karen)
1984: An Old-Fashioned Christmas
1.1.10
Throughout the 1970s, Richard and Karen were nominated numerous times for Grammy Awards. Richard
Carpenter was also nominated for a Grammy Award for
their instrumental song, "Flat Baroque".[68] They won
three Grammy Awards, and had two songs inducted into
the Grammy Hall of Fame.[65]
1.1.11
[1] Carpenter, Richard (2004). Carpenters Gold: 35th Anniversary Edition (Media notes). Carpenters. A&M
Records.
[23]
Gocarpenters.com.
Retrieved
1.1.12 Bibliography
10
CHAPTER 1. OVERVIEW
1.1.13
External links
Chapter 2
Sibling duo
2.1 Karen Carpenter
Carpenter suered from anorexia nervosa, an eating disorder which was little known at the time. She died at age
32 from heart failure caused by complications related to
her illness.[2] Carpenters death led to increased visibility
and awareness of eating disorders.[3]
2.1.1
Early life
11
12
2.1.5
13
Final months
2.1.6
After death
Death
14
Richard, Harold and Agnes Carpenter attended the inauguration, as did many fans.
In 1987, movie director Todd Haynes used songs by
Richard and Karen in his movie Superstar: The Karen
Carpenter Story. In the movie Haynes portrayed the Carpenters with Barbie dolls, rather than live actors. The
movie was later pulled from distribution after Richard
Carpenter won a court case involving song royalties;
Haynes had not obtained legal permission to use the Carpenters recordings.
2.1.8
Accolades
2.1.9
Discography
2.1.12 Notes
[1] Rob Hoerburger, RECORDINGS VIEW; Revisionist
Thinking On the Carpenters, New York Times, Published:
3 November 1991, Retrieved: 23 July 2011
[2] VH1, Behind the Music: Carpenters (1998).
[3] Coleman, p.330.
Studio albums
Carpenters (1971)
15
[13]
2.1.13
Resources
at the
2.2.1 Childhood
16
where Karen was later born.[3] Carpenter was named af- a lyricist for Richards original compositions, and all the
ter his fathers younger brother, Richard Lynn Carpen- other members except Leslie Johnston went on to become
ter. Carpenter and his uncle both married women named members of the Carpenters.
Mary.[4]
Carpenter frequently played the piano while his younger
sister, Karen, played baseball outside.[5] He and Karen
also liked to listen to the childrens records their father
bought for them when they were young.[5] Richard was
introduced to Perry Como and Ella Fitzgerald, among
many others, and by age 12, he knew he wanted to be
in the music industry.
2.2.3 Career
2.2.4
17
2.2.5 Post-Carpenters
18
album of the same name, which had been released earlier the same year, and includes eleven Carpenters tracks
never before available on DVD (including From This
Moment On, an outtake from the Carpenters fth television special), all of them digitally enhanced and feature
remastered in stereo audio.[17]
2.2.7 Discography
Albums
2.2.6
Personal life
Richardand KarenCarpen-
Contrary to popular belief, Rudolph and Carpenter are [10] Sanello, Frank (January 1, 1989). "`A Puzzle For The
Ages`: Film Chronicles Carpenter`s Fall But Can`t Answer
not biologically related, since Rudolph is adopted. It
Why. The Chicago Tribune.
should be noted that when Karen learned of the relationship, she was completely mortied and shared her feelings [11] jamdog (April 11, 2007). Only Yesterday - The Carpenwith her brother on a number of occasions, leading to a
ters Story. Aerial Telly.
nal argument wherein Richard told his sister, We have
had the tests done, there will be no problem if we have [12] Mirkin, Dr. Gabe (February 15, 2014). The sad story of
Karen Carpenter. Village-News.
children in the future. So let it drop!"
Richard and Mary have ve children: Kristi Lynn, Traci [13] Talevski, Nick (2010). Rock Obituaries - Knocking on
Heavens Door. Omnibus Press.
Tatum, Mindi Karen (named after his late sister), Colin
2.2.10
External links
19
Chapter 3
Discography
3.1 The Carpenters discography
Solo albums
The discography of the American pop group The Carpenters consists of twelve studio albums, two Christmas
albums, two live albums, forty-six singles, and numerous
compilation albums. The duo was made up of siblings
Karen (lead vocals and drums) and Richard Carpenter
(keyboards and vocals).
Compilations
Following materials are greatest-hits albums of the Carpenters released in the United States.
^ I CD only downloadable in the UK.
"" denotes releases that did not chart.
3.1.1
Albums
Studio albums
Throughout their career, the Carpenters released twelve
original albums. Most recently they released As Time
Goes By in 2001 in Japan, and 2004 internationally. This
includes two Christmas albums released by the group.
Live albums
There are two live albums that the Carpenters have released ocially, though neither of them were issued in
their homeland.
20
21
Seishun no Kagayaki: The Best of (22 Hits of the
Carpenters) (Japan only)
Released: 2001
Label: A&M / Universal
Format(s): CD
Chart position(s): #22 (NL)[23]
3.1.2 Singles
Notes
Top of the World charted four times in Japan, at
#21 in 1972 and again in 1973 (to coincide with the
songs U.S. success), when it peaked at #52. In 1995
it was the B-side of the reissue of I Need to Be in
Love, and subsequently it charted a fourth time (as
an A-side) at #83.
Sweet, Sweet Smile peaked at #8 on Billboard 's
Country singles chart.
Superstar and For All We Know were released
as a double A-side in the UK.
I Won't Last a Day Without You was originally released as an A-side in the UK in 1972 with Goodbye to Love as the B-side. However, the sides were
switched shortly after the records release. The former was later released as an A-side in the UK in
1974 to coincide with its rst U.S. release as an Aside.
Calling Occupants of Interplanetary Craft reached
#1 in the Republic of Ireland, becoming the duos
biggest hit there.
The UK re-issue of Merry Christmas, Darling in
1990 features the second recorded version of the
song from their 1978 Christmas Portrait album as
opposed to the original 1970 version.
3.1.3 Videos
Soundtracks
References
22
CHAPTER 3. DISCOGRAPHY
[19]
CD
" CD Album sales ranking
of the Carpenters. oricon.co.jp (in Japanese). Original
Condence. Retrieved 2011-08-08.Note: Reference indicates chart positions from 1988 onwards, and part of
the information currently unavailable
[20] NVPI de branchevereniging van de entertainmentindustrie. Retrieved 2011-08-17.Note: User needs to enter
Carpenters in the Artiest eld and click below zoek
button.
[21]
>
>
> 2009 6
"(RIAJ - Statistics - Certication Awards - June 2009)".
riaj.or.jp (in Japanese). Recording Industry Association
of Japan. Retrieved October 16, 2009.
Chapter 4
Studio albums
4.1 Ticket to Ride (album)
4.1.1
Track listing
4.1.2
4.1.3
Charts
Credits
References
http://web.singnet.com.sg/~{}tonytay/carp.htm
brief article
24
ered. The song was recorded time and time again during
the sixties, but didn't do well at all until the Carpenters
version. It became Richard and Karen Carpenters rst
RIAA-certied Gold single, as well as their rst Billboard
Close to You was the second album by the Carpenters, Hot 100 single that reached the Top 10. It stayed at #1
released in August 1970. In 2003, the album was ranked for 4 weeks, and became the Carpenters iconic song.
number 175 on Rolling Stone magazines list of the 500
Baby Its You is a song composed by Burt Bacharach,
greatest albums of all time.[1] The album contains the hit
Barney Williams, and Mack David. It was sung by
singles "(They Long to Be) Close to You" and "We've
Richard and Karen in 1970, and performed on their TV
Only Just Begun". "(They Long to Be) Close to You
show, Make Your Own Kind of Music.
was the duos rst big hit that gained the Carpenters international reputation for a decade. The album topped I'll Never Fall in Love Again is the third consecutive
the Canadian Albums Chart and peaked at #2 on the Burt Bacharach composition on the album. It was inU.S. Billboard albums chart. It was also successful in the cluded on their medley the following year, on the album
United Kingdom, entering the top 50 of the ocial chart Carpenters. According to Tom Riddle of Your Navy
Presents, there was a 29 vocal harmony on the song.
for 76 weeks during the rst half of the 1970s.
Originally part of the score for Bacharach and Davids
1968 musical "Promises, Promises", the song had provided a top-ten hit for Dionne Warwick in January 1970.
4.2.1
Song information
25
Crescent Noon, and Mr. Guder, describing them as [10] 1971 Year-end Albums - The Billboard Pop Albums. Retrieved 2011-10-03.
superlative displays of both Karen Carpenters vocal work
and Richards arranging talents. They also derided con- [11] American album certications Carpenters Close to
temporary criticism against the album, insinuating that
You. Recording Industry Association of America. If
the negative reaction stemmed from Close to You benecessary, click Advanced, then click Format, then select
ing a successful pop record at a time of great political
Album, then click SEARCH
turmoil.[3]
4.2.3
Track listing
4.2.4
Charts
4.2.5
Album credits
4.3.1 Reception
26
Let Me Be the One was remixed in 1991, with an extended beginning, end, and a dierent piano line. This
remix can only be found on the From the Top box set. It
4. "(A Place To) Hideaway (Randy Sparks) 3:40
starts with Richard counting o, and Richards piano line
5. "For All We Know" (Fred Karlin, Arthur James, is dierent from the original mix. The fadeout is also
removed. The reason Karen stopped singing suddenly in
Robb Wilson) 2:34
this version is because she forgets the words, which is why
she says something about where I can gure out where
Side two
the melody is, I'll sing it...
3. "Let Me Be the One" (Nichols, Williams) 2:25
4.3.3
Track information
For All We Know
Saturday
Saturday is a short, upbeat song with a runtime of 1:18.
It was used as the B-side of "Rainy Days and Mondays".
The song talks about how joyful Saturday is, and how
joyful it is to nish Friday. In 1973 on the TV program
Robert Young with the Young, Richard and Karen perform
Saturday and talk about its meaning.
27
Bob Messenger bass, reeds, wind
Joe Osborn bass
Doug Strawn reeds, keyboards, wind
Superstar
Written by Bonnie Bramlett and Leon Russell, Superstar had been made popular by Rita Coolidge in 1970,
but the Carpenters version, released as a single in August
1971, became an international hit. In the liner notes for
Gold: 35th Anniversary Edition, Richard writes that he
saw Bette Midler singing the song on The Tonight Show
Starring Johnny Carson, and felt that it would be a perfect
t for Karens voice. Richard did have reservations about
the lyrics, however, which he found a little too suggestive.
After changing I can hardly wait to sleep with you again
to I can hardly wait to be with you again, he recorded
Karen singing the song, reading the revised lyrics from
a napkin. What wound up on the nished recording was
the rst time Karen had ever sung Superstar. After only
the rst take, Richard claimed that her performance was
perfect as it was, and did not need repeating.
One Love
4.3.5 Singles
*
For All We Know
*
Rainy Days and Mondays
*
Superstar
*
Druscilla Penny
4.3.6 Accolades
Grammy Awards
4.3.7 Charts
4.3.4
Personnel
28
MP3
for You in early 1972, and reached number two, becoming the Carpenters sixth straight gold single. A cover of
Carole King's Its Going to Take Some Time followed
and peaked at number 12, and was followed by the number seven hit Goodbye to Love, which was refused airplay on some easy listening radio stations because of a
fuzz guitar solo by Tony Peluso. The song had a significant impact on the power ballad songs which followed.
The album also included the Carpenters version of the
Academy Award nominated title song from the 1971 lm
Bless the Beasts and Children, which had already charted
at number 67 on the Hot 100 as the ip side of the duos
version of "Superstar".
[20]
[21]
[22]
[23]
[24] American album certications Carpenters Carpenters. Recording Industry Association of America. If
necessary, click Advanced, then click Format, then select
Album, then click SEARCH
4.4.1
29
2. Heather
2. One Love
4.4.5 Charts
4.4.4
Singles
References
2. Flat Baroque
"Goodbye to Love"
US 7 single (1972) A&M 1367
1. Goodbye to Love
2. Crystal Lullaby
"Top of the World"
US 7 single (1973) A&M 1468
[10] allmusic ((( A Song for You > Charts & Awards > Billboard Albums )))". allmusic.com. Retrieved 2011-10-03.
[11] Top Pop Albums of 1972. billboard.biz. Retrieved
2012-02-10.
[12] Oricon Album Chart Book: Complete Edition 1970-2005.
Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN
4-87131-077-9.
[13] American album certications Carpenters A Song for
You. Recording Industry Association of America. If
necessary, click Advanced, then click Format, then select
Album, then click SEARCH
30
4.5.1
Track listing
Side one
1. "Sing" (Joe Raposo) 3:20
2. "This Masquerade" (Leon Russell) 4:50
3. Heather (Johnny Pearson) 2:47
4. "Jambalaya (On the Bayou)" (Hank Williams)
3:40
5. I Can't Make Music (Randy Edelman) 3:17
Side two
1. "Yesterday Once More" (John Bettis, Richard Carpenter) 3:50 (Total time 18:05)
31
4.5.3 EPs
Now & Then
US 7 promo (1973) A&M LLP 222
2. Superstar
4.5.4 Certications
4.5.5 Charts
Decade-end charts
4.5.6 Personnel
Produced by: Richard and Karen Carpenter
Arranged and orchestrated by: Richard Carpenter
Richard Carpenter keyboards, lead and backing
vocals
Karen Carpenter drums (except on Jambalaya),
lead and backing vocals
This Masquerade
MX 7 single (1973) SP-133
1. This Masquerade
32
4.5.7
References
4.6.1 Overview
The albums rst single, "Please Mr. Postman" (released
some seven months earlier), became the albums biggest
hit single and also the Carpenters biggest hit single worldwide. It reached #1 in the United States, Australia, New
Zealand, Canada and South Africa, as well as reaching
#2 in the UK and Ireland.[2] This tune features Karen
on drums and Tony Peluso on guitar solo. The following single, "Only Yesterday", was also a success, reaching
Canada #2, France #2, U.S. #4, Ireland #5, UK #7, New
Zealand #10 and was certied gold in Japan. The song
also won the prestigious Grand Prix award in Japan.[3]
A third single, "Solitaire", reached #15 in the U.S. and
the top 40 in several other countries around the world.
According to Richard, Karen never particularly liked the
song. The Carpenters version of this song leaves out
lyrics included in the original.
At the time of the release of Horizon, lyricist John Bettis claimed "(I'm Caught Between) Goodbye and I Love
You to be his and Richards best collaboration.[4]
4.6.2
Reception
33
4.6.5 Charts
4.6.3
Track listing
4.6.4
Singles
2. Happy
[14] Allmusic Carpenters > Horizon > Charts & Awards > Billboard Albums
1. Solitaire
[15] Album Search: Carpenters Horizon" (in German). Media Control. Retrieved September 21, 2012.
[17] 1975
Japanese Year-End Albums
Chart of 1975 (in Japanese). Oricon. Retrieved September 21, 2012.
RPM. Retrieved
Retrieved
34
4.7.1
Reception
4.7.2
Side one
Track listing
1. I Need to Be in Love
1. I Need to Be in Love
2. Top of the World
"Goofus"
US 7 single (1976) A&M 1859
1. Goofus
35
2. Boat to Sail
[15] Allmusic Carpenters > A Kind of Hush > Charts & Awards
> Billboard Albums
4.7.4
Charts
4.7.5
References
[16] 1976
Japanese Year-End Albums
Charts 1976 (in Japanese). Oricon. Retrieved 2012-0222.
[17] Oricon Album Chart Book: Complete Edition 1970-2005.
Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN
4-87131-077-9.
[18] British album certications Carpenters Kind of
Hush. British Phonographic Industry. Retrieved 201202-22. Enter Kind of Hush in the eld Search. Select Title
in the eld Search by. Select album in the eld By Format.
Click Go
[19] American album certications Carpenters Kind of
Hush. Recording Industry Association of America. Retrieved 2012-02-22. If necessary, click Advanced, then
click Format, then select Album, then click SEARCH
[2] Carpenters UK chart history, The Ocial Charts Company. Retrieved March 19, 2012.
Passage is the eighth album by American popular music duo Carpenters. Released in 1977, it produced the hit
[3] Theres a Kind of Hush USA chart history, Bill- singles "All You Get from Love Is a Love Song", "Calling
board.com. Retrieved March 19, 2012.
Occupants of Interplanetary Craft" and "Sweet, Sweet
[4] I Need to Be in Love USA chart history, Billboard.com. Smile". The Carpenters version of Sweet, Sweet Smile
(written by Juice Newton) was picked up by Country raRetrieved March 19, 2012.
dio and put the duo in the top ten of Billboard's Country
[5] Goofus USA chart history, Billboard.com. Retrieved chart in the spring of 1978.
March 19, 2012.
This album was a considerable departure for the siblings and contained experimental material such as the
Klaatu cover Calling Occupants of Interplanetary Craft
singlewhich reached #32 in the US but was a top ten
[7] Eder, Bruce. A Kind of Hush (album) at AllMusic
hit in much of the world (and prompted numerous letters
[8] Brackett, Nathan; Christian Hoard (2004). The Rolling to the Carpenters asking when World Contact Day was
Stone Album Guide. New York City, New York: Simon scheduled[1] ). Ironically, the albums release predated
and Schuster. p. 140. ISBN 0-7432-0169-8.
Steven Spielberg's similarly themed lm Close Encoun[9] Kent, David (1993). Australian Chart Book 19701992. ters of the Third Kind by one month. Nonetheless, the
St Ives, NSW: Australian Chart Book. ISBN 0-646- album was the groups rst to fall short of gold standard
11917-6.
in the US.
[6] Complete Guide to the music of The Carpenters, John Tobler, Omnibus Press ISBN 0-7119-6312-6
36
This is the only Carpenters album (aside from their Side two
Christmas albums) not to contain a Richard Carpenter or
John Bettis song.
1. "Sweet, Sweet Smile" (Juice Newton, Otha Young)
3:02
4.8.1
4.8.2
Reception
4.8.3
Track listing
Side one
1. B'wana She No Home (Michael Franks) 5:36
4.8.5 Charts
References
3. "I Just Fall in Love Again" (Steve Dor, Larry Herbstritt, Harry Lloyd, Gloria Sklerov) 4:05
37
tually achieved a new chart peak position of No. 126. In
December 2012 and then in December 2013, the album
again re-entered the Billboard 200 album sales chart and
attained a new chart peak position of No. 114, and then
of No. 113.
By the end of November 2014, Christmas Portrait was the
twenty-third best-selling Christmas/holiday album in the
United States during the SoundScan era of music sales
tracking (March 1991 present), having sold 1,950,000
copies according to SoundScan.[4]
38
Side two
1. "Jingle Bells" (James Lord Pierpont)
2. Medley:
First Snowfall (Joseph F. Sonny Burke,
Paul Francis Webster)
"Let it Snow" (Sammy Cahn, Jule Styne)
3. "Carol of the Bells" (Mykola Dmytrovych Leontovych, Peter Wilhousky)
18. Selections from Nutcracker: Overture Miniature/Dance of the Sugar Plum Fairies/Waltz of the
Flowers 5:27
7. Medley:
4.9.3 Singles
4.9.2
39
4.10.1 Promotion
To promote Made in America, Karen and Richard Carpenter appeared on several talk shows in 1981,[4] including Good Morning America on August 10, and The Merv
Grin Show on October 2, performing "(Want You)
Back in My Life Again.
4.9.4
References
40
4.10.3
Singles
4.10.4
Charts
4.10.5
References
4.11.2
Singles
41
[6] Allmusic Carpenters > Voice of the Heart > Charts &
Awards > Billboard Albums
[7] British album certications Carpenters Voice of
the Heart. British Phonographic Industry. Retrieved
September 22, 2012. Enter Voice of the Heart in the eld
Search. Select Title in the eld Search by. Select album in
the eld By Format. Click Go
[8] American album certications Carpenters Voice of
the Heart. Recording Industry Association of America.
Retrieved September 22, 2012. If necessary, click Advanced, then click Format, then select Album, then click
SEARCH
4.11.3
Charts
4.11.4
References
42
References
4.13 Lovelines
For the lm, see Lovelines (lm). For the Philippine
radio program, see Lovelines (DZMM 630).
Lovelines is an album by The Carpenters, released in
1989. That same year, Richard Carpenter decided to
release an album of unreleased Carpenters tracks along
with selected solo tracks by his sister, Karen (from her
then-unreleased solo album).
8. "Do You Hear What I Hear?" (Gloria Shayne, Noel The Carpenters songs were mainly from their television
specials. When I Fall in Love was originally recorded
Regney) 2:53
in 1978 for their TV special, Space Encounters. How9. "My Favorite Things" (Richard Rodgers, Oscar ever, they chose "Little Girl Blue" for that special instead,
Hammerstein II) 3:54
and later used When I Fall in Love in their Music, Music, Music! TV special in 1980. Other outtakes included
10. He Came Here for Me (Ron Nelson) 2:12
Kiss Me the Way You Did Last Night and The Un11. "Santa Claus Is Coming to Town" (Haven Gillespie, invited Guest from Made in America, the studio album
J. Fred Coots) 4:04
released in 1981 and the last completed during Karens
lifetime.
12. "What Are You Doing New Years Eve?" (Frank
Lovelines was also the last Carpenters album to be issued
Loesser) 2:51
in the vinyl LP format.
13. Selections from The Nutcracker 6:14*
(a) Overture
Miniature
(Pyotr
Tchaikovsky)
(b) Dance of the Sugar Plum
(Tchaikovsky)
(c) "Trepak" (Tchaikovsky)
(d) Valse Des Fleurs (Tchaikovsky)
Ilyich
Fairy
4.12.2
Singles
43
4.13.2
Singles
1. If I Had You
1. If I Had You
2. Lovelines
"'S Wonderful"
"Fascinating Rhythm"
5. "Dancing in the Street" (Ivy Hunter, Marvin Gaye,
William Stevenson) 2:01
6. Dizzy Fingers (Edward Elzear Zez Confrey)
3:34
2. ??
4.13.3
"Rhapsody in Blue"
EPs
44
9. "Close Encounters/Star
Williams) 6:01
Wars
Medley
(John
CD single UICY-5006
1. The Rainbow Connection
2. Leave Yesterday Behind
3. Medley (Superstar/Rainy Days and Mondays)"
4.14.3
References
[1] As Time Goes By - Carpenters. Allmusic. Rovi Corporation. Retrieved November 27, 2013.
[2] The Carpenters - As Time Goes By. Uncut. IPC Media.
Retrieved November 27, 2013.
45
Chapter 5
Live albums
5.1 Live in Japan (The Carpenters
album)
Disc two
Side three
5.1.1
Track listing
(d) "Da Doo Ron Ron" (Je Barry, Ellie Greenwich, Phil Spector) 1:37
Disc one
Side one
1. Medley 13:24
(a) "Superstar" (Bonnie Bramlett, Leon Russell)
2:58
Side four
Side two
47
5.1.2
Charts
5.1.3
References
Live at the Palladium is a live album by American mu2. "We've Only Just Begun" (Paul Williams, Roger
sic duo The Carpenters. It was recorded during a week
Nichols) 3:52
of live concerts at the London Palladium in November
1976. No singles were released from the album, although
it reached number 28 on the UK Albums Chart.[1] On the
5.2.2 Credits
cover of the record, Karen is wearing the same dress as
in The Carpenters Very First Television Special. The al Richard Carpenter keyboards, vocals
bum contained a new version of "Goodbye to Love", with
The Bee Gees member, Barry Gibb, with Karen and her
Karen Carpenter drums, percussion, vocals
brother, Richard, sang backing vocals.
Bob Messenger bass, keyboards, tenor saxophone,
ute
5.2.1
Track listing
Side one
5.2.3 References
[1] UK Chart Stats
Chapter 6
Compilation albums
6.1 The Singles: 19691973
6.1.1
Track listing
6.1.2
EP
7. "Solitaire" 4:39
48
49
Disc two
1. "Theres a Kind of Hush (All Over the World)"
3:03 (Reed, Stephens)
2. "This Masquerade" 4:53 (Russell)
6.3.1
Disc one
1. "Yesterday Once More" 3:58 (Carpenter, Bettis)
50
12. "For All We Know" 2:31 (Grin, Karlin, Wilson) From the Top is a box set by The Carpenters, released in
1991, which contains everything from the Richard Car13. "Touch Me When We're Dancing" 3:20 (Bell, penter Trio recordings from 1965 to their biggest hits in
Skinner, Wallace)
the early 1970s to the last song ever recorded by the Car14. "Calling Occupants of Interplanetary Craft" 7:09 penters: "Now". This compilation was revised with The
Essential Collection: 19651997 in 2002.
(Draper, Woloschuk)
Disc two
19651970
1. Caravan (1965)
2. The Parting of Our Ways (1966)
3. "Looking for Love" (1966)
4. I'll Be Yours (1966)
5. Iced Tea (19661967)
6. You'll Love Me (1967)
6.3.3
6.3.4
51
Disc two
19711973
Disc four
19781982
1. Where Do I Go from Here?" (1978)
2. "Little Girl Blue" (1978)
3. "If I Had You" (1979; Karen Carpenter solo, 1989
remix)
4. My Body Keeps Changing My Mind (1979; 1990
remix)
6. Medley (1980)
(a) "Sing"
(b) Knowing When to Leave
(d) Someday
Disc three
19741978
6.4.2 Singles
Looking for Love (Karen Carpenter solo) US
single (1966) MAGIC LAMP 704 (mono)
52
6.4.3
References
6.5.1
Track listing
Side B
4. "Bless the Beasts and Children" 3:15 (From the album A Song for You; remixed in 1991)
8. "From This Moment On" 1:57 (Never before released; recorded in 1980 for Music, Music, Music!)
9. "Tryin' to Get the Feeling Again" 4:23 (Never before released; recorded in 1975 for Horizon)
11. "I Believe You" 3:55 (From the album Made in America)
1. Superstar
2. Rainy Days and Mondays
3. "Ticket to Ride"
4. "If I Had You"
5. "Please Mr. Postman"
6. We've Only Just Begun
7. Calling Occupants of Interplanetary Craft
8. Little Girl Blue
9. You're the One
10. "(They Long to Be) Close to You
The audio cassette released on A&M includes a foldout with notes. (Catalogue No. 540 251-4; released
in 1994)
6.5.2
Singles
53
13. Where Do I Go from Here?" from the album
Lovelines
CD
single
2. Sing
6.5.3
References
18. "I Won't Last a Day Without You" from the album A Song for You
19. "A Song for You" from the album A Song for You
20. "Goodbye to Love" from the album A Song for
You
6.6.1
Track listings
11. "(They Long to Be) Close to You" from the album Close to You
54
6.8.2 References
6.8.1
Track listing
6.9 The
Essential
19651997
Collection:
The Essential Collection: 19651997 is a box-set compilation album from The Carpenters that, with the exception of a few track changes, is essentially the same as the
1991 From the Top set. Coming in at four discs and 73
songs, this album is one of the biggest of all Carpenters
compilation sets. The songs from this box set are everything from the Richard Carpenter Trio recordings from
1965 to their biggest hits in the early 1970s to the last
song ever recorded by the Carpenters, Now.
1. Caravan (1965)
2. The Parting of Our Ways (1966)
3. "Looking for Love" (1966)
4. I'll Be Yours (1966)
5. Iced Tea (19661967)
6. You'll Love Me (1967)
55
9. Sandy (1976)
2. "Superstar" (1971)
6. 1980 Medley
(a) "Sing"
(b) Knowing When to Leave
(d) Someday
(e) "We've Only Just Begun"
5. "Solitaire" (1975)
56
Gold: 35th Anniversary Edition is a two-disc compilation released by The Carpenters in early 2004.
The cover has the same look as the 1992 Gold: Greatest
Hits ABBA compilation. The album is essentially the expanded US release of a European compilation released in
2000, titled Gold: Greatest Hits (the same as ABBAs).
It peaked at #4 on the UK Albums Chart. This version
contained just one disc with 20 tracks, all of which were
6.10.1 Track listings
featured on the American version; it simply has Greatest
Hits in place of where 35th Anniversary Edition is on
1. "Top of the World" from the album A Song for the US cover. An accompanying DVD followed in 2002.
You
2. Maybe Its You from the album Close to You
Disc one
1. "Superstar"
2. "Rainy Days and Mondays"
Disc two
1. "Yesterday Once More"
2. "Please Mr. Postman"
3. "Hurting Each Other"
4. "I Need to Be in Love"
5. "Merry Christmas Darling" (Christmas Portrait
Mix)
6. "(They Long to Be) Close to You"
7. "All You Get from Love Is a Love Song" *
8. "Sing"
9. "Make Believe Its Your First Time" *
10. "Ticket to Ride"
11. "Goodbye to Love"
57
2. Superstar 3:47
Remix notes
Most of the songs listed here are remixes. This compilations songs have more rened and re-recorded tracks,
less noise in the background, and a lot of reverberation in
the background.
