Reviews | NME

FKA Twigs live in London: the queen of avant-pop brings ‘Eusexua’ mesmerisingly to life

Magazine, London, March 21, 2025: songs from across the artist’s catalogue get enveloped in the world behind her striking third album in a typically artful performance

‘This City Is Ours’ review: Merseyside mob drama offers more than drugs and violence

Sean Bean leads a chaotic crime family who are missing a shipment of cocaine

‘The Studio’ review: Seth Rogen and an all-star cast take on Hollywood

The funniest thing to come out of 2025 so far

‘Hyper Knife’ review: satiate your morbid curiosity

A renowned neurosurgeon has to face his twisted former student when he requires a near-impossible, life-saving surgery

The Horrors – ‘Night Life’ review: returning to the depths of the darkest night

The band’s latest is an engrossing nocturnal stunner and the veteran goths’ most singular album yet

‘Assassin’s Creed Shadows’ review: a bold new era for the historical action series

Two very different protagonists and a fresh Japanese setting make for a near-perfect adventure

Japanese Breakfast – ‘For Melancholy Brunettes (& Sad Women)’ review: a work of art

Michelle Zauner’s deliciously nuanced songwriting shines on the indie rockers’ bold, beautifully realised fourth album

Playboi Carti – ‘Music’ review: cinematic chaos

The new-school rap leader remakes trap again in his own image on his breathlessly anticipated third studio album

‘Opus’ review: bizarre but funky pop star thriller

A ‘90s icon returns and gives people more than 'dynamic pricing' to worry about

LE SSERAFIM – ‘Hot’ review: dancing through the fire

On their fifth mini-album, the K-pop girl group wholeheartedly embrace passion and pain like never before