Catalog United Designs 4
Catalog United Designs 4
Catalog United Designs 4
WORLD IS SENSITIVE
CONSCIOUSNESS
SPIRITUALITY
CONFUSION
DEPENDENCY
EQUALITY
The Korean Society Experimentation in Contemporary Design & California State University Northridge
10
11
In the 21st century, design is a way to increase persons living standard and also it has a pivotal role in developing a knowledge industry as a national industry. This fact is evident throughout the world that the best policy for ensuring international competitiveness and increasing living quality is design. Thus, it requires an extensive cultural study and understanding. At this critical point of time, the fourth United Designs exhibition is a significant event for designers from around the world to share their concerns and cultures to benefit visual knowledge and language by exchanging contemporary designs. I hope the United Design exhibition can benefit all of us to understand unique designs from around the world that brings us close friendship through exchanging spiritual and cultural issues. Therefore, the United Designs exhibition is an international event for bridging the designs of world.
Ah n , C h an g - Ho
Pre si dent Kore an S o ci ety Exp erimentati on in C ontemp orary De si gn Profe s s or of Youn gdon g Uni versi ty
12
13
Sp e aker Inyoun g Al b er t C ho i , Ph . D .
Gall ery Talk Main Gall ery, CSUN Fri, 1 0 July 200 9 at 6 pm
How I Started... 2002 World Cup Football in Seoul Opening Game France vs. Senegal Everybody expected France to win! However the expectation was wrong! Senegal defeated France by 1 - 0. They made a history! Dont assume you are right. Dont assume award winning designs are only answers to the best aesthetic. A few weeks later... I had a dream Stairs Hill Top Artifacts Green grassland Blue ocean Cloud-less sky Kites Flags In 2003, I sent e-mails to the world. And I found friends, designers. We are all designers. My question: How can we be connected? My answer. What we do best, design. UNITED (friends) DESIGNS 1. I will never judge their talents 2. I will never question back at them about designs 3. I will never put myself first THE FIRST EXHIBITION 17 May 2004 Hanyang University Korea 6 Nations 46 Participants (Friends) THE SECOND EXHIBITION 20 June 2005 Hanyang University Korea 16 Nations 59 Participants (Friends) THE THIRD EXHIBITION 11 December 2007 Applied Science University Amman, Jordan 16 Nations 120 Participants (Friends) THE FOURTH EXHIBITION 29 June 2009 California State University Northridge USA 23 Nations 210 Participants (Friends)
Each United Designer is a STAR. As a group, we are bright. Introducing STARS! The Fourth UNITED DESIGNS
14
15
VIP Re c epti on Main Gall ery, CSUN S at, 11 July 200 9 6pm-7pm
Korean Society Experimentation in Contemporary Design (KECD) Art Department, California State University Northridge (CSUN)
16
17
Sp ons ors
Op enin g Re c epti on Main Gall ery, CSUN S at, 11 July 200 9 7pm-9pm
American Institute of Graphic Arts (AIGA Los Angeles, USA) Korean Federation of Design Associations (KFDA) Korea Institute of Design Promotion (KIDP) Ministry of Foreign Affairs and Trade (MOFAT) Korea Tourism Organization (KTO) Design Research & Education Lab (DREL)
From left to right: James Sweeters, Dave Moon, Inyoung Choi, Moo-Gun Park, Vlado Franjevic, Chang-Ho Ahn. James Kelly, Edward Alfano, Magdy Rizk, Jong-Bin Park, Hong-Ryul Yoon, Myong-Whan Yoo
18
19
S p on sg or i e s Cate ors
American Institute of Graphic Arts (AIGA Los Angeles, USA) Korean Federation of Design Associations (KFDA) Korea Institute of Design Promotion (KIDP) Ministry of Foreign Affairs and Trade (MOFAT) Korea Tourism Organization (KTO) Design Research & Education Lab (DREL)
Jim, David Moon, Albert Choi, Moo-Gun Park, Vlado, Chang-Ho Ahn. James
20
21
Ab out th e Exhi bi t i on
INYOUNG ALBERT CHOI, PH.D. CHIEF DIRECTOR OF UNITED DESIGNS VICE PRESIDENT OF KECD PROFESSOR OF HANYANG UNIVERSITY
Design is closely related to the society, culture and people. We experience the power of design every day. It sends message to us about the idea. Simply, design influences us. Thus, design must include psychology, anthropology, sociology, semiotics and other disciplines in developing effective aesthetic-messages. So you can say that design is not just how we create visuals but how to get there. The designs in the 21st century are about Analytical Aesthetics. It is based on analyzing the people and their culture and society. Hence design is not neither an art nor science, but it is art-science. As now, a new generation of design educators and practitioners are trying very hard to position design as the center of the academia and business world. Now, designers are conscious and more people rely heavily on designs. Without right design, there will be no success sending a message (or idea) to the people.
In this year, 195 designers and 8 design firms from 23 nations are participated in the United Designs exhibition. When I first organized the United Designs in 2004, my vision for the United Designs is to have exhibitions around the world in every two years to share our concerns about humanity. And I am honored to share this idea with Professor Dave Moon and his colleagues from California State University Northridge (CSUN), California USA. They were excellent on organizing the 4th United Designs exhibition.
22
23
As we all know, our planet is dying slowly. Our conscious time is so slow that we cannot notice its urgency. She needs our help and nurture. As an individual, we can do a little to save her. But as a UNITED DESIGNER, we can do more. So we speak out and act through what we do best, design!
We gathered here to share our concerns about the world. There are many issues we need to care about in this world as a responsible world citizen. But, we cannot concern all issues. Thus , the environmental awareness is what we concerned most at this time. As a designer, we do best to express our concerns through designing posters. These posters are personal expression about the environmental issues. We see a variety of different visual messages here. Some posters might disturb you and some might even move your heart. Definitely these outstanding posters influence your mind and heart about the environment. If just one of these posters influences your thoughts, I believe we did fine job on communicating the message and furthermore we have a successful exhibition. Other category of this exhibition is a practical design. In this part of exhibition, we can understand how we communicate clients message now. Each era has own visual language and through these outstanding designs, we surely learn the present trend in the participants country and the world. We cannot judge its content and visual message, because its audience has own convention. But interestingly, our design language is conversed. Only difference is that the language we used in designs. Professionals and design students could learn from these practical design works to influence their visual communication skills.
24
25
For E ar th
26
27
Stop Whaling
ZHOU, JING
The purpose of this poster is to visualize the relationship between Japan and commercial whaling. The argument that whale meat is demanded in Japan is a sham. Hence, in this poster the red circle of the Japanese flag became a circle of blood indicated by the little red drop hanging out at the bottom. A red whale tail branched out from the circle signifies the fact that many whales have been killed because of Japanese demands for whale meat. In order to stop commercial whaling and protect our environment, this poster reveals the fact of whaling by Japan and sends out a clear message - Stop Whaling. *This poster was designed for Greenpeace and selected by Good 50x70, Milan, Italy.
28
29
Atlas Burdened
RIZK, MAGDY
Finding Earth
CHOI, KYUNG-SUG
An image of Altas holding up the earth. However, Atlas is wearing a hazardous materials suit and the earth is depicted as poisoned and deteriorating. Through a mythological vehicle, I wanted to depict the Earths deterioration will not only ruin just our physical world, but will also create a great deterioration in our intangible assets as well.
30
31
Green is Life
KIM, GEUM-JAI
Think Green
WI, DONG-MYUNG
Everyone wants to be green now. But do you really know how your personal choices are adding up? How well are people around the globe adopting behaviors that can make the world a more environmentally sustainable place? How have they changed over the past year? There is notthing to preserve our planet in this world. Green is our future. Green is our life.
Thinking green means being aware of our interconnectedness with the world and reflecting on the unintended damage we cause nature in the daily course of our lives. We wont have a society if we destroy the environment, so this poster emphasize out environment and how we can all do our part to take care of the world and Think Green by using strong typography and graphics.
32
33
Earth
NA, IN-SUN
A Water-stressed Country
KIM, JUNG-KYU
About reduction becomes the desert little by little with industrialization and goes the earth protective flaw.
Natural environment of the Korean Peninsula seen from satellite that it shows a clear sky without clouds. But, is it a positive thing to have a clear sky without clouds? By expressing our land is increasingly to be barren and dry as water shortages problem. This work indicates a warning about the lack of water and a message about environmental protection.
34
35
36
37
Coexist
KIM, DONG-HO
Yield
KELLEY, JAMES
I made this poster to deliver the message that we should protect the earth. The earth has great value when humans and nature co-exist. The earth is as beautiful as a blooming flower.
On February 2, 2007, the United Nations scientific panel studying climate change declared that the evidence of a warming trend is unequivocal, and that human activity has very likely been a driving force in that change over the last 50 years. The combination of a 30 triangular (U.S.) YIELD traffic sign with a high resolution image of the earth promotes the idea of treating our planet as our highest priority. As responsible inhabitants, we should continually ask ourselves if our actions are helping or hurting our planet earth.
38
39
Melting Globe
EL-AMIRI, SULAIMA
The concept of the poster is to show the results of manmade factors damaging the environment. The idea of a melting globe came from the melting icebergs in the poles. It conveys a feeling of urgency to take action to stop the global warming and draw the attention at all levels (individuals, industries, business, governments, NGOs, International bodiesetc). The human hands holding the globe can have one or more of the following meanings: The origin of the crisis; Caring hands trying to do something (representing those who are fighting to preserve the Earth); and A symbol of the Human race suffering from the results of the global warming.
Living Together
YOO, MYUNG-HWAN
40
41
Justice
ABU-AWAD, ESSAM
Protecting green means to protect earth, environment and life itself, so it important that we all unite our efforts to keep life in this earth.
42
43
Resolution
KANG, HYUN-JONG
Many people feel and know that we need to do more to protect the environment. Also people know a few actions to protect the environment. By using less oil and disposable cups, we can protect the earth. But we always hesitate, ignore and neglect to do it. In my works, I describe a box as peoples closed and negative minds. To protect the environment, we should pull out the earth from a box. It means that we need to take an action to protect it. I hope will spur you to take action to protect the environment by appreciation of my work.
