At the Department of Management Studies (DoMS), NALSAR, we believe in nurturing creativity and encouraging our students to explore their passions. Today, we are proud to share the latest creation from our very own student-led production team, 0 AM Productions—Polaroid. Polaroid is a captivating film that was entirely conceptualized, directed, filmed, and edited by the talented students of DoMS. This project is not just a film; it’s a showcase of the remarkable skills, dedication, and teamwork that our students embody. The direction and cinematography were handled by Mahimasri Balamurugan and Sankalp Gawale, edited by Mahimasri Balamurugan and Gouthami Dayanand, the main roles were portrayed by Srikrishna Sreeja and Madhav Goyal, and the cover illustration was done by Gouthami Dayanand. We are also thrilled to mention that their previous work, Breathe, earned the title of second runner-up in the Winnow Mini Motion competition. Watch Polaroid and witness the extraordinary talent of our students! https://lnkd.in/dP5zGa_s We invite the DoMS community and beyond to support and celebrate the achievements of our students by watching and sharing the film. Let’s continue to encourage and uplift the creative endeavors within our campus! #TalentAtDoMS #DoMSNALSAR #StudentAchievements #CreativeExcellence #PolaroidFilm #FilmMaking #Teamwork
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Visual effects and real time 3D technologies are converging in a way that promises exciting and increasingly fluid workflows.
We hope you enjoy this behind the scenes featurette from ElectroLeague and Wētā FX, the creative forces behind "WAR IS OVER! Inspired by the Music of John & Yoko". In this discussion, the filmmakers delve into how Wētā FX became involved and the seamless collaboration between the teams in bringing the film to life. Join Director/Writer Dave Mullins (ElectroLeague), Producer Brad Booker (ElectroLeague), Executive Producers Sean Ono Lennon and David Conley (Wētā FX), Visual Effect Supervisor (Wētā FX) Keith Miller, Animation Producer (Wētā FX) Sophie Cherry, Digital Cinematographer (Wētā FX) David Scott, and Animation Supervisor (Wētā FX) Aidan Martin. Winner of the 51st Annie Awards for Best Short Subject and nominated for Best Animated Short at the 96th Academy® Awards. https://lnkd.in/dkk6qdbU #WARISOVER! #Animation #ShortFilm #FYC #Oscars2024
WAR IS OVER! Inspired by the Music of John & Yoko - "Making of" - Wētā FX
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Our short film, FLITE, presented a time-old challenge: how best to combine creativity and technical innovation to tell stories that couldn't otherwise be told. With a complex physical shoot and a script that relied on both high-stakes action and nuanced human performance, FLITE drew on four decades of experience, understanding and innovation to solve its manifold challenges. FUSE - Framestore Unreal Shot Engine - was the result. This short behind-the-scenes film lifts the veil on FUSE, and how it allowed us to move away from the traditionally linear nature of VFX and into a new parallel workflow. This allowed for greater flexibility and collaboration, and the chance to make better, fully-informed decisions far earlier in the filmmaking process. https://lnkd.in/eVwCHCPf #unrealengine #filmmaking #behindthescenes #VFX
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m ss ng p eces director Fausto Becatti speaks to shots about a film that's “dark, smart, and hilarious,” and explains why music videos have been such an inspiration to him, as he reveals what's on his creative radar. Check out the full article below!
On My Radar: Fausto Becatti | shots
shots.net
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Could it be??? A new animated film project in the works??? MAYBE! Shh! #film #cinema #cinematic #filmscore #filmscoring #animatedfilm #animation #dannyelfman #orchestra #movie #movies #movies2024
Caronte's Journey | Music by Ray Sharp
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"🎬✨ Excited to unveil a sneak peek of our latest project: the music video for 'Trapmandu' by Bardan Regmi( Badayy)! Our team showcases their exceptional skills in editing and videography, bringing this dynamic collaboration to life. Stay tuned for the full release – where creativity meets precision! 🎶📹 Visuals By: Jamir Shrestha Assist By: Anuj Bhattarai & Suresh Dhakal #NEMAX #MusicVideoTeaser #CreativeEditing #VideographyExcellence #Trapmandu"
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You can search IMDB by Company. For instance I can see to some extent what publishers are getting placements on what shows/films. The productions don't always list music companies in the credits but generally prominent companies get listed. For instance one can see that "Pond5", which supplies a few different kinds of media has achieved several thousand placements of content across many levels of productions. It's a way to find many different kinds of music providers (and others) in ways that wouldn't normally be obvious or popular. If you see a lot of projects, that can mean some kind of blanket arrangement is at play, just another method to gauge some aspects of a company of interest.
Advanced search
imdb.com
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This is what I deem a Tier 4 Ai Animation. Now, this pixar short film is 8 years old. Today in 2024, my Ai Animation studio has the technology and skills needed to make a short film like this at a fraction of the cost in a turn around time of approximately 2 months for the first draft. Check this out: https://lnkd.in/g-K87vq2
Disney Music - Lava (Official Lyric Video from "Lava")
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It's a full song with artificial intelligence. The melodies, images, and animation are AI. The lyrics and selection of musical instruments are only from human intelligence, edit for the final via AfterEffects for>> full listening. youtube.com/@HnMuzica #graphic #ai #music #graphicdesign
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Some fab 2d FX work in this short clip full of energy.
TBT'ing it back to Azuki Elementals 🔥 🌱 🌊 ⚡️ Check out the full short on our website - link in bio ✌️ Director: Wes Louis Director cover: Bjorn Erik-Aschim Art Director: Agathe Leroux Producer: Katerina Grecova Compositing Lead: Nick Herbert Music & Audio: Box of Toys #AZUKI#Anime #THELINE
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💭 How do you make the audience feel as if they’re moving between the real and imagined? In “All of Us Strangers,” music was the creative answer, making the audience feel dislocated, constantly questioning what’s real and what’s not. Learn more:
Editing “All of Us Strangers:” How to Shift Between the Real and Imagined - NAB Amplify
https://amplify.nabshow.com
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