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Sound Design Syllabus

This document discusses professional sound synthesis and the goals of a sound synthesis workshop. It introduces sound synthesis as an element that has had a profound impact on music by introducing new colors and styles. The invention of synthesizers opened up a new world of musical possibilities and colors for humans to explore, leading to many new styles of music. The document outlines the goals and schedule of the workshop, which include introducing different types of synthesizers, sound design principles, sound editing, and specialized synthesis techniques. The workshop aims to teach modern and professional sound synthesis methods in order to spark a revolution in Iranian music.

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Roozbeh Misaghi
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0% found this document useful (1 vote)
820 views10 pages

Sound Design Syllabus

This document discusses professional sound synthesis and the goals of a sound synthesis workshop. It introduces sound synthesis as an element that has had a profound impact on music by introducing new colors and styles. The invention of synthesizers opened up a new world of musical possibilities and colors for humans to explore, leading to many new styles of music. The document outlines the goals and schedule of the workshop, which include introducing different types of synthesizers, sound design principles, sound editing, and specialized synthesis techniques. The workshop aims to teach modern and professional sound synthesis methods in order to spark a revolution in Iranian music.

Uploaded by

Roozbeh Misaghi
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ProfessionalSoundSynthesis

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:
) (VolumeEnv,FilterEnv,PitchEnv, ) (Oscillator,Amplifier,Filter,Modulation,Lfo, 2 (SubtractiveSynthesis&FM) Synthesis
-

) (CrossModulation,RingModulation,DetuningDrones,

IntroToSynthesis :

:1

:
) (Frequency
) (Wavelength
) (Waveform
)(Amplitude

:2

(Pitch)
) :(Timbre
) (Harmonics

Bells


) :(Volume

VolumeOverallShape

:3
(SquareWave)
(RampOrSawtoothWave)
(TriangleWave)
(PulseWave)
(SineWave)

: 4
Amplifier
Oscillator
Filter
VolumeEnvelope
FilterEnvelope
PitchEnvelope
:LFO
Pitch LFO
AMP LFO
Filter LFO

String : 5

Osc
Osc
Chorus Detune
VolumeEnvelope
FilterEnvelope
Vibrato LFO

: 6
(Analog)
(Digital)
(Subtractive)
(Additive)
(FrequencyModulation)FM
(Phasedistortion)PD
(Samplers)
(Hybrids)
(LinearAlgorithmic)LA

( 5) : 7
Amplifier
Oscillator
Filter
Modulator
VolumeEnvelope
FilterEnvelope
PitchEnvelope
LFO

1 - : 7
Amplifier
:Oscillator

Octave
Semitone
Detune
FineTune

: 2 -7
CutOff
CutOn
Resonance
Wah

Modulator&VolumeEnvelope: 3 -7
Attack
Decay
Sustain
Release

FilterEnvelope&PitchEnvelope: 4 -7
Sweep

LFO : 5 -7

AmplitudeModulation
FrequencyModulation
FilterModulation
PulseWidth

: 8
Noise
Sync
AmplitudeModulation
CrossModulation
GlideorPortamento
PitchBend
ModWheel
VelocitySensitivity
AfterTouch
SustainPedal
VolumePedal
KeyboardTracking/Follow/Scaling

: 9
Brass String
String FunkBass
Harp SusPad
Bass Helicopter
Organ Organ
Brass SynthTom

(SubtractiveSynthesis) : 1


:Oscillators&Waveforms

(WaveGraphs)
(HarmonicSeries)
(SpectrumGraphs)




:Envelopes

Modulation
:

ADSR
Envelope

(MixedWaveforms)
(DetunedOsc 2) Osc 2
LFO~Mod~PulseWidth
Sync
CrossModulation
RingModulation
CrossFilterModulation

:
DigitizedWaveforms
PhaseDistortion

FM : 2

FM
DXFM
Operator
''C'' '' M''

M:C
ModulationAmount
2
FM
FM

: 3
CrossModulation
DetuningDronesAndStereoFiltering
KeyboardTracking
LFOToAudioAsRhythm
OscillatorSync+EnvelopeFollower
RingModulatorTechniques
SoundDesignOldRadio
SynthImprovisationSampleAddHold
TunedRingModulation

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