58
6.11.2
Alternative version
6.11.3
References
6.12.1
Disc one
19691974
6.12.3
59
Disc three
the cheaper international edition was issued on the standard CD format. One other change is that the Japanese
track listing included Leave Yesterday Behind while the
Bonus songs: 19791997
standard worldwide release substituted Touch Me When
1. Lovelines (recorded in 1979; released on CD in We're Dancing.
1989 and 1996)*
2. "If I Had You" (recorded in 1979; released on CD 6.13.1
in 1989 and 1996)*
Critical reception
Disc two
6. Sandy (1997)***
7. Karens Theme (1997)***
* Karen Carpenter Solo - Lovelines and/or Karen Carpenter
** Richard Carpenter Solo - Time
*** Richard Carpenter Solo - Pianist Arranger Composer Conductor
6.13.4 Certication
6.13.5 References
[1] Masayuki
[2]
Nishi,
ed.
40
3 "(The Carpenters album debut at the top-3 on the Japanese chart for
the rst time)". oricon.co.jp (in Japanese). Oricon Style.
Archived from the original on October 20, 2012. Retrieved November 23, 2009.
40/40 (originally subtitled The Best Selection) is a twodisc compilation by American pop group The Carpenters. The album features 40 songs which span their entire
career (10 of them were determined by Japanese fan voting), and rst issued by Universal Japan on April 22, 2009
(forty years after they signed to A&M Records).[1] It was
issued worldwide half a year later, leaving out its subtitle.
40
2
"(Carpenters 40th
Anniversary Best tops the international chart for 2 consecutive weeks)". oricon.co.jp (in Japanese). Oricon Style.
May 12, 2009. Archived from the original on October 20,
2012. Retrieved November 23, 2009.
The cover art was taken from the photo sessions for the album Horizon, showing a healthy and glowing Karen and
Richard. A television spot aired for the album, prominently featuring the famous Carpenters logo. Included
in this set is the original, long version of a UK top-10
hit "Calling Occupants of Interplanetary Craft", and their
last top-20 U.S. hit "Touch Me When We're Dancing".
[5]
-ORICON STYLE"(Highest
position and charting weeks of 40/40 by the Carpenters)".
oricon.co.jp (in Japanese). Oricon Style. Archived from
the original on October 20, 2012. Retrieved November
23, 2009.
[6] Chart Stats The Carpenters - 40/40. British Phonographic Industry. Archived from the original on October
17, 2012. Retrieved December 5, 2009.
[7]
>
>
> 2009 6
"(RIAJ - Statistics - Certication Awards - June 2009)".
riaj.or.jp (in Japanese). Recording Industry Association
of Japan. Retrieved October 16, 2009.
Chapter 7
Soundtrack albums
7.1 Bless the Beasts and Children
(soundtrack)
9. Stampede
10. Free
Note that there are three Bless the Beasts and Children
songs. All three are dierent, and have three dierent
run times. The rst one is the regular 3:07 version, and
#4 and #6 are both about 2:12. Track four has a version
that is a hybrid between Nadias Theme and Bless the
Beasts and Children. The B-side version (#6) is a very
dierent version, and the only noticeable thing about it
7.1.1 Track listing
is the strings playing the melody.[2] It has never been re1. "Bless the Beasts and Children" - The Carpenters leased on CD, and is currently only available on now-out
played this song, start to nish. They released it as of print vinyl records.
a B-side song, and it peaked at #67 on the Billboard
Hot 100.
2. Cottons Dream (later known as "Nadias Theme")
- It was released as a single in 1976 and was extended
longer.
7.1.2 Singles
Bless The Beasts And Children
3. Down The Line - Barry De Vorzon - This version JP 7 single (1972) AM-114
is a vocal version performed by Barry De Vorzon.
The reprise is transposed higher and is instrumental.
Bless the Beasts and Children
4. "Bless the Beasts and Children (Reprise #1)" - This
Help
is one of two instrumental versions of the song on
the LP.
Superstar
5. Lost - Renee Armand - Sung by Renee Armand;
the melody is identical to Cottons Dream, but the
arrangement is dierent and includes lyrics.
US 7 single (1971) A&M 1289
6. "Bless the Beasts and Children (Reprise #2)" - This
is the second of two instrumental reprises of Bless
the Beasts and Children. The reprises were not
performed by the Carpenters.
7. Down The Line (Reprise)" - This is an instrumental
version of Down the Line, and is transposed from
the key of D to the key of E.
Superstar
Bless the Beasts and Children
Nadias Theme
US 7 single (1976) A&M 1856
Nadias Theme
Down the Line (Instrumental)
7.1.3
References
61
Chapter 8
Solo albums
8.1 Time (Richard Carpenter al- 8.1.2 Singles
bum)
8.1.1
Track listing
2. Who Do You Love?" (Mark Holden, Peter Hamilton, Gary Pickus) 3:15
3. "Something in Your Eyes" (Featuring Dusty Springeld) (Richard Carpenter, Pamela Phillips Oland)
4:13
4. When Time Was All We Had (a dedication to
Karen) (Features a ugelhorn solo by Herb Alpert)
(Richard Carpenter, Pamela Phillips Oland) 3:03
10. I'm Still Not Over You (John Bettis, Richard Carpenter, Alain Boublil, Richard Maltby, Jr.) 4:51
1. Time
63
9. Make Believe Its Your First Time [B] (Bob Morrison, Johnny Wilson) 3:12
10. Guess I Just Lost My Head (Rob Mounsey) 3:36
11. Still Crazy After All These Years (Paul Simon)
4:17
12. Last One Singin' the Blues (bonus track) (Pete
McCann) 3:29
The liner notes, including comments from Richard Car- 8.2.2 Unreleased track listing
penter and producer Phil Ramone, include Richards ex1. Love Makin' Love to You 3:34
planation for shelving the album in 1981, and his later
decision to release it as Karen approved it.
2. Somethings Missing (In My Life)" (Paul Jabara)
A&M executives in New York approved of the material,
4:49
but the executives in Los Angeles, including Herb Alpert
and Jerry Moss, responded negatively. Ramone recalls
3. Keep My Lovelight Burning 3:18
that Karen broke down in tears. Devastated, she accepted
4. I Do It for Your Love 3:44
A&Ms urging not to release the album.[3]
An episode of E! True Hollywood Story claims that Herb
Alpert called the album unreleaseable. Quincy Jones
championed releasing the album to Derek Green, an
A&M Records vice-president, but Alpert, Green and
Moss insisted the album had to be cancelled. The album
cost $400,000 of Karens own money to make, which was
oset against Carpenters future album royalties.
5. Midnight 4:16
Dierent arrangement and vocal from The Carpenters version released on Voice of the Heart.
64
8.2.3
References
[2] Browne, David (1996-10-11). Karen Carpenter Review. Entertainment Weekly. Retrieved 2012-10-08.
8.3.2 Singles
Karens Theme
8.3.1
Track listing
Chapter 9
Tribute albums
9.1 If I Were a Carpenter (tribute
album)
In popular culture
9.1.1
Overview
9.1.2
Track listing
[5] 40/40 Celebrates The Carpenters 1969 Debut, November 25, 2009
[6] http://www.imdb.com/title/tt0103491/trivia
Chapter 10
Other albums
10.1 Very Best of the Carpenters
Very Best of the Carpenters was a compilation album
of hits by The Carpenters released in 1982 by Festival
Records in Australia (Cat No. RML 52017). The album
spent one week at the top of the Australian albums chart
in 1983.
10.1.1
Track listing
10.1.2
Chart positions
66
Chapter 11
Singles
11.1 Looking for Love (Karen Carpenter song)
drums.[2] McCartney said that was an incomplete description, and that we sat down and wrote it together...
give him 60 percent of it... we sat down together
and worked on that for a full three-hour songwriting
For other songs with similar titles, see Looking for Love. session.[3]
"Looking for Love" is a song released under Karen Carpenter's name, regarded as the rst release by what was
to become The Carpenters. The music was written by
Karens brother, Richard Carpenter. It was recorded in
1966 and released on record label Magic Lamp, a small
label with a limited budget. Even though Richard Carpenter does participate on the recording, it is printed
Karen Carpenter on the recording contract and record
label.
The record has now become a collectors item and is
worth between $2,000 to $2,500 as only 500 copies of
the 45rpm were printed. The single did not chart commercially and no music video was shot for the song (as
promotional music videos were in their infancy as well).
This process led Magic Lamp to defunct, but the song,
along with its B-side I'll Be Yours, were later included
on the 1991 4-CD box set From the Top.
The song features a coda with a dierent tempo that extends the songs length past three minutes.[4] Lennon said
this double-time section (with the lyric My baby don't
care) was one of his favourite bits in the song.[5]
11.2.3 Release
Ticket to Ride was released as a single on 9 April 1965
in the United Kingdom and 19 April in the United States
with "Yes It Is" as its B-side,[7] topping the Hot 100 for a
week in the US and the UK Singles Chart for three weeks
in the UK. The American singles label declared that the
song was from the United Artists release Eight Arms to
Hold You. This was the original title of the Beatles second movie; the title changed to Help! after the single was
initially released.[8] The song was also included on the
Help! album released on 6 August in the UK and on 13
August in the US.
68
11.2.4
Music video
11.2.5
Critical response
11.2.6
Chart performance
11.2.7
Personnel
11.2.8
In 1969 it was released by the Carpenters on their rst album, Oering, and it became a minor hit. The recording
used an arrangement by Richard Carpenter which drastically diered from the Beatles original, bringing the song
into line with its breakup lyrics by rendering it as a bitter and sombre ballad. The song peaked at number 54 on
the Billboard Hot 100 during a 12 week stay, and reached
number 19 on the Adult Contemporary chart.[17]
11.2.10
69
Notes
[1] RIAA Gold & Platinum Searchable Database - The Beatles Gold Singles. Retrieved 20 July 2009.
[2] She 2000, p. 196.
[3] Miles 1997, p. 193.
[4] Everett, Walter. The Foundations of Rock: From Blue
Suede Shoes to Suite: Judy Blue Eyes. p. 154.
[5] She 2000, p. 198.
[6] Turner 2005, p. 80.
Re-
11.2.11
References
Harry, Bill (2000). The Beatles Encyclopedia: Revised and Updated. London: Virgin Publishing.
ISBN 0-7535-0481-2.
Back cover of Richard Chamberlains 1963 single Blue Guitar /
They Long to Be Close to You
Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517"(They Long to Be) Close to You" is a popular song
57066-1.
written by Burt Bacharach and Hal David. It was rst
MacDonald, Ian (2005). Revolution in the Head: recorded by Richard Chamberlain and released as a sinThe Beatles Records and the Sixties (Second Revised gle in 1963 as They Long to Be Close to You, without
ed.). London: Pimlico (Rand). ISBN 1-84413-828- parentheses. However, it was the singles ip side, "Blue
3.
Guitar", that became a hit. The tune was also recorded
70
11.3.1
their wedding in a video, as well as in "Treehouse of Horror XXIII" (The Simpsons Season 24 Episode 2), when an
alternate-universe Marge sees the pile of Homers having
been defeated by Artie Zi. The aection for this song
can also explain Marges melody choice when buying a
musical doorbell in "Maximum Homerdrive" (The Simpsons Season 10 Episode 17).
In the 1989 lm "Parenthood", Nathan (Rick Moranis)
comes to his wife Susans (Harley Jane Kozak) class and
sings the song to serenade her.
In 1970, it was released by Karen and Richard Carpenter on their album Close to You, and it became their
breakthrough hit. The song stayed at number one on
the Billboard Hot 100 for four weeks. This song was
originally given to Herb Alpert as a follow up to his
Number 1 hit, This Guys in Love with You, another
Bacharach/David composition. Alpert was not thrilled
with his version and shelved the recording. He decided to
give it to the new act he had signed to A&M Records, The
Carpenters, in 1969. Alperts version nally saw an ocial release in 2005 on a new Tijuana Brass release called
Lost Treasures 19631974. Richard had stated that when
Alpert introduced the song to him back in early 1970, he
was a bit apprehensive about the song. He and Alpert
collaborated on the song, and the nished product was a
4-minute, 36-second long song. When A&M Records decided to release it in May 1970, it became A&Ms biggest
hit since Alperts "This Guys in Love with You" from
1968. Billboard ranked it as the No. 2 song for 1970.[1]
Personnel
11.3.2
In popular culture
71
Paul Daniels recorded an intentionally o-pitch version, along with several other celebrities, for a series
of commercials for Heineken in the UK, circa 2001.
72
11.3.4
[1]
[2]
[3]
[4]
[5]
[6]
[7]
References
[8] http://globalgrind.com/channel/music/content/1781644/
new-music-lauryn-hill-and-ron-isley-close-to-you/
[9] Personal collection
11.3.5
External links
73
The Wooden Glass featuring Billy Wooten (1972),
on album The Wooden Glass Recorded Live
Henry Mancini (1972)
11.4.3
2009 40/40
Joanna Wang (
) covered the song which was
published on an EP 4 Tracks (Sony Music Taiwan)
11.4.4
11.4.5 In cinema
74
11.4.7
References
[1] Pierce, Dave (2008). Riding on the ether express: a memoir of 1960s Los Angeles, the rise of Freeform Underground Radio, and the legendary KPPC-FM. Center for
Louisiana Studies, ISBN 9781887366779
[2] The Singles: 19691973
[3] GRAMMY.com
11.4.8
External links
11.5.3 References
[1] http://oldies.about.com/od/70spopandsoul/p/carpenters.
htm
[2] http://www.imdb.com/title/tt1628280/
Personnel
Richard Carpenter of The Carpenters heard the song during an evening of relaxation at the movies while on tour.
He decided it would be ideal for the duo. It became a hit
for them in 1971, reaching number three on the Billboard
Hot 100 singles chart and number one for three weeks on
the U.S. easy listening chart.[2]
When the original song was nominated for an Academy
Award, the Carpenters were not allowed to perform it at
the ceremony as they had not appeared in a lm. At their
request, the song was performed by British singer Petula
75
Richard Clayderman
According to Richard, the English horn intro was originally played on guitar. They had run into Jose Feliciano
in a restaurant, who was a big fan of theirs and wanted to
play on one of their records. They went into the studio
and the intro was devised by Feliciano, using his nylon
string acoustic guitar. The next day, though, Richard got
a phone call from Felicianos manager, demanding that
he be removed from the recording. Richard essentially
did as requested and replaced the guitar intro with the
oboe.[3]
In 1972, Richard and Karen appeared on Tom Jones Special London Bridge Special, where they performed For
All We Know. This version was not released to the public until 2000, with the release of The Singles: 1969
1981.
Fred Karlin
Perry Como
George Duke
Nicki French
Astrud Gilberto
Stephane Grappelli
Rolf Kuhn
Johnny Mathis
Matt Monro
Personnel
Karen Carpenter lead and backing vocals
Tony Mottola
Silje Nergaard
Peter Nero
Emile Pandol
George Shearing
Charts
Joanie Sommers
Note
Mary Stallings
11.6.2
Jerry Vale
Billy Vaughn
Dionne Warwick
Andy Williams
11.6.3
Milva
Gary Wilson
Frances Yip
Joey Albert
Ruben Studdard
John Arpin
Bettie Serveert
Carol Burnett
Vikki Carr
Petula Clark
76
11.6.5
References
[1] Roberts, David (2006). British Hit Singles & Albums (19th
ed.). London: Guinness World Records Limited. p. 136.
ISBN 1-904994-10-5.
[2] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 47.
[3] Carpenters Fans Ask- Richard Answers, May 2005.
Richardandkarencarpenter.com. Retrieved 2014-05-23.
11.7.4 References
[1] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 47.
The song was composed in 1971 by then fairly unknown 11.8.1 Original Delaney and Bonnie vercomposers Roger Nichols and Paul Williams. It was resion
leased as the rst track on the album Carpenters. The
B-side on the single is Saturday.
Accounts of the songs origin vary somewhat, but it
Olivia Newton-John, one of Karens best friends, grew out of the late 1969/early 1970 nexus of English
recorded a cover version of this song on her album Indigo: and American musicians known as Delaney & Bonnie
and Friends, that involved Delaney and Bonnie BramWomen of Song as a tribute to Karen.
lett, Leon Russell, Eric Clapton, and various others. The
Andy Williams released a version in 1971 on his album, songs working title during portions of its development
You've Got a Friend.
was "Groupie Song".
11.7.1
Personnel
11.7.2
Compilations
77
feature a lyric change that would become more famous in
the Carpenters version.[2]
Vikki Carr used the song as the title track of a 1971 album. Also in 1971, ex-Smith singer Gayle McCormick
recorded the song on her self-titled debut solo album
on Dunhill Records. The following year, Peggy Lee in11.8.2 Mad Dogs and Englishmen version cluded the tune on her album Norma Deloris Egstrom
from Jamestown, North Dakota, her nal disc for Capitol
During the rst half of 1970, Joe Cocker's legendary Records. In Australia, Colleen Hewett's recording of
Mad Dogs and Englishmen Revue toured in the United Superstar was released by May 1971 and became a
States. Ex-Delaney and Bonnie vocalist Rita Coolidge moderate hit in Australia.
was a backup singer on this tour, and song co-writer
Leon Russell was the bandleader. Some accounts have
Coolidge suggesting or inspiring the songs creation in the 11.8.5 Carpenters version
rst place, and working with Bonnie Bramlett on her portion of the writing. In any case, Coolidge was given a Superstar became its biggest hit version for the
featured vocal on the song during the tour; she took the Carpenters. Richard Carpenter was unaware of the
verses with an air of resignation but the choruses with Bramlett or Mad Dogs originals, but as he later wrote in
more anguish. The arrangement was fueled by Russells a compilation albums liner notes: I came home from
evocative piano line laced with dynamic lls, with under- the studio one night and heard a then relatively unknown
stated horns, guitar, and choir behind it.
Bette Midler performing this song on the Tonight Show. I
In August 1970, the live album Mad Dogs and Englishmen could barely wait to arrange and record it. (It remains one
was released, using performances of the song, using the of my favorites). Somewhat ironically, Karen Carpenter
name "Superstar", recorded in March and June of that had heard the Coolidge rendition on a promotional copy
year. The Mad Dogs album became a huge hit, reaching of the Mad Dogs album, but she did not think that much
number 2 on the Billboard pop albums chart and num- of it.
ber 23 on the Billboard Black Albums chart. The performance helped vault Coolidge to greater visibility, especially when it was also included in the 1971 lm of the
revue.
11.8.4
78
79
rounds when he performed a Vandross-inuenced Superstar. It got rave reviews from the judges and established Studdard as one of the early leaders in the competition, a position he held through his narrow May 2003
win over second-place nisher Clay Aiken.
By now his signature song, Studdard recorded Superstar as the B-side of his June 2003 rst single and number two hit, "Flying Without Wings". Studdard would
earn a 2004 Grammy Award nomination for Best Male
R&B Vocal Performance for Superstar, but somewhat
ironically, lose out to his idol Vandross (who won for
"Dance with My Father"). Studdards treatment was also
included on his December 2003 debut album, Soulful.
11.8.9
American Spring (a group consisting of Brian Wilson's wife and sister-in-law) on their Spring album
in 1972.
The Motels recorded Superstar for their 2007 album Clean Modern and Reasonable.
Shock of Pleasure did an ultra-chill version of Superstar for the 2008 album Its About Time.
David Spinozza recorded the song for his 1978 album Spinozza. The arrangement featured Spinozza
playing the melody on guitar, with background vocals by Luther Vandross, David Lasley, and Diva
Gray.
Performed by Chrissie Hynde with James Walbourne of The Pretenders for a 2009 UK TV special
entitled Remembering the Carpenters.[12]
Sonic Youth, who always found unlikely inspiration 11.8.10 See also
from the Carpenters,[10] for the 1994 tribute album
If I Were a Carpenter. This version was later in List of number-one adult contemporary singles of
cluded on the soundtrack for the 2007 lm Juno. It
1971 (U.S.)
80
11.8.11
References
The song was originally released on the original soundtrack, and a slightly dierent version was released on
[11] 40/40 Celebrates the Carpenters 1969 Debut. Fresh Air the Carpenters 1972 LP, A Song for You on June 13,
(NPR). November 25, 2009.
1972.[6] The original soundtrack had a vibraphone playing the melody in the introduction, while the A Song for
[12] November 18, 2009. Information according to the video You version, released on the single, contained an oboe
on YouTube
stating the melody. The two versions (soundtrack and
album versions) faded out toward the end, but in 1985,
Richard Carpenter re-mixed the song so it does not fade
out in the end. He also added a harder bass-line.
11.8.12 Sources
October 2002 Blender magazine article by Johnny
11.9.1
Black
Allmusic discussion of songs origins
Randy L. Schmidt, Little Girl Blue: The Life of
Karen Carpenter, Chicago Review Press, 2010,
ISBN 1-55652-976-7, pp. 7778.
IMDB listing of Bette Midler television appearances
Australian PopArchives entry
Australian Countdown entry
11.8.13
External links
Personnel
11.9.2 References
[1] The Carpenters Summary
[2] Not Found
trieved 2012-01-09.
81
Joe Osborn - bass guitar
Hal Blaine - drums
Gary Coleman - percussion
11.10.1
Previous versions
One early version of the song was recorded by Jimmy 11.10.6 See also
Clanton and released in 1965 as a single on Mala
List of number-one adult contemporary singles of
Records.[2] According to Richard Carpenter, this version
1972 (U.S.)
of Hurting Each Other had a very dierent feel from
the Carpenters product.[3] However there are denite
similarities in the vocal refrain.
Chad Allan & The Expressions, who later became The
Guess Who, also recorded the song in 1965 on their Canadian LP, Hey Ho (What You Do to Me)". Released as
a single, the song hit #19 on the Canadian charts in early
1966.
In June 1966 a version by Ruth Lewis, produced by
Udell and Geld, was released as a single by RCA Victor
records.[4]
A version of Hurting Each Other also appeared on The
Walker Brothers' second album, Portrait, which was released in November 1966. However, the song was apparently not released as a single.
11.10.7 References
11.10.2
Carpenters version
The Carpenters recorded Hurting Each Other towards 11.10.8 External links
the end of 1971. Some footage of Richard and Karen
performing the backup vocals can be seen on Jerry Dun Full lyrics of this song at MetroLyrics
phy Visits the Carpenters, when news anchor Jerry Dunphy went to Karen and Richard Carpenters house and
interviewed them and their parents about their life.
82
King is quoted as saying that the duos lush, string-laden Peluso and asked him to play on the record. Tony recover, including a ute solo, made her own more sparse members: At rst I didn't believe that it was actually
version sound like a demo.
Karen Carpenter on the phone but she repeated her name
The band Dishwalla covered the song on the 1994 tribute again. ... It was at this point that I realized it was really
her and that I was speaking to one of my idols. She told
album, If I Were a Carpenter.
him that she and Richard were working on a song called
Goodbye to Love, that they were familiar with Tonys
work with a band called Instant Joy, and that he'd be per11.11.1 Personnel
fect for the sound they were looking for.[2] Peluso rst
played something soft and sweet, but then Richard Car Karen Carpenter - lead and backing vocals
penter said No, no, no! Play the melody for ve bars and
Richard Carpenter - backing vocals, keyboards
then burn it up! Soar o into the stratosphere! Go ahead!
It'll be great!"
Joe Osborn - bass guitar
John Bettis has said that Richard Carpenter kept calling
Hal Blaine - drums
him, raving about the guitar solo. He was wondering why
Richard was going on about the solo until he heard it. The
Bob Messenger - ute
lyricist said he cried when he rst heard the song because
he had never heard an electric guitar sound like that. He
Tim Weisberg - ute
said Tony Peluso had a certain almost cello sounding guitar growl that worked against the wonderful melancholia
of that song. He went on to say the way it growls at you,
11.11.2 Charts
especially at the end was unbelievable.[3]
11.11.3
External links
11.12.1 Personnel
He said that while the melody in his head kept going, the
lyrics stopped because I'm not a lyricist. He completed
the rest of his arrangement upon his return to the United
States.[1]
While the Carpenters were working on the song, Carpenter decided that a fuzz guitar solo should be included.
Karen Carpenter called renowned electric guitarist Tony
11.12.2
83
Cultural references
11.12.4
External links
11.13.1
84
11.13.3
Personnel
11.13.4
Covers
11.13.5 Charts
[3] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 47.
11.14.1
Personnel
85
Redd Kross, a rock/punk band from Hawthorne,
California covered the song on the 1994 Carpenters
tribute album If I Were a Carpenter. This cover was
also released as a double A-side single with Sonic
Youth's cover of "Superstar" to promote the album.
The British indie rock band Cinerama released a
cover of the song as a B-side on their 2001 single
Superman.
Swedish pop and country singer Kikki Danielsson
covered the song on her 2006 album, I dag & i morgon.
In Japan, Tohoku Broadcasting Company's TV station in Miyagi prefecture played the song moments
before it ceased broadcasting on analog on March
31, 2012.[5]
11.14.3 Charts
11.14.2
References
[1] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 47.
[2] Carpenters UK chart history, The Ocial Charts Company. Retrieved March 20, 2012.
[3] Schmidt, Randy L. Little Girl Blue: The Life of Karen Carpenter. Forward by Dionne Warwick. Chicago Review
Press, 9781556529764). p. 368.)
[4] Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 19422004. Record Research. p. 545.
[5] TBC
04-05.
2012/3/31
In 1981, The Spinners recorded the song as a med- 11.14.6 External links
ley with Nothing Remains the Same. The medley
Full lyrics of this song at MetroLyrics
went to No. 32 on the soul chart.[4]
The Shaggs, now seen as one of the most important outsider music groups, recorded a cover of the
song which later appeared on their 1982 compilation
Shaggs Own Thing.
"Top of the World" is a 1972 song by The Carpen Italo disco singer Sabrina Salerno covered the song ters. Originally recorded for and released on the duos
on her 1991 album Over the Pop.
1972 studio album A Song for You, the song topped the
86
In Japan, the song was used as the opening theme song for
the 1995 Japanese drama Miseinen. In 2003, it was used
for another drama, this time as the ending theme song for
Beginner. It appeared on the 2010 soundtrack of Shrek
Forever After when Shrek enjoys being a real ogre and
terrifying the peasants, as well as in a prominent scene of
the 2012 lm Dark Shadows, with a performance by the
Carpenters seen on a television screen.
11.15.1
Personnel
Richard Carpenter - backing vocals, keyboards Shonen Knife's cover appeared on the 1994 tribute album
(Wurlitzer electric piano)
If I Were a Carpenter. It was the ending theme song to
the 1995 lm The Last Supper and appeared in the 1998
Joe Osborn - bass guitar
lm The Parent Trap, as well as the 2000 lm The Broken
Hal Blaine - drums
Hearts Club: A Romantic Comedy.
Buddy Emmons - pedal steel guitar
11.15.2
Chart performance
11.15.3
Punk supergroup Me First and the Gimme Gimmes covered the song on their 2014 album Are We Not Men? We
Are Diva!.
Chart performance
11.15.4
Dutch).
87
decades, the Cajun French version has been performed
by many Cajun bands including Aldus Roger and Jo-El
Sonnier.
11.16.3 Theme
[6] http://www.biographiesartistesquebecois.com/
Artiste-V/Valade,%20Claude/claudevalade.htm,
Discography, Claude Valade, 1975, Collection Country,
Au bout du monde",
11.16.1
Authorship
11.16.2
Cajun roots
Chart performance
Cover versions
88
Ex-Hong Kong female singer, CHANG Loo ( ), covered this song twice. The rst version was covered in 11.17 I Won't Last a Day Without
Mandarin Chinese entirely, under title name of
in
You
the mid-1950s. The second one was covered, in alternate
English and Mandarin Chinese, under the name of Jambalaya/
on her album An Evening with Chang Loo in Not to be confused with Won't Last a Day Without You.