44
45
[HORIZONTAL FORMAT]
Time Passes By
SHOUMALI, NOOR
The earth which you and I live is living. We are when we need our concern about the earth which sons and grandsons must live.
Day by day, the earth is heading towards an end duo to some irresponsible actions. That affects the earth in a bad way, with each hour a whole forest is being burned down. With each minute a great amount of air is being intoxicated and with every second passes by, We are losing the earth and we are not doing any thing to stop that from happening. We are running out of time its all in your hands.
46
47
This poster explores the theme of nature using a small world approach. Our world, it seems, is smaller than we tend to think: each plant and animal species playing a part in a complex chain. Our worlds plants and animals are linked and interdependent: there is less and less room to waste or abuse our resources, therefore we should think about nurturing it with our choices, like a small backyard paradise.
48
49
This poster encourages people to save every drop of water on the planet and keep it away from dehydration and vanishing. The idea in using pure drop of water shows the role that it plays in saving the universe. The background is dehydrated land shot from the African continent.
50
51
Global Warming
SABRI, BANA
I placed the world in a cup, a hot cup as an expression of it being too hot... which is exactly what global warming is. The earth is heating up as an effect of global warming. You see the smoke evaporating from the cup taking the illusion of an evaporating earth. And even a cup that you would usually enjoy can burn you if you dont allow it to cool down. The earth here is heating and we need to cool it down so, so we can enjoy it.
This work is designed for more earth green. Works goal is reflected greener earth. On the other hand, if we ride a bicycle, air pollution will not be in earth and exhaust gases will decrease, earth will be defend from it. Lets go ride a bicycle!
52
53
Forever
SHIN, SEON-OK
Forest is very import element to live human and limited earth resource at the same time. However, the forest territory is getting smaller and smaller because of humans imprudent resource development. Through the wood resource compare to candle, this poster says the warning message about the environmental problem.
54
55
Help Me!
EUM, YOUNG-SIK
According to the UN report, two reports issued earlier this year by the same UN panel warned that the earth was already warming considerably, And that mankind was almost certainly to blame. They predicted severe consequences including droughts, floods, storms, heat waves and rising seas.
The life of earth is threatened. Artificial environment destroys ecosystem and accelerates the global warming. We should control artificial development of the environment and keep green environment. It is for us, in the end.
56
57
A Change of Scene
YU, EUN-JUNG
Global Connection
SANCHEZ, MAGALY
I think any time theres an issue to be solved or dealt with the first step is to figure out a way to communicate. Many problems or issues can be solved when we learn to better communicate and better connect with each other. If we can connect on a global level, and find a world-language maybe with design, we can begin solving some of our environmental issues. This poster was created in hopes of inspiring more ideas on ways to connect with the world. More ideas on ways we can transcend language barriers. If we can connect with the world we can be the catalyst to change the world.
The environment is honest always and with the person changes together. With environment joins in consequently and we must live remember this always and must act. The human being is one piece of nature.
58
59
60
61
Global Warming
CHA, JEONG-UN
Ancient glaciers are slowly melting and shrinking like ice cubes in a glass of soda. Beaches that were once wide stretches of sand are becoming narrow strips as the ocean level rises. The earths climate is changing. Thats global warming. This will have an enormous effect on the earths inhabitants.
62
63
Polar Bear
HAN, YOUNG-JIN
Desertification will cause more disasters such as sandy dust, shortage of water and even a shortage of foodstuffs. Also, increasing desertification is able to accompany famine and poverty. As the soil becomes dry, farming cant be sustained. That makes poverty deepen and produces environmental victims. This is why; desertification is one of the serious problems to human. Therefore, we must make a tremendous effort to solve this problem because it will not be easy.
Polar Bear remaining fewer than 25,000. Its because global warming, and peoples indifference. Earth and Nature says that all these things are gone someday. If you dont keep your ear open to what earth say, the polar bear is not only spicy becoming extinct.
64
65
Imagine
CHO, YONG-JAE
Production activities, transportation activities, and daily life, including various human activities induced by artificial soil pollution, water pollution, air pollution and noise vibration occurs. This is the destruction of the natural environment or living environment for animals and plants ultimately will not be able to live because of the destruction of the ecosystem as a harmful impact on the health and lives of people representing a message.
66
67
The story is about the dream-adventures of four children who have fallen asleep on their bus journey to Green Camp. In their dreams they have a succession of adventures involving green missions.
The Garden of Eden is gone. Man was driven away from the Garden of Eden, and now man is driven the Garden of Eden away. Where to? I recapture the harmony between humankind and nature.
68
69
For Human
We can find out the word, art in the word of the earth. Therefore, we must to be a artist of the earth.
70
71
72
73
Yellow+Green+Blue
TOMAK, ALI
Known as green color is formed by mixing in equal proportion with yellow and blue as far as subtractive color system. Otherwise, this equal and balance is corrupted or missing. There is a similar situation in nature. At the balance of nature is corrupted, when temperature that is sun (yellow) to be too much is drought or rain that is water (blue) to be too much is flood everywhere. It can be lived nature, it is formed by common points which equal sun and water. There is life in the area of this intersection or will not. I hope to balanced sharing of living area or space for all of us.
High Voltage
PAPADEMA, ASPASIA
This poster is a comment on the thoughtless use of electric energy and its negative effect on the increase of planet temperature worldwide. The concept is based on electricity related imagery transformed into basic linear forms and supported by warm vivid colors to visually represent heat and danger. Simplicity and clarity of forms within a dynamic composition are the key elements in order to transmit a direct message to the viewer.
74
75
Consumed
CHOI, IN-YOUNG
The footprints are those of infant, representing how mankind must reduce his environmental impact. The color of the footprints is the color of carbon, the color of pollution. Let us hope that our efforts today are not too little, too late, and that nature will respond in kind with own footprints in brilliant colors.
We consumed without any hesitation about destroying the nature. The nature feeds our needs. We laughed and enjoyed her plentiful resources which eventually hurting herself. She is our mother. She sacrifices herself and now, we realized that she cannot nurture us anymore. Some of us still beg for her patience. We realized we done wrong and we need to nurture her. She is dying.
76
77
A part of green is becoming mutated into a black hole which watches the viewer: An almost sacral effect of a certain problem. The terrestrial is increased to a universal level. Thus, everyone understands the seriousness of the contemporary happening. There is a certain past and still one or two chances
Terms, surface and structure, are not in contradiction in their meanings, but are used with conceptions supplementary to each other. + symbol constitutes the intense contrast with the round shape in terms of the visual dimension. The round shape manifests the realistic life domain of the human being, + refers to the expansion of the life domain.
78
79
Due to destruction of the natural environment and the indiscriminate capture of endangered animals, like our close friends should think carefully and need to pass the message.
The natural environment is beautiful but weak against human being. So I expressed the nature as a pitiable bird which is confronted by its death. This is for giving rise to sympathy for natural environment preservation. The destruction of pure natural environment is to exterminate an ecosystem and men. Lets protect nature! Love nature^-^!
80
81
Braille Milk
KWON, O-YOUNG
Cut Consumption
GRAME, ROBERT
A simple realization that there are other points of view is the beginning of sympathy.
Our resources simply put, are finite. This poster requests that people contemplate the ramifications of what they consume and make conscious and active decisions that revolve more around fundamental needs rather than desires
82
83
EKOPLAKAT (Eco-poster)
RAJLICH JR, JAN
I combined womans hair with natural forest image. Womans tears represents heartbreaking feeling about our vanishing forest. Therefore, I hope it remind people that we cant exist without nature, so must protect our nature for our own good.
Poster for a poster exhibition on the ecological and environmental issues organized in the HaDivadlo Brno Gallery. By the Brno Biennale Association as a selection from the 11th International Triennale of environmental posters called Ekoplakat in Zilina, Slovakia. Different written texts in the Czech language are somehow concerned with the mentioned issues and they are not very serious.
84
85
Pollution Prevention
YOO, IN-HA
To destroy the ozone layer of the earth to know the seriousness of pollution, the visual processing of the gas mask was a symbol. The pollution and breathing in the red circle and a symbol of human beings, and two of the blue circle represents the eye of hope and a clean earth and black is the symbol of the earth pollution substances.
Jose Feliciano tells us about an hilarious hope and love with Listen to the rain. However, on the last day of the earth, we are bound to find out that the last rain is extremely against our expectation, like a red curse.
86
87
Korea is Disappearing
KIM, SUNG-JAE
The Korean flag is called Taeguekgi in korea. The lower blue section expresses water.
88
89
Save It or Lose It
AL-QUDAH, OMAR
Our environment is facing many challenges, which affect in risky way on our life. Challenges like pollution in all of its parts and Global warming are the main challenges which are affecting on our world. If these challenges continued, what will be the destiny of the coming generation? Misery? Floods? Dryness? We must solve this problem. The environment like a tree, if you give it the water, the fertilizer, and cutting extra parts of it, this tree will grow in a perfect way, but if you dont do this, it will grow in a bad way, and the branch will be inside others. You should save it for your future, or you will lose it.
Protect Environment
LEE, JIN-SOOK
I want to express about Global Environment Conservation with our love, so I put heart Shape in middle. And recycle pictogram is informed that to hand over clean environment to our decedents by taking care and preserving natural environment is our responsibilities and duties.
90
91
Stand by Me
PARK, SUNG-HYE
Nowadays we are losing our traditional category. This is the time to think which one is the valuable. I wanna find the exit.
To warn global warming, a well-known brand has been used on red shirts.
92
93
Untitled
AHN, BYEONG-KOOK
To the forest we cannot know and there is talk which is many so. The talks for the talk and the children of the tree for the person and scandal talk and the soil for a life and talk etc. of the punishment [lay] which releases the beautifully mysterious talk overflows and is a space. Such forest dies little by little and isnt the thing takes the story which will tell to in our children comes to be thought.
What should we do? We never let garbage takes over us! 3R (reuse, reduce and recycle ) is our choice. Recycling is the only way out. Plastic bottles, oil barrels, plastic cups, cans, rubber tires...
