DVD & Blu-rays Released September 5, 2017

Garance Marillier portrays the teenaged Justine, who commences her studies at veterinary school to follow in her family members’ footsteps. Raised as a vegetarian, Justine is pressured at school to try meat for the first time. Once she does, she plumbs both the depths of her own soul and tests the limits of her darkest cravings.

In order to reconnect with his son Danny (Ty Shelton), big shot Wall Street broker Will (Hayden Christensen) takes his family on a hunting trip to the cabin where he grew up. While out hunting with Danny, the trip takes a deadly turn when they stumble upon several robbers and witness the murder of one of the criminals. After becoming entangled in a bank heist gone bad that results in the kidnapping of Danny, Will is forced to help the kidnappers evade the police chief (Bruce Willis) and recover the stolen loot in exchange for his son's life.

Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she’s on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic.

What makes a film score unforgettable? Score: A Film Music Documentary brings Hollywood's elite composers together to give viewers a privileged look inside the musical challenges and creative secrecy of the world's most international music genre: the film score. A film composer is a musical scientist of sorts, and the influence they have to complement a film and garner powerful reactions from global audiences can be a daunting task to take on. The documentary contains interviews with dozens of film composers who discuss their craft and the magic of film music while exploring the making of the most iconic and beloved scores in history: James Bond, Star Wars, Indiana Jones, Pirates of the Caribbean, Titanic, The Social Network, Mad Max: Fury Road, and Psycho.

An exploration of the blurring line between childhood and adulthood, Antonio, Juan, and Jarad, all teenagers between 14 and 16, face decades in adult prison. To pass the time, they sign up for a screenwriting class and collaborate on a short film about their lives. What immediately becomes clear is that while the gravity of their alleged crimes haunts every frame, these young men are still simply teenagers. Do they deserve a second chance? The question is a societal conundrum beyond legislation and data. To their advocates, they're kids. To the system, they're adults. To their victims, they're monsters.