1963. In 1978, another Hong Kong female singer, Paula
Tsui (
), covered the Mandarin Chinese version made
I Won't Last a Day Without You is a song with lyrics
by CHANG Loo, on her LP album
.
written by Paul Williams and music composed by Roger
In 1974, Singapore-based female singer, Ervinna, cov- Nichols. Williams released his version as a single in 1973,
ered this song, on her LP album Top Hits Vol. 2 with the but garnered only minor success. Maureen McGovern
local White Cloud Records.
recorded the song and also released it as a single in 1973
In India, Usha Iyer (now Usha Uthup) recorded a version (and included on her album The Morning After), with rein 1968 on the HMV label, that became the best selling sults similar to those of Williams. It became a hit single
for The Carpenters in 1974, reaching number eleven on
song until then, by an Indian artist in English.
the Billboard Hot 100 chart and number one on the easy
Do Marai Maki released Jambolaya in the Croatian listening chart,.[1] I Won't Last a Day Without You was
language.[3]
The Carpenters ninth number one on the Easy Listening
International, translated or derived versions do exist at chart.
least in Chinese, Dutch, Finnish, French, Italian, Polish In 1972, Richard Carpenter had learned of a new song
(as Baju-baj, prosz pana recorded by Anna Jantar), from his partners, Paul Williams and Roger Nichols, who
German, Spanish and Estonian. In 2005, two versions of had already contributed "We've Only Just Begun" and
Jambalaya surged in Mexican folk music, one by Banda "Rainy Days and Mondays" to the Carpenterss repertoire
Limn and the other from the Duranguense group K-Paz and catalogue of chart selections, and he included it on
de la Sierra. However, in Mexican music, the most fa- their A Song for You album. Shortly after, Diana Ross
mous cover version is by Los Felinos.
heard it and included it on her album Touch Me in the
Country star Hunter Hayes made his debut, at four Morning the following year. In 1974, Barbra Streisand inyear old, covering the song on the accordion with Hank cluded the song on her album ButterFly. Andy Williams
released a version in 1974 on his album, The Way We
Williams, Jr.[4]
Were. Mel Torme also sang a version of the song, culmiGarth Brooks recorded the song for the 2013 Country nating in holding one of the longest last notes in showbiz
Classics album in the Blame It All on My Roots: Five history, with a full six and a half bars.
Decades of Inuences compilation.
11.17.1 Personnel
Karen Carpenter - lead and backing vocals
89
11.17.4
References
11.18.1
History
In April 1961, the Marvelettes (then known as The Marvels) arranged an audition for Berry Gordy's Tamla label. Marvels member Georgia Dobbins needed an original song for their audition, and got a blues song from
her friend William Garrett, which she then reworked
for the group. Dobbins left the group after the audition and was replaced, Gordy renamed the group and
hired BrianbertBrian Holland and Robert Batemans
songwriting partnershipto rework the song yet again.
Freddie Gorman, another songwriting partner of Holland
(before Holland became part of the HollandDozier
Holland team) was also involved in the nal reworking.
The Marvelettes recording features lead singer Gladys
Horton hoping that the postman has brought her a letter
from her boyfriend, who is away at war. Accompaniment
is provided by the Funk Brothers, including Marvin Gaye
on drums.
90
their set, and required some work in the studio to bring Chart
it up to an acceptable standard.[4] Ian MacDonald criticised their version for having a "wall of sound" and for a 11.18.4 Other versions
general airlessness.[4]
Mike Sheridan & The Nightriders (from Birmingham, England) recorded it as their 2nd sinThe Beatles personnel
gle, released in Jan 1964, later released on LP
on Birmingham Beat (1983); their version has a
slowed-down skie-beat arrangement quite dif John Lennon double-tracked lead vocal, rhythm
ferent from the original
guitar, handclapping
Paul McCartney backing vocal, bass, handclapping
Please Mr. Postman is part of The Greatest Medley Ever Told sung by Whoopi Goldberg in the
opening scene of the 1993 lm, Sister Act 2: Back
in the Habit
11.18.3
The Carpenters
Music video
A music video of the song, lmed in Disneyland, can be
found on the DVD Gold: Greatest Hits (released in 2002),
originally packaged as Yesterday Once More (released on
VHS in 1985).
Personnel
Karen Carpenter lead and backing vocals, drums
Richard Carpenter backing vocals, keyboards
Joe Osborn bass guitar
Tony Peluso guitar
Bob Messenger tenor saxophone
Doug Strawn - baritone saxophone
91
11.19.2 References
92
[5] The Greatest Rock Roll Christmas Songs Pictures Bruce Springsteen, 'Santa Claus Is Coming To Town'".
Rolling Stone. 2007-12-19. Retrieved 2013-12-22.
11.19.3
External links
11.20.2 Charts
11.20.3 See also
List of number-one adult contemporary singles of
1975 (U.S.)
11.20.4 References
[1] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 47.
11.20.1
Personnel
members Lol Creme, Kevin Godley and Graham Gouldman accompanied Sedaka while Eric Stewart also of 10cc
engineered the session. Appearing on 1972 album releases by both Tony Christie and Petula Clark, Solitaire
had its rst evident single release in February 1973 as
recorded by the Searchers; however it was an autumn
1973 single by Andy Williams which would reach #4 UK
and aord Williams a #1 hit in South Africa. The title
cut from an album produced by Richard Perry, Williams
Solitaire also became a US Easy Listening hit at #23.
In 1974 Neil Sedakas 1972 recording of Solitaire was
93
Sissel Kyrkjeb
Johnny Mathis
Joe McElderry
Nana Mouskouri
Jane Olivor
11.21.2
11.21.6 References
11.21.3
Personnel
[1] John Tobler. The Complete Guide to the Music of the Carpenters (1997); Omnibus Press, London; ISBN 0-71196312-6; p.66
11.21.4
Clay Aiken
Jann Arden
Iveta Bartoov (Solitr Czech)
Shirley Bassey
Beat Crusaders
Sheryl Crow
Gallon Drunk
Johnny Goudie
94
Jo Staord recorded Theres a Kind of Hush as her contribution to the 1969 album Big Bands/Big Hits.
As Theres a Kind of Hush (All Over the World)" the
song made a C&W chart appearance with a No. 42 peak
in 1972 via a recording by Brian Collins.
Richard Carpenter explained in the liner notes to the CarDana recorded Theres a Kind of Hush for her 1976 alpenters 2004 best-of compilation, Gold, that although he
bum release Love Songs & Fairytales which was produced
and Karen Carpenter loved the song, he was not particuby the songs composer Geo Stephens.
larly pleased with how their remake turned out:
Perry Como recorded Theres a Kind of Hush for his
1977 album, The Best of British; this version also appears
"...one of Karens and my favorite songs
on Comos 1978 album, Where You're Concerned.
from the '60s. In hindsight, however, even
b-ower, a Japanese indie band, covered this song in Enthough our version was a hit, I wish we'd never
glish on their 1999 album, Paint My Soul.
recorded it. Here are three reasons why: (1)
The original was, and is, perfectly ne. (2) Our
Bart Kall and Vanessa Chinitor remade Theres a Kind
foray into the oldies should have ended with
of Hush for their 2001 collaborative album Costa Rothe medley featured on side 2 of Now & Then,
mantica credited to Bart & Vanessa.
1973. (3) The use of a synthesizer in some
Johnny Mathis recorded Theres a Kind of Hush for his
of our recordings has not worn well with me,
2005 album Isn't It Romantic.
on this track, or just about any other track on
which I used it.
In 2006, the experimental rock band Deerhoof covered
the song on their self-released, internet-only untitled EP.
Theres a Kind of Hush (All Over the World)" appears in Barry Manilow recorded the song for his 2006 album,
the twentieth episode of the third season of The Simpsons. The Greatest Songs of the Sixties.
95
Clay Aiken recorded the song on his 2010 album Tried 11.23.1 Personnel
and True.
Karen Carpenter - lead vocals
Theres a Kind of Hush has been rendered in Dutch as
"'K voel me goed vandaag recorded by Dana Winner, in
Finnish as Hetki T" recorded by Taiska, and as Hiljenee recorded by Finntrio, in French as Qu'est-ce que tu
deviens?" recorded by Claude Franois, and in Swedish
as Det r Lugnt Och Tyst recorded by Towa Carson
and also by Anne-Lie Ryd.
Ron Bumblefoot Thal recorded a single of the song in
2011.
11.22.5
See also
11.22.6
References
11.22.7
External links
96
11.24.1
had been previously been recorded by Jivin' Gene [Bourgeois] and The Jokers, in 1959.
Les Paul recorded the song in 1950 and his version was
released by Capitol Records as catalog number 1192. The
record rst reached the Billboard charts on September 29,
1950, peaking at number 21.[1]
Phil Harris released his version on October 13, 1950. It
was released by RCA Victor Records as catalog number 20-3968. The other side of the release, The Thing.
became the hit but the matrix number of Harris single
shows Goofus as the A-side. Chet Atkins recorded Goofus in 1960 for the studio album Chet Atkins Workshop,
RCA Victor catalog LSP-2232.
The Carpenters version
The Carpenters attempted to repopularize the song in
1976, when it was released as a single from their album A
Kind of Hush. However, as a sign of the duos declining
popularity at the time, it was the rst Carpenters A-side
single since "Ticket to Ride" in 1970 to fail to make the
top 40 portion of the Billboard Hot 100, or to reach either
#1 or #2 on the Easy Listening chart.
Chart performance
11.24.2
References
11.24.3
External links
Described by Allmusic as two minutes and sixteen seconds of pure pop magic,[1] Breaking Up Is Hard to Do
hit number one on the Billboard Hot 100 on August 11,
1962 and was a solid hit all over the world, sometimes
with the text translated into foreign languages. For example, the Italian version was called "Tu non lo sai" (You
Don't Know) and was recorded by Sedaka himself.
On this version, background vocals on the song are performed by the female group The Cookies.
The personnel on the original recording session included:
Al Casamenti, Art Ryerson, and Charles Macy on guitar;
Ernie Hayes on piano; George Duvivier on bass; Gary
Chester on drums; Artie Kaplan on saxophone; George
Devens and Phil Kraus on percussion; Seymour Barab
and Morris Stonzek on cellos; and David Gulliet, Joseph
H. Haber, Harry Kohon, David Sackson, and Louis Stone
on violins.
97
the second time that an artist made the Billboard Top Ten
with two dierent versions of the same song.
Aimer_(Japanese_singer)
11.25.3
Cover versions
The Overtones
Breaking Up Is Hard to Do has been covered by nuGerman version: Abschiednehmen ist so schwer
merous other artists over the years, including:
Paul Anka
Carpenters
Dee Dee Sharp
Nick Carter
Gloria Estefan
La Onda Vaselina
The Four Seasons
Eydie Gorme
Lucy Hale
Garrett Haley
Alvin and the Chipmunks
The Happenings
Tom Jones
Killola
Carole King
Little Eva
Renee Olstead
The Partridge Family
11.25.5 References
[1] Breaking Up Is Hard To Do Song Review November 29,
2011
Zoogz Rift
[2] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 218.
Lenny Welch
Andy Williams
Cartoons (band)
Waking up is hard to do
98
11.26.1
Charts
11.26.2
Personnel
11.27.1 Origin
John Woloschuk, a member of Klaatu and one of the
songs composers, has said:
Ed Green drums
11.26.3
Music video
The music video to All You Get from Love Is a Love 11.27.2 Chart
Song takes place in the A&M Studios. It starts o with
the bongo drum and fades into a camera angle zoom- 11.27.3 Personnel
ing towards Karen Carpenter. At the end of the video,
the performance fades into a picture of the Carpenters
John Woloschuk - lead vocals, backing vocals,
Hollywood Walk of Fame Star, which is the beginning to
piano, organ, synthesizer, bass guitar
the video Top of the World, performed on The Carpen Dee Long - backing vocals, mellotron, synthesizer,
ters Very First TV Special in 1976. It can be found on
electric guitar
the DVD Gold: Greatest Hits. The tenor saxophone solo
was performed by Tom Scott (also the tenor sax soloist
Terry Draper - lead vocals, backing vocals, drums,
on Jazzman by Carole King), who was then one of the
tympani, percussion
hottest session players of the '70s.
Terry Brown - backing vocals
11.26.4
References
11.26.5
External links
[2]
99
The song ultimately led to a successful Carpenters televiThe Flowers of Hell released a version on their 2012 alsion special, The Carpenters...Space Encounters.
bum Odes, on which they cover their inuences.[4]
While Klaatus original opens with various sounds of living species, the Carpenters version opens with a radio DJ The group Lard recreates the chorus with a somewhat
(the late Tony Peluso) on a request show. The DJ identi- similar vocal, but completely dierent lyrics, in the song
es a phone caller as Mike Ledgerwood. When the DJ Pineapple Face from the album The Last Temptation of
asks Mike for his song request, an alien-sounding voice Reid. Pineapple Face is a reference to Manuel Noriega
responds. The DJ is voiced by longstanding Carpenters and the song presents the lyrics as the thoughts and words
guitarist Tony Peluso, who can be seen in that role at the of Noriega while taking refuge in the Vatican embassy after the U.S. military surrounded it during Operation Nifty
start of the video for this track.[3]
Package.
The Carpenters arrangement of the song was later copied
on a sound-alike cover released on the 1977 album Top A happy hardcore version was released in 1999 by The
Space Cadet under the title 1st Contact.
of the Pops, Volume 62.
The cover art was painted by Star Trek designer Andrew
Probert.
11.27.6 References
In April 2011, the song was featured in the BBC series
[1] Woloschuk, John. Klaatu Track Facts (quote used by
Wonders of the Solar System hosted by Dr. Brian Cox.
Chart
[2] http://www.klaatu.org/
Music videos
[3] Carpenters ocial web site:". Passage album notes. Retrieved 2007-10-14.
The Carpenters had two music videos for Calling Occupants of Interplanetary Craft":
100
thought if he could immerse himself in winter he could York City, March 30, 1961. This rendition, the rst
cool o. Forty minutes later that song was written. I recorded in stereo, is widely played on radio stations durwrote all the music and some of the lyrics.
ing the Christmas season, and is probably the most faThe Nat King Cole Trio rst recorded the song early in mous version of this song. Label credit: Nat King Cole
1946. At Coles behest and over the objections of his la- (Nat King Cole, vocal; Charles Grean and Pete Rugolo,
bel, Capitol Records a second recording was made later orchestration; Ralph Carmichael, orchestra conductor).
the same year utilizing a small string section, this ver- The instrumental arrangement is nearly identical to the
sion becoming a massive hit on both the pop and R&B 1953 version, but the vocals are much deeper and more
focused. Originally done for The Nat King Cole Story (a
charts. Cole again recorded the song in 1953, using the
same arrangement with a full orchestra arranged and con- 1961 LP devoted to stereo re-recordings of Coles earlier hits), this recording was later included in a reissue of
ducted by Nelson Riddle, and once more in 1961, in a
stereophonic version with orchestra conducted by Ralph Coles 1960 holiday album The Magic of Christmas replacing 'God Rest Ye Merry Gentlemen'. Retitled The
Carmichael. Coles 1961 version is generally regarded
as denitive, and in 2004 was the most-loved seasonal Christmas Song, the album was issued in 1963 as Capitol W-1967(mono) / SW-1967(stereo) and today is in
song with women aged 3049,[2] while the original 1946
recording was inducted into the Grammy Hall of Fame in print on compact disc. This recording of The Christmas Song is also available on numerous compilation al1974.[3]
bums. Some are Capitol pop standards Christmas compilations while others are broader-based. For example, it is
available on WCBS-FM's Ultimate Christmas Album Vol11.28.1 Nat King Cole recordings
ume 3. This recording was digitally remastered in 1999
First recording: Recorded at WMCA Radio Studios, and reissued as the title track in the album The Christmas
New York City, June 14, 1946. Label credit: The King Song, released September 27, 2005.
Cole Trio (Nat King Cole, vocal-pianist; Oscar Moore,
guitarist; Johnny Miller, bassist). Not issued until 1989,
when it was (accidentally) included on the various-artists
compilation Billboard Greatest Christmas Hits (1935
1954) Rhino R1 70637(LP) / R2 70637(CD).
11.28.3
101
James Brown
Les Brown and his Orchestra (with Doris Day on
lead vocal)
Michael Bubl (his version, bearing close similarities to Celine Dions recording of the song, reached
#6 on the Billboard Adult Contemporary chart in
December 2003.)
Kenny Burrell
Acoustix
Trace Adkins
Glen Campbell
Royce Campbell
Clay Aiken
The Canadian Brass (from their 1985 Christmas album A Canadian Brass Christmas)
Celtic Woman
Julie Andrews
Herb Alpert
Charice
Thomas Anders
Chicago
Aska
Babyface
Francesca Battistelli
Tony Bennett
Rosemary Clooney
Bing Crosby
Sheryl Crow (#24 in US Adult Contemporary)
Day Duck
Darlington (on the album All the Wrong Moves released by indie label Whoa Oh Records. Out of
print.)
Danny Davis and the Nashville Brass (1970)
Sammy Davis, Jr.
Doris Day (from her 1964 Christmas album The
Doris Day Christmas Album)
102
Gavin DeGraw
Joe
JoJo
Toby Keith
Wynonna Judd
Peggy Lee
Bob Dylan
Damien Leith (from a special limited Christmas edition of his 2007 album Where We Land)
Gloria Estefan
The Lettermen
Connie Francis
Demi Lovato
Aretha Franklin
Lovedrug
John Gary
Barry Manilow
Robert Goulet
Ariana Grande and Elizabeth Gillies
Amy Grant (from her 1983 Christmas album A
Christmas Album)
Earl Grant
Cee Lo Green (from his 2012 Christmas album Cee
Los Magic Moment)
Josh Groban (from his 2007 holiday album, Nol)
Martina McBride
Eddie Higgins
Hollyridge Strings
Hootie and the Blowsh
Whitney Houston
Ramon RJ Jacinto (from his 1988 Christmas album Pasko Na Naman)
Alan Jackson (from his 2007 Christmas album Let
It Be Christmas)
Reba McEntire
Brian McKnight
Idina Menzel
The Miracles (from their 1963 Christmas album
Christmas with The Miracles)
Tony Mottola
The Jackson 5
*NSYNC
Ricky Nelson (on the episode of TVs The Adventures of Ozzie and Harriet titled A Busy Christmas)
Aaron Neville
New Kids on the Block
Des O'Connor (from a Tesco Christmas advert)
103
Team Rocket (voiced by Rachael Lillis, Eric Stewart
and Maddie Blaustein on the album Pokmon Christmas Bash)
The Temptations
Mel Torm recorded by the writer four times
(1954, 1961, 1966 and nally in 1992 as part of his
album Christmas Songs)
Twisted Sister, on their 2006 album A Twisted
Christmas.
Frankie Valli and the Four Seasons
Luther Vandross
Kenny Rogers
Andy Williams
SWV
Dwight Yoakam
11.28.4 Parodies
The title of The Simpsons episode "Simpsons Roasting on an Open Fire" is a parody of the song.
Bob Rivers parodied the song with his 2000 album,
and the title track from said album, "Chipmunks
Roasting On an Open Fire".
Christy Darlington did a punk rock style arrangement of the song for his All the wrong moves album.
Stan Freberg's "Green Chri$tma$" includes several
snippets of holiday songs. One segment begins
with a sincere-sounding Chestnuts roasting... and
quickly segus into a mock 1950s radio or TV ad,
for a brand of chestnuts, being described as if they
were toothpaste or cigarettes.
Ariana Grande and Elizabeth Gillies parodied the
song in 2011.
Taylor Schlicht parodied the song in 2012.
Footnotes
[1] Wook Kim (Dec 17, 2012). Yule Laugh, Yule Cry: 10
Things You Didnt Know About Beloved Holiday Songs
(With holiday cheer in the air, TIME takes a closer look
at some of the weird stories behind our favorite seasonal
tunes)". TIME. - The Christmas Song (p. 4)
104
Kultainen, was recorded by Lea Laven for her 1978 album Aamulla rakkaani nin.
11.29.1 Personnel
Karen Carpenter - lead and backing vocals
[7] Paul McCartney Music News & Info. Billboard. Retrieved 27 November 2012.
11.28.6
External links
105
reach the Top 40 on the Billboard Hot 100 chart after not
having a song appear on that chart for over three years.
It was also their fteenth (and nal) #1 song on the adult
contemporary chart and #16 on the Billboard Hot 100.
The B-side, Because We Are in Love, was played at
Karen Carpenter's wedding to Thomas Burris on August
I Believe You was also featured on the 1978 album 31, 1980.
Moods by Barbara Mandrell.
Music video
11.30.1
Personnel
11.30.2
External links
11.31.3 Personnel
11.31 Touch Me
Dancing
When
We're
11.31.5 References
11.31.2
[1] Kirby, Kip (29 September 1979). Welk Beeng Up Publishing Group. Billboard 91 (39): 10.
[2] Nielsen Business Media, Inc (28 July 1979). First Time
Around. Billboard: 59.
106
11.31.6
External links
11.32.1
Charts
11.32.2
References
11.33.1
Charts
11.33.2
Music video
11.33.3
External links
107
tered the Billboard Hot 100 dated 24 April 1982 at #83 11.34.6 Trivia
becoming the twenty-seventh single by the Carpenters to
In 1966, Wilson Pickett recorded the song "634reach the Hot 100, all the groups singles since their major
5789 (Soulsville, U.S.A.)" written by Eddie Floyd
label debut in 1969 having appeared on the chart.
and Steve Cropper. 'Beechwood' as dialed on a teleA 1960s nostalgia-themed video for the Carpenters
phone would equal BE, or 23, making the numBeechwood 4-5789 was shot on A&Ms Chaplin Stage.
ber 234-5789 (only one number dierence from
The videos setting is divided between a soda shop where
the Pickett song). Other than numbers, though, the
couples dance and Karen sings, and a young womans
songs have no similarities, musically or lyrically.
bedroom (implied to be that of Karens character) where
Karen sings seated in front of a dresser. Karen is then
One of the rst discussions Morrissey and Johnny
shown seated and singing alongside Richard playing the
Marr had prior to forming The Smiths related to this
keyboard; the footage is superimposed onto the dresser
particular song (taken from Morrisseys record colin the bedroom, making the duo appear miniature, eslection).
pecially alongside a pink Princess telephone. The video
ends with Richard and Karen singing along with the band
performing in the shop in front of the couples dancing on 11.34.7 References
seats.[2]
The last single release by the Carpenters prior to Karen
Carpenters February 4, 1983 death, Beechwood 45789 did not become a major hit, rising no higher than
#74 on the Hot 100; the tracks A/C chart peak was #18.
Beechwood 4-5789 did reach #10 in New Zealand in
March 1982 the single having been released there that
February prior to its US issue making the track the last
evident top ten hit by the Carpenters on a major national
chart.
[1] Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 19422004. Record Research. p. 379.
1 Made in America also included the track "I Believe "Make Believe Its Your First Time" is a song written
by Bob Morrison and Johnny Wilson, and recorded by
You" which had been a 1978 single release.
Bobby Vinton and later by The Carpenters.
11.34.3
Charts
11.34.4
Other versions
A cover of Beechwood 4-5789 served as the debut sinThe song was also recorded in 1979 by Karen Carpengle for Ian and the Zodiacs in September 1963.
ter as a track intended for her debut solo album, which
Harpers Bizarre remade Beechwood 4-5789 for their was ultimately shelved until 1996, with the release of her
1976 album As Time Goes By.
eponymous album, Karen Carpenter. After Karens death
in 1983, the song was re-recorded and it, with its B-side,
Look to Your Dreams, were included on the duos rst
11.34.5 Personnel
posthumous album, Voice of the Heart.
The Marvelettes version
11.35.1
11.35.2
Carpenters version
Vocals by Karen Carpenter and Richard Carpenter
108
11.35.3
Personnel
11.36.3 Charts
The Carpenters
11.35.4
External links
Leroy Fann
Ed Roberts
Ronald Mosely
George Lee
Song written and composed by: Lawrence Weiss [8]
11.36.1
[6] http://longshotsblues.wordpress.com/2013/03/06/
wednesday-when-it-was-music-your-baby-doesnt-love-you-anymore-ruby-t
[7] http://www.musicvf.com/Ruby+%2526+the+
Romantics.art
[8] http://officenaps.com/soul/walls-of-sound/
11.36.6
External links
109
11.38.1
History
Little Altar Boy was written in 1961, rst a hit by vocalist Vic Dana. In an introspective moment, this quiet song
appears in the 1962 lm Don't Knock the Twist. Andy
Williams and Glen Campbell recorded the song on 1960s
Christmas albums.
11.38.2
External links
110
11.41 If I Had You (The Carpen- 11.43 Tryin' to Get the Feeling
ters song)
Again
"If I Had You" is a song recorded by the late Karen Carpenter during her solo sessions in New York with producer Phil Ramone for her subsequently shelved debut
solo album. When the eponymous album was eventually
issued after her death, If I Had You was released as its
rst single.
11.42 Let Me Be the One (The Car- 11.43.2 The Carpenterss version
penters song)
The Carpenterss version of Tryin' To Get The Feeling Again was recorded during the Horizon sessions in
"Let Me Be the One" is a song written in 1971 by Roger
1975, but it had been shelved as being one too many
Nichols and Paul Williams. It rst appeared on the 1971
ballads. Seven years after production wrapped on the
album Carpenters by The Carpenters.
song, Richard was looking for songs to include on Voice of
Let Me Be the One is a relatively short song, with a run the Heart, the rst album released after Karens untimely
time of 2:25. The song was a potential Carpenters single death from anorexia in February of 1983.
release in 1971, but Richard Carpenter did not feel that it
According to Richard Carpenter, the basic uncompleted
was likely to be successful.
rhythm tracks were found at that time, but Karens nal
The 1991 remix for Let Me Be the One can only be production vocal intended for the release of the record
found on the From the Top box set, for which it was re- had been recorded over and was gone. However, many
leased as a promotional single. It starts o with Karen years later a work lead was found hidden away on a mascounting o, and Richards piano line is very dierent ter tape that also contained the song "Only Yesterday.
from the original 1971 mix found on the Carpenters al- (A work lead can easily be identied by such anomalies
bum. In the original 1971 mix, the song fades out; the as Karen ipping a sheet of paper over at about 1:50 into
1991 remix continues through to the point where Karen the play time of the song as she sight reads and sings.)
and the rest of the musicians create a conclusion.
Richard felt that the vocal was good enough to nish production of the song and release it, as he did in 1995, almost 20 years after it was recorded.
11.42.1
Personnel
11.42.2
External links
11.43.3 Personnel
piano,
11.43.4
See also
11.43.5
References
111
CD insert Interpretations
[1] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 155.
11.43.6
External links
11.44.1
History
The piece consists of a melody by the French Romantic composer Charles Gounod especially designed to be
superimposed over the Prelude No. 1 in C major, BWV
846, from Book I of J.S. Bach's The Well-Tempered
Clavier, written 137 years earlier.
Gounod improvised the melody, and his future father-inlaw Pierre-Joseph-Guillaume Zimmermann transcribed
the improvisation[1] and in 1853 made an arrangement
for violin (or cello) with piano and harmonium. The same
year it appeared with the words of Alphonse de Lamartine's poem Le livre de la vie (The Book of Life).[2]
In 1859 Jacques Lopold Heugel published a version
with the familiar Latin text. The version of Bachs prelude used by Gounod includes the Schwencke measure (m.23), a measure apparently added by Christian
Friedrich Gottlieb Schwencke in an attempt to correct
what he allegedly deemed a faulty progression, even
though this sort of progression was standard in Bachs
music.[3]
Alongside Schubert's Ave Maria (another contrafactum),
the Bach/Gounod Ave Maria has become a xture at wedding masses, funerals and quinceaeras. There are many
dierent instrumental arrangements including for violin
and guitar, string quartet, piano solo, cello, and even
trombones. Opera singers, such as Luciano Pavarotti, as
well as choirs have recorded it hundreds of times during
the twentieth century.
11.44.3 References
[1] La musique religieuse de CHARLES GOUNOD. Musica et memoria (in French). Retrieved 5 October 2014.
[2] Score: Gounod Bach. Gallica. Retrieved 5 October
2014.
[3] Barber, Elinore (1970). Questions to the editor. Bach 1
(1): 1922.
Kenneth Ascher and Paul Williams received Oscar nominations at the 52nd Academy Awards for the score of
The Muppet Movie and for Rainbow Connection, which
Allmusic described as an unlikely radio hit ... which
Kermit the Frog sings with all the dreamy wistfulness
of a short, green Judy Garland"[1] and went on to add
Later in his career, Gounod composed an unrelated set- that Rainbow Connection serves the same purpose in
ting of Ave Maria for a four-part SATB choir.
