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    Arrangement of Bach's Musette

    Uploaded by

    Nathan Shirley
    The document provides a musical score for Bach's Musette in D Major. It consists of the musical notation written out over multiple lines with indications for tempo, dynamics, and expression. The piece is arranged for solo harpsichord or piano.

    Copyright:

    Attribution Non-Commercial No-Derivs (BY-NC-ND)
    Download as PDF or read online from Scribd

    Arrangement of Bach's Musette

    Uploaded by

    Nathan Shirley
    267 views1 page
    The document provides a musical score for Bach's Musette in D Major. It consists of the musical notation written out over multiple lines with indications for tempo, dynamics, and expression. The piece is arranged for solo harpsichord or piano.

    Copyright

    © Attribution Non-Commercial No-Derivs (BY-NC-ND)

    Available Formats

    PDF or read online from Scribd

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    The document provides a musical score for Bach's Musette in D Major. It consists of the musical notation written out over multiple lines with indications for tempo, dynamics, and expression. The piece is arranged for solo harpsichord or piano.

    Copyright:

    Attribution Non-Commercial No-Derivs (BY-NC-ND)
    Download as PDF or read online from Scribd
    Download as pdf
    267 views1 page

    Arrangement of Bach's Musette

    Uploaded by

    Nathan Shirley
    The document provides a musical score for Bach's Musette in D Major. It consists of the musical notation written out over multiple lines with indications for tempo, dynamics, and expression. The piece is arranged for solo harpsichord or piano.

    Copyright:

    Attribution Non-Commercial No-Derivs (BY-NC-ND)
    Download as PDF or read online from Scribd
    Download as pdf
    of 1

    Arrangement of Bach's "Musette"

    Allegro con brio Nathan Wright Shirley


      
                      
         
                     
         
           
    mf mf
     
    f

     
      
         
    
      
      
           
      
    
           
    6 
                 
                     
    
        
      
    3 3

           
    f
      
    mf

       
        
              


      

                      
    11

         
      
       3  p
     
    cresc.  a poco...  
    poco 
              
    3

        
     
    
         
        
                   
        
    15

     
       
             
    3
        
    3 3 3

                    

      
    
     
                      
      
    19

                         


     
    f
     
          
      
    p

          
    mf
     
          
              
     
    24
       

    
                 
        
     
     
                          
     
     p

                


    f

        
       
                  
          
     
    1998, by Nathan Shirley - www.NathanShirley.org

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