94
95
Zero is information research work about the number zero based on multiple contexts. It is the first one by four series. I defined zero based on five main contexts and made symbol for information pattern. These pattern show abstract image of the number zero I found. Mapped circles show the connection between each meaning. For my perspective, it is a kind of circuit that has an endless repetition of meaning. In brief, zero is neutral unlimited number located in the center of various contexts.
God made this world. The world is good. Human beings must keep and nurture this beautiful world. This is already in the Bible.
96
97
Untitled
BAHAREH MALEKI
Any man from his hand, protect your environment in order to protect yourself, we must cooperate to protect the environment, this hands in the label reflect the feelings of the man himself is the environment. Your environment is your life.
98
99
[HORIZONTAL FORMAT]
We generally think that the color of the earth is blue. However, what if we consider the color of the earth by meanings? War, Terror, Disease, Environment Pollution, etc... Can we really say that the color of the earth is blue if we look at it by these view points? The straight question expresses the un-definable color of the earth.
100
101
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
Animal Protection
KIM, JUN-KYO
Cerberum
VULPINARI, OMAR
EMBEDDED ART commissioned international artists to respond to the current situation. EMBEDDED ART only showed works realised on location or against a background of research into future security. The diverse works focused on the conflicting fields of terrorism and terror, security and control. The influence of EMBEDDED ART also reached beyond the Akademies walls into Berlins public spaces. Posters designed by six internationally renown graphic artists (Jonathan Barnbrook, Neville Brody, Fons Hickmann, Gunter Rambow, Yuko Shimizu, Omar Vulpinari) spread the word all over the city.
This work was produced in the intention of encouraging people to save the extinct and the endangered animals by contrasting a saw which represents the death with animals.
102
103
For Nature
[HORIZONTAL FORMAT]
104
105
Let Green Be
GUERRINI, SEBASTIAN
The poster focus on the essence of the environmental problem, that is about the requirement to change our mind, to let the environment issue grows in our life.
It is a simply poster. A little bit strange tuning-fork in the middle, and an oblique, cloudy sky in back. (It was taken in London in 2008; I visited my sister who is living there. this big city, usually very cloudy...) I tried to say slim. I tried to work clear. But I like thinking with my brain and my eyes too! If the viewer understands how the tuning-fork works, than he will apprehend the true meaning. Good design is 20% dignity, 20% beauty and 50% absurdity, said Shigeo Fukuda, my favorite designer. (He was coeval with my father...) He was right.
106
107
By adopting the Neo-Confucian thought of no involvement in mind practice to depict visually the interdependency of human to the sky, the sea and the earth.
108
109
STOP Whaling!
KIM, NAM-HO
The image presented in the poster represents one of the solutions to reduce the problem of global warming that our planet is experiencing. Similarly, express the position of its author about the promotion of the use of wind energy as an alternative and at the same time seeks to generate, through the composition and graphic elements used, the sensations of movement and force envelope produced by wind like element generator of wind power.
If opposing the corrupt whaling industry in Japan is a crime then you should ask Japan to arrest you too!
110
111
Change Less
LEE, MI-YOUNG
Environmental pollution is contamination of air, water and land from man-made waste. Pollution leads to depletion of the ozone layer, global warming and climate change. Air pollution is the release of chemicals and particles into the atmosphere. Water pollution includes surface runoff, leakage into groundwater, liquid spills, wastewater discharge and littering.
112
113
Flowing
JUN, JONG-BUM
Everything in life is like a stream flowing in the mountains that leads natural life without greed.
Deforestation contributes to a fifth of total global greenhouse gas emissions through the release of carbon dioxide. With this amount of deforestation happening all around the world, people need to be aware that it will affects our future. We need to stop consuming and start thinking about sustainability. If we save the trees we will save the world.
114
115
This poster suggests 99 ways to improve our environment. All of our little efforts in daily life help improve the health of the Earth. The design represents the environmental cycle and how our efforts today contribute to the quality of the environment tomorrow in the same way that a plant produces seeds today that will grow into other plants in the future.
116
117
Your Choice?
JOO, YOUNG-SOOK
Ecological Constellation
CHO, HYUN-JOO
The ecosystem is being destroyed a lot. This is because a lot of people just throw away their trash. The Earth is having a hard time and the ecosystem is being destroyed. I think that we people should stand up and protect the environment.
This poster is express about multiple layer of tree to universe based on the constellation. The title of this image Across the Universe is meaning of trees internal ecosystem and its circulation of material. This Organic system is similar with Universe low, so I imagine about the holistic Universe is in tree. That is the metaphor about environment value.
118
119
Think or Sink
SEYLAN, ALI
Everyones fate is in your hands. think or sink statement has sloganized this cause-result relationship. People are not yet aware of the danger. On their own, they understand the truth. If the humankind take the necessary steps today for to save the world and themselves, tomorrow will be too late.
The concept behind this poster is to highlight how the smallest members of our world reflect the overall health of our planet, it points back and forth between the world as a whole and the world as an individual, getting us to acknowledge that little things are big.
120
121
Sustain US
KIM, HYUNG-JOO
Recently the environmental issue is the one of important social issues. I want to emphasize to protect the earth. One of the way we can protect the earth is to save the nature. That is, the way we save the earth is that we save the life. So I want to express the tree as the nature and the heartbeat graph as the life.
UNEP (United Nations Environment Programme) reports that there are many endangered species on Earth. Human existence would not be possible without the maintenance of biodiversity. It is getting difficult to preserve an environment safe and harmonious. The designer tries to show the hope that we (us or US, United States) can be full of environmental harmony with the visual languages she introduced into her work.
122
123
Untitled
KIM, BYEONG-OK
124
125
Black Disaster
KIM, SANG-RAK
Disappeard Friends
KIM, SUN-WHA
If the sea is contaminated, not only the sea but also all the living things in it die. This is the graphic message showing the catastrophe the earth is facing visually.
It describes the subject of animals realistically, which Were Threatened to be out of where they have lived by environmental destruction.
126
127
Water is Life...
PARK, TAE-HO
128
129
Acid Rain
WRIGHT, ERIN
The United States governments Environmental Protection Agency clearly states that emissions from human sources are affecting the Earths climate and threatening the existence of many species of plants and animals. It is time for that same government to act and support legislation that limits those emissions.
130
131
Recycle
KIM, MIN-JEUNG
Recycle makes green energy. The earth needs green energy. We needs green energy.
The motivation of this work is a big tree being in harmony with the earth and the sky. A tree is the existence being a source to large number of living things, important living space and giving a vital element. So, I think It has the most representative value bring into relief importance of the environment protection. This is the reason express main theme of work as a big tree.
132
133
Equation
LEE, CHANG-SOO
Beautiful Woods
PARK, WOOH-YEONG
The human being and nature are identical. So the fact that protecting a nature protects for its own sake, even though the smallest work must do now.
The Woods makes better environment in human life. So, we have to make beautiful woods for human well-being. This work represents beautiful woods by colorful shape of wood.
134
135
Ecognize
SHIM, KYUHA
Polar bears cannot live in warm places. They need a lot of ice. The Earth needs to be warm, but it cannot be too hot. Right now, the Earth is too hot in many places.
136
137
Untitled
YOON, HONG-YEOL
It is image of the earth that is not curing oneself to nature. Impracticable endurance has hung down in force to gaunt tree branch that represent tobacco smoke. Actuality that privy councilor is kept to wire entanglement that symbolize of humans civilization and selfish greed Oriental work that express lyrically be.
138
139
Although 70% of the Earths surface is covered with water; theres not enough to use. All of the world will be suffered from lack of water in 2050. Water is our most familiar resource on the Earth. It should be kept from now on.
140
141
Water is the origin of our life and the essence of the nature for our next generation.
142
143
Wild Flowers
LEE, SEUNG-ILL
144
145
Save Water
CHEE, MYONG-KOO
Visualizing my personal description of the current water shortage with the image of a kettle and a tree. Visualizing the spout of a kettle as the shape of S which is the initial letter of Save.
The re-creation of asymmetric leaves patterns of the symmetry. Nature, like the white curve, and the incongruity of the Hybrid and the harmony of creation is the basic source. We should have that interest in nature.
146
147
Our global community is at serious risk from environmental damage. This piece intended to highlights this problem and to demonstrates the consequences of our failure to protect the environment. These failures to protect the environment have been symbolically expressed by overlaying images of garbage on the silhouettes of crying children.
In this poster we can see the smoke capturing our world like an cosmic alien`s attack. But it`s not a fantastic story. It`s not an cosmic alien`s attack, its attack of air pollution. Air pollution deteriorates our health and it is the reason for the climate change. There is only one explanation why we are having this destroying process is our behavior.
148
149
Around Me
KIM, HYUN-WOOK
Oh! No!
SHIN, YONG-SOON
I live not in myself, but I become portion of that around me; and to me high mountains are a feeling, but the hum of human cities torture: I can see nothing to loathe in nature, save to be a link reluctant in a fleshly chain, cussed among creatures, when the soul can flee. And with the sky, the peak, the heaving plain of ocean, or the stars, mingle, and not in vain. George Gordon Lord Byron, I Live Not in Myself from Childe Harold, Canto iii, Verse 72
It gives a warning to the environmental destruction which is a shape of image that wriggled the mother bird who builds a nest on the branches of a tree takes fast hold of the eggs for a birds nest does not fall from the tree out of the branch gave way under the nature destruction.
150
151
Leaf is Life
RA, JEONG-HYUN
The nature is life in us. The nature when nature rising like that, more is nature. When we want a more thing in nature, the nature becomes more distant from us more.
152
153
Ah~ Earth
KIM, CHEE-YONG
Lets preserve the Earth! We can stop to become devastation little by little, and prevent environmental disruption.
154
155
I have created this poster with lots of thoughts on my mind as I have put in a barcode which represents the price of the products that are produced by the factories, Those factories are causing pollution that are costing us our life so the barcode represents the price of our life as well where the smoke is coming out of one bar in the barcode in Red which is the pollution that are produced by the factories and it had to be highlighted and noticed.
