namashi_1
Joined Dec 2005
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J. C. Chandor is a Director to reckon with. With three consecutive brilliant films in his repertoire (Margin Call, All Is Lost and A Most Violent Year), Chandor has proved to be a distinctive voice. And with his latest entry 'Triple Frontier', the talented storyteller has given his fourth winner. This Netflix Film works, and Chandor brings an ensemble, of whom all, prove their prowness yet again.
'Triple Frontier' Synopsis: Loyalties are tested when five former special forces operatives reunite to steal a drug lord's fortune, unleashing a chain of unintended consequences.
'Triple Frontier', as good as the film, begins dull. Yes, this otherwise compelling has an uninteresting first-act and may make you feel a bit underwhelmed. BUT hold-on, Chandor builds up the narrative in his pace, but once the actual drama kicks in, 'Triple Frontier' comes forward with its pleasures. The entire setting, the characters and the heist they're asked to pull and beyond, is engrossing. Also, despite a so many characters being in the frame at many a time, each and every character gets his own story and arc. Chandor doesn't deliver perfection here, but what he does deliver, without a shed of doubt, is an engaging action-thriller, that leaves an impact. Chandor must be commended for creating a human-drama out of a generic heist film, and to those who are aware of Chandor's taste for the unusual, would only feel further delighted with this film. Chandor's Direction is top-notch.
Chandor and Mark Boal's Screenplay could've been more crisp in the first-act, but it gathers enough momentum there-on to earn itself some well-deserved praise. Roman Vasyanov's Cinematography is skilled. Ron Patane.s Editing is good. Art and Costume Design are first-rate. Action-Sequences have been nicely choreographed and executed.
Performance-Wise: Osscar Issac and Ben Affleck lead the pack. Issac, the man in the centre stage here, takes full use of the opportunity and portrays his part with complete ease. Affleck is superb here, delivering a winsome supporting turn that leaves a solid mark. Charlie Hunnam continues to be a commanding presence on-screen, while Garrett Hedlund and Pedro Pascal are admirable in their parts, as well. Adria Arjona is perfect.
On the whole, 'Triple Frontier' is a yet another success from Director J. C. Chandor. Make time for it.
'Triple Frontier' Synopsis: Loyalties are tested when five former special forces operatives reunite to steal a drug lord's fortune, unleashing a chain of unintended consequences.
'Triple Frontier', as good as the film, begins dull. Yes, this otherwise compelling has an uninteresting first-act and may make you feel a bit underwhelmed. BUT hold-on, Chandor builds up the narrative in his pace, but once the actual drama kicks in, 'Triple Frontier' comes forward with its pleasures. The entire setting, the characters and the heist they're asked to pull and beyond, is engrossing. Also, despite a so many characters being in the frame at many a time, each and every character gets his own story and arc. Chandor doesn't deliver perfection here, but what he does deliver, without a shed of doubt, is an engaging action-thriller, that leaves an impact. Chandor must be commended for creating a human-drama out of a generic heist film, and to those who are aware of Chandor's taste for the unusual, would only feel further delighted with this film. Chandor's Direction is top-notch.
Chandor and Mark Boal's Screenplay could've been more crisp in the first-act, but it gathers enough momentum there-on to earn itself some well-deserved praise. Roman Vasyanov's Cinematography is skilled. Ron Patane.s Editing is good. Art and Costume Design are first-rate. Action-Sequences have been nicely choreographed and executed.
Performance-Wise: Osscar Issac and Ben Affleck lead the pack. Issac, the man in the centre stage here, takes full use of the opportunity and portrays his part with complete ease. Affleck is superb here, delivering a winsome supporting turn that leaves a solid mark. Charlie Hunnam continues to be a commanding presence on-screen, while Garrett Hedlund and Pedro Pascal are admirable in their parts, as well. Adria Arjona is perfect.
On the whole, 'Triple Frontier' is a yet another success from Director J. C. Chandor. Make time for it.
Dario Argento's 1977 Campy Horror film SUSPIRIA left an unending impression on filmmakers and film-buffs alike. I, myself, loved that film and hold it high to this day. And so is the case for Director Luca Guadagnino, who has passionately remade the classic with a frightening new vision. And Luca, a fine director, delivers a highly impressive remake of a much-loved classic. The brand new version may not surprise the buffs of the original, and may not appeal to all, but its distinctive vision is hard to ignore. This is deliciously twisted storytelling!
'Suspiria' Synopsis: A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
'Suspiria' is horror film that celebrates the art of dance and the twisted human psyche. Luca, along-with Writer David Kajganich, paints a film that is gorgeous in the most grotesque manner. The narrative is gruesome at times and is sure to put many off, by the bloodshed depicted here. But come on, this is a remake of a film originally made by Dario Argento, and he depicted gore with campiness. And Luca maintains the narrative with the same ideology, although this is a far more serious film than Argento's. Luca is here for the claps, so he colors every frame with a bruised beauty. Luca has done a superlative job here, as the director delivers a supernatural horror film about dance, death and witches, with a vision not many possess.
Kajganich's Screenplay flows well and offers a highly shocking finale, that is sure to leave many surprised, in a good way. However, some of the dialogue here are flat and some scenes needed to be crisper, overall. Sayombhu Mukdeeprom's Cinematography is extraordinary. The lens-man captures the madness with astounding success. Walter Fasano's Editing is sharp, although 'Suspiria' feels a little too long at a 151-minutes! Art and Costume Design are top-class. Thom Yorke's Score is superb.
Performance-Wise: Tilda Swinton is spellbinding. Cast in three roles here, all diverse from one another, the Oscar-Winner is simply unforgettable here. Dakota Johnson, the film's leading-lady, does a stellar job. Mia Goth is first-rate. Chloë Grace Moretz makes a brief appearance, but is splendid in her bit. Jessica Harper, the iconic star of the original, makes a fleeting appearance. The actresses who portray the witches, are outstanding.
