In 2001, Kunqu, a traditional Chinese opera form, was proclaimed one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO. To increase the public’s interest in artistic appreciation and theatre, the TSMC Education and Culture Foundation endorses artists, schools, and students by organizing performances, preserving heritage, and funding arts programs. Click to learn more! #TSMCFoundation #KunquOpera #ArtsAppreciation
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Eurydice Fragments: Auditions Open Call Be part of a contemporary performance that fuses opera with modern technology. Through an immersive exploration of our digital and carbon existences, the performance dissolves the binaries we are bound to from birth until death, and strums the threads between heaven and hell, male and female, maker and muse, performer and audience. Learn more: https://lnkd.in/dKFDipvF #CreativePathways
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Today on “Opera with Joe.” Why should we give to the arts? Advocating for support and investment in the arts, discussing the societal benefits of arts funding and the importance of preserving cultural heritage and creative expression. Watch the video on our blog, https://wix.to/ZVhYyyD #newblogpost #fortworthopera
Embracing the Power of the Arts: Exploring “Why is Supporting the Arts Important?” with Opera With Joe
fwopera.org
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Dr (h.c) FRSA - CEO NTIA / Chairperson UKDSA / Vice President INA / Trustee Nine Point Eight Charity - [email protected]
Nightlife Articles #40: Why Aren’t Clubs Recognised as ‘National Portfolio Organisations’ like Galleries, Museums and Theatres The time has come to question the outdated cultural hierarchy that places classical arts above contemporary ones. The contribution of clubs to our society is clear—they are hubs of creativity, diversity, and economic activity. Clubs or venues like Fabric, SubClub, Ministry of Sound, and Printworks deserve to be celebrated, protected, and funded in the same way that opera houses and theatres are. Let’s not wait until it’s too late to recognise their value. It’s time to give clubs the support they need to continue shaping the culture of tomorrow. https://buff.ly/3Uahfke
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Nightlife Articles #40: Why Aren’t Clubs Recognised as ‘National Portfolio Organisations’ like Galleries, Museums and Theatres The time has come to question the outdated cultural hierarchy that places classical arts above contemporary ones. The contribution of clubs to our society is clear—they are hubs of creativity, diversity, and economic activity. Clubs or venues like Fabric, SubClub, Ministry of Sound, and Printworks deserve to be celebrated, protected, and funded in the same way that opera houses and theatres are. Let’s not wait until it’s too late to recognise their value. It’s time to give clubs the support they need to continue shaping the culture of tomorrow. https://buff.ly/3Uahfke
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Listen to the interview.
Missa Gaia concert harnesses Earth's harmony to the Liturgical Arts Festival May 4
nprillinois.org
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Nightlife Articles #40: Why Aren’t Clubs Recognised as ‘National Portfolio Organisations’ like Galleries, Museums and Theatres The time has come to question the outdated cultural hierarchy that places classical arts above contemporary ones. The contribution of clubs to our society is clear—they are hubs of creativity, diversity, and economic activity. Clubs or venues like Fabric, SubClub, Ministry of Sound, and Printworks deserve to be celebrated, protected, and funded in the same way that opera houses and theatres are. Let’s not wait until it’s too late to recognise their value. It’s time to give clubs the support they need to continue shaping the culture of tomorrow. https://buff.ly/3Uahfke
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Creator of niche commentary site storm-asia.com and regular webinar series WED WEB CHAT. Publisher of books and zines.
Join me for the WED WEB CHAT discussion on the state of niche art companies and how they build content and support. #storm-asia #wedwebchat #webinar
Society needs the arts as part of its character building process. In Singapore’s multi-cultural society, the convergence of cultures means it can be more challenging for the cultural groups catering to smaller communities to stay viable. How do the niche groups build their base and continue their work? Join the lunchtime WED WEB CHAT — Crafting Your Own Niche on Wednesday 7 August from 12:45pm to 1:30pm (SGT) with panellists: Aravinth Kumarasamy, Artistic Director, Apsaras Dance Company and Cultural Medallion winner 2022; Heather Tan, Founder, Opera Festival Asia; Nancy Yuen, Artistic Director, Soprano, Singapore Lyric Opera; Riduan Zalani, Co-founder, Artistic Director, Nadi Singapura; and Yaziz Md Hassan, MD, Co-founder, Nadi Singapura. Join the Zoom session via this link: https://zurl.co/p29q #arts #culture #troupes #webinar #stormsasia #wedwebchat
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What happens during the initial state of Li anode formation in anode-free solid-state Li batteries? In our OPERA Project (Horizon Europe) BATTERY 2030+ we explore this via e.g. operando nano X-ray diffraction @ID13 at ESRF - The European Synchrotron.
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English and Drama Teacher at The British International School Budapest/DP Examiner for English Language and Literature/English Tutor (DP and IGCSE)
Teaching #WorldTheatreTraditions to younger students is not something I had much experience of before moving to The British International School Budapest, but this term I have had such a rewarding experience studying the beautiful and unique qualities of Peking Opera with Year 7. Attached is a lesson introducing some of the stock characters- Dan, Jing, Sheng and Chou- to students, experimenting with the physical aspects required to perform these characters, and using Pear Deck Learning to try and create our own character masks. Although this is aimed squarely at younger students, you could adapt it for #dptheatre students who have no, or very limited experience, of Peking Opera too. Thanks for any feedback and I hope it's useful (or at least vaguely interesting), Richard. #multilingualism