I try to give the viewer a tangible picture of the intangible future through a cinematic approach to the design. The photo collage is part cinema and part reality. It shows the worst possible scenario of the effects of climate change that could take place over the next hundred years or so, which is nothing on a geographical timeline. It delivers immediacy to a long-term problem through the use of a major icon from our current time period that is recognized worldwide.
156
157
158
159
Genesis
SON, KEUM-SUN
The Genesis is the story for the Old Testament in the Bible that God created the heaven and the earth. On the creation of heaven and earth, light and darkness, day and night, land and water, plants, stars, the sun and the moon, fish and animals, and finally of man. Eden is the first nature appeared on the earth where Adam, Eve and nature lived together in peace and joy. When men disobey God and expel from Eden, men have to adapt to the deserted land. Here we start the mankind history. The protection of environment is the ultimate challenge of mankindreturn to the god made perfect land, back to Eden. It is our duty and also right to protect the environment.
160
161
Reading the letter in the poster is difficult because it is created from the same background images, just like the environmental problem where we live. We should aware it, care about it, and save the earth. The earth is our only home yet.
162
163
Companion or Belongings?
EOM, INYOUNG
Animals are living creatures like us, Simply, they are different shape than us. They think and react with same way like us. They are our companion, not belongings. What means animals to you?
A poster to raise awareness of the projected problems associated with current production of CO2 in the atmosphere. A call to the viewer to lend their support to the goal of reducing CO2 emissions by 30% by the year 2020.
164
165
[HORIZONTAL FORMAT]
166
167
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
Digital Malfunctionality
KIM, HYUN-JUNG
Serious pollution of the animals we are, in reality, serious destruction of nature and I do not live in the land. Theres no place to live animals, such as refugees make up the gathering crowd the importance of protecting the environment, expressed as I saw the animation.
Digital malfunctionalities can create visual spontaneities. The expressions through digital devices are sometimes about the unexpectedness. When the device malfunctions, a new perspective of spontaneity is presented. This is an exploration of visual spontaneity through digital malfuntionality, capturing nature through a malfunctioning device, creating a phantasmal view of the nature.
168
169
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
Eco Design
KIM, IN-HWA
Leaves used in the process of simple represent the combustion process of these papers, utility vehicles and smoke, and how the destruction of this environment. Indirectly, He drew my attention to this subject has a negative impact on human life Rights, especially near them, some studies have pointed to a car close to the heart disease and other.
170
171
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
Love Affair
POOR DESIGNERS
This poster was exhibited in Athens, at Syntagma Square, along with the work of 70 other Greek industrial, graphic and fashion designers, architects, street artists, etc. The Green Design Festival was organised with the collaboration of the City of Athens in an attempt to increase Athens citizens awareness about environmental issues. The design is an illustration based on the map of Athens. Type plays the role, using the names of roas as branches, and the green leaves represent the few parks in Athens.
172
173
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
I designed image of protection of nature by wind and bud, and sooty smoke.
174
175
D e s i g n Fi rms
[HORIZONTAL FORMAT]
Untitled
RYOO, CHEUL-HO
176
177
STUDIO AND
2278, 15TH STREET APT 4, SAN FRANCISCO, CALIFORNIA 94114 USA WWW.AND.CH JEAN-BENOIT LEVY, CREATIVE DIRECTOR
AND STANDS FOR CONNECTION. YOU AND US. YOUR IDEA AND OUR CREATION. AS A WORD WHICH CAN NOT BE USED ALONE, AND CREATES COMPELLING VISUAL SOLUTIONS TO CARRY YOUR MESSAGE BY COMBINING PROFESSIONAL KNOWLEDGE AND VISUAL UNDERSTANDING.
THE SEAM
Title: Einstein. E=MC2 Year: 2005 Client: The Swiss Postal Service
178
179
Title: Screen 360 Photography: Pierre-Yves Goavedc, San Francisco Client: Katy Kavanaugh, San Francisco
180
181
Title: Puce Photography: Lee Friedman, San Francisco Client: Peter Pfister, Bern
182
183
FABRICA
THE BENETTON GROUP COMMUNICATIONS RESEARCH CENTER VILLA PASTEGA, VIA FERRAREZZA, CATENA DI VILLORBA, 31020, TREVISO, ITALY WWW.FABRICA.IT OMAR VULPINARI, CREATIVE DIRECTOR
FABRICA IS AN APPLIED CREATIVITY LABORATORY, A TALENT INCUBATOR, A STUDIO OF SORTS IN WHICH YOUNG, MODERN ARTISTS COME FROM ALL OVER THE WORLD TO DEVELOP INNOVATIVE PROJECTS AND EXPLORE NEW DIRECTIONS IN MYRIAD AVENUES OF COMMUNICATION, FROM DESIGN, MUSIC AND FILM TO PHOTOGRAPHY, PUBLISHING AND THE INTERNET. THESE ARTIST-EXPERIMENTERS ARE ACCOMPANIED ALONG THEIR RESEARCH PATH BY LEADING FIGURES IN ART AND COMMUNICATION, BLURRING THE BOUNDARIES OF CULTURE AND LANGUAGE AND TRANSGRESSING THE TRADITIONAL BORDERS BETWEEN A DIVERSE RANGE OF COMMUNICATION MEDIUMS.
The World Report on Child Injury Prevention was launched in 2009. UNWHO and UNICEF commissioned Fabricas Visual Communication department to conceive a global advocacy and awareness raising campaign. Five separate posters, that also became off and on-line ads and displays, have been designed to communicate the graveness of the child injury situation worldwide. The goal is to urge policy makers to implement prevention measures for the first five injury causes: road traffic injuries, drowning, burns, falls and poisoning. In order to use a universal visual language related to children, putty characters engaged in the five injury causes were created.
Authorship: FABRICA Art direction: Valerie Gudenus, Photography: Piero Martinello Creative direction: Omar Vulpinari Year: 2008
184
185
This campaign was commissioned by UNWHO for the First United Nations Global World Road Safety Week 2007. The campaign includes five posters and public service announcements addressing young road users which are the most frequent victims of road accidents. The aim of the operation is to raise awareness and promote action amongst the general global public around the five factors of greatest impact in road injuries regarding young road users: helmets, seatbelts, drinking and driving, speeding, and visibility. Fabrica was designated as the ideal creative partner for UNWHO on this project because of its young international team of creatives.
Authorship: FABRICA Art direction: Yianni Hill, Photography: Reed Young Year: 2007
186
187
SHOW THE TRUTH. PICTURE WARNINGS SAVE LIVES CAMPAIGN FOR UNWHO
World No Tobacco Day is celebrated around the world every year on May 31st. The theme for 2009 is Show the Truth: Picture Warnings Save Lives. For this occasion UNWHO commissioned a global campaign to urge worldwide national decision-makers to apply pictorial health warnings on all packages of tobacco products. Pictorial tobacco health warnings are better than textual warnings only because they more effectively inform smokers about the dangers of tobacco, especially in countries with low rates of literacy. It is statistically proved that countries applying pictorial labels have had an average 15% reduction in tobacco consumption. Governments should not just tell the truth about how tobacco sickens and kills prematurely, they should show the truth also by requiring the placement of pictorial health warnings on packs of tobacco. Fabrica designed the series of three posters for this initiative. Each poster surrealistically communicates the pictorial warnings main goal: to not just tell the truth, but show it.
SHOW THE TRUTH. PICTURE WARNINGS SAVE LIVES CAMPAIGN FOR UNWHO
Authorship: FABRICA Art direction: Gabriele Riva and Namyoung An, Photography: Piero Martinello and Sebastiano Scattolin Creative direction: Omar Vulpinari Year: 2009
188
189
FRANK+VICTOR DESIGN
NORTH LAMAR, SUITE 200B, AUSTIN, TEXAS 78703 USA WWW.FRANKANDVICTOR.COM JOSH FINTO AND CHRIS VISIT, CREATIVE DIRECTORS
JOSH FINTO AND CHRIS VISIT STARTED FRANK+VICTOR DESIGN BECAUSE THEY SAW A TREMENDOUS OPPORTUNITY TO IMPROVE THE EXPERIENCE OF WORKING WITH A CREATIVE AGENCY. POLAR OPPOSITES ON THE CREATIVE SPECTRUMTHEY BLEND THEIR UNCOMMON EXPERTISE TO GO FROM BLACK AND WHITE TO GRAY MATTERTHE STUFF BEHIND INTELLIGENT, STRATEGY-DRIVEN DESIGN. WHILE THEIR UNCOMMON POINTS OF VIEW MAKE FOR INTERESTING DEBATE ON COLOR, STRATEGY AND TYPEFACE SELECTION, IT ALSO ENABLES THEM TO SEE SOLUTIONS FROM EVERY ANGLE, ACCOMMODATING ANY TYPE OF DESIGN CHALLENGE THAT COMES THEIR WAY.
SPIBELT TAGS
PLATINUM
SPIBelt, or Small Personal Item Belt, is a fitness and travel belt designed to hold small items while maintaining its compact size.
Platinum is a premium vodka-based spirit created by using a 7-fraction distillation process and naturally derived flavors.
190
191
SuperQ is a MD80 engine silencing product designed and manufactured by JetTran International. WideAwake.org is a non-profit organization that enhances the quality of life of the poor and needy by aiding and assisting grass-roots charities in the developing world through donations. The Gents Place is a fine grooming salon for men located in Frisco, TX. Designed to give men a more manly alternative to traditional salons. This logo is inspired by fine cigars, whiskeys and the familiarity of barber shops past. Clink is an event production agency that designs and coordinates weddings, social and corporate events. Bodhi Body Integrative Medical Centers promote a proactive approach to maintaining health through integrated medical services, the highest quality natural health products and unique guided physical health activities. Spire Consulting Group is a multi-disciplined construction management and engineering consulting firm located in Austin, TX. Zach Theatre, in Austin, TX, produces plays and musicals that receive critical acclaim both locally and nationally. The Zach Theatre logo is unique in that it changes wardrobe to fit the play or musical that is being performed. (Main Logo, The Santaland Diaries, Chicago and The Speeding Motorcycle)
LOCAL SIGNS
Signage designed for Whole Foods Market to educate consumers on the benefits of choosing locally grown and produced goods.