On the whole, 'Suspiria' works big time. I can't recommend it enough.
'Suspiria' Synopsis: A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
'Suspiria' is horror film that celebrates the art of dance and the twisted human psyche. Luca, along-with Writer David Kajganich, paints a film that is gorgeous in the most grotesque manner. The narrative is gruesome at times and is sure to put many off, by the bloodshed depicted here. But come on, this is a remake of a film originally made by Dario Argento, and he depicted gore with campiness. And Luca maintains the narrative with the same ideology, although this is a far more serious film than Argento's. Luca is here for the claps, so he colors every frame with a bruised beauty. Luca has done a superlative job here, as the director delivers a supernatural horror film about dance, death and witches, with a vision not many possess.
Kajganich's Screenplay flows well and offers a highly shocking finale, that is sure to leave many surprised, in a good way. However, some of the dialogue here are flat and some scenes needed to be crisper, overall. Sayombhu Mukdeeprom's Cinematography is extraordinary. The lens-man captures the madness with astounding success. Walter Fasano's Editing is sharp, although 'Suspiria' feels a little too long at a 151-minutes! Art and Costume Design are top-class. Thom Yorke's Score is superb.
Performance-Wise: Tilda Swinton is spellbinding. Cast in three roles here, all diverse from one another, the Oscar-Winner is simply unforgettable here. Dakota Johnson, the film's leading-lady, does a stellar job. Mia Goth is first-rate. Chloë Grace Moretz makes a brief appearance, but is splendid in her bit. Jessica Harper, the iconic star of the original, makes a fleeting appearance. The actresses who portray the witches, are outstanding.
On the whole, 'Suspiria' works big time. I can't recommend it enough.
An official adaptation of the Spanish Film "The Invisible Guest", Director Sujoy Ghosh's 'BADLA' is an interesting murder-mystery, that keeps you guessing. While not entirely unpredictable neither perfect, this atmospheric film is a ride you wouldn't mind taking.
'BADLA' Synopsis: When top businesswoman Naina (Taapsee) is accused of murdering her lover, she seeks help from a prolific lawyer Badal Gupta (Amitabh Bachchan) to defend her. Naina says she is innocent, but is she telling the truth?
'BADLA' is a cat and mouse film, where an accused and her lawyer discover each other, while taking us to the back story that involves the murder here in question. And Ghosh, also Writer here, adapts the story well. The mystery unfolds well, and its twisted-ness manages to hold your grip. A particular sub-plot involving a grieving mother (Amrita Singh) is well-done and gives the film a nice emotional spin. Singh, superb in the role, proves how underrated the veteran has remained almost all through her career.
The only glitch in Ghosh's Writing lies in its culmination. And for any suspense murder-mystery, the finale is the most crucial. But, sadly, 'BADLA' lacks the bite here. The main twist in the tale is rather implausible and will make you question it. In short, the film works until the end. A more cleverer end was the need here! The Dialogue are enjoyable. Ghosh's Direction is skilled and well-done. The director is in form this time. Avik Mukhopadhyay's Cinematography captures the grim beauty of Glasgow, brilliantly. Editing is razor-crisp, as the film wraps up under a neat 120-minutes. Art and Costume Design are top-notch. Background Score is first-rate.
Performance-Wise: Taapsee and Amitabh challenge each other with arresting turns. Taapsee captures the flawed woman with a fierceness that comes across as natural rather than overdone. And Amitabh, as always, commands the screen. It's been 50 years since this man started working in movies and even 5 decades later, there are a very few who can hold your attention like Bachchan does. In supporting roles, Manav Kaul is underused, while Tony Luke is fantastic and adds to the film's mystery, purely on the strength of his personality.
On the whole, 'BADLA' will keep you guessing. Just don't expect to be blown away when the final suspense reveals. A decent watch!
'BADLA' Synopsis: When top businesswoman Naina (Taapsee) is accused of murdering her lover, she seeks help from a prolific lawyer Badal Gupta (Amitabh Bachchan) to defend her. Naina says she is innocent, but is she telling the truth?
'BADLA' is a cat and mouse film, where an accused and her lawyer discover each other, while taking us to the back story that involves the murder here in question. And Ghosh, also Writer here, adapts the story well. The mystery unfolds well, and its twisted-ness manages to hold your grip. A particular sub-plot involving a grieving mother (Amrita Singh) is well-done and gives the film a nice emotional spin. Singh, superb in the role, proves how underrated the veteran has remained almost all through her career.
The only glitch in Ghosh's Writing lies in its culmination. And for any suspense murder-mystery, the finale is the most crucial. But, sadly, 'BADLA' lacks the bite here. The main twist in the tale is rather implausible and will make you question it. In short, the film works until the end. A more cleverer end was the need here! The Dialogue are enjoyable. Ghosh's Direction is skilled and well-done. The director is in form this time. Avik Mukhopadhyay's Cinematography captures the grim beauty of Glasgow, brilliantly. Editing is razor-crisp, as the film wraps up under a neat 120-minutes. Art and Costume Design are top-notch. Background Score is first-rate.
Performance-Wise: Taapsee and Amitabh challenge each other with arresting turns. Taapsee captures the flawed woman with a fierceness that comes across as natural rather than overdone. And Amitabh, as always, commands the screen. It's been 50 years since this man started working in movies and even 5 decades later, there are a very few who can hold your attention like Bachchan does. In supporting roles, Manav Kaul is underused, while Tony Luke is fantastic and adds to the film's mystery, purely on the strength of his personality.
On the whole, 'BADLA' will keep you guessing. Just don't expect to be blown away when the final suspense reveals. A decent watch!
