annieoz
Joined Nov 2000
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Reviews13
annieoz's rating
Great pairing of two wayward psychoses in this TAMING. How can you not fancy a man who'll not only turn up to his wedding wearing high heeled boots, eye shadow and nail polish but but who then has the chutzpah to take on the resultant triplets? No wonder Kate is so smug at the end.
Shirley Henderson is a fabulous fruitcake, bolting on to her THE WAY WE LIVE NOW characterization even more aggression, plus much fruitful searing and wonderful body language. She'd be at home in Sicily if she didn't get knocked off first.
Rufus Sewell crosses every obstacle in presenting Petruchio as a remotely possible twentieth century human being and even makes you think you'd invite him to a dinner party (possibly a major mistake).
The rest of the casting was equally choice (my heart was especially taken by Twiggy) and the wit was sharper than a serpent's tooth!
Shirley Henderson is a fabulous fruitcake, bolting on to her THE WAY WE LIVE NOW characterization even more aggression, plus much fruitful searing and wonderful body language. She'd be at home in Sicily if she didn't get knocked off first.
Rufus Sewell crosses every obstacle in presenting Petruchio as a remotely possible twentieth century human being and even makes you think you'd invite him to a dinner party (possibly a major mistake).
The rest of the casting was equally choice (my heart was especially taken by Twiggy) and the wit was sharper than a serpent's tooth!
Looking extraordinarily like Withnail at his most dissolute, Rhys Ifans gives a pretty good shot at Peter Cook. And the others do their own impressions of the fab four - Miller, Bennett, Moore & Cook - convincingly as well. Miller is very much hand and arm movements, Bennett is a genuine look-alike and the Dudley Moore is remarkable.
Two queries: Why didn't they give him blue contact lenses when one of Cook's most striking features was his very beautiful blue eyes.
Secondly, why didn't they mention the film he made after Bedazzled? It wasn't a popular success which may have contributed to his sense of malaise as Dudley rose to the top.
And a possible goof: Wendy claims she wasn't invited to the funeral (seen off by the fierce wife #3). But there she is in the church. Just a bit of dramatic telescoping or insufficient research?
Two queries: Why didn't they give him blue contact lenses when one of Cook's most striking features was his very beautiful blue eyes.
Secondly, why didn't they mention the film he made after Bedazzled? It wasn't a popular success which may have contributed to his sense of malaise as Dudley rose to the top.
And a possible goof: Wendy claims she wasn't invited to the funeral (seen off by the fierce wife #3). But there she is in the church. Just a bit of dramatic telescoping or insufficient research?
All right - it was in black and white and probably on 2" tape - which means the BBC wiped it, right? But it stays in my mind from all those years ago (1960??) as a perfect slice of history enlivened by the most innovative editing and wonderful actors full of youth and bravado.
I WANT TO SEE IT AGAIN! Are you reading this, BBC? Find your original 2" tapes or the 35mm film, deal with the actors and directors for the rights, and re-issue! I know, I know, some of them are dead, some of them are missing in action.
Where else will I be able to see Mary Morris as the 'serpent's heart wrapped in a tiger's hide'? Where else will I be able to see Paul Daneman do 'Now is the winter of discontent....'? Or Robert Hardy deliver his speech about 'that idol ceremony'?
I WANT TO SEE IT AGAIN! Are you reading this, BBC? Find your original 2" tapes or the 35mm film, deal with the actors and directors for the rights, and re-issue! I know, I know, some of them are dead, some of them are missing in action.
Where else will I be able to see Mary Morris as the 'serpent's heart wrapped in a tiger's hide'? Where else will I be able to see Paul Daneman do 'Now is the winter of discontent....'? Or Robert Hardy deliver his speech about 'that idol ceremony'?