192
193
PRINTS
W SITE WRAP
Sales Brochure for potential buyers of units at the W Austin Hotel & Residences. Annual Report for Whole Foods Markets microlending program, The Whole Planet Foundation. Articulate magazine is produced quarterly and features existing and upcoming exhibits for the members of The Blanton Museum of Art.
Large-scale graphics surrounding the construction site of the W Austin Hotel & Residences.
194
195
2256 BARRY AVE LOS ANGELES, CALIFORNIA 90064 USA WWW.HCASSOCIATES.COM JOHN HAMAGAMI AND JUSTIN CARROLL, CREATIVE DIRECTORS
WE MAKE EMOTIONAL CONNECTIONS WITH CONSUMERS BY CREATING POWERFUL, INTEGRATED VISUAL DESIGN SYSTEMSSYSTEMS THAT EMPOWER COMPANIES TO TELL CONSISTENT AND MEMORABLE BRAND STORIES, WHATEVER THE PLATFORM. WEVE BEEN DESIGNING FOR BRANDS SINCE 1989, TRANSLATING EACH BRANDS PERSONALITY TO CONSUMERS WITH A CRITICAL MIX OF CREATIVITY AND STRATEGIC FOCUS. CHANCES ARE, YOU ALREADY KNOW OUR WORKWERE IN THE STORES YOU SHOP, THE MEDIA THAT ENTERTAINS YOU AND THE BUSINESS IN WHICH YOU INVEST.
196
197
BOOGIE SUPERSTAR GAME PACKAGES SIM GAME PACKAGES MONOPOLY GAME PACKAGES
198
199
WARHAMMER PRODUCT
200
201
KAME DESIGN
1635 MASON STREET, COTTAGE 3, SAN FRANCISCO, CA 94133 USA WWW.KAMEDESIGN.COM JOACHIM MLLER-LANC, CREATIVE DIRECTOR
KAME DESIGN IS THE DESIGN OFFICE OF JOACHIM MLLER-LANC, AWARD-WINNING INTERNATIONAL DESIGNER WITH BACKGROUND IN EUROPE AND EXPERIENCE IN ASIA. CAPABILITIES SPAN ACROSS INFORMATION DESIGN, LOGOS, ILLUSTRATION, CHARACTER CREATION AND TYPEFACE DESIGN, OFFERING 25 YEARS OF PROFESSIONAL EXPERIENCE. OUR WORK IS CHARACTERIZED BY AN EXPRESSIVE, DIRECT VISUAL LANGUAGE, FRESH IMPACT AND SURPRISE, AND UNUSUAL MUSICAL COLOR. OUR APPROACH IS INTEGRATIVE, TURNING FORM AND MEANING INTO A COHERENT ONE, GETTING TO THE ESSENCE WITH CONSISTENCY AND SIMPLICITY: USEFUL DESIGN NEED NOT BE DRY, AND ENTERTAINING IMAGERY NOT SHALLOW.
NEKO PUNCH
NEKO PUNCH
Flyers for Japanese power pop band in the San Francisco bay area. (neko = cat)
202
203
HANGER
NEKO PUNCH
Online magazine for music, art and fashion with focus on Japanese pop culture.
Flyers for Japanese power pop band in the San Francisco bay area. (neko = cat)
204
205
BEARDOG MASCOT
WIRED MAGAZINE
206
207
1311 SOUTH FLOWER STREET, BURBANK, CALIFORNIA 91502 USA WWW.MEATOES.COM TOD GALLOPO, CREATIVE DIRECTOR
MEAT AND POTATOES, INC. IS A COMPREHENSIVE DESIGN FIRM BASED IN BURBANK, CALIFORNIA. SINCE 2000, THE STUDIO HAS SPECIALIZED IN PRINT, PACKAGING AND ADVERTISING DESIGN, WITH CONTINUED SUCCESS BASED ON THE PRINCIPLES OF DEVELOPING DESIGN SOLUTIONS THAT ARE FUNDAMENTALLY STRONG AND TO THE POINT. MEAT AND POTATOES PROVIDES THEIR CLIENTS WITH UNPARALLELED AND MEMORABLE CREATIONS, SERVED WITH A BIT OF WIT, A LINE ON THE CUTTING EDGE AND A DEDICATED DEVOTION TO THE ART OF IT ALL.
Just a sampling of the vast amount of work Meat and Potatoes has done for the hippest of all Las Vegas casinos. These limited-edition casino chips distill the ultra cool rock n roll attitude of the Hard Rock Hotel and Casino down to their purest form. Other work for the HRH&C include signage, blackjack table felt design, environmental graphics for their updated concert venue, The Joint, and branding of their myriad restaurants, boutiques, and nightclubs.
Meat and Potatoes was extended an unthinkable amount of creative control on New Line Cinema/Warner Bros. biggest movie release of 2008: Sex And The City. The result was The Wedding Collection, a 4-disc that brings the sense of fashion inherent in the beloved film and TV franchise to every design detail. Enrobed in a pink, padded, pearlescent outer box, this limited edition collection includes a numbered certificate of authenticity, an invitation to the wedding of the year, and a hard bound book featuring the now famous Vogue magazine photo shoot of Sarah Jessica Parker from the film. Multiple printing techniques (metallic inks, spot gloss varnishes, pearlescent finishes, and silk-screened disc labels) put just the right finishing touches on this instant classic.
208
209
Cabo Wabo Tequila is very dear to Meat and Potatoes. Not only because it is the highest-quality tequila available (in our humble opinion, and weve sampled a lot of tequila), but also because M&P has been involved with the brand for many years and many incarnations. This bold new packaging design is hot off the press and features a die-cut, torn-edge label printed on uncoated stock, and then embossed and stamped with a satin foil. The result is a package that speaks to the incredible quality of the product, with the volume turned all the way up.
This super-premium tequila is the most refined offering from Cabo Wabo. Therefore it needed a refined package. Nestled in a hand made leather and wood box, the attractive, bell-shaped bottle comes sealed with a cork for shipping and a crystal stopper is provided for proper keeping after the first sip. Each bottle of this limited edition Cabo Uno is hand-numbered to mark its allocated status and authenticity.
210
211
MUSIC CD PACKAGES
21 Nights is a 256-page photographic foray into the mysterious and opulent world of one of the worlds most popular recording artists, (once again known as) Prince. Photographer Randee St. Nicholas captures the artists adventures in London and Prague over a series of 21 performances. The result is a gorgeous photographic and poetic essay designed by Meat and Potatoes, dripping with elegance, high fashion, and, of course, music. Lyrics and poetry by Prince provide the through line to this volume, which includes a live CD of his afterhours performances.
212
213
24 MONT-ROYAL WEST AVE, SUITE 1003, MONTRAL, QUBEC H2T2S2 CANADA WWW.SUBCOMMUNICATION.COM WWW.SUBTITUDE.COM SBASTIEN THRAULAZ, CREATIVE DIRECTOR
SUBCOMMUNICATION
SUBCOMMUNICATION IS A YOUNG DESIGN STUDIO WHOSE COMMITMENT TO HIGH STANDARDS HAS MADE IT A RESPECTED MEMBER OF THE GRAPHIC ARTS AND NEW MEDIA COMMUNITY IN MONTREAL. OUR CLIENTS RECEIVE FULLY PERSONALIZED SERVICE FOR WHATEVER CONSULTATION OR DIGITAL PRODUCTION NEEDS THEIR PROJECT MAY HAVE. WE ARE EFFICIENT, METHODICAL, SUBTLE, IN YOUR FACE, AND OFF THE RADAR. WE ARE (SUB). TO REMAIN IN THE AVANT-GARDE OF DESIGN TECHNOLOGY AND EXPLORE NEW MEDIA PARADIGMS, WE CREATED SUBTITUDE.COM: A VIRTUAL ENVIRONMENT DEDICATED TO AUDACIOUS GRAPHIC EXPERIMENTS AND THE FREE EXPRESSION OF NEW VISUAL CONCEPTS.
CRANKED
ILLUSTRATIONS
Poster for the play Cranked by the Youtheatre. The main character of the play is a MC, ex crystal meth drug addict, who explains his story thru spoken word songs.
214
215
LOVE FROM FARAWAY SMOKE DWARF & LOVE POLAR BEAR CHRISTMAS SUBOEL FONT & LOVE POLAR BEAR/SMOKE DWARF
TYPEFACES
Several auto promotional greeting cards made during the last years.
216
217
CATALOGS
LOGOS
Printed identity of a dance school Acadmie de danse dOutremont. In 2008/09, weve created a small poster/pamphlet to show the interesting diversity of their classes. Poster & program for a public dance event organized by the Regroupement Qubcois de la Danse. The event wanted to attract grown-up & children, the concept was to place the dance in an urban environnment and to show the wide diversity of the existing dances.
218
219
DESIGN PANACEA
458-64 BONGCHUN-DONG 2ND FLOOR, GWANNAK-GU, SEOUL 151-823 KOREA WWW.DESIGNPANACEA.COM ALBERT CHOI, CREATIVE DIRECTOR
DESIGN PANACEA BELIEVES THE POWER OF DESIGN: IT INFLUENCES THE SOCIETY AND CULTURE. THUS, OUR UNIQUE BRANDING STRATEGY AND DESIGN METHODOLOGY CREATE AN EFFECTIVE VISUAL COMMUNICATION FOR ITS MESSAGE. OUR DESIGNS BECAME A VISUAL LANGUAGE FOR OUR CLIENTS TO MANIFEST THEIR CULTURAL IMPACT AND SOCIAL STATUS IN THE COMPETITIVE WORLD MARKET.
PRINTS
Title: Korea, Sparkling Client: Korean Tourism Organization (KTO) This 13 color lithographie card is promoting a new brand slogan Korea, Sparkling. A colorful typography is centered in the card to express the message of the brand slogan. This design shows the simplicity and complexity of Korean culture.
