K e e l e y C o m p r e ss o r

Thanks for your purchase of the finest hand-built compressor on the

market today. For years now it has been rated the highest in many shootouts and has replaced the compressors of many studio pros. The Keeley
Compressor uses precision parts to keep the sound quality as close to
the original input as possible. Metal film capacitors where harsh sounding
ceramic capacitors were used in the original for cost cutting measures.
Metal film 1% resistors, Teflon wire, and silver solder are used throughout.
Film capacitors and resistors are used in the audio circuits of many highend components because of their ability to recreate the fine details of music.
Tantalum capacitors are used for filtering and stabilizing as they were in
the gray model. Your Keeley Compressor has a 3PDT true bypass switch
for perfect tone when off. I hope you enjoy years of music making with
your compressor. I know that I have found a renewed interest in playing
guitar just because this pedals tone.

In stru citon s
Input

Sustain

Standard signal input connection. It is possible to

connect this pedal to the output of your overdrive/
distortion pedal. I think it sounds best if you go
from your guitar into a tube-sounding distortion
and then into the compressor. Experiment and
find out what variation gives you the tone or effect
you are looking for. Make sure to unplug this jack
when not in use. The circuit and battery are active
until your cord is unplugged. Also, the main chip
in the compressor, the CA3080, is designed for
low-level signals only. The compressor will not
work as well in the effects loop of an amplifier or
after a pre-amp.

You can use this control to give a sustain effect

with almost no increase in noise or high frequency
loss. A great starting point is with the control in
the 9 Oclock position. This is a great place to start
experimenting if you want to run the compressor
all of the time as a tone/level shaper. You can get
a nice, full effect if you run this control in the
12 Oclock position. I like this position for lead
playing. It brings out the note detail. It is also great
for funk style playing. It compresses the notes you
may play too loud and expands the notes you play
too softly.
If you run the control to the 3 Oclock position
or greater, you can get a radical sustain effect.
Although this position does have some slight
increased noise, it allows you to get feedback on
demand. It is truly impressive to get a nice, singing
feedback at low playing levels. This setting is great
for country style chicken pickin or jam-band style
lead playing.

Output

Connect this to the input of your amplifier. It is

also possible to send this output to a variety of other
effects. Please experiment with effect placement in
your signal chain to find the sound that defines
your playing. I like the compressor after the main
overdrive but before pedals you would use for solos
or lead boosts.

Keeley Electronics, 6400 Industrial Blvd. 2nd Floor, Edmond, OK 73034

SHOP TELEPHONE NUMBER 1-405-341-2025 TOLL FREE 1-8668-go-rkfx (1-866-846-7539) / email: [email protected]

Level

Use this control to match the bypass mode signal

with the effected signal. You can also use this as a
volume boost during solos. It provides the ability
to overdrive your amp if you choose. To use the
compressor as a lead boost, simply turn the sustain
all of the way down, and then use the level control
to drive your amp into a sweet overdrive tone.
Inside Adjustments

Attack Control Trim

The attack control is also set all of the way off for
the fastest attack time. Turn this control up for
longer/slower attack times. This is helpful for
humbuckers or bass guitarists that want a very
punchy tone.
For the four knob compressor, the Attack Control
goes from fast (Classic Keeley) to longer/slower
attack times as you turn it Up. The Input Level
Control Trim should be turned all of the way UP
for the stock tone. Turn it Down to reduce the gain
on the input of the compressor, only if you experience
distortion. (Note: This is the reverse from models
where the controls are internal.)

These same inside adjustments are now available

externally on our Four-Knob Compressor, the C4.
The Best Placement in
the Effects Chain for
the Keeley Compressor?

The conventional place for compressors has been

the very first thing after your guitar. However, over
the past couple years I have convinced players to
try it after their main overdrive. The reason for
this is your transition from clean to your main
overdrive will be pretty smooth and pro-sounding.
Most importantly, though, place it before any
lead boost pedals such as the Java Boost. Do not
place the compressor at the end of your chain or
after effects such as delay and echo; it will affect
the performance in a negative way. Email us if you
have any questions.
Warranty

Input Level Control Trim/Clipping

This allows you to reduce distortions that may
be present when you use the Keeley Compressor
with very high output humbuckers or if you use a
booster before the compressor. This is also perfect
for line-level instruments. From the factory it is set
all of the way off (counterclockwise), which is the
classic Keeley Compressor sound. Turn it up to
reduce (clip) the sensitivity of the input.

Your pedal is warranteed against defects for two

years. Parts and labor to repair the unit will be
covered during the warranty period. Parts that the
warranty covers include transistors, ICs, and other
electronic components that may become defective.
Shipping is the responsibility of owner. The
warranty does not cover knobs that are broken or
other parts that are abused. Please take the time to
make sure the jacks are tight. Dont forget, pedals
need maintenance too. If your pedal ever becomes
defective after the warranty period, please send it
back for proper repair.