Sample Lesson Plans For Voice
Sample Lesson Plans For Voice
Sample Lesson Plans For Voice
The following outline programmes are for guidance only, just to give an idea of
what topics are included and how a typical course of lessons might develop.
Each course of lessons, however, will be tailored to the needs of the particular
student and there are likely to be constant adjustments as the course
progresses.
• Warm-up
• Resonance
• Warm-up
3.
• Articulation – tongue, lip and soft palate exercises
• Warm-up
4.
• Articulation – Vowel and consonant combinations
• Warm-up
5. • Talk and text – creating interest (pause, phrasing, emphasis, pace, pitch,
inflection, tone, volume, eye contact, facial expression, body language)
Generic Scheme of Work and Lesson Plans for Voice Coaching
5 x one hour lessons for 1-1 training
• The basic anatomy of the voice
• How to check for and release negative muscular tension (which effects voice
1. production and articulation)
• How to ensure optimum posture for good breathing and voice production
• How to ensure good resonance and forward placing of the voice (all conducive to
effortless voice production and speech)
2.
• Articulation exercises for freeing the jaw and for agility and muscularity of the
organs of articulation, to ensure both clarity and adequate speech projection
4. • Sight-reading, so that the student will need to look out for his/her own particular
speech “pitfalls” without knowing in advance when they are coming up
• Warm-up
• Centring pitch
2.
• Exploring pitch range
• Warm-up
3. • Resonance
• Warm-up
• Warm-up
• Warm-up
• Warm-up
• Warm-up
8.
• Continue volume if not finished
• Talk and text – creating interest (pause, phrasing, emphasis, pace, pitch,
inflection, tone, volume, eye contact, facial expression, body language)
• Warm-up
• How to check for and release negative muscular tension (which effects voice
production and articulation)
1.
• How to ensure optimum posture for good breathing and voice production
3.
• Exercises for freeing the jaw and for agility and muscularity of the organs of
articulation, to ensure both clarity and adequate voice projection
4.
• Specific exercises and practice pieces to tackle any specific faults or weaknesses
thrown up by the articulation exercises.
5.
• Sight-reading, so that the student will need to look out for his/her own particular
speech “pitfalls” without knowing in advance when they are coming up.
• Modulation, ie: how to ensure as much variation as possible of pitch, pace, pause,
tone, volume, emphasis, intonation, etc to gain and keep the attention of the
6.
listener and aid communication. This will be done by working through short pieces
of text for practice.
• Prepared presentation assignments, speaking from your own brief notes. Now
7. you have to think on your feet and remember to correct your faults before they
happen!
8.
• Two minute topics. Spontaneous, unprepared speaking “off the cuff” on a topic
presented to you at the lesson.