220
221
ENVIRONMENTAL DESIGN
Title: MusicaHumana Client: Korean Korea Institute of Musicology Each issue has a expressive color and texture illustrations to symbolize music, research and season. 7 hot dong shapes represent 7 music notes. Musica Humana logotype in the bold color shaped banner creates visual focus of the layout.
Title: Street Number Signage and Number Design Client: Socho-Gu, Seoul, Korea Designed a unified street number signages for Secho-Gu, Seoul in Korea. Its concept is to bring the best visual representation and classic feeling to define the Secho-Gu brand with suiting different street environemnts. It needed special number designs.
222
223
Pract i c al D e s i g n s
TYPEFACE
We designed several custume typefaces to utilize in our specialized projects. This shows unique and special quality to the designs. This is our signature.
224
225
May 2008
TSANG, TAK PING
May 2008
TSANG, TAK PING
This is a graphic statement published in the Hong Kong newspaper Sunday Mingpao to critically reflect on the impermanence in life. I made use of a newspaper spread as the starting point, where on one side there is the sales report of the luxurious flat in Hong Kong, and on the other, a report on the earthquake in Si Chuan, China. The contrary dove me to put ontop of it an extract from the Buddhist sutra to reiterate the impermanence in life.
This is a graphic statement published in the Hong Kong newspaper Sunday Mingpao to critically reflect on the Olympic Games held in China. The photographs were taken on the day when the Olympic torch passed by Hong Kong. The text reads In the era of collective dreaming, without any choice, everyone has to cling to the values of being fast, high and strong. Along the line, the strong will be stronger; the weak weaker.
226
227
The Szeged Symphony Orchestras historical roots back to the eighteenth century, but the orchestra only was established in 1969 as a separate entity. With this object the modern and also the classical line is present in the design. By the ordered distribution and shapes are apparents the free and easy elements like in the music. To design the identity and the brochure of the orchestra must be have two further aspects: youthful enthusiasm and elegance.
228
229
An art poster for Digital Artist Chun shin parks solo exhibition. Visualized artists great pleasure for painting only with digits.
230
231
Hanging On
BENITEZ, BRENDA
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
This is a corporate identity piece for a restaurant and bar on Californias Catalina Island. The idea was to visually revisit the 1930s, where, during the prohibition, large yachts were anchored far enough of the states coastline to allow the consumption of alcohol and gambling.
232
233
09 Patterns in Silhouette
PAEK, JAEEUN
A silhouette is a reflection of a figure. We see a womans silhouette. We could image her in the silhouette. We see textile patterns in the silhouette. We could image the living patterns of her in the silhouette.
234
235
To celebrate the world graphic day, I used many cropped national flag shapes and colors as design elements to demonstrate the colorful design world. Design shares many similarities and has no notional boundaries.
Information design is defined as an easy and clear ways for effective visual explanations. But it is still needed for certain attractive forms and aesthetics presenting to designing values. Informational patterns which are visual legends contained with inherent images. I designed calendar 2009 for Amoeba Design Company with informational patterns showing world heritages forms and their values.
236
237
Immigration
ZANTIDES, EVRIPIDES
The concept for the poster is based on inter-textualizing the screen of a radar. ...A radar dish, or antenna, transmits pulses of radio waves or microwaves which bounce off any object in their path. The object returns a tiny part of the waves energy to a dish or antenna which is usually located at the same site as the transmitter. The time it takes for the reflected waves to return to the dish enables a computer to calculate how far away the object is, its radial velocity and other characteristics... The poster is using the way that radars work by substituting the objects they depict with human specifications. This is done to provoke thought on the way that immigrants are treated, their possible reasons for immigrating and their wish for better lives.
238
239
Liberty
COOK, MIKE
Over Population
LOU, MARTIN
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
240
241
Milked
MEI, AMANDA
Care Less
SABINO, ROB
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
242
243
Control
GOV, STEPHANIE
Conceived Restriction
WU, SAMANTHA
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
244
245
Controlled
GOV, STEPHANIE
Missing America
JIMENEZ, LETICIA
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
246
247
Be Free
YI, YANG
A consortium of graphic designers, under the art direction of Sarah A Meyer, created this series of Graphic Call-out posters to advocate change through education. Each poster explores the environmental impetus for human trafficking upon disadvantaged populations. The posters were produced in answer to the documentary, CALL + RESPONSE, a film collaboration of artists and humanitarians.
248
249
Untitled
PETER DE BOER
Untitled
PETER DE BOER
250
251
Pilgrimae Book
ALMKHLAAFY, ASTRID
Pedestrian Crossings
CEHOVIN, EDUARD & DEVETAK, TANJA
The ZEBRA project incorporates the creative practice of visual communications into existing road markings. The projects goal is to change the existing image of the pedestrian crossing using a new design dimension. In our intervention only existing crossings have been used. With their new visual image, they define the direction of movement inside/outside the pedestrian zone to users, letting them know that they are inside or outside the pedestrian zone. The ZEBRA projects gallery is the street, the artists signatures are the works themselves, the viewers of the project are passers-by.
A collection of thoughts and images from Angkor Wat. Collages and photos responding to the nature of the pilgrimage and the multiple voices and paths of the collective experience.
252
253
Kali Nikitas
MCKNIGHT, JENNIFER
Kali Nikitas, a speaker at UM-St. Louis, is an inspired educator who heads the design department at Otis College of Art and Design in Los Angeles. For this poster, My student Adam and I explored the theme suggested by her design company, Design for Love (+$) as well as her passionate approach to both teaching and design to create this creatively bursting, colorful and over-full poster. To give it an even warmer feel, we flocked the black lines to make them warm and fuzzy.
Color Management: A Comprehensive Guide for Graphic Designers, and its companion book, Acuity Color System, describe how to forecast the physical, psychological, and/or learned behavioral effects of color and how we can use color to create more meaningful messages. By unlocking expertise and demystifying theory, these books open the door to new and bold uses of color that communicate and entertain.
254
255
Modern Vintage
KIM, HYUN-JUNG
This company produces, the part of electrical contacts of machinery and tools, using the special metals. It is introduced new identity system in this company by reason of this company needs an identity that strong brand power of facilitates growth. The key words: technology, contact and safety. We get inspiration from the sound of three Hangul and the plus sign, minus of electricity. It meanings are: Make up the world of safety by future-oriented technology and human. It is idea and spirit of this company.
This compilation poster was created based on the concept of Fossils Modern Vintage Campaign in 2008. The inspiration for this set of posters was a fiction event or festival and was designed to evoke the early to mid-20th Century modern design era. The shapes are simple and soft, and the lines are clean, bring to mind the authentic feeling of the mid-Century time period from the 1940s to the 1960s.
256
257
FeRichi
PEJI, BENNETT
FeRichi, a Chinese-modern luxury brand with Italian roots. Branding, positioning strategy, design guidelines, collateral, interior design and product design systems created by Bennett Peji Design to reflect Chinas transformation from a manufacturing economy to a creative economy.
258
259
Man-Na
PARK, SEUNG-DAE
260
261
This is part of a series on the visualization of diverse sensory information. This picture expresses auditory information in visual form. After iconizing the diverse sounds that we encounter through devices in our every lives, they were mapped on the affective dimensions of pleasure and arouser
This Poster is expressed the meaning of peace as a main visual concept within comma. It is also composed the images of peace film festival using by the couples of typographic. And it is emphasized the dove, the image of the peace, to show the constructive communication.
262
263
Untitled
YI, JUNG-HEE
This is notebook book design for elementary school students at Morning Glory in 2009. I designed Bini and her friends that is Morning Glory character.
South Koreas Third city, Daegu has many Korean Traditional heritage. Oriental medicine market is one of them. This Poster is made for 2009 Oriental medicine culture festival. Calligraphic line and color means Korean traditional emotion.
264
265
[HORIZONTAL FORMAT]
Evenson Design Group (EDG) is participating at BuFest, the largest Indie music festival in California on May 30 and 31. EDG has created an inaugural poster to celebrate this socially responsible, eco-friendly concert. This limited edition poster will be on sale at the EDG booth all weekend long until we run out. A portion of the proceeds will be donated to Tree People, a local nonprofit with 30 years of service helping nature heal our cities.
Postcard to announce classical music concerts by the Providence String Quartet and Community MusicWorks students.
266
267
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
268
269
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
A part of the Great Absolute (expressed in the national flag of Korea) is the symbol of the Korean peninsula. The beautiful land to be eternally protected and transferred to the future generations around the east, the west, the south and the north is symbolically depicted. The heaven, the earth, the nature and the creation are expressed in design of 4 color tones.
270
271
[HORIZONTAL FORMAT]
[HORIZONTAL FORMAT]
UNESCO Proposal
LEE, KIL-HYUNG
This proposal is for 2009 UNESCO Creative Cities selection. The proposal is designed using Seoul color, Seoul font and Seoul-symbolizing calligraphy as it graphic motive. The case and the cover is made of Hanji (Korean paper) to enhance the image of Korean traditions and history.
This proposal is for year 2010 World Design Capital selection. Its cover is designed using calligraphy that symbolizes Seoul as its graphic motive, and the back of a book section of the book uses silk material with Korean traditional markings printed on it.
272
273
[HORIZONTAL FORMAT]
OWF. Bonn- Germany (IFOAM) The poster was launched in Modena, Italy in 2008 to show the recently created Organic World Foundation and its visual identity. The picture shows the world as a living being.