The Muppet Movie that "Over the Rainbow" serves in The
112
Wizard of Oz, with nearly equal eectiveness: an opening
establishment of the characters driving urge for something more in life.[1] The song lost the Oscar to "It Goes
Like It Goes" from Norma Rae, a win that some critics
decried.[2][3]
The songs name has been used by a number of charitable organizations wishing to evoke its message, including a childrens charity similar to the Make-AWish Foundation,[4] a summer camp for seriously ill
children,[5] and a horseriding camp for people with
disabilities.[6] The names inuence can also be seen Rainbow Connection is the title song on Jane Monheit's
throughout culture-from business names[7] to articial 2009 album The Lovers, the Dreamers, and Me (the album
Christmas tree products.[8]
title being a line from Rainbow Connection). Prior to
The American Film Institute named Rainbow Connec- this album, Jane Monheits closing song in her concerts
tion the 74th greatest movie song of all time in AFIs 100 had usually been Over the Rainbow. In her 2009 tour,
Years100 Songs.[9]
she usually closed with Rainbow Connection followed
[15]
Kermit the Frog reprised the song on The Muppet Show in by a direct segue into Over the Rainbow.
1980 as a duet with Debbie Harry when she was a guest
star. The song is also reprised by a large group of The
Muppets as the closing number in the 1986 special The
Muppets: A Celebration of 30 Years. Kermit the Frog
also reprises the song in The Muppets, this time as a duet
with Miss Piggy that leads into the entire Muppet group
singing together. A shorter version of the song performed
by The Moopets tribute band is also used in the lm. The
iTunes release of The Muppets soundtrack includes a new
version of the song as an exclusive bonus track, recorded
by Steve Whitmire, the current performer of Kermit the
Frog.
Samuel Preston recorded a version on Jim Hensons birthday in 2010 and gave it away free on his Twitter page.[16]
Weezer and Hayley Williams recorded the song for the
tribute album, Muppets: The Green Album, released in
2011.[17] The cover peaked at No. 23 on Billboard's Rock
Digital Songs chart.[18]
Mx. Justin Vivian Bond and Kenny Mellman (a.k.a. Kiki
and Herb) covered this song on the album, Kiki and Herb
Will Die For You - Live at Carnegie Hall (2004).
113
Post (DC), April 15, 1980, page B1: The already forgotten ballad 'It Goes Like It Goes,' from 'Norma Rae,' won
the Oscar as best song over competitions that included 'The
Rainbow Connection' ...
[3] Rich Copley. "'The 75th annual Academy Awards trophy date on your night with unpredictable Oscar. Will he
be a dreamor a dud?", Lexington Herald-Leader (KY),
March 21, 2003, Weekender section, page 18: Sometimes, old baldy leaves us scratching our skulls: ... the 1979
Oscar for best original song goes to It Goes Like It Goes
from Norma Rae instead of Rainbow Connection from The
Muppet Movie ...
[22] Watch Now! Glee Star Darren Criss and Kermit the Frog
Duet Before the Oscars. E!.
[23] Release sketches by edu - MusicBrainz. MusicBrainz.
Retrieved 11 May 2013.
[24] Kate Nash 2KHz. Daytrotter. Retrieved 17 January
2014.
Collins.
Chapter 12
Songs
12.1 List of songs recorded by The 12.3 Baby Its You
Carpenters
12.1.1
Song list
12.1.2
See also
115
The song was issued as a CD single and a vinyl single 12.3.5 Other versions
in 1995 in both the UK and the US, the Beatles rst in
nearly a decade. Both versions have four tracks, making A number of other well-known artists have recorded covit an EP instead of a regular issue single. The three addi- ers of the song, among them:
tional tracks, while from BBC recordings, did not appear
on Live at the BBC. Tracks 2 and 4 were later included on
Bruce Channel, 1962
On Air Live at the BBC Volume 2, but this recording of
Sylvie Vartan (in French), 1962
track 3 remains unique to this release. The single reached
number seven in the UK and number 67 on the Billboard
Dave Berry, 1964
Hot 100.
1995 release track listing
Music video
Personnel
John Lennon vocals, rhythm guitar
Paul McCartney bass, backing vocals
Cherrelle, 1992
12.3.3
Smith version
12.3.4
116
12.3.6
Notes
Some high prole artists who have recorded this song include R.E.M., The Beach Boys, America (two versions),
Wes Montgomery, Gary Hoey, Dead Artist Syndrome,
Jos Feliciano (B-side on his 1968 hit single Light My
12.4 California Dreamin'
Fire), The Carpenters, Baby Huey & the Babysitters,
For other uses, see California Dreamin' (disambiguation). the Four Tops, Melanie, Bobby Womack, Queen Latifah, The Seekers, George Benson, Hugh Masekela, Eddie
Hazel, Raquel Welch, Benn Jordan, Wilson Phillips, Dik
"California Dreamin'" is a song written by John Phillips Dik and John Phillips without The Mamas & the Papas.
and Michelle Phillips and rst recorded by The Mamas
& the Papas, released as a single in 1965. The song is In 1978, a disco version proved popular in European
project Colorado, reaching 45 on the
#89 in Rolling Stone 's list of the 500 Greatest Songs of clubs for Italian
[12][13]
British
charts,
and house cover versions have been
[1]
All Time. The lyrics of the song express the narrators
released
by
DJ
Sammy
and Royal Gigolos. The John
longing for the warmth of California during a cold winter.
Mayer Trio covered California Dreamin'" on the June 4,
The song became a signpost of the arrival of the nascent 2009 episode of The Tonight Show with Conan O'Brien.
counterculture era.[2][3]
A more uptempo version was recorded by the Japanese
California Dreamin' " was certied as a Gold Record punk band Hi-Standard as was the recording by the band
(single) by the RIAA in June 1966[4] and was inducted Seven Faces. Their California Dreamin'" EP was reinto the Grammy Hall of Fame in 2001.[5]
leased on Fat Wreck Chords in 1996. In 1987, Orange
County-based punk band M.I.A. released a version of
the song on their After the Fact LP. In 2004 Lutricia
12.4.1 History
McNeal released her recording of the song[14][15] on her
album titled Soulsister Ambassador. Alvin and the ChipThe song was written in 1963 while John Phillips and munks covered the song as a bonus track for their 2007
Michelle Phillips were living in New York. He dreamed video game Alvin and the Chipmunks.
about the song and woke her up to help him write it. At
the time, John and Michelle Phillips were members of The Liverpool folk quartet River City People recorded
the folk group The New Journeymen, which evolved a version of California Dreaming as a double A sided
single with Carry the Blame in 1990, reaching number 13
into The Mamas & the Papas.
on the ocial UK top 40 singles chart.
They earned their rst record contract after being introduced to Lou Adler, the head of Dunhill Records, by The punk/metal band Mower did a version for their CD
Barry McGuire. In thanks to Adler, they sang the backing Not for you (2006).
vocals to California Dreamin'" on McGuires album This South Korean professional acoustic nger-style guitarist
Precious Time. The Mamas and the Papas then recorded Sungha Jung plays this song on his 2010 debut album,
their own version, using the same instrumental and back- Perfect Blue, since the song was a considerable hit on
ing vocal tracks to which they added new vocals[6] and South Korean radio in 1996.
an alto ute solo by Bud Shank. P. F. Sloan did the guitar introduction.[7] McGuires original vocal can be briey Russian rock band Mumiy Troll recorded the rough transheard on the left channel at the beginning of the record, lation of a song named " " (Kaliforniya Snitsya).
having not been completely wiped.[8]
The single was released in late 1965 but was not an im- Rock legend Meat Loaf recorded the song on his 2012
mediate breakthrough. After gaining little attention in album Hell in a Handbasket with Patti Russo.
Los Angeles upon its release, Michelle Phillips remem- Diana Krall recorded a jazz version of the song on her
bers that it took a radio station in Boston to break the song 2014 album Wallower.
117
mercial for Butter-Menthol throat lozenges.[18]
In 2003, was used in a sketch for The Sketch Show.
In 2004, the Mexican bank Banamex used the theme for
a TV Commercial.
The song is used several times in the 1980 comedy The
Hollywood Knights.
12.4.4 References
12.4.3
Use in media
In the British time travelling sitcom Goodnight Sweet- [9] California Dreamin'". npr.org. July 8, 2002. Archived
from the original on February 18, 2011. Retrieved April
heart, one of the main characters, Phoebe, sang this song,
6, 2012.
thinking it had been written by her husband, Gary Sparrow. (Gary Sparrow travels from the 1990s to the 1940s
[10] Steve Sullivan (4 October 2013). Encyclopedia of Great
and claims to write songs, which are actually songs from
Popular Song Recordings. Scarecrow Press. pp. 483.
popular bands or singers, such as "Yesterday" by The BeaISBN 978-0-8108-8296-6.
tles and "Imagine" by John Lennon.)
A cover of the song by Shaw Blades was used in the nal
scene of the season 2 nale of Californication.
The song is used in promos for HBO Films' Cinema
Verite.
In 2001, the song was featured in an Australian TV com-
118
[15] Lutricia McNeal - California Dreaming lyrics. December 6, 2010. Retrieved April 6, 2012.
[16] AllMusic 'Made in U.S.A' awards. AllMusic.
[17] Quiet Cool (1986)". IMDb. Retrieved October 3, 2014.
[18] Butter-Menthol TV ad (Australia) - All the leaves are
brown"". YouTube. Retrieved October 3, 2014.
12.4.5
External links
California Dreamin' at Myspace (streamed copy The song has appeared in such lms as Four Weddings and a Funeral, Deuce Bigalow: Male Gigolo,
where licensed)
Unconditional Love, Starsky & Hutch, Hellboy II: The
NPRs Present at the Creation segment on the ori- Golden Army and Fear and Loathing in Las Vegas.
gins of the song
In 2008, there was an attempt by Tottenham Hotspur F.C.
Technical article describing
Dreamin' was originally mixed
how
California supporters following their League Cup win to get the song
to Number One, as they see this song as being a part of
the club, with the words Can't Smile Without You being
seen on many ags, banners, and websites as a slogan to
the club.
Can't Smile Without You was the rst single to be released from Manilows album Even Now. The song was 12.5.2 References
released as a single in 1978 where it reached the number
one spot on Billboard's AC chart, and the number three [1] Davis, Clive (December 17, 2009). The Great American
spot on the Billboard Hot 100.[2] Previously, the song was
Seasonal Songbook; arts rst night Cabaret. The Times
recorded by The Carpenters on their album A Kind of
(London). pp. 1617.
Hush in 1976, and was featured as the B-side of their hit
"Calling Occupants of Interplanetary Craft" the follow- [2] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 155.
ing year. Manilows version had slightly dierent lyrics
from the Carpenters, such as the Carpenterss line I can't [3] Thomas, David (December 29, 2012). Classic hits that
laugh and I can't walk / I'm nding it hard even to talk,
only got to NO2. The Daily Mail (London).
was changed in Manilows version to I can't laugh and I
can't sing / I'm nding it hard to do anything (the latter [4] Remember 25 years ago. The Sentinel (Stoke). October
30, 2010. p. 28.
is likely the original lyric, changed by the Carpenters because the lyric I can't sing when being sung makes no
sense). The Carpenters remixed the song for the B-side [5] Maxine is on Song for War Heroine. Birmingham Mail.
October 23, 2012. p. 16. |rst1= missing |last1= in Auof Calling Occupants in September 1977, again revisthors list (help)
ing the lyric to read I can't laugh and I can't sleep / I don't
even talk to people I meet. Additional orchestration was
also included in the remix.
A version on Manilows greatest hits box set, The Complete Collection and Then Some... combines the rst half
12.6.1
First version
119
12.6.2
See also
Supery in 2010 on the bands single and cover compilation album Wildower & Cover Songs: Complete
Best 'Track 3'.
120
12.7.2
References
Through My Crazy and Wild Days amid fears that mentioning Argentina would reduce the commercial appeal.
Covington recorded both of these lines and a hybrid of
the recordings was included on a rarities disc of Andrew
Lloyd Webber: Now and Forever, a 2001 box set. Don't
Cry for Me Argentina appeared at the opening and near
the end of the show, initially as the spirit of the dead Eva
Pern exhorts the people of Argentina not to mourn her
The truth is I never left you and later as she gives
a nal broadcast The truth is I shall not leave you.
Shortly before the album was nally mixed, Lloyd Webber suggested to Rice that the line Don't Cry for Me Argentina also worked in the context of the new First Lady
of Argentina giving a speech. Rice points out that in this
instance cry refers to shouting or calling out rather than
weeping.
121
12.8.3
12.8.4
Madonna version
American singer-songwriter Madonna recorded her ver- The song has been either recorded or performed live by:
sion of the song for her starring role in the 1996 lm
Evita. It was released in December 1996 as the second
Julie Covington (1976)
single from the soundtrack Evita. For the single release,
Farhad Mehrad (1976)
Madonna re-recorded the song as a dance remix, produced by herself, Pablo Flores and Javier Garza. The
Olivia Newton-John (1977, on her album Making a
Miami Mix versions included lyrics sung in English and
Good Thing Better)[55]
Spanglish.
The Carpenters (1977, on their album Passage)
Reception
Sal Cinquemani from Slant Magazine commented: Easily one of Madonnas greatest vocal performance to
date, the singers dramatic interpretation of Evitas
unocial theme song was both loyal and bizarrely
autobiographical.[22] The single turned out to be a big
worldwide hit, taking the number one spot in several
countries, most notably in France, where it became her
second number one (after "La Isla Bonita"). It was a US
top ten hit, peaking at number eight. In Europe it was her
ninth single to top the Eurochart Hot 100 Singles. According to The Ocial Charts Company, the song has
sold 340,000 copies in the UK alone.[23]
Track listings
Notes
the Miami Mix versions are not remixes of the original version, the vocals were re-recorded and this
version is produced by Madonna, Pablo Flores and
Javier Garza. These versions also contain lyrics from
Evas Final Broadcast and uses samples of Fracanapa, written by stor Piazzolla and performed
by stor Piazzolla and his Tango Quintet.
Personnel
Helene Fischer
122
The Mike Flowers Pops (1996)
Maria Friedman (1996)
Priscilla Chan (1997 Musical Encounters with
Priscilla and the Philharmonic Orchestra)
12.8.6 References
[1] Lister, David (28 May 1994). Pop ballads bite back in
lyrical fashion. The Independent (London, England: Independent Print Ltd). Retrieved 7 October 2014.
[2] Rowe, Mark (23 February 2003). They've got real team
spirit in Buenos Aires. The Independent (London, England: Independent Print Ltd). Retrieved 7 October 2014.
Julian Lloyd Webber on the 2001 album Lloyd Webber Plays Lloyd Webber
[4] Friday teaser. Evening Times. 3 May 1985. p. 25. Retrieved 9 November 2010.
Lea Michele and Chris Colfer (2010 for the TV series Glee) as a duet, with each singer taking a dif- [9]
ferent stanza and performing before a dierent audience in a split-scene.[58] Their solo versions were
also in Glee: The Music, The Complete Season Two [10]
Nicole Scherzinger (2013) Andrew Lloyd Webber
ITV1 40th anniversary special
[12] "The Irish Charts Search Results Don't Cry for Me Argentina. Irish Singles Chart. Retrieved October 8, 2014.
[13] "Dutchcharts.nl Julie Covington Don't Cry for Me Argentina (in Dutch). Single Top 100. Retrieved October
8, 2014.
[14] "Charts.org.nz Julie Covington Don't Cry for Me Argentina. Top 40 Singles. Retrieved October 8, 2014.
Gheorghe Zamr also produced a classical version of the [18] "Archive Chart: 1977-02-12 UK Singles Chart. Remusic as part of his Magic of the Panpipes collection.
trieved October 8, 2014.
123
[40] "Swisscharts.com Madonna Don't Cry For Me Argentina. Swiss Singles Chart.
[41] "Swedishcharts.com Madonna Don't Cry For Me Argentina. Singles Top 60.
[42] ARIA Charts End of Year Charts Top 100 Singles
1997. Retrieved 30 December 2011.
[43] JAAROVERZICHTEN 1997 (in Dutch). Retrieved 30
December 2011.
[21] Lane, Daniel (27 June 2013). Daft Punks Get Lucky becomes one of the UKs biggest selling singles of all-time!".
Ocial Charts Company. Retrieved 7 October 2014.
[45] Classement Singles anne 1997 (in French). Retrieved 30 December 2011.
[26] "Austriancharts.at Madonna Don't Cry For Me Argentina (in German). 3 Austria Top 40.
[49] SWISS YEAR-END CHARTS 1997 (in German). Retrieved 30 December 2011.
124
12.9.1
References
12.10.1
Composition
12.10.2 Recording
The Beatles recorded Help!" in 12 takes on 13 April
1965 using four-track equipment. The rst nine takes
concentrated on the instrumental backing. The descending lead guitar ri that precedes each verse proved to be
dicult, so by take 4 it was decided to postpone it for an
overdub. To guide the later overdub by Harrison, Lennon
thumped the beat on his acoustic guitar body, which can
be heard in the nal stereo mix. Lead and backing vocals
were recorded twice onto take 9, along with a tambourine.
A reduction mix was applied to the two vocal tracks, taking three attempts (takes 10 to 12), freeing up a track for
the lead guitar overdub.[8] This was the groups rst use
of two 4-track machines for bouncing.[9]
The vocals were re-recorded for the lm during a session on 24 May 1965 at CTS Studios, a facility specializing in post-synchronisation.[10] In addition to attempting
a better vocal performance, the session might have been
done to eliminate the tambourine (which had been on the
same track as the vocals) since no tambourine appeared
in the lm sequence.[11] With the new vocals, a mono mix
was created at CTS Studios which was used for the lm
soundtrack. Mixes for record releases were prepared on
18 June. For the mono version, Martin decided to use
a mix of the opening chorus of take 12 edited to the remainder of the CTS lm mix.[10] Because all instruments
were combined on a single track for the CTS session, it
could not be used for a stereo mix, so the stereo mix was
made from take 12.[11]
New mixes were created for releases of the Help! CD
(1987), the Love album (2006), and the Help! DVD
(2007).[8]
12.10.3 Releases
125
12.10.4
Promotional lms
12.10.5
Live performances
12.10.6
Use in advertising
12.10.8 Charts
The song reached number one in several other countries
in 1965 according to charts listed in Billboards Hits of
the World feature at the time: Australia, Hong Kong,
New Zealand, and Sweden.[30][31]
126
part of their "Gutter Ballet Medley in live performances (which also includes the Savatage song
Sleep (from Edge of Thorns) and a short sample
of the "Eleanor Rigby" chorus).
2010 - Vanilla Sky, an Italian punk rock band, covered this song on their Punk is Dead cover album.
2011 Cloud Cult covered Help!" for the Minnesota Beatle Project, Vol. 3.
2011 Alvin and the Chipmunks and The Chipettes
covered the song as a bonus track on the Target limited edition of the soundtrack Alvin and the Chipmunks: Chipwrecked: Music from the Motion Picture.
2012 American boy band Big Time Rush covered
the song (and other Beatles songs) as part of their
Big Time Movie and soundtrack.
2013 British invasion band Hipsters covered the
song as part of their rst EP and resulting nationwide
tour.
2013 Blaine Anderson (Darren Criss) and Sam
Evans (Chord Overstreet) covered the song in Glee's
fth season premiere episode "Love Love Love" and
the album Glee Sings the Beatles.
Silverstein released a cover version on their fourth
album, A Shipwreck in the Sand. Help!" has also
been covered by Michael Stanley, dc Talk, Alma
Cogan, Rick Wakeman, Howie Day, Fountains of
Wayne, Johns Children, Marc Bolan and Peter Sellers. The Rutles' song Ouch!" is a parody.
127
In the Only Fools and Horses episode "The Jolly [24] "Chartverfulgong > Beatles,The > Help! musicline.de
(in German). Media Control Charts. PhonoNet GmbH.
Boys Outing", Mickey Pearce sings Won't you
please, please help me?" to a sleeping Albert, [25] Irish Singles Chart. The Irish Charts. (manual search
prompting Albert to tell him to Get o, you noisy
required). Retrieved 30 March 2011.
little git!" The version playing on the radio as
Mickey sings is the Bananarama cover version rather [26] "Nederlandse Top 40 week 32, 1965" (in Dutch). Dutch
Top 40
than the original.
Several Major League Baseball teams (notably the
New York Yankees) play the song when the opposing manager/pitching coach go out for a mound visit.
The release year of the song was asked as the nal 5,000,000 question in the ctitious version of
Who Wants to be A Millionaire, as depicted in the
Mainland China sitcom iPartment.
12.10.11 Notes
[28] Artist Chart History: Beatles. The Ocial Charts Company. Retrieved 25 April 2011.
128
12.10.12 References
Badman, Keith (2009). The Beatles Diary, Volume "I Can Dream, Can't I?" is a popular song written by
2: After the Break-Up. London: Omnibus Press. Sammy Fain with lyrics by Irving Kahal. The song was
ISBN 978-0-85712-001-4.
published in 1938, included in a op musical, Right This
Way. Tommy Dorsey released a hit recording of it the
Playboy Interview With Paul and Linda McCart- same year, but it was in the postwar years that the song
ney. Beatles Interview Database. 1984. Retrieved gained its greatest success.
6 December 2009.
The best-known version was recorded by The Andrews
Sisters and Gordon Jenkins' orchestra on July 15, 1949,
and released by Decca Records as catalog number 24705.
It rst reached the Billboard charts on September 16,
1949, reaching number one on all three of the magazines
main pop charts at the time (Best Sellers in Stores, Most
Miles, Barry (1998). Paul McCartney: Many Years Played by Jockeys, and Most Played in Jukeboxes).[1] AnFrom Now. New York: Henry Holt and Company. other version was recorded by Toni Arden with Hugo
ISBN 0-8050-5249-6.
Winterhalter's orchestra on September 16, 1949, and released by Columbia Records as catalog number 38612.
Miller, Mark Crispin (1988). Boxed In: The Cul- On the Cash Box magazine Best-Selling Records chart,
ture of TV. Northwestern University Press. ISBN which combined all recorded versions, the song also
reached number one.
0-8101-0792-9.
Lewisohn, Mark (2000). The Complete Beatles
Chronicle. London: Hamlyn. ISBN 0-600-600335.
A version was recorded by Alan Dean with Carroll Gib Pollack, Alan W. (2000). Notes on Help!"". Notes bons' orchestra on December 9, 1949, and released by
On ... Series. Retrieved 5 December 2009.
UK Columbia Records in the United Kingdom as catalog
number FB 3539. A version by the Tune Twisters with
RIAA Gold & Platinum Searchable Database - The Art Wranzer & his orchestra was recorded in May 1950
Beatles Gold Singles. RIAA. 2009. Retrieved 20 and released by Artransa Records in Australia as catalog
July 2009.
number A 009.
A doo wop version was recorded by the Skyliners in 1958,
Ryan, Kevin; Kehew, Brian (2006). Recording The with lead female singer Janet Vogel.
Beatles. Houston: Curvebender. ISBN 0-9785200Joni James recorded a version for her 1959 album 100
0-9.
Strings and Joni (MGM 3755)
Spitz, Bob (2005). The Beatles: The Biography. Cass Elliot recorded the song on her 1969 album
Bubblegum, Lemonade, and... Something for Mama. The
Boston: Little, Brown. ISBN 0-316-80352-9.
song was recorded by The Carpenters on their 1975 al Wallgren, Mark (1982). The Beatles on Record. bum Horizon. A more modern version was on the 2000
New York: Simon & Schuster. ISBN 0-671-45682- Susannah McCorkle album Hearts and Minds. Annie
Lennox recorded the song on her 2014 album Nostalgia.
2.
Winn, John C. (2008). Way Beyond Compare: The
12.11.1 References
Beatles Recorded Legacy, 1957-1965. New York:
Random House. ISBN 978-0-307-45157-6.
[1] Whitburn, Joel (1973). Top Pop Records 1940-1955.
An Interview with Stanley Parks. Lennon.net.
2004.
Record Research.
12.12.1
12.12.2
Personnel
12.12.3
129
sounded very country. Nevertheless, Billboard ranked
it as the number one country hit of 1979. Anne included
the song as a posthumous duet with Dusty Springeld on
her own 2008 album Duets: Friends & Legends.
Chart performance
Chart successions
Award successions
12.12.5 References
[1] Carpenters I Just Fall In Love Again
[2] Whitburn, Joel (2004). The Billboard Book Of Top 40
Country Hits: 1944-2006, Second edition. Record Research. p. 242.
[3] Whitburn, Joel (2002). Top Adult Contemporary: 19612001. Record Research. p. 176.
12.12.4
130
12.13.1
Theme
12.13.2
12.13.3
On October 4, 1943, Crosby recorded the song under the title I'll Be Home For Christmas (If Only In
My Dreams)" with the John Scott Trotter Orchestra for
Decca Records, which was released as a 78 single, Decca
18570A, Matrix #L3203, reissued in 1946 as Decca
23779. Within a month of release, the song charted for
eleven weeks, with a peak at number three. The next year,
the song reached number nineteen on the charts.
The U.S. War Department also released Bing Crosbys
performance of I'll Be Home For Christmas from the
December 7, 1944, Kraft Music Hall broadcast with the
Henderson Choir, J.S.T., on V-Disc, as U.S. Army VDisc No. 441-B and U.S. Navy V-Disc No. 221B, Matrix
#VP1253-D5TC206.[5][6] The song from the broadcast
has appeared through many Bing Crosby compilations.
The song touched the hearts of Americans, both soldiers
and civilians, who were in the midst of World War II, and
it earned Crosby his fth gold record. I'll Be Home for
Christmas became the most requested song at Christmas
U.S.O. shows. Yank, the GI magazine, said Crosby accomplished more for military morale than anyone else of
that era.
131
Dolly Parton
B.B. King
Barbra Streisand
BarlowGirl (Home for Christmas, 2008)
The Beach Boys (The Beach Boys Christmas Album,
1964)
Fats Domino
Carl Brutananadilewski
The Carpenters
Gloria Estefan
Johnny Cash
Diana Krall
Johnny Mathis
Diamond Rio
Diane Schuur
132
Josh Groban (Nol, 2007)[1]
Justin Guarini
Plcido Domingo, including a duet with Tony Bennett (Concert: Our Favourite Things: Christmas in
Vienna Vienna, 2000)
The Platters
Kenneth Copeland
Kenny Chesney
Reba McEntire
Ronan Tynan
Ronnie Milsap
Royce Campbell
Sara Evans
Sarah Geronimo
Sarah McLachlan
Scott Weiland (The Most Wonderful Time of the
Year, 2011)
Seth MacFarlane (Holiday for Swing, 2014)
She & Him
Slim Whitman
Smokey Robinson & The Miracles (Christmas with
The Miracles, 1963)
Spyro Gyra
The Statler Brothers
Sufjan Stevens
Mindy Smith
Suzy Bogguss
Neil Diamond
The Nylons
Tift Merritt
Toby Keith
Tony Bennett (A Swingin' Christmas, 2008)
Pat Boone
Vanessa L. Williams
Percy Faith
Vince Gill
Perry Como
Whitney Houston
Phil Driscoll
Wynonna Judd
Peaked at number 7 on the Billboard Adult Contemporary chart in December 2012[11] and peaked at number
93 on the Billboard Hot 100 in December 2011.[12]
2
Spent three weeks atop the Billboard Hot Adult Contemporary Tracks chart in January 2008[13] and peaked
at number 93 on the Billboard Hot 100 in December
2006.[12]
12.13.6
133
Ewen, David, ed. American popular songs from the
Revolutionary War to the present. New York: Random House, 1966. Call number: ML128 .N3 E9.
Whitburn, Joel. Joel Whitburns pop hits, 19401954: compiled from Billboards pop singles charts
1940-1954. Menomonee Falls, Wisconsin: Record
Research, 1994. Call number: ML156.4 .P6 W495
1994.
References
[9] Kelly Clarkson, Ill Be Home for Christmas Song Review. Retrieved December 8, 2011.
[10]
[11]
[12]
[13]
12.13.7
Sources
134
12.14.2
Covers of note
The Whitlams
Wilson Simonal (Brazilian singer on the album
Mexico 70)
Tom Jones
Elvis Presley
12.14.4 References
[1] Roberts, David (2006). British Hit Singles & Albums (19th
ed.). London: Guinness World Records Limited. p. 237.
ISBN 1-904994-10-5.
[2] Whitburn, Joel (2002). Top Adult Contemporary: 1961
2001. Record Research. p. 254.
External links
Bradley Joseph
"Johnny Angel" is the debut pop single by Shelley
Ronan Keating on the album When Ronan Met Burt Fabares. It was released in 1962 on the Colpix label.[1]
(2011)
The track was the rst single taken from Fabares debut
solo album Shelley!, which was produced and arranged by
Mark Lindsay (on his 1970 album Arizona)
Stu Phillips. Johnny Angel was written by Lyn Duddy
Johnny Mathis
and Lee Pockriss.
