Basic Manual Control of a DSLR Camera

Naixn 2008

Photographers dont just take photographs they make them !

Produced by Yon Ankersmit for curious-eye.com 2009

Digital Single Lens Reflex Camera

The basic operation of a DSLR is as follows: for viewing purposes, the mirror reflects the light coming through the lens upwards at an approximately 90 degree angle. It is then reflected by the pentaprism to the photographer's eye. During exposure (when the photograph is taken), the mirror swings upward, and a shutter opens, allowing the lens to project light through the aperture onto the film / sensor.

Cross-section view of DSLR system

1 - 4-element lens + aperture 2 - Reflex mirror 3 - Focal-plane shutter 4 Sensor / film 5 - Matte focusing screen 6 - Condenser lens 7 - Pentaprism 8 - Eyepiece

aperture

www.en.wikipedia.org/wiki/Single-lens_reflex_camera

Photography is the Art of Recording Light

In order to record light successfully you need to know how to control your camera settings manually. Understanding photography exposure allows you to give correct instructions to your camera about:

Film / Sensor Speed Aperture Shutter Speed Light Metering

Your camera is just a tool you are the artist

Basic DSLR Camera Operation

The constant = ISO setting = sensitivity of film / sensor to light The variables = Aperture = adjustable opening in lens = Shutter Speed = duration of exposure

The aperture controls volume of light

= the science of photography = the art of photography

The aperture controls depth of field / focus

The shutter controls duration of exposure

= the science of photography = the art of photography

The shutter controls appearance of motion

Aperture + Shutter Speed = Exposure

the science of photography

Aperture + Shutter Speed = Pictorial Outcome

Camera: Mamiya RB 6x7 + 65mm wide angle lens* Exposure
Scene: strong directional sunlight from behind the photographer Film ISO: 100 Aperture Priority: f/22 Camera mounted on tripod
Clive Stone, mid 198os

the art of photography

Pictorial Outcomes
Medium format negative: detail retained when enlarged 100 ISO: broad tonal range f/22: broad depth of field; precise edge definition No camera shake *distortion of space

Film / Sensor ISO

ISO rating

sensitivity to light doubles each stop

50

100

200

400

800

1600

3200

6400

sensitivity to light halves each stop

the science: sensitivity of film/sensor to light

Slow
more light required fine grain (DSLR) less noise more tonal detail precise edge definition

Fast
less light required coarse grain (DSLR) more noise less tonal detail - high contrast looser edge definition

the art: pictorial outcome

Shutter Speed
duration of exposure halves each stop

30 15

15

30

60 125 250 500 1000 2000

duration of exposure doubles each stop

slow shutter speed = longer exposure to light

Motion appears blurred *

the science: sensitivity of film/sensor to light the art: pictorial outcome

fast shutter speed

= shorter exposure to light Motion appears frozen*

* relative to speed of motion being photographed

Aperture
aperture size halves each stop

f1

f1.8

f2

f2.8

f4

f5.6

f8

f11

f16

f22

aperture size doubles each stop

Large aperture
larger volume of light narrow depth of field

the science: sensitivity of film/sensor to light the art: pictorial outcome

small aperture
smaller volume of light wide depth of field

The f/stop = focal length of the lens

diameter of the lens
The f/stop number is the ratio between the diameter of the aperture in the lens and the focal length of the lens. The focal length is generally measured in millimeters. On a standard 50mm SLR lens with an aperture diameter of 25mm, the f/stop number is 2 = f/2.

50mm

= f/2
25mm
Images not to scale

On the same 50mm lens with an aperture diameter of 12.5mm, the f/stop number is 4 = f/4
50mm
12.5mm

= f/4 = f/8

and with an aperture diameter of 6.25mm, the f/stop number is 8 = f/8

Images not to scale

http://en.wikipedia.org/wiki/F-number

6.25mm

Exposure Combinations
Correct exposure can be selected by using various combinations of film / sensor speed, shutter speed, and aperture setting.
One way to think of apertures and shutter speeds is to use the analogy of a tap for the aperture and a timer for the shutter speed. When you open a tap all the way, water pours out and a container is filled in a very short time. When you open a tap just a little, water trickles out and so it takes a much longer time to fill the same container. No matter which combination of volume (flow of water) and duration (length of time the tap is on) you choose, the bucket will be filled the same amount.

Likewise, the film or sensor in a camera can be exposed the same amount by various aperture and shutter speed combinations. For example, the exposure combinations below allow the same volume of light to enter the camera. However, the pictorial outcomes are quite different. Pictorial Outcomes
Depth of field is
shallow and there is little possibility of subject or camera blur.

Exposure Combinations =

Aperture size increases

f/2 f/4 f/8 f/16

@ @ @ @

1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8

Shutter speed lengthens

f/2.8 @ f/5.6 @ f/11 @ f/ 22 @

same volume of light

Depth of field
increases slightly and the possibility of subject or camera blur increases.

Depth of field
increases even more as does the possibility of subject or camera blur.

Using the Aperture and Shutter Together

Aperture Priority - manually select the aperture first, then use light meter to select the shutter speed Aperture Priority Mode manually select the aperture, and the camera automatically selects shutter speed The photographer prioritises the zone of sharp focusing, that is, the depth of field. Shutter Speed Priority manually select the shutter speed first, then the light meter to select the aperture Shutter Speed Priority Mode - manually select the aperture, and the camera automatically selects shutter speed The photographer prioritises the appearance of motion, whether it is blurred or frozen

Through the Lens (TTL) Light Meter

The TTL meter is a reflective meter as it measures the light bouncing off the subject and into the camera lens. DSLR cameras provide limited area metering including centreweighted and spot metering options. The light meter is calibrated to read for average light reflectance (18%). This equates to in black and white photography, hence the need to overexpose in bright lighting conditions and underexpose in dark lighting conditions. This drawing shows how the exposure meter system of a DSX1000 works, the red lines describing the electric circuit. There is one light sensitive sensor for spot metering in the mirror, and two sensors (only one shown) for the area metering behind the prism.

Using the Light Meter in Manual Mode

Set ISO rating

Select either

Aperture Priority
Set the aperture Use the light meter* to assist you in selecting the correct corresponding shutter speed coordinate

Shutter Speed Priority

Set shutter speed Use the light meter* to assist you in selecting the correct corresponding aperture (f/stop)

Compose your shot and focus the lens

Press the shutter release button to make the shot

*Learn about light metering: http://www.moosepeterson.com/techtips/flash.html

No light meter?? Dont worry use the

Rule of f/16
A correct exposure will be obtained on a sunny day using ISO 100, an aperture of f/16 and a shutter speed of 1/125 (the closest equivalent) of a second.

f/16 @ 1/125
At an aperture of f/16 on a sunny day, a suitable shutter speed will be 1 / the film speed. For example if you are using ISO 200, your shutter speed will be 1/250 (the

closest equivalent).

f/16 @ 1/250