274
275
PARTICIP A N T S L I S T E D I N A L P H A B E T I C A L O R D E R
183 PARTICIPANTS AND 8 DESIGN FIRMS FROM 23 NATIONS
ARGENTINA
GUERRINI, SEBASTIAN [email protected] Guerrini Design Land Let Green be (p. 102) Organic World Foundation (p. 270)
GERMANY
H E F E L E , JR G E N [email protected] Juergen Hefele Design Lyouit Corporate Design (p. 226) Protest the to be built nuclear power station in Sinop, Turkey (p. 235)
IRAN
BAHAREH, MALEKI [email protected] Untitled (p. 95)
SABHA, MOHAMMED [email protected] All Pollution Because of You! (p. 94) SHOUMALI, NOOR [email protected] Time Passes By (P. 43) YASEEN, SAFIYA [email protected] Are You Going to Let Me Go? (p. 47)
C HEE , M YONG -K OO [email protected] Sangji University Save Water (p. 142) C HO , C HAN -WOO [email protected] Dongyang Technical College Water & Life (p. 112) C HO , C HU -WON [email protected] YoungNam Foreign Language College Friends of the Earth (p. 62) C HO, H YUN -J OO [email protected] Hongik University Ecological Constellation (p. 115) C HO , Y ONG -J AE [email protected] Namseoul University Imagine (p. 63) C HOI , I N -S OO [email protected] Sunlin University Fly to the Sky (Protection of Nature) (p. 77) C HOI , I N -YOUNG [email protected] Hanyang University Consumed (p. 73) C HOI , K YUNG -S UG [email protected] Wonkwang University Finding Earth (p. 27) E OM, I N-YOUNG [email protected] Yuhan University Companion or Belongings? (p. 160) EUM , Y OUNG -S IK [email protected] Korea Aerospace Research Institute Help Me! (p. 52) HA , Y ONG -H UN [email protected] Sangji University The Cycle of Nature and Creation (p. 143)
H AN , C HANG -KYU [email protected] Howon University Blown in the Wind (p. 171) H AN , Y OUNG -JIN [email protected] Callibrand Oriental Medicine Culture Festival (p. 261) Polar Bear (p. 61) H EO, W OOK [email protected] Kangnam University The Earth, the Art Itself! (p. 66) H ONG , C HANG -HOON [email protected] Kyungmin College The Global Environmental Protection (p. 144) H ONG , JI -W ON [email protected] Induk Institute of Technology Weve Lost It, Eden (p. 65) H ONG , S UNG -IL [email protected] Kyungwoon University Save the Tree (p. 141) H WANG , S OON -SUN [email protected] Sookmyung Womens University Lets Go to Green Camp! (p. 64) IM , C HANG -YOON [email protected] Seoul Institute of the Arts Old Oriental Ten Symbols of Eternal Life (p. 163) JEONG , B YOUN -G UK [email protected] NamSeoul University The Environmental Doomsday Clock (p. 84) JEONG , J AE -H WAN [email protected] Hong-Ik University Convention to Combat Desertification (p. 60)
ITALY
VULPINARI, OMAR [email protected] Fabrica Cerberum (p. 99)
CANADA
LEE, JUMIN [email protected] JML Studio The Climate Change Report (p. 104)
GREECE
POOR DESIGNERS [email protected] Love Affair (p. 168)
KOREA JORDAN
AL-MOUSA, MOHAMMED [email protected] Dont Burn the Green (p. 39) AL-NAIM, ARAFAT [email protected] Arts and Design Applied Science University Change a Light, Change the World (p. 126) AL-QUDAH, OMAR [email protected] Save It or Lose It (p. 86) AL-TUBASSI, FADI [email protected] Environmental Pollution of Car Exhaust (p.167) HAMDAN, TASNEEM [email protected] Global Warning From The Global Warming (p. 44) HIJJAWI, ISSAM [email protected] Our Planet Needs Every Drop of Water (p. 46) KHALID, HAYTHAM [email protected] Our Live is the Price (p. 152) NAZZAL, YASIR SALAH [email protected] One Drop One Place Damage ] Everywhere (p. 121) A HN , B YEONG - KOOK [email protected] iwebdy net Untitled (p. 90) A HN , C HANG -H O [email protected] Youngdong University Greenpeace Environment (p. 25) A HN , K YUNG -WHAN [email protected] Sejong University The Earth Which the Next Generation Keep on Living (p.42) BAE , S UNG -I K [email protected] Kyungwoon Univiversity Korea is Water-stressed Country (p.124) BAIK , D O-H YEON [email protected] Hongik University Please, Give Me the House (p.164) BAIK , K UM -N AM [email protected] Sungkyunkwan University What I Have Thought (p. 68) C HA , J EONG -UN [email protected] Drama Bank Global Warming (p. 58)
COLOMBIA
G MEZ CASTILLO, PIEDAD ROC O [email protected] Fundacin Universitaria del rea Andina The Alternative, Energy Altenative (p. 106)
HONG KONG
LAI, GIDEON WAI KWAN [email protected] Ameda Design Ctd Bless China: Sichuan Earthquake 512 (p. 235) TSANG, TAK PING [email protected] School of Design Hong Kong Polytechnic University No Involvement for Being at Ease (p. 105) May 2008 (p. 222 & p. 223)
CYPRUS
PAPADEM A, ASPASIA [email protected] University of Nicosia High Voltage (p. 71) ZANTIDES, EVRIPIDES [email protected] University of Nicosia Immigration (p. 234)
HUNGARY
KISS, FERENC [email protected] Clear (Voice and Air) (p. 103) NORBERT, DURST [email protected] Plus-Gratis Kft Szeged Symphony Orchestra Logo, Identity Card and Presentation Brochure (p. 225)
CZECHIA
RAJLICH JR, JAN r [email protected] Ekoplakat (Eco-poster) (p. 81)
276
277
J OO, Y OUNG-SOOK [email protected] Dong-Eui University Your Choice? (p. 114) J UN , JONG -BUM [email protected] Sahmyook University Flowing (p. 110) J UNG , H YE-JA [email protected] Murray State University, USA 99 Ways to Save the Environment (p. 113) K ANG , H Y UN -JONG [email protected] Yuhan University Resolution (p. 40) K IM , B YEONG -OK [email protected] Kunsan University Untitled (p. 120) K IM , C HEE -Y ONG [email protected] Dong-Eui University Ah~ Earth (p. 151) K IM , D ONG -H O [email protected] Hongik University Coexist (p. 34) K IM , G EUM-JAI [email protected] Yuhan University Green is Life (p. 28) K IM , G YO -WAN [email protected] NamSeoul University Surface and Structure (p. 75) K IM , H YE-KYUNG [email protected] Kyung Hee University Save the Earth Save the Life (p. 118) K IM , H YUNG -JOO [email protected] Purdue University Sustain US (p. 119)
KI M , HY U N- JE E [email protected] Seoul National University Time to open the Pandoras Box (p. 109) KI M , HY U N- JU N G [email protected] Yonsei University Digital Malfunctionality (p. 165) KI M , HY U N- WO O K [email protected] Neo Prime Korea Inc. Around Me (p. 146) KI M , IN- HW A [email protected] Yuhan University Eco Design (p. 166) KI M , IN- HY E [email protected] Shingu University They Might be the Last (p. 148) KI M , JU N G- KY U [email protected] C&T Trading Inc. A Water-Stressed Country (p. 31) KI M , JU N- KY O [email protected] Chung-Ang University Animal Protection Poster (p. 98) KI M , MI N- JE U N G [email protected] Hanyang University Recycle (p. 128) KI M , NA M - HO [email protected] Sangmyung University Stop Whaling! (p. 107) KI M , SA N G- RA K [email protected] Dankook University Black Disaster (p. 122) KI M , SU N G- JA E [email protected] Kyungbuk College Korea is Disappearing (p. 85) The 4th Kyungbuk College Digital Image Camp (p. 267)
K I M , S U N - WH A [email protected] Pukyong National University Disappeard Friends (p. 123) K I M , YU - RI [email protected] The Last Meal (p. 162) K W O N, H Y O - JE O N G [email protected] Pusan National University Nature is Our Life (p. 129) K W O N, O - YO U N G [email protected] Maeil Dairies Co., Ltd. Braille Milk (p. 78) L E E, B O N G- N Y E O [email protected] Joongbu University International Environment and Life Protection Campaign (p. 56) L E E, B Y E O N G - JO O [email protected] Hansei University Listen to the Last Rain (p. 83) L E E , CH A N G - S O O [email protected] Korea Digital University Equation (p. 130) L E E , H A K- WO O [email protected] Busan Design High School Eco & Dream (p. 157) LE E , H Y A N G - A [email protected] Seoul Cyber University A SOS, You Cannot Recycle the Earth (p. 59) LE E , H Y U N - WO O [email protected] Woongjin Think Big Design Team What Color is the Earth? (p. 96) LE E , JA E - G O O [email protected] IGA SangSang God Saw that Beautiful World (p. 93)
L EE , J IN -SIL [email protected] Humana Namsan Hospital Our Home Earth Vanishing (p. 159) L EE , J IN -SOOK [email protected] Woo Song University Protect Environment (p. 87) L EE , J ONG -SOOK [email protected] Door Communications Smaller Carbon Footprints (p. 72) LEE , J UNG -H YUN [email protected] Extinction & Creation (p. 158) L EE , J UNG -J O [email protected] Wons Academy What Should We Do? (p. 91) L EE , K IL -HYUNG [email protected] Hong Ik University WDC (World Design Capital) Year 2010 Proposal (p. 269) UNESCO Proposal (p. 268) L EE , K YOUNG -H YEON [email protected] Sungkyunkwan University Save Our Nature (p. 138) L EE , K YOUNG -Y ONG [email protected] Kyungpook National University School of Architecture Modeling Exhibition (p. 257) L EE , M I -JUNG [email protected] Seoul National University of Technology Save the Animal (p. 137) LEE , M I -Y OUNG [email protected] Daejin University Change Less (p. 108) LEE , M YUNG -H O [email protected] Kangwon National University College Peace Film Festival Poster (p. 259)