Liza Minnelli
Anne Murray
12.15.1 Background
Trijntje Oosterhuis
135
2. Tonight You Belong To Me - 2:12
12.15.2
Reception
12.15.3
Track listing
12.15.4
Chart performance
12.15.5
In the media
12.15.8 References
[1] Whitburn, Joel (1996). The Billboard Book of Top 40 Hits
(6th ed.). New York: Watson-Guptill Publications. p.
212. ISBN 0-8230-7632-6.
[2] Brooks, Tim (1999). The Complete Directory to Prime
Time Network and Cable TV Shows, 1946-Present (7th
ed.). New York: Ballantine Books. p. 275. ISBN 0345-42923-0.
[3] Bronson, Fred (2003). The Billboard Book of Number 1
Hits: The Inside Story Behind Every Number One Single
on Billboards Hot 100 from 1955 to the Present (5 ed.).
Billboard Books. p. 107. ISBN 0-8230-7677-6.
[4] Bronson, Fred (2003). The Billboard Book of Number
One Hits: The Inside Story Behind Every Number One Single on Billboards Hot 100 from 1955 to the Present (5 ed.).
Billboard Books. p. 107. ISBN 0-8230-7677-6.
[5] Shelley Fabares | AllMusic
[6] Chart Stats - Shelley Fabares - Johnny Angel
[7] Murrells, Joseph (1978). The Book of Golden Discs (2nd
ed.). London: Barrie and Jenkins Ltd. p. 145. ISBN
0-214-20512-6.
[8] Songs from the Year 1962
[9] Patti Lynn - Johnny Angel (Vinyl) at Discogs
12.15.6
136
Mathilde Santing
Louis Armstrong
Carly Simon
Chet Baker
Polly Bergen
The Carpenters - on their posthumous album
Lovelines (1989)
Rosemary Clooney
Sam Cooke
12.16.1 References
Doris Day
[1] Jacobs, Dick & Harriet Jacobs Who Wrote That Song?
published by Writers Digest Books, 1993,
Ella Fitzgerald
The Four Freshmen - Love Lost (2004)
Judy Garland
Red Garland
Grant Green
Laura Mvula
Anita O'Day
Oscar Peterson
The Postal Service (a remix of the Nina Simone ver- George and John play identical sonic blue Fender Strasion)
tocastersJohn plays in the verses and George on the
solo.[5]
Sue Raney - Sue Raney, Volume II (2004)
Linda Ronstadt recorded the song for her album For
12.17.1
Sentimental Reasons (1986)
Interpretation
Diana Ross - on her album Touch Me in the Morning Lennon claimed that he wrote the song about himself.
(1973)
He wrote it after racking his brain in desperation for ve
12.17.2
Musical structure
12.17.3
Personnel
12.17.4
Other recordings
137
A Tiny Tim cover of the song is part of The Beatles
1968 Christmas record.[10]
In 1969, Gershon Kingsley recorded a version featuring the Moog synthesiser on the album Music to
Moog By.
In 1976, Je Lynne recorded it for the musical documentary All This and World War II.
In 1981, Stars on 45 covered this song as part of an
eight song Beatles medley in "Stars on 45", which
went to #1 in the US.
In 1988, Greek composer Yanni recorded an instrumental version as a bonus track in the 1988 lm Steal
The Sky
Randy Travis recorded a version for the 1995 Beatles tribute Come Together: America Salutes The
Beatles.
In 1996, Dokken recorded an acoustic version on
their One Live Night album.
Joe Pass released an instrumental version on his album Simplicity / A Sign Of The Times.
Marky Ramone and the Intruders have a cover on
their 1999 album The Answer To Your Problems?.
The Rutles recorded a parody Unnished Words
of this song.
The Smashing Pumpkins also released a cover of the
song in their Live Smashing Pumpkins album series.
"'Nowhere Man' is such a beautiful pop song with
a groundbreaking, existential lyric, said Billy Corgan. It lets you see that moment of discovery. [11]
Paul Westerberg recorded a version for the soundtrack to I Am Sam released in 2002.
Low recorded a version featured on the 2005 Beatles tribute album, This Bird Has Flown - A 40th
Anniversary Tribute to the Beatles Rubber Soul.
Mortal recorded a version on their album, Wake.
Though the band was an industrial outt, little was
changed from the Beatles original version.
A version performed by Chris While appears on the
album Rubber Folk (2006), a compilation of Beatles songs performed by various artists.
138
with Ruby & the Romantics, one with a mid-tempo arrangement and the other in a bossa nova style; the latter version, featuring a classic Hammond organ solo, was
selected for release as a single in December 1962 and
reached #1 on the Billboard Hot 100 in March. Our Day
Will Come was also a chart hit in Australia (#11) and
the UK (#38).[1] the Personnel on the original recording
include Leroy Glover on Organ, Vinnie Bell, Al Gorgoni
and Kenny Burrell on guitar, Russ Savakus on Bass, Gary
Chester on drums and George Devens on Percussion.
12.17.6
References
Turner, Steve. A Hard Days Write: The Stories Behind Every Beatles Song, Harper, New York: 1994,
ISBN 0-06-095065-X
Gilliland, John (1969). The Rubberization of Soul:
The great pop music renaissance.. Pop Chronicles.
Digital.library.unt.edu.
Unterberger, Richie (2009). Rubber Soul [UK]".
Allmusic. Retrieved 15 June 2009.
MacDonald, Ian (2005). Revolution in the Head:
The Beatles Records and the Sixties (Second Revised
ed.). London: Pimlico (Rand). ISBN 1-84413-8283.
12.18.1
139
October 1966: Cli Richard on his album Kinda
Latin
November 1966: Herb Alpert and The Tijuana
Brass - B-side of their single Mame #19/ parent
album: SRO
1966: Fontella Bass on her album The 'New' Look
1966: James Brown on his album Handful of Soul
1966: Claire Lepage (fr) as Ce Jour Viendra on
her album Bang! Bang!
1966: Chris Montez on his album Time After Time
1966: The Vibrations on their album New Vibrations
1967: Buddy Merrill on his album The Many Splendored Guitars Of Buddy Merrill
1967: Sharon Tandy (single)
1967: Cal Tjader on his album Along Comes Cal
1967: We Five on their album Make Someone Happy
May 1968: The Lettermen on their album Goin' Out
of My Head
1968: Jimmy Castor on his album Hey Leroy
1968: Toni Lamond on her EP A Touch of Toni
140
1989: k.d. lang recorded a version for the soundtrack of the 1989 lm Shag.
References
12.19.2
Stewart version
12.19.3
Carpenters version
12.19.4
Other versions
141
Peggy Lee recorded the song in 1968 for release on
a 45 single along with another Hardin song, Misty
Roses. A live recording of the song by Lee form
the same year was released on the album 2 Shows
Nightly.
Peter, Paul and Mary recorded it on their Late Again
album, released in 1968.
Cher recorded it for her Backstage album, released
in 1968.
Glen Campbell recorded the song for his 1968 album Wichita Lineman.
The Dillards recorded a version for their 1968 album
Wheatstraw Suite.
One of the foreign-language groups who covered
this song was the Dutch band Brainbox in 1969.
Mason Williams recorded the song for his 1970 album Handmade.
Ramblin' Jack Elliott recorded the song for his 1970
album Bull Durham Sacks & Railroad Tracks.
Andy Williams released a version in 1970 on his album, Raindrops Keep Fallin' on My Head.
Skeeter Davis recorded it on her 1971 album Bring
It on Home.
Arik Einstein recorded it on his 1972 album Yasmin.
Lynn Anderson recorded it on her 1972 album
Listen to a Country Song.
Johnny Cash recorded it on his 1975 album John R.
Cash.
Eugene Chadbourne recorded it on his 1987 album
Camper Van Chadbourne.
The American vocal group Wilson Phillips recorded
a version of the song for their self-titled debut album, Wilson Phillips, released in 1990.
Don Williams recorded it for his 1995 album Borrowed Tales.
Vonda Shepard recorded it for the 1997 Ally
McBeal soundtrack album entitled Ally McBeal: For
Once in My Life.
142
lover, the tune is one of Russells best-known compositions. It has been performed and recorded by an array
of artists, spanning many musical genres. Elton John has
called the song an American classic.[1]
12.20.1 Charts
12.19.5
References
143
Herbie Hancock: released in 2005 with vocals
by Christina Aguilera; it received airplay on U.S.
smooth jazz radio and was also nominated for Best
Pop Collaboration with Vocals at the 2006 Grammy
Awards. The duo performed a live rendition at the
ceremony that year.
Whitney Houston: performed for the troops and
their families returning from the Gulf War on March
31, 1991. The performance can be seen on Welcome
Home Heroes with Whitney Houston (1991). She
recorded the song for her 2009 album, I Look to You.
Simply Red: on the 2005 album Simplied and released as part of a double A-side single in January
2006.
Tony Lewis: recorded the song as the opener of his
2001 CD Naked.
Kate Ceberano: performed as part of her concerts
with the Adelaide and Western Australian Symphony Orchestras, appearing on the 2006 CD and
DVD release Kate Ceberano Live with the WASO.
Contemporary jazz saxophonist Michael Lington released an album entitled A Song for You that featured a cover of this song.[5][6]
Elliott Yamin: performed the song in both his audition for American Idol and in one of his nal
performances. It was also named number three in
Entertainment Weekly 's 10 all-time best American
Idol performances. The song is also on Yamins
debut album.
144
Sylvester James: on his 1979 live album Living
Proof (double LP), did a six-minute medley containing this song.
Risie Mayo: on the Eleventh Gala Night of Pinoy
Dream Academy: Little Dreamers.
Shirley Horn: Live version titled A Song For You /
Goodbye on the album I Love You, Paris.
Leon Jackson: on his rst album Right Now.
Neal Schon: guitarist of Journey, on his instrumental
album Voice.
Jaye P. Morgan: the 50s chanteuse had her nal Billboard chart song in 1971 with this tune (Bubbling
Under #105)
Ricky Braddy: performed it on the eighth season of
American Idol during the semi-nals.
Matt Goss: provided his own version of the song as
a free download on his Website.
Petula Clark: Recorded in concert at the Royal Albert Hall, 1974. Recently released on the compilation Open Your Heart.
American Idol season 11 nalist Heejun Han performed the song during the Top 9 week. His performance received a standing ovation from Randy
Jackson, Jennifer Lopez and Steven Tyler.
Jam Hsiao: On his 2012 English album Mr. Jazz A Song For You
The Temptations: Title cut from their awardwinning album A Song for You. Performed frequently in their live shows prior to the recording on Herbie Hancock & Christina Aguilera version
the album.
This version performed by Herbie Hancock features
Kirk Whalum: On album Everything Is Everything: pop/R&B singer-songwriter Christina Aguilera. ReThe Music of Donny Hathaway (2010).
leased in August 2005, from Hancocks 45th studio album Possibilities, the song was considered a classic cover.
Elkie Brooks: On the album Powerless, 2010.
Aguilera and Hancock were nominated for the 48th
John Adeleye: On The X Factor, Live Episode 2 Grammy Awards in category "Best Pop Collaboration
(2010).
with Vocals".
12.20.3
145
Bizzy Bone featuring DMX & "Thank You for the Music" is a song by the Swedish pop
group ABBA. It was originally featured on the groups
Chris Notez
12.20.5
External links
Rap Basement
Music Video on YouTube
After Platinum Records
Full lyrics of this song at MetroLyrics
Agnetha Fltskog performed the lead vocals, with AnniFrid Lyngstad joining in on the chorus. Thank You for
the Music was intended to form part of a mini-musical
called "The Girl with the Golden Hair" (a phrase which is
featured in the song) that songwriters Bjrn Ulvaeus and
Benny Andersson included in ABBAs 1977 tour. It was
the opening track in the four-song musical, which also included I Wonder (Departure)", I'm a Marionette and
Get on the Carousel. The rst three songs from the
musical were featured on ABBA: The Album; the latter
remains unreleased. Thank You for the Music is more
well known in its own right today as it features in the musical Mamma Mia!.
The album version was recorded on 21 July 1977 at
Glen Studio after a complete alternate version (known
as Thank You for the Music (Doris Day version)) was
recorded on 2 June 1977 at Marcus Music Studio. The
Doris Day version was rst released on the box set Thank
You for the Music in 1994.
Gracias por la Msica is the Spanish-language recording of Thank You for the Music, with lyrics by Buddy
and Mary McCluskey. The B-side was the Spanishlanguage version of "Gimme! Gimme! Gimme! (A Man
After Midnight)" entitled "Dame! Dame! Dame!".
The song was released in 1980 to promote the bands
Spanish-language album/compilation Gracias Por La
Msica. It was the groups seventh best-selling Spanish
single, and also peaked at number 4 in Argentina.
146
12.21.1
Reception
12.21.2
Cover versions
The songs chorus was included as part of a medley entitled Thank ABBA for the Music on the 12.21.3 Live covers and appearances in
1999 compilation ABBAmania, which coincided
other media
with a British TV special. It was performed by
Tina Cousins, Billie Piper, Steps, Cleopatra and
The original ABBA recording features in the lm
B*Witched, and peaked on the UK Singles Chart
ABBA: The Movie (1977).
at number 4 in April 1999.
A live version was performed on TV by The Carpen The subsequent ABBAMania 2 album from 2004
ters on The Tonight Show hosted by John Davidson,
contains a cover of the song performed with British
on 27 June 1978 .[7] They rst heard the song when
TV actors Charlotte Bellamy, Jane Danson, Wendi
ABBA performed it on Starparade, as the CarpenPeters, Bernie Nolan (of the Nolans), Tricia Penters were sharing the bill with them for that particurose, Will Mellor, and Lee Otway on lead vocals.
lar episode. They laid down a track for it but Richard
said:
A cover of the song is included on the 2004 tribute
album Funky ABBA by Swedish jazz musician Nils
Nobody does ABBA like ABBA. I
Landgren. However, this version omits everything
realized
that, as usual, Benny and Bjorn
except for the rst verse and chorus.
had done the denitive arrangement and
The German 2004 ABBA Mania compilation feaall I'd be doing was copying it; something
tures a cover version performed by all the music
I just don't do, of course. Its an outtake,
artists who appeared in the TV special, with Barbara
never completed and in storage with the
Schneberger on lead vocals.
rest of the stu in Pennsylvania.[8]
147
References
External links
148
2007. It also appeared in the movie The Pursuit of Hap- the songs composer, Victor Young, handling the arrangpyness.
ing and conducting duties. The song has become a stanThe Carpenters version was released on their album Now dard, with many artists recording it, though the rst hit
& Then (1973), and performed on TV with Ella Fitzger- version was sung by Doris Day released in July 1952.
ald, the medley in which it was sung was subsequently Doris Days recording was made on June 5, 1952. It was
released on the compilation album As Time Goes By.
released by Columbia Records as catalog number 39786
and issued with the ip side Take Me in Your Arms.
The band Widespread Panic opened their Austin, TX
The song reached number 20 on the Billboard chart.[1]
2009 Halloween encore with This Masquerade.
Ukrainian vocal band ManSound has recorded a trilogy starting with this song in the album If Its Magic, 12.23.1 Recordings
2004.[2] Croatian soul diva Radojka verko released this
A version was recorded by Nat King Cole on Desong on her concert album with Big Band of Croatian Racember 28, 1956. It was issued by Capitol Records
diotelevison in year 2009.
on an LP album entitled Love Is the Thing, catalog number SW824. The single was released in the
UK in 1957, and reached number 2 on the UK Sin12.22.1 References
gles Chart. This recording was re-released in 1987,
reaching number 4 on that occasion. It competed
[1] Pearls overview. Allmusic.com.
with a version by Rick Astley released at the same
time. Astleys version reached number
[2] ManSound home. Mansound.com.ua. Retrieved 201405-24.
12.22.2
Natalie Cole actually recorded two dierent versions of the song: The rst, a contemporary r
& b/smooth jazz version for her 1987 album,
Everlasting, then a more traditional version for her
1996 Stardust album, that version a virtual duet
wither her father, Nat King Cole which included
recordings of his vocals from his 1956 version.
This version won two Grammy Awards: Best Pop
Collaboration with Vocals, and Best Instrumental
Arrangement with Accompanying Vocal(s) for arrangers Alan Broadbent and David Foster.[4]at the
39th Grammy Awards.[3]
External links
149
When I Fall in Love reached top 40 in a few countries, including number 22 in New Zealand, number 23 in
the United States, and number 37 in the Netherlands. It
Barry Manilow included a version of this song on his
was popular on the U.S. Hot Adult Contemporary Tracks,
2006 album of classic songs from the 1960s.
peaking at number 6.
In 1998, Anne Murray performed When I Fall in Love
Opera singer Lesley Garrett recorded and entitled
with Dion live and included it on her DVD called An Intiher 2007 album after the song.
mate Evening with Anne Murray...Live. Later, this version
appeared on Murrays 2007 album Anne Murray Duets:
Singer Jonathan King recorded the song and in- Friends & Legends.
cluded it in his 2013 lm The Pink Marble Egg.
Critical reception
12.23.2
150
Weekly charts
Year-end charts
12.23.4
Recorded versions
12.23.6
References
Astley.
12.24.2 References
[1] Barry Manilow - Even Now CD Album. Cduniverse.com. 2006-05-09. Retrieved 2014-05-17.
[2] Carpenters Song title. Richardandkarencarpenter.com. 2008-06-04. Retrieved 2014-05-17.
151
on albums by RCA and its United Kingdom, Netherlands, Several recorded versions made the charts in 1950-51:
and Japan subsidiaries, but not as a single.
Perry Como and The Fontane Sisters with Mitchell Ayres'
Lawrence Tibbett, Nelson Eddy and Frank Sinatra and His Orchestra, Rosemary Clooney and Guy Mitchell,
recorded versions of the song with what appears to be and Ethel Merman and Dick Haymes.
the original lyrics, including the line, A darkie's born,
but hes no good no how, without a song. In subsequent
recordings, Sinatra didn't use the term darkie, and later
recorded versions included the altered text a man is born,
but hes no good no how, without a song.[1]
152
12.26.1
References
Chapter 13
Television specials
13.1 The Carpenters Very First
TV Special
13.1.1
The Skits
13.2.1 Synopsis
Space Encounters begins with Richard and Karen Carpenter performing Sweet, Sweet Smile in their recording
studio, assisted by Charlie Callas. As they are performing, we see that they are being observed by the occupants of an alien spaceship (John Davidson and Suzanne
Somers) who are on their way to Earth to meet The Carpenters. After Richard and Karen nish the song, the
lights in the studio begin to icker uncontrollably and
musical instruments begin to move and play by themselves. At that moment, John teleports down to the studio and tells Richard and Karen how the people from his
planet lack the ability to make music and he requests their
help. Richard and Karen tell John about their earlier days
in music and John uses his hi-tech pocket video screen
to show The Carpenters performing "Fun Fun Fun" and
"Dancing in the Street". After watching them, John tells
them he wants to try singing himself and teleports to
a more romantic setting to perform "Just the Way You
Are".
John Denver and Karen Carpenter did a nice duet together of a medley consisting of a cleaned up version of
Robert Burns' "Comin' Through the Rye" and the Beach
Boys "Good Vibrations". The amazing thing about this
medley is that in parts, Denver may be singing Comin'
Through the Rye, while Carpenter sings Good Vibrations.
The Carpenters continue to reminisce about their earlier
They did a skit of Karens drumming talent as well. It recordings and they perform "Goofus" in an old garage,
begins with Richard and Karen talking about why Karen similar to the one in which they recorded their rst record
played the drums, and Karen says, "Why not!!" Then, they in.
reminisce to the high school days, where classmate John
Denver played the drums in the high school band, and
Karen was stuck with the glockenspiel. They told how
Karen obtained the drums, and fell in love with it imme-
153
154
The special stars Richard and Karen Carpenter, with special guests Gene Kelly, Kristy and Jimmy McNichol,
Georgia Engel, and Peter Pit. The special is named
after the Carpenters recently released Christmas album
Christmas Portrait in October 1978.
The Carpenters then perform "Calling Occupants of Interplanetary Craft" and the show ends with an instrumental version of "We've Only Just Begun".
13.2.2
Guest stars
John Davidson
Suzanne Somers
Charlie Callas
13.2.3
13.3.1 Music
1. Christmas Waltz (performed by Karen Carpenter)
13.2.4
External links
13.3.2 Synopsis
13.3.3
External links
Video
A Christmas Portrait TV Special at the Internet
Movie Database
155
Chapter 14
Television movies
14.1 Superstar: The Karen Carpenter Story
Superstar: The Karen Carpenter Story is a 1987 American short biographical lm produced and directed by
Todd Haynes, co-written by Haynes and Cynthia Schneider, and follows scenes from the nal seven years of
Karen Carpenter's life. The lm was withdrawn from
circulation in 1990 after Haynes lost a copyright infringement lawsuit led by Karens brother and musical collaborator, Richard Carpenter.[1] The lms title is derived
from The Carpenters' 1971 hit song, "Superstar".
Over the years, it has developed into a cult lm and is
included in Entertainment Weekly 's 2003 list of top 50
cult movies.[2]
14.1.1
Plot
156
157
14.1.2
Cast
14.1.3
Songs
14.1.4 Response
Upon its release, the lm was a minor art hit, and was
shown at several lm festivals. However, shortly thereafter, Richard Carpenter viewed the lm and became
irate with the lms portrayal of his family, in particular because the lm insinuated Richard was gay. It later
emerged that Haynes never obtained music licensing from
either Richard or the Carpenters label, A&M Records,
for the numerous songs used in the lm. Richard Carpenter sued Haynes for failing to obtain the clearances
and won. As a result of the lawsuit, all copies of the lm
were to have been recalled and destroyed.[3] The Museum
of Modern Art retains a copy of this lm but has agreed
with the Carpenter estate not to exhibit it.
14.1.5 References
[1] Holden, Stephen (November 8, 1998). FILM; Focusing
on Glam Rocks Blurring of Identity. New York Times.
[2] Dirks, Tim. Top 50 Cult Movies. Entertainment
Weekly/AMC. Retrieved January 1, 2013.
[3] James, Caryn (April 14, 1991). FILM VIEW: Politics
Nurtures 'Poison.'" The New York Times.
"Philadelphia Freedom" Elton John (played briey The Karen Carpenter Story is an American TV movie
as Richard discovers Karen unconscious)
that aired on the CBS television network on January 1,
158
1989, about singer Karen Carpenter, and of the brotherand-sister pop music duo of which she was a part, The
Carpenters. The lm starred Cynthia Gibb as Karen Carpenter, and Mitchell Anderson as her brother, Richard
Carpenter. It was directed by Joseph Sargent.
The real Richard Carpenter served as a producer for the
lm as well as of the musical score.
14.2.1
Story
14.2.2
Cast
14.2.3 Production
The idea for a movie based on Karens life had been oating around since about 1985/86. However, it was impossible to nd someone to write the script for it. Once it had
been approved by the studio and Richard Carpenter, there
were daily script rewrites or entire scenes were removed
according to co-stars Cynthia Gibb and Mitchell Anderson, in an attempt to soften the image of Agnes Carpenter
by her son in real life. The nal movie, in Gibbs opinion, gives a white-washed account of Karens life. Gibb
also said that a lot of the information in it was watered
down or removed altogether at the request of Richard
Carpenter.
Richard Carpenter also requested that Gibb wear Karens
original clothing, which he supplied, and that she lose the
required weight in order to t into these clothes.[1] Gibb
stated:
I lost weight as Richard wanted and he was
there watching over me in every scene. It was
unnerving having to wear Karens clothes, right
down to her clingy T-shirts and crumpled bellbottoms. I donned a wig and used Karens
make-up. By the time I was nished I felt I
WAS Karen.
She also stated that there was no time to research and
I had my drum lessons during my lunch hour.[2] Even
though she had starred for two years in Fame, she said it
was still insisted upon her to take voice lessons to do the
lip synching.
A crew member talks about the experience:[1]
Frankly, we were very glad he (didn't play
himself). He was a pain in the backside, so
oversensitive and close to the action he almost
screwed things up. When we spotted him on
his knees praying to Karen he was saying: 'Forgive me, forgive me...'
The misgivings he had were painfully obvious.
You could almost see him wrestling with things
in his mind. It was as if he felt that Karen would
never have approved. He whispered to one of
the boys: 'I'd give my right arm if she were here
now.'
The guy just hasn't been able to let go (and
now) the lm lacks an independent balance.
14.2.4 Reception
The movie was very popular in the ratings; it was the
highest-rated two-hour TV movie of the year and the third
highest rated such program on any network during the
14.2.5
Richards reaction
159
As Karen is walking up the stairs in her parents
house in Downey, California, to go to bed on Feb.
3, 1983, her mother, Agnes, says to Karen, I love
you. This may not have occurred and was put in the
movie to attempt to have a happy ending.[5]
Chapter 15
Videography
15.1 Gold: Greatest Hits (video)
The VHS/Beta Yesterday Once More was released in On a Japanese release of the DVD, the promotional video
1985, shortly after Karen Carpenters death in 1983. The for I Need to Be in Love was included.
tape was repackaged as a DVD in 2002 under the name
Gold: Greatest Hits, and the DVD contains all the videos
15.1.3 References
from Yesterday Once More.
[1] Amazon review
15.1.1
7. "Little Girl Blue" from the TV special Space Encounters air date: May 17, 1978
161
19. Finale
20. "(They Long to Be) Close to You" Carpenters
Very First Television Special, 1976
21. End Credits
22. Encore Program
23. "(A Place To) Hideaway Make Your Own Kind of
Music, 1971
24. Potato Chip Commercial Mortons Potato Chip
Company, 1971
25. "Ave Maria" A Christmas Portrait, 1978
26. TV Special Promo 1980
15.3.1
Chapters
Bonus material:
1. Introduction ("Superstar", "Rainy Days and Mondays", "We've Only Just Begun", "(They Long to Be)
Close to You")
2. "Yesterday Once More" Thank You Rock 'n' Roll,
1978
3. "Dancing in the Street" Your All American College
Show, 1968
4. "Ticket to Ride" Something Else, 1970
5. "(They Long to Be) Close to You" Make Your Own
Kind of Music, 1971
6. "We've Only Just Begun" Make Your Own Kind of
Music, 1971
7. "For All We Know" The Andy Williams Show,
1971
8. "Bless the Beasts and Children" Make Your Own
Kind of Music, 1971
9. "Rainy Days and Mondays" Desert Inn, then fades
into Make Your Own Kind of Music, 1971
Chapter 16
Associated people
16.1 Herb Alpert
16.1.1
162
163
1967 on CBS.
Alperts style achieved enormous popularity with the national exposure The Clark Gum Company gave to one of
his recordings in 1964, a Sol Lake number titled The
Mexican Shue (which was retitled The Teaberry
Shue for the television advertisements). In 1965,
Alpert released two albums, Whipped Cream & Other Delights and Going Places. Whipped Cream sold over 6 million copies in the United States. The album cover featured
model Dolores Erickson wearing only what appeared to
be whipped cream. In reality, Erickson was wearing a
white blanket over which were scattered artfully-placed
daubs of shaving creamreal whipped cream would have
melted under the heat of the studio lights (although the
cream on her nger was real). In concerts, when about
to play the song, Alpert would tell the audience, Sorry,
we can't play the cover for you. The art was parodied by
several groups including one-time A&M band Soul Asylum and by comedian Pat Cooper for his album Spaghetti
Sauce and Other Delights. The singles included the title cut, "Lollipops and Roses", and "A Taste of Honey".
The latter won a Grammy Award for Record of the
Year. Going Places produced four more singles: Tijuana
Taxi, "Spanish Flea", Third Man Theme, and Zorba
the Greek. Tijuana Taxi and Spanish Flea would
Alpert in 1966
be used in the 1966 Academy Award-winning animated
short A Herb Alpert and the Tijuana Brass Double FeaBy the end of 1964, because of a growing demand for ture.
live appearances by the Tijuana Brass, Alpert auditioned The Brass covered the Bert Kaempfert tune Happy
and hired a team of crack session men. Though some Trumpeter, retitling it Magic Trumpet. Alperts renadopted a prototypical physical appearance, no one in dition contained a bar that coincided with a Schlitz beer
Alperts band was actually Hispanic. Alpert used to tune, When you're out of Schlitz, you're out of beer.
tell his audiences that his group consisted of Four (The Maltese Melody was another Alpert cover of a
lasagnas, two bagels, and an American cheese": John Kaempfert original.) Another commercial use was a tune
Pisano (electric guitar); Lou Pagani (piano); Nick Ceroli called El Garbanzo, which was featured in Sunoco ads
(drums); Pat Senatore (bass guitar); Tonni Kalash (trum- (They're movin', they're movin', people in the know,
pet); Herb Alpert (trumpet and vocal); and Bob Ed- they're movin' to Sunoco).
mondson (trombone). The band debuted in 1965 and
In 1967, the Tijuana Brass performed the title cut to the
became one of the highest-paid acts then performing,
rst movie version of Casino Royale.
having put together a complete revue that included
choreographed moves and comic routines written by Bill Many of the tracks from Whipped Cream and Going
Places received a great deal of airplay; they are frequently
(Jose Jimenez) Dana.
used as incidental music on The Dating Game, notably the
The Tijuana Brasss success helped spawn other Latin
tracks Whipped Cream, Spanish Flea, and Lollipops and
acts, notably Julius Wechter (long-time friend of Alperts
Roses. Despite the popularity of his singles, Alperts aland the marimba player for the Brass) and the Baja
bums outsold and outperformed them on the charts.