LEE , S EUNG -I LL [email protected] Chungnam Provincial Chungyang College Wild Flowers (p. 140) LEE , S U -JIN [email protected] Yonsei HCI Lab Audial Emotion Dimension: Pleasure & Arouser (p. 258) LIM , B YUNG -WOO [email protected] Donga E&D The Best Way We Can Do Before Adieu (p. 53) LIM , S EO -KYUNG [email protected] Hong-ik University Save the World (p. 57) MYUNG , K WANG -J OO [email protected] Hansung University Pure Water is a Diamond of The First Water (p. 97) N A, I N-S UN [email protected] Hyechon University Earth (p. 30) N AM , S UK -H EE [email protected] N Design Studio Save Water: Please, Save Me! (p. 135) Dong Kwang Special Metals co, LTD. CIS (p. 252) N OH , Y OUNG -JOO [email protected] Yu Han University Cant You See My Forest of Tears? (p. 80) O H , C HI -GYU [email protected] Chungnam National University Nostalgia about All Things (p. 100) O H , D ONG -JUN [email protected] O-chae Eco is my best friend Dont Touch (p. 76)
OH , J I-E UN [email protected] Nature, Damage is Done (p. 153) P AEK , J AEEUN [email protected] Shingu University 09 Patterns in Silhouette (p. 230) P ARK , B ONG -YONG [email protected] Hong Ik University Save the Earth (p. 51) P ARK , C HUN -S HIN [email protected] Seoul Institute of the Arts Park Chun Shin Invitation Exhibition (p. 227) PARK , H YO -S HIN [email protected] Yonsei University Calendar Design with Informational Patterns (p. 233) P ARK , I N -S EONG [email protected] Pyeong Taek University Save the Earth (p. 32) P ARK , J ONG -B IN [email protected] Woosong University They Cannot live in Warm Places (p. 133) P ARK , M OO -G UN [email protected] the Flying BUS Doosan Infracore 2009 Magazines (p. 254) Preserve Your World. Preserve Yourself. Act Now. (p. 33) PARK , S EUNG -D AE [email protected] Gangwon Provincial College Man-Na (p. 256) PARK , S UNG -H YE [email protected] Yuhan University Stand by Me (p. 88)
278
279
PARK, T AE -H O [email protected] Induk Institute of Technology Water is Life (p. 125) PARK, WOOH-Y EONG [email protected] Yuhan University Beautiful Woods (p. 131) PARK, Y U -SUN [email protected] Sahmyook University The National Nature Trust of Korea C.I. (p. 266) R A, JEONG -H YUN [email protected] CEHBtech. Co., Ltd. Leaf is Life (p. 149) R YOO, C HEUL-H O [email protected] Konyang University Untitled (p. 172) S EO , JAE -HWA [email protected] Chungkang College of Cultural Industries Lets Save the Sick Earth! (p. 41) S EO , JIN-Y OUNG [email protected] Kimpo College If We Keep Doing Like This... (p. 136) S HIM, KYU -H A [email protected] Ssamzie The Number of Connection (p. 92) Ecognize (p. 132) S HIN, S EONG-H OON [email protected] Seoul Institute of the Arts Stop! Global Warming (p. 89) S HIN, S EON -OK [email protected] Induk Institute of Technology Forever (p. 50)
S H I N, YO N G- SO O N [email protected] Hanbat National University Oh! No! (p. 147) S O N, KE U M- SU N [email protected] Soongsil University Genesis (p. 156) WI , DO N G- M Y U N G [email protected] D_Node Think Green (p. 29) YI , JU N G- HE E [email protected] Morning Glory Untitled (p. 260) YI , SU N G- HA N [email protected] Woosong Information College The Essence of Our Nature (p. 139) YO O, DO N G- KW A N [email protected] Sangmyung University Clean Air, Clean Environment (p. 155) YO O, IN- HA [email protected] Halla University Pollution Prevention (p. 82) YO O, MY U N G- HW A N [email protected] Korea Cyber University Living Together (p. 37) YO O N, HO N G- YE O L [email protected] NamSeoul University Untitled (p. 134) YU, EU N- JU N G [email protected] Belluce Studio A Change of Scene (p. 54)
LIECHTENSTEIN
FR A N J E V I C , VL A D O [email protected] Out of Green and Back (p. 74)
SLOVENIA
CEHOVIN E DUARD & D EVETAK TANJA [email protected] Type Directors Club (NY) and ICOGRADA Pedestrian Crossings (p. 249)
USA
BARRETT , D OUGLAS [email protected] University of Alabama at Birmingham Little Things Are Big (p. 117) BENITEZ , B RENDA California State Polytechnic University, Pomona Hangin On (p. 228) BLANK , T ODD [email protected] Todd Blank Design As Trees Die, We Die (p. 150) COOK , M IKE California State Polytechnic University, Pomona Liberty (p. 236) DE A LMEIDA , C RISTINA [email protected] Western Washington University Containing the Navigation (p. 265) D IM ARCO , P AULA [email protected] California State University, Northridge Save the Trees, Save the World (p. 111) D REW , J OHN T. [email protected] California State University, Fullerton Color Management: A Comprehensive Guide for Graphic Designers (p. 251) E VENSON , S TAN [email protected] Evenson Design Group BuFest Indie Music Festival & Green Event Poster (p. 262) Kaulua Hawaiian Chocolate (p. 231) G OV, S TEPHANIE California State Polytechnic University, Pomona Controll (p. 240) Controlled (p. 242)
G RAME , R OBERT [email protected] University of Texas Arlington Cut Consumption (p. 79) JIMENEZ , L ETICIA Missing America (p. 243) KELLEY , J AMES [email protected] California State University, Northridge The Avalon Room (logo) (p. 229) Yield (p. 35) KIM , H YUN -J UNG [email protected] Fossil Modern Vintage (p. 253) LA C AVA , D AVID [email protected] Were All Sunk (p. 153) L OU , M ARTIN California State Polytechnic University, Pomona Over Population (p. 237) M c KNIGHT , J ENNIFER [email protected] University of MissouriSt. Louis Kali Nikitas (p. 250) Take Care of Our Home (p. 45) MEI , A MANDA California State Polytechnic University, Pomona Milked (p. 238) MEYER , S ARAH [email protected] California State Polytechnic University, Pomona Color Management: A Comprehensive Guide for Graphic Designers (p. 251) MICHAEL , P ACHINO [email protected] Bridgewater State College Postcard for International Poster Exhibition (p. 264
NETHERLANDS
PETER DE BOER Untitled (p. 246, 247) P E J I, B E N N E T T FeRichi (p. 255)
TURKEY
KES , Y USUF [email protected] Sleyman Demirel University For a Green Earth! Please Ride a Bike (p. 49) SEYLAN , A LI [email protected] Ondokuz Mayis University Think or Sink (p. 116) T OMAK , A LI [email protected] Ondokuz Mayis University Yellow+Green+Blue (p. 70)
QATAR
DIANE, MIKHAEL [email protected] Virginia Commonwealth University Qatar Two Cultures One Design (p. 224)
SAUDI ARABIA
E L- A M I R I, S U L A I M A [email protected] Applied Science University Melting Globe (p. 36) S A B R I, BA N A [email protected] Applied Science University Global Warming (p. 48)
UK
A BU-A WAD , E SSAM [email protected] Coventry University Justice (p. 38)
UKRAINE
SOLOMADINA , A LIONA [email protected] S_GRAPHICS studio Air Pollution Attacks! (p. 145)
SINGAPORE
A L M K H L A A F Y, A S T R I D [email protected] Nanyang Technological University Pilgrimage Book (p. 248)
280 N INI, PAUL [email protected] Ohio State University 30% less CO 2 by 2020 (p. 161) O CKERSE , THOMAS RISD Water Matter/s: 51 Perspectives (p. 245) R IZK , M AGDY [email protected] California State University. Northridge Atlas Burdened (p. 26) SABINO , ROB California State Polytechnic University, Pomona Care Less (p. 239) S ALCHOW MAC ARTHUR , KE L L Y [email protected] Michigan State University Look. Listen. Feel. (p. 69) SANCHEZ , MAGALY [email protected] Global Connection (p. 55) TARALLO , DONALD [email protected] Bridgewater State College Postcards for Concert Series (p. 263) W RIGHT , E RIN [email protected] University of Alabama at Birmingham Acid Rain (p. 127) W U , S AMANTHA California State Polytechnic University, Pomona Conceived Restriction (p. 241) YI, Y ANG California State Polytechnic University, Pomona Live Free (p.244) ZHANG , L I [email protected] Purdue University Cut Down Pollution (p. 170) Colorful World of Design (p. 232) ZHOU, JING [email protected] Monmouth University Stop Whaling (p. 24)
281
DESIGN FIRMS
AND www.and.ch Creative Director: Jean-Benoit Levy p. 174 DESIGN PANACEA www.designpanacea.com Creative Director: Albert Choi p. 216 FABRICA www.fabrica.it Creative Director: Omar Vulpinari p. 180 FRANK+VICTOR DESIGN www.frankandvictor.com Creative Directors: Josh Finto Chris Visit p. 186 HAMAGAMI & CARROLL www.hcassociates.com Creative Directors: John Hamagami Justin Carroll p. 192 KAME DESIGN www.kamedesign.com Creative Director: Joachim Mller-Lanc p. 198 MEAT & POTATOES www.meatoes.com Creative Director: Tod Gallopo p. 204 SUBCOMMUNICATION www.subcommunication.com www.subtitude.com Creative Director: Sbastien Thraulaz p. 210
EXHIBITION DIRECTORS
CHIEF DIRECTOR
ORGANIZERS
KOREAN SOCIETY EXPERIMENTATION IN CONTEMPORARY DESIGN (KECD) ART DEPARTMENT, CALIFORNIA STATE UNIVERSITY NORTHRIDGE (CSUN)
INYOUNG ALBERT CHOI, PH.D. VICE PRESIDENT, KECD PROFESSOR, HANYANG UNIVERSITY KOREA
DIRECTORS
DAVE MOON PROFESSOR CALIFORNIA STATE UNIVERSITY NORTHRIDGE CALIFORNIA, USA SCOTT HUTCHINSON PROFESSOR UCLA EXTENTION CALIFORNIA, USA DONALD TARALLO PROFESSOR BRIDGEWATER STATE COLLEGE MASSACHUSSETTES, USA
SPONSORS
AMERICAN INSTITUTE OF GRAPHIC ARTS (AIGA LOS ANGELES, USA) KOREAN FEDERATION OF DESIGN ASSOCIATIONS (KFDA) KOREA INSTITUTE OF DESIGN PROMOTION (KIDP) MINISTRY OF FOREIGN AFFAIRS AND TRADE (MOFAT) KOREA TOURISM ORGANIZATION (KTO) DESIGN RESEARCH & EDUCATION LAB (DREL)
282
283
284