Marimba Band, and the prots allowed A&M to begin
building a repertoire of artists like Chris Montez and The Alpert and the Tijuana Brass won six Grammy Awards.
Sandpipers. Wechter contributed a number of the Brasss Fifteen of their albums won gold discs, and fourteen won
original songs, usually at least one per albumalong with platinum discs. In 1966 over 13 million Alpert recordings were sold, outselling the Beatles. That same year, the
Alpert friends Sol Lake and Ervan Bud Coleman.
Guinness Book of World Records recognized that Alpert
An album or two was released each year throughout the
set a new record by placing ve albums simultaneously in
1960s. Alperts band was featured in several TV specials,
the Top 20 on the Billboard Pop Album chart, an accomeach one usually centered on visual interpretations of the
plishment that has never been repeated. In April of that
songs from their latest albumessentially an early type
year, four of those albums were in the Top 10, simultaof music videos later made famous by MTV. The rst
neously.
Herb Alpert and the Tijuana Brass special, sponsored by
the Singer Sewing Machine Company, aired on April 24, Alperts only No. 1 single during this period, and the rst
164
No. 1 hit for his A&M label, was a solo eort: "This
Guys in Love with You" (written by Burt Bacharach and
Hal David), featuring a rare vocal.[13][14] Alpert sang it
to his rst wife in a 1968 CBS Television special titled Beat of the Brass. The sequence was lmed on the
beach in Malibu. The song was not intended to be released, but after it was used in the television special, allegedly thousands of telephone calls to CBS asking about
it convinced Alpert to release it as a single, two days
after the show aired.[15] Although Alperts vocal skills
and range were limited, the songs unchallenging technical demands suited him.[16] The single debuted in May
1968, topped the national chart for four weeks and ranked
among the years biggest hits. Initially regarded by the
critical cognoscenti and 'hip' music-lovers of the day as
strictly an easy-listening chart hit, Alperts unusually expressive recording of This Guys in Love with You now
enjoys appeal well beyond the so-called mainstream. In
1996 at Londons Royal Festival Hall, Noel Gallagher (of
British rock band Oasis) performed the song with Burt
Bacharach.
16.1.3
Alpert disbanded the Tijuana Brass in 1969, then released another album by the group in 1971. In 1973, with
some of the original Tijuana Brass members and some
new members, he formed a group called Herb Alpert and
the T.J.B. This new version of the Brass released two albums in 1974 and 1975 and toured. Alpert reconvened a
third version of the Brass in 1984 after being invited to
perform for the Olympic Games athletes at the Los Angeles Summer Games. The invitation led to the Bullish
album and tour.
165
Out.
16.1.5
Charitable activities
Visual arts
Alpert has a second career as an abstract expressionist painter and sculptor with group and solo exhibitions
around the United States and Europe. The sculpture
exhibition Herb Alpert: Black Totems, on display at
ACE Gallery, Beverly Hills, February through September 2010, brought media attention to his visual work.[19]
His 2013 exhibition in exhibition Santa Monica, California included both abstract paintings and large totemlike
The Herb Alpert School of Music at CalArts
sculptures.[20]
In the 1980s Alpert created The Herb Alpert Foundation
and the Alpert Awards in the Arts with The California
Institute of the Arts (CalArts).[22] The Foundation supAlpert and Moss received a Grammy Trustees Award in ports youth and arts education as well as environmental
1997 for their lifetime achievements in the recording in- issues and helps fund the PBS series Bill Moyers on Faith
dustry as executives and the Grammy Lifetime Achieve- and Reason and later Moyers & Company. Alpert and
ment Award in 2007.
his wife donated $30 million to University of California, Los Angeles in 2007 to form and endow the UCLA
Herb Alpert School of Music as part of the restructured
UCLA School of the Arts and Architecture. He gave $24
million, which included $15 million from April 2008, to
CalArts for its music curricula, and provided funding for
the culture jamming activists The Yes Men.[23]
16.1.6
166
Michael Cuscuna, Michel Ruppi: The Blue Note label. A discography. Greenwood Press, Westport,
In the music video for Je Beck's 1985 single AmbiConn. 2001.
tious, directed by Jim Yukich, which depicts an array of
real-life celebrities and lookalikes auditioning to perform
with Beck, Alpert appears at the very end, rushing to the
Notes
casting directors table and asking, Am I too late?"
On 17 September 2010 the TV documentary Legends:
Herb Alpert Tijuana Brass and Other Delights premiered on BBC 4.[24]
16.1.10
Hit singles
16.1.11
Discography
(All albums are on A&M Records and are listed with the original catalog numbers, unless otherwise indicated)
16.1.12
Compositions
16.1.13
See also
16.1.14
References
Books
Darryl Lyman: Great Jews in Music. J. D. Publishers, Middle Village, N.Y. 1986.
On A&M
167
16.1.15
External links
Ocial website
Herb Alpert at the Internet Movie Database
Herb Alpert & The Tijuana Brass at the Internet
Movie Database
Herb Alpert at The Rock and Roll Hall of Fame
Herb Alpert: Artist & Musician
The Herb Alpert/Tijuana Brass discography
168
169
170
penned his own lyrics, some of which dealt with political open with a very brief video clip from the movie Austin
themes. Guest stars on the album included Elvis Costello, Powers: International Man of Mystery, with Mike Myers
Rufus Wainwright, and hip-hop producer Dr. Dre.
(as Austin Powers) uttering Ladies and Gentlemen, Mr.
On October 24, 2008, Bacharach opened the BBC Burt Bacharach.
Electric Proms at The Roundhouse in London, performing with the BBC Concert Orchestra accompanied by
guest vocalists Adele, Beth Rowley and Jamie Cullum.
The concert was a retrospective look back at his sixdecade career, including classics such as "Walk On By",
The Look of Love, "I Say a Little Prayer", "What
The World Needs Now", "Anyone Who Had A Heart",
"Twenty Four Hours from Tulsa" and "Make It Easy on
Yourself", featuring Jamie Cullum.
In early 2009, Bacharach worked with Italian soul singer
Karima Ammar and produced her debut single Come In
Ogni Ora. A #4 hit, the song has been heard during the
59th Sanremo Music Festival and also features him playing piano.
Bacharach and David were awarded the 2011 Gershwin
Prize for Popular Song bestowed by the Library of with actress-wife Angie Dickinson shortly after they married in
Congress, the rst time that a songwriting team has been 1965
given the honor.[13] David died the following year on
Bacharach appeared as a celebrity performer and guest
September 1 at the age of 91.
vocal coach for contestants on the television show,
"American Idol" during the 2006 season, during which an
entire episode was dedicated to his music. In late 2006,
Film and television
Bacharach appeared as the celebrity in a Geico auto inThroughout the 1960s and 1970s, Bacharach was fea- surance commercial, where he sings and plays the piano.
tured in a dozen TV musical and variety specials video- He translates the customers story through song (I was
taped in the UK for ITC, several were nominated for hit...in the rear!")
Emmy awards for direction (by Dwight Hemion). The
guests included artists such as Joel Grey, Dusty Springeld, Dionne Warwick, and Barbra Streisand. Bacharach
and David did the score for an original musical for ABCTV titled On the Flip Side, broadcast on ABC Stage 67,
starring Ricky Nelson as a faded pop star trying for a
comeback. Whilst the ratings were dismal, the soundtrack showcased Bacharachs abilities to try dierent
kinds of musical styles, ranging from (almost) 1960s
rock, to pop, ballads, and Latin-tinged dance numbers.
In 1969, Harry Betts arranged Bacharachs instrumental
composition Nikki (named for Bacharachs daughter)
into a new theme for the ABC Movie of the Week, a TV
series which ran on the U.S. network until 1976.
During the 1970s, Bacharach and then-wife Angie Dickinson appeared in several TV commercials for Martini
& Rossi beverages, and even penned a short jingle (Say
Yes) for the spots. Bacharach also occasionally appeared
on TV/variety shows, such as The Merv Grin Show, The
Tonight Show Starring Johnny Carson, and many others.
16.2.3
Discography
171
The Look of Love: The Burt Bacharach Collection
[3-Disc Compilation] (2001)
Motown Salutes Bacharach [Compilation] (2002)
Isley Meets Bacharach: Here I Am with Ronald Isley
(2003)*
Blue Note Plays Burt Bacharach [Compilation]
(2004)
At This Time (2005)
The Denitive Burt Bacharach Songbook [2-Disc
Compilation] (2006)
Burt Bacharach & Friends Gold [2-Disc Compilation] (2006)
Colour Collection [Compilation] (2007)
Albums
Hit maker!: Burt Bacharach plays the Burt
Bacharach Hits (1965)
Whats New Pussycat? (Film Soundtrack) (1965)
After the Fox (Film Soundtrack) (1966)
Reach Out (1967)
Casino Royale (Film Soundtrack) (1967)
On the Flip Side (Television Soundtrack) (1967)
Make It Easy on Yourself (1969)
Butch Cassidy and the Sundance Kid (Film Soundtrack) (1969)
Promises, Promises[18] (Original Broadway Cast
Recording) (1969)
Burt Bacharach (1971)
Lost Horizon (Film Soundtrack) (1973)
Burt Bacharach in Concert (1974)
Living Together (1973)
Futures (1977)
Woman (1979)
Arthur (Film Soundtrack) (1981)
Night Shift (Film Soundtrack) (1982)
Arthur 2: On the Rocks (Film Soundtrack) (1988)
One Amazing Night (1998)
172
"Any Day Now" (Chuck Jackson, U.S. 23, 1962;
Elvis Presley, 1969; Ronnie Milsap, U.S. 14, 1982);
"(The Man Who Shot) Liberty Valance (Gene Pitney, U.S. 4, 1962);
"Only Love Can Break a Heart" (Gene Pitney, U.S.
2, 1962);
"Don't Make Me Over" (Dionne Warwick, U.S.
21, 1962; The Swinging Blue Jeans, UK 31, 1966;
Petula Clark, 1976; Jennifer Warnes, U.S. 67, 1979;
Sybil, U.S. 20, U.S. R&B 2, UK 19, 1989);
This Empty Place (Dionne Warwick, U.S. 84,
1962)
"Make It Easy on Yourself" (Dionne Warwick,
demo, 1962, released 1963; Cilla Black released
April 1966 Jerry Butler, U.S. 20, 1962; The Walker
Brothers, U.S. 16, UK 1, 1965; Dionne Warwick,
live from Garden State Arts Center, U.S. 37, 1970);
"Don't You Believe It" (Andy Williams, U.S. 39,
1962);
Keep Away From Other Girls (Helen Shapiro, UK
40, 1962);
"Twenty Four Hours from Tulsa" (Gene Pitney, U.S.
17, UK 5, 1963);
Be True to Yourself (Bobby Vee, U.S. 34, 1963);
"Blue on Blue" (Bobby Vinton, U.S. 3, 1963);
"Anyone Who Had a Heart" (Dionne Warwick, U.S.
8, UK 42, 1963; Cilla Black, UK 1, 1964; Dusty
Springeld, 1964; Tim Curry, 1978; Luther Vandross, 1986; Linda Ronstadt, 1991; Maureen McGovern, 1992; Olivia Newton-John, 2004; Shelby
Lynne, 2007; Sheridan Smith, 2014
Its Love That Really Counts (The Shirelles, 1962;
Dionne Warwick, 1963; The Merseybeats, UK 24,
1963);
"Blue Guitar" (Richard Chamberlain, U.S. 42, AC
12, 1963);
"(They Long to Be) Close to You" (Richard Chamberlain, 1963; Dionne Warwick, 1964; Dusty
Springeld, 1964; The Carpenters, U.S. 1, UK 6,
1970 (Grammy nominee, Record of the Year);
Johnny Mathis, 1970;
True Love Never Runs Smooth (Don and Juan,
1963; Gene Pitney, U.S. 21, 1963);
"Wives and Lovers" (Jack Jones, U.S. 14, 1963);
Grammy nominee, Record of the Year and Song
of the Year);
173
suit him. Originally written as This Girls in
Love With You and recorded with that title
by Dionne Warwick);.
"Do You Know the Way to San Jos?" (Dionne Warwick, U.S. 10, UK 8, 1968); [The Supremes & The
Temptations], (1968); [Frankie Goes to Hollywood
as San Jose (The Way) ], (1984);
Promises, Promises (Dionne Warwick, U.S. 19,
1968; Jill O'Hara, 1968. Her version was released prior to the opening of the musical Promises,
Promises and the release of the Broadway cast album. Bacharach recorded Dionnes version to help
the cast learn the dicult tune. The B side of
Warwicks single was another Bacharach/David tune
from the show Whoever You Are (I Love You)";
the Broadway cast album won Bacharach a Grammy
in 1969);
The April Fools (Dionne Warwick, from the lm
The April Fools, U.S. 37, AC 8, Canada 32, 1969);
I'm a Better Man (For Having Loved You)"
(Engelbert Humperdinck U.S. 38, UK 15, 1969);
"Raindrops Keep Fallin' on My Head" (B.J.
Thomas, from the lm Butch Cassidy and the Sundance Kid, U.S. 1, 1969, UK 38, 1970; Sacha Distel, UK 10, 1970; Bobbie Gentry, UK 40, 1970;
Johnny Mathis, 1970. Won the Academy Award
for Best Original Song in 1969. The lm score by
Bacharach won the Academy Awards and Grammy
for Original Score. Grammy nominee for Song
of the Year);
"I'll Never Fall in Love Again" (Bobbie Gentry, UK
1, 1969; Burt Bacharach U.S. 93, 1969,(Tom Jones)
Dionne Warwick U.S. 6, 1970; Anne Murray, 1971;
Deacon Blue, UK 2, 1990. It was originally from the
musical Promises, Promises; Grammy nominee for
the Song of the Year (Bacharach competed against
himself in this category));
Everybodys Out of Town (B. J. Thomas, U.S. 26,
1970);
Let Me Go to Him (Dionne Warwick, U.S. 32,
AC 5, Canada 30, 1970);
Paper Mache (Dionne Warwick, U.S. 43, AC 6,
1970);
The Green Grass Starts to Grow (Dionne Warwick, U.S. 43, AC 2, Canada 35, 1971);
Who Gets the Guy (Dionne Warwick, U.S. 57,
R&B 41, AC 6, 1971);
Living Together, Growing Together (The 5th Dimension, U.S. 32, AC 5, 1973);
174
Other recordings
As arranger, conductor
References
175
Filmrefer-
[14]
[15]
[16]
[17]
Re-
[18] Promises, Promises- Opening Night Production Credits. Internet Broadway Database. Retrieved 2011-05-18.
16.2.5
External links
Bacharach Online
Burt Bacharach at the Internet Broadway Database
Burt Bacharach at the Internet Movie Database
Burt Bacharach at the Songwriters Hall of Fame
Art of the States: Burt Bacharach
A database of recordings of Burt Bacharachs songs
Burt Bacharachs blog at The Hungton Post
176
16.3.1
Early life
was a top 20 hit in 1992 for New Kids on the Block, and
"Heartland", from the soundtrack to the lm Pure Country, was a number one hit for George Strait.
16.3.3 Theater
John has provided lyrics for the musicals Lunch (tour
1994); Svengali (1992); The Last Session (L.A. Drama
critics Award, Best Musical Score 1998); Say Goodnight
(1999); Pure Country (2008) and most recently Josephine
(2011).
177
The Carpenters
16.3.6
Songs
16.4.2 References
16.4.1
Early work
178
Los Angeles and Nashville during the 1960s through the In 1974, Osborn left Los Angeles and moved to the
1980s.[1]
country and western capital, Nashville. He continued
an active studio career, playing behind such vocalists as
Kenny Rogers, Mel Tillis, and Hank Williams, Jr. One
count listed Osborn as bassist on fty-three No. 1 hits on
16.5.1 Biography
the country charts.
Osborn began his career working in local clubs, then Osborns instrument throughout most of his recording caplayed on a hit record by singer Dale Hawkins. He reer was a 1960 Fender stack-knob Jazz Bass, which was
moved to Las Vegas at age 20, and spent a year playing given to him by Fender just prior to touring in Australia
backup for country singer Bob Luman. With legendary with Nelson. Osborn said he was initially disappointed
guitar player Roy Buchanan among his bandmates, Os- that Fender had not sent a Precision model, which he had
born switched from guitar to electric bass. In 1960, with been using. But he said he grew to like the Jazz Bass beAllen Puddler Harris, a native of Franklin Parish, also cause the narrower neck made it easier for his short nin northeastern Louisiana, and James Burton, originally gers. He strung the bass with LaBella atwounds that he
from Webster Parish, he joined pop star Ricky Nelson's did not change for 20 years. His style is distinctive, with
backup band, where he spent four years. His playing a resonant, bright tone produced, in part, by his use of a
on such Nelson hits as Travellin' Man began attracting plectrum (pick).
wider notice, and he found opportunities to branch out
Many producers and arrangers chose to spotlight his coninto studio work with artists such as Johnny Rivers.
tributions by mixing the bass line more prominently than
When the Nelson band dissolved in 1964, Osborn turned had been customary, and incorporating brief bass soto studio work full-time. For the next ten years, he was los into their arrangements. His playing can be heard
considered a rst-call bassist among Los Angeles stu- on records by such well-known groups as The Mamas
dio musicians[2] (known as The Wrecking Crew), and he & the Papas, The Association, and The 5th Dimension.
worked with well-known producers such as Lou Adler Osborn can be heard on Simon & Garfunkel's "Bridge
and Bones Howe, frequently in combination with drum- over Troubled Water" and the 5th Dimensions version of
mer Hal Blaine and keyboardist Larry Knechtel. His bass "Aquarius/Let the Sunshine In".
can be heard on many of the hit records cut in Los Angeles during that time, along with numerous lm scores and Osborn also played on many of Neil Diamond's major
hits in the late 1960s and early to middle 1970s, includtelevision commercials.
ing the hauntingly unique bass lines on "Holly Holy" in
1969. Osborn is also known for his discovery and encouragement of the popular brother-and-sister duo, The
Carpenters.[2]
Osborn can also be heard playing on several of Nancy
Sinatra's 1970s recordings. He was the bassist on the
1977 Christian album Forgiven by Don Francisco.[3]
Osborn left Nashville in 1988 and settled in Keithville in
Caddo Parish near Shreveport in northwestern Louisiana.
As of 2005, he lived in semi-retirement. He still records
occasionally.
In 2010, Osborn was inducted into The Louisiana Music
Hall of Fame.
He had had a signature bass, named the Joe Osborn Signature, made by American guitar manufacturer Lakland;
however, it is now called the 44-60 Vintage J Bass.[4]
In 2012, Fender Guitar built a custom Fender Jazz Bass
for Osborn according to his desired specications. He
recorded with this bass for the rst time when producing
and playing bass on teen musician Matthew Davidson's
debut recording.
16.5.2 References
Osborn in 2012.
16.5.3
Sources
179
16.6.1 Career
Peluso came from a musical family, his mother being a
successful opera singer and his father being the conductor
for NBC radio on the west coast.
He began his own musical career in 1968, when he
formed a band called The Abstracts with three college
friends. The band recorded one album for the small
Pompeii label, on which he sang, played guitar and wrote
most of the songs. However, the album was not a commercial success, mainly due to poor distribution, and the
group disbanded shortly after its release
180
worked with Latin pop musicians such as Ricky Martin, and Mexican rock bands such as Molotov and Cafe
Tacuba. In 2005, Santaolalla and Peluso produced the
soundtrack to the motion picture Brokeback Mountain.[5]
Peluso won four Grammy Awards during his career, and
was awarded numerous gold and platinum records representing sales in excess of 150 million units during his
diverse music career.
He died at age 60 in Los Angeles on June 5, 2010, from
heart disease. He is survived by two sons.
16.6.2
References
mpi-
Chapter 17
Related articles
17.1 Carpenters: Live at the BBC
17.1.1
Track listing
1. Help!" (pre-recorded)
2. Love Is Surrender
3. "Superstar"
182
"(A Place To) Hideaway Close to You: Remembering The Carpenters (1997), letter K for Karen
Air date: August 10, 1971
17.2.2
References
17.2.3
External links
Chapter 18
183
184
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Jstidham1989, ClueBot NG, Stephen G Rsole, PaleCloudedWhite, Widr, NellieBlyMobile, Calabe1992, K9p, Denovoid, Mark Arsten,
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Frenchfrie101, The compleat wangler, Kelvins page, Joshdz1096, Lucyrules1 and Anonymous: 504
Richard Carpenter (musician) Source: http://en.wikipedia.org/wiki/Richard%20Carpenter%20(musician)?oldid=635831498 Contributors: Jrcrin001, Lquilter, Bearcat, JackofOz, Quadell, Art LaPella, Lusheeta, Thalia291, Issk, Bjones, BD2412, Rjwilmsi, Koavf, MarnetteD, Ucucha, Kornbelt, G Clark, Adoniscik, RussBot, Markt3, Nick C, Mike Selinker, Meegs, Missed, SmackBot, CrookedAsterisk,
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18.1. TEXT
185
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A Kind of Hush (album) Source: http://en.wikipedia.org/wiki/A%20Kind%20of%20Hush%20(album)?oldid=596690227 Contributors:
Gamaliel, Varlaam, Rich Farmbrough, Rjwilmsi, Koavf, Colonies Chris, Karldaviesfan, E-Kartoel, Impy4ever, Angeldeb82, Ss112,
GassyGuy, Fisherjs, PEJL, The Obento Musubi, Rbb l181, Fraykis, Lawikitejana, Airproong, Artaxiad, Forrest1967, Skier Dude, Jogersbot, James599, Rpatter6, Wikijens, Muro Bot, Tuzapicabit, DumZiBoT, Cdl obelix, Fugreena, WikHead, Addbot, Tassedethe, Ikespirit,
LilHelpa, Sayerslle, Discographer, Trappist the monk, Martin IIIa, Tbhotch, EmausBot, ZroBot, CactusBot, Helpful Pixie Bot, EditorE,
Lawfulreasoning, Chartbot and Anonymous: 25
Passage (The Carpenters album) Source: http://en.wikipedia.org/wiki/Passage%20(The%20Carpenters%20album)?oldid=624508802
Contributors: Hiphats, Klemen Kocjancic, Rjwilmsi, Koavf, Snkcube, Nanouk, Jogers, Colonies Chris, Karldaviesfan, Chrbubb, EKartoel, Angeldeb82, Ss112, Fisherjs, The Obento Musubi, Airproong, Artaxiad, WWGB, Keithmall, TXiKiBoT, Lukehatton, Keraunoscopia, Muro Bot, Tuzapicabit, DumZiBoT, Fugreena, WikHead, Addbot, Friarfrank, OriginalCyn3000, Ikespirit, LilHelpa, Mjasfca, Ozca, RedBot, Melthamman, Martin IIIa, Yappy2bhere, EmausBot, Moswento, Shallowharold, CactusBot, Lawfulreasoning, Rotlink,
Pablodendraek, Redd Foxx 1991, Monkbot and Anonymous: 29
Christmas Portrait Source: http://en.wikipedia.org/wiki/Christmas%20Portrait?oldid=636509303 Contributors: Hiphats, Elpincha,
BD2412, Rjwilmsi, Jogers, SmackBot, Colonies Chris, Tartan, Karldaviesfan, Oanabay04, J 1982, Angeldeb82, J Milburn, ElectricEye,
Cydebot, The Obento Musubi, Boguslavmandzyuk, Lawikitejana, Airproong, Forrest1967, Craig Adams, Jogersbot, Sliv812, Lukehatton,
SlackerMom, Rodhullandemu, DumZiBoT, SlubGlub, Addbot, LaaknorBot, Ikespirit, Full-date unlinking bot, Discographer, Martin IIIa,
Jonahrank, DASHBot, Danaphile, ClueBot NG, CactusBot, Sendu1984, Mogism, Lawfulreasoning, Monkbot and Anonymous: 20
Made in America (The Carpenters album) Source: http://en.wikipedia.org/wiki/Made%20in%20America%20(The%20Carpenters%
20album)?oldid=625139981 Contributors: Rjwilmsi, Koavf, Mike Halterman, SmackBot, Colonies Chris, Karldaviesfan, Oanabay04, EKartoel, Fluppy, Angeldeb82, ShelfSkewed, Rickhenry, Ss112, Fisherjs, The Obento Musubi, Fraykis, Airproong, Jogersbot, Mseliw,
Peter.shaman, Lukehatton, ImageRemovalBot, Sfan00 IMG, DragonBot, Alexbot, Fugreena, WikHead, Addbot, PSIMagnet17, Ozca,
Discographer, Yappy2bhere, DASHBot, CactusBot, Inkimu, Bulovapsb, Lawfulreasoning, Rotlink, Monkbot and Anonymous: 28
Voice of the Heart Source: http://en.wikipedia.org/wiki/Voice%20of%20the%20Heart?oldid=618380035 Contributors: SarekOfVulcan,
Rjwilmsi, Tedder, SmackBot, Chris the speller, Kittybrewster, Karldaviesfan, Gobonobo, Angeldeb82, ShelfSkewed, Ss112, The Obento
Musubi, Fraykis, Waacstats, JPG-GR, Skier Dude, Jogersbot, Lukehatton, Swanrizla, Crodude86, Cdl obelix, Fugreena, Addbot, LaaknorBot, Lightbot, Citation bot, D'ohBot, Jonesey95, Discographer, KACfan1, GoingBatty, CactusBot, Monkbot and Anonymous: 22
An Old-Fashioned Christmas Source: http://en.wikipedia.org/wiki/An%20Old-Fashioned%20Christmas?oldid=631531892 Contributors: Hiphats, Colonies Chris, Toughpigs, J 1982, Cydebot, Ss112, The Obento Musubi, Zidane tribal, Fraykis, Airproong, Cloudz679,
Faezdel, Addbot, Tassedethe, Yobot, JukeJohn, LucienBOT, DrilBot, Tinton5, Discographer, Dewritech, Giancarlo76, CactusBot, TheJJJunk and Anonymous: 17
Lovelines Source: http://en.wikipedia.org/wiki/Lovelines?oldid=623203814 Contributors: Koavf, Colonies Chris, Angeldeb82, Cydebot,
After Midnight, GassyGuy, JustAGal, The Obento Musubi, Fraykis, Airproong, Belsen, STBot, Nostaljack, Bovineboy2008, Rpatter6,
Lukehatton, Pinkadelica, Pcg13, Uncle Milty, Swanrizla, Ste900R, Crodude86, Addbot, Gentillalli, LaaknorBot, DinoBot2, Lightbot,
Luckas-bot, J Milburn Bot, AnomieBOT, FrescoBot, Ozca, Jorgicio, Discographer, Yappy2bhere, Hiddenstranger, Racerx11, Rob813,
CactusBot, Newvillefan, Lawfulreasoning and Anonymous: 20
As Time Goes By (The Carpenters album) Source: http://en.wikipedia.org/wiki/As%20Time%20Goes%20By%20(The%
20Carpenters%20album)?oldid=626520040 Contributors: Grstain, D6, Rich Farmbrough, Giraedata, Graham87, Koavf, Cydebot, Ss112, GassyGuy, The Obento Musubi, Zidane tribal, Airproong, MaJic, Jarrod76, MercuryBlue, Fasouzafreitas, Rpatter6, Muro
Bot, Pichpich, Addbot, Yobot, Erik9bot, LittleWink, Jorgicio, Yappy2bhere, WikitanvirBot, Vincent Liu, Bulovapsb, EditorE and
Anonymous: 34
186
18.1. TEXT
187
TXiKiBoT, Krapug1, Fasouzafreitas, Gdw1948, Lukehatton, ImageRemovalBot, Ianaces, Swanrizla, Addbot, Download, Legobot II, Ikespirit, WilliamWQuick, Philonline, Edwardjclark, FrescoBot, DrilBot, KACfan1, Jamaltcwilson, GoingBatty, Tomatosoup97, CactusBot,
KarenCarpenterFan, Tutelary, Lawfulreasoning and Anonymous: 35
Pianist Arranger Composer Conductor Source: http://en.wikipedia.org/wiki/Pianist%20%E2%80%A2%20Arranger%20%
E2%80%A2%20Composer%20%E2%80%A2%20Conductor?oldid=598899481 Contributors: Exxolon, Garion96, Colonies Chris, CmdrObot, The Obento Musubi, Fraykis, Magioladitis, Airproong, Bubba hotep, Cloudz679, Jogersbot, Lukehatton, Yobot, Full-date unlinking bot, Tim1357 and Anonymous: 5
If I Were a Carpenter (tribute album) Source: http://en.wikipedia.org/wiki/If%20I%20Were%20a%20Carpenter%20(tribute%
20album)?oldid=622302479 Contributors: Anthony Appleyard, Koavf, Wasted Time R, Colonies Chris, TenPoundHammer, Twas Now,
Angeldeb82, Ss112, The Obento Musubi, Michig, Geniac, Airproong, Twsx, Emeraude, Caliban23, TravelingCat, Pinkadelica, Addbot,
Maddy Mud, Tassedethe, AnomieBOT, Polmcartny, FrescoBot, EmausBot, ZroBot, Mattwallace69 and Anonymous: 16
Very Best of the Carpenters Source: http://en.wikipedia.org/wiki/Very%20Best%20of%20the%20Carpenters?oldid=491773065 Contributors: Koavf, Fisherjs, Airproong, Rusty201, Classicrockfan42, Full-date unlinking bot and Anonymous: 3
Looking for Love (Karen Carpenter song) Source: http://en.wikipedia.org/wiki/Looking%20for%20Love%20(Karen%20Carpenter%
20song)?oldid=599781103 Contributors: Lowellian, D6, John Cardinal, RussBot, Richhoncho, Crodude86, Tassedethe, Ulric1313,
Tim1357, Discographer, Musicloverkcfan1956 and Anonymous: 4
Ticket to Ride Source: http://en.wikipedia.org/wiki/Ticket%20to%20Ride?oldid=636044791 Contributors: SimonP, Gaurav, Hyacinth,
K1Bond007, GPHemsley, Lowellian, Marnanel, Bkonrad, RobinCarmody, R. end, Kuralyov, Grm wnr, Andylkl, RevRagnarok, Cbing01,
Discospinster, FT2, Moochocoogle, CanisRufus, PhilHibbs, Darwinek, Millsdavid, Conny, Shirimasen, Cammoore, Ashley Pomeroy,
Goldom, Fred26, Cruccone, John Cardinal, Koavf, Feydey, The wub, FlaBot, VKokielov, Weebot, Djrobgordon, Flowerparty, Gurch,
Redwolf24, Wasted Time R, Rt66lt, RussBot, Petesmiles, Ericorbit, Yllosubmarine, Kyorosuke, Pagrashtak, WAS, Bantosh, Zakko,
Jogers, Kingboyk, Thetriangleguy, SmackBot, Reedy, GoldenXuniversity, Durova, Marbehraglaim, Mattythewhite, MisterHand, Zone46,
Pcarpent, Wagimawr, Karldaviesfan, Faz90, Alcuin, TenPoundHammer, Nareek, J. Finkelstein, Sdoroudi, Beckerb, Hogyn Lleol,
Adambiswanger1, CuriousEric, ShelfSkewed, AndrewHowse, Cydebot, Radiohawk, AniMate, ST47, Ss112, Demomoke, Ward3001, Richhoncho, BetacommandBot, Kingbotk, Thijs!bot, 2Pac, Nestor E., Bobblehead, ChillyPepper, Roelzzz, Thadius856, The Obento Musubi,
SummerPhD, Prolog, Slowhandsd, Y2kcrazyjoker4, .anacondabot, Freshacconci, Mclay1, Ashadeofgrey, Flami72, Brettalan, BMRR, Captain panda, LoserTalent, Mdumas43073, JayJasper, The Wild Falcon, DykiousMaximus, SieBot, Addit, Stephenginns, Invincor, TheOnlyOne12, AlanUS, Velvetron, RockyAlley, Martarius, Helpsloose, Rodhullandemu, Blanchardb, DragonBot, PixelBot, Elephantissimo, Drdaystrum, Monday94, Putnam269, Durindaljb, Bort27, Darren23, Apanuggpak, Crodude86, Tuzapicabit, Dnsla, Indopug, Kingcrimson2,
Redrkr, WikHead, PL290, Kbdankbot, Addbot, Echoedmyron, Some jerk on the Internet, FokkerTISM, The Shadow-Fighter, Tassedethe, Tide rolls, Zorrobot, PlankBot, Luckas-bot, TaBOT-zerem, J Milburn Bot, Jasperhunt, Saemikneu, Petepait, Isshii, SwisterTwister,
Radiopathy, Kerfuer, Ulric1313, Materialscientist, Citation bot, Giovannii84, Rvd4life, Xqbot, Mimaroba, Drilnoth, Nasnema, The
Evil IP address, Vengo-plus, Cresix, NSH002, Sky Attacker, Democraticmacguitarist, Subliminal-vision, AstaBOTh15, DangTungDuong,
DrilBot, RedBot, TrapShooterPageCreator, Merlion444, Discographer, Martin IIIa, Reach Out to the Truth, Hannyhannibal, Hoops gza,
GabeMc, EmausBot, WikitanvirBot, GoingBatty, RigbyEleanor, Yeepsi, ZroBot, David Furty, Tableclothes, CactusBot, Partthenon, Helpful Pixie Bot, Schweinsteiger444, Uniplex, Dexbot, Kenchan821, Chowhonwai, LyricsBot, Nanonano27, Chartbot, Beatleswhobeachboys,
Music&MovieLuvah, POPROCKSHH and Anonymous: 180
(They Long to Be) Close to You Source: http://en.wikipedia.org/wiki/(They%20Long%20to%20Be)%20Close%20to%20You?oldid=
636027715 Contributors: Rmhermen, Robbot, Lowellian, Andycjp, Roisterer, Drant, D6, Carptrash, Bobo192, Fourthords, Ghirlandajo, Woohookitty, John Cardinal, Philodox-ohki, Rjwilmsi, Koavf, David H Braun (1964), Design, RussBot, Ericorbit, Automail, Mike
Selinker, Jogers, SmackBot, Korakot, Kilo-Lima, Evanreyes, Durova, Bluebot, Unint, CrookedAsterisk, Colonies Chris, Slumgum, George
Ho, Alex 101, Angel Emfrbl, Bib, Silent Tom, LtPowers, MrDarwin, Matty-chan, Lillygirl, Sfaustin3, Midnightblueowl, Scorpion0422,
Toorayay, FairuseBot, Amalas, ShelfSkewed, Cydebot, Radiohawk, Wschiess, Jorge, DumbBOT, Alaibot, The 80s chick, GassyGuy,
Richhoncho, JustAGal, Thadius856, The Obento Musubi, Bitbitz.xx, Etr52, Zephyrnthesky, Ling.Nut, JMyrleFuller, Gwern, Lady Mondegreen, Bounti76, Iknyu, Joost 99, Tinyan1117, Morefun, Chrisvandemore, ACSE, Al-minar, DOHC Holiday, Walor, CyberWiki, Magnius,
Jaespinoza, IllaZilla, BotKung, OlofH, PlanetStar, Rexpilger, TreoBoy680, Aphordonte, Dabomb87, Mook356, Jarzu, E6303, Pineapplemango, Patrick Rogel, DrewDC, AllenQ, Statler&Waldorf, Mr. Laser Beam, Haroldshire, Putnam269, Crodude86, Jax 0677, Wolfer68,
WikHead, Addbot, DA19, Tassedethe, Lightbot, Yobot, Petepait, Mmxx, Valerio79, SwisterTwister, Amicon, AnomieBOT, Rjanag,
Xqbot, Drilnoth, Jeimii, Lisa mynx, WebCiteBOT, Carlossfsu, First Word Sounds Like, LucienBOT, Britboy1976, MastiBot, Full-date
unlinking bot, Vermijn, Discographer, Martin IIIa, Yappy2bhere, Tbhotch, EmausBot, Starcheerspeaksnewslostwars, Alexetc, ZroBot,
02Wahyudi, Asimov123, Robot17, Ben Bohn 89, Jay-Sebastos, , ClueBot NG, CactusBot, Deniska47, BBOY2436, BG19bot, Robl42,
Cavityselfsearch, LongLiveMusic, Mhurrikane, Bartyfoxy, RCoats24, Joy if, User5482, LyricsBot, Ilovetopaint, Jemissinne, Ozmoedawson, Mr. Musc, Highlymedia and Anonymous: 131
We've Only Just Begun Source: http://en.wikipedia.org/wiki/We've%20Only%20Just%20Begun?oldid=636862465 Contributors:
HollyAm, Johnleemk, RBrown, Meelar, Jokestress, Klemen Kocjancic, Heenan73, Moochocoogle, Chaotic, Kznf, John Cardinal, Hailey
C. Shannon, SDC, Newshound, Graham87, BD2412, Koavf, Mfwills, FlaBot, Gareth E Kegg, Wasted Time R, Sus scrofa, Mike Selinker,
GraemeL, SmackBot, Portillo, Ohnoitsjamie, Durova, Colonies Chris, Dual Freq, Babsdude, MichaelBillington, Salamurai, LargsVegas,
Cydebot, Radiohawk, ChrisKun2K5, Richhoncho, JustAGal, Thadius856, The Obento Musubi, Q8-falcon, Zephyrnthesky, Silentaria,
Cricket02, PinkCake, Ron H, Acalamari, Alanfeld, Walor, Tyrant2846, Toddst1, Jimthing, Arriano88, Champiness, Trivialist, DumZiBoT, Addbot, Jafeluv, HBP77, Rbbloom, DA19, Tassedethe, Luckas-bot, AnomieBOT, Lolliapaulina51, Giovannii84, Carlossfsu, Cherrylimerickey, Kgrad, Discographer, Halfhearteddude, Yappy2bhere, Tbhotch, John of Reading, Gars d'ain, Starcheerspeaksnewslostwars,
Speedsh, Wikiturrican, Dohn joe, Frietjes, Kaltenmeyer, LongLiveMusic, Mzjkbee, Lawfulreasoning, Johnjoshua007, Carvin11, LyricsBot and Anonymous: 67
Merry Christmas Darling Source: http://en.wikipedia.org/wiki/Merry%20Christmas%20Darling?oldid=633748478 Contributors: Rich
Farmbrough, Melaen, Woohookitty, Zzyzx11, Ericorbit, NawlinWiki, Crystallina, Durova, Colonies Chris, Broken Claw, Amalas, Richhoncho, Daniel Newman, The Obento Musubi, Trancer78, Am86, Craig Adams, Walor, Gridironrb, Sliv812, Wolfer68, Addbot, Nickellmusic,
Rejectwater, Tassedethe, Ikespirit, Jordan68, Erik9bot, Cannolis, DrilBot, Full-date unlinking bot, Discographer, Roarin, ClueBot NG,
Gogonowski, Twsheely, Ssaucedo, BattyBot, LyricsBot and Anonymous: 34
For All We Know (1970 song) Source: http://en.wikipedia.org/wiki/For%20All%20We%20Know%20(1970%20song)?oldid=
626269524 Contributors: BRG, Flcurry, HenryLi, John Cardinal, SDC, YurikBot, Korny O'Near, Melly42, SmackBot, Durova, Bluebot,
188
Colonies Chris, Derek R Bullamore, TenPoundHammer, Syrcatbot, Clarityend, Wykebjs, Cydebot, Ss112, GassyGuy, Richhoncho, TonyTheTiger, The Obento Musubi, RobotG, Zephyrnthesky, RBBrittain, Jmorrison230582, Fferrante, Pugetbill, Am86, Gwern, ObtuseAngle,
Walor, Macaenese5354, ImageRemovalBot, Patrick Rogel, Draggleduck, Tuzapicabit, Wolfer68, SlubGlub, Addbot, Surfmalc, Yobot,
Carlossfsu, FrescoBot, Nyctc7, DrilBot, Tinton5, Discographer, TobeBot, Tbhotch, Brambleclawx, Caractas, Starcheerspeaksnewslostwars, Hollyabdlilacs, LongLiveMusic, Palmerbeepee and Anonymous: 32
Rainy Days and Mondays Source: http://en.wikipedia.org/wiki/Rainy%20Days%20and%20Mondays?oldid=613498270 Contributors:
RBrown, Andycjp, Grstain, John Cardinal, Slgrandson, Koavf, Wasted Time R, SmackBot, Durova, Colonies Chris, Rogermw, Tartan,
TenPoundHammer, Abrazame, Tony Corsini, Cydebot, Richhoncho, Thadius856, The Obento Musubi, RobotG, Zephyrnthesky, Tjwells,
Cricket02, Jarrod76, HornColumbia, MarcoLittel, WWGB, Walor, TravelingCat, ClueBot, Arjayay, MarcM1098, Addbot, Akuner, Giovannii84, Xqbot, Franquomtre, Carlossfsu, FrescoBot, Cfolz88, DrilBot, Tinton5, Cnwilliams, Discographer, Tbhotch, Starcheerspeaksnewslostwars, ROFLPOWNED, Inkimu, LongLiveMusic and Anonymous: 17
Superstar (Delaney and Bonnie song) Source: http://en.wikipedia.org/wiki/Superstar%20(Delaney%20and%20Bonnie%20song)
?oldid=623479241 Contributors: Ciphergoth, Bender235, Phiwum, Palladian, JamesB3, John Cardinal, BD2412, Koavf, Gunslinger,
Wasted Time R, Jepw, RussBot, Thiseye, MCB, J119, SmackBot, The Jaguar, Durova, Chris the speller, Colonies Chris, IrisKawling,
E-Kartoel, Twas Now, Whotookthatguy, J Milburn, ShelfSkewed, Cydebot, Toddd, GassyGuy, Richhoncho, Longwayround, Eco84, Nick
Number, Thadius856, The Obento Musubi, RobotG, Ccradio, ABCxyz, Qwerty Binary, Zephyrnthesky, Froid, JohnnyChicago, Antmusic, SnapSnap, Stewy 89, 72Dino, Gremashlo, STBotD, FraDany, DSL no DOG, Macaenese5354, Pdfpdf, Elkwiki, Zoizoiz2, Holiday56,
Aspects, Binksternet, Wmpuig, Jamekae, XLinkBot, Fugreena, MarcM1098, Gcstackmoney, Addbot, HBP77, Tassedethe, Friarfrank,
QuidProQuo23, SwisterTwister, Kpwla, Ikespirit, Tclpups, LilHelpa, Adam the silly, Carlossfsu, Fortdj33, Nyctc7, DrilBot, Discographer,
John of Reading, WikitanvirBot, Tokmer, Fandraltastic, Starcheerspeaksnewslostwars, Je47, Rickray777, CactusBot, Dshun, Inkimu,
Dobie80, Mkc123, LyricsBot and Anonymous: 71
Bless the Beasts and Children (song) Source: http://en.wikipedia.org/wiki/Bless%20the%20Beasts%20and%20Children%20(song)
?oldid=627318430 Contributors: Samw, Grstain, Rich Farmbrough, John Cardinal, Zzyzx11, KingDaevid, Koavf, RussBot, Fantailfan,
SmackBot, Colonies Chris, Derek R Bullamore, TenPoundHammer, GassyGuy, Richhoncho, Thadius856, The Obento Musubi, WinBot,
Am86, Number87, DumZiBoT, Doniago, Yobot, FrescoBot, DrilBot, Discographer, Gabriel Yuji and Anonymous: 8
Hurting Each Other Source: http://en.wikipedia.org/wiki/Hurting%20Each%20Other?oldid=636494413 Contributors: John Cardinal,
SmackBot, Durova, Colonies Chris, Chadwholovedme, Cydebot, GassyGuy, The Obento Musubi, Manway, Sb26554, EmanWilm, Languorous Lass, Wolfer68, Willgee, Carlossfsu, DrilBot, Discographer, Tbhotch, Starcheerspeaksnewslostwars, LongLiveMusic, ChrisGualtieri, LyricsBot, Ozmoedawson and Anonymous: 14
Its Going to Take Some Time Source: http://en.wikipedia.org/wiki/It's%20Going%20to%20Take%20Some%20Time?oldid=618998662
Contributors: D6, John Cardinal, Wasted Time R, Durova, Colonies Chris, Sct72, SilkTork, Amalas, Cydebot, Richhoncho, The Obento
Musubi, Rlendog, Crodude86, Wolfer68, Addbot, Tassedethe, Luckas-bot, Xqbot, DrilBot, Discographer, Tbhotch, LyricsBot and
Anonymous: 8
Goodbye to Love Source: http://en.wikipedia.org/wiki/Goodbye%20to%20Love?oldid=631058724 Contributors: Lquilter, Targetpuller,
Discospinster, John Cardinal, Gurch, Paul Magnussen, SmackBot, Chris the speller, CSWarren, Colonies Chris, Typoxer76, Clarityend,
Lord of the Puns, Richhoncho, Horologium, The Obento Musubi, JMyrleFuller, InnocuousPseudonym, Jarrod76, WWGB, Martinevans123,
Gbaltzelle, Aspects, Zigwithbag, Auntof6, Ferdinandhudson, Wolfer68, WikHead, MystBot, Addbot, Musdan77, Mikenlesley, Tassedethe,
Luckas-bot, BoogieRock, C5813, Rockypedia, Rtyq2, Xqbot, Cresix, Discographer, Melthamman, Difu Wu, Hiddenstranger, BillyPreset,
Racerx11, Vanished user zq46pw21, Inkimu, LyricsBot and Anonymous: 32
Sing (Joe Raposo song) Source: http://en.wikipedia.org/wiki/Sing%20(Joe%20Raposo%20song)?oldid=629470312 Contributors: Zanimum, Discospinster, MisterBadIdea, Japanese Searobin, John Cardinal, Koavf, Briguy52748, Idaltu, Wasted Time R, Dissolve, Mike
Selinker, EJSawyer, SmackBot, Durova, Colonies Chris, Xiner, Oanabay04, Salamurai, Nareek, Dickclarkfan1, Luigibob, ShelfSkewed,
Twelsht, Cydebot, Ss112, Jacobsnchz, Ward3001, GassyGuy, Richhoncho, JAF1970, Fisherjs, 0dd1, JSmith60, JustAGal, Jbl1975, The
Obento Musubi, Zephyrnthesky, Telxon04, Kingpigeon, Brittany Ka, R'n'B, Hippi ippi, Mrceleb2007, Xanderson, LastChanceToBe, Alminar, Zoizoiz2, VinnieRattolle, Fratrep, Sun Creator, Joker1974, Tuzapicabit, Wolfer68, Addbot, MJEH, Giovannii84, Photouploadrr,
Carlossfsu, Erik9bot, Cherrylimerickey, Nyctc7, DrilBot, Schmitzhugen, Full-date unlinking bot, Cnwilliams, Discographer, Martin IIIa,
Swingingfriends, Dr. Salvia, Tbhotch, Starcheerspeaksnewslostwars, Smartie2thaMaxXx, ClueBot NG, CactusBot, LongLiveMusic, Lawfulreasoning, LyricsBot and Anonymous: 40
Yesterday Once More (song) Source: http://en.wikipedia.org/wiki/Yesterday%20Once%20More%20(song)?oldid=625600841 Contributors: Grstain, Rich Farmbrough, Deadworm222, Woohookitty, John Cardinal, Koavf, Vegaswikian, Wasted Time R, Markt3, Dissolve,
SmackBot, Durova, Colonies Chris, J 1982, Luigibob, Image of me, CmdrObot, ShelfSkewed, Cydebot, Synergy, Richhoncho, Headbomb,
The Obento Musubi, Qwerty Binary, Zephyrnthesky, Quadibloc, Agunimon, Le.Grand.pensif, Deconstructhis, Zoizoiz2, Krawi, Joe Suggs,
DumZiBoT, Wolfer68, Fugreena, Addbot, Tassedethe, J4lambert, Zhuxiaonuan, Aldo samulo, Carlossfsu, Lundgren8, Ankit555551,
PigFlu Oink, Full-date unlinking bot, Discographer, Martin IIIa, Tbhotch, Hiddenstranger, EmausBot, Starcheerspeaksnewslostwars,
ZroBot, ChuispastonBot, BattyBot, Lucifer1998, LyricsBot, Thegreatelgrande and Anonymous: 42
Top of the World (The Carpenters song) Source: http://en.wikipedia.org/wiki/Top%20of%20the%20World%20(The%20Carpenters%
20song)?oldid=637421357 Contributors: Yudel, Jeq, Carptrash, Musiphil, Bjones, John Cardinal, Tabercil, Koavf, Extraordinary Machine, Ericorbit, Tenebrae, Markt3, Mike Halterman, Durova, Caldorwards4, Colonies Chris, J 1982, Lillygirl, Monni95, E-Kartoel, Cydebot, B, Jameboy, DumbBOT, Gimmetrow, Richhoncho, Phopon, The Obento Musubi, Geniac, Lawikitejana, Koalix, LovePatsyCline,
Mooco2006, Totoleung, J.delanoy, FriendlyRiverOtter, Mahewa, STBotD, Quadibloc, Dr Santa, Chrzcline1961, Aerodynes, CS1961,
Sliv812, TJRC, HuggaBounce, Eric444, Bentogoa, Jnear147, ChrisTofu11961, Dabomb87, David829, Sfan00 IMG, Kanguole, DumZiBoT, Mbakkel2, Jax 0677, Wolfer68, Prosperosity, Addbot, Caden, Download, Tassedethe, Luckas-bot, Yobot, Ulric1313, Materialscientist, J04n, Sjcguy, RedBot, Full-date unlinking bot, Tasuki78, Vita&Violet, Discographer, Tbhotch, John of Reading, Thecheesykid,
ClueBot NG, Redking11, Blaguymonkey, Snotbot, Kanata944, Metricopolus, Danny Rebellion, EditorE, Joy if, LyricsBot and Anonymous: 54
Jambalaya (On the Bayou) Source: http://en.wikipedia.org/wiki/Jambalaya%20(On%20the%20Bayou)?oldid=627427503 Contributors:
Rl, BRG, Nach0king, Mushroom, Smjg, Varlaam, Alexander.stohr, Edcolins, R. end, Bender235, Bobo192, Mcraigw, Rjwilmsi, Feydey,
Yamamoto Ichiro, FlaBot, Gurch, FeldBum, Design, Algebraist, Patman2648, Hede2000, Buried Alien, Gaius Cornelius, Markt3, Dforest,
Aaron charles, AjaxSmack, Cromag, Masonbarge, SmackBot, Brianyoumans, Hmains, Durova, Colonies Chris, Bib, Derek R Bullamore,
18.1. TEXT
189
TenPoundHammer, Michael miceli, Canadaolympic989, ChrisCork, Wjr8, CmdrObot, ShelfSkewed, Simmiecity, Cydebot, Ss112, Diuoroethene, Richhoncho, The Obento Musubi, Efyoo, DerHexer, Alx 91, InnocuousPseudonym, R'n'B, Paraparanormal, Littlebum2002,
Dannys-777, Mrceleb2007, Joshmedici, Sumori, Hammondd, GDuwen, Macaenese5354, Cvbear, Eric444, Mojoworker, David829, ImageRemovalBot, ClueBot, Trivialist, Faerie Queene, Documentation Required, Mersey44, Mbakkel2, Yung dre 59, Kbdankbot, Addbot,
Kitchen roll, Jeanne boleyn, This is Paul, Mbinebri, Tide rolls, WolfSpear, Luckas-bot, J Milburn Bot, Cajunradio, Materialscientist, RadioBroadcast, Zuateg, Amaury, Carlossfsu, FrescoBot, MBelzer, Threeocs, Discographer, WandaRMinstrel, Martin IIIa, FaustoNicolini,
Starcheerspeaksnewslostwars, Bonnie13J, Ajrekol, Carlstak, LongLiveMusic, Khazar2, Lawfulreasoning, Narky Blert, SukeyTawdry and
Anonymous: 73
I Won't Last a Day Without You Source: http://en.wikipedia.org/wiki/I%20Won't%20Last%20a%20Day%20Without%20You?oldid=588346371
Contributors: Rich Farmbrough, John Cardinal, Koavf, Hraefen, Durova, Colonies Chris, Babsdude, Cydebot, JGabbard, GassyGuy,
Richhoncho, Wikid77, The Obento Musubi, Zephyrnthesky, Geniac, Danmuse, Am86, Zoizoiz2, Draggleduck, Wolfer68, Nickellmusic, Yobot, Ulric1313, Carlossfsu, Erik9bot, PigFlu Oink, DrilBot, Discographer, Starcheerspeaksnewslostwars, LongLiveMusic,
ChrisGualtieri, LyricsBot and Anonymous: 13
Please Mr. Postman Source: http://en.wikipedia.org/wiki/Please%20Mr.%20Postman?oldid=629298240 Contributors: Jenmoa, Curps,
Proslaes, Goldom, John Cardinal, Smmurphy,
, DavidFarmbrough, Ted Wilkes, Koavf, Bensin, FuriousFreddy, BrothaTimothy, Amchow78, Evilphoenix, Wasted Time R, YurikBot, Ericorbit, KeithD, Howcheng, Bancroftian, Mike Selinker, Jogers, Kingboyk,
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PinkCake, Andrewquang, Dirtpig, TXiKiBoT, Dendodge, Frankaustx, Corrector of Spelling, Carmaker1, Velvetron, ClueBot, Tompen,
TypoBoy, Iohannes Animosus, Thehelpfulone, Robsiej, Bbbnbbb, XLinkBot, Wolfer68, Rror, PL290, Halls452, Addbot, Noozgroop,
Dayewalker, Lightbot, Zorrobot, Yobot, Triviaholic, Petepait, 1234567891o, EnBob08, Radiopathy, Citation bot, Giovannii84, Ttc817,
Magegg, Profh0011, Carlossfsu, Cherrylimerickey, NSH002, Hyju, Democraticmacguitarist, Joe59108, Discographer, Godseeker4me,
Vazetto, Beat 768, Halls4521, Canuckian89, RjwilmsiBot, Hoops gza, Cdhxx, Starcheerspeaksnewslostwars, GoingBatty, RodrigoQuesada, John of Lancaster, Yeepsi, ZroBot, LittleGee, LionFosset, ClueBot NG, SgtPetsounds, Fried rice with eggs, Joeyjoejoke, David
Regimbal, Drjandlynn, Joy if, LyricsBot, Lbow1970, Beatleswhobeachboys, Poppermost2014 and Anonymous: 96
Santa Claus Is Coming to Town Source: http://en.wikipedia.org/wiki/Santa%20Claus%20Is%20Coming%20to%20Town?oldid=
637801618 Contributors: Eclecticology, Jimfbleak, Sir Paul, BRG, Raul654, Bearcat, Eagle eyes, Mervyn, Beardo, Alensha, Hiphats,
Andycjp, CALR, Discospinster, Cdyson37, Moochocoogle, Bender235, Evice, Remember, B Touch, Kbir1, Bellhalla, Georgia guy, Mazca,
Aaaardy, Hailey C. Shannon, Zzyzx11, ArCgon, DavidFarmbrough, Graham87, Deltabeignet, ElKevbo, Ucucha, FuriousFreddy, SNIyer12,
Gareth E Kegg, Wasted Time R, Quentin X, Extraordinary Machine, Tenebrae, CambridgeBayWeather, Jellyj5, Janke, Obi-WanKenobi2005, Getcrunk, Scorpiusdiamond, Mike Selinker, Jogers, Thelb4, SmackBot, Sahafan, B.Wind, Carl.bunderson, Colonies Chris, Dethme0w, Bib, FredRys, FreakyFlyBry, Freshyill, Pumpkinbootz, TenPoundHammer, J 1982, SilkTork, Eurodog, Yip1982, Iridescent, Esn,
Phreppen, Alium, Raine r pierre, Schweiwikist, ShelfSkewed, Cydebot, D, Polo Muncher, Kbthompson, Paulmarkj, Lucyricardo, Jfarajr,
MasterA113, Y2kcrazyjoker4, Pdpp, TheLetterM, El Zoof, J.delanoy, Aleksandr Grigoryev, Eduemoni, Mauitunes, WFinch, SchirmerPower, Lmarbury, Izzy007, Egghead06, VolkovBot, Chironomia, Jackgill06, Tuestor, UnitedStatesian, Sliv812, Ryguy88games, Eric444,
Realist2, Fratrep, ClueBot, JACK5555, GorillaWarfare, Magiciandude, Pittsburgh Poet, Firesky, Alexbot, Monobi, Matthew R Dunn,
Arjayay, Editor510, SpaceCow4, Indopug, Dcelano, Mbakkel2, Jax 0677, XLinkBot, Prosperosity, Myxxd, Addbot, Suddenly There Is
a Valley, Nickellmusic, HBP77, Novalia, LaaknorBot, Tassedethe, Lightbot, Unplugging, KamikazeBot, AnomieBOT, Ville Silimaa,
Giovannii84, ArthurBot, Xqbot, Michel565, Tomlizjamal, Carlossfsu, FrescoBot, LucienBOT, Chris7cn, Tetraedycal, Tinton5, RandomStringOfCharacters, LordLiberation, Dhabolt, Discographer, Bluestuf, Pga1965, Tonyboy bautista, Joseon, Gameaddict30, EmausBot,
Starcheerspeaksnewslostwars, GoingBatty, ZroBot, GeorgeBarnick, Housewatcher, Adamgerace, Xmetov, BillBoobJoe, 28bot, ClueBot
NG, Beatricehartman, Tsnash, Schmamie, Vacation9, Habertix, BallistaBualo, Jeremyeyork, BG19bot, Theherald1000, Cascada0121,
CodyWherestheBeef, Dodosticks, Qetuth, Ajaxore, DemirBajraktarevic, ChrisGualtieri, 009o9, 09ruru09, Emilia Sweden, Everyone calls
me Lol, Kanghuitari, Mayurai, Prof.Dr.Henri Balla, Corn cheese, Loggedforonetime,
, AshFR, Hccm, LyricsBot, Joe Szczechowski
and Anonymous: 198
Only Yesterday (song) Source: http://en.wikipedia.org/wiki/Only%20Yesterday%20(song)?oldid=589691749 Contributors: D6, Colonies
Chris, Cydebot, Richhoncho, The Obento Musubi, Zephyrnthesky, A Nobody, Swaddon1903, RoyFocker, Steven J. Anderson, Zoizoiz2,
Draggleduck, Crodude86, Wolfer68, Addbot, Tassedethe, Yobot, Ikespirit, Carlossfsu, DrilBot, Cnwilliams, Discographer, Tbhotch,
Starcheerspeaksnewslostwars, Oneononetvseries, LyricsBot and Anonymous: 17
Solitaire (Neil Sedaka song) Source: http://en.wikipedia.org/wiki/Solitaire%20(Neil%20Sedaka%20song)?oldid=635605097 Contributors: Slrubenstein, D6, Graham87, Koavf, Mike Dillon, SmackBot, Durova, Colonies Chris, Grimhim, E-Kartoel, Maria202, Cydebot,
Richhoncho, The Obento Musubi, Zephyrnthesky, Geerr, rdRuadh21, Am86, InnocuousPseudonym, Mauitunes, Katydidit, Dom Kaos,
Walor, Colleenthegreat, Aspects, Romit3, JoBrLa, Crodude86, Joe Suggs, Classicrockfan42, Wolfer68, Myxxd, Nickellmusic, Tassedethe,
MatthewWaller, Carlossfsu, Cherrylimerickey, Discographer, Starcheerspeaksnewslostwars, AvicAWB, Elektrik Shoos, Wherelovelives,
Ciciliati, Jdtaylor71, Helpful Pixie Bot, Inkimu, LongLiveMusic and Anonymous: 29
Theres a Kind of Hush Source: http://en.wikipedia.org/wiki/There's%20a%20Kind%20of%20Hush?oldid=617586231 Contributors:
Sjorford, Grstain, Mike Selinker, SmackBot, Amcbride, Colonies Chris, Ohconfucius, E-Kartoel, BigT2006, Impy4ever, Amalas, MFlet1,
Cydebot, ChrisKun2K5, GassyGuy, Richhoncho, The Obento Musubi, AdamDeanHall, Rbb l181, Zephyrnthesky, KConWiki, InnocuousPseudonym, Retro junkie, Quadibloc, Rlendog, Aspects, Mbfc2878, Wolfer68, SpellingBot, Tassedethe, Fraggle81, AnomieBOT, Ikespirit, Quenton23, Carlossfsu, Cherrylimerickey, Pjc1961, Discographer, Martin IIIa, Tbhotch, EmausBot, Starcheerspeaksnewslostwars,
We hope, YYP, ClueBot NG, RichardOSmith, LyricsBot and Anonymous: 28
I Need to Be in Love Source: http://en.wikipedia.org/wiki/I%20Need%20to%20Be%20in%20Love?oldid=633467857 Contributors:
Bobo192, John Cardinal, Rjwilmsi, Koavf, RussBot, Durova, Colonies Chris, Derek R Bullamore, Yip1982, Impy4ever, Cydebot, Krylonblue83, Richhoncho, X96lee15, The Obento Musubi, Zephyrnthesky, Geniac, Jarrod76, Zoizoiz2, TJRC, Aloy1016, DumZiBoT, Wolfer68,
Prosperosity, Tassedethe, Carlossfsu, DrilBot, Discographer, Martin IIIa, EmausBot, Starcheerspeaksnewslostwars, Todkm, LyricsBot,
Chartbot and Anonymous: 11
Goofus (song) Source: http://en.wikipedia.org/wiki/Goofus%20(song)?oldid=623085722 Contributors: BRG, D6, Smmurphy, Koavf,
Avisitor2, Jogers, Colonies Chris, Impy4ever, Amalas, Cydebot, Richhoncho, The Obento Musubi, Jgbook2007, Lawikitejana, Crodude86,
Wolfer68, J04n, Discographer, Martin IIIa, Starcheerspeaksnewslostwars, GoingBatty, LyricsBot, Chartbot and Anonymous: 7
190
Breaking Up Is Hard to Do Source: http://en.wikipedia.org/wiki/Breaking%20Up%20Is%20Hard%20to%20Do?oldid=635895730 Contributors: LA2, Carptrash, Ghirlandajo, Woohookitty, Hbdragon88, Bensin, Amchow78, Ravenswing, Ericorbit, C777, SmackBot, Andrea Parton, TenPoundHammer, SilkTork, AEMoreira042281, BigT2006, Stein113, CmdrObot, Cydebot, Alaibot, WAVY 10 Fan,
GassyGuy, Richhoncho, The Obento Musubi, Samtha25, Tjmayerinsf, Zchris87v, Zephyrnthesky, MegX, Dekimasu, JMyrleFuller, InnocuousPseudonym, Jefkal, Cyanolinguophile, Bovineboy2008, Katydidit, Walor, Allan64, Aspects, Fratrep, Werldwayd, Richard David
Ramsey, ClueBot, Kotniski, JoBrLa, Germbowl, Mbfc2878, Rockfang, Muhandes, Wolfer68, WikHead, Addbot, Caden, Suddenly There
Is a Valley, LaaknorBot, Dreadarthur, J Milburn Bot, Petepait, Radiopathy, AnomieBOT, Riverstepstonegirl, Kingpin13, Giovannii84,
Carlossfsu, English1123, Discographer, EmausBot, Andrei Cvhdsee Brazil, Starcheerspeaksnewslostwars, GoingBatty, Condemned82,
Wherelovelives, Housewatcher, Geofth, Jordanelliottkamnitzer, CactusBot, Syu1963, LongLiveMusic, Sam navera, Mogism, LyricsBot,
Excelsior16, Karl Twist and Anonymous: 55
All You Get from Love Is a Love Song Source: http://en.wikipedia.org/wiki/All%20You%20Get%20from%20Love%20Is%20a%
20Love%20Song?oldid=628676087 Contributors: Alansohn, GregorB, Koavf, Colonies Chris, Impy4ever, Ss112, The Obento Musubi,
Wanengineer, Lightmouse, WordyGirl90, Wolfer68, Yobot, AnomieBOT, PSIMagnet17, DrilBot, Cnwilliams, Discographer, Tbhotch,
Inkimu, Lawfulreasoning, Redd Foxx 1991, LyricsBot, MiraModreno and Anonymous: 11
Calling Occupants of Interplanetary Craft Source: http://en.wikipedia.org/wiki/Calling%20Occupants%20of%20Interplanetary%
20Craft?oldid=632858814 Contributors: Bryan Derksen, Gsl, Tregoweth, GRAHAMUK, Bearcat, Babbage, Hiphats, Jokestress, Klemen
Kocjancic, Grm wnr, RandalSchwartz, D6, Rich Farmbrough, Syp, ^ ^, Jess Cully, Kouban, Bellhalla, Millard73, John Cardinal, Hellmark,
Korny O'Near, Bossrat, Davidpatrick, Mike Selinker, Arthur Rubin, SmackBot, B.Wind, Betacommand, Durova, Colonies Chris, Phillg,
Salamurai, TenPoundHammer, Mavarin, Cydebot, Ss112, The Obento Musubi, EarthPerson, Giftednumber10, Antmusic, FMAFan1990,
Spcranger, WWGB, Magicspa, MWielage, Invocante, SBaumanSF, Twinsday, Helpsloose, Piriczki, Trivialist, Goesto11, Crodude86, AndrewPro, Wolfer68, WikHead, Suddenly There Is a Valley, 5 albert square, Tassedethe, Chy3d12, DrilBot, Tinton5, TRBP, Discographer,
Martin IIIa, Tbhotch, Raphael75, Hiddenstranger, Insomesia, Pablodendraek, Mrwallace05, HocolPrarum, DanH567, Shikari 123 and
Anonymous: 39
The Christmas Song Source: http://en.wikipedia.org/wiki/The%20Christmas%20Song?oldid=636992865 Contributors: Zoe, Cyde,
BRG, Raul654, Rfc1394, Nunh-huh, Gamaliel, Andycjp, Phil Sandifer, Rdsmith4, Husnock, Mattbrundage, Alvis, Woohookitty, Tertiary7, Zzyzx11, Graham87, Mayumashu, Koavf, Wahkeenah, FuriousFreddy, Supertrouperdc, Gareth E Kegg, Quentin X, Extraordinary Machine, RussBot, Dahveed76, Grafen, Engineer Bob, Bantosh, Mike Selinker, FanofCAow, TMott, Captain Cornake, SmackBot, Kintetsubualo, Gilliam, Carl.bunderson, Durova, CajunGypsy, Agateller, Cathryn, DHN-bot, Blicarea, Babsdude, Karldaviesfan,
Stevemko, John, J 1982, ItsOnlyU, Yip1982, Lfvcl, TJ Spyke, Donmccullen, Metre01, J Di, Billy Hathorn, Lasersharp, ShelfSkewed,
Cydebot, DyNama, Richhoncho, Headbomb, Bolak, QuasyBoy, Nick Number, Martyn Smith, Jayron32, 17Drew, Tjmayerinsf, Wikibryce, Arx Fortis, Ghmyrtle, Ekabhishek, Dsp13, Xeno, MegX, RBBrittain, Froid, Supernatural02, Antmusic, SnapSnap, JMyrleFuller,
Esanchez7587, SquidSK, InnocuousPseudonym, R'n'B, Dewelar, J.delanoy, Jb413, Mauitunes, Acalamari, Trippersham, Jozaidins, Mdumas43073, Martin4647, Kai81, RjCan, Dtwmjb12, Gekritzl, Labalius, Sliv812, Pjoef, SieBot, Eric444, Anglicanus, Dgsvoboda, Baseball
Bugs, Wysinger, Ralphy j, Lovetoadmire, COBot, Wantnot, Smashville, Myname808, Anotherinkling, Trivialist, Mr. Laser Beam, Kitsunegami, Muhandes, Bleubeatle, DatDoo, SchreiberBike, Another Believer, Zennon66, Bbruscin, Adamskiuk2002, XLinkBot, Ral01,
Preskil, Vhackett, Addbot, Jafeluv, Nickellmusic, 5tony4ill, Tassedethe, Lightbot, OlEnglish, Luckas-bot, Yobot, Granpu, Giusex27sc,
A Stop at Willoughby, AnomieBOT, Kikkokalabud, JackieBot, Giovannii84, ArthurBot, Sk8erock, Xqbot, Mr. Frank, Bs308706, GrouchoBot, Eschorn, Olafolafsson, Angel310, Rsolermo, FrescoBot, Fortdj33, EulerOperator, Elfast, RedBot, Grapefruit8, Jazzman2010,
PlatinumFire, Discographer, WandaRMinstrel, Egorock, Kristelzorina, Vrenator, Xxmatt2010xx, Tia2, GoingBatty, Yeepsi, Housewatcher,
Status, Queen2105, Uzerakount, ClueBot NG, Mathiassandell, Loginnigol, Easy4me, Mrstickman, Jeremyeyork, JamesAlan1986, Trnhgduoc2222, Cascada0121, RogerSandega, Sendu1984, LongLiveMusic, BattyBot, Pontini, Sibtain 007, SD5bot, Jandbadbay, Carvin11,
Db23, LyricsBot, Chartbot, Mozfanboy, CoreyMays, Joel52st, Highlymedia, Fdicarlantonio and Anonymous: 257
Sweet, Sweet Smile Source: http://en.wikipedia.org/wiki/Sweet%2C%20Sweet%20Smile?oldid=568676421 Contributors: D6, GregorB,
Rms125a@hotmail.com, Evlekis, FairuseBot, Richhoncho, The Obento Musubi, BravesFan2006, Eric444, Crodude86, Wolfer68, Tassedethe, Cherrylimerickey, Discographer, Helpful Pixie Bot, LyricsBot and Anonymous: 5
I Believe You Source: http://en.wikipedia.org/wiki/I%20Believe%20You?oldid=573038275 Contributors: D6, Koavf, Open2universe,
Durova, Colonies Chris, ShelfSkewed, Ss112, Horologium, Naniwako, Nostaljack, Crodude86, Wolfer68, AtheWeatherman, LilHelpa, Me
Troglodyte, Cherrylimerickey, DrilBot, Discographer, Titodutta, LyricsBot and Anonymous: 9
Touch
Me
When
We're
Dancing
Source:
http://en.wikipedia.org/wiki/Touch%20Me%20When%
20We're%20Dancing?oldid=625493821 Contributors: Bobo192, Koavf, Rynosoft, Briguy52748, SmackBot, Caldorwards4, Colonies
Chris, TenPoundHammer, BigT2006, Canadaolympic989, Cydebot, Publichall, Ss112, GassyGuy, Richhoncho, The Obento Musubi,
Zephyrnthesky, Phillafella, Faizhaider, Dailynetworks, Eric444, David829, AlasdairGreen27, Olliyeah, Crodude86, Kbdankbot,
Ryanbstevens, Yobot, Citation bot, Carlossfsu, Cherrylimerickey, Discographer, ChrisGualtieri, LyricsBot and Anonymous: 13
(Want You) Back in My Life Again Source: http://en.wikipedia.org/wiki/(Want%20You)%20Back%20in%20My%20Life%20Again?
oldid=614630310 Contributors: D6, Koavf, Fram, Brianyoumans, Colonies Chris, Sakurambo, The Obento Musubi, Ling.Nut, Erpy83,
Eric444, Crodude86, Roux, Capricorn42, Juan1776, Thehelpfulbot, Discographer, Starcheerspeaksnewslostwars, Inkimu, BattyBot, Synthwave.94 and Anonymous: 5
Those Good Old Dreams Source: http://en.wikipedia.org/wiki/Those%20Good%20Old%20Dreams?oldid=612232935 Contributors:
Koavf, SmackBot, Colonies Chris, Ss112, Richhoncho, Naniwako, Crodude86, DrilBot, Discographer, Yappy2bhere, Starcheerspeaksnewslostwars, LyricsBot and Anonymous: 10
Beechwood 4-5789 Source: http://en.wikipedia.org/wiki/Beechwood%204-5789?oldid=624652077 Contributors: Skybunny, D6, Rich
Farmbrough, Huntster, Alansohn, John Cardinal, Kelisi, Rjwilmsi, Koavf, BrothaTimothy, K6rfm, Tom Morris, Herostratus, Wencer, Igbo,
Durova, Colonies Chris, Sct72, Derek R Bullamore, TenPoundHammer, BigT2006, Cydebot, Ss112, Richhoncho, The Obento Musubi,
InnocuousPseudonym, Katharineamy, Crodude86, Halls452, Kbdankbot, Tassedethe, Mjquinn id, Ernmitch, Carlossfsu, Cherrylimerickey,
FrescoBot, Brutananadilewski, Tinton5, Discographer, Halls4521, AmericanLeMans, Starcheerspeaksnewslostwars, CactusBot, Estreet1,
Salacious Crumb and Anonymous: 18
Make
Believe
Its
Your
First
Time
Source:
http://en.wikipedia.org/wiki/Make%20Believe%
20It's%20Your%20First%20Time?oldid=614055489 Contributors: Koavf, Colonies Chris, FairuseBot, Richhoncho, Nostaljack,
Crodude86, Wolfer68, DrilBot, Discographer, Jamaltcwilson, Starcheerspeaksnewslostwars, Dustyspringeldfan, LyricsBot and
Anonymous: 7
18.1. TEXT
191
Your
Baby
Doesn't
Love
You
Anymore
Source:
http://en.wikipedia.org/wiki/Your%20Baby%
20Doesn't%20Love%20You%20Anymore?oldid=629506602 Contributors: D6, Bender235, Koavf, Colonies Chris, Ss112, Richhoncho, Horologium, EHonkoop, Crodude86, Willgee, Legobot, Yobot, Kpwla, Discographer, Starcheerspeaksnewslostwars, BG19bot,
Mogism, LyricsBot, ArmbrustBot and Anonymous: 5
Now (The Carpenters song) Source: http://en.wikipedia.org/wiki/Now%20(The%20Carpenters%20song)?oldid=605162529 Contributors: Pol098, Tedder, Ss112, Richhoncho, Nick Number, Crodude86 and Anonymous: 3
Little Altar Boy Source: http://en.wikipedia.org/wiki/Little%20Altar%20Boy?oldid=560930619 Contributors: D6, Koavf, Colonies
Chris, Blake-, Richhoncho, TFunk, Wavehunter, Exert, Crodude86, Wolfer68, Nickellmusic, Yobot, DrilBot, Discographer, IveSeenIt,
Helpful Pixie Bot, LyricsBot and Anonymous: 3
Honolulu City Lights Source: http://en.wikipedia.org/wiki/Honolulu%20City%20Lights?oldid=634571940 Contributors: Canterbury
Tail, Koavf, TexasAndroid, Colonies Chris, Ser Amantio di Nicolao, J 1982, Ss112, The Obento Musubi, Magioladitis, Softlavender,
Crodude86, SoxBot III, Wolfer68, Student.je, J04n, DrilBot, Discographer and Anonymous: 7
Something in Your Eyes (Richard Carpenter song) Source: http://en.wikipedia.org/wiki/Something%20in%20Your%20Eyes%
20(Richard%20Carpenter%20song)?oldid=634093721 Contributors: D6, Koavf, J 1982, Ss112, Krylonblue83, Richhoncho, The Obento
Musubi, Crodude86, Anticipation of a New Lovers Arrival, The, Lightbot, Discographer, Ammodramus, Hiddenstranger, Starcheerspeaksnewslostwars and Anonymous: 4
If I Had You (The Carpenters song) Source: http://en.wikipedia.org/wiki/If%20I%20Had%20You%20(The%20Carpenters%20song)
?oldid=634094104 Contributors: D6, Koavf, Ericorbit, SmackBot, Colonies Chris, J 1982, DanielRigal, ShelfSkewed, Cydebot, Ss112,
Richhoncho, The Obento Musubi, Crodude86, Wolfer68, Tassedethe, Discographer, Martin IIIa, LyricsBot and Anonymous: 6
Let Me Be the One (The Carpenters song) Source: http://en.wikipedia.org/wiki/Let%20Me%20Be%20the%20One%20(The%
20Carpenters%20song)?oldid=611372746 Contributors: Zundark, Koavf, Cydebot, Ss112, Richhoncho, Horologium, McDoobAU93, Crodude86, HBP77, Ulric1313, Discographer, LyricsBot and Anonymous: 3
Tryin' to Get the Feeling Again Source: http://en.wikipedia.org/wiki/Tryin'%20to%20Get%20the%20Feeling%20Again?oldid=602492690
Contributors: Centrx, Koavf, SmackBot, TenPoundHammer, Pwforaker, Cydebot, GassyGuy, Richhoncho, The Obento Musubi,
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Ave Maria (Bach/Gounod) Source: http://en.wikipedia.org/wiki/Ave%20Maria%20(Bach/Gounod)?oldid=628412804 Contributors: Ed
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Rainbow Connection Source: http://en.wikipedia.org/wiki/Rainbow%20Connection?oldid=630412848 Contributors: Kchishol1970,
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List of songs recorded by The Carpenters Source: http://en.wikipedia.org/wiki/List%20of%20songs%20recorded%20by%20The%
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Anonymous: 2
All of My Life (The Carpenters song) Source: http://en.wikipedia.org/wiki/All%20of%20My%20Life%20(The%20Carpenters%
20song)?oldid=607152405 Contributors: Anthony Appleyard, John Cardinal, Hraefen, ShelfSkewed, Richhoncho, The Obento Musubi,
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Baby Its You Source: http://en.wikipedia.org/wiki/Baby%20It's%20You?oldid=637727677 Contributors: Andres, Mervyn, Gamaliel,
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192
California Dreamin' Source: http://en.wikipedia.org/wiki/California%20Dreamin'?oldid=637904243 Contributors: Frecklefoot, Tregoweth, CesarB, TUF-KAT, Scott, Rl, Djungelurban, Pashpaw, Ajd, Postdlf, Marnanel, Joeybabe25, Geni, ConradPino, Grm wnr,
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Can't Smile Without You Source: http://en.wikipedia.org/wiki/Can't%20Smile%20Without%20You?oldid=625412953 Contributors:
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Caravan (1937 song) Source: http://en.wikipedia.org/wiki/Caravan%20(1937%20song)?oldid=636781547 Contributors: Infrogmation,
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Desperado (song) Source: http://en.wikipedia.org/wiki/Desperado%20(song)?oldid=635215315 Contributors: Lou Sander, Shizhao, Topbanana, Robbot, Dale Arnett, Jbinder, Freakofnurture, Glyniss, Edgarde, Cmdrjameson, Geschichte, Kinghajj, Rentastrawberry, Ianblair23,
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Don't Cry for Me Argentina Source: http://en.wikipedia.org/wiki/Don't%20Cry%20for%20Me%20Argentina?oldid=637426191 Contributors: Flyingbird, Ajd, Postdlf, Smb1001, Brockert, Iantresman, Fg2, TheCustomOfLife, Aralvarez, Rich Farmbrough, Moochocoogle,
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18.1. TEXT
193
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Flat Baroque Source: http://en.wikipedia.org/wiki/Flat%20Baroque?oldid=571265062 Contributors: Rich Farmbrough, John Cardinal,
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Help! (song) Source: http://en.wikipedia.org/wiki/Help!%20(song)?oldid=637410141 Contributors: GPHemsley, Robbot, Lowellian, Dissident, Dsemaya, RobinCarmody, Ary29, Avihu, Cbing01, Adambro, Xevious, DaveGorman, TheParanoidOne, Walter Grlitz, Goldom,
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I'll Be Home for Christmas Source: http://en.wikipedia.org/wiki/I'll%20Be%20Home%20for%20Christmas?oldid=637492990 Contributors: Andy, Utcursch, Andycjp, DavidBrooks, Rdsmith4, Discospinster, Hattrem, Tabletop, Mandarax, Graham87, Rjwilmsi, Koavf,
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Indopug, Jax 0677, Prosperosity, 1cookiegs2, Vhackett, Addbot, Hahc21, Goofy94101, Suddenly There Is a Valley, Nickellmusic, Ryanbstevens, Tassedethe, Ben Ben, Maxime9232, AnomieBOT, Builtbyanimals, JackieBot, Citation bot, Giovannii84, ArthurBot, LilHelpa,
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BG19bot, Cascada0121, Sendu1984, Twsheely, Rham18, Caitlin28, Joshtaco, Chihciboy, Songsteel, Telegraph Totter, Carvin11, LyricsBot, Chartbot, ThisIsMe Don, Lmuston, Seventhreeve, Highlymedia, Fdicarlantonio and Anonymous: 105
I'll Never Fall in Love Again Source: http://en.wikipedia.org/wiki/I'll%20Never%20Fall%20in%20Love%20Again?oldid=628047145
Contributors: RobinCarmody, Grstain, Rich Farmbrough, Carptrash, Shenme, Bluebec, Wild Pegasus, Woohookitty, Graham87, BD2412,
Roger McCoy, Viva Chile, OpenToppedBus, Gareth E Kegg, SmackBot, Slashme, Finavon, Durova, Bluebot, Unint, Colonies Chris,
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MG291, JClark2906, Morefun, Eyebeeuk, Bookdrop, PlanetStar, Eric444, Aloy1016, Theaternearyou, Allan64, Night Time, SplitGuy,
Mook356, Patrick Rogel, Keraunoscopia, Niceguyedc, Dylan620, Tbmurphy, Putnam269, Mbakkel2, Jax 0677, Kbdankbot, Addbot,
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Discospinster, Sj, Koavf, Bensin, RussBot, Ericorbit, SmackBot, Steelbeard1, The family cat, Alaibot, Richhoncho, Magioladitis,
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13
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Wdg363, Igelterror, Dragonslayer1259, Ccorder22, Nlsbarza and Anonymous: 34
194
18.1. TEXT
195
Where Do I Go from Here (England Dan & John Ford Coley song) Source: http://en.wikipedia.org/wiki/Where%20Do%20I%20Go%
20from%20Here%20(England%20Dan%20%26%20John%20Ford%20Coley%20song)?oldid=613393829 Contributors: Bearcat, Cydebot, Ss112, Rlendog, Tassedethe, Yobot, Cnwilliams, Discographer, Hiddenstranger, And Adoil Descended, Lawfulreasoning, LyricsBot
and Anonymous: 2
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You're Just in Love Source: http://en.wikipedia.org/wiki/You're%20Just%20in%20Love?oldid=613497497 Contributors: BRG, JohnRogers, Rich Farmbrough, Kbdank71, Jogers, SmackBot, Argyll Lassie, OrientalHero, Gilliam, Durova, Jematt, Adcro, Ss112, TonyTheTiger, InnocuousPseudonym, Me, ImageRemovalBot, Mbakkel2, Ondewelle, Lightbot, Yobot, Omnipaedista, Full-date unlinking bot,
Housewatcher, ClueBot NG, Atticusattor, Ledegraf, Peter.loader, LongLiveMusic, LyricsBot and Anonymous: 7
The
Carpenters
Very
First
TV
Special
Source:
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20Carpenters'%20Very%20First%20TV%20Special?oldid=521120483 Contributors: Rich Farmbrough, RJFJR, SmackBot, ProveIt, The
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A Christmas Portrait TV Special Source: http://en.wikipedia.org/wiki/A%20Christmas%20Portrait%20TV%20Special?oldid=
584945334 Contributors: SarekOfVulcan, Rjwilmsi, Derek R Bullamore, BullRangifer, Epbr123, Oakshade, GrahamHardy, Rhododendrites, Drpickem, Yobot, Moseyman, Scooter2501, The Lovable Wolf, Meatsgains, RichardMills65 and Anonymous: 1
The Carpenters: Music, Music, Music Source: http://en.wikipedia.org/wiki/The%20Carpenters%3A%20Music%2C%20Music%2C%
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Superstar: The Karen Carpenter Story Source: http://en.wikipedia.org/wiki/Superstar%3A%20The%20Karen%20Carpenter%
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Trivialist, 6afraidof7, AceTygra, AnomieBOT, Full-date unlinking bot, Lafe Smith, Kgenereux, DBigXray, JShanley98 and Anonymous:
34
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Only Yesterday: The Carpenters Story Source: http://en.wikipedia.org/wiki/Only%20Yesterday%3A%20The%20Carpenters%
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196
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BD2412, Design, RussBot, Mikeblas, Rms125a@hotmail.com, SmackBot, ProveIt, Colonies Chris, BobMack, TenPoundHammer, Michael
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Contributors: Rich Farmbrough, Philip Cross, Rjwilmsi, The Obento Musubi, Fuddle, Fortdj33 and Anonymous: 4
18.2. IMAGES
197
18.2 Images
File:2012-1104-CalArts02.jpg Source: http://upload.wikimedia.org/wikipedia/commons/9/97/2012-1104-CalArts02.jpg License: CC
BY-3.0 Contributors: Own work Original artist: Bobak Ha'Eri
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A version can or could be obtained from the record label.
Original